By Gayleen Rabakukk
for Cynthia Leitich Smith's Cynsations

My current work in progress is a middle grade historical fantasy set in 1903. 

Delving into the past has made me think about how history is presented in novels and the balance between real and imaginary. 

For more insight on that topic, I turned to the authors of two of my favorite recently published books, focusing on process.

Kate Hannigan’s The Detective's Assistant (Little, Brown, 2015) is based on the extraordinary true story of Kate Warne, America’s first female detective. It won the SCBWI Golden Kite Award in 2016.

Was there a particular item, fact or event that sparked the idea for The Detective's Assistant?

KH: I was researching a story about camels in the American West in the 1850s when I came across a single nugget about Kate Warne. I read how she walked into Allan Pinkerton’s National Detective Agency in downtown Chicago, and he had assumed she was there for a secretary position. But she talked her way into a detective’s job, convincing Pinkerton she could “worm out” secrets from the wives and girlfriends of the city’s crooks and criminals.

Stumbling on this little gem, I was hooked! I dropped that camel story and ran with Kate Warne!

At what point did you start researching that? Did you start drafting a story first, or did you do research up front?

Kate's model for her main character

KH: I’m kind of a nutter about gathering facts. My background is newspaper journalism, so maybe that’s to blame. But I wanted to know all I could about Kate Warne, Allan Pinkerton, and Abraham Lincoln during this part of American history.

The biggest research was around understanding the Baltimore Plot, which is the pivotal part of the story — the plot to assassinate Lincoln before he could be sworn in for his first term.

So the whole process was immersive. I dove in deep before writing a single word. Once I felt like I had the facts, then I began my story.

Did you continue doing research as you were writing?

KH: I’m still doing research! And the book published over a year ago! But I love this story so much, I can’t not learn more about it. I do school visits all the time, and I talk to students about it. So it’s very much in the front of my mind.

As I was writing, I would come across a question — my characters are walking down the street in 1860 Chicago, so what were they walking on? How comfortable would a train ride be in 1860? Would we ride on upholstered seats or hard wood? — and drop down another rabbit hole.

Research is never ending with historical writing!

Were you surprised by what you learned doing research? Did any unexpected finds end up becoming significant parts of the story?

KH: If you’re writing historical fiction, you’re probably a pretty huge history nerd. So digging up a juicy nugget can be a thrill! And I dug up so many!

I enjoyed researching and writing this story to a ridiculous degree!

My characters live in a boardinghouse, so getting that setting right was foremost in my mind. I read Uncle Tom’s Cabin by Harriet Beecher Stowe (1852) and Sister Carrie by Theodore Drieser (1900) (which was set a bit later but still illuminating nonetheless), just to get a sense of language of the times.

But I also plunged into nonfiction about the era, and I found a particular book about boardinghouses that was helpful. It described how incredibly cheap the managers — usually women — had to be to keep these places afloat. They were notorious for serving terrible food, which I thought could be played for a lot of humor in my book.

And this is what led to the chapter about Nell and the other residents eating a questionable meat for dinner, and Mrs. Wigginbottom getting shifty when there is talk about the orange tabby cat going missing.

Your book mixes well-known historical figures (Abraham Lincoln) with lesser-known, yet real individuals (Kate Warne) as well as completely fictional characters.

Tell us more about balancing the fact and the fiction – did you lean heavily on things the historical figures actually said? Were there some details you changed for the sake of the story? Were there some fixed points you felt couldn’t be altered?

KH: Fact and fiction! This balance kept me up at night! I agonized over being true to the players and what was on record as having happened. I visited Kate Warne’s grave site here in Chicago more than a few times, and I deeply desired to do right by this woman.

But I also worried about the reader, and I wanted to make sure that the story I was telling would hold the interest of a 21st-century American kid. So it was agony!

Pinkerton had written about the cases that involved Kate Warne, so of course I wanted to nod to those. But I took artistic license and shuffled their order, so that the culminating case is the saving of Lincoln’s life. I needed to put them in a different order to serve my story, and I had to come to terms with that decision. It took me a bit though.

Do you feel authors writing for middle grade readers have a greater obligation to present an accurate picture of a historical time period, than those writing YA or adult fiction?

KH: I very much believe authors for young readers have a greater responsibility to get historical fiction right. Because history is all new to this audience — this might be their first introduction to the Civil War, to Abraham Lincoln, to the Underground Railroad.

And if we make history engaging for them, we’re opening the doors to more exploration of our past, to creating more history lovers.

It’s a responsibility I take pretty seriously. Which is why I tend to research my books to death!

Have you gotten any feedback from history or social studies teachers? Or any school visits or other presentations aimed specifically at the history aspect?

KH: Yes! And it’s been so great! I’ve gotten tremendous feedback from teachers and librarians.

The Civil War hits with fifth-grade curriculum in many schools, so The Detective's Assistant has been on reading lists around the country. I’ve done Skype visits as well as in-person school visits, and the response from young readers has been mind-blowing!

The New York Historical Society included it in their family book club, the Global Reading Challenge in Chicago listed it among their 2016 books, an entire fifth-grade in Dallas read the book as part of their Civil War history unit. It’s been wonderful to share the story with so many kids!

Was there anything you found while doing research for The Detective's Assistant that will find it’s way into your next book?

KH: Answer: I’ve been bitten by the research bug, and specifically, research into amazing women and people of color forgotten by history. So my next book is focused on World War II women beyond Rosie the Riveter. I can’t say there’s any overlap with the Civil War era, but the passion I feel for dusting off these remarkable players from the past and sharing them with a whole new audience, that definitely has carried over. It’s kind of become my mission!

The Detective's Assistant is realistic historical fiction, do things change when the story includes more fantasy elements? For that aspect, I asked Janet Fox, author of The Charmed Children of Rookskill Castle similar questions.

Was there a particular item, fact or event that sparked the idea for The Charmed Children of Rookskill Castle? (what was it?)

JF: Yes! I was mucking around on the internet when a friend posted a picture of an object the like of which I'd never noticed before. It was an 18th century German chatelaine. I thought it was peculiar, and I had to find out more about it, so I googled and discovered that this chatelaine was an offshoot of the more practical set of keys - to the chateau - worn at the waist.

I learned that chatelaines had evolved from keys to practical items, like scissors and coin purses, to charms. This chatelaine was all charms, and they were so odd that a story began forming in my mind almost right away.

At what point did you start researching that? (i.e. – did you start drafting a story first, or did you do research up front?) 

JF: Once I'd learned what a chatelaine was I began writing almost at once. Within a week of seeing the image, which is the same as the image that's in the novel, I'd completed the first 40 pages of what would become the novel. That's generally the way I work. I have to discover who my main character is and what her problem is before I can begin to flesh out the story, and research is part of that fleshing out.

Did you continue doing research as you were writing?

JF: Yes - once I have a handle on my protagonist and what the story is generally about I tend to blend research with writing. For example, as soon as I decided to set the novel in Scotland, I took a pause and did a bunch of research on Scotland. That's almost always how I work - I write first to discover what I need to know more about. But it all starts with the character and her problem.

Were you surprised by what you learned doing research? Did any unexpected finds end up becoming significant parts of the story?

JF: Not really - at least, not in this story. But read on - there's a relevant answer to this in your last question.

Your book mixes actual events and places completely fictional – and fantastical - events and characters. Tell us more about balancing the fact and the fiction? Were there any fixed points you felt couldn’t be altered? (why?)

JF: I felt it was very important to be true to any factual details. For example, I had to learn what I could about enigma machines, about the inner workings of clocks, about movements and activities in the North Sea during that part of World War II, and so on.

That's where I really pay attention to accuracy - when I'm weaving facts into fantasy I want those facts to be right. In that way the reader more readily suspends disbelief for the fantasy elements.

Do the fantastical elements have a historical influence?

JF: In a way. My grandparents were Irish and English, and I heard many stories growing up about the fantastical beliefs they carried with them from home, things like the stories my grandfather told me about "the little people." And Celtic and pagan practices have a basis in history and yet are mystical or fantastic in nature. To me, there's always a kernel of truth in a fairy tale.

Do you feel authors writing for middle grade readers have a greater obligation to present an accurate picture of a historical time period, than those writing YA or adult fiction?

JF: I think any writer writing for any audience has an obligation to be accurate when it comes to historical detail. But I do think that the vulnerability of the younger reader requires a special adherence to accuracy. These are readers who will feel cheated if I give them information they later find to be false. They are also readers more likely to believe whatever you tell them, and I would hate to plant falsehoods in their minds.

Have you gotten any feedback from history or social studies teachers? (or any school visits or other presentations aimed specifically at the history aspect?) 

Dunrobin Castle, Janet's inspiration, located in Scotland

JF: Not yet, although I would love to present something about the specific history aspects of the story.

I'm fascinated by World War II (and as we can see by the large number of middle grade novels out the past couple of years set during the war, so are others.)

The Blitz alone was a big deal, and I've given talks at bookstores at which adults have come forward after to tell me that they or their aunt or their father was sent out of London - and that's why they're in America today.

Was there anything you found while doing research for The Charmed Children of Rookskill Castle that will find it’s way into your next book?

JF: Since Kat is clever with clocks, I did a bit of clock research and uncovered a rare old timepiece called a "Death's Head" watch. After further research I discovered that one of owners of one of the most bizarre of these was the doomed Mary, Queen of Scots. Well, that didn't feel accidental. As you can imagine, that watch is the centerpiece of my sequel.

chatelaine

Cynsational Notes

Janet Fox on Blending History with Fantasy from Cynsations. Peek: "Whether writing historical fiction or fantasy, the objective of suspension of disbelief can only be accomplished if the world-building is sound. In historical fiction, that means lots of research to get interesting tidbits right. In fantasy, it means crafting an environment in which those interesting tidbits feel right."

Gayleen Rabakukk holds a master of fine arts in writing for children and young adults from Vermont College of Fine Arts. She co-moderates the middle grade book club for Austin SCBWI and loves making discoveries – both on and off the page.

Always eager to track down a story, she has worked as a newspaper reporter, editor and freelance writer. Gayleen is married and has two caring and outspoken daughters. Their Austin, Texas home is filled with books and rescue dogs. You can find her online at  or on Twitter @gayleenrabakukk

Congratulations to Gayleen on recently signing with Andrea Cascardi at Transatlantic Agency!

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New banner is titled Pen-Pals!

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एक हजार रुपये – अलविदा , तुम बहुत याद आओगे – बात है मंगलवार और तारीख 8 नवम्बर.. हर रोज की तरह मैं चैनल बदल बदल कर देख रही थी क्योकिं कही ट्रम्प तो कहीं पर्यावरण प्रदूषण की खबरों ने  कब्जा किया हुआ था और शहीदों की खबर भी सुर्खियों में थी और अचानक देखते […]

The post एक हजार रुपये – अलविदा , तुम बहुत याद आओगे appeared first on Monica Gupta.

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The Plot to Kill Hitler. Patricia McCormick. 2016. 192 pages. [Source: Library]

First sentence: The Gestapo would arrive any minute.

Premise/plot: Patricia McCormick tells the story of Dietrich Bonhoeffer for elementary-aged readers. It is subtitled pastor, spy, and unlikely hero. Young people likely haven't heard of him at all. So this is a great introduction. The prologue starts at the climax. The first chapter takes us back to his childhood days where we learn that he is a thoughtful, sensitive, intelligent dreamer. This one is very family-focused for the conspiracy to kill Hitler involved many of his family. Year by year, readers learn the how and the why. Notably, readers learn of many opportunities that would have kept him safe and out of the war and the dangers and risks of being in Nazi Germany. Bonhoeffer rejected the easy way out believing that no action was still an action. In other words, failure to rebel and speak out against Hitler was to support him. Silence and escape were unthinkable.

My thoughts: I knew of him as a Christian writer and thinker. I have read The Cost of Discipleship. I knew he died during the war at a concentration camp, I did not know that he was there not just for preaching and proclaiming against the regime, but was in fact an actual spy and co-conspirator. So I learned something!

This one was a quick read.

© 2016 Becky Laney of Becky's Book Reviews

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पुराने नोटों की कीमत – नोट पर राजनीति सक्रिय – सरकार के नोटबंदी के फैसले पर अरविंद केजरीवाल हो या अन्य विपक्षी पार्टी जबरदस्त राजनीति हो रही है… और दुखी, परेशान, हैरान है देश का आम नागरिक…   पुराने नोटों की कीमत – नोट पर राजनीति सक्रिय 8 नवम्बर को प्रधानमंत्री मोदी ने 500 और […]

The post पुराने नोटों की कीमत – नोट पर राजनीति सक्रिय appeared first on Monica Gupta.

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‘

–

Are we all good? Everybody set for another installment of our weekly “5 Questions” interview series? Because here’s Jessica Olien. Maybe she’ll stop signing books long enough for a friendly chat. Her blobfish book just might surprise you.

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Jessica, hey. There’s a great scene in “The Sunshine Boys,” starring Walter Matthau and George Burns, where Uncle Willy explains that “Words with k in it are funny.” He lists: pickle, chicken, Alka-seltzer. Uncle Willy adds, “’L’s are not funny. M’s are not funny. Cupcake is funny, tomatoes is not funny, lettuce is not funny, cucumber is funny . . . Cockroach is funny — not if you get ‘em, only if you say ‘em.” The idea is that certain words are inherently funny. Which leads me to Blobfish. How do you not smile when you hear that word?

Indeed. Poor lettuce, what a terrible dinner party guest. Blobfish is most definitely funny, but as with most comedians is also seriously misunderstood!

There’s a deeper layer to your book, slowly revealed, that leads the reader to an unexpected place. First, on the surface, there’s straight-forward science. From what I understand, there’s been significant advances deep ocean research, where we’re now getting glimpses of these incredibly weird fish. My favorite is Vampyroteuthis infernalis (loosely translated as “Vampire Squid from Hell”). It all gets pretty bizarre down in the Hadalpelagic Zone. All of that information in your book is conveyed in a fairly conventional photographic manner. Then we meet your illustrated Blobfish character. Which came first?

Definitely Blobfish came first. I had this idea kind of whole — an attention-seeking fish looking to recognize himself in the pages of a dry textbook. To get the photos (which are mostly of the deep deep sea) I had to contact different scientists around the world, which was fun but challenging when they were off searching for Japanese Spider Crabs or whatever and couldn’t get back to me for permissions.

What I love about your book -– and there’s so much to love –- is that moment when it pivots about halfway through. We are yucking it up with an interrupting blobfish, thinking we’ve got this book figured out, when we learn, “The blobfish was once voted the world’s ugliest animal.”

At that moment, you start tugging, ever so gently, on emotions. The book quietly sends signals from the deep about kindness and how we treat each other. Even blobfish have feelings! And words can hurt. I imagine you coming across that factoid and thinking, “Hmmmm.” Is that when you knew you had a book? Because that’s a real thing, isn’t it? We all have folders of half-baked ideas, snippets and notions and unfinished manuscripts, but not many books. Then there’s a moment when, yes, this is a book. Or as my friend Matthew McElligott puts it, “You know you can land the plane.”

Well thank you! I think I actually read that the Blobfish was voted the ugliest animal on BBC or something and that’s where the idea for this book came from. That and a bunch of really weird sketches of Blobfish — you should see one of the early ones, he looks kind of like Danny DeVito.

DeVito should play him in the movie. I can totally see that. He has the range. But continue.

I loved thinking about a lumpy fish with this child-like enthusiasm about his own worth. Blobfish craves validation and belonging and while he looks for it he finds out that some people have not very nice views of him. I think this is a defining moment for many kids too. When they realize people aren’t all on their side. It feels so unfair (it is unfair). Different versions of this happen our entire lives and it is up to the kindness of others and our own ability to recognize and embrace that kindness (as well as to forgive our own flaws) that keeps us going.

I see that you live in Brooklyn, as required by law for children’s authors and illustrators (I think it’s a five-year minimum, then you are free to move to Connecticut). Yet you are a native Midwesterner. Where’s that?

I was born in Michigan and raised in Wisconsin. I never felt like I fit in anywhere. All I wanted to do was explore the world and be a writer, an artist, an actor. Being from the Midwest you are taught to keep your expectations low and your ambition in check. I couldn’t wait to leave. I moved to Chicago to study photography, then dropped out of school and moved to Thailand where I worked as a journalist. I finished my degree remotely while studying Arabic in Egypt.

Right. Given that progression, writing and illustrating a children’s book about a blobfish makes perfect sense. Because: inevitable. Your voice strikes me as something new. How did you arrive at children’s books? It’s like you climbed in a window or something.

It does sometimes feel that way — “This is not my beautiful house.” I always say I didn’t do this until a few years ago, but recently I looked back at some of my sketchbooks that I kept while traveling and mixed in with these serious sketches of urban decay and poverty were these funny cartoon animals and people. I am so glad I didn’t pursue picture books right out of school though. Something about not caring as much what people think when I did start out made it easier to have an authentic voice. Also, I was lucky to have Alessandra Balzer buy my first book (and four after). If she hadn’t taken it I might not even know there was a window for me to climb into.

Thanks for visiting, Jessica. Keep up the great work.

JESSICA OLIEN is also the author/illustrator of Shark Detective! and Adrift. She has several books in pre-publication, but the one I’m most excited about it titled Right Now (2018). I guess we’ll have to wait for it. Hum-dee-dum, dee-dum-dum. Jessica keeps a fancy website that you can visit. Google’ll get you there.

 

Coming soon: London Ladd, Matthew Cordell, Lizzy Rockwell, Nancy Castaldo, Matthew Phelan, and more. You can look up previous interviews in this series by clicking on the “5 Questions” icon under the “categories” on the right sidebar.

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“Hope” is the thing with feathers - (314)
By Emily Dickinson

“Hope” is the thing with feathers -
That perches in the soul -
And sings the tune without the words -
And never stops - at all -

And sweetest - in the Gale - is heard -
And sore must be the storm -
That could abash the little Bird
That kept so many warm -

I’ve heard it in the chillest land -
And on the strangest Sea -
Yet - never - in Extremity,
It asked a crumb - of me.
     CLICK HERE for more coloring pages.
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     When the birds return to Water Street, will anyone be left to hear them sing? A miner's strike allows green and growing things to return to the Red Hills, but that same strike may force residents to seek new homes and livelihoods elsewhere. Follow the story of Jack Hicks as he struggles to hold onto everything he loves most.
     I create my coloring pages for teachers, librarians, booksellers, and parents to enjoy for free with their children, but you can also purchase rights to an image for commercial use, please contact me. If you have questions about usage, please visit my Angel Policy page.

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Racing (negative) thoughts left untamed will explode into backlash in one form or another. You have the mind of Christ, Princess. Renew your mind in Christ. I know I speak rather boldly in most posts. In second person. And sometimes seem hard. But I love you. Jesus loves you so much more. If I don't speak truth (in love), then I speak compromise. 

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After not receiving any card samples for years - suddenly two packages came along in one week. Today we have some gorgeous new designs from UK based publisher Lagom on wrapping paper and cards. Lagom designs are sold in some of the most well-known retailers in the UK and they work with top artists and illustrators. We begin with this beautifully bold floral design by Monika Forsberg. 

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    Writing gives everyone a voice. What will you put your voice to today? Be an advocate. Stand tall. Stand Proud. Share your Voice.         Presentations If you are attending… Continue reading →

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The Best Books of the Year lists are beginning to come out right around now. First we saw the Publishers Weekly List. Then the School Library Journal List was presented as part of a live feed on Kidlit TV.  The New York Times released their Best Illustrated list for the year.  Soon enough the other review journals will get on board, as will Brain Pickings with their annual picks of eclectic, original, artistic books.  Marjorie Ingall will do a list of the best books of the year with Jewish themes and characters for Tablet Magazine, the New York Public Library will release their 100 Titles for Reading and Sharing, and on and on it goes.

I love lists.  They make me happy. I enjoy few things quite as much as debating the relative merits of one book or another with colleagues. But since I left NYPL I’ve just been making my own little lists.  It’s fun but a little lonely.  To keep myself in the game I also decided to read every single picture book in 2016 and I think I came pretty close.  But what should I do with all this knowledge?  I’m not going to review every single amazing book I saw, that’s for sure.

That when this crazy idea slapped me upside the head with a rubber chicken.

What if I were to do not one list for 2016.  Not two lists.  Not three.  What if I were to do one list for every single day in December?  A list every day!  It would have to be called . . . .

31 Days, 31 Lists!!

Oh yes!!  And here’s how it’ll go.  Each day in December this site will produce one list.  Sometimes it’ll be a list you’d be able to find elsewhere (best picture books, nonfiction, etc.).  Sometimes it’ll be a list you might need but wouldn’t necessarily find elsewhere (picture book readalouds, picture books with photography, etc.).  And sometimes it’ll just be a trend I’ve noticed.  All these books will be 2016 publications.

Sound like fun?  Here’s the schedule:

December 1 – Board Books

December 2 – Board Book Adaptations

December 3 – Nursery Rhymes

December 4 – Picture Book Readalouds

December 5 – Rhyming Picture Books

December 6 – Alphabet Books

December 7 – Funny Picture Books

December 8 – Calde-Nots

December 9 – Picture Book Reprints

December 10 – Math Picture Books

December 11 – Bilingual Books

December 12 – International Imports

December 13 – Books with a Message

December 14 – Fabulous Photography

December 15 – Fairy Tales / Folktales

December 16 – Oddest Books of the Year

December 17 – Older Picture Books

December 18 – Easy Books

December 19 – Early Chapter Books

December 20 – Graphic Novels

December 21 – Poetry

December 22 – Fictionalized Nonfiction

December 23 – American History

December 24 – Science & Nature Books

December 25 – Transcendent Holiday Titles

December 26 – Unique Biographies

December 27 – Nonfiction Picture Books

December 28 – Nonfiction Chapter Books

December 29 – Novel Reprints

December 30 – Novels

December 31 – Picture Books

I don’t pretend that these lists will be complete or that they won’t miss some great publications out there.  However, I will at least be able to highlight all those amazing books I’ve seen this year that I wasn’t able to review.  And believe me when I say that 2016 was a doozy of a year when it came to fine and fabulous publications.

I cannot wait.

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I haven't been producing a lot of new content (or stringing together coherent sentences) over the past week, so instead of a regular blog post I thought I'd do a quick roundup of other online stuff I've been doing:I donated to the Sierra Club... Read the rest of this post

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If you read the title of this exercise aloud, you will hear a quadruple rhyme. But if you examine the words themselves, you will notice that there is something special about this rhyme scheme. The sound shun is contained in ocean, the sounds of both shun and ocean in motion, and shun, ocean and motion can all be folded into emotion. Such a rhyme scheme, which incidentally was favored by the seventeenth-century poet George Herbert, is called diminishing rhyme because the rhyme words get smaller as you move from emotion to shun. But I prefer the term nesting rhymes because the words nest one inside the other like Russian wooden dolls.

I bless Thee, Lord, because I grow
Among the trees, which in a row
To Thee both fruit and order ow 

Read the poem in its entirety. 

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We look back at the making of Michael Jackson's "Black or White" music video on its 25th anniversary.

The post An Oral History of Morphing in Michael Jackson’s ‘Black or White’ appeared first on Cartoon Brew.

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Found a neat blog I wanted to share with you.

 Playing by the Book is a blog that reviews kid's books and other fun stuff.

Besides these thoughtful reviews, I discovered their list of TED TALKS linked to children's books.

Enjoy.

I did.

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Young Kelsea Raleigh was raised in hiding after the death of her mother, Queen Elyssa, far from the intrigues of the royal Keep and in the care of two devoted servants who pledged their lives to protect her. Growing up in a cottage deep in the woods, Kelsea knows little of her kingdom's haunted past . . . or that its fate will soon rest in her hands.

Long ago, Kelsea's forefathers sailed away from a decaying world to establish a new land free of modern technology. Three hundred years later, this feudal society has divided into three fearful nations who pay duties to a fourth: the powerful Mortmesne, ruled by the cunning Red Queen. Now, on Kelsea's nineteenth birthday, the tattered remnants of the Queen's Guard—loyal soldiers who protect the throne—have appeared to escort the princess on a perilous journey to the capital to ascend to her rightful place as the new Queen of the Tearling.

Though born of royal blood and in possession of the Tear sapphire, a jewel of immense power and magic, Kelsea has never felt more uncertain of her ability to rule. But the shocking evil she discovers in the heart of her realm will precipitate an act of immense daring, throwing the entire kingdom into turmoil—and unleashing the Red Queen's vengeance. A cabal of enemies with an array of deadly weapons, from crimson-caped assassins to the darkest blood magic, plots to destroy her. But Kelsea is growing in strength and stealth, her steely resolve earning her loyal allies, including the Queen's Guard, led by the enigmatic Lazarus, and the intriguing outlaw known simply as "the Fetch."

Kelsea's quest to save her kingdom and meet her destiny has only just begun. Riddled with mysteries, betrayals, and treacherous battles, Kelsea's journey is a trial by fire that will either forge a legend . . . or destroy her.

Writing
Very well done.  This is a series with lots of characters and lots of political intrigue, which can be hard to do well, but the author more than succeeds at keeping it all going.  I love a good fantasy with a focus on characterization but that also delivers on the action and this one has both.  I thoroughly enjoyed this first installment and appreciated how Johansen manages to keep the story moving while also introducing us to a variety of characters and building a foundation for the series.

Entertainment Value
First books in a series can be difficult, but, again, this book really succeeds in introducing characters quickly and keeping the action moving.  She lays the foundation for her world in a way that makes you want more but doesn't feel like a lot of exposition.  I'm so excited to be a part of the three book review tour for this one and can't wait to move on to the second book!

Overall
This is a great choice for fans of political intrigue with a dash of fantasy in the style of Game of Thrones but with maybe a bit more social awareness.  It's got some violence but less gore and definitely more of a respect for women.  It might be a difficult choice for younger teens, but it's a good book for older teens and adult fantasy readers.

Thanks to TLC and to Harper Collins for having me on the tour.  Click here for a link to the other stops on the tour!

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2017 will deliver a "Here Comes the Grump" reboot.

The post First Look at ‘Here Comes the Grump’ Feature Reboot appeared first on Cartoon Brew.

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Yesterday, we had a great discussion on #readYAlit Twitter chat about humor in young adult literature.  It's a nebulous genre because humor can mean something completely differently to one person than another. 

Is humor universal?  That was one question that was tackled in our chat.  Genders, experiences, and type of humor are different elements of humor that play an important part in that question.  There is guy humor and there is girl humor.  How each gender approaches it can be wildly different and how authors use it can reflect those differences.  That isn't to say either gender can't read humor that relates more to one than the other...it's just the appeal may lean toward one side more than the other.

And then there's humor that's found in serious books.  One participant wrote that humor is needed in YA literature to balance the realistic lives in fiction that can be dark and dangerous.  I have to be very careful about what I read so that I'm not focused on realistic fiction because of an incident that took places several years ago.  After booktalking, a student mentioned that it was depressing and she wasn't interested in any of them because of the mood I created with the titles I talked about.  And that student was RIGHT....so now I find as many different genres, and include humor in it. 

There are many different places online to find titles about humor that could help out any library and those wanting the "fun" side of YA lit.  If you genrefy, does it have it's own genre or it is part of each major genre (one librarian on the chat had an EXCELLENT answer to that one!)? Would you include humorous titles with those darker novels where humor peeks in every now and then (think John Green)?  Those are questions that I believe are more personal decisions, but the great thing is the exchange of ideas our chat last night held. 

And if you need a title list, never fear!  Here are a few resources you can use:

Ebsco's Novelist of Humorous YA Fiction by Tom Reynolds

YALSA's Genre Guide to Young Adult Humor

Humor in YA Fiction Flowchart

And then there is that often looked over section where you can find MANY humorous titles: Non-fiction (and dewey)!!  Here's my list of non-fiction/dewey I've read that I couldn't help but chuckle and sometimes outright laugh at:

How They Choked: Failures, flops and flaws of the awfully famous by Georgia Bragg

Visit Sunny Chernobyl: And other adventures in the world's most polluted places by Andrew Blackwell

Historical Heartthrobs: 50 timeless crushes from Cleopatra to Camus by Kelly Murphy

I’m Down: A memoir by Mishna Wolff

We Should Hang Out Some Time: Embarrassingly, a true story by Josh Sundquist

Emily the Strange graphic novels by Rob Reger

Happy Bunny Books graphic novels (?) by Jim Benton

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Over on the readergirlz facebook page, we are sharing the thoughts of YA writers post U.S. election, 2016. Feel free to add your views as well. #wethepeople #inked #andnowwewrite #love.

Onward, rgz. Read, reflect, and reach out! ~Lorie Ann Grover

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Impressive visuals dominate first trailer for live action "Ghost in the Shell."

The post Live-Action Adaptation of ‘Ghost in the Shell’ Delivers Action-Packed Trailer appeared first on Cartoon Brew.

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So Kailana (The Written Word) and I really LOVED participating in Jenni Elyse's 30 Days of Books.  We thought it would be fun to do a movie-theme list of questions! 

 Today's question: A movie that you can't stop quoting....

The movie that I find most quotable is BABE.

The TV SPEcial I find most quotable is GARFIELD'S THANKSGIVING.

• Pancakes, pancakes the size of Australia, and coffee, yes, Jon, coffee. We wouldn't be the great nation we are without coffee. So do your patriotic duty, Jon Arbuckle, and fix - me - breakfast!
• Woe is me, I've been put on a diet and I'm gonna die.
• Gee, I've been on this diet only ten minutes and I can tell I've already lost something... my sense of humor.
• I'm free, I'm free, I can eat! Oh, joy! Oh, rapture! Oh, no! 
• Grandma: Have cooking utensils, will travel.
  Go, Grandma, go. Deep fat fry, deep fat fry, music to my ears. 
• Skip the piece of resistance, just gimme a piece of pie!

© 2016 Becky Laney of Becky's Book Reviews

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