Mirrors Windows Doors is one of the hosts of the new Diverse Children’s Books meme. Find out all about it below – and be sure to join in, both by adding a post to the linky and by exploring the riches that both … Continue reading ... →

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By Cynthia Leitich Smith
for Cynsations

Enter to win one of two author-signed copies of Thunder Boy Jr. by Sherman Alexie, illustrated by Yuyi Morales (Little Brown, 2016). Obtained from BookPeople. Cynsations sponsored. Eligibility: North America. From the promotional copy:

Thunder Boy Jr. is named after his dad, but he wants a name that's all his own. 

Just because people call his dad Big Thunder doesn't mean he wants to be Little Thunder. He wants a name that celebrates something cool he's done, like Touch the Clouds, Not Afraid of Ten Thousand Teeth, or Full of Wonder.

But just when Thunder Boy Jr. thinks all hope is lost, he and his dad pick the perfect name...a name that is sure to light up the sky.

National Book Award-winner Sherman Alexie's lyrical text and Caldecott Honor-winner Yuyi Morales's striking and beautiful illustrations celebrate the special relationship between father and son.

See below the book trailer, followed by the giveaway entry form. See also Towards a Common Understanding of Native Peoples in the U.S. (or, Why Alexie's Thunder Boy Jr. Needs a Note to Readers) by Debbie Reese from American Indians in Children's Literature.



a Rafflecopter giveaway

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Back in February, I pre-ordered a copy of Sherman Alexie's picture book, Thunder Boy Jr. It arrived on Tuesday (May 10, 2016). The illustrations are by Yuyi Morales.

Alexie is doing a significant promotional campaign for the book. He was on The Daily Show two nights ago. Forbes had a story about the book. So did Bustle, Entertainment Weekly... you can do a search and find many others.

That's cool. I am happy that a Native writer is getting that level of exposure. In some of these stories, Alexie speaks about invisibility, representation, and similar issues of concern to Native people. Bringing these topics to a broader audience is very important. Because he is much loved by the American public, Alexie is a person who can influence how someone thinks about an issue.

In a nutshell, Thunder Boy Jr. is about a little boy whose father, Thunder Boy, named him Thunder Boy Jr. at birth.  But, Thunder Boy Jr. wants his own name and identity. This is definitely a universal theme. Lot of kids and adults wish they had a different name.

Alexie's much-loved humor is front and center of this story. Because Thunder Boy's dad is a big man, his nickname is Big Thunder. The words "Big Thunder" are extra large and bold on the page, inviting readers to boom it out as they read it. That makes it all the more inviting as a read aloud. If his dad is Big Thunder, that means Thunder Boy's nickname is Little Thunder, and that is not ok with him:

That nickname makes me sound like a burp or a fart.

Some will love seeing the word fart; others will not. Here's that page. See Thunder Boy's little sister? I look at the illustration of the two kids and my heart goes right to my sister's grandchildren and memories of them playing and dancing together at my niece's wedding last week. I think they'll like this book very much.



Here's Jayden and Ellie on the dance floor. When her sandal slipped off, she sat down right there on the floor. He kneeled beside her and tried to get it back on, but those straps slide all over and he couldn't figure it out. It was endearing to see them together trying to puzzle through it. He'd look at her other shoe to see if he could see how to make it all right again. I stopped filming when he started looking around for help, and of course, I helped her so they could pick up where they'd left off.

Jayden and Ellie

In Thunder Boy Jr. we see a warm and loving Native family. I like that, a lot. I see that warmth in Jayden and Ellie's relationship with each other and their parents, grandparents, and great grandparents.

Moving back to Alexie's book: Thunder Boy Jr. tells us this his name is not a normal name. His mother, whose name is Agnes, and his sister, whose name is Lilian, have normal names. He hates his name. He wants a name that sounds like him, that celebrates something cool that he has done. He climbed a tall mountain, so maybe his name could be Touch the Clouds. He loves playing in the dirt, so maybe his name could be Mud In His Ears, and so on.

That's where the story, for me, goes into a place that makes me wonder how to read it. Let me explain.

If I read it as a Native kid whose community, friends, and family engage in banter about naming and give each other nicknames, cool. It is delightful.

And if I imagine it being read by a reader who likes and respects Native peoples, I can see why they would like it, too. For that reader, though...  The move to possible names that celebrate "something cool that I've done"? I know the not-liking-your-name theme resonates, but do they also like it because it fits within mainstream "knowledge" of how Native people are named?

What Alexie has given us is a pan Indian story.

By not being tribally specific, his story obscures the diversity that Native writers, scholars, activists, parents, teachers, librarians, lawyers... have been bringing forth forever. We aren't monolithic. We're very different in our histories, religions, material cultures, and yes, the ways that we give names. Moving into that name play collapses significant distinctions across our nations.

I noted above that I got the book on May 10th. Do you know what was going on then?

We were in the midst of a horrible "TrumpIndianNames" hashtag. Last week, Donald Trump took a swipe at Elizabeth Warren's claims to Native identity (her claim is a problem, too, that I've written about elsewhere). The response to him was the TrumpIndianNames hashtag where Democrats, progressives, independents--a wide swath of people, in other words--had a grand time coming up with "Indian names" for Trump. All of that, however, was at our expense. People thought they were very clever. Native people, on the other hand, were quick to object to Native ways of naming being used in this way.

So, that is the context from which I read Thunder Boy Jr. If I stand within a Native community, the book is delightful. If I stand outside of it, in a well-meaning but ignorant mainstream US society, the book takes on a different cast.

Is that fair to Alexie or to his book? I'm thinking about that question and don't have an answer. I know for sure that if a white writer had done a book that played with Native names, I'd be very critical. Indeed, I was very critical when Jon Scieszka did it in Me Oh Maya and I was very critical when Russell Hoban did it in Soonchild.

Is it ok for Alexie to do it because he is Native? Does the book represent inside-humor that marks it as ok? I don't know.

In an interview with Brian Lehrer, Alexie said that Thunder Boy doesn't like the name because it was assigned to him, and wasn't a name he had given himself. He wants a name that measures something he has done. Alexie said:

This calls back to ancient tribal traditions of many peoples, Native Americans included, where the transition to adulthood involves getting a new name that measures something that you've done, or is predictive, something that your elders hope you become.

None of that information is inside the book. What he said on Lehrer's show is lacking in specificity. In the interview he said "many peoples, Native Americans included" but given the existing ignorance of Native peoples, I think that the book would be much improved by an author's note that provides parents, teachers, and librarians with information about naming.

Last thing I want to note is the page where Thunder Boy says that he loves powwow dancing and that he is a grass dancer. I love the illustration, from above, of him dancing.



But the drums in the top right? From what I know about powwow drums, that's not quite accurate. Usually, there's a single drum with several drummers, and the drum is on a stand. It doesn't sit on the ground or floor.

In sum? A mixed review. That's where I am right now. I really do think that my concerns with the pan Indian character of Thunder Boy Jr. could be addressed with an author's note. Perhaps there will be one in the next printing.

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Alexandra S. D. Hinrichs, author of Thérèse Makes a Tapestry, loves exploring new places, including France, where she once studied.

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Patrice Barton’s artistic talents were discovered at age three when she was found creating a mural on the wall of her dining room with a pastry brush and a can of Crisco.

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When children see their lives reflected in the books they read they become more enthusiastic readers. Their educational outcomes improve. They succeed in school and in life.

But few books actually reflect the cultures and circumstances of the kids First Book serves, all of whom live in low-income households and many of whom are of minority backgrounds. In fact, a mere 11 percent of 3,500 children’s books reviewed by Cooperative Children’s Book Center this year are about people of color.

This is the reason we created the Stories for All Project^TM – the only market-driven solution to increase diverse voices and promote inclusivity in children’s literature.

Today, we’re proud to share our latest news with you: With support from Target, KPMG and Jet Blue Airways, First Book is making 60,000 copies of outstanding children’s titles featuring diverse characters and storylines available for the first time ever in affordable trade paperback format, to fuel learning and educational equity.

We chose these titles from hundreds submitted by publishers with input from the 175,000 educators and program leaders we serve. By aggregating the demand and purchasing power of this educator community, we have become the first organization to create a viable and vibrant market for books that reflect race, ability, sexual orientation and family structure in our ever-diversifying world.

Each of our selections contributes unique perspectives underrepresented in children’s literature while remaining relatable to all readers. As part of this current effort, First Book is thrilled to make available two titles by new picture book authors:

• “Niño Wrestles the World” written and illustrated by Yuyi Morales
• “And Tango Makes Three” written by Justin Richardson and Peter Parnell and illustrated by Henry Cole
• “Tiger in My Soup” written by Kashmira Sheth and illustrated by Jeffrey Ebbeler
• “Boats for Papa” written and illustrated by new author/illustrator Jessixa Bagley
• “Emmanuel’s Dream: The True Story of Emmanuel Ofosu Yeboah,” written by first-time children’s author Laurie Ann Thompson and illustrated by Sean Qualls,
• “Knock Knock: My Dad’s Dream for Me,” written by Daniel Beaty and illustrated by Bryan Collier

Copies of all six titles will be available through the First Book Marketplace.  The first three titles are also available for the first time in paperback format on Target.com and at Target stores nationwide.

Every day, in communities around the country and around the world, we see the critical need to further our human understanding and embrace the gifts and experience each of us brings. The Stories for All Project and promotes understanding, empathy and inclusivity with stories that can help all children see and celebrate their differences and similarities.

The post The Stories for All Project: 60,000 New Books to Increase Diversity, Promote Inclusivity appeared first on First Book Blog.

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Randolph Caldecott Medal Winner The most distinguished American picture book for children, announced by the American Library Association.

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Winner:

Viva Frida
by Yuyi Morales; illus. by the author with photos by Tim O’Meara
Primary, Intermediate   Porter/Roaring Brook   40 pp.
9/14   978-1-59643-603-9   $17.99   g

There have been several books for young readers about Frida Kahlo, but none has come close to the emotional aesthetic Morales brings to her subject, as a Mexican artist herself who understands the particular landscape of Kahlo’s imagination. By selecting several of Kahlo’s recurring symbols — monkey, dog, parrot, deer, hummingbird — she achieves artistic depth and lends child appeal to a very spare, ethereal text. Morales also incorporates Señor Calavera (a figure who recurs throughout Morales’s own work), representing the dance with death Kahlo engaged in all her life. Morales initially shows Kahlo as a puppet: made from steel, polymer clay, and wool, the three-dimensional figures (photographed and digitally manipulated inside double-page-spread collages) are works of art in themselves. The illustrations are accompanied by just a few words of text in both Spanish and English (“busco / I search // Veo / I see… // Juego / I play”) that leave readers with a dreamlike impression. As we enter Kahlo’s mind, the medium and style change, and the pages are illustrated with lush acrylics, showing her winged feet carrying her across the spreads, arrows whizzing past; one eventually hits her pet deer in the foreleg. This allusion to Kahlo’s famous painting The Little Deer may be lost on most young readers, but the accompanying text (“siento / I feel”) will get the basic meaning across. Morales (Niño Wrestles the World, rev. 7/13) once again impresses us with her artistry in an ingenious tour de force. KATHLEEN T. HORNING

From the September/October 2014 issue of The Horn Book Magazine.

 

Honor books:

Little Roja Riding Hood
by Susan Middleton Elya; 
illus. by Susan Guevara
Primary    Putnam    32 pp.
4/14    978-0-399-24767-5    $16.99    g

Little Red rides an ATV to deliver la canasta (basket) to her ailing abuela in this hip updated version of the traditional tale. Liberally sprinkled with Spanish words and phrases, the rhyming text is fresh and funny (“‘Abue,’ he said in a high squeaky voz, / ‘I’m sorry to hear of your terrible tos’”) and often unexpected. (For example, “basket” is rhymed with “who asked it?”)  And just as clever as the quirky text are the watercolor, ink, and gouache illustrations that contain plenty of humor and multiple layers of meaning. The Three Blind Mice accompany Little Roja on her journey, while three magpies follow and call out warnings that appear in flowing ribbons that act as dialogue bubbles. Two little trickster elves make mischief throughout. But best of all is Abuela herself, shown here as an aging hippie who appears to be working on a manuscript revision in her sick bed. She doesn’t really need rescuing — she protects herself by holding up a statue of St. Jude; Little Roja joins in by throwing a pot of hot sopa at the wolf. Once the wolf is vanquished, capable Abuela discourages future intruders by installing a security sistema, while Little Roja trades in her red hood for one with tiger stripes. An inventive spin on a familiar tale, this will stand up to repeated readings and viewings. KATHLEEN T. HORNING

From the July/August 2014 issue of The Horn Book Magazine.

 

Green Is a Chile Pepper
by Roseanne Greenfield Thong; illus. by John Parra
Primary     Chronicle    32 pp.
4/14     978-1-4521-0203-0     $16.99
In this festive concept book, all the colors found in a Hispanic American neighborhood are described in rhyming text with frequent Spanish words, explained in detail in a glossary. The objects described, such as ristras, piñatas, and faroles, are staples of Mexican culture, but Parra’s folk art–style paintings, stuffed with entertaining details, make them universally understandable and appealing. SIENA LESLIE

From the Fall 2014 issue of The Horn Book Guide.

 

Separate Is Never Equal: Sylvia Mendez & Her Family’s 
Fight for Desegregation
by Duncan Tonatiuh; 
illus. by the author
Primary, Intermediate   Abrams   40 pp.
5/14   978-1-4197-1054-4   $18.95

Seven years before the landmark Supreme Court case Brown v. Board of Education, Sylvia Mendez and her family fought for — and won — the desegregation of schools in California. Tonatiuh, a Belpré-winning illustrator, uses a child’s viewpoint to clearly and succinctly capture the segregated reality of Mexican Americans and the little-known legal challenge that integrated schools. When the Mendez family moves from Santa Ana to Westminster only to find that their children must attend the inferior “Mexican” school for no particular reason, they first try petitions before turning to lawyers to set matters right. The straightforward narrative is well matched with the illustrations in Tonatiuh’s signature style, their two-dimensional perspective reminiscent of the Mixtec codex but collaged with paper, wood, cloth, brick, and (Photoshopped) hair to provide textural variation. This story deserves to be more widely known, and now, thanks to this book, it will be. Author’s note, photographs, glossary, bibliography, and index are appended. JONATHAN HUNT

From the July/August 2014 issue of The Horn Book Magazine.

The post Reviews of the 2015 Belpré Illustrator Award winners appeared first on The Horn Book.

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In keeping with my blog’s strong support of the #WeNeedDiverseBooks campaign, for a while I have wanted to interview illustrator Yuyi Morales. I think from the words and photos YuYi shares today, you will see the important stories and influences … Continue reading →

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Los Monstruos: Halloween Song in Spanish  

by Music With Sara

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Here at First Book, we love books (surprise, surprise) and love sharing great books with friends like you.

Starting today, we’ll share a new list of the books each month that our book enthusiasts on staff can’t stop raving about!  You’ll find books full of rich illustrations, diverse characters and compelling tales that span multiple age ranges.

And if you serve kids in need, you can access these books through the First Book Marketplace by signing up.

PreK-K (Ages 2-5):

My Big Barefoot Book of Wonderful Words  written and illustrated by Sophie Fatus

The Palabra family has a busy day ahead of them, and this jam-packed picture book (available as a First Book special edition!) allows readers to follow along while exploring over 700 words, each serving as a label for a corresponding image. There is an infusion of useful vocabulary on each page, but the magic of this book is in the charming illustrations, which transform it into an interactive adventure through a multicultural world.

 

Grades 1-2 (Ages 6-8):

Viva Frida written and illustrated by Yuyi Morales

You have never read a book like Viva Frida. This sparsely written bilingual picture book employs a unique art style – a mix of painting and photographs of hand-made puppets – to celebrate the life and emotional depth of Frida Kahlo. While not a traditional biography, the author’s profound tribute to the famous Mexican artist will leave readers hungry to learn more.

 

 

Grades 3-4 (Ages 8-10):

Firebird written by Misty Copeland and illustrated by Christopher Myers

Misty Copeland’s life is a story of its own, from “nonexistence as a young girl,” to the second African-American soloist in the history of the American Ballet Theater. Copeland wrote Firebird in order to empower young girls to follow her example and achieve impossible dreams. Christopher Myers’s dramatic use of color through paint and collage captures Copeland’s bold personality and her unwavering determination in the face of discouragement from critics.

 

Grades 5-6 (Ages 10-12):

Brown Girl Dreaming by Jacqueline Woodson

Award-winning author Jacqueline Woodson was born into the world of the Civil Right movement, raised in the Deep South and then the packed city blocks of New York. She lived her life for the written word, from the first “J” she ever wrote to the stories that became the air she breathes. Brown Girl Dreaming is the story of that life, told in the same verse style as many of her novels. By choosing to share her childhood memories through poetry, Woodson creates a personal story that allows readers to explore her depth, warmth, and uniquely perceptive eye for the beautiful world around her.

 

Grades 7+ (Ages 13+):

The Crossover by Kwame Alexander

Combining the emotional impact of traditional poetry with the power of modern hip hop, The Crossover is an unputdownable novel sure to engage even the most reluctant of readers. Kwame Alexander gives teens a window into the mind of Josh “Filthy McNasty” Bell: a 13-year-old basketball superstar navigating the social realities of school, the crumbling foundation of his family, and his passion for the game that ties it all together. Few books are able to say so much with so few words.

The post Five First Book Favorites appeared first on First Book Blog.

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To celebrate Hispanic Heritage Month, we had the opportunity to talk with the award-winning author and illustrator Yuyi Morales about why she became an author and illustrator, the role of children’s books in understanding and celebrating cultures and her new book, “Viva Frida.”

Click here to read this blog in Spanish.

What led you to become a children’s book author and illustrator?

Soon after I immigrated to the USA in 1994, I found myself with my newborn at the doorsteps of the public library. I had never before seen a place with the treasures I saw in there.  Picture books immediately became my passion.

I didn’t know how, but I knew I wanted to create books like those. I started a journey of learning how to write in English, how to create stories, and how paint and make illustrations – a journey I am still on every day of my life.

In what ways does your personal story and your cultural heritage influence the work that you do?

I was inspired to write my stories and share with my son, then a baby who immigrated with me from Mexico.  The only way of living I knew until then were the stories, the customs, the treasures of the land we came from.  Learning to live and thrive in the United States reflected in everything I did, including my writing and the art I was trying to learn to create.

My creations became the amalgam of these two worlds: my country of birth and my country of growth and work, my past and my present, the cultures that formed me, both Mexico and the United States.

What impact do you see children’s books having in the lives of children and their families, particularly first generation immigrant families?

I can tell you about my own experience as a first generation immigrant because children’s books made all the difference in my life.  It was through children’s books that my son and I created a bond – finding, reading, and delighting in books that I was barely able to understand and that were a great challenge for me to read to my son.  In reading to him, I began making sense of the English language and I was able find a purpose and path.  Through children’s books, I was also able to create a bond with my new country – the USA.

I believe there are many families who share my experience.  Books bring families and communities together. Any family can find a way to grow and strengthen bonds by sharing the experience of books with their children.

What motivated you to tell Frida’s story from her own point of view, and in so few words?

One of the things that surprised me here in the USA was seeing how Frida was such a revered artist.  Back in Mexico I had seen very little of her and what I knew of her – her art – was very confusing and sometimes even scary to me. But over the years I became more and more curious about Frida.

I began to learn about her determination to create despite her physical and emotional hardships.  I began to connect with the tragedies in her life as well as her great willingness to live, to create, to play, to laugh.

She became to me a symbol of resistance, of growth, of creativity and of life endurance. I wanted to celebrate Frida by honoring her passion to create and to heal herself through art.  I wanted to celebrate that, like Frida, we all have what it takes to create.

Your use of both two- and three-dimensional art in the book is truly extraordinary. How did you settle on this style, and did it pose any unique challenges?

To me Frida represents creativity and daring to create things out of the ordinary. I wanted to make the book I dreamed of without being scared of whether I was capable of doing it. So I dreamed big!  I thought I could make a book that conveyed how Frida made her own life and identity a work of art.

The combination of two- and three-dimensional art grew from my desire to weave together everyday life and imagination.

If you work with children in need, sign up with First Book by October 21st and you’ll be eligible to receive a free set of 25 copies of “Viva Frida” for the kids in your class or program.  For other books and resources of interest, visit the First Book Marketplace.

The post On Creativity and Culture: Yuyi Morales appeared first on First Book Blog.

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The Association for Library Service to Children (ALSC), a divison of the American Library Association, and REFORMA (the National Association to Promote Library and Information Services to Latinos and the Spanish-Speaking, an ALA affiliate, ) hosted the Pura Belpré annual Celebración  to honor the 2014 medal and honor winners on Sunday, June 29, 2014 at Las Vegas, Nevada.

The Pura Belpré Award was established in 1996 and honors Latino writers and illustrators whose works of art best portray, affirm and celebrate the Latino cultural experience in a  book for children. It is named for the first Latina librarian who distinguished herself for her storytelling and outreach work with children and their families while working for the New York Public Library during the first decade of the twentieth century.

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I thought I’d counted very carefully, honest guv’nor, but somehow one extra ghost snuck in there – I’m not sure which one – and I’ve ended up with a ‘Reader’s 10′. (If you’re not sure what a Reader’s 10 is, you’ll need to look at Janet Wong’s Top 10: Multicultural Poetry Picks (2002-2012)). So here’s a list of my favorite ghost encounters – they cover a range of age-groups and genres. Some of the ghosts are friendly, some make you ponder, and some are just plain terrifying…

~ The Young Inferno by John Agard, illustrated by Satoshi Kitamura – I’ve blogged about this modern take on Dante’s Inferno for a teen audience here and here.  It sends shivers down my spine every time I read it.

~ Takeshita Demons by Cristy Burne – Miku has just moved from Japan to the UK and it soon becomes clear that several yokai demons have followed her there.  When her little brother is kidnapped, her empty, snow-bound secondary school unexpectedly becomes a battle-ground… this will have you on the edge of your seat!

~ Ship of Souls by Zetta Elliott – I read this earlier this year on a very choppy ferry crossing and was so riveted that I remained oblivious to the scene of sea-sick desolation around me – yes, I loved it.  Read my review here.

~ Ghosts in the House by Kazuno Kohara – it was love at first sight here with both the illustrations and the sweet story of a witch and her cat who move into a new house that’s full of ghosts.  Imagine putting ghosts through the washer and hanging them up as curtains!

~ Hannah’s Winter by Kierin Meehan – Hannah meets more than she bargained for when she goes to stay with Japanese family friends for the winter – and readers might just have to sleep with the light on after being carried along through the pages into the small wee hours!

~ Just In Case by Yuyi Morales – in this gorgeous sequel to the equally funny and delightful Just A Minute, the ghost of Zelmiro “helps” Señor Calavera to find twenty-two (Spanish Alphabet) presents for Grandma Beetle’s birthday – and tricks him into giving her what she wants most…

~ Requiem for a Beast by Matt Ottley – there are many ghosts in this tour de force combining spoken and written text, graphic narrative, and music that blends Australian Aboriginal song and movements from the Latin Requiem: both in the lost memories of the stolen generation, and at the end of a young man’s physical and psychological journeys to come to terms with his family’s past.

~ Home of the Brave by Allen Say – a man’s kayaking excursion suddenly brings him into a bewildering, dreamlike encounter with the ghosts of Japanese-American children incarcerated during the Second World War, and jolts him into insight of his own family history.

~ The Barefoot Book of Giants, Ghosts and Goblins retold by John Matthews, illustrated by Giovanni Manna – as might be expected from a Barefoot anthology, this is a beautifully presented and the nine stories from all over the world make great read-alouds. Most notable among the ghosts is the love-sick Cheyenne “Ghost with Two Faces”.

~ The Secret Keepers by Paul Yee – I have to admit, I had real difficulty deciding which one of Paul Yee’s ghost stories to choose for this list… They are all compelling books that are impossible to put down so I’ve gone for The Secret Keepers for purely personal reasons because I was there at the launch and heard Paul reciting the opening.

~ The Ghost Fox by Laurence Yep – a small boy has to use his wits to save his mother from the evil Ghost Fox intent on stealing her soul.  Vivid descriptions and attention to detail; plkenty of tension and some humor too.  Favorite quote: (Fox speaking to servant) “Fool, you don’t celebrate a great victory with turnips.”

And P.S. If you haven’t yet seen our fabulous 10th Anniversary Giveaway, announced yesterday, go here right now!

 

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By Nicki Richesin, The Children’s Book Review
Published: March 23, 2012

Women’s History Month is a time to honor women who have helped shape the world and inspire us with their leadership and heroism. In this eclectic list of new titles, these remarkable women (Sylvia Earle, Georgia O’Keeffe, Daisy Gordon Low, Zitkala-Sa, Lily Renee Wilhelm, Beryl Markham, Elizabeth Cady Stanton, and Susan B. Anthony) all have one thing in common: adventurous spirits and the willingness to take great risks to make bold discoveries.

Georgia in Hawaii: When Georgia O’Keeffe Painted What She Pleased

By Amy Novesky; illustrated by Yuyi Morales

Georgia O’Keeffe led life on her own terms, but when we usually think of her it’s likely sketching on her Ghost Ranch in New Mexico, not in tropical Hawaii. Amy Novesky depicts O’Keeffe on her tour of Hawaii where she painted gorgeous exotic flowers, exquisitely rendered by Yuyi Morales. Together they have created a unique tribute to this innovative artist and also to the beauty and splendor of the islands of Hawaii. For more information on Amy Novesky and her work, please read our interview. (Ages 6-9. Publisher: Houghton Mifflin Harcourt)

Every-Day Dress-Up

By Selina Alko

Inspired to give her daughter an alternative to the panoply of princess dress-up books, Selina Alko created Every-Day-Dress-Up for her. On Monday, she can become the First Lady of Flight Amelia Earhart and on Tuesday, Ella Fitzgerald the Queen of Jazz. The back of the book includes “biographies of a few great women” for further reading about our sheroes. There’s no need to purchase another pretty princess book, when you have this one full of modern day heroines for our daughters. (Ages 5-8. Publisher: Random House Children’s Books.)

Life in the Ocean: The Story of Oceanographer Sylvia Earle

By Claire A. Nivola

The beauty of Nivola’s book is the expansive sense, she creates with her story and breathtaking illustrations, for the immensity and wonder in our oceans. Once Sylvia Earle moved from her childhood farm in rural New Jersey to Florida, she begins her lifelong love affair with oceanography.

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By Nicki Richesin, The Children’s Book Review
Published: March 21, 2012

Amy Novesky is the author of Elephant Prince; Me, Frida and most recently Georgia in Hawaii. A former editor at Chronicle Books, Novesky brings years of experience to her work as both a children’s book editor and author. She teaches writing workshops to aspiring authors and is co-founder of Ever After Studio, a children’s book production company and the creative director of Paper Hat Press, a company that creates customizable children’s book and keepsakes. She discussed her research on Georgia O’Keeffe (in Hawaii) and Billie Holiday and Imogen Cunningham for her forthcoming books Mister and Lady Day and Imogen.

Nicki Richesin: Congratulations on the publication of Georgia in Hawaii! When I think of Georgia O’Keeffe, I tend to think of her hiking on Ghost Ranch. What inspired you to tell this story of her trip to Hawaii?

Amy Novesky: I think most people think of Georgia that way, and there are some beautiful picture books that tell that story. But few people know that Georgia painted in Hawaii, and that’s exactly why I wrote this book. Imagine this painter famous for painting flowers and landscapes, painting in the most beautiful flower-filled landscape of all. I also wrote this book because I have a connection to Hawaii, and if there was any Georgia book I was going to write, it was this one.

NR: March is Women’s History Month and you have published wonderful books on truly remarkable women like Frida Kahlo and Georgia O’Keeffe and even more coming soon. What do you look for in a person’s life to make you want to tell his or her story and how do you find the hook that will appeal to a broad audience of readers?

AN: Most stories start with the art. I am drawn to the art. Often, though, I’m drawn as much, if not more, to the artist. For example, I knew I wanted to write stories about both Frida Kahlo and Billie Holiday, but with each I didn’t want to tell the typical narrative. And then, too, especially with Frida and Billie, I had the added challenge of finding a story that was kid-friendly, given how tragic both of their lives were. (Frida had polio as a child and was in a horrific accident as a young adult; Billie was a child prostitute an

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Maya Soetoro-Ng, illustrated by Yuyi Morales
Ladder to the Moon
Candlewick Press, 2011

Ages 4 and up

“What was Grandma Annie like?” young Suhaila asks her mother about the grandmother she never met.  “Full, soft, and curious,” her mother replies.  “Your grandma would wrap her arms around the whole world if she could.”

For children who never had the opportunity to meet a cherished grandparent, the absence of that influential figure becomes a presence in their lives, intensifying the feelings their own parents have about their loss.  “Becoming a parent made me think of my own mother with both intense grief and profound gratitude,” writes Maya Soetoro-Ng in a note following the text of Ladder to the Moon. “I wished that my mother and my daughter could have known and loved each other. I hoped that I could teach Suhaila some of the many things I learned as I grew up witnessing my mother’s extraordinary compassion and empathy.”  In the case of Soetoro-Ng and her daughters, the grandmother in question has intrigued many people around the world as she is also the mother of U.S. President Barack Obama, Soetero-Ng’s older half-brother.

Since the beginning of the Obama campaign, journalists and politicians have wondered and written about this mysterious and unconventional woman, Stanley Ann Dunham, who died in 1995.  There is no question that she, a noted anthropologist and often single mother, had an enormous influence on the lives of her children and thus on history itself.  Her daughter’s dream story about the young Suhaila meeting her grandmother comes from a personal, family perspective that will resonate with any child in such a situation, as well as giving adult readers a new insight into this enigmatic figure.

Grandma Annie encourages Suhaila to use each of her five senses to reach out to the rest of the world. Together they find people in trouble: trembling in earthquakes, trying to outswim Tsunamis, and praying for peace.  Annie and Suhaila reach down from the moon to offer their solace and comfort as they bring these people up, making the moon brighter for all to see.

Yuyi Morales’ stunning illustrations bring diverse people together to share and connect on the moon.  In one scene, they tell stories around a campfire, each with a glowing circle of words around her head.  These lines, pulled from traditional narratives and the personal stories of Morales’ friends, represent six languages and four different alphabets.

Above all, Soetoro-Ng says of her mother, she was a storyteller.  Those stories have been the inspiration for much of the author’s own life; and with a story, she and Morales honor this posthumously famous woman in a deeply personal yet universal way.

Abigail Sawyer
December 2011

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Continuing our Authors Remember Their Grandparents series, today we welcome author and illustrator Yuyi Morales to PaperTigers with a poignant piece about her Grandpa Felix.

Yuyi’s most recent book is Ladder to the Moon, written by Maya Soetoro-Ng (Candlewick Press/Walker Books, 2011). It is the story of a little girl Suhaila whose wish that she could know her grandmother is granted one night, when a golden ladder appears with Grandma Annie, ready to take her up to the moon. Read more about the book on Yuyi’s website, and take a look at the first few pages here - gorgeous!

This is not the first time Yuyi has depicted a grandmother by any means – there is her rosy-cheeked Abuelita with hair “the color of salt” in the exuberant My Abuelita written by Tony Johnston, our current Book of the Month on the main PaperTigers website (Harcourt Children’s Books, 2009). And there are her own picture books starring Señor Calavera – Just a Minute: A Trickster Tale and Counting Book (Chronicle Books, 2003) and Just in Case: A Trickster Tale and Alphabet Book (Roaring Brook Press, 2008): we are big fans of both of them in our household and love Señor Calavera’s website.

Visit Yuyi’s PaperTigers Gallery, enjoy her wonderful interview/gasp at the images over at 7-Imp’s, and find out about all her books and her many projects on her website and blog.

Grandpa Felix

My white dress of crochet clusters like popcorn, mama made especially for me.
She also made the wings and a halo with antennas, and painted with powder my cheeks, and when I saw myself in the mirror I was a butterfly.
At school I fluttered like I was supposed to do, I ran in a circle and flapped my arms with my wings behind. But nobody looked at me.
Everybody was too busy watching the pretty white girl flap her transparent arms and shake her chamomile washed hair.
Even mama, her swollen eyes straight at me, was looking somewhere else.
Nobody cares to watch the brown that is me.
Just like nobody wants to play with a girl with baby shoes that fit the insole inside and hold my leg right so that some day I can have straight feet.
“Mama, those shoes with the golden buckle and the bow on top are so lovely,” I have been telling her every time we pass by the glass case of the shoe store.
But mama doesn’t say much anymore.
She must be tired of repeating what I already know. That I have to stick with these ugly baby shoes until… when? Until I am a grown up.
Clipity, clap, clipity, clap, went my shoes while we left school.
Pling, plong, pling, plong, went my mama’s eye tears while we walked down the street. To Grandpa Felix’s house.
He is my abuelo because mama told me so. But he doesn’t remember me.
I know it because the other day when our teacher took us to the park, and my grandpa was

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Tony Johnston, illustrated by Yuyi Morales, photographed by Tim O’Meara,
My Abuelita
Harcourt Children’s Books, 2009.

Ages 5-8

“I live with my grandma. And she lives with me. I call her Abuelita.” So begins this lively love-filled story of a boy and his grandmother going about their morning routine. Tony Johnston’s masterful language and Yuyi Morales’ trademark vibrant palette turn the most prosaic of daily events – getting ready for work – into a magical adventure. As Abuelita bends, stretches, baths, yodels, hums, eats, and packs, the reader turning pages with anticipation: what job could possibly require a scarf like a cloud that flows down to the ground, or a skeleton and plumed snake, or a temple and a crown of stars?

Children and adults alike will delight in discovering Abuelita’s job, even as they revel in unexpected joys and surprises sprinkled throughout the text and images. Johnston’s figurative language perfectly compliments Morales’ intricate, impish visuals, which defy any notions of grandparents as elderly or aging. Abuelita wakes up with the sun and is round “like a calabeza, a pumpkin,” with “hair the color of salt and a face crinkled like a dried chile.” After she takes her morning shower, she looks like a great big bee wrapped in her black and yellow towel, and when they sit to breakfast, she eats fried eggs that look like stars.

Each step in the morning routine flies off the page in this 2010 Pura Belpré Honor book. Award-winning illustrator Morales builds on her former success by introducing a new illustration technique, building and staging puppets and taking photographs of the scenes. With the help of Tim O’Meara, she finishes each illustration digitally, which gives the whimsical, exuberant images a three-dimensional quality akin to a Pixar film. Family love wafts from words and pictures alike, as the narrator assists his grandmother in each step of their familiar morning routine, and confides he wants to be like her when he grows up. Magical realism, traditional iconography, and sprinklings of Spanish all root this story in its Mexican context, while its themes of love, family, and dreams make it immediately and intimately familiar to all. A joyful tale for readers and non-readers alike, and an ideal read-aloud for teachers, families, and friends.

Sara Hudson
April 2011

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This year is the 15th anniversary for El día de los niños/El día de los libros! Happy birthday to this wonderful celebration of children and books from all linguistic and cultural backgrounds!

There are lots of celebrations going on and one I’m particularly excited about is the Pura Belpré Celebración at the ALA Annual Conference in New Orleans this June.  Organizers tell us that they’re going to celebrate it as a Quinceañera with a traditional promenade.  It’s going to be fabulous – we only hope we can sneak away from our booth long enough to participate!

For your collections, here are some Spanish and bilingual books to consider for your Día celebrations:

• Ada, Alma Flor and F. Isabel Campoy  ¡MUU, MOO!: Rimas de animales/Animal Nursery Rhymes. Illus. Vivi Escriva. 2010
• Ada, Alma Flor and F. Isabel Campoy TEN LITTLE PUPPIES/Diez Perritos.  Illus. Ulises Wensell. 2011
• Brown, Monica SIDE BY SIDE/Lado a lado.  Illus. Joe Cepeda. 2010
• Dorros, Arthur  MAMA AND ME.  Illus. Rudy Gutierrez. 2011
• Dorros, Arthur  RADIO MAN/Don radio. 1997 (paperback)
• Guy, Ginger Foglesong  BRAVO! Illus. Rene King Moreno. 2010
• Guy, Ginger Foglesong  MY GRANDMA/Mi abuelita.  Illus. Vivi Escriva. 2007
• Lacamara, Laura  FLOATING ON MAMA’S SONG/Flotando en la canción de mamá. Illus. Yuyi Morales. 2010
• Martinez, Rueben  ONCE UPON A TIME/Habia una vez: Traditional Latin American Tales/Cuentos tradicionales latinoamericanos.  Illus. Raul Colon. 2010
• Mora, Pat  BOOK FIESTA! Illus. Rafael Lopez.  2009
• Mora, Pat WIGGLING POCKETS/Los bolsillos saltarines.  Illus. Maribel Suarez. 2009
• Reiser, Lynn  Tortillas and Lullabies/Tortillas y cancioncitas. Illus. Corazones Valientes. 2008

This list is by no means exhaustive (many of these authors and illustrators are prolific with rich and beautiful books in their backlist), but hopefully it’ll help get you started.

And make sure to check out the Día website – there’s a wealth of information about hosting your own Día event, events going

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