How to use this Page

The Singing Bones. Shaun Tan. 2016. 208 pages. [Source: Library]

First sentence: There are stories, honed by the retelling, simplified by the people who recorded them and transmitted them, old stories, with the edges rubbed off them, like the pebbles on a beach, each story the perfect size and heft to send skimming over the water, or to use to strike an enemy. Folktalkes are like jokes: If they had a beginning, it is lost to us.

Premise/plot: The Singing Bones is a collection of photographs and one-page 'retellings' of Grimm fairy tales or folk tales. The photographs are of sculptures made by Shaun Tan. Gaiman, who wrote the introduction, probably says it better than I ever could: "They [the sculptures] feel primal, as if they were made in a long-ago age of the world, when the stories were first being shaped, and that perhaps the sculptures came first."

There are dozens of photographs. They do take center stage in this book. The words being almost like a brief but necessary interruption. The text does not summarize the fairy tale. The text is definitely on the literary side. The reader has to work to make connections and "see" the bigger story that both photograph and text tell.

My thoughts: I didn't actually love this one personally. But. Just because I don't love, love, love something doesn't mean that I don't recognize ART when I see it. This is a weighty 'literary' book that is definitely interesting and quirky. I think those who love it will really LOVE it.

This quote by Neil Gaiman was fabulous:

People need stories. It's one of the things that make us who we are. We crave stories, because they make us more than ourselves, they give us escape and they give us knowledge. They entertain
us and they change us, as they have changed and entertained us for thousands of years.

© 2016 Becky Laney of Becky's Book Reviews

Add a Comment

Hansel and Gretel. Neil Gaiman. Illustrated by Lorenzo Mattotti. 2014. Toon. 54 pages. [Source: Review copy]

First sentence: This all happened a long time ago, in your grandmother's time, or in her grandfather's. A long time ago. Back then, we all lived on the edge of the great forest.

Premise/plot: The book is an illustrated retelling of the fairy tale Hansel and Gretel. It isn't a picture book necessarily. Nor is it a graphic novel. Every two pages of text is followed by two pages of illustration. The illustrations are black and white and are by Lorenzo Mattotti.

My thoughts: Hansel and Gretel isn't one of my favorite fairy tales to begin with, so my expectations were not very high. I wasn't disappointed perhaps because my expectations were realistic. I was surprised by how much I liked the illustrations. They are dark but expressive. This retelling by Gaiman isn't new and unique and full of extra-special clever twists and turns. It is traditional for the most part.

© 2016 Becky Laney of Becky's Book Reviews

Add a Comment

Snow White. Matt Phelan. 2016. Candlewick. 216 pages. [Source: Review copy]

First sentence: What's the story here? Who is she?

Premise/plot: Those questions are asked by a New York City detective as he examines a crime scene--or potential crime scene at a department store. They provide the framework for Matt Phelan's newest graphic novel, Snow White. The book is a retelling of the traditional tale set in America, in New York City, for the most part, during the Depression.

Instead of an evil Queen of a stepmother, Samantha White (aka Snow) has dealings with the Queen of the Follies. Her stepmother being a Broadway star, a Ziegfeld girl. Instead of seven dwarfs, Snow is saved by THE SEVEN, a gang of street children.

My thoughts: I like this one a lot. I really enjoyed his artwork. I thought while both story and illustration were on the simple, understated side, it worked well for me. While the setting makes this one unique, the story is traditional. No further characterization has been done--for better or worse. I didn't mind this. As I said, it worked for me. I don't have to have "new" and "modern" twists and turns and complications for me to like a fairy tale retelling.

© 2016 Becky Laney of Becky's Book Reviews

Add a Comment

Children don’t need planes, trains and automobiles to be transported to different countries, different worlds or even different points of view. All it takes is an engaged imagination and the right resources and they can explore the far-off corners of their active and growing minds.

First Book offers books and resources that will stimulate children’s creativity this summer and take their imaginations on vacations!

Imaginative Play

Children can fly to outer space, perform surgery, put out an inferno, explore uncharted territories and do it all before lunch with the help of fun role playing costumes. When children imagine what it would be like to be an astronaut or a doctor their world expands and they begin to dream bigger. In this section you’ll also find puppets, building blocks and even a toy taco!

Fairy and Folk Tales

This section is filled with old classics as well as exciting new titles that will keep young minds captivated. These stories, legends and myths from different cultures all over the globe will give children endless worlds full of princesses, monsters and giant beanstalks to explore.

Fantasy and Sci-Fi

Books and stories from different dimensions and galaxies! Free from the rules of space and time, the books and stories in this section will help children think beyond what seems possible and imagine freely. Children can go to the beach in another galaxy or visit an amusement park in the future…the imagination vacation possibilities go on and on with these engaging books.

Arts and Crafts

All of the beautiful paintings or paper planes children dream up can’t come to life without the tools and resources they need. This section features a wide variety of kits and activities that will help children turn their creative ideas into fantastic works of art or fun puppets.

The post Take Your Imagination On Vacation appeared first on First Book Blog.

Add a Comment

Gudgekin, The Thistle Girl. John Gardner. 1976. 55 pages. [Source: Bought]

If you enjoy folk or fairy tales, you might be a potential reader of John Gardner's story collection. The book contains four stories: "Gudgekin the Thistle Girl," "The Griffin and the Wise Old Philosopher," "The Shape-Shifters of Shorm," and "The Sea Gulls."

I think my favorite story is Gudgekin the Thistle Girl. The heroine is a poor girl named Gudgekin. Every day she gathers thistles for her stepmother. The stepmother is never, never satisfied. But Gudgekin keeps going out to do her best. One day a fairy intervenes and her luck is seemingly changed forever. With the fairies help, she's able to appease her stepmother and please herself. The fairies do the work, while she's spirited away to have fun. One day--again with the fairies help--she meets a Prince who falls in love with her. You might think you know where this one is headed, and, in a way you'd be right. But it is how long it takes for these two to get to happily ever after that may surprise you.

The second story confused me greatly. After the fifth or sixth time through the first two or three pages, it finally clicked that maybe just maybe it was intentional. The griffin visits the poor villagers to distract, confuse, and frustration. No one can remember how to do anything when he is nearby. Eventually I found the rhythm of this story. I still don't like it.

The Shape Shifters of Shorm, the third story, was entertaining. I liked it. But I didn't really love it. Essentially, a kingdom is being bothered by shape-shifters, the king offers an award for anyone who rids the kingdom of all the shape-shifters. A few step forward and volunteer for the task. But none are ever heard of again. Why?!

The Sea Gulls is an odd story. It contains plenty of magic, some spells, etc. I think it is an appealing enough story for readers. Essentially in that story, a king is met one day by an ogre who wants to eat him. The king says let's play a game of chance. If you win, you eat me. If I win, you wait seven years and eat me and my children then. The king won. (He cheated.) Most of the story is set seven years later....

© 2016 Becky Laney of Becky's Book Reviews

Add a Comment

Dragon, Dragon and Other Tales. John Gardner. Illustrated by Charles J. Shields. 1975. 73 pages. [Source: Bought]

Love fairy or folk tales? You should definitely seek out John Gardner's Dragon, Dragon and Other Tales. This book has four original stories with magical, fantastical elements. The four stories are "Dragon, Dragon," "The Tailor and the Giant," "The Miller's Mule," and "The Last Piece of Light."

I can honestly say that I enjoyed all four stories. I'm not sure which story is my most favorite and which is my least favorite. Probably my least favorite is The Tailor and The Giant. Don't expect it to have a lesson or moral, and you may find it intriguing. It's certainly a spin on the theme of courage. As for my favorite, that would probably be Dragon, Dragon or The Miller's Mule.

Dragon, Dragon features a kingdom being terrorized by dragons--or a dragon, I can't remember if there's more than one. The king offers a reward, of course he does, and one by one three sons attempt it. But who will kill the dragon? Perhaps the one that actually follows his father's advice. Just a guess!

The Miller's Mule grew on me as I read it. It certainly kept me guessing as I read it. A miller decides to shoot his old mule; the old mule speaks--begs for his life. The miller spares his life--for better or worse. The mule promises to make him a wealthy man IF and only IF he follows his instructions carefully. The miller agrees...and it seems the mule is out to kill him in revenge....who will best who?

© 2016 Becky Laney of Becky's Book Reviews

Add a Comment

First published in 1913
Publisher Constable, London
Illustrations W. Heath Robinson 





The seventeen fairy tales are; The Marsh King’s Daughter, Tommelise, The Snow Queen, Elfin-Mount, The Little Mermaid, The Storks, The Nightingale, The Wild Swans, The Real Princess, The Red Shoes, The emperor’s New Clothes, The Swineherd, The Fling Trunk, The Leaping Match, The Shepherdess and the Chimney-Sweeper, The Ugly Duckling and The Naughty Boy.












The Book Reader below is via Archive.Org, clicking on the link will take you to a larger more detailed version. Source: Archive.org, Public Domain (Digitizing Sponsor: New York Public Library)

 Hans Andersen's Fairy Tales with illustrations by W. Heath Robinson:

Source: Archive.org,Public Domain (Digitizing Sponsor: New York Public Library)

Add a Comment

Katherine Langrish is an award-winning author of children’s and young adult historical fantasy. Her meticulous research, gorgeous prose, and instinct for a good story have won her many fans around the world. Since 2009, Katherine has been the creator of the outstanding blog Seven Miles of Steel Thistles where she shares her thoughts and fascinating […]

The post An interview with Katherine Langrish: British author, storyteller, and folklorist appeared first on Cathrin Hagey.

Add a Comment

Add a Comment

Birds seem to represent nearly everything. They are world travelers, stay-at-homers, tiny, gigantic, fast, slow, flying, grounded, swimming, meat eaters, seed eaters, friendly and not-so-friendly. They are gorgeous and plain, intelligent and dull, mysterious and in-your-face. They have been deemed messengers of the gods, departing souls, and guides to the spirit world. Myths and legends are […]

The post What’s in a fairy tale?–Birds appeared first on Cathrin Hagey.

Add a Comment

Today's post celebrates Kid-Lit, all the wonderful children's books in the world and what a fantastic subject they make for art journaling. Besides the hundreds of fairy tales I read as a child: The Blue Fairy Tale Book, The Red Fairy Tale Book and on and on through the entire rainbow, some of my favorite titles were: 

Add a Comment

Add a Comment

Dwarf Nose
By Wilhelm Hauff
Illustrated by Lisbeth Zwerger
Translated by Anthea Bell
Minedition
$19.99
ISBN: 97898888341139
Ages 8-12
On shelves April 1st

It seems so funny to me that for all that our culture loves and adores fairytales, scant attention is paid to the ones that can rightfully be called both awesome and obscure. There is a perception out there that there are only so many fairytales out there that people really need to know. But for every Cinderella or Sleeping Beauty you run into, there’s a Tatterhood or Riquet with the Tuft lurking on the sidelines. Thirty or forty years ago you’d sometimes see these books given a life of their own front and center with imaginative picture book retellings. No longer. Folktales and fairytales are widely viewed by book publishers as a dying breed. A great gaping hole exists, and into it the smaller publishers of the world have sought to fulfill this need. Generally speaking they do a very good job of bringing world folktales to the American marketplace. Obscure European fairytales, however, are rare beasts. How thrilled I was then to discover the republication of Wilhelm Hauff and Lisbeth Zwerger’s Dwarf Nose. Originally released in America in 1995 by North-South books, the book has long been out-of-print. Now the publisher minedition has brought it back and what a beauty it is. Strange and sad and oddly uplifting, this tale has all the trappings of the fairytales you know and love, but somehow remains entirely unexpected just the same.

For there once was a boy who lived with his two adoring parents. His father was a cobbler and his mother sold vegetables and herbs in the market. One day the boy was assisting his mother when a very strange old woman came to them and starting digging her dirty old hands through their wares. Incensed, the boy insulted the old woman, which as you may imagine didn’t go down very well. When the boy is made to help carry the woman’s purchases back to her home he is turned almost immediately into a squirrel and made to work for seven years in her kitchen. After that time he awakes, as if in a dream, only to find seven years have passed and his body has been transformed. Now he has no neck to speak of, a short frame, a hunched back, and a extraordinarily long nose. Sad that his parents refuse to acknowledge him as their son, he sets forth to become the king’s cook. And all would have gone without incident had he not picked up that enchanted goose in the market one day. Written in 1827 this tale is famous in Germany but remains relatively obscure in the United States today.

I go back and forth when I consider why this fairytale isn’t all that famous to Americans. There are a variety of reasons. There are some depressing elements to it (kid is unrecognizable to parents, loses seven years of his life, etc.) sure. There aren’t any beautiful princesses (except possibly the goose). The bad guy doesn’t even appear in the second act. Still, it’s the peculiarities that give it its flavor. We’ve heard of plenty of stories where the heroes are transformed by the villains, but how many villains give those same heroes a useful occupation in the process? It’s Dwarf Nose’s practicalities that are so interesting, as are the nitty gritty elements of the tale. I love the use of herbs particularly. Whether the story is talking about Sneezewell or Bellyheal, you get the distinct feeling that you’re listening to someone who knows what they’re talking about. Plus there are tiny rodent servants. That’s a plus.

We like it when our fairytales give us nice clear-cut morals. Be clever, be kind, be good. This may be another reason why Dwarf Nose never really took off in the States. At first glance one would assume that the moral would be about not judging by appearances. Dwarf Nose’s parents cannot comprehend that their beautiful boy is now ugly, and so they throw him out. He gets a job as a chef but does not search out a remedy until the goose he rescues gives him some hope. I was fully prepared for him to remain under his spell for the rest of his life without regrets, but of course that doesn’t happen. He’s restored to his previous beauty, he returns to his parents who welcome him with open arms, and he doesn’t even marry the goose girl. Hauff ends with a brief mention of a silly war that occurred thanks to Dwarf Nose’s disappearance ending with the sentence, “Small causes, as we see, often have great consequences, and this is the story of Dwarf Nose.” That right there would be your moral then. Not an admonishment to avoid judging the outward appearance of a thing (though Dwarf Nose’s talents drill that one home pretty clearly) but instead that a little thing can lead to a great big thing.

When this version of Dwarf Nose was originally released in the States in 1994 the reviews were puzzled by its length. Booklist said it was “somewhat verbose to modern listeners” and School Library Journal noted the “grotesque tenor of the book”. Fascinatingly this is not the only incarnation of this tale you might find in America. In 1960 Doris Orgel translated a version of “Dwarf Long-Nose” which was subsequently illustrated by Maurice Sendak. The School Library Journal review of Zwerger’s version in 1994 suggested that the Sendak book was infinitely more kid-friendly than hers. I think that’s true to a certain extent. You get a lot more pictures with the Sendak and the book itself is a much smaller format. While Zwerger excels in infinitely beautiful watercolors, Sendak’s pen and inks with just the slightest hint of orange for color are almost cartoonish in comparison. What I would argue then is that the intended age of the audience is different. Sure the text is remarkably similar, but in Zwerger’s hands this becomes a fairytale for kids comfortable with Narnia and Hogwarts. I remember as a tween sitting down with my family’s copy of World Tales by Idries Shah as well as other collected fairytales. Whether a readaloud for a fourth grade class, an individual tale for the kid obsessed with the fantastical, or bedtime reading for older ages, Dwarf Nose doesn’t go for the easy audience, but it does go for an existing one.

Lisbeth Zwerger is a fascinating illustrator with worldwide acclaim everywhere except, perhaps, America. It’s not that her art feels too “foreign” for U.S. palates, necessarily. I suspect that as with the concerns with the length of Dwarf Nose, Zwerger’s art is usually seen as too interstitial for this amount of text. We want more art! More Zwerger! I’ve read a fair number of her books over the years, so I was unprepared for some of the more surreal elements of this one. In one example the witch Herbwise is described as tottering in a peculiar fashion. “…it was as if she had wheels on her legs, and might tumble over any moment and fall flat on her face on the paving stones.” For this, Zwerger takes Hauff literally. Her witch is more puppet than woman, with legs like bicycle wheels and a face like a Venetian plague doctor. We have the slightly unnerving sensation that the book we are reading is, in fact, a performance put on for our enjoyment. That’s not a bad thing, but it is unexpected.

When Zwerger’s Dwarf Nose came out in 1994 it was entering a market where folktales were on the outs. Still, libraries bought it widely. A search on WorldCat reveals that more than 500 libraries currently house in on their shelves after all these years. And while folktale sections of children’s rooms do have a tendency to fall into disuse, it is possible that the book has been reaching its audience consistently over the years. It may even be time for an upgrade. Though it won’t slot neatly into our general understanding of what a fairytale consists of, Dwarf Nose will find its home with like-minded fellows. Oddly touching.

On shelves April 1st.

Source: Galley sent from publisher for review.

Misc: Check out this fantastic review of the same book by 32 pages.

Display Comments Add a Comment

Don’t miss Liesl Shurtliff’s new dark, humorous stand-alone middle grade novel RED: THE TRUE STORY OF RED RIDING HOOD (on sale April 12, 2016)!

Add a Comment

What do Dorothy Gale, Christian Louboutin, and Hans Christian Andersen’s poor Karen have in common? Red shoes, of course.

The post Red Shoes appeared first on Cathrin Hagey.

Add a Comment

I seem to have an affinity for those books which are magical and strange and not entirely definable. Sitting down to the write this review, it occurs to me how difficult it is to describe this book. I can tell you what it’s about, but to describe the experience of reading it almost makes me feel like I’ve had a spell cast on me myself. There is a palpable sense of unreality throughout as Aidan journeys to unravel the mysteries of himself and his family. Aidan can’t remember entire swaths of his life and he doesn’t even realize it. He drifts along as in a fog, feeling barely there at all. Until the day an old friend comes back into his life and lost memories begin to shake themselves loose from their bindings. But who bound Aidan’s memories, and why? You have to tell your story true, and not everyone... Read more »

The post Wonders of the Invisible World: Review appeared first on The Midnight Garden.

Add a Comment

Fun stuff.  Looks a lot like Harry Potter to a certain extent (mood, lighting, music, etc.).  It’s the trailer for Roald Dahl’s The BFG.

Thanks to 100 Scope Notes for the link!

A bit of an older video here.  In my travels recently I discovered that the entirety of the Oliver Jeffers short film version of his book Lost and Found is apparently online.  Bonus!  I never got to see it.  For your viewing pleasure then (and it’s 24 minutes long, FYI):

Shoot. Christmas is over but only now have I learned about this new collection of Walt Kelly’s Fairy Tales.  Well, there’s always next year, I guess.

Cool. I’d heard that there was a children’s theater adaptation of Grace Lin’s Where the Mountain Meets the Moon, but didn’t know it had a little trailer too. Eh, voila.

And for the off-topic video, we’re not entirely off-topic.  After all, Mary Poppins was a children’s book originally.  Ipso facto a flash mob for Dick Van Dyke’s 90th birthday is . . . well it works for me.

 

Add a Comment

"Baug's Hollow" by Cathrin Hagey was selected for the Fourth Quarterly Review, 2015 at Bewildering Stories.

The post Editors’ Choice for Bewildering Stories appeared first on Cathrin Hagey.

Add a Comment

I’m very pleased to announce that Bewildering Stories has published one of my fairy tales. “New contributor Cathrin Hagey introduces Henrike, who can’t last another Norse winter without her husband, Baug. She falls into their common grave, and that’s where the story begins–in Baug’s Hollow.” I hope you’ll bookmark bewilderingstories.com for the high quality, free novels, […]

The post “Baug’s Hollow” at BEWILDERING STORIES appeared first on Cathrin Hagey.

Add a Comment

One of my favorite people on the planet is Heidi Shulz. She’s the author of the delightfully funny book Hook’s Revenge, which was one of my favorite debuts from last year–and now its sequel The Pirate Code is out! Heidi was actually in Los Angeles last month, and I got to celebrate the book’s release day with her. In the first photo, we’d just eaten mountains of pasta in Venice Beach, and Heidi is beaming over a plate of cannoli. <3 Here’s more about the new book: Fresh off a fearsome encounter with the Neverland crocodile, Jocelyn Hook decides the most practical plan is to hunt down her father’s famous fortune. After all, she’ll need the gold to fund her adventuring in the future. (And luckily, Hook left her the map.) But the map proves to be a bit harder to crack than Jocelyn had hoped, and she’s convinced that... Read more »

The post Hook’s Revenge, The Pirate Code: guest post! appeared first on The Midnight Garden.

Add a Comment

Jackie Morris lives in Pembrokeshire, Wales, with children, dogs and cats. Her latest book is the retelling of Hans Christian Andersen's The Wild Swans.

Add a Comment

Jennifer Morse, M.S., PhD, challenges readers to venture beyond the traditional fairytale story of Cinderella. She encourages readers to envision more depth for the princess and, in turn, for the readers themselves.

Add a Comment

I must apologize for not remembering on whose blog I first learned about Through the Woods by Emily Carroll because I owe that blogger a big thank you. Through the Woods is a short story collection like no other I have ever read. Why might that be? It is a book of graphic short stories.

When I got it from the library I didn’t remember about the graphic part of it and I worried that perhaps I had made a mistake. How can you do a book of graphic short stories? Novel, memoir, biography, but short stories? But you know what? It totally works and it is great!

The stories are of the very short and ambiguous kind and they are successful because the art and the text work so well together to move the story along. They have a fairy tale quality to them and they all felt vaguely familiar because of that but they are completely original. They all feature girls or young women. They are about things like a cold snowy winter and dad has to leave his three daughters alone. He tells them if he isn’t back in three days they are to go to the neighbor’s house. Of course he doesn’t return. The eldest daughter refuses to leave, insisting that dad will be back any time. The youngest doesn’t really seem concerned about anything in particular. And the middle daughter, the one telling the story, insists they follow their father’s wishes because if they don’t they will be completely snowed in and without food. And then during the night someone comes to the door and the eldest sister goes with that someone and doesn’t come back. The night after that, the youngest sister goes with the stranger. The middle sister is left all alone. The food is gone. She walks most of the day through the deep snow to the neighbor’s house and…

Another tale is about a father marrying off his beautiful daughter to the richest man in the county. The house is huge and gorgeous but something is not right. Someone keeps her up at night singing a strange song. Her husband tells her she’s hearing things that aren’t there. One night while her husband is away, she goes looking for the source of the song and discovers more than she bargained for.

The art in this book is amazing. Stark, deeply saturated color in a limited palette of black, white, scarlet red and deep blue, creates high contrast and a rich lushness that magnifies the creep factor of the stories. I raced through them all in less than an hour one evening before bed. The final story gave me such chills that I told Bookman if I have any nightmares Through the Woods is at fault.

A perfect RIP Challenge read for sure, but guaranteed excellent for any dark night or stormy afternoon no matter what time of year.

Filed under: Challenges, Graphic Novels, Reviews, Short Stories Tagged: Emily Carroll, fairy tales, RIP Challenge

Add a Comment

When some one says to you "that's just a fairy tale," it generally means that what you have just said is untrue or unreal. It is a polite but deprecating way of saying that your words form a lie or gossip. Your story is make-believe and unreliable. It has nothing to do with reality and experience. Fairy tale is thus turned into some kind of trivial story.

The post A fairy tale is more than just a fairy tale appeared first on OUPblog.

Add a Comment

They can't transform your actual situation, but they can transform your experience of it. We don't create a fantasy world to escape reality, we create it to be able to stay. 

So wise. This is from the cartoonist Lynda Barry's memoir/exploration of images What It Is (Drawn & Quarterly, 2008). I so enjoyed the whole book, especially the part about the "transformational capabilities" of old stories. Barry's ideas reinforced my tentative plan to read the second graders a whole lot of fairy tales and folk tales this year. 

Add a Comment