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On Thursday, May 30, the Filmpodium Zurich in Switzerland will present a screening of nine Warner Bros. shorts directed by the legendary Bob Clampett. The show is being presented in honor of his centennial, which was earlier this month. Clampett’s work isn’t well known in Switzerland and the film lineup is a solid primer to his work:

• Porky in Wackyland (1938)
  
• A Tale of Two Kitties (1942)
  
• A Corny Concerto (1943)
  
• Coal Black and de Sebben Dwarfs (1943)
  
• Draftee Daffy (1945)
  
• Book Revue (1946)
  
• Baby Bottleneck (1946)
  
• Kitty Kornered (1946)
  
• The Great Piggy Bank Robbery (1946)
  

Better yet, each film will be introduced by Swiss animator and historian Oswald Iten, who will discuss different facets of Clampett’s visual style. Iten runs one of my favorite animation blogs Colorful Animation Expressions, where he has recently been writing some fantastically informative posts about Clampett’s art. Ticket and screening details are available on the Filmpodium Zurich website.

Cartoonist Dash Shaw, who has been working on a feature-length animated film of his own, will present a selection of his recent animation work tomorrow night at Light Industry (155 Freeman Street in Greenpoint, Brooklyn). In addition to his own work, Shaw will screen the rare 1980s anime biker drama Bobby’s Girl, a film that has inspired his own approach to animation.

The screening will be followed by a conversation with Shaw. Doors open at 7pm, and tickets are $7. More details at LightIndustry.org.

Here’s a clip from Bobby’s Girl:

(Illustration at top by Dash Shaw)

Woop-dee-do and yippy-kay-ayy, we’ll be at WorldFest this coming weekend!

So if you’re in the Los Angeles area, come out and join us on Sunday, May 19th. This is us officially inviting you to hang out in a beautiful park for a day listening to live music, sampling tons of vegan food, plus a beer and wine garden hosted by Lagunitas Brewing Company. Um, beer. Yes? Beer. Yes. The event is all about promoting health, environmental, humanitarian and animal welfare issues. No reason we can’t have some fun doing it!

Since we run an environmentally sustainable screen print shop – not to mention being vegan – we couldn’t think of a better way to participate than with our goofy vegan t-shirt designs. Naturally, we’ll be exhibiting our super soft vegan t-shirts at our booth. We’ll also have stickers, window decals, tote bags, and prizes to give away. So aside from the beer, food, and Ed Begley, Jr., you can score some very cool stuff from us!

We’ll also be educating people on what it means to run an environmentally-conscious business. Especially in the screen printing industry, there are a lot of chemicals that are used for preparing and cleaning screens. We only use drain safe, biodegradable, citrus and soy-based cleaners in our tiny little shop. There are a lot of things we plan to do as we grow (we’d love to be 100% solar-powered), and we’ll be learning about some options at WorldFest.

We hope to see you there!

David & Jenni

It’s the time of year again when the East Coast animation community gathers to recognize its own. This Sunday in Manhattan, ASIFA-East will present the 44th annual ASIFA-East Animation Festival awards ceremony. Awards will be presented across a variety of categories including independent and student film, as well as commissioned/advertising projects.

The festivities will begin at 6pm in the New School’s Tishman Auditorium (66 West 12th St) followed by a reception. The event is free and open to the public, though non-members are encouraged to donate $5. More details can be found on the ASIFA-East website.

(Award show illustration by Dagan Moriarty)

Hey, Everyone! Happy Wednesday.


I am so excited to announce that I am going to be a participating author in the Austin Teen Book Fest! Woot woot!

I returned a few days ago from the Czech Republic where I judged the feature film categories at Anifilm, a fun festival filled with great people and positive energy that is situated in the quaint lakeside resort town of Trebon. The three-person feature film jury consisted of Portuguese filmmaker Regina Pessoa (Tragic Story with Happy Ending, Kali the Little Vampire), Slovenian festival director Igor Prassel (Animateka International Animated Film Festival) and myself. (That’s us in the photo above.)

The Anifilm organizers smartly divided features into two categories: adult and children’s films. We watched five films in each category. In the Adult category, we awarded the top prize to Chris Sullivan’s sweeping and uncompromising Southern Gothic tale Consuming Spirits, and also gave special mention to Don Hertzfeldt’s feature It’s Such a Beautiful Day. These two films alone don’t make a trend, but add Paul and Sandra Fierlinger’s My Dog Tulip and Nina Paley’s Sita Sings the Blues to the list, and you could argue that American indie feature animation is experiencing a renaissance right now. All of these films utilize animation effectively to express deeply personal visions.

The other three features in the Adult category—O Apóstolo from Spain, A Liar’s Autobiography from the United Kingdom and Fat Bald Short Man from Colombia—each had positive qualities and exhibited the kind of maturity and narrative ambition that is often lacking in mainstream feature animation fare.

The children’s category was less impressive. The five features were European co-productions that relied on cliches borrowed from popular American films. Three of the films featured hot air balloons (UP, of course), and a number of them used the ‘dead parents’ trope that is an all-too-common fallback for lazy animation scriptwriters. We awarded the children’s prize to The Day of Crows (Le jour des corneilles) which was unquestionably the most interesting film of the bunch. The hand-drawn animated film featured appealing (if inconsistent) animation and character designs, along with gorgeous backgrounds. It reached for Miyazaki-style mysticism before attempting to hamhandedly explain everything in the last act. Imperfect, but worth a look.

Animation director Bill Plympton wrote about his recent experience judging the feature animation categories at the Stuttgart Animation Festival in Germany. He watched eight features at that festival, and it’s interesting to note that not a single one of those films was in competition at Anifilm. It’s a reminder that feature animation is a flourishing art form today. The handful of mega-budget corporate-studio films that dominate American multiplexes barely scratch the surface of what’s available in the marketplace.

The good news is that institutional support is growing for more diverse types of feature animation. Most major animation festivals now have feature film categories, and of course, there’s the Oscars, which hands out an Academy Award specifically for animated features. The American distributor GKIDS has made a commitment to distributing foreign animated features, and this site you’re reading attempts to cover independent and foreign animated features as few other major animation media outlets have in the past.

More and more companies are turning their attention to the rich world of feature animation, but there is still plenty of room for others to join. For example, when will Criterion begin releasing art house animated features? When will distributors bring foreign animated features into multiplexes across the country? Exciting times are ahead in the feature animation field.

(Jury photo by Jan Hromádko)

Illustrator Gregory Myers from Syndey, Australia sent in this illustration. He is a freelance illustrator. Studied under Czech artist Petr Herel at Canberra School of Art, and Akira Kurosaki at Kyoto Seika University. Hand-coloured scraperboard artworks like this has proven to be popular with his clients. www.gregorymyers.me

Mt. Airy Kids’ Literary Festival

Friday, May 17, through Sunday, May 19, 2013

Big Blue Marble Bookstore is proud to present its seventh annual Mt. Airy Kids’ Literary Festival! All events are FREE and open to the public!

This year, our festival includes events at the Color Book Gallery, 6353 Germantown Avenue (215-844-4200).

All Weekend

The Craft Table! Big Blue Marble Bookstore will have our special craft table open all weekend, stocked with brightly colored paper, collage materials, and all kinds of other supplies to create your own books! (In our Community Room, All Ages. Adult Supervision Required.)

Special Door Prizes! Winners will be randomly selected throughout the entire weekend to win free books, promotional goodies, and more. Stop by with your family and get a chance to go home with all kinds of special treats. (All Ages)

Friday, May 17

10:30am – Big Blue Marble Story Time with Amanda Hendricks. Join us for our regular Friday morning story time! (Ages 18m-4y)

6:30pm – Philadelphia Youth Poetry Slam. Share your words in a welcoming literary environment in the Big Blue Marble Bookstore cafe! Light refreshments will be served, and local poets will be invited to help decide the winners. Prizes include bookstore gift certificates for an overall winner, a middle school winner, and one runner-up. (Ages 12-18) Special Guest Judge/Host: Ms. Alyesha Wise

Alyesha Wise was raised in the city of Camden, N.J. She began writing at the age of 11 and eventually developed a passion 4 Poetry. The founder of “Love, Us,” she is on a mission 2 spark a LOVE REVOLUTION, holding a strong belief that unity and compassion is the healing force to all that exists. She’s the co-host of the longest running weekly open mic in Philadelphia, “Jus’ Words.” In addition, she’s the co-founder & co-host of “The Pigeon Presents: The Philadelphia Poetry Slam,” voted “Best of Philly” for Literary Activity in 2012, by Philadelphia Magazine.

Saturday, May 18

10:30am – Nature Yoga for Kids with Deirdre Vezirov-Kilkenny. Join yoga teacher Deirdre Vezirov Kilkenny as she reads from The Yoga Game, and incorporates yoga postures. (Ages 3-7)

Deirdre Vezirov-Kilkenny trained with the Radiant Child Yoga Program at Karma Kids NYC. She is also certified in Storytime Yoga levels 1 & 2 and Yoga4Teens, and has been teaching kids yoga since 2004.

Deirdre’s classes at Springboard Studio are 45 minutes on Tuesdays: Nature Yoga for 4-7 year-olds takes place from 4:00pm–4:45pm, and for 8-12 year-olds from 5:00pm–5:45pm. Spring classes will be April 2nd–June 4th. Nature Yoga for Teens and Tweens (10+) on Fridays from 4pm-4:45 pm this Spring will be April 4th–June 7th. The 10 session cost is $100; drop-ins are $12 per session. For information, call 267-241-4810 or e-mail natureyoga@comcast.net. Facebook page: http://www.facebook.com/NatureYogaforKids.

11:15am – Festival Storytime with Lauren Grace. Come join us for a special Mt. Airy Kids’ Literary Festival storytime! Together we will sing songs, play games, and read some books, of course!  (Ages toddler to 4)

Lauren Grace is a local mom who enjoys knitting, sitting outside, laughing with her two daughters, and reading!

12:00pm – Harry Potter fun with Grace Gordon.

1:00pm – Afternoon Drawing Workshop with Mark Mattson. (Ages 6 and up)

Mark Mattson is a Philadelphia-based artist, writer, illustrator, and designer. A graduate of Columbus College of Art and Design, he also makes video games and kids’ products; and is a member of The Society of Children’s Book Writers and Illustrators. He’s made everything from books based on famous red monster puppets, to Easter baskets starring martial-arts mutant turtles, to educational games prominently featuring deep-voiced tooth fairies. It is all true.

2:00pm – Reading and crafts with Ame Dyckman, author of Boy + Bot and Tea Party Rules. Join author Ame Dyckman for a cool Boy + Bot reading, with robot crafts and giveaways, and a special sneak peek into her forthcoming book, Tea Party Rules.  (Ages 4 and up)

Ame Dyckman

3:00pm – Creating Graphic Novels/Comic Books with Marta Rose and Judy McCoubry. Text (Ages 7 and up)

Festival Events at Color Book Gallery

All day – Face painting and activity table!

12:00pm – C. Getti, author of Bear’s Prayer

1:00pm – Melissa Conroy, author of Poppy’s Pants

2:00pm – Baba Abiodun, Storyteller

3:00pm – Rhiannon Richardson, author of Model Friendship

4:00pm – A. R. Bey, author of Netherworld of Kemet

Sunday, May 19

1:00pm – Reading with , author of .

10:30am – Music with Gina Ferragame! Join local musician Gina Ferragame for a fun-filled round of kid music and interactive fun. (Ages toddler to 5)

Gina Ferragame is a trained Music Therapist who has extensive experience working with children, special needs children, hospice care, and in-patient hospital care with emotionally disturbed adolescents. Gina is also a preschool Music Teacher in Mt. Airy, Philadelphia. “Music With Gina” is a class designed for babies/toddlers (ages 6mo to 3yrs) and caregivers. The intention for each class is to allow your little one the freedom to express themselves in a positive and compassionate setting through the use of movement, playing, and singing. Music classes are meant to enrich, enliven, and entertain your little ones! it’s just fun! 10:30am Tuesdays, Mt. Airy Yoga: 610 Carpenter Lane Philadelphia, 19119. $12 drop in $100 for 11 classes. Contact musicwithgina@gmail.com.

11:00am-12:00pm – Free Creative Writing Games Workshop with Cordelia Jensen. This workshop is for any kid who wants to get creative. We will play four or five writing games that focus on different aspects of the storytelling process, such as dialogue and character development. So, come and get wild with words! (Ages 7 and up)

Cordelia Jensen is a YA Writer; her novel in verse SKYSCRAPING is forthcoming from Philomel/Penguin. Cordelia graduated in 2012 with a MFA in Writing for Children & Young Adults from Vermont College of Fine Arts. Cordelia graduated from Kenyon College where she majored in English, with a Concentration in Creative Writing. Cordelia was Poet Laureate of Perry County in 2006 & 2007. She has also had nonfiction work appear in Literary Mama. Cordelia has worked with young people for most of her career; with a Masters of Education in Counseling, she has worked as a counselor, teacher and spent ten summers as a camp counselor in Central PA. She works at The Big Blue Marble Bookstore and loves being surrounded by books and people who love stories and language. Cordelia lives in West Mt. Airy with her husband, Jon, and twin seven-year-olds, Tate and Lily.

12:15pm – Reading with Kit Grindstaff, author of The Flame in the Mist. Join Kit for themed refreshments and a special reading from her new book The Flame in the Mist, a fantasy-adventure for fans of Philip Pullman’s The Golden Compass. (Ages 9 and up)

Kit Grindstaff was born near London and grew up in the rolling countryside of England. After a brush with pop stardom (under her maiden name, Hain) she moved to New York and embarked on her career as a pop song writer. Kit now lives with her husband in the rolling countryside of Pennsylvania. She is a member of the SCBWI. The Flame In The Mist is her first novel. You can also find her at http://www.kitgrindstaff.com , http://www.facebook.com/kitgrindstaff  and on Twitter: @kitgrindstaff.

Check the Big Blue Marble Bookstore for additions and changes: http://bigbluemarblebooks.com/kidslit13.html

Talk tomorrow,

Kathy

Today kicks of the 94th annual Children's Book Week, May 13-19, hosted by the Children's Book Council. The lovely poster is illustrated by Brian Selznick and is free to schools and libraries. CLICK HERE for more information!

In more YAB Fest awesomeness, the very cool Sharon Bayliss has put together an amazing giveaway of signed books by some of the participating YAB Fest authors!

(And if you missed it, you can read my post on YAB Fest here.)

      

Currently on display at the Museum of the Moving Image in Astoria, Queens, Spectacle: The Music Video is the first ever exhibition to celebrate the artform that was once the bread and butter of MTV. Curators Jonathan Wells and Meg Grey Wells put together an impressive spread of 300 music videos in beautifully designed exhibition.

While most music videos in the exhibition were featured in looped groupings on wall-mounted monitors, the videos that received their own, stand-alone installations were ones that had accompanying props or assets left over from production. For example, the four jumpsuits worn in the video for OK GO’s “This Too Shall Pass” are hung on the wall next to a video monitor. Another corner is filled with a giant model of the anthropomorphic milk carton from Blur’s “Coffee and Tea.” Also on display are a few pieces from “Tonight, Tonight,” the Smashing Pumpkins’ homage to Georges Méliès’ “A Trip to the Moon.”

Stop motion and 2-D animation are heavily represented in the show. Piles of colorful yarn and original storyboards comprise an installation for Steriogram’s “Walkie Talkie Man,” directed by Michel Gondry. As one of the most prolific and creative music video directors in the past two decades, Gondry’s work received the most gallery space by far. Another corner is accented with bold LEGO pieces while an accompanying monitor plays “Fell in Love With A Girl,” the iconic music video that pulled The White Stripes into the mainstream.

Original drawings from “Take On Me” by A-ha are on display as a reminder of the video’s landmark status in pop culture. Director Steve Barron combined pencil-sketch animation, rotoscoping and live action for a total of 3,000 frames that took four months to complete. It is still one of the most memorable music videos of all time, and was the first to push a song to number one one the charts.

Several monitors around the gallery space display curated lumps of animated music videos, but there were a few notably absent or barely mentioned: Kanye’s Bakshi-inspired video for “Heartless,” Peter Gabriel’s “Sledgehammer,” and anything by The Gorillaz. Of course it’s impossible to satisfy everyone’s expectations, so the curators devised a lounge provided by Vevo where patrons can select and watch their favorite music videos.

Approaching this exhibit, I wondered how the curators, who are self-proclaimed products of the MTV generation, could keep their nostalgia in check. At times they can’t, and the exhibition is more celebratory than critical. The present and future of the music video is never fully confronted, specifically in the context of a digital era with services like YouTube and Vimeo. A small installation of Arcade Fire’s ventures into interactive music videos was perhaps the most current exploration of the medium on display.

Where the exhibition shines, however, is establishing the history of music videos, tracing their roots back to the earliest sound films of the 1920s. Included was a mention of “Colour Box” by Len Lye, a 1935 experimental animated short set to a Cuban dance beat. The narrative thread continues on, showing how The Beatles, Queen, David Bowie and several experimental artists contributed to the establishment of the music video as a definitive medium.

The exhibition, which is absolutely worth seeing, is currently on loan from Contemporary Arts Center in Cinnicinnati. With any hope, the show will become even more accessible and take part in a national tour. And now that Billboard has decided to include YouTube views in its rankings, the music video could once again be a driving force worth rediscovering.

For all you Jerry Spinelli and STARGIRL fans, don’t miss out seeing STARGIRL on stage.

Stargirl

April 20—May 12, 2013

By Y York

Adapted from the novel by Jerry Spinelli

Directed by Samantha Bellomo

When an eccentric homeschooler arrives at Mica Area High School, hallways buzz with texts, whispers fill the air, and 11th grader Leo Borlock’s life is changed forever. Based on the critically-acclaimed young adult novel by Jerry Spinelli, the author of everyone’s favorite Maniac Magee, Stargirl celebrates first love, non-conformity, and the similarities that connect us all.  Best appreciated by ages 12 and up.

Join the actors after every performance to discuss the making of the production.

Meet Author Jerry Spinelli!

Jerry is the author of more than 30 books including Stargirl, Crash, Loser, Milkweed, Knots in My Yo-Yo String, and has recently released a new novel, Hokey Pokey.  In 1991 he received the Newbery Medal for Maniac Magee and was awarded the Newbery Honor in 1998 for Wringer.

Join us for book signings with Jerry Spinelli before these performances of Stargirl:

May 11 at 1pm

There are 5 shows still available from Thursday May 9th – May 12th and Jerry Spinelli will be signing books at 1 pm, before the 2 pm Saturday matinee.

Mother’s Day: The theatre is having a buffet brunch or prix fixe dinner with a performance of Stargirl on Sunday, May 12th! Experience their award-winning gardens and the charming, historic setting of the 18th-century farmhouse. What a nice way to celebrate Mom’s Day. Reserve your table and tickets now!

Calling all Star-people! Only today to work on this:

Enter to win tickets to a performance of Stargirl at People’s Light and Theater, along with a chance to meet Stargirl and receive a copy of the book, signed by Jerry Spinelli!

Simply send us a 250-word essay or link to a 2-min video describing to us the person you are, just like Stargirl does in her “The Person I Am” speech.

Essays and videos can be sent via email to artsdiscovery@peopleslight.org and MUST be received by Monday, May 6th.  Winners will be contacted directly so please be sure to include your name, age, and contact information (email and home phone).

(Note: If any of the pictures in this post or other posts are squished, refresh your screen and it will correct.)

Hope you live close enough to take advantage of this.

Talk tomorrow,

Kathy

Can I mention how wonderful this past week's Texas Library Association Conference was? Seriously, the state of Texas rocks and so do all the people in it! I seem to do best summarizing these things with pictures, so here we go!


A huge thank you to Tor for having me be a part of the conference!

Hollywood animation studios seem to think that 2D animation is dead so we may as well go ahead and make it official. Former Walt Disney Feature Animation artist Raul Aguirre Jr. is organizing a mock-memorial service for hand-drawn animation that will take place this summer at the San Diego Comic-Con. He put out a call for participation on Cartoon Brew’s Facebook page:

I am putting together a panel discussion which I want to do a tongue in cheek Memorial Service for 2D traditional animation” Everyone on the panel would give a little speech in honor of the dearly departed. I’m hoping to get a little casket with an animation disc in it and some flowers. I would love to have some ladies in shawls crying hysterically the whole time. I want to end it with a positive note and revive the departed with audience participation. Like clapping your hands to revive Tinkerbell in the Peter Pan shows.

On Aguirre’s personal Facebook, a couple women have already volunteered to perform the crying-ladies-in-shawls role. This should be fun if he can make it happen.

Annecy, the longest-running and largest animation fesival, has announced the feature film selections for their upcoming festival in June. Nine films were chosen to compete for the Cristal award for feature film, which will be decided by a jury consisting of producer Didier Brunner (Les Armateurs), Cartoon Network exec Brian Miller and director Robert Morgan (The Cat with Hands, The Man in the Lower-Left Hand Corner of the Photograph). An additional fourteen features will screen out of competition.

Marcel Jean, the festival’s artistic director, said of this year’s feature selections:

“Many films have been created in a totally independent way, using traditional means, which illustrates the change in production habits that is opening the way for smaller companies and happening at the same moment as the production of digital 3D features is becoming more accessible. Japanese production has also particularly stood out through the number and quality of science fiction, horror or genre films.”

Feature Films—In Competition

• Arjun, The Warrior Prince
  Directed by Arnab Chaudhuri (India)

Feature Films—Out of Competition

• After School Midnighters
  Directed by Hitoshi Takekiyo (Japan)

Here are some literary events to pencil in your calendar. To get your event posted on our calendar, visit our Facebook Your Literary Event page. Please post your event at least one week prior to its date.

The 3rd Annual Shakespeare’s Birthday Sonnet Slam will take place at the Naumburg Bandshell in Central Park. Join in on Tuesday, April 23rd starting 1:00 p.m. (New York, NY)

New York Times bestselling author Michael Pollan will appear at Barnes & Noble (Union Square branch) to talk about his new book, Cooked. Hear him on  Tuesday, April 23rd starting 7:00 p.m. (New York, NY)

continued…

New Career Opportunities Daily: The best jobs in media.

Since registration for the New Jersey SCBWI June Conference is closing April 30th (Here is the link: http://tinyurl.com/ch7sean) I thought I would announce the Guest Critiquer for May.

MELISSA FAULNER, Editorial Assistant, ABRAMS Books for Young Readers and Amulet has agreed to share her expertise with us. I am looking forward to meeting her at the conference and I will be sharing more information about her during May.

Just a heads-up: May’s submission deadline will be May 22nd, due to the Memorial Day.

Here is Melissa’s bio:

Melissa received her B.A. from Sarah Lawrence College with a concentration in Literature and Visual Arts. She worked in Consumer Products and Licensing for Penguin Young Readers Group before coming to ABRAMS, and now works on a variety of children’s books including both fiction and nonfiction picture books and middle grade and YA fiction. She’s the editor for an upcoming Cinderella picture book in Fall 2013, and has worked as part of the editorial team for the upcoming picture books The Twelve Days of New York by award-winning author Tonya Bolden and illustrator Gilbert Ford, the sequel to the award-winning early middle-grade novel Like Pickle Juice on a Cookie by Julie Sternberg, and the adult graphic fairy tale Raven Girl by Audrey Niffenegger.

This is the first time the New Jersey SCBWI Chapter has been able to get anyone from Abrams to come out to one of our conferences, so this presents a big opportunity for the attendees.

MEREDITH MUNDY, Executive Editor, Sterling Children’s Books has agreed to being April’s Guest Critiquer. If you haven’t met Meredith, you can meet her at the New Jersey SCBWI Conference in Princeton, NJ this June. She is a wonderful editor and a lovely person. She knows her stuff.

Meredith Mundy has been with Sterling Children’s Books for 8 years, following 11 years at Dutton Children’s Books. She is nuts about character-centered picture books (recent projects include The Big Bad Wolf Goes on Vacation by Delphine Perret, A Pirate’s Twelve Days of Christmas by Philip Yates, and Ten on the Sled by Kim Norman), but she is also seeking everything from funny, original board books to unforgettable middle grade novels to YA fiction. (No vampires, angels, mermaids, or werewolves, please, and she doesn’t usually acquire historical fiction.) While she enjoys editing nonfiction, she wouldn’t be the right editor for poetry collections or a project geared primarily toward the school and library market.

WRITERS Sending in a First Page: Please attach your double spaced, 12 point font, 23 line first page to an e-mail and send it to kathy(dot)temean(at)gmail(dot)com. Also cut and paste it into the body of the e-mail. Put “April First Page Critique” or “April First Page Picture Prompt Critique” in the subject line. Make sure you have your name on the submission, a title, and indicate the genre. Also let me know if you were able to post of facebook or Tweet. That will get your name in the basket an additional time, when I am choosing the four pages. If you don’t have either of these, just leave a comment and let me know. If you end up doing more things to get additional entries, then e-mail me a note by April 20th. The four chosen and their critiques will be posted on April 26th.

This first page picture prompt was done by Susan Detwiler. Susan was feature on March 9th. You can use this link http://wp.me/pss2W-6jt to view her artwork.

AUTHORS: If you have a new book coming out and want to be considered for a post, please e-mail me at: Kathy.temean (at) gmail.com

Call for illustrations for April: You can send anything, but I am especially looking for illustrations that reflect the month. I hope you will send something in. Last month, I did not receive very many. This is a good way to get your work seen. Don’t wait, I will post the illustrations as they come in. Please make sure the illustration is at least 500 pixels wide and include a blurb about yourself and a link to see more of your work. Please send it to kathy(dot)temean(at)gmail(dot)com and put “April Illustration” in the subject box.

Talk tomorrow,

Kathy

Tricia Lawrence is the newest agent at Erin Murphy Literary Agency and attending the New Jersey SCBWI Conference in June. As associate agent, Tricia represents middle grade, young adult fiction and nonfiction and is looking to build her list of clients. She’s likes strong world building, wounded narrators, and stories that grab a reader and won’t let go. Tricia lives in Seattle, so you could say she is the “Pacific Northwest branch” of EMLA. With Ammi-Joan in New England and Erin in Arizona, they seem to have things covered, but of course, you do not have to live near an agent for them to represent you.

Tricia says, “I’m also beginning to look for younger books: picture books, early readers, chapter books as well as middle grade and young adult. I love all genres, but find that a story with a mystery is what I’m most drawn to. I love, love, love finding something new, whether it is a character that makes me laugh out loud to a character that continues to persevere in spite of everything being thrown at him/her. I would love to find books that are extremely high-concept, but that have an amazing main character. It really all comes down to character, doesn’t it?

I like historical, scifi, spec fiction, fantasy, paranormal (although the paranormal must be really original), contemporary, mystery/thriller, and adventure. I’m particularly drawn to books that focus on big educational transitions in a kid’s life (what it feels like to be leaving high school, that YA sweet spot or learning to navigate middle school coming from elementary school or learning to deal with school at all for younger readers). I must be reliving my own childhood years in school over and over again! I am also very interested in nonfiction for teens, on subjects covering babysitting to how to prepare for college in a fresh, original spin.”

EMLA is closed to unsolicited queries or submissions. We consider queries that come to us by referral from industry professionals we know, and individual agents are open to queries from attendees of conferences where they speak. So attending the June Conference in Princeton, will open this door for you. www.regonline.com/njscbwi2013conference

Here are some additional Tricia interview’s to read:

Forever Rewriting

Fresh As A Daisy

Talk tomorrow,

Kathy

ROSS ANDERSON is currently writing the definitive book about the making of Roger Rabbit, beginning with Gary K. Wolf’s novel and Disney’s early Roger Rabbit development unit, continuing with the production of “Who framed Roger Rabbit”, and through the follow-up shorts, merchandising and theme park presence, and development work on sequels. He wrote this piece exclusively for Cartoon Brew about the 25th anniversary screening of “Roger Rabbit” that took place last week in Los Angeles.

On Thursday evening, April 4th, the Academy of Motion Picture Arts and Sciences hosted the first public screening of the new digital print of Who framed Roger Rabbit. The preparation of the digital print coincides with the release of the 25th anniversary Blu-ray edition of the film, and the Academy hosted a terrific show.

When the tickets were made available on-line they sold out within a day or two. The film was enormously popular when it was released and it has been a touchstone for film and animation enthusiasts ever since. I can’t take credit for the touchstone/Touchstone remark—that came from Rich Moore, director of Wreck-It Ralph, who was the moderator of the panel discussion that followed the film screening.

The event attendees were polite and mature in their behavior, although many of them hadn’t been born when the film was released. The enthusiasm for the film has some of the earmarks of coltishness, but it is not as though the adoration is a personal ‘find’ and a delight against all reason. There are ample reasons to delight in the film, and everybody has their own joys that they find in it. Mine – is that I had been a life-long animation enthusiast who found it difficult to share my enthusiasm with friends. I was in university when Robin Hood was released. I would have been harassed unmercifully if my interest in Disney animation had become known to my dorm-mates. Who framed Roger Rabbit made animation ‘cool’ again…and it made money, which increased the enthusiasm of the studios. Many people in the animation industry credit the film with ushering in a silver age of feature animation.

Academy member and veteran animation director Bill Kroyer introduced the screening. Bill was a young animator at the Disney studio prior to the first onslaught of CalArts grads, who included John Lasseter, Tim Burton, Brad Bird, Henry Selick, John Musker, Jerry Rees, and Darrell Van Citters. They were all frustrated with how Disney animation was functioning in the early-1980s.

Tom Wilhite, the young Disney Live-Action Studio Head, saw their frustration and did what he could to enable projects that would satisfy their creative juices and keep them at the studio. Aside from John Musker, they were all eventually fired or left the studio of their own accord, but out of that early grouping came Tim Burton’s Vincent and Frankenweenie and John Lasseter’s The Brave Little Toaster, which Wilhite eventually produced, with Jerry Rees directing, as ‘Hyperion Pictures’, after he, too, left Disney. Wilhite also brought Tron to the Disney studio and was responsible for setting up the Roger Rabbit development unit at Disney in 1981, helmed by Darrell Van Citters.

Bill Kroyer was one of the first ‘animators’ to do computer animation. He and Jerry Rees were assigned to the Tron production to work with the early CGI providers. The computer software at that time was not intuitive at all, so there was more hand-drawn ‘logistical guidance’ for the programmers than most people realize. That was Bill and Jerry. Their involvement also fired up John Lasseter’s interest in computer animation. The Brave Little Toaster was intended to be the first full length CGI animated feature.

Tron was released in 1982, at a time that the Darrell Van Citters’ Roger Rabbit development unit was getting into full swing. Screenwriters Peter Seaman and Jeffrey Price had just come off of Trenchcoat, a Disney mystery/comedy, and Wilhite assigned them to prepare a screenplay for Roger Rabbit. At that time Wilhite also sent memos to Darrell and Marc Stirdivant, the Disney house producer assigned to the development unit, to scoop up Bill Kroyer, Jerry Rees, John Lasseter, Ron Clements, Randy Cartwright, Mike Gabriel, and Glen Keane for the Roger Rabbit unit. Other things were happening at the studio, and soon most of those people were gone… but wouldn’t that have been something?

Back to the screening – Bill Kroyer called out many of the attendees who had been instrumental in making the film. This list isn’t exhaustive, but those who did stand up included voice actors Charles Fleischer (Roger Rabbit, Benny the Cab and others), June Foray (Lena Hyena), and Tony Anselmo (Donald Duck), animators Andreas Dejas and Nik Ranieri, screenwriters Seaman and Price, editor Artie Schmidt, London studio manager Max Howard, producers Steve Starkey and Don Hahn, and, of course, director Bob Zemeckis.

The film screening was wonderful. The digital print was clear and fresh and the colors popped out at you. Not having seen the film on the big screen for twenty-five years, I found it difficult to discern whether the viewing pleasure was due to anything particular associated with the digital print or simply that I was sharing the big screen experience with a room full of similarly enthusiastic viewers. The quality aspects of the digital restoration were being hotly debated within knots of people after the screening was over.

A panel discussion followed the screening. It was hosted by Rich Moore and included Peter Seaman, Jeffrey Price, Andreas Deja, Charles Fleischer, Joanna Cassidy, Steve Starkey, Bob Zemeckis, and Don Hahn. There were many reminiscences from the production. Most of them were well known to the real Roger Rabbit enthusiasts, but the ones who resonated the most for me were those that put the ‘25-years’ into perspective. We have heard about Who framed Roger Rabbit having way more special effects than Star Wars, but it was also one of the last of the great ‘optical’ effects films. It was a different era.

Zemeckis reminisced that, “we had FedEx and ¾” tape – we had technology by the tail.” He spoke about the first finished animation that came over from the London studio unit. It was the portion of the introductory Something Cookin’ cartoon in which the chili sauce falls off the shelf in Roger’s kettle-head. The British animators spelled ‘chili’ in the British manner, with two l’s (‘chilli’). The scene had to be completely re-animated.

In the scene which the camera trucks over the newspaper headlines showing the Toon cases solved by Valiant & Valiant on Eddie’s desk, the London studio had used the banners of LA newspapers of the time (1947), without having asked permission of the newspapers. One newspaper ended up refusing permission to use their banner – and this complicated scene had to be completely re-shot. Another anecdote was that Paul Newman had been considered for the role of Eddie Valiant. Charles Fleischer immediately shot back that Judge Doom would then have had to use ‘dressing’ instead of ‘dip’.

Don Hahn made a call out for Richard Williams, who recently celebrated his 80th birthday. Richard had hoped to attend but was unable to make it. Also, during the panel discussion, it became clear that the presence of Bob Hoskins was greatly missed. He was universally acclaimed for his work on the film. I must say that the greatest benefit that I saw with the digital presentation was in the close-ups on the actors’ faces. There was sublime acting and emotion that contributed enormously to the ‘reality’ of their interaction with the ’toons. We ‘felt’ it and it was an integral aspect of the great ‘conceit’ of the live-action/toon combination, but the subliminal effects were often lost in the chaos of the action. In this viewing, they popped out at me.

It was a great night. Following the conclusion of the panel discussionm, the many Roger Rabbit production participants reunited on stage to catch up on 25 years. The ‘celebrities’ amongst them were cornered for autographs, and the ‘no photography’ policy of the Academy theater was completely thrown out the window as the hundreds of cameras that were spirited into the theater finally came out.

A group shot was hastily organized and there were many more Roger Rabbit alumni present than had been called out during the evening’s introduction. I counted at least twenty-five alumni. I had the pleasure of speaking to many of them and seeing several of them the next day. It was a special night for Roger Rabbit fans and a special night for those who were involved in making it.

Believe me you will feel like pulling out all your teeth if you don’t realize that…

Thanks to Dow Phumiruk for sending in this illustration to help me make my point.  Dow is a pediatrician who has found her passion in children’s book illustration. Most of her work is digital, and she enjoys using a bright, colorful palette. She joined SCBWI in 2011 and is looking forward to her first national conference in LA this summer. Here is a link to see more of her art: www.artbydow.blogspot.com .

the New Jersey SCBWI Conference being held in Princeton, NJ June 7 – 9 will close registration on APRIL 30th! I am making a big deal about this, because I am afraid that many of you will miss the date.  When I was running the conference, I would let people register up until the first week in June and because of that I didn’t realize that the deadline was a drop dead date at the end of April. If I didn’t realize, then I am sure someone else who is use to registering later could miss getting into the conference. I would feel terrible if you wanted to go and didn’t understand the change.  Please help spread the word, so that doesn’t happen. I don’t blame them for the earlier cut off, it will drastically help the committee to prepare for the conference.   www.regonline.com/njscbwi2013conference

Talk tomorrow,

Kathy

Here are some literary events to pencil in your calendar. To get your event posted on our calendar, visit our Facebook Your Literary Event page. Please post your event at least one week prior to its date.

New York Times illustrator Tamara Shopsin and Daily Show correspondent John Hodgman will headline a conversation event tonight. See them at the Strand on Monday, April 15th at 7 p.m. (New York, NY)

Books of Wonder is hosting a “Girls Get Real” panel featuring four young-adult authors. Hear them on Tuesday, April 16th at 6 p.m. (New York, NY)

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New Career Opportunities Daily: The best jobs in media.

Hey, peeps! For those around and about the Austin, Texas area (and for those who aren't, you should move here), there are three fabulous places I'll be where I would love to see you.

THURSDAY, APRIL 18, 6:30 pm
BOOKPEOPLE

It's the Writer's League of Texas Third Thursday meeting and panel, and this month, I am thrilled to be on a panel with Stephanie Barko and Rhiannon Frater. We'll be talking about all things marketing and giving tips on nurturing relationships with readers! It's free and open to the public, and sure to be a blast!

*****

THURSDAY, APRIL 18, 8:00 pm
BAR 96

If you do come to the meeting, or even if you don't, later Thursday evening at 8:00 pm is the CLAWstin event downtown at Bar 96 on Rainey Street. Head out and cheer on my pal Gina Tonic as she arm wrestles her way to helping charity!

The L Magazine will host four reading events for this year’s Literary Upstart writing contest.

You can submit your short fiction until May 28th; submissions must be no longer than 1,300-words. The grand prize winner will get a $500 award and be published in the annual Summer Fiction Issue.

The top writers will be invited to one of three semi-final round readings on April 17th, May 1st or May 22nd. All the contestants who place first in the semi-final rounds will move on to perform one more time at the grand finale reading on June 4th.

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New Career Opportunities Daily: The best jobs in media.