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Results 1 - 12 of 12
1. Rebellious reading and other audiacious acts

If you were trying to support and encourage a young environmentalist, feminist or …anarchist (!) what books would you suggest for them?

I might give the newly re-issued Barbapapa’s Ark, or the simple but very effective What are you playing at?

Or if you were simply looking for a great read for your kids about making the world more peaceful and fairer where would you turn?

I might suggest The Arrival or The Island.

And if I were looking for more thought provoking books (as indeed I always am), I’d turn to the Little Rebels Children’s Book Award. Now in its second year, this is an award for radical fiction for children aged 0-12. Last year’s winner was the marvellous and moving Azzi in Between by Sarah Garland (my review can be found here), and this year’s winner will be announced in just a couple of week’s time.

The books shortlisted for this year's award

The books shortlisted for this year’s award

The books, authors and illustrators in the running of the Little Rebels Children’s Book Award 2014 are:

  • The Promise by Nicola Davies, illustrated by Laura Carlin
  • After Tomorrow by Gillian Cross
  • The Middle of Nowhere by Geraldine McCaughrean
  • Moon Bear by Gill Lewis
  • Real Lives: Harriet Tubman by Deborah Chancellor
  • Rosie Revere, Engineer by Andrea Beaty, illustrated by David Roberts
  • Stay Where You Are and Then Leave by John Boyne
  • I recently put a pretty tricky question to those authors who made it onto the shortlist:

    If it were possible with a wave of a wand what would you change about the way the world works, to make it either more inclusive, less discriminatory, or a place which was more just and equitable?

    Here’s how they replied…

    Nicola Davies
    Tricky. I have one practical thing and one that you really would need a magic wand for. The practical one is to make sure that every girl on the planet gets and education; women with confidence, education and power are the single biggest force for change.

    And the magic wand one is to give all bankers, politicians, drug lords…all those in positrons of power over others to see the consequences of each of their actions on the wider world, as clearly as a movie and to feel them, as physical pain. I think that might be really helpful.

    Deborah Chancellor
    This one’s easy. I’d make sure half the people in every single profession were women. With my magic wand, fifty percent of all politicians, judges, business chiefs, religious leaders, generals (etc) would be female. Without a doubt, the world would be a fairer, more inclusive and generally more harmonious place. Perhaps one day we’ll make this utopia happen, but we’re still a long way off.

    Andrea Beaty
    I would create shoes that would transport people into the lives of others to show how their actions and attitudes affect other people. Many of the world’s problems would quickly straighten out if people who take advantage of others or inflict suffering upon others would have to walk a mile in the shoes of the people they disrespect, harm, or disregard. Perhaps Rosie Revere could invent the walk-a-mile shoes. She is very clever! Until we have walk-a-mile shoes, though, we have literature. It lets us each see the world through other people’s eyes. To walk a mile in their shoes. It gives us empathy. And that is more powerful than any magic wand.

    An interior spread from Rosie Revere Engineer

    An interior spread from Rosie Revere Engineer. Click for larger image.

    Gillian Cross
    If I could take one action to make the world fairer and more equal I would make education available and affordable for all children across the world, especially girls.

    Gill Lewis
    I would wave wand to enable us to be able to change our skin with people and animals…to walk a mile in their shoes…or hooves!

    In Harper Lee’s story, To Kill a Mockingbird, Atticus gives Scout a piece of moral advice;
    “You never really understand a person until you consider things from his point of view…until you climb into his skin and walk around in it.”

    Most prejudice or discrimination is born of ignorance, indifference and fear of the unknown. To truly understand another’s situation is to live their life, to see the world from their point of view. I would extend this to animals too, for us to live an animal’s life; to live as elephant, an eagle or a honeybee and to be able to see the adverse effects we humans have on the natural world and to understand the consequences of our actions.

    Unfortunately we don’t have magic wands, but we have the next best thing…books!

    Books transport us into other worlds and give us some insight and understanding of others’ lives.

    Until I find that magic wand, I’ll keep reading and writing books!

    ************

    Unfortunately Geraldine McCaughrean and John Boyne were not able to take part; I would have been very interested to hear what they might have chosen to do with a wave of a wand.

    And as for me? What would I magic up? I found myself nodding wildly at all the responses above, but if I were to offer something different here’s what I might conjure up: If looking just at the bookworld, I’d get rid of gendered marketing and watch with great interest to see how it shakes up (or otherwise) book sales. On a bigger scale, I’d ban private car ownership, and invest massively in public transport. It would do wonders for not only environmental health, but also personal well being I believe. And if I could move mountains, I’d change how economies work so they don’t have to be predicated on consumption.

    What would you do with a wave of your wand to make the world a better place?

    If you are after further interesting reading matter to foster your own little rebels, you might enjoy looking through this list of books for children and young people as compiled on the Marxist Internet Archive. “Some of these books were written to be expressly radical, and others need a stretch to find political implications.” Thanks go to Betsy Bird for alerting me to this bibliography.

    Little Rebels Children’s Book Award
    is given by the Alliance of Radical Booksellers and administered by Letterbox Library and the winner will be announced at the London Radical Bookfair on May 10th 2014.

    2 Comments on Rebellious reading and other audiacious acts, last added: 4/27/2014
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    2. Christmas Books: Five of the Best New Gift Books for Christmas

    By Bianca SchulzeThe Children’s Book Review
    Published: December 6, 2012

    The Christmas Quiet Book

    By Deborah Underwood; Illustrated by Renata Liwska

    Reading level: Ages 4 and up

    Hardcover: 32 pages

    Publisher: Houghton Mifflin Books for Children (October 16, 2012)

    It’s impossible to keep quiet any longer. It just has to be shouted loudly to everyone: We love the winning combination of Deborah Underwood’s sweet and pitch-perfect “quiet” holiday moments and Renata Liwska’s gentle and charming drawings that make you wish you could reach into the pages and give each and every character a warm embrace. Make a little book bundle and include the original The Quiet Book and The Loud Book—three books and a piece of ribbon and you have the perfect gift for any young child—go the extra mile and tie a little stuffy on top, too.

    How Do Dinosaurs Say Merry Christmas?

    By Jane Yolen; Illustrated by Mark teague

    Reading level: Ages 0-4

    Hardcover: 40 pages

    Publisher: The Blue Sky Press (September 1, 2012)

    Get ready to roar with laughter with your preschooler. The bestselling combo Jane Yolen and Mark Teague are back again with their winning “How Do Dinosaurs” series. The oversized, egocentric, juvenile dinosaurs wreak havoc through the house for the first half of the picture book—they have no regard for the special traditions of Christmas. As per usual, good behavior is highlighted in the second half and a lesson of “how not to act” is delivered brilliantly. This is a must-have Christmas book, especially for fans of prehistoric animals.

    Christmas Magic

    By Kirsten Hall; Illustrated by Simon Mendez

    Reading level: Ages 4 and up

    Hardcover: 20 pages

    Publisher: Sterling Children’s Books (October 2, 2012)

    With lyrical verses that have a nostalgic quality and a unique art form that allows every painted illustration to change with a simple pull of a tab, this is a Christmas book that will hold an audience captivated.

    The Nutcracker: A Magic Theatre Book

    By Geraldine McCaughrean; Illustrated by Kristina Swarner

    Reading level: Ages 2-7

    Hardcover: 24 pages

    Publisher: Chronicle Books (October 3, 2012)

    We can’t resist the magical movement of this new take on The Nutcracker. Large die-cut board pages have been made to be handled and allow the cast of characters to literally dance there way through the story. This Nutcracker version gets our vote based on the delightful illustrations and inventive paper-engineering—”A Magic Theatre Book” is definitely the write description.

    Stable in Bethlehem: A Countdown to Christmas

    By Joy N. Hulme; Illustrated by Dan Andreasen

    Reading level: Ages 1-3

    Board book: 22 pages

    Publisher: Sterling Children’s Books; Brdbk edition (October 1, 2012)

    Not just a numbers primer for babies and toddlers, the stunning artwork of Dan Andreasen and Joy N. Hulme’s gentle rhymes also introduce the littlest readers to the religious beginnings of Christmas.

    Looking for more suggestions? Try our lists from previous years:

    20 of the Best Kids Christmas Books

    Christmas Board Books for Babies and Toddlers

    Original article: Christmas Books: Five of the Best New Gift Books for Christmas

    ©2012 The Childrens Book Review. All Rights Reserved.

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    3. Like a Dream

    The Nutcracker: A Magic Theater Book, by Geraldine McCaughrean, illustrated by Kristina Swarner, Chronicle, $19.99, 24 pages, ages 6 an up, 2012.  In this gorgeous remake of the classic ballet story, a girl curls up under a Christmas tree with her broken nutcracker and dreams of freeing a prince from a witch's curse. As readers turn pages, die-cut characters bow to each other in dances or parry in duels within wreath-like openings. A tab inserted over the page fold causes the characters to tilt inward, as if they were dancing on a curtained stage. It also eliminates the need for readers to pull tabs themselves, making this an easy book for little hands. Swarner's paintings look as wondrous as a fairyland -- they glow in rich hues, and sparkle with oversized snowflakes and floating treats, and McCaughrean's writing is as enchanting as ever. Marie (the story's Clara) is taken by her prince on "a boat of starlight and swansdown" to the Land of Sweets (reminiscent of Candyland from the game board). Then later she sails home through "soft, sheep-flocks of clouds" and "gates of sunrise" -- an image that is enticingly dreamy. This is a dazzling, imaginative journey that sweeps readers off the stage to a glistening wonderland -- a world they'll want to lay awake at night trying to imagine into their dreams. (McCaughrean is the award-winning author of Peter Pan in Scarlet and Sunshine Queen.) Best part: When Marie and her prince sail off in the night under a long, feathery wing.

    0 Comments on Like a Dream as of 11/30/2012 7:13:00 PM
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    4. PaperTigers’ Global Voices feature with award winning author Holly Thompson (USA/Japan)~ Part 2

    English-language Asia-set Children’s and YA Fiction ~ by Holly Thompson

    Part 2 of 3 (read Part 1 here)

    Some years back as we settled into our bicultural family life with young children here in Japan, although we were surrounded by books in Japanese and took full advantage of Japan’s healthy picture book and middle-grade market, we discovered that finding English-language reading material to support our bilingual children was no easy task. Because our children attended Japanese schools, English education happened in our home, and we needed a steady supply of English-language books. But libraries in Japan stock few English-language books, and bookstores here carry very few and at hefty mark-ups, so whenever friends or family visited from the U.S. they brought books to us. Returning from a trip back to the States, our luggage was always heavy with books. We book-swapped with families in Japan, we ordered from Scholastic with our English-after school group, and we pounced on book sale tables at international school fairs. At last, Amazon Japan with free and quick delivery of affordable overseas books came to the rescue.

    Always on the lookout for books relating to our lives while raising our bilingual children, we soon became aware of a lack of English-language children’s books that reflect Japan. English-language picture books set in Japan were rare, and those that existed, we discovered, tended toward folktales and nonfiction. Where were the day-to-day stories that reflected the landscapes and people and value systems surrounding us? Where was Japan?

    We treasured our Allen Say books, especially Kamishibai Man and Grandfather’s Journey.

    We read and reread the bilingual Grandpa’s Town by Takaaki Nomura. We enjoyed folktale retellings like The Seven Gods of Luck by David Kudler and Yoshi’s Feast by Kimiko Kajikawa. and biographical works like Cool Melons—Turn to Frogs by Matthew Gollub. All excellent, but we were discouraged that such English-language titles set in Japan were few and far between.

    Searching for other Asian cultures in English-language picture books yielded similar results—folktales, nonfiction and concept books, but few fictional stories set in Asia.

    As the children grew older, we came to realize that even less common than English-language picture books set in Asia were English-language middle-grade and YA novels set in Japan and Asia. What we found was mostly historical fiction. Of course we read and loved Korea-set historical novels by Linda Sue Park, Japan-set novels by 0 Comments on PaperTigers’ Global Voices feature with award winning author Holly Thompson (USA/Japan)~ Part 2 as of 5/23/2012 10:49:00 AM

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    5. High Ambition - Andrew Strong

    Telling a class of children a story can be magical. But wash your hands first, because if a story works, you'll have them eating out of your palms. I like to tell stories as often as I can; sometimes I'll just make a story up. I'll wait until almost the last moment, until I'm in front of them, and savour the feeling of a story popping out of nowhere. Last week I made up a story about a man who fell asleep on an inflatable bed and drifted out to sea. It was very exciting. Until I got to the end because I couldn't think of one. So I asked the children. The consensus was they wanted him to drown. I didn't let him, of course, he was too nice.

    And not so long ago I told the story of Joseph and his brothers. Just as I was about to begin, one child put up her hand and asked, "is this R.E.?" I nodded vaguely. She groaned and sunk in her seat. But after three or four minutes, every face was turned to me. It was wonderful. Stories are powerful.

    But when it comes to reading books to children, rather than telling stories, there are more challenges. After all these years, I think I know what to look out for. First, there must be natural breaks. Twenty minutes is enough. I need somewhere to end so that children are begging for more. Second, I don't want to explain too much. Keep content simple.

    A few months ago I read a class some of the Mr Gum books. When I came to the line 'he was a gingerbread man with electric muscles' I almost suffered a stroke. I could not continue: the place was in uproar. I was shown the door - it was red, and covered with scratches. Some people, it seemed, had tried to claw their way out of that room.

    After the Gum books, I wanted to be a little more ambitious. I wanted to try longer chapters and difficult vocabulary. I chose a book as far from Mr Gum as possible and by one of my favourite children's writers, Geraldine McCaughrean.

    I say 'one of my favourite children's writers' but I have long held a suspicion that actually McCaughrean's books are far too sophisticated for ten year olds. But putting my doubts to one side, I began.

    'The Kite Rider' is set in China during the thirteenth century, its vocabulary is quite tricky, and the background needs some explaining. I would need to take my time. Consider that there are some children who have only the simplest grasp of where they live. Yes, you point to a place on a map, you can tell them, show them again, repeat where it is, get them to explain to you. But ultimately if they have haven't travelled, not even as far as the nearest city, they can have little grasp of the scale or nature of the world beyond. China is a big step for them. Thirteenth century China, an enormous leap. Even one of the brightest children asked me if they had electricity back then. There is work to do before a book such as this can be tackled.

    But, ten chapters in they were riveted. They loved the main protagonist, Haoyou, and suffered every one of his blows. McCaughrean is a writer of enormous scope, she can unpick a character's motives and lay out each thread for you to examine. Nine and ten year olds may have difficulty in appreciating this, but as the story is so powerful they are swept along.

    I doubt that many of the children in the school, and very few I have taught, could have read this book alone. At the most there may be one or two who could have a go, but the vast majority would find it an impossible task.

    Yet I think they need exposure to this quality of writing. It is simultaneously panoramic and microscopic. Including the preparation, it's taken us the best part of two months to read together. For some of these youngsters, it's become a big part of their lives. I am yet to find out exactly how much they enjoyed it, but I know that, in years to come, they will use

    8 Comments on High Ambition - Andrew Strong, last added: 6/15/2011
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    6. Carnegie Medal Shortlist

    Congratulations to Geraldine McCaughrean and THE DEATH-DEFYING PEPPER ROUX for being named to the Carnegie Medal Shortlist for 2011!  It received four starred reviews in the United States and we’re thrilled to see it nominated for this honor!

    In its starred review, Kirkus said “[A] laugh-out-loud funny, picaresque adventure. McCaughrean’s frequently over-the-top metaphors mirror the delightfully implausible plot. [A] poignant, odd, wonderfully composed and vastly entertaining novel.”

    Congratulations!

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    7. Book recommendation for beautiful language

    A big thank you to all librarians. Not only do they introduce books to kids, making readers, they are so helpful to writers too. Thank you!

    Successful writers agree that one of the best ways to learn how to write better is to read, so I’ve been reading the bestsellers in the genre I write. Through my reading, I learn about characters, plot, description, etc.

    When I was doing the last revision of my novel, I figured I needed to go outside of my genre. I wanted something strong on language — not that the bestsellers aren’t great books for language, but each book has its strength. So, I went to the library and looked for some books I had heard about that were known for their beautiful language. Unfortunately, they were checked out — readers know about the good books.

    The White Darkness book coverSo, I asked the librarian for suggestions on middle grade books that have great language. The librarian thought for a while, then did some typing in her computer, lead me a shelf and handed me a copy of The White Darkness, a Printz winner by Geraldine McCaughrean.

    Never one for waiting, I flipped over the jacket and started reading as I walked to the car. The writing in the jacket copy was so amazing, I got really excited about reading this book. I got in my car, and at my first red light, I couldn’t help myself, I flipped open the first page and carried on reading. (Please don’t follow me in this part.)

    I’m now about two-thirds of the way through the book, and although, plot-wise, the book is a little frustrating (I know something bad is going to happen, but it takes a long time to get there), the writing sure is beautiful. Somehow, through osmosis, I hope to learn how to write more beautifully, thanks to books like The White Darkness. I would recommend this one for anyone looking for examples of great use of language.

    What book would you recommend for great language?

    Write On!


    2 Comments on Book recommendation for beautiful language, last added: 3/5/2010
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    8. SCREAMING!

    THE WHITE DARKNESS! THE WHITE DARKNESS!

    I'm sorry---I just had to scream that! The White Darkness just won the Printz Award! I was jumping up and down and yelling in front of my computer. My dog came running in to see what was wrong.

    If you want to know why I'm so excited, well---I nominated this book for the Cybils, I told Little Willow that it was my favorite read of 2007, and after I read it as a library book, I ran out and bought it.

    When I first blogged about it, I said:

    "I'll sign off here shortly, but the wireless network inside the library will continue to broadcast. I think that's a mini-miracle, a great and wonderful invention, but it's nothing compared to the intimate, quiet pulse of a library book that finds me, alone and in need of sustenance, and steadily breathes life back into my pale form: THE WHITE DARKNESS"

    In the body of Little Willow's post, and over at goodreads.com, I said:

    "I loved every word of this amazing book. The writing is breath-taking, and the plot just pulls you along. And most of all, you completely believe in the inner world of the main character, which is incredible because this is a girl with a long-dead explorer for an imaginary friend."

    Later, in the comments to Little Willow's post, I said:

    "I have to give credit to Colleen Mondor of Chasing Ray for recommending The White Darkness on her blog, and in Bookslut:

    http://www.bookslut.com/bookslut_in_training/2007_06_011207.php

    Oh, and here's the opening line: 'I have been in love with Titus Oates for quite a while now––which is ridiculous, since he's been dead for ninety years.'

    See? With that one line, I bought into her idea of this imaginary companion. Because the narrator's skeptical too, and because he once WAS a real person, and because she truly NEEDS him to be with her, and because she knows so incredibly much about him, and they have wonderful, literary, romantic conversations. It's not in any way twee or flimsy."

    Thank you, Printz committee, for honoring this superb book.

    And yes, I'm very excited about the many other awards, too. Some great, great choices. And w00t, Orson Scott Card for the Margaret A. Edwards award! I just don't have time to scream about them all at once.

    8 Comments on SCREAMING!, last added: 1/15/2008
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    9. Enkindling Generosity: Wenceslas

    Wenceslas -- The Eternal Christmas StoryAuthor: Geraldine McCaughrean
    Illustrator: Christian Birmingham
    Published: 2005 Random House Group (on JOMB)
    ISBN: 0552549096 Chapters.ca Amazon.com

    Richly retold with storytelling flair and depicted by enveloping impressionist artwork, the traditional carol gains depth and suspense in this inspiring demonstration of benevolence and backbone.

    Tags:, , , , , , , , , ,

    0 Comments on Enkindling Generosity: Wenceslas as of 1/1/1900
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    10. Cyrano - Geraldine McCaughrean


    Geraldine McCaughrean's Cyrano comes with the words "For anyone who's ever been hopelessly in love" on the cover, and it's a tragic tale of a love triangle. I confess that I've never seen or read the play by Edmond Rostand, nor seen the 1990 movie starring Gérard Depardieu, so whilst I knew the general gist of the story, I came to this tale fresh.

    Cyrano de Bergerac is a flamboyant character: a skilled swordsman and poet, who's not afraid of drawing attention to himself in public; he can be highly amusing, even at his own expense, making jokes about his enormous nose. But he has a weakness too as he's fallen in love with his beautiful cousin Roxane, but he's too ashamed to declare his love because of his looks. Roxane in the meantime, is completely besotted with a handsome, but rather foolish young man named Christian, who is in the same Guards' company as Cyrano. Cyrano is devastated when he learns of Roxane's obsession, and quite horrified by her request that he protect Christian when they are set off to Arras to fight. Roxane begs Cyrano to encourage Christian to write love letters to her. Unfortunately, writing such letters is rather beyond Christian, so Cyrano writes them for him, pouring out his own feelings for Roxane, whilst breaking his heart by pretending to Christian that its only his poetic talents that allow him to say what Christian cannot. Cyrano risks life and limb every day to cross the Spanish encampment that surrounds the town in which the Guard Company is besieged, just so that he can get the letters out to the mail for Roxane. And then one day, Roxane turns up, somehow persuading the Spanish to let her through their blockade merely because she wants to see her lover. Unfortunately the day she arrives is also the day that the Spanish decide to attack the city and the day ends badly for more than one of the members of the love-triangle.

    4 Comments on Cyrano - Geraldine McCaughrean, last added: 3/18/2007
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    11. Post anything.....



    Here's an illustration from my first commissioned picture book, Fig's Giant by Geraldine McCaughrean. This was published by Oxford University Press in October 2005. I started work on it in 2003 and was astonished at how long it took from completion to publication.

    1 Comments on Post anything....., last added: 2/27/2007
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    12. Geraldine McCaughrean

    Dina Rabinovitch talks to Geraldine McCaughrean about Peter Pan in Scarlet for the Guardian.

    McCaughrean makes some interesting points towards the end of the interview about Tinkerbell and Peter. Here's what she has to say:

    "In the US, she's discovered, they are obsessed with Tinkerbell - drawn, in her words, 'to the saccharine and cutesy'. In the UK, on the other hand, it's Peter all the way.

    'I don't dislike Tinkerbell,' she says, 'but the fairy aspect is the bit that least interested me. I'm most interested in characters who inhabit that sliding scale between good and evil - I don't like it when the hero's just all good, and the villain's all bad. I wanted to bring out the ambiguity of Peter; it's his dark side that's of interest to me.'"

    But doesn't Tinkerbell have a dark side as well? What do you think?

    5 Comments on Geraldine McCaughrean, last added: 2/8/2007
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