Children's Publishing Blogs - Iliad blog posts

Home > All Blogs > Tag > Iliad

What is JacketFlap

JacketFlap connects you to the work of more than 200,000 authors, illustrators, publishers and other creators of books for Children and Young Adults. The site is updated daily with information about every book, author, illustrator, and publisher in the children's / young adult book industry. Members include published authors and illustrators, librarians, agents, editors, publicists, booksellers, publishers and fans.
Join now (it's free).

Sort Blog Posts

Sort Posts by:

in
from

Suggest a Blog

Enter a Blog's Feed URL below and click Submit:

Most Commented Posts

In the past 7 days

JacketFlap Sponsors

Spread the word about books.
Put this Widget on your blog!

Are you a book Publisher?
Learn about Widgets now!

Advertise on JacketFlap

MyJacketFlap Blogs

Login or Register for free to create your own customized page of blog posts from your favorite blogs. You can also add blogs by clicking the "Add to MyJacketFlap" links next to the blog name in each post.

Blog Posts by Tag

In the past 7 days

Blog Posts by Date

Click days in this calendar to see posts by day or month

new posts in all blogs

Viewing: Blog Posts Tagged with: Iliad, Most Recent at Top [Help]

Results 1 - 10 of 10

1. Homer: inspiration and controversy [Infographic]

By: Samantha Zimbler, on 4/13/2016
Blog: OUPblog (Login to Add to MyJacketFlap)
JacketFlap tags: Literature, classics, ocd, trojan war, Iliad, the odyssey, antiquity, Infographics, Achilles, Homer, Odysseus, *Featured, Classics & Archaeology, Online products, the iliad, epics, classical studies, oxford classical dictionary, Ben Leonard, homeric, homeric question, new ocd, ocd online, Add a tag

Although a man named “Homer” was accepted in antiquity as the author of the poems, there is no evidence supporting the existence of such an author. By the late 1700s, careful dissection of the Iliad and Odyssey raised doubts about their composition by a single poet. Explore more about the “Homeric question” and the influence of these epics in the infographic below.

The post Homer: inspiration and controversy [Infographic] appeared first on OUPblog.

0 Comments on Homer: inspiration and controversy [Infographic] as of 1/1/1900

Add a Comment

2. A reading list of Ancient Greek classics

By: KatherineS, on 11/6/2014
Blog: OUPblog (Login to Add to MyJacketFlap)
JacketFlap tags: Literature, reading list, herodotus, sophocles, OWC, Plato, euripides, Iliad, Aristotle, Oxford World's Classics, Homer, Plutarch, *Featured, Classics & Archaeology, plato's republic, Arts & Humanities, Antigone, Apollonius, Electra, Judith Luna, Oedipus the King, The Trojan Women and Other Plays, Add a tag

This selection of ancient Greek literature includes philosophy, poetry, drama, and history. It introduces some of the great classical thinkers, whose ideas have had a profound influence on Western civilization.

Jason and the Golden Fleece by Apollonius of Rhodes

Apollonius’ Argonautica is the dramatic story of Jason’s voyage in the Argo in search of the Golden Fleece, and how he wins the aid of the Colchian princess and sorceress Medea, as well as her love. Written in the third century BC, it was influential on the Latin poets Catullus and Ovid, as well as on Virgil’s Aeneid.

Poetics by Aristotle

This short treatise has been described as the most influential book on poetry ever written. It is a very readable consideration of why art matters which also contains practical advice for poets and playwrights that is still followed today.

The Trojan Women and Other Plays by Euripides

One of the greatest Greek tragedians, Euripides wrote at least eighty plays, of which seventeen survive complete. The universality of his themes means that his plays continue to be performed and adapted all over the world. In this volume three great war plays, The Trojan Women, Hecuba, and Andromache, explore suffering and the endurance of the female spirit in the aftermath of bloody conflict.

The Histories by Herodotus

Herodotus was called “the father of history” by Cicero because the scale on which he wrote had never been attempted before. His history of the Persian Wars is an astonishing achievement, and is not only a fascinating history of events but is full of digression and entertaining anecdote. It also provokes very interesting questions about historiography.

The Iliad by Homer

Homer’s two great epic poems, the Odyssey and the Iliad, have created stories that have enthralled readers for thousands of year. The Iliad describes a tragic episode during the siege of Troy, sparked by a quarrel between the leader of the Greek army and its mightiest warrior, Achilles; Achilles’ anger and the death of the Trojan hero Hector play out beneath the watchful gaze of the gods.

Republic by Plato

Plato’s dialogue presents Socrates and other philosophers discussing what makes the ideal community. It is essentially an enquiry into morality, and why justice and goodness are fundamental. Harmonious human beings are as necessary as a harmonious society, and Plato has profound things to say about many aspects of life. The dialogue contains the famous myth of the cave, in which only knowledge and wisdom will liberate man from regarding shadows as reality.

Greek Lives by Plutarch

Plutarch wrote forty-six biographies of eminent Greeks and Romans in a series of paired, or parallel, Lives. This selection of nine Greek lives includes Alexander the Great, Pericles, and Lycurgus, and the Lives are notable for their insights into personalities, as well as for what they reveal about such things as the Spartan regime and social system.

Antigone, Oedipus the King, Electra by Sophocles

In these three masterpieces Sophocles established the foundation of Western drama. His three central characters are faced with tests of their will and character, and their refusal to compromise their principles has terrible results. Antigone and Electra are bywords for female resolve, while Oedipus’ discovery that he has committed both incest and patricide has inspired much psychological analysis, and given his name to Freud’s famous complex.

Heading image: Porch of Maidens by Thermos. CC BY-SA 2.5 via Wikimedia Commons.

The post A reading list of Ancient Greek classics appeared first on OUPblog.

By: Alice, on 7/10/2014
Blog: OUPblog (Login to Add to MyJacketFlap)
JacketFlap tags: Books, scenes, odyssey, iliad, the odyssey, powell, slideshow, barry, Humanities, Homer, Editor's Picks, *Featured, Art & Architecture, Images & Slideshows, Classics & Archaeology, the iliad, OUP USA HE, Barry B. Powell, ancient greek art, Ancient Roman Art, OUP USA Higher Ed, kylikes, polyphemus, Add a tag

The Ancient Greeks were incredibly imaginative and innovative in their depictions of scenes from The Odyssey, painted onto vases, kylikes, wine jugs, or mixing bowls. Many of Homer’s epic scenes can be found on these objects such as the encounter between Odysseus and the Cyclops Polyphemus and the battle with the Suitors. It is clear that in the Greek culture, The Odyssey was an influential and eminent story with memorable scenes that have resonated throughout generations of both classical literature enthusiasts and art aficionados and collectors. We present a brief slideshow of images that appear in Barry B. Powell’s new free verse translation of The Odyssey.

Aigisthos kills Agamemnon.

http://blog.oup.com/wp-content/uploads/2014/07/Picture1.jpg
In Book 1, the “father of men and gods,” Zeus, speaks of Aigisthos who the son of Agamemnon had killed. He says, “men suffer pains beyond what is fated through their own folly! See how Aigisthos killed Agamemnon when he came home, though he well knew the end” (1.33-37). In this image, Aigisthos holds Agamemnon, covered by a diaphanous robe, by the hair while he stabs him with a sword. Apparently, this illustration is inspired by the tradition followed in Aeschylus’ Agamemnon, where the king is caught in a web before being killed. Klytaimnestra stands behind Aigisthos, urging him on, while Agamemnon’s daughter attempts to stop the murder (she is called Elektra in Aeschylus’ play). To the far right, a handmaid flees. Athenian red-figure wine-mixing bowl, c. 500-450 BC. Photograph © 2014 Museum of Fine Arts, Boston.
Penelope at her loom with Telemachos.

http://blog.oup.com/wp-content/uploads/2014/07/Picture2.jpg
Telemachos (Odysseus’s son), stands to the left holding two spears, reproaching his mother. She sits mournfully on a chair, anguished by the unknown fate of her husband. Her head is bowed and legs are crossed in a pose canonical for Penelope. Athenian red-figure cup, c. 440 BC, by the Penelope Painter.
Telemachos and Nestor.

http://blog.oup.com/wp-content/uploads/2014/07/Picture3.jpg
Telemachos, holding his helmet in his right hand and two spears in his left, a shield suspended from his arm, greets Nestor (the king of Pylos), who has no information about Odysseus. The bent old man supports himself with a knobby staff, and his white hair is partially veiled. Behind him stands his youngest daughter (probably), Polykastê, holding a basket filled with food for the guest. South-Italian red-figure wine-mixing bowl, c. 350 BC.
Odysseus and Kalypso.

http://blog.oup.com/wp-content/uploads/2014/07/Picture4.jpg
The goddess presents a box of provisions for the hero’s voyage. The box is tied with a sash. The bearded Odysseus sits on a rock on the shore holding a sword and looking pensive. Athenian red-figure vase, c. 450 BC.
Odysseus, Athena, and Nausicaä.

http://blog.oup.com/wp-content/uploads/2014/07/Picture5.jpg
Odysseus asks for the assistance of the Phaeacian princess Nausicaä while she and her handmaidens are bathing by a river. Nausicaa gives Odysseus directions to the palace and advice on how to approach Aretê, queen of the Phaeacians. In this image, the naked Odysseus holds a branch in front of his genitals so as not to startle Nausicaä and her attendants. On the right, near the edge of the picture, Nausicaä half turns but holds her ground. Athena, Odysseus’ protectress, stands between the two figures, her spear pointed to the ground. She wears a helmet and the goatskin fetish (aegis) fringed with snakes as a kind of cape. Clothes hang out to dry on a tree branch (upper left). Athenian red-figure water-jar from Vulci, Italy, c. 460 BC.
Maron gives the sack of potent wine to Odysseus.

http://blog.oup.com/wp-content/uploads/2014/07/Picture6.jpg
Books 9 through 12 are told as flashbacks, as Odysseus sits in the palace of the Phaeacians telling the story of his journeys, from Troy, to the land of the Lotus-Eaters, to the land of the Cyclops. Here we see the beardless Kikonian priest Maron give a sack of wine to Odysseus by which Cyclops is overcome. In his left hand, he holds a spear pointed downwards. His crowned wife stands behind him with a horn drinking cup. The very long-haired Odysseus wears high boots, a traveler’s cap (pilos), and holds a spear over his shoulder with his right hand. To the far left stands a Kikonian woman. South Italian red-figure wine-mixing bowl by the Maron Painter, 340-330 BC.
Laestrygonians attack Odysseus’ ships.

http://blog.oup.com/wp-content/uploads/2014/07/Picture7.jpg
Without any wind to guide them, the Achaeans row to the land of the Laestrygonians, a race of powerful giants. In this somewhat dim Roman fresco there are ten of Odysseus’ oared ships with single masts in the middle of the narrow bay, three near the shore, half-sunk, and a fourth half-sunk near the high cliffs on the right. Five of the Laestrygonian giants stand on the shore and spear Odysseus’ men or throw down huge rocks. A sixth giant has waded into the water on the left and holds the prow of a ship in his mighty hands. From a house on the Esquiline Hill decorated with scenes from the Odyssey, Rome, c. AD 90.
Kirkê enchants the companions of Odysseus.

http://blog.oup.com/wp-content/uploads/2014/07/Picture8.jpg
From there, Odysseus and his men travel to Aeaea, home of the beautiful witch-goddess Kirkê. Shown here is a seductive Kirkê standing naked in the center, stirring a magic drink and offering it to Odysseus’ companions, already turning into animals—the man in front of Kirkê into a boar, the next to the right into a ram, and the third into a wolf. A dog crouches beneath Kirkê’s bowl. The figure behind Kirkê has the head of a boar. On the far left is a lion-man beside whom Odysseus comes with sword drawn (but in the Odyssey they turn only into pigs). On the far right, Eurylochos escapes. Athenian black-figure wine cup, c. 550 BC. Photograph © 2014 Museum of Fine Arts, Boston.
The suitors bring presents.

http://blog.oup.com/wp-content/uploads/2014/07/Picture9.jpg
Penelope sits on a chair at the far right, receiving the suitor’s gifts. The first suitor seems to offer jewelry in a box. The next suitor, carrying a staff, brings woven cloth. The third suitor, also with a staff, carries a precious bowl and turns to speak to the fourth suitor, who brings a bronze mirror. Athenian red-figure vase, c. 470 BC.
Death of the suitors.

http://blog.oup.com/wp-content/uploads/2014/07/Picture12.jpg
This is the other side of the cup from Figure 22.1. All the suitors, situated around a dining couch, are in “heroic nudity” but carry cloaks. On the left a suitor tugs at an arrow in his back. In the middle a suitor tries to defend himself with an overturned table. On the right a debonair suitor, with trim mustache, holds up his hands to stop the inevitable. Athenian cup, c. 450-440 BC.
Melian relief with the return of Odysseus.

http://blog.oup.com/wp-content/uploads/2014/07/Picture11.jpg
In this “Melian relief” (compare Figure 19.1), Penelope sits on a chair, her legs demurely crossed and her head buried in sorrow. The hatless Odysseus, disguised as a beggar, takes her by the forearm. He is in “heroic nudity” but with a ragged cloak over his arms and back. He holds a staff in his left hand from which his pouch is suspended. Behind Penelope is the beardless Telemachos, and at his feet probably Eumaios the pig herder, seated on the ground and holding a staff, his hat tossed back. The last figure on the left is probably Philoitios, the cow herder from Kephallenia. Terracotta plaque, c. 460-450 BC, Metropolitan Museum of Art, New York; © The Metropolitan Museum of Art. Art Resource, NY.
Eurykleia washing Odysseus’ feet.

http://blog.oup.com/wp-content/uploads/2014/07/Picture10.jpg
The old woman, wearing the short hair of a slave, is about to discover the scar on Odysseus leg. The bearded Odysseus, dressed in rags, holds a staff in his right hand and a stick supporting his pouch in his left. He wears an odd traveler’s hat with a bill to shade his eyes. Attic red-figure drinking cup by the Penelope Painter, from Chiusi, c. 440 BC; Museo Archeologico, Chiusi, Italy; Erich Lessing/Art Resource, NY.
Melian relief with Penelope and Eurykleia.

http://blog.oup.com/wp-content/uploads/2014/07/Picture13.jpg
After the fight against the suitors, Eurykleia tries to persuade Penelope that her husband has returned. Shown here, the mourning Penelope sits in a traditional pose with her hand to her forehead and her legs crossed. Her head is veiled. She stares gloomily downwards, seated on a padded stool beneath which is a basket for yarn. The purpose of these terracotta reliefs, found in different parts of the Roman world, is unclear. Roman Relief, AD 1st century. Museo Nazionale Romano (Terme di Diocleziano), Rome; Erich Lessing / Art Resource, NY.

Barry B. Powell is Halls-Bascom Professor of Classics Emeritus at the University of Wisconsin, Madison. His new free verse translation of The Odyssey was published by Oxford University Press in 2014. His translation of The Iliad was published by Oxford University Press in 2013. See previous blog posts from Barry B. Powell.

Subscribe to the OUPblog via email or RSS.
Subscribe to only classics and archaeology articles on the OUPblog via email or RSS.

The post Scenes from the Odyssey in Ancient Art appeared first on OUPblog.

By: Maud Newton, on 2/7/2012
Blog: Maud Newton (Login to Add to MyJacketFlap)
JacketFlap tags: ray bradbury, miami herald, plato, twilight zone, madeline miller, patroclus, robot teachers, south florida landmarks, Culture, Reviewed/Discussed Elsewhere, iliad, Published Elsewhere, achilles, minicolumn, electric grandmother, Add a tag

I’m behind on everything around here, even linking to my New York Times Magazine mini-columns. Recently I’ve written about: plans to turn the old Miami Herald building into a casino; the (partial) realization of Ray Bradbury’s dream of robot teachers; and, courtesy of Madeline Miller and Plato, The Iliad as love story between Achilles and his man Patroclus.

Bradbury’s comments about robot teachers appeared in a 1974 letter to Brian Sibley. And his short story, “I Sing the Body Electric,” about a girl and her electric grandmother, inspired one of my favorite old Twilight Zone episodes — favorite even though it gave me nightmares — and a mini-series (clip above).

Add a Comment

9. The Map of your Mind

By: Kirsten Lesko, on 4/21/2010
Blog: disobedient writer (Login to Add to MyJacketFlap)
JacketFlap tags: novel, writing, characterization, study, Craft, university, Iliad, Homer, Master's, Add a tag

From time to time I audit Master’s courses at the local university. While formal education normally derails my intellectual pursuits, I am a total nerd. I can’t resist it. I love homework. Not to mention classroom discussions.

In a recent lit class I had the kind of professor who had nothing to say, but used every four-syllable word in the SAT study guide to do it. I forgave him his skullet. The tie-dyed shirts. The way he held his chalk like a reefer. But I simply could not get over the way he squinted his eyes, held the chalk-joint like he was about to hit it and said, “The vivacious exposition effectually saltates off the page!”

Because I am addicted to 4.0’s, I dutifully attended his office hours for requisite brown-nosing, and it was here that he finally became worth my $500 (get your minds out the gutter, fellow bloggers!). I had no cohesive theme in my endeavor to compare Homer’s Iliad to some essays from the Vietnam War. Professor Skullet leafed through my books and said, “I see you’ve partaken in underscoring innumerable passages.”

“You mean I highlight a lot?”

“Indeed.”

And then, for the first time since the semester began, he said something: “Peruse the highlighted text. It’s the map of your mind.”

What advice. Pages and pages of seemingly unrelated prose all pointed to the same theme: my position on war. A position I could never really articulate before. My highlighting taught me what I was learning.

And furthermore (this is where I bring it all back to writing, folks) I found that I had been drawn to snazzy sentence structure, unlikely pairings of words and various characterization tricks. Highlighting helped me define what writing techniques I was ripe to experiment with.

I highlight/underline all my reading now for this purpose. It teaches me more than any homework or classroom discussion could, irresistible as they are. How do you decide what your writing needs?

12 Comments on The Map of your Mind, last added: 4/21/2010

Display Comments

AlexJ said, on 4/21/2010 6:04:00 AM

That’s an interesting approach.
And is that really him in the photo?

Jaydee Morgan said, on 4/21/2010 6:17:00 AM

I don’t highlight – but I do writing little notes all the time. If I really look through them, I usually find a theme brewing. It’s kind of the same process, I think.

Natasha said, on 4/21/2010 6:28:00 AM

Interesting post — and funny as well. Lately I’ve been reading books from the public library and so haven’t been underlining. But with my new stash of used books, I may do more of that. Not so sure I would underline too much with fiction, but it might be worth it to emphasize writing techniques that interest me.

I’ve always done a lot of highlighting when reading for courses or for my analytic/research work.

hmmm….. I might just pick up my highlighter when I get back into Confederacy of Dunces tonight….

JLC said, on 4/21/2010 7:32:00 AM

Oh great, now I am missing college all over again. *looks up MA programs*

Parrot Writes said, on 4/21/2010 8:06:00 AM

I highlighted my way through college! But I never thought of doing that with my writing books. I think I am going to go back through the ones I own and give that a try.
Like Natasha, I get most of my other reading material from the public library. But if it has been spoken by Dr. Skullet, it must be true. I could use a road map of my mind these days.

Caroline G. Keyser said, on 4/21/2010 8:15:00 AM

I love this! I totally feel like I know this guy after reading your post….hey wait a minute, I think I had him for some of my college classes, too.

Natasha said, on 4/21/2010 9:59:00 AM

And, uh, I think I went to grad school with this guy.

But, saltate? Really?

Kirsten Lesko said, on 4/21/2010 10:11:00 AM

AlexJ – it’s not him, but it’s not too far off!

darksculptures said, on 4/21/2010 10:12:00 AM

This whole conversation is out of my league. I’m still looking up the work saltate. Yep, think I’ll become a cave dweller.

Kirsten Lesko said, on 4/21/2010 10:13:00 AM

Natasha – share what you highlight!

That book is a love it or hate it, btw. I’m curious to see which it is for you.

darksculptures said, on 4/21/2010 10:20:00 AM

work —> word (same finger opposit hand) I need sleep.

Shaddy said, on 4/21/2010 10:31:00 AM

My attention is drawn exponentially to this grand concept and I anticipate endeavors to partake in this extravagant manipulation of my underscoring equipment.

I knew I should have tried out to be a professor!!

Sheesh.

Add a Comment

10. Ancient Greece: Mycenae

By: Rebecca, on 1/8/2010
Blog: OUPblog (Login to Add to MyJacketFlap)
JacketFlap tags: A-Featured, World History, Iliad, Greece, ancient, Homer, Mycenae, Paul Carledge, History, Add a tag

Paul Cartledge is A. G. Leventis Professor of Greek Culture in the University of Cambridge, and Fellow in Classics at Clare College, Cambridge. His book, Ancient Greece: A History in Eleven Cities, illuminates the most important and informative themes in Ancient Greek history, from the first documented use of the Greek language around 1400 BCE, through the glories of the Classical and Hellenistic periods, to the foundation of the Byzantine empire in around CE 330. In the excerpt below we learn about the city of Mycenae. Read Carltedge’s other OUPblog posts here.

‘I gazed on the face of Agamemnon’ – so runs the abbreviated headline-grabbing version of a message telegraphed in November 1876 by an overexcited and deeply mistaken Heinrich Schliemann, self-made Prussian multimillionaire businessman turned self-made ‘excavator’, to a Greek newspaper. For an amateur driven by the ambition to find the real-life counterparts of Homer’s characters the identification was not just seductively tempting but inescapable. For the Mycenae of Homer’s epic Iliad was adorned with the personalized, formulaic epithet ‘rich in gold’, and Agamemnon was the great high King of Mycenae, by far the most powerful of the regal lords who banded together to rescue the errant wife of Agamemnon’s brother Menelaus from the adulterously fey clutches of Paris (also know as Alexander), a prince of the royal house of Troy. Schliemann had of course already dug there too, indeed could rightly claim to have found at Hissarlik overlooking the Dardanelles on the Asiatic side the only possible site of Homer’s Troy – if indeed there ever was a precise and uniform, real-world original of that fabled ‘windy’ city. But what he and his team of Greek workmen had in fact discovered at Mycenae, in one of the six hyper-rich shaft-graces enclosed within a much later (c. 1300 BCE) city-wall, was a handsome death-mask of a neatly bearded, compactly expressive adult male datable c. 1650 BCE, well before any sort of Homeric Trojan War could possibly have taken place.

More soberly, accurately, and professionally, if also just a little romantically, Mycenae is the major Late Bronze Age city in the Argolis region of the north-east Peloponnese that has given its name to an entire era: the ‘Mycenaean’ Age. This is thanks to a combination of archaeology and Homer, mainly the former. As we have seen, archaeology and philology between them tell us that in about 1450 BCE Cnossos was overwhelmed by Greek-speaking invaders from the north. These warrior communities had evolved a culture based, like that of Late Bronze Age Crete, on palaces. But whereas the ‘Minoan’ culture looks to have been strikingly peaceful or at least harmonious, the palace-based ruler of Mycenae and other mainland Mycenaean centres north and south of the Corinthian isthmus (Thebes, Iolcus, Pylus) were notably bellicose and like to surround themselves with huge walls (those of Mycenae were over 6 meters thick). Whether or not the rulers themselves were literate, they had their archives kept for them in the primitive bureaucratic form of Greek script know prosaically as L

0 Comments on Ancient Greece: Mycenae as of 1/1/1900

Add a Comment

<<	April 2024					>>
Su	Mo	Tu	We	Th	Fr	Sa
	01	02	03	04	05	06
07	08	09	10	11	12	13
14	15	16	17	18	19	20
21	22	23	24	25	26	27
28	29	30

You are not logged in

Log in to JacketFlap

What is JacketFlap

Sort Blog Posts

Sort Posts by:

Suggest a Blog

Enter a Blog's Feed URL below and click Submit:

Most Commented Posts

In the past 7 days

Recent Posts

(tagged with 'Iliad')

Recent Comments

Recently Viewed

JacketFlap Sponsors

Blog Posts by Tag

In the past 7 days

Blog Posts by Date

Click days in this calendar to see posts by day or month

Viewing: Blog Posts Tagged with: Iliad, Most Recent at Top [Help]

Results 1 - 10 of 10

How to use this Page

Related Stories

Related Stories

Head of Odysseus

Penelope

Telemachos and Nestor

Odysseus and Kalypso

Nausicaä and a frightened attendant

Polyphemos talks to his lead ram

Ailos, king of the winds

Helen and Menelaos

The suicide of Ajax

Related Stories

Aigisthos kills Agamemnon.

Penelope at her loom with Telemachos.

Telemachos and Nestor.

Odysseus and Kalypso.

Odysseus, Athena, and Nausicaä.

Maron gives the sack of potent wine to Odysseus.

Laestrygonians attack Odysseus’ ships.

Kirkê enchants the companions of Odysseus.

The suitors bring presents.

Death of the suitors.

Melian relief with the return of Odysseus.

Eurykleia washing Odysseus’ feet.

Melian relief with Penelope and Eurykleia.

Related Stories

Related Stories

Related Stories