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Viewing: Blog Posts Tagged with: songs, Most Recent at Top [Help]
Results 51 - 75 of 114
51. the white stripes

One of my favoriteā€”one of the bestā€”rock and roll bands, The White Stripes, disbanded this week. I wanted to say something eloquent but I can't, and anyway, their music making is far better than my words about it could be.

"Jack White once claimed that he had three fathers: his biological dad, God and Bob Dylan."


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"This is possession pure and simple. Jack White sang like he had hell hounds on his trail, baying in endless anguish. He inhabits the song like a funeral mask. This is one of the saddest songs ever recorded. It's the sort of thing you never want to be in the mood to hear, but when you need it, there's nothing stronger."


Both quotes from the "Five great White Stripes covers: Dylan, Beefheart, Son House and more" article in the LA Times by Jeff Weiss

2 Comments on the white stripes, last added: 2/9/2011
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52. BLOG ALERT: Storytime Katie

I just discovered the blog Storytime Katie and, I’ve gotta tell you guys, it’s phenomenal. Ā Anything and everything you want to know about storytime is here: Flannelboards! Theme ideas! Fingerplays! Books! Songs! Ā The Penguin storytime package is particularly sweet.

And be sure to check out her helpful Resources section and follow her on Twitter (katietweetsya)!

Yep, I have definitely developed a new blog crush.

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53. swamp mouths – for illustration friday


Filed under: map, snow, songs, winter

4 Comments on swamp mouths – for illustration friday, last added: 12/10/2010
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54. A shining light for Chanukah

NOTE TO MYSELF: SMALL ACTS CAN LEAVE BIG IMPRESSIONS


As a youngster, Christmas was somewhat of a demoralizing time of the year. Since our family was of the Jewish faith, we celebrated the holiday of Chanukah, which didn't seem to me to be half as exciting as the furor that went along with trimming a tree.

On occasion Chanukah fell during the same period as Christmas and somehow I couldn't work up as much enthusiasm for lighting a candle even if it was colored, as my friends seemed to experience placing ornaments on the branches of their trees.

It was difficult for me to accept that a tree even a miniature one was out of the question, in spite of reminders that people of the Jewish faith donā€™t celebrate Christmas. Even the protestations that we could call it a Chanukah bush, it was obvious that there was no way a fir tree would be part of our celebrations.

Traditionally at Chanukah, children receive gifts of gelt or money and light small colored candles in a hanukiah (candelabra) one per night for the eight days of the holiday. While this was nice, in my mind it didn't measure up to all the excitement related to the "other" holiday.

At Hebrew school we always celebrated the various holidays, big and small and Chanukah was a particular favorite especially since our class, being the eldest students, entertained the residents of a seniorā€™s home. Each year the teacher would select eight students to sing and perform to play the role of Chanukah candles with fierce competition for the part of the shamash or lead candle.

Not being blessed with a good singing voice and barely able to carry a tune, I knew that my chances were slim at best to play any candle, never mind the lead candle. My biggest rival was Zelig, who had the voice and promise of a future opera singer. Not only did he have the best singing voice, he was also the top student scholastically. He was also the teacher's pet. Whenever games were played for prizes during the holidays, Zelig won everything, which didn't exactly ingratiate him with the other students. Actually, we were all jealous and would have liked nothing better than for his voice to change in the middle of a concert.

Class auditions for candle parts were held a few weeks before the onset of the holiday and at best, the most I could hope for was a minor part and even then, only if the rest of the students had an off day or laryngitis. Each student auditioned for the teacher and as expected, Zelig got the lead role, which irritated me no end.

My resentment was eased somewhat by being assigned the role of a minor candle, probably out of pity more than anything else. Those students not chosen became part of the chorus singing "tra-la-las" at the appropriate time.

Excitement was at a fever pitch when we arrived at the seniors' home, ready to perform for a live audience who were, for the most part, in wheelchairs. They were brought into the auditorium where we were lined up on stage, anxious to perform.

Glancing around the room, many of the seniors appeared half asleep.

"You will be entertained today!" their nurses might have insisted as they wheeled them into the room before our arrival.

The first students opened the concert and sang well and those who followed performed admirably. Finally, it was my turn. My voice didn't fail me and I felt very proud of my accomplishment.

When Zelig opened his mouth it was like a chorus of angels had entered the room. His voice was strong and melodic and suddenly the seniors perked up, smiles on their faces in obvious appreciation of what they heard. When the last notes of his solo faded away, they all clapped appreciatively.

The musical recital was over and we performed a variety of Israeli dances, moving off the stage to mingle among our audience. Although Israeli dancing was a passion, I was consumed with the memory of th

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55. ‘racing’ for Illustration Friday (and trying out a new pen)


Filed under: autumn, flying, one-tooth dog, songs, summer

1 Comments on ‘racing’ for Illustration Friday (and trying out a new pen), last added: 10/28/2010
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56. If You’re a Monster and You Know It

71030123

If Youā€™re a Monster and You Know It by Rebecca Emberley and Ed Emberley

A great pick for a preschool Halloween party, this book will have kids wiggling and giggling to the silly monster movements.  Set to the same song as If Youā€™re Happy and You Know It, children will immediately be able to sing right along.  Children will be growling, snapping their claws, stomping their paws, and twitching their tails along with the monsters in the book.  Those monsters are done in neon-bright colors against a black background, creating a very dynamic book for children to enjoy.  I recommend finishing up with some black paper and bright colored scraps and letting the children create their own monsters to take home.

Completely child friendly, this book will have even the most reluctant listeners paying attention and playing along.  Happily, the song takes more enthusiasm than skill, so everyone can join in and not have to worry.  The Emberleys have created a book that fills a niche in story times, a monster book that is non-scary but not babyish.  What a treat!

Appropriate for ages 2-4.  Make sure to have this one in your trick-or-treat bag for fall!

You can listen to the song here.

Reviewed from copy received from Scholastic.

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57. So who else feels like singing?

There's nothing like howling along to a creepified, monsterized version of a classic song you know and love (or loathe). That's why we've put together this little guide to help you find the best parodies to spookify your next sing-along!


Sipping Spiders Through a Straw: Campfire Songs for Monsters is written by Kelly DiPucchio and illustrated by the talented Gris Grimly. It boasts 18 awesome parodies, including Home of the Strange (Home on the Range), My Delicious Frankenstein (Oh My Darling Clementine), Do Your Guts Hang Low (Do Your Ears Hang Low), and Slither and Stink (that's right, folks...somebody actually successfully grossified 'Skinnamarink' - it's fantastic!). This little volume is so much fun it's earned a place on our 'Absolutely Everybody Should Own This Book' list.

(Note to self: write an 'Absolutely Everybody Should Own This Book' list)




If you enjoy annoying family and

5 Comments on So who else feels like singing?, last added: 10/5/2010
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58. and all the birds


Filed under: songs

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59. The Silly Book With CD


The Silly Book with CD. Stoo Hample. 2010/2004/1961. Candlewick Press. 32 pages.

Candlewick Press has reprinted Stoo Hample's The Silly Book; it was originally published along with the Silly Record (LP) in 1961. This latest edition--there was another reprint in 2004--includes the CD containing twenty-three minutes of silly songs and poems. How silly is silly? Very! It's silly nonsense through and through.

I had to listen to the CD a few times before I started to enjoy it. But. Once I gave it some of my time and attention, I must admit that *some* of the silliness worked for me. (Not that I'd want to listen to it continuously for weeks or anything.)

Here's one of my favorites:

Silly Recipe

Cook three pieces of
spaghetti in a pan of
water for two years.

Add one teaspoonful
of chocolate syrup
and mix well.

Spread on bread
and freeze.

Feed to teddy bear.

I also enjoyed "Silly Backwards Talk" and "Silly Story."

Ā© Becky Laney of Young Readers

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60. finally!

This is rather a good little poem and is even more fun as a song--and it's certainly the right way to begin [ahem-TWO!] new reading classes full of children with first names from Farhan to Manuel, from Dayrin to Bronx, from Fumiya to Jaisa.

How nostalgic it made us, singing it blearily before dawn with my freshly-minted middle-schooler, for the days of nursery school and Dragon Tales...


The Hello Song
from PBS "Dragon Tales"

Get up on your feet
And to everyone you meet
Say hello, hello, hello, hello

When you meet somebody new
The first thing you should do
Is say hello, hello, hello, hello

Say it high
Say it low
Say it fast
Say it slow

Get up on your feet
And to everyone you meet
Say hello, hello, hello, hello

Cause when you wanna make a new friend
Give a great big smile
And say "Hi, hello, my name is
[Zak! Wheezie! Ord! Cassie!]"

And before you know it
You'll have a brand new pal
True-blue, till the end
A brand new friend, say it again

Say it high
Say it low
Say it fast
Say it slow

Get up on your feet
And to everyone you meet
Say hello, hello, hello, hello

Say it high
Say it low
Say it fast
Say it slow

Get up on your feet
And to everyone you meet
Say hello, hello, hello, hello

Hellllllo!
Check out all the goodies at the Poetry Friday round-up, hosted today at Susan Writes by (funnily enough) Susan!

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61. and listen to birdĀ songs


Filed under: love, paris, songs

2 Comments on and listen to birdĀ songs, last added: 8/16/2010
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62. Take, O Take Those Lips Away by William Shakespeare

At the start of Act IV, scene 1 of Measure by Measure comes this song, sung by the frustrated Mariana, who was betrothed to Angelo ages ago - only he refuses to marry her without a dowry:

Take, O take those lips away,
  That so sweetly were forsworn;
And those eyes, the break of day,
  Lights that do mislead the morn!
But my kisses bring again, bring again,
Seals of love, but sealed in vain, sealed in vain!


Form: Rhymed ABABCC, like Venus & Adonis stanza, but using a different meter. Each line consists of two trochees and an amphimacer. A trochee (pronounced TRO-key) consists of an accented syllable followed by an unaccented one (TUM-ta). An amphimacer has three syllables: stress, non, stress, or TUM-ta-TUM. Put together, each line goes TUM-ta TUM-ta TUM-ta-TUM. Except, of course that the last two lines have an echoing refrain that makes them longer by an extra amphimacer. Don't worry, you won't be tested on this, but for the one or two of you out there who might have cared, there it is.

Discussion: Mariana is suggesting that Angelo take his lips away, since he used them to break promises, and to take his eyes as well, because they also lie. She asks that he return her kisses to her - a double meaning, of course, in that it means, on the one hand, that she wishes she'd not kissed him in the first place and, on the other, that she'd like to kiss him again.

Here's a setting of it done by John Wilson, a composer who lived in the early 17th century, performed by Dave Rogers, whom I found on YouTube. I quite like him:






Kiva - loans that change lives

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63. let’s go to paris


Filed under: love, songs, spring

2 Comments on let’s go to paris, last added: 7/24/2010
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64. when the moon starts to rise



Filed under: moon, songs, spring, stars

5 Comments on when the moon starts to rise, last added: 7/19/2010
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65. How Many Lives?

How many lives would it take you to read all the books you want to read?

Is this an answerable question when publishers constantly release new books?

I've calculated 30 lives for myself. My calculations are based solely on the stars and planets and my reading capacity, or lack thereof, and nothing else. 

Another question:

Have you ever read a self-published book? Was it worth reading or was the writer fulfilling a self-created pipe dream?  (Feel free to not answer that last question in light of losing a friend, because I'm guessing if you've read a self-published book it's because you know the author.)

I'm not thinking about self-publishing. I think no matter how the books turns out, it looks unprofessional and... self-published. And without a strong marketing and distribution plan behind you, it falls on the author's shoulders even more so than with a "traditional" publisher.

Read on.

Write on.

____________________________________

As I was putting LC down for a nap today, the James Taylor song "You Can Close Your Eyes" came on the iPod. It was weird. Okay, I guess you had to be there.

6 Comments on How Many Lives?, last added: 7/19/2010
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66. work song in the key of f

Well. Sooner than we expected, the school system reviewers and the Superintendent made their recommendation against approval to the Board of Education, and in a whirlwind of events our public charter school application was denied on Tuesday. There was no way to catch my breath in time for Poetry Friday--these are the last days of the school year, after all--so here I am today with a poem that reflects (not sure how, but it does) a little of the hollow feeling that lurks beneath a determination to try again.

Work Song
~
Joshua Mehigan

This fastening, unfastening, and heaving--
this is our life. Whose life is it improving?
It topples some. Some others it will toughen.
Work is the safest way to fail, and often
the simplest way to love a son or daughter.
We come. We carp. We're fired. We worry later.

That man is strange. His calipers are shiny.
His hands are black. For lunch he brings baloney,
and, offered coffee, answers, "Thank you, no."
That man, with nothing evil left to do
and two small skills to stir some interest up,
fits in the curtained corner of a shop.

The best part of our life is disappearing
into the john to sneak a smoke, or staring
at screaming non-stop mills, our eyes unfocused,
or standing judging whose sick joke is sickest.
Yet nothing you could do could break our silence.
We are a check. Do not expect a balance.


That is a wrathful man becoming older,
a nobody like us, turned mortgage holder.
We stay until the bell. That man will stay
ten minutes more, so no one can complain.
Each day, by then, he's done exactly ten.
Ten what, exactly, no one here can say.


3 Comments on work song in the key of f, last added: 6/13/2010
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67. In Memory: Lena Horne

In honor of Lena Horne, who passed away last Sunday at the age of 92, Philip Furia has reflected on her legacy.Ā  Furia is a professor in the Department of Creative Writing at the University of North Carolina Wilmington and the author with Laurie Patterson of The Songs of Hollywood.

I would never pretend to be an expert on Lena Horne, but my research prompts me to make a few observations on her career as a singer of popular songs. Perhaps the most striking thing about her stellar career is that Lena Horne, alone among the great singers of her era, never introduced a hit song. The songs she is associated with are the ā€œstandardsā€ of whatā€™s been termed The Great American Song Book. In the television obituaries, for example, she was heard singing the classic songs of Cole Porter, Ira and George Gershwin, and Lorenz Hart and Richard Rodgers. Even her signature song, ā€œStormy Weather,ā€ was originally written by Ted Koehler and Harold Arlen for Ethel Waters in the 1933 Cotton Club Revue. (Waters, supposedly, always resented the fact that Lena Horne had co-opted ā€œherā€ song).

One reason why Lena Horneā€™s song repertory was confined to the great standards is that for most of her career she worked in Hollywood films. In a few of these films, such as Cabin in the Sky and Stormy Weather (both 1943), she had a leading role, but in most of her other films she had cameo roles where she sang songs as ā€œperformancesā€ in night clubs and other settings. Rather than have her render new, untried songs, Hollywood studios took the safer route of having her sing tried and tested standards. Hollywoodā€™s practice of recycling old songs, in fact, is one reason these songs became ā€œstandardsā€ instead of simply fading away as most popular songs do after their heyday. (It didnā€™t hurt, too, that the studios often owned these old songs and stood to profit from their renewed popularity.)

Lena Horneā€™s greatest opportunity to introduce new hit songs came in 1946 when she was offered the lead in the Broadway musical St. Louis Woman, where she would have introduced such songs as ā€œCome Rain or Come Shineā€ by Johnny Mercer and Harold Arlen. Horne, however, refused the lead because she felt that the show caricatured blacksā€”even though the book was written by two African-American playwrights. Without Horne, St. Louis Woman quickly folded, and the singer lost one of her few chances to introduce hit songs.

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68. "paparazzi"

This kid is incredible incredible incredible.

8 Comments on "paparazzi", last added: 5/14/2010
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69. two crescent-moon buns


Filed under: dances, love, sea, songs

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70. brighter than E Major


Filed under: sea, songs, stars

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71. it is not said i always know

(these words are lyrics by amanda seyfried)

i love this place

but it's haunted without you
my tired heart
is beating so slowour hearts sing less
than we wanted

we wanted
our hearts sing 'cause
we do not know
we do not know
to light the night
to help us grow
to help us grow
it is not said
i always know
you can catch me
don't you run
don't you run
if you live another day
in this happy little house
the fire's here to stay
to light the night
to help us grow
to help us grow
it is not said
i always knowplease don't make a fuss
it won't go away

2 Comments on it is not said i always know, last added: 4/20/2010
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72. it started out with a kiss, how did it end up like this?



this day, i'm astonished, still, at the ability of conversing with a beautiful-minded friend on the opposite side of the globe and brilliant rage meeting through signals in the air.

2 Comments on it started out with a kiss, how did it end up like this?, last added: 3/25/2010
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73. Give Yo Mouth A Rest

This is my friend Ryan Bache's video. As you can tell, he is an animated fellow educator with varying personal qualities, mostly outstanding. He's sitting next to me right now and we're making sure the teachers aren't watching us.

5 Comments on Give Yo Mouth A Rest, last added: 3/11/2010
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74. from sketchbook – three sad songs and one that’s full of hope


Filed under: flying, love, songs, spring, stars, winter

6 Comments on from sketchbook – three sad songs and one that’s full of hope, last added: 3/6/2010
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75. Five Year Celebration and a Giveaway

[Note to those reading this in RSS readers: this is the real blog post.]

Five years ago, I started a storytelling blog. My daughter was not yet two years old and I was still working as a children's librarian on a substitute basis. I had as a goal for that year to learn guitar or sewing, and surprised everyone (most of all myself) when I started lessons for both. Throughout the years, I've learned to know new people through blogging and have even got to meet some of them. Relationships with old friends with whom I'd been out of touch as well as acquaintances who've became good friends have been possible because of blogging.

I'm thankful for all of you. Today's celebration is in thanks for your friendship. I am hosting a giveaway of a doll I made especially for this day: an Astronomy Magus to aid you in storytelling or inspire you as you work.

The doll is made with hand-dyed dark blue wool felt and embroidered with blue and white stitches. To enter the giveaway, please leave a comment on this post with a reflection on one or more of the following items:

1. A description of a beloved story from your childhood that you have not yet located. Be as specific as possible, and someone might be able to find the information to reunite you with that story.

2. A song you really enjoy that you don't think a lot of people know. Please provide a verse or two.

3. A scenario of a book you would love to read that to the best of your knowledge has not been written. Only share the story idea if you're not planning to write it yourself!

4. Explain quantum theory as if it were a story.

I will need to be able to contact the recipient of the Astronomy Magus, either through an email address found on your blog/website profile or through a private email you sent directly to me at: saintsandspinners [at] gmail [dot] com. If you send me a private email, please be assured that I will not use your address for any purpose but this giveaway.

"Why an Astronomy Magus?" you might ask. Some of you know how much I love outer space. The science-fiction I enjoy most has to do with interplanetary travel. You might not have been aware that when Carl Sagan says, "The Cosmos is all that is or ever was or ever will be," my soul leaps with joy, but you've probably suspected that I watched every episode of the new Battlestar Galactica series. It is my hope that when I bring my first book-length story to completion, it will incorporate stories, songs and textiles into a science-fiction genre. That is why the Astronomy Magus is my gift.

The drawing for the Astronomy Magus ends Friday, February 26, at 6 P.M. Pacific Standard Time. You may comment multiple times, but each name will be entered only once. Parents and siblings of the House of Glee plus Brad the Gorilla are welcome to comment but will not be eligible for the drawing.

14 Comments on Five Year Celebration and a Giveaway, last added: 2/23/2010
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