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Viewing: Blog Posts Tagged with: Literature, Most Recent at Top [Help]
Results 26 - 50 of 2,272
26. What music would Shakespeare’s characters listen to?

Shakespeare's characters can often appear far-removed from our modern day world of YouTube, Beyoncé and grime. Yet they were certainly no less interested in music than we are now, with music considered to be at the heart of Shakespeare’s artistic vision. Of course our offerings have come a long way since Shakespeare's day, but we think it is a shame that they never had a chance to hear the musical delights of Katy Perry or Slipknot.

The post What music would Shakespeare’s characters listen to? appeared first on OUPblog.

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27. “Aery nothings and painted devils”, an extract from Fantastic Metamorphoses, Other Worlds

Human beings are subject to a continual process of bodily transformation, but shape-shifting also belongs in the landscape of magic, witchcraft, and wonder. Marina Warner, in her award-winning essays Fantastic Metamorphoses, Other Worlds: Ways of Telling the Self, explores this idea ranging from Ovid to Lewis Carroll. In the extract below she looks at Shakespeare's use of magic and demons

The post “Aery nothings and painted devils”, an extract from Fantastic Metamorphoses, Other Worlds appeared first on OUPblog.

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28. The Dead Ladies Art of Memoir Writing

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From “Live through This,” by Catherine Hollis, her recent essay at Public Books on how much of our own lives we construct when we read and write memoirs:

In The Dead Ladies Project: Exiles, Expats, and Ex-Countries, Jessa Crispin, the scrappy founding editor of Bookslut and Spolia, finds herself at an impasse when a suicide threat brings the Chicago police to her apartment. She needs a reason to live, and turns to the dead for help. “The writers and artists and composers who kept me company in the late hours of the night: I needed to know how they did it.” How did they stay alive? She decides to go visit them—her “dead ladies”—in Europe, and leave the husk of her old life behind. Crispin’s list includes men and women, exiles and expatriates, each of whom is paired with a European city. Her first port of call is Berlin, and William James. Rather than explicitly narrating her own struggle, Crispin focuses on James’s depressive crisis in Berlin, where as a young man he learned how to disentangle his thoughts and desires from his father’s. Out of James’s own decision to live—“my first act of free will shall be to believe in free will”—the rest of his life takes shape. Crispin reconstructs what it might have felt like to be William James before he was William James, professor at Harvard and author of The Varieties of Religious Experience. If he can live through the uncertainty of a life-in-progress, so too might she.

But not before checking in with Nora Barnacle in Trieste, Rebecca West in Sarajevo, Margaret Anderson in the south of France, W. Somerset Maugham in St. Petersburg, Jean Rhys in London, and the miraculous and amazing surrealist photographer Claude Cahun on Jersey Island. Through each biographical anecdote, each place, Crispin analyzes some issue at work in her own life: wives and mistresses, revolutionaries with messy love lives, and the problem of carting around a suicidal brain. Crispin travels with one suitcase, but a good deal of emotional baggage. While she focuses on each subject’s pain, what she’s seeking is how these writers and artists alchemized their suffering into art, and how that transmutation opens up an individual’s story to others. . . .

In the end, learning how other women and men decided to live helps Crispin decide that suicide is a failure of imagination. “Here is something else you could do,” Crispin’s ladies tell her; here is some other way to live.

To read the piece in full at Public Books, click here.

To read more about The Dead Ladies Project, click here.

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29. Christian theology, literary theory, and sexuality in the ‘Song of Songs’

hy were Christian theologians in the ancient and medieval worlds so fascinated by a text whose main theme was erotic love? The very fact that the 'Song of Songs', a biblical love poem that makes no reference to God or to Israelite religion, played an important role in pre-modern Christian discourse may seem surprising to those of us in the modern world.

The post Christian theology, literary theory, and sexuality in the ‘Song of Songs’ appeared first on OUPblog.

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30. Twenty-first-century Shakespeare

Forever demanding new performers to interpret them for new audiences under new circumstances, and continuing to elicit a rich worldwide profusion of editions, translations, commentaries, adaptations and spin-offs, Shakespeare’s works have never behaved like unchanging monuments about which nothing new remains to be said.

The post Twenty-first-century Shakespeare appeared first on OUPblog.

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31. Cervantes’s pen silenced today

His words still shape our consciousness, even if we fail to read him. This is not due to some hackneyed idealism (“tilting at windmills”), but rather to his pervasive impact on the genre that taught us to think like moderns: the novel. He pioneered the representation of individual subjectivity and aspiration, which today undergirds the construction of agency in any narrative, whether in novels, films, television, or the daily self-fashioning by millions of users of social media.

The post Cervantes’s pen silenced today appeared first on OUPblog.

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32. Shakespeare’s Not-So Sceptered Isle

In 2012, when the world tuned in for the opening ceremony of London’s Olympic Games, they were witness in part to a performance of one of Shakespeare’s most famed speeches, delivered by one of today’s most revered Shakespearean actors. Kenneth Branagh, dressed as English engineer Isambard Kingdom Brunel, offered lines from The Tempest in the spirit of the ceremony’s larger theme, “The Isles of Wonder”.

The post Shakespeare’s Not-So Sceptered Isle appeared first on OUPblog.

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33. The ingenious gentleman from Don Quixote

To celebrate the life of Miguel de Cervantes Saavedra, who died four hundred years ago today, here is an extract taken from Don Quixote de la Mancha.

The post The ingenious gentleman from Don Quixote appeared first on OUPblog.

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34. The evolution of evolution

How did it come to this? How was evolution transformed from a scientific principle of human-as-animal to a contentious policy battle concerning children’s education? From the mid-19th century to today, evolution has been in a huge tug-of-war as to what it meant and who, politically speaking, got to claim it.

The post The evolution of evolution appeared first on OUPblog.

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35. “What’s in a name?”: Was William Shakespeare popular during his lifetime?

It’s 1608. You are passing by the bookstall of the publisher Thomas Pavier on Cornhill, a stone’s throw from the elegant colonnades of London’s Royal Exchange, when something catches your eye: a sensational play dramatising a series of real-life gruesome domestic murders. A Yorkshire Tragedy has that enticing whiff of scandal about it, but what persuades you to part with your hard-earned cash is seeing the dramatist’s name proudly emblazoned on the title-page: “Written by W. Shak[e]speare”.

The post “What’s in a name?”: Was William Shakespeare popular during his lifetime? appeared first on OUPblog.

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36. Five random facts about Shakespeare today

Certain facts surrounding Shakespeare, his work, and Elizabethan England have been easy to establish. But there is a wealth of Shakespeare knowledge only gained centuries after his time, across the globe, and far beyond the Anglophone realm.

The post Five random facts about Shakespeare today appeared first on OUPblog.

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37. Homer: inspiration and controversy [Infographic]

Although a man named “Homer” was accepted in antiquity as the author of the poems, there is no evidence supporting the existence of such an author. By the late 1700s, careful dissection of the Iliad and Odyssey raised doubts about their composition by a single poet. Explore more about the “Homeric question” and the influence of these epics in the infographic below.

The post Homer: inspiration and controversy [Infographic] appeared first on OUPblog.

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38. Why everyone loves I Love Dick

If, like most people these days, you take as much notice (perhaps more) of the books you don’t have time to read as the ones you are reading, you’ve probably heard of Chris Kraus’s I Love Dick. The book, a slow-burning cult classic since its first publication in 1997, has recently been the focus of renewed attention. In 2015, the novel was republished in a hardback edition, and had its first release in the UK. This sparked reviews and op-eds in the Guardian. Kraus—who writes lovingly of the New York scene of the 1980s—also finally received attention from The New Yorker last year.

The post Why everyone loves I Love Dick appeared first on OUPblog.

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39. A Girl Called Vincent

A Girl Called Vincent: The Life of Poet Edna St. Vincent Millay  by Krystyna Poray Goddu Chicago Review Press, 2016 ISBN: 978-1-61373-172-7 Grades 5 and up April is Poetry Month, so it's fitting that A Girl Called Vincent was released earlier this month. The biography provides middle grade and teen readers with an in-depth look at the life of Edna St. Vincent Millay, who was known to her friends

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40. Shakespeare’s linguistic legacy

William Shakespeare died four hundred years ago this month and my local library is celebrating the anniversary. It sounds a bit macabre when you put it that way, of course, so they are billing it as a celebration of Shakespeare’s legacy. I took this celebratory occasion to talk with my students about Shakespeare’s linguistic legacy.

The post Shakespeare’s linguistic legacy appeared first on OUPblog.

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41. What would Shakespeare do?

We’ve heard a lot lately about what Shakespeare would do. He’d be kind to migrants, for instance, because of this passage from the unpublished collaborative play ‘Sir Thomas More’ often attributed to him: 'Imagine that you see the wretched stranger / Their babies at their backs, with their poor luggage / Plodding to th’ports and coasts for transportation (Scene 6: 84-6).

The post What would Shakespeare do? appeared first on OUPblog.

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42. Copies of Shakespeare’s First Folio around the world [map]

The first collected edition of Shakespeare's plays printed in 1623 - known as the First Folio - has a rich history. It is estimated that around 700 or 750 copies were printed, and today we know the whereabouts of over 230. They exist in some form or another, often incomplete or a combination of different copies melded together, in libraries and personal collections all over the world.

The post Copies of Shakespeare’s First Folio around the world [map] appeared first on OUPblog.

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43. The life and work of Buckminster Fuller: a timeline

A self-professed "comprehensive anticipatory design scientist," the inventor Buckminster Fuller (1895-1983) was undoubtedly a visionary. Fuller's creations often bordered on the realm of science fiction, ranging from the freestanding geodesic dome to the three-wheel Dymaxion car.

The post The life and work of Buckminster Fuller: a timeline appeared first on OUPblog.

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44. Translating Shakespeare

Translation of Shakespeare’s works is almost as old as Shakespeare himself; the first German adaptations date from the early 17th century. And within Shakespeare’s plays, moments of translation create comic relief and heighten the awareness that communication is not a given. Translation also served as a metaphor for physical transformation or transportation.

The post Translating Shakespeare appeared first on OUPblog.

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45. Original pronunciation: the state of the art in 2016

In 2004, Shakespeare's Globe in London began a daring experiment. They decided to mount a production of a Shakespeare play in 'original pronunciation' (OP) - a reconstruction of the accents that would have been used on the London stage around the year 1600, part of a period known as Early Modern English. They chose Romeo and Juliet as their first production, but - uncertain about how the unfamiliar accent would be received by the audience - performances in OP took place for only one weekend.

The post Original pronunciation: the state of the art in 2016 appeared first on OUPblog.

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46. A Trollopian reviews the Doctor Thorne TV adaptation

Like all true Trollopians I carry in my mind a vivid picture of Barsetshire and its people. For me it is a landscape of rolling countryside with ancient churches and great houses, with Barchester a compact cathedral city of great elegance, as if Peterborough cathedral had been miraculously transported ten miles into Stamford.

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47. How well do you know 21st-century Shakespeare? [quiz]

You may know Christopher Marlowe and Richard Burbage, The Globe Theatre and The Swan, perhaps even The Lord Chamberlain's Men and The Admirals' Men. But what do you know of modern Shakespeare: new productions, new performances, and ongoing research in the late 20th and 21st centuries? Shakespeare has, in many ways, remained the same, but actors, directors, designers, and other artists have adapted his work to suit the needs of the world and audiences today.

The post How well do you know 21st-century Shakespeare? [quiz] appeared first on OUPblog.

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48. Why people enjoy hearing Shakespeare in Original Pronunciation

Since the groundbreaking Original Pronunciation productions at Shakespeare’s Globe in London in 2004-05, OP has captured the imagination of performers, directors, and the play-going public. Going back to the pronunciation of the late 16th and early 17th centuries reveals nuances, puns, and rhymes that otherwise lie completely hidden, and gives fresh dynamism to productions.

The post Why people enjoy hearing Shakespeare in Original Pronunciation appeared first on OUPblog.

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49. A reimagined Wonderland, Middle-earth, and material world

Lewis Carroll, J.R.R. Tolkein, and Philip Pullman are three of the many great writers to come out of Oxford, whose stories are continually reimagined and enjoyed through the use of media and digital technologies. The most obvious example for Carroll's Alice in Wonderland are the many adaptations in [...]

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50. Levi Stahl on Ted Cruz and Kenneth Widmerpool

For those of you who missed it, here is Levi Stahl’s 31-part Twitter essay from late last week, which responds to an op-ed in the New York Times by columnist Ross Douthat comparing Republican presidential candidate Ted Cruz to Widmerpool, the anti-anti-hero from Anthony Powell’s A Dance to the Music of Time:

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To read more about A Dance to the Music of Time, click here.

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