I am, very slowly, learning more about Surface Design. And discovering that I'm loving it. It's certainly not a simple process, but I do love puzzles and that probably helps, as putting the separate pieces together to make a cohesive (and aesthetically pleasing!) whole is definitely a large part of the overall process. I just hope that I'm getting it right.
Following on from my Daisy Joy, I've drawn 5 Poinsettia plants in the same style, and attempted once more to create a pattern from them. Here's one of the painted Poinsettias, and below that are the fabrics I've designed from them.

As the Poinsettia plant is so closely associated with Christmas, I've picked cheery seasonal colours for the backgrounds ...

Poinsettia Joy dots Fabric Collection

Poinsettia Joy red Fabric Collection

Poinsettia Joy green
Where does the time go, eh? I've such a huge backlog of stuff to post; drawings from one of Lynne Chapman's workshops; the International Sketchcrawl day illustrations; an exciting new collaboration; a step by step update; details about an exhibition in France I've been invited to participate in (SO very excited); a couple of secret projects that I am definitely NOT allowed to mention (can I keep my mouth shut?!); and all manner of other bits and bobs.
For now here's a couple of sketches from a Dr Sketchy I attended the other evening. These are always such fun events. I hope that shines through. They are just a great excuse to play with your pens.
Back to regular posting tomorrow.
For one reason or another I have found myself spending quite some time in various cafes and tea rooms over the last couple of weeks. It, of course, is no hardship. I am not complaining. In fact, it's passion of mine. I love food. Good quality food, that is. I just don't usually get enough of an opportunity to eat out being a poor artist.
I like to think I have high standards when it comes to these types of eateries. For me a good cafe, or tea room, must have good homemade fare, locally sourced ingredients (wherever possible), good coffee and a laid back vibe. These drawings are from a couple of the local cafes I've been hanging out in recently. As you can see, for one reason or another, some experiences have been better than others.

Six years ago, my life changed. I picked up my coloured pencils and started drawing again after an 18-20 year break from art. "Book Girl" above, was one of the first pieces I drew. I then picked up Danny Gregory's The Creative License: Giving Yourself the Permission to be the Artist You Truly Are, and that was pretty much that.

I stopped stressing out over absolute perfection. It wasn't easy, I promise you, but I went through the exercises in the book and discovered that 'imperfection' in art, as in life, was not only permissible, but could achieve truly beautiful results. I started drawing daily, joined communities online, and then started this blog. Thank you, Danny Gregory!
I still have a long way to go and a vast amount to learn, but I'm thoroughly enjoying the process, and am celebrating the 6 year path it has taken to get me to this point. Cheers.
These are the final couple of drawings from the rock n roll day last weekend. Actually, there's also a motorbike but that might take some time to finish. I must say that I'm pretty pleased that in just one day I produced so much stuff.
I'l let you into a secret about the car below; it most definitely wasn't that shape. I started off at the front of the car, which was going okay. Not great but okay. Then I realised that there was absolutely no bloody way I was going to fit the whole thing onto the page. It was, after all, a big long Zodiac! So, I had a decision to make and, yes, I did. I squashed the whole thing into the space I had. Ah well, as long as we keep it to ourselves nobody else ever needs to know.
Throughout this drawing I was thinking of my friend
France Belleville and her 'ladies'.
I've been increasingly fascinated by surface design lately. I've always loved patterns but it never occurred to me that I might one day be able to create some of my own. Recently, being able to design on household products has driven me to study the formation of patterns, and I'm slowly learning, researching, and experimenting. Here are the results so far:

I started off by drawing some daisies, then scanning them and digitally painting them in Corel Painter 12 before I took them back into photoshop to apply a few effects. Then it was time to pick background colours, never an easy task for me and it usually takes me hours of nail-biting indecision but I finally came up with three ...

The above turquoise blue was my favourite, but it seemed to work just as well against the chantilly pink and gold yellow (see below). I was aiming for a cheerful, bright and joyful look. Hope I achieved it. The background seemed a little subdued for some products, so I applied stripes in a lighter colour, I then picked a few daisies to enlarge and highlight, and this is the end result:

Daisy Joy blue

Daisy Joy pink
By:
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on 6/20/2012
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I love
Dr. Sketchy. I really do. Last night was another great session at
The Greystones in Sheffield. We got to draw some stunning models to an Eartha Kitt soundtrack. What could be better than that? I was right in the zone too and produced a load of sketches. Sketches I'm pretty chuffed with. Here's one. It's my prize winning (ahem) drawing of Hells Belle. I'll post the rest soon. Cheers!
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on 6/13/2012
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I've finally finished the drawings for the production of James and the Giant Peach at Buxton Festival.
These two drawings depict the two stages of completing a deadline.
Above; panic = trying to get all the work in on time.
Below; bliss = all work in on time (ish).
There are three performances of the James production, in early July,so, if you are close to Buxton then bring your kids along. I can't wait for it, myself. It'll be a new experience to see my work as backdrops. How exciting. I hope to post some photos from the event.
You can get your tickets
HERE.
I bought loads of books, here they are, all in a stack on my bedside table in the B&B where I'm staying this weekend. I went to the old bookshop I used to work at almost ten years ago, and instantly remembered it all, the same old sections, some of them ones I am quite sure I made up myself. I picked up a few books that had gone awry and re-shelved them. A travel book was hiding with the Science Fiction (probably because it included psychedelic drug trips), a couple of UFO books were in science and technology... when I looked at those, I suddenly felt like I wanted to keep them and read them and draw spaceships and aliens and maybe write a science fiction story. So I bought them. - It felt like visiting an old friend.
I also bought a book about the Easter Islands, and one about Earthquakes and Volcanoes.
I filled many sketchbook pages while I was at the illustration forum, mostly with scribbled sketches of a boy and his dog. I'm thinking about a book featuring them. I'm very fond of them already, although people said the dog looks like a strange minotaur. Wouldn't you like a strange minotaur dog for a friend, though?

I’m falling hard for the work of Jean Jullien! It’s a playful balance of looseness and sketchiness with complete confidence and control. He has a great mix of drawings, sculptural illustrations, and videos peppered throughout his portfolio. Don’t miss the video on his About page!
(via Jean Jullien’s online portfolio: Centre Pompidou)
I'm still learning typography. It's starting to make a difference - I have favourite fonts now and I am starting to understand how to use them. But I do wake up in the middle of the night wanting to look at my font collection, or to check the kerning on the work I did in the evening. And I dream arcane and involved dramas about typefaces. Typefaces having trouble in school, growing crazy ligatures, getting divorced from their italics, running amok.
I made above drawing at six in the morning on my ipad because boyfriend was still asleep ( as I would normally be) and I didn't want to wake him up by booting up the computer to look at fonts. NO ONE NEEDS TO LOOK AT FONTS AT SIX IN THE MORNING.
 |
| By the way, THIS IS A GREAT BOOK, as this lovely lady recommended. Thanks, Dee! |
By:
andrea joseph,
on 4/30/2012
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Yesterday the weather was crazy. The rain was chucking it down and the wind was wild. Not the best day for a sketchcrawl. Or so you'd think. But we are hardcore Up North. We weren't going to let a little stormy weather stop us. No siree. So we went to the pub and drew there instead.
By:
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on 5/1/2012
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Do you ever have those drawings which, you feel, spoil your sketchbook? I do. I always view my sketchbook as a whole, as opposed to a series of individual drawings, and so when one of the drawings goes wrong it really depresses me (I know, I know, I should get out more). This is what happened with the drawing above. I did say,
in a previous post, that there was no way I was going to show it on my blog, but what the hell. Plus, I've heard that sharing the work that didn't work out helps you grow as an artist (not that THIS artist needs to grow anymore; I no longer fit into any of my jeans).
Anyway, I made this drawing at the Imperial War Museum on one of our recent sketchcrawls. Now despite
somebody telling me that 'it was the best drawing of a flame thrower that they'd ever seen' (I think (I know, rather) that that somebody was taking the Michael) I just couldn't stand it being in my book.
So, armed with a Prit stick, a page I tore out of my Moleskine diary, a rather blurry photo of the wall of suitcases (yes, a wall of old suitcases. How amazing is that?), memories and buckets full of inspiration from the museum I set to work. I'm really pleased with the outcome. But, you know, why stop there? While I had the Prit stick to hand I thought I'd go the whole hog and make a secret foldy flap thingy that hides yet more suitcases. In colour. And why not?
I can now live with my sketchbook again, and am safe in the knowledge that nobody will ever know about the awful drawing hidden behind a wall of suitcases.
Oh.
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on 5/3/2012
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Why do I find a broken bench so moving? Yes, because I'm a bit odd. And, yes, I'm a hyper-sensitive fool. But, apart from that, why is it so moving?
And, one more thing; whatever happened to Gomez? They were amazing.
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andrea joseph,
on 5/5/2012
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Here's another little spread from last Sunday's sketchcrawl in Sheffield. The weather was a bit on the wild side so we ended up drawing in a couple of pubs. A perfect way to spend a wet and windy Sunday afternoon.
I can't quite decide whether to add some colour to this. The
Delerium Tremens sign was purple with a pink elephant which could work. But you never know.
This drawing was made in the little mini Moleskine sketchbook. This book had sat unused, on my shelves, for at least a couple of years. I never thought I'd like using it. I thought it was too small. But it's really grown on me. And whilst I always take the larger sketchbook with me, on my travels, I love having the option of this little one too. It's just really cute.
If you are interested you can take a peak at the drawings I've made in this book so far
HERE.
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That table is awesome.
Thank you!