The Wild Book Margarita Engle
Homework Fear
The teacher at school
smiles, but she's too busy
to give me extra help,
so later, at home,
Mama tries to teach me.
She reminds me
to go oh-so-slowly
and take my time.
There is no hurry.
THe heavy book
will not rise up
and fly away.
When I scramble the sneaky letters
b and d, or the even trickier ones
r and l, Mama helps me learn
how to picture
the sep--a--rate
parts
of each mys--te--ri--ous
syl--la--ble.
Still, it's not easy
to go so
ss--ll--oo--ww--ll--yy.
S l o w l y.
SLOWLY!
I have to keep
warning myself
over and over
that whenever I try
to read too quickly,
my clumsy patience
flips over
and tumbles,
then falls...
Why?
Wwhhyyyy?
WHY?
¡Ay!
The doctor hisses Fefa's diagnosis like a curse-- word blindness*. She'll never read, or write. It's why she hates school so much, why the other kids taunt her when she has to read OUT LOUD.
But Fefa's mother has the heart of poet and doesn't accept the prognosis. She gives Fefa a blank book (one of the most terrifying things Fefa has seen) for her to fill with words as she gets them, slowly.
Fefa deals with the bullying and taunts of her classmates and siblings and slowly fills her book and slowly learns to detangle the letters.
Y'all know I'm a huge Engle fan. I'm most familiar with her YA stuff, but this one is more middle grade. There's a lot less politics and history**, as the main focus is Fefa's struggle with the written word. It's based on Engle's own grandmother and the stories she told of her own struggle with dyslexia.
Of course, one of the things that I like so much about Engle is how she weaves stories around Cuban history, so this wasn't my favorite one of hers. Also, there's only one narrator, while I'm used to her work being told in multiple voices. THAT SAID, it's still really good.
I like how Engle works with free verse and structure in this one to really capture Fefa's voice, especially when sounding words out and trying to figure out syllables. It's one that younger readers will enjoy and will cause them to seek out more of her work.
Today's Poetry Friday Round-up is over at... A Teaching Life. Be sure to check it out!
*Apparently, this is actually what they used to call dyslexia.
**Although it is set in 1912 Cuba and there is still some historical drama, it's just not the focus like it is in her other work.
Book Provided by... my local library
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Blog: Caroline by line (Login to Add to MyJacketFlap)
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My new novel in verse, THE WILD BOOK, was inspired by stories my grandmother told me about her childhood. She grew up on a farm in Cuba during the turmoil that followed U.S. occupation of the island after the Spanish-American War. She also suffered the inner turmoil of dyslexia. Choosing verse rather than prose gave me a chance to distill that complex historical and personal situation down to its emotional essence. How did my grandmother feel? What were her choices?
Poetry forces me to be brief. All the facts and figures won’t fit on an un-crowded page of free verse, so I have to choose only details that mean the most to me. Historical research is painstaking and meticulous, but poetry is expansive and imaginative. My hope is that the two moods will blend, offering a glimpse into the life of a young person who found hope in times that must have seemed hopeless.
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The Firefly Letters: A Suffragette's Journey to Cuba Margarita Engle
Elena
The castle where Fredrika
spend her childhood
was haunted.
In the attic, there was a sword
that had beheaded a nobleman
during a war.
There were bloodstained clothes
beside the sword.
None of the servants would climb
up to the attic to fetch boxes or trunks
that had been stored
next to ghosts.
*********
This house where I live
it haunted too.
It was built by slaves
who rebelled, and buried an overseer
inside the walls.
Papa has never been able to find
the skeleton,
but sometimes at night
I hear pitiful moans
and rattling chains.
It is either the ghost
of some poor child
from the slave ships
being driven
to market.
In 1851, Sweden's first female novelist journeyed to Cuba. Drawing extensively from her journals, Engle writes a verse novel based on Fredrika Bremer's time there.
The book is mostly told in three voices-- Fredrika's, Elena's (the daughter of the rich family Fredrika is staying with) and Cecelia's (a slave belonging to Elena's family, who acts as Fredrika's translator and guide.)
Although I found the CONSTANT parallels drawn between a woman's role and actual slavery to be a bit much and overdrawn (yes, you had no freedom if you were a rich man's daughter, but you weren't in actual chains) overall, I did really enjoy this book. I also think it makes an interesting companion to Engle's other book on Cuban slavery, The Surrender Tree: Poems of Cuba's Struggle for Freedom. I especially enjoyed seeing Cuba through three different sets of eyes-- a slave who still remembered life in Africa, a Swedish aristocrat, and a Cuban aristocrat-- they had such different opinions and noticed such different things, it gives reader a more complete picture of daily life.
Book Provided by... my local library
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The Arne Nixon Center for the Study of Children’s Literature is pleased to state that registrations are still being accepted for the following conference:
“Peace the World Together with Children’s Books” is the theme of the International Board on Books for Young People regional conference hosted by California State University, Fresno this fall.
Co-sponsored by the Arne Nixon Center at Fresno State, IBBY’s 9th United States Regional Conference will be held at Fresno State on Oct. 21-23.
Conference chair Ellis Vance of Fresno said about 250 people – professors, librarians, teachers, authors, illustrators, publishers, collectors and fans – are expected. Registration so far includes participants from 48 states and every continent except Antarctica, Vance said.
The conference offers an opportunity to interact with authors and illustrators around the world, including Alma Flor Ada, Shirin Yim Bridges, F. Isabel Campoy, David Diaz, Margarita Engle, Kathleen Krull, Grace Lin, Roger Mello, Beverly Naidoo, Pam Muñoz Ryan and Peter Sis. Petunia’s Place Bookstore will sell books.
Activities will include exhibitions (including one by the International Youth Library), book discussion groups and tours. Optional activities are available to those who stay on beyond the conference closing at noon on Oct. 23. They include a tour of the Shinzen Japanese Garden in Fresno and a one-day bus trip to Yosemite National Park.
For information on the conference and registration visit www.usbby.org/conf_home.htm.
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By Bianca Schulze, The Children’s Book Review
Published: January 23, 2012
“The award is named after Pura Belpré, the first Latina librarian at the New York Public Library. The Pura Belpré Award, established in 1996, is presented annually to a Latino/Latina writer and illustrator whose work best portrays, affirms, and celebrates the Latino cultural experience in an outstanding work of literature for children and youth. It is co-sponsored by the Association for Library Service to Children (ALSC), a division of the American Library Association (ALA), and REFORMA, the National Association to Promote Library and Information Services to Latinos and the Spanish-Speaking, an ALA affiliate.” ~ALSC
©2012 The Childrens Book Review. All Rights Reserved.
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The Surrender Tree (Henry Holt & Company)ISBN: 9780805086744Hardcover: 169 p. List Price: $16.95**** (4 out of 5 stars: very good; without serious flaws; highly recommended)Slavery all day,and then, suddenly, by nightfall – freedom!*Can it
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JacketFlap tags: Eventful World, Reading the World, Americas Award, Dark Dude, Julia Alvarez, Just In Case: A Trickster Tale and Spanish Alphabet Book, Lucía González, Margarita Engle, Oscar Hijuelos, The Best Gift of All:The Legend of La Vieja Belén, The Storyteller's Candle, The Surrender Tree:Poems of Cuba’s Struggle for Freedom, Yuyi Morales, Add a tag
Press Release
The Américas Award is given in recognition of U.S. works of fiction, poetry, folklore, or selected non-fiction (from picture books to works for young adults) published in the previous year in English or Spanish that authentically and engagingly portray Latin America, the Caribbean, or Latinos in the United States. By combining both and linking the Americas, the award reaches beyond geographic borders, as well as multicultural-international boundaries, focusing instead upon cultural heritages within the hemisphere.The award is sponsored by the national Consortium of Latin American Studies Programs (CLASP).
The award winners and commended titles are selected for their 1) distinctive literary quality; 2) cultural contextualization; 3) exceptional integration of text, illustration and design; and 4) potential for classroom use. The winning books will be honored at a ceremony (fall 2009) during Hispanic Heritage Month at the Library of Congress, Washington, D.C.
2009 Américas Award Winners:
Just in Case: A Trickster Tale and Spanish Alphabet Book by Yuyi Morales. Roaring Brook Press (A Neal Porter Book), 2008.
The Surrender Tree: Poems of Cuba’s Struggle for Freedom by Margarita Engle. Holt, 2008.
2009 Américas Award Honorable Mentions:
The Best Gift of All:The Legend of La Vieja Belén / El Mejor Regalo del Mundo:La Leyenda de la Vieja Belén by Julia Alvarez. Illustrated by Ruddy Nuñez. Alfaguara/Santillana, 2008.
Dark Dude by Oscar Hijuelos.Atheneum, 2008.
The Storyteller’s Candle / La velita de los cuentos by Lucía González. Illustrated by Lulu Delacre. Children’s Book Press, 2008.
For additional information including a list of the 2009 Américas Award Commended Titles winners click here.
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Daniel’s parents put all of their money into the boat passage to New York that was supposed to ensure his escape from Nazi Germany. Unfortunately, the boat full of refugees that Daniel is on has been turned away from both the Canadian and United States ports where they attempted to land. Cuba is their last chance or they will be forced to return to Germany. When Daniel is finally allowed into
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Celebrate Hispanic Heritage Month with award-winning author Margarita Engle at the annual meeting of ANCA, the Arne Nixon Center for the Study of Children’s Literature, located in Fresno, California.
On Friday, September 25, following a reception at 6:00 p.m., Margarita will deliver her presentation “Finding the Poetry in History”. ANCA president Denise Sciandra will then introduce a presentation of Jane Addams Award-winning books by community activist Ellie Bluestein. There is no admission charge for this event but you must make a reservation so click here for details.
Margarita is the Cuban-American author of three novels, written in free verse, for young people:
* The Poet Slave of Cuba: A Biography of Juan Francisco Manzano, which won the Pura Belpré Award, the Americas Award, and many other national awards;
* The Surrender Tree: Poems of Cuba’s Struggle for Freedom, about a freed slave who treated the wounded from both sides in Cuba’s 19th-century struggle for independence; winner of the Pura Belpré Award, the Americas Award and the Lee Bennett Hopkins Poetry Award, and a 2009 Newbery Honor book;
* Tropical Secrets: Holocaust Refugees in Cuba, published in April 2009, and already winning rave reviews.
Jane Addams Children’s Book Awards are given annually to children’s books published the preceding year that effectively promote the cause of peace, social justice, world community, and the equality of the sexes and all races, as well as meeting conventional standards for excellence. Margarita’s book The Surrender Tree won this year’s award in the Books for Older Children category.
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The Jane Addams Peace Association and the Women’s International League for Peace and Freedom are pleased to announce that the Jane Addams Children’s Book Award 56th Annual Award Ceremony will be held on Friday, October 16th at 2:30 PM at the 777 United Nations Plaza (2nd Floor) in New York City, NY. This event is free and open to all. Reservations are not needed.
Join us for a memorable afternoon of award presentation and responses by authors and illustrators. Come meet and talk with the honored guests, including Award winner Margarita Engle and honorees Anne Laurel Carter, Lucía González, Lulu Delacre, Scott Reynolds Nelson, and Marc Aronson. Enjoy a reception and an opportunity for book signing after formal presentation of the awards. All the award books will be available for purchase.
The Award Winners:
Planting the Trees of Kenya: The Story of Wangari Maathai written and illustrated by Claire A. Nivola is the winner in the Books for Younger Children Category.
The Surrender Tree: Poems of Cuba’s Struggle for Freedom by Margarita Engle is the winner in the Books for Older Children Category.
The Honor Books:
Books for Younger Children:
The Storyteller’s Candle/La velita de los cuentos written by Lucía González and illustrated by Lulu Delacre
Silent Music: A Story of Baghdad written and illustrated by James Rumford
Books for Older Children:
The Shepherd’s Granddaughter by Anne Laurel Carter
Ain’t Nothing But a Man: My Quest to Find the Real John Henry by Scott Reynolds Nelson with Marc Aronson
For additional information about the Jane Addams Children’s Book Awards and a complete list of books honored since 1953, click here.
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For the month of September, we will continue to explore the topic of Refugees in children’s books. Today I would like to share a book I recently came across on the topic: Tropical Secrets: Holocaust Refugees in Cuba by Cuban-American poet Magarita Engle (Henry Holt & Co, 2009). This is the author’s third novel in verse about Cuba (the previous two were the award-winning The Poet Slave of Cuba and The Surrender Tree), and this time her story takes place during WWII, when when the rise of Nazism led to a severe rise in refugees from Germany trying to find safety in other parts of the world.
A historical note at the end (and readers may want to consider reading it before getting started), helps contextualize the story, which is told, mostly, in the alternating voices of Daniel, a 13 year-old German Jewish who escapes Germany in 1939 after being separated from his parents, and whose ship is finally allowed entry in Cuba after being turned away from the U.S. and Canada; and Paloma, a 12 year-old girl who, unbeknownst to her father, is helping refugees. We also get to “hear” accounts of the refugees situation by two adults: El Gordo, Paloma’s father, who is making money by selling entry permits to refugees; and David, a former refugee who, along with others, such as young Paloma, helps shelter and feed the recently arrived refugees.
It seems Cuba is no safe haven, though, as the same boats that bring those “searching for something as simple as hope”, are also bringing Nazi agents, whose mission is to stir up anti-Semitism in the island.
The story of Tropical Secrets is mainly Daniel’s, who never loses hope of one day being reunited with his parents (as far as he knows, they are looking for him in New York, where his boat was supposed to have gone). However, the layering of the four distinct voices and perspectives, paint a much more detailed portrait of this painful and little-known chapter of Cuba’s history. It also helps us realize how dependent on the good will of others refugees’ lives are, and reminds us—because we still need to be reminded— that history leaves traces on how we live in the present.
The author says, at the end: “Even though I didn’t follow the faiths of either of my parents, I hope I have taught my children to be the kind of people who will help refugess of any faith in times of need.”… Wonderful words to ponder over as we close the book and travel with our thoughts, looking for ways to help those who have come to our country looking for hope and a safe harbor.
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Presented by Teri Lesesne, Rosemary Chance, and Janie Flores, and featuring amazing, award-winning authors Benjamin Alire Sáenz and Margarita Engle, this session explored the importance of books and authors that feature Latinos/Hispanics/Chicanos (there was a small discussion of labeling and its drawbacks) and their ability to allow Latino teens to see themselves in the literature made available to them.
Benjamin Sáenz spoke about the fact that he was firstly a poet and a writer for adults until he was asked by a publisher to consider writing for children and then young adults. And aren’t we glad he said yes. Mr. Sáenz read passages from his books Sammy and Juliana in Hollywood and Last Night I Sang to the Monster that related to the fact that adults so often fail to really see teens, and that teens in turn look to each other to be seen and understood. And on the subject of becoming an author, he shared his philosophy that “we become writers by discipline and desire” and that talent is not just a gift that some writers have, but something that they have to work for. His next book, coming out in 2012, is called Aristotle and Dante Discover the Secrets of the Universe and will feature a gay, Latino romance set in the 1960s.
Margarita Engle spoke about her Cuban-American heritage and how that informs her passion as a botanist and as an author. She spoke about the sense of loss she felt at travel restrictions that were in place between the US and Cuba for 30+ years that prevented her from seeing her maternal extended family there. She also shared her reasons for writing novels in verse. Aside from being great reads for reluctant readers, or any teen who is looking for a quick read, poetry and metaphor is the language of Cuba. Engle shared that for a country that has lived under censorship in many iterations, and whose people have learned to express truth in indirect ways, poetry is a natural form of communication. Her next book, coming out March 2011, is Hurricane Dancers. It is historical fiction centered around Cuba again, and features the first Caribbean pirate.
The beauty in listening to both authors was hearing how their own identities play so strongly into the Latino characters that they create and the settings they choose, yet knowing the universal nature of the experiences their characters have. While Latinos will certainly, and wonderfully, see their lives reflected in these books, non-Latinos will as well.


















Yes, I enjoyed this book also... quite a few books lately to address dyslexia. Thanks for sharing!
I reviewed this book several months back and I found it lovely. Margarita is a favorite. :) The concept of dyslexia was captured beautifully through Fefa's experiences and her distinct voice
How interesting that the term "word blindness" was used....this is definitely a book I will need to check out.