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Viewing: Blog Posts Tagged with: Paris, Most Recent at Top [Help]
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1. The Strange Woman

Usually a novelization of a play retains a fair amount of the original structure. The author of the novel may add in new locations and stuff, but you can still tell that, say, one particular group of chapters used to be the second act and originally took place entirely on someone’s front porch, or that one lengthy bit of narration used to be a monologue, or something. The Strange Woman, adapted by Mary McNeil Fenollosa (writing as Sidney McCall) from a play by William Hurlbut, puzzled me because I couldn’t see the underlying structure of the play, and none of it seemed like it had come from a play — until more than halfway through the book, when John Hemingway returns from Paris with his fiancée. Or his sort of fiancée.

Now that I’ve read a couple of reviews of the play, though, everything makes sense. The last third or so of the book, the section full of unpleasant people and awkward situations that made me wonder why I had liked anyone or been invested in the book up to that point — that was the bulk of the play. The first half or so, in which John Hemingway goes to Paris and is desperately lonely until he meets and begins a relationship with American-born Inez de Pierrefond is apparently original to the book.

John is a nice but occasionally super depressed architect studying at the École des Beaux-Arts. Inez is from Louisiana, and is about as French as one can get while still being an American, and is technically a widow, although she left her horrible and possibly German husband before he died. They meet in a treehouse, which is kind of great. Their relationship is pretty interesting. There’s a lot of very trite bits, but John is pretty convincingly torn between his attraction for Inez and his morals. He’s also pretty convincingly a massive dork. And Inez is pretty awesome, and eventually wins him over to her way of thinking, including the idea that marriage is a prison.

That one, obviously, isn’t going to go over well in John’s hometown of Delphi, OH. And John’s transformation when they get back there makes sense, although it’s kind of disappointing. And I guess that’s how I feel about everything else that happens in Delphi, too. I keep wanting to say that everyone is out of character, but I can’t put my finger on any specific way in which that’s true. And it’s not terrible, but after the Paris section, which I was really enjoying, it’s disappointing.

Now that I know roughly what was in the play, I keep falling into the trap of thinking of the Delphi section as Hurlbut’s work and the Paris section as Fenollosa’s, which isn’t fair because Fenollosa wrote the whole book. Also, not having read the play, I don’t want to make assumptions. I guess I’ll have to try one of Fenollosa’s other books at some point, to see how she does on her own.


Tagged: 1910s, marymcneilfenollosa, paris, williamhurlbut

3 Comments on The Strange Woman, last added: 5/6/2013
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2. PARIS - beau travail

also happening in paris this month is a new exhibition by design collective 'beau travail' from whose website i found this lovely images. 'el paraiso' can be visited every saturday in april at beau travail at 67 rue de la mare, paris.

0 Comments on PARIS - beau travail as of 4/12/2013 4:12:00 AM
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3. 22 DESIGNERS - paris show

today in paris sees the opening of the "22 designers" show where as it literally states 22 designers present their latest collections of drawings and patterns, carefully chosen and inspired by current themes. this dynamic group offers a wide range of graphic and illustrative models, covering a variety of areas such as lingerie, fashion or interior design. here are several examples of work from

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4. 22 DESIGNERS - marie wagner

marie wagner is a designer i discovered through the 22 designers show in paris. marie has been a textile designer since 2003 and has worked for clients such as boden, etam, and la redoute. more recently she has been driven to create more personal work and has a collection of products such as prints, cushions, and lampshades featuring her  patterns which feature a retro, naive and graphic spirit

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5. INDIGO PARIS - paper & cloth

it must be a great time to be in paris this week as also running from 12-14 feb is the indigo show where paper & cloth will be amongst the exhibitors. the uk based studio will be showing new designs available for use on spring/summer 2014 products and collections. see them on stand 5v35.

2 Comments on INDIGO PARIS - paper & cloth, last added: 2/20/2013
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6. Juniper


Filed under: flying, journeys, paris, songs, spring

11 Comments on Juniper, last added: 9/23/2011
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7. FABRICS - ie boutique

durgué and noriko are children's garment designers "ie" based in paris, where they have a shop in le marais, and they also design all of their own prints for the different collections. noriko is a fashion designer and was working as a print designer for kimonos in japan before coming to paris, and durgué is a french/nepali architect. together they decided to open a shop in 2003, and from this

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8. INDIGO PARIS - my textile design

caroline bourles of french studio "my textile design" will be exhibiting new designs at indigo-premiere vision next week in paris villepinte from 14 to 16 february. some of caroline's previous clients have included boden, descamps, victoria's secret, h&m, galison, and vertbaudet.

3 Comments on INDIGO PARIS - my textile design, last added: 2/9/2012
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9. Paris Commune formed

This Day in World History

March 26, 1871

Paris Commune formed



In the wake of France’s defeat by Prussia in the Franco-Prussian War, workers and students of Paris joined together to form a revolutionary government called the Paris Commune. Elected on March 26, the Commune was in direct opposition to the conservative national government. Some historians call the period of the Commune’s rule the first working-class revolt. Though historic, the rebellion failed.

The revolt was prompted in part by the peace negotiated by the French government, which allowed the Prussians to occupy the city. Parisians were angered by what they saw as betrayal after they had survived a six-month Prussian siege. Worried that the restive Parisians might cause trouble, the French government sent troops on March 18 to seize the cannon that Paris’s militia — the National Guard — had used during the war. That action sparked the rebellion. The National Guard refused to turn over the weapons and called for elections of a citizen’s government.

The Commune government created on March 26 was a mix of liberals who embraced the principles of the French Revolution, socialists who wanted thoroughgoing social reform, and radical socialists who insisted on armed revolution. The Commune issued a series of laws that once again removed government support from the Roman Catholic church and created a ten-hour workday. Inspired by the Parisians’ example, people in other French cities established communes as well.

The government organized its forces and struck back. First, it repressed communes in Lyon, Marseilles, Toulouse, and other cities. Meanwhile, the Paris Commune had become more divided and incapable of functioning smoothly. Then, on May 21, the national government sent troops into Paris. In fierce fighting that lasted a week, the Commune government and the people’s revolt were destroyed. Perhaps as many as 20,000 Communards were killed, and thousands more were arrested.

“This Day in World History” is brought to you by USA Higher Education.
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10. Saturday



On this Saturday instead of doing laundry, running errands I wsih to live inside here...




wake up to bedroom walls that look like this...





 shower here... 



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11. Where I Geek Out And Declare My Love For Research (Writerly Wednesday post)

Confession time: I love to do research. I love to surf the web--or even better: check out a big stack of books at the library. There's just nothing better. I'm geeky that way.

For Double Vision, I must've read a dozen books on Leonardo da Vinci. I combed travel guides on Paris, learned about its awesome catacombs. I dove into the fascinating history of codes and ciphers.

So you'd think the book is full of facts and history, right? Not really. I think that out of all that research, maybe one percent makes it into the book.

I could save myself a lot of time by just looking for what I need and getting back to writing. Maybe research is just avoidance, hmmm...

How 'bout you, writer friends? Do you like research, and where do you go to get your data?

I talk some more about research at Sleuths, Spies and Alibis.


5 Comments on Where I Geek Out And Declare My Love For Research (Writerly Wednesday post), last added: 7/20/2012
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12. 5 things I'm glad I bought, and brought, to Paris

I'm a little nuts: I love packing and planning for trips. Our recent family trip to Paris was no exception. Here are five little investments I'm so glad I bought and brought:

1. My red Merrell Lorelei shoes. Half sneaker, half sports shoe, all cute, these were SO comfortable. The red, surprisingly, went with almost everything. Or at least I thought I did, so that's what matters! There I am, at left, posing as if for a Merrell shoe commercial...!

2. The Rick Steves Paris guidebook. Not only are there great tips about transportation, how to order food in French, and travelling with kids, but there are FANTASTIC walking tours. We used the Historic Paris, Left Bank and Monmartre tours. I felt like I was getting an insider's view of Paris. And I left feeling like I hadn't missed any of the essentials in those areas. You can actually preview some of those tours on his website, and also download free audio tours of Paris and Versailles. I didn't even try those--since we had kids riding along it didn't seem realistic to pop earbuds in for an hour-long tour. But I bet they're as awesome as the book.

3. My PacSafe TourSafe Travel tote. At a steep (at least for me) $100, I was reluctant. But I wanted a biggish zipping tote with theft protection--and one that was at least a little cute. This more than delivered. It has ant-slashing fabric and handles, plus zippers that are tough for someone to open without you noticing (say, on the Metro). The side outside pockets were especially awesome--big enough for a large Vittell bottle or a decent-sized umbrella. Here is a shot of me descending the Sacre Coeur dome steps, carrying that tote... and even managing a smile. The straps were so comfy that I barely noticed I was dragging around my thick guidebook and all that random mommy stuff like...

4. Wet Ones Wipes in 20-sheet travel packs. I thought I was done with these things since my kid is nearly a second grader, but I brought them along and I was so glad I did. Public bathrooms were frequently lacking soap, and we also made a lot of meals out of ice cream and crepes purchased from streetside vendors. I felt like a champion mama everytime I broke one of these babies out for the kids.

5. At the risk of being a PacSafe shill, I also loved my Toursafe Petite handbag, which was basically a reddish mini version of the travel tote. I scored mine on deep discount (about $30) from eBags. It had the same antitheft features as my tote, but this one converts from a shoulder bag to a crossbody. It was also small enough to pass the "small bag" requirement of some places in France, including Versailles. The tote would have been too big. Here, at left, I am at a pond in Versailles, with my purse (and those red shoes!) I have no idea what thing I am contentedly gazing at. That is pretty much the happy look I had on my face the entire time at Versailles, which was one of my very favorite spots we explored!

Coming soon: 5 spots around Paris where your kid WILL be glad they came...

 

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13. From Rodin to Warhol in Paris

French Sculptor RODIN, variation on the kiss in emerging from marble

My favourite art museum has to be Rodin’s.

The gardens are spectacular and the statues powerful.

 I’d say he was depressed with the human condition – man’s capacity for sin, suffering, thinking … but then there is philosophy with his masterpiece – The Thinker and …..the KISS.

Love, passion, the embrace – ahhhhhh!

From the sublime to the ridiculous – Rodin to The Pompadou Cetre for Contempory Art.

The Centre is a modern masterpiece of tubes and contemporary design. Inside is the obligatory white space and terrible installations. But then there was a Warhol and views to die for of Paris.

Rodin's sculptures of the human condition ParisRodin Museum, ParisAndy Warhol at Pompadou Modern Art MUseum Paris

Paris is definitely a grand city with palaces, bridges, Arc de Triomphe Les Invalides … memorials to Napoleon and heroes of the past.

 

 

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14. you can still hear sweet mysteries calling you

You know, I do this every single year; I think 'hmmm, I'm sure it's my blog's birthday soon' and then find out it was last week some time. Yep, six years of blogging. It's been an amazing six years for me. I've got nothing but love my blog but I often wonder whether blogging is still relevant. Do you know what I mean? With the rise and rise of social networking, and so many places to post ones work, I sometimes wonder whether blogging is a thing of the past. Anyway, while people still continue to visit, I'll keep on going.
I also always intend to do some birthday related drawing but that never happens either. Here is a new drawing, though. Like the last post, this one is also from my graphic novel idea. I'm really getting into (obsessing over) this idea, and story, again. It's hard to give time to these projects, with everything else going on, so I long for the day that a publisher agrees that this book needs to go to print and I get to give it the time it really deserves.
If you'd like to read the letter to Edward then click on the drawing.
And, if you'd like to see the rest of the book (so far) click HERE.
Finally, Happy belated sixth Birthday to my blog. I loves ya.

24 Comments on you can still hear sweet mysteries calling you, last added: 10/16/2012
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15. Geronimo Stilton #11: We’ll Always Have Paris by Geronimo Stilton

5 Stars Geronimo Stilton #11: We'll Always Have Paris Lewis Trondheim Nanette McGuinness Papercutz 56 Pages    Ages: 7 and up .......................... .................................... Back Cover:  Geronimo Stilton is the editor of the Rodent’s Gazette, the most famous paper on Mouse Island. In his free time he loves to tell fun, happy stories. In this adventure, Geronimo [...]

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16. Animated Skateboads by Natas Kaupas

Public Domaine, a skateboard art and culture show currently on display at Gaite Lyrique in Paris, features an installation of classic board designs brought to life. The animated was created by skate legend Natas Kaupas.

(via Mike Geiger’s Twitter)


Cartoon Brew: Leading the Animation Conversation | Permalink | No comment | Post tags: , , , ,

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17. The Dull Miss Archinard

So, there’s this really wonderful book that I found at the New York Public Library a few weeks ago. I mean, I don’t even know how to describe how special it is.

The Dull Miss Archinard is not that book. But I probably never would have come accross it on my own.

The book is called Toward a feminist tradition: an annotated bibliography of novels in English by women, 1891-1920, by Diva Daims and Janet Grimes, and it is a list of books by women that have a bit of a feminist bent (or an older-than-average heroine, or a heroine with a career), with blurbs compiled from contemporary reviews. It is the reading list of my dreams. I mean, aside from all the descriptions of books about how having children out of wedlock will inevitably lead to everyone involved dying the most miserable deaths possible, whether for moral reasons or because of the state of society, depending on the political inclinations of the author. But the books that delight in wretchedness seem to be counteracted by books about women founding salons, or farming coconuts. It’s pretty great.

Anyway, I noted down many titles, and The Dull Miss Archinard, by Anne Douglas Sedgwick, was the first one I sought out. It’s about a guy named Peter Odd, whose estate neighbors on that of the Archinards: a spendthrift father, an invalid mother, and two young girls. Katherine, fourteen-ish, is courageous, scientifically inclined, and very smart. Hilda, maybe twelve, is timid, emotional, and intense. Odd makes friends with Hilda, who quotes Chaucer at him, and it flatteringly fond of his company, but when Odd’s wife dies, he leaves England and doesn’t encounter any of the Archinards for another ten years.

Then he encounters Katherine in Paris. He’s impressed by her wit, her manner, and her velvet gown, but mostly he’s eager to see Hilda again. Hilda, though, is kind of hard to track down. Odd spends increasing amounts of time with Katherine and her parents, but Hilda, if she appears at all, only pops in to say high between coming home from the studio where she paints and going to bed. Eventually Odd finds out what’s going on: Hilda is working herself to the bone in order to support her family in the lifestyle to which they insist on remaining accustomed. And also he realizes that he’s in love with her, which is awkward, because by that point he’s gone and gotten himself engaged to Katherine.

All of this should be significantly more fun than it actually is. I mean, it’s okay. I sort of liked most of the characters. Getting to be indignant about the way the Archinards treat Hilda was pretty enjoyable. The section towards the end where Hilda, Katherine, and Peter Odd all repeatedly accuse each other of being base was as unintentionally hilarious as it was irritating. But it could have been much better. Especially if Sedgwick’s editor had forbidden the use of the word ‘base.’


Tagged: 1890s, annedouglassedgwick, england, paris, romance 0 Comments on The Dull Miss Archinard as of 1/1/1900
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18. An Interactive Architectural Projection

Two things stand out about this architectural mapping piece by Paris-based 1024 Architecture which debuted in Lyon, France last year:

1.) The building deformations were audience-controlled via a microphone and an audio analysis algorithm.

2.) Unlike most architectural mapping projects that use abstract imagery, they turned this building into an identifiable character, kind of like a real-life Monster House.

(via BB)


Cartoon Brew: Leading the Animation Conversation | Permalink | 2 comments | Post tags: , , ,

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19. Playful colourful work from Emmanuel Kerner.



Playful colourful work from Emmanuel Kerner.



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20. Battles, kings and elephants. Cindy Jefferies




One thing you can depend on for a writer is that if you ask them what they're thinking , whatever they reply you can be pretty certain that at least a part of their mind is thinking about a story. It might be no more than a slight itch at the back of the mind, but it'll be there.

So, being a writer, it is hardly surprising that when I was in Paris in the Spring stories were taking up a corner of my mind. After all, even a desert can be fertile ground for a story, which makes ideas for fiction seep out at every turn in Paris.

Fortunately, the friend I was staying with understood, and on the last day of my trip came up with something for me to take home. It was a quote in the frontispiece of a novel by Mathias Enard called Parle-leur de batailles, de rois et d'elephants.

Puisque ce sont des enfants, parle-leur de batailles et de rois, de chevaux, de diables, d'elephants et d'anges, mais n'omets pas de leur parler d'amour et de choses semblables.

Here's a translation:- Because they are children, tell them about battles and kings, horses, devils, elephants and angels, but don't neglect to tell them about love and things like that.

Not being able to find an attribution I assumed the author must be Mathias Enard, but I wished that I knew for sure.

I loved the quote. It seemed to sum up exactly what I thought was important. Yes, of course a fast moving plot is paramount, especially in the sort of fiction for the 8-12's that I usually write. But, and I think this is particularly important for boys; love, and things like that is also vital. Girls tend to be better at talking about feelings, while some boys, I think, can find it harder. Of course, both boys and girls can feel pretty lonely at times, when what they're feeling is muddled and difficult. I believe that one of the best ways of understanding that you're not alone in your feelings is through a good story. So the quote resonated with me, whoever had written it. But the story doesn't end here.

Some while later, a review from an American newspaper fell into my inbox. It was a glowing review of a new novel that had been in the final selection for the Prix Goncourt in France. It was

14 Comments on Battles, kings and elephants. Cindy Jefferies, last added: 7/20/2011
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21. looking from a window above

Damn, it's good to be working in a Moleskine again. Most of my Moleys are in the display cabinets at my exhibition, but I kept a couple aside. I knew that I couldn't go three months without feeling that gorgeous cream paper, smelling those covers and (oh yeah) drawing in them.

This is another spread from the graphic novel idea that I'm working on. I have the story and now I'm just trying to bring those ideas to life through drawings. I'm most excited about this idea (I can't think of another word for 'idea'), hopefully, one day a publisher will be too. There's a couple more drawings from this story HERE.

5 Comments on looking from a window above, last added: 7/26/2011
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22. The French Connection

While getting ready for my surgery, I started accumulating books over the past few months, some from used book stores and some from Borders. (Alas, I won't be doing the latter anymore.)  Some were adult books, and some were children's books. I started on the adult stack first, and was I ever surprised: Apparently my week in Paris a couple of summers ago burned its imprint into my unconscious; five of the books take place either partially or entirely in Paris. They are too many to review, so consider this post a thumbnail sharing of each.

I'll start with my least favorite first, Gourmet Rhapsody, by Muriel Barbery. I'm sorry to put it that way, too, because my purchase was motivated by how charmed I had been by Barbery's first book, The Elegance of the Hedgehog. In Hedgehog, a young girl has given herself a date on which she'll commit suicide unless she can find enough reasons not to. I know that sounds like a morbid story, but the book captures small, luminous moments of beauty that make life truly worth living. So I was expecting to be deeply moved again in Gourmet. Nope: A food critic lies on his deathbed, hoping to capture a favorite flavor that he can't quite identify in memory. Acquaintances and family each have a turn at sharing what they recall about this thoroughly unlikeable man. That's it, folks. some exquisite writing, because this author cannot turn out a bad line, but for me, the plot was . . . missing in action (pun intended).

But, next I read Cara Black's  Murder in the Bastille.  Black is one of my favorite mystery writers.  Her series stars Aimée Leduc, a private eye for white collar techie matters who keeps getting dragged into murder cases instead.  To read any one in the series is to get a free trip to Paris.  Black knows that city inside and out and places each new mystery in a different neighborhood.  Because Aimée grew up in Paris, naturally she has little snippets of memory about buildings she passes or bridges or streets she traverses, and so in a completely non-intrusive way, the reader picks up scraps of French history and art history while Aimée chases or runs from the bad guys.  Black's website is equally interesting: Press here and go take a peek.

Then I read The Girl at the Lion d'Or by Sebastian Faulks.  This is a  carefully sculpted story of a young girl cast adrift following World War I.  It takes place in a small village outside of Paris where Anne has taken employment as a waitress in the Hotel Lion D'Or of the title.  Her story unfolds by degrees: Her father was falsely accused of cowardice at  Verdun and shot.  Because of accusations, Anne and her mother were hounded out of their village and went to Paris.  With no one to turn to after her mother dies, Anne hopes to find a new life at the Lion D'Or.  Sh

12 Comments on The French Connection, last added: 7/30/2011
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23. Secret Circus

by Johanna Wright  Neal Porter Books / Roaring Brook Press  2009   Only the mice know, and they aren't telling... In Paris there is a circus, a very secret circus, a very tiny circus, that only the mice know about. They ride a hot air balloon to a merry-go-round long after the people have gone to bed and find their way to the circus where they snack on left-behind snacks and enjoy the show.

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24. 8-BIT CHAMPIONS at La Flaq Gallery, Paris!

Hey fellow SFGers!


I am SUPER thrilled to be a part of this fantastic show in Paris! If any of you are in the area (lucky!) be sure to check it out! If not, then at least check out the works online : D

Thursday, September 15 · 7:00pm - 10:00pm

LA FLAQ GALLERY
36 rue Quincampoix ( 75004 )
Paris, France

Facebook Event Invite
http://www.facebook.com/event.php?eid=260287763981520


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25. THE AUTUMN SOCIETY TRIUMPHS IN PARIS TONIGHT WITH 8-BIT CHAMPIONS!

Brough to you by TheAutumn Society / Geek-Art / La Flaq

Tonight the Autumn Society (www.theautumnsociety.com) conquers its first international art show in Paris, France, in collaboration with Geek-Art (www.geek-art.net) at LA FLAQ (www.flaq.fr).

Curated & produced by Chogrin & Thomas Olivri, we present to you the 8-BIT CHAMPIONS, an art show tribute to 8-bit games.

From Super Mario Bros to Pac-man, 8-BIT CHAMPIONS offers a wide variety of all your old school arcade / home console systems with the elegance and variety of art that the Autumn Society has to offer and is known for. Magnificent french artists like McBess (www.mcbess.com) and others will be joining us as well!

Stay tuned for more coverage on this epic event! Next international stop for the Autumn Society is MEXICO CITY for the Iconoclastic Dead Show (October 1st)!



LA FLAQ GALLERY
36 rue Quincampoix ( 75004 )
Paris, France
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