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Nonfiction writer Stephen R. Covey has died. He was 79 years old.
In 1989, Covey (pictured, via) published the bestselling self-help book, The Seven Habits of Highly Effective People. According to The Huffington Post, The Seven Habits of Highly Effective People have sold more than 20 million copies in 38 languages throughout the world.
He also wrote The 8th Habit: From Effectiveness to Greatness and The Leader in Me—How Schools and Parents Around the World Are Inspiring Greatness, One Child at a Time.
Encyclopedia Brown author Donald J. Sobol has passed away. He was 87 years old.
This GalleyCat editor will never forget the hours and hours he spent devouring this Edgar Award-winning mystery series. In addition to these books, Sobol also wrote the Two Minute Mystery series from 1959 until 1968. He launched Encyclopedia Brown in 1963, and the books are still available today from Penguin. Here is more from his biography:
Each book in the series contains ten mysteries presented in readable sentences and enhanced with witty puns and other verbal jokes. Solutions to each case are printed in the back of the book, but readers are encouraged to solve the cases themselve, reading carefully, and using a variety of methods, including deductive reasoning, psychology, and careful observation of physical evidence. Ten-year-old Leroy Brown is called “Encyclopedia” because he is so smart that he seems to know everything you would find in a set of encyclopedias. Sobol once said, “Readers constantly ask me if Encyclopedia is a real boy. The answer is no … He is, perhaps, the boy I wanted to be — doing the things I wanted to read about but could not find in any book when I was ten.”
A permanent Trickster location will open in the coming year in Berkeley, California, and there are plans to bring Trickster pop-ups to other shows. If you’re at San Diego Comic-Con and want more information on Trickster events, visit the official website.
Marvel Now! was always going to claim some victims before relaunching, and now it’s made revealed (through that most sneaky of revealers, the solicitations listing) that nine of their current books will die in order for Marvel Now! to live.
Those nine titles are: Captain America, Fantastic Four, FF, Incredible Hulk, Invincible Iron Man, New Mutants, The Mighty Thor, Uncanny X-Men and X-Men Legacy.
This isn’t completely surprising in every case, because Brian Michael Bendis already said that Uncanny would end and several of the other books were winding up long-standing runs with big name creators. Matt Fraction was already set to leave Invincible Iron Man, while Jonathan Hickman and Ed Brubaker were both already known to be leaving the Fantastic Four titles and Captain America, respectively.
What does this mean for the characters? Well, Captain America, Thor and X-Men Legacy’s Rogue are all in a team together anyway, while Iron Man will surely find a place in one of the Avengers titles. But what of the Fantastic Four? They’ve completely dropped off the map, apparently, and the World’s Greatest Superhero Family look set to pack up their bags for a one-way trip to the one place they’ve never been before: comic-book limbo.
It’s interesting to note that most of these books were handled by the ‘Architects’ of Marvel, and that some low-selling titles like the beloved Journey Into Mystery have survived this new purge. Dan Slott’s Amazing Spider-Man also escapes the destruction, so that much-teased ‘big change’ in issue #700 isn’t going to see the book cancelled, thankfully.
Three X-Men books are chopped, including flagship Uncanny X-Men. Which is a massive surprise, because most were predicting that the pointless titles – adjectiveless X-Men and Astonishing X-Men – would be the two to go. New Mutants was expected to go, and does. But it’s still surprising to see just how big a change Marvel seem to be making. What new books are going to replace these ones, which surely were the backbone of the Marvel Universe?
15 Comments on Marvel Cancel NINE Titles!, last added: 7/10/2012
i know marvel doesn’t care much about my personal collecting proclivities, but i just want to buy sequentially numbered continuously published stapled floppy paper issues of Wolverine and Uncanny X-Men, and i wish they’d stop making that increasingly difficult to do.
the rest of their titles they can do whatever they want with, enumeratively and regards to publishing schedules. i’ll buy them in collected trades depending based on quality and whim. also, speaking for from an objective aesthetic/OCD point of view, it’d be nice if they just left Fantastic Four alone. as the start of the “Marvel Era” it makes for a nice benchmarker. but i guess that was also scraped a while ago during Heroes Reborn so whatever.
horatio weisfeld said, on 7/10/2012 11:22:00 AM
It blows my mind that any of this would blow anyone’s mind.
Joe Lawler said, on 7/10/2012 11:37:00 AM
I’m surprised that so many people are posting about being surprised that someone is surprised by this.
Kevin said, on 7/10/2012 12:03:00 PM
It’s new! Buy it! Buy it! Buy it! Please?
Rob Barrett said, on 7/10/2012 12:15:00 PM
If JiM survives Gillen’s departure by more than a month or two, I’ll be surprised.
Synsidar said, on 7/10/2012 12:24:00 PM
It’s strange, if not surprising, that Marvel is, essentially, trying to push subscriptions, but never uses the marketing techniques that regular magazine publishers do for selling subscriptions. The company is just too dependent on sales of single copies through stores.
SRS
Joe S. Walker said, on 7/10/2012 12:31:00 PM
As song lyrics go, it’s more a case of “You can check out any time you like, but you can never leave.”
Roberto Briceno said, on 7/10/2012 12:34:00 PM
And this is why I lost interested in a lot of Marvel and DC books. I use to read Fantastic Four pretty much fucked that up many of times with ending the series then starting it over again.
Piss on Marvel and DC for the lack of ideas and for having a bunch on cunts running the companies.
Creator-own comics books have been a life savers.
Ron said, on 7/10/2012 12:49:00 PM
This is a good time to start reading some creator-owned books.
If the indies were smart they would start new arcs at the same time the big two decide to pull a reboot. Maybe even publish some point one issues.
Dennis V. said, on 7/10/2012 12:58:00 PM
I am so sick and tired of Marvel restarting their titles. They just started many of these a little over a year ago and already they’re going back to #1’s. $#@!
Ralf Haring said, on 7/10/2012 1:11:00 PM
This post was intentionally and ironically incredulous, right? Please?
No one believes these books are being purged. None of this is surprising. It’s a creative reshuffle/renumbering of their main titles. Nothing is being “purged”. No one “escaped destruction”. It is not a surprise that top titles are affected. No one was predicting nor did they expect that ancillary titles would be affected. The books that will “replace this backbone” are exactly the same books with different creators.
This article was shockingly bad.
Steve Morris said, on 7/10/2012 1:16:00 PM
Sometimes you want to go….. Where everybody knows your name….
Apollo9000 said, on 7/10/2012 1:17:00 PM
Granted the number on a comic never held much weight for me but I understand long time readers being a bit erked by the frequent relaunches/ reboots.
Since I’ve been a weekly/ monthly reader ( only a couple of years) I tend to pick out books based on premise and creative teams.
I understand Marvel simply playing creative musical chairs with their reboot as a opposed to DC, who made a bit of a misstep with their relaunch by not getting new talent on their books.
Fear not true believer, Cap, Stark, Thor, Hulk, the Fantastic Four, and the various mutants will be front and center in a new book by next March.
This info now confirms what more than half of the Marvel Now books will be.
Make of that what you will.
Snikt Snakt said, on 7/10/2012 1:28:00 PM
Buy what titles you like, regardless of the number on the cover.
Marvel should’ve done what DC has and started their universe from scratch again. Give people a new/fresh jumping on point, w/new creative teams. Just renumbering the same old garbage only works so long these days…
Cancel the Ultimate line, its time has long since passed. This goes for Bendis too!
Dave said, on 7/10/2012 1:43:00 PM
I’ve got a great idea. All issues of all comics should be #1’s, just with a new volume number!
So Fantastic Four, for example, could start with Volume #612, Issue #1, then go to Volume #613, issue #1, etc!
Ephron had written a number of books, including Crazy Salad, I Feel Bad About My Neck: And Other Thoughts on Being a Woman and I Remember Nothing: And other Reflections. In the video embedded above, she talked about her writing on The View. Here’s more from The New York Times:
Ms. Ephron’s collection I Remember Nothing concludes with two lists, one of things she says she won’t miss and one of things she will. Among the “won’t miss” items are dry skin, Clarence Thomas, the sound of the vacuum cleaner, and panels on “Women in Film.” The other list, of the things she will miss, begins with “my kids” and “Nick” and ends this way: “Taking a bath. Coming over the bridge to Manhattan. Pie.”
It all began at the age of ten, on his grade school playground of St. Vincent’s in Duluth, when he began plying his trade as a tattoo artist to his classmates, until the practice was squelched by his teachers. But the fire had been ignited, and pursuing his innate talent became both an escape from his Depression surroundings, and an entrée into the world at large. His insatiable curiosity and passion for living, lead to a life that lead to developing Playboy with long-time friend, Hugh Hefner, becoming artist-in-residence at every major sporting event of the past century, establishing friendships with Muhammad Ali, Frank Sinatra and a panoply of celebrities. His iconic images of Ali and Sinatra, the Playboy Femlin, jazz musicians, U.S. presidents, Olympic athletes, Los Vegas gamblers, the animals of Africa, and the world’s most elegant restaurants and watering holes will endure well beyond his passing.
Kennedy wrote the novel Bling and designed the cover herself. She started writing as a special correspondent for the New York Daily News, and her work was published in Vibe, In Style, Paper and Elle UK. Over at xoJane, author Bassey Ikpi wrote a heartfelt tribute to the author:
Her ability to tap into your fear and then allow you no excuses to shy from doing “it” (whatever “it” was) was a gift. She was a visionary. She was revolutionary in the way she approached life and work and friendships and networking. Erica and I would have long conversations about everything under the sun. We would laugh until our sides hurt and then with one word she would have my heart aching so furiously that I wouldn’t be able to see the sun if it asked for me. Then out of nowhere — just a quick turn of phrase — and I’d be back to laughter.
The Los Angeles Times has reported on the passing of Ray Bradbury. He leaves behind 11 novels, over 400 novelettes and short stories, at least 45 collections, numerous dramatizations, and various work. Wikipedia has an incomplete bibliography, and the Grand Comics Database lists the various comics adaptations.
Among his many accomplishments:
Two awards named for him (The Ray Bradbury Award for Outstanding Dramatic Presentation, bestowed by the Science Fiction Writers of America for screenwriting (recently won by Neil Gaiman; The Ray Bradbury Creativity Award, administered by Woodbury University, which bestowed upon him an honorary doctorate in 2003.)
An impact crater on the Moon, named “Dandelion Crater” by Apollo 15 astronauts.
In 2007, a special citation from the Pulitzer Board, “for his distinguished, prolific and deeply influential career as an unmatched author of science fiction and fantasy.” (John Coltrane was also so recognized.)
However, his greatest honor will probably be the Butterfly Effect, originally presented in his seminal 1952 short story, “A Sound of Thunder”, first published in Colliers. The idea: a small deviation (for example: .506 instead of .506127) can create a far-reaching rippl
13 Comments on Ray Bradbury, 1920-2012, last added: 6/8/2012
He was a great man and his contributions will be forever remembered, built upon, embraced and even educate generations. A life that was well-lived.
‘Shoot a dinosaur for us, Ray’: Comics industr said, on 6/7/2012 9:00:00 AM
[...] At The Beat, Torsten Adair recounts many of the honors Bradbury received over his lifetime. He influenced pop culture in all its forms, including comics and their creators. [...]
James Van Hise said, on 6/7/2012 1:36:00 PM
Interestingly Bradbury originally submitted “A Sound of Thunder” to the then new magazine FANTASY & SCIENCE FICTION. They rejected it because Bradbury didn’t explain the technology behind the Time Travel safari or why the death of a butterfly would change history. So Bradbury instead sold it to Colliers–who censored the ending where the guide kills the man who stepped on the butterfly! Sometimes you just can’t win. This is why the EC Comics adaptation lacks that scene, not because EC censored it but because that’s the way it appeared in Colliers magazine. Bradbury soon resold the story intact to PLANET STORIES (in 1954) and to PLAYBOY.
Torsten Adair said, on 6/7/2012 3:46:00 PM
I remember reading “A Sound of Thunder” in a special issue of Playboy (one of their “Best of” series.
Topps corrected that in, with a story drawn by Richard Corben!
rich said, on 6/7/2012 5:12:00 PM
That’s quite a step up … FANTASY & SCIENCE FICTION rejects the story, so you turn around and sell it to COLLIER’S.
Al™ said, on 6/7/2012 5:26:00 PM
I had picked up some of his later story collections at used book sales in the last few years. I can tell you that he retained his imagination and curiousity and demonstrated them in those later books. They contain brilliant concepts, idea sketches, scenes, and all kinds of playful experiments. Worth picking up if you see them.
Thanks for the great reading, Ray!
ed said, on 6/8/2012 2:23:00 AM
He looked really frail at his last appearances at Comic-Con.
His 30 books included The Martian Chronicles, Fahrenheit 451, Something Wicked This Way Comes and I Sing the Body Electric!, Quicker Than the Eye, and Driving Blind. His unforgettable body of work included nearly 600 short stories, earning a spot in more than 1,000 school anthologies.
Share your Bradbury memories in the comments section. In a Paris Review interview, the writer shared this thought: “I discovered me in the library. I went to find me in the library. Before I fell in love with libraries, I was just a six-year-old boy. The library fueled all of my curiosities, from dinosaurs to ancient Egypt. When I graduated from high school in 1938, I began going to the library three nights a week. I did this every week for almost ten years and finally, in 1947, around the time I got married, I figured I was done. So I graduated from the library when I was twenty-seven. I discovered that the library is the real school. ”
Leo Dillon has passed away. Over a career that spanned five decades, the formidable illustrator, along with his collaborator and wife Diane, won numerous awards, including two Caldecott Medals (Why Mosquitoes Buzz in People’s Ears, 1976 and Ashanti to Zulu: African Traditions, 1977), a Coretta Scott King Illustrator Award, and several Coretta Scott King Honors.
Ellen Levine, award-winning children’s author and tireless advocate for social justice, has passed away. Here are some Horn Book reviews of her most influential works.
0 Comments on Ellen Levine (1939-2012) as of 1/1/1900
The Filipino comics world has lost another giant with the passing of Ernie Chan at age 71. Chan, originally known as Ernie Chua, was another one of that generation of artists who could and did draw anything, but he got has start doing covers for DC before going to the mystery/barbarian genre which made such good use of the heavily illustrative Pinoy style. Chan also had a long run as a definitive inker for John Buscema on Conan. This is a page that Chan only inked but there’s a lot of his embellishment in the image.
Chan was a fixture of the earliest comic-cons of my youth; he’d always be sitting there in his cap, sketching away in Artist Alley with his wife at his side. I was too shy to get to know him, but the remembrances of a fun, gentle man are coming in.
I am saddened to hear of Mang Ernie’s passing. I heard from Tina DeZuniga that Ernie had been feeling sick during that convention, and he found out he had cancer soon afterwards. It’s sad to lose one, but it’s truly crushing to lose so many in such a short amount of time.
But Mang Ernie lived a full life. He had accomplished a lot. There was a point in time that he was one of the hottest artists working comics. DC wouldn’t give you the honor of drawing so many cover on their mainstream titles if you weren’t so well regarded. He deserves to be remembered and recognized as someone who contributed positively to the image of Filipinos and their talents worldwide.
I am saddened to hear of Mang Ernie’s passing. I heard from Tina DeZuniga that Ernie had been feeling sick during that convention, and he found out he had cancer soon afterwards. It’s sad to lose one, but it’s truly crushing to lose so many in such a short amount of time.
6 Comments on RIP: Ernie Chan, last added: 5/19/2012
Will miss hearing him tell tales of working at Marvel back when he started. Ernie was very funny and would always have time to talk to his fans. You will be missed.
Jimmie Robinson said, on 5/18/2012 9:57:00 AM
Brilliant work and a brilliant career. I’ve read many books inked by Ernie and I’ve also seen him in Artist Alley (often with his wife and the other Filipino artists).
It is indeed, a sobering week… month… in comics. I hope people do remember these gentle giants of our industry.
My sympathies to his friends and family.
abc said, on 5/18/2012 2:42:00 PM
met ernie chan a few years ago at one of the carbornaro shows, where he did an iron fist sketch for me that came out fantastic. cool guy, great artist. damn, i hate hearing news like this. condolences to friends , family, and fans.
horatio weisfeld said, on 5/18/2012 11:47:00 PM
If any members of Chua’s family are reading this, Ihope they know that Ernie’s name (along with Tony Z and Alfredo A) is something close to legendary among a good number of males raised in 1970s America.
ed said, on 5/19/2012 2:37:00 PM
One of the highlights at last year’s Comic-Con was going to Ernie Chan’s Spotlight panel:
Held in a room where the quarter/fifth? capacity of us where scattered about, he invited us to sit closer to the stage so he didn’t have to deal with the microphone to be heard— and then treated us to a slideshow of his work and commissions. He gave commentary on them (‘personalised’ illustrated requests of Fantasy heroes/damsels/villians), while wistfully remarking on not having NEW Comics work offered to him…
RIP Ernie (Chua) Chan. Condolences to his family and friends.
(First Tony DeZuniga, and now Ernie: that SDCC “Filipino Invasion” panel celebrating their work and history sure came at the right time, enabling us fans to honor these men before we could not…)
Mexican novelist Carlos Fuentes has passed away. Mexican president Felipe Calderonshared the sad news on Twitter.
The great author had won the Miguel de Cervantes Prize and the Latin Literary Prize. In July, Dalkey Archive Press will publish his novel, Vlad. They also published his books Terra Nostra, Where the Air Is Clear, and Distant Relations. Here is an excerpt from his novel, Inez:
“We shall have nothing to say in regard to our own death.”
For a long time this sentence had been going around and around in the aged maestro’s head. He did not dare write it down. He was afraid that consigning it to paper would make it real, with fateful consequences. He would have nothing more to say after that: the dead man does not know what death is, but neither do the living. For that reason the sentence that haunted him like a verbal ghost was both sufficient and insufficient. It said everything, but at the price of never saying anything again.
Tony DeZuniga, co-creator of Jonah Hex and The Black Orchid, has passed away at age 71. He suffered a stroke in April and had been battling a series of health problems since then. DeZuniga was a seminal figure in the “Filipino Invasion” of the ’70s and ’80s which saw artists like Nestor Redondo, Alex Nino, and Alfredo Alcala entering the US market. He helped introduce many of the artists to US editors and then served as an agent for several years. Like most of the artists in this wave, DeZuniga was an impeccable draftsman who could draw just about anything. He’s best remembered for his contributions to the barbarians and Westerns of the day, but he also drew romance, adventure, superhero, horror….like we said, he could draw anything. Mark Evanier offers some history:
Tony entered the flourishing comic book industry in The Philippines in 1957, working as a letterer to finance his college education at the University of Santa Tomas. Despite warnings that a Filipino artist could not crack the American marketplace, Tony came here several times to try and do so and in 1970 secured work at DC, inking other artists at first, then doing complete art. His style was unique, at least to American comic books, and exciting for its blend of realism and energy.
On a personal level, I found Mang Tony’s presence at conventions gave me a sense of security. He was a rock. An anchor. A steady presence I knew I could count on. He was there every time without fail. I knew that if I went to a comics convention, he would be there. And that was comforting to me. He was, and still is a huge inspiration. I’m not exactly a very young man anymore, but whenever I think of Mang Tony, who was still active and still pushing his artistic boundaries well into his 70′s, it was terribly, terribly inspiring. I wish I could be as active and creative when I reach his age.
DeZuniga and his wife Tina were kindly and much liked on the convention circuit, as testified to by collaborator Jimmy Palmiotti:
Tony, always a smile and a hug…always interested and focused …always an inspiration. He had a style that was all his own.
He’s been part of my life since I was a little kid, and he’ll be with me until I’m gone.
Max G said, on 5/11/2012 7:57:00 AM
We are losing our legends. Tony was a magnificent draftsmen and illustrator. He understood design, composition and the use of lights and darks. His inking on many Buscema books brought the art to a new level. I am lucky to have a few of his originals and they embrace me everyday on the walls of my room.
jsf said, on 5/11/2012 9:13:00 AM
I really hate hearing this. He was one of the best, and will be deeply missed. Condolences to the family.
ed said, on 5/11/2012 12:29:00 PM
It was an honor to have been present when Mr. DeZuniga received the Inkpot Award at Comic-Con; and grateful to have listened to him speak of his story with Gerry there as moderator.
Condolences to his family and friends.
Al™ said, on 5/11/2012 5:33:00 PM
Sorry to hear of Tony’s death. I read a lot of his work especially in the 70’s, so much that I can’t recall all of the different titles. Black Orchid and Jonah Hex, as mentioned above, were very very well done.
Ashraf Ghori said, on 5/12/2012 12:58:00 AM
Tony will be truly missed, for being a great person and a legendary artist. It was an honor to have known him these last few years.
Always eager to help, he was a judge for the Xero Error art competition I had organized recently. RIP Tony.
horatio weisfeld said, on 5/12/2012 7:14:00 AM
Watching the vid:
Love to hear the (quiet) pride he takes in Jonah Hex.
That series shaped my young mind / LOL.
Otistfirefly said, on 5/13/2012 9:35:00 AM
RIP Tony. You were, and shall remain, the Man. What Kubert is to war, you are to westerns, and neither genre will ever see a better interpreter..
Chris Duffy said, on 5/13/2012 11:38:00 AM
What a loss. Just such a good storyteller, draftsman–a great inker on other artists too. He is THE Jonah Hex artist and for my money, the best comic book artist to draw Doc Savage (thanks for the splash here).
Writing about the death of Maurice Sendak, the New York Timesreported thatMy Brother’s Book will be posthumously published next February: “a poem written and illustrated by Mr. Sendak and inspired by his love for his late brother, Jack.”
The brothers forged an early partnership as writers. Jack Sendakdied in 1995 and published six kid’s books (including Circus Girl and The Happy Rain with illustrations by Maurice). His HarperCollins biography explored their relationship:
Jack Sendak was born in 1924 in Brooklyn, New York. He began writing at a very early age, working with his brother, Maurice, writing and illustrating their own story books. Sendak often credited his father for his love of books, citing inspiration from nightly bedtime reading. Reviewers have called Jack Sendak’s books humorous, magical, and mysterious. Having served in the US Army during World War II, Jack Sendak went on to work for Emerson Radio and Television, as well as the US Postal Service.
Well done, Eva.
I especially like the colors, as well.
Aaron said, on 5/9/2012 6:39:00 AM
Dammit I wish he had done more work like this. I love his children’s books but in reading interviews with him it was obvious he had so much more to contribute. Is 83 too young to go? It was in this case.
Novelist Harry Crewshas passed away. Above, we’ve embedded a YouTube video of the author talking to Dennis Miller about his time in the military, his E.E. Cummings-inspired tattoo and his Scar Lover novel.
He wrote many novels, including The Gospel Singer and A Feast of Snakes, but he also produced an extensive body of nonfiction work. You can explore the novelist’s prolific career at the Henry Crews Bibliography. Here’s an excerpt from an interview with Vice Magazineabout his work as a writing teacher:
“Well, thank God the University of Florida gave me this deal that every writer needs. I worked with 10 or 12 graduate students a year. They were just young people who thought they wanted to be fiction writers. By and large, they fell in love with the idea of being a fiction writer and then they were introduced to the slave labor of it and they pretty soon decided, “No, I don’t want to do this.” … If you’re going to write a book, you don’t know what you’re looking at. You have to disabuse them of all these ideas they have that they are sure are right but which are almost exclusively, always, all of them, wrong.
Famed kitsch painter Thomas Kinkade, who claimed to be the most collected artist in the world, has died at the sadly young age of 54. Like anyone who was rich and famous, he had a controversial side: gallery owners accused him of unfair business practices and he was known to like a tot or two.
Fire up your backlit monitor and let’s all pay tribute to a one-of-a-kind artist.
15 Comments on The light has died: RIP Thomas Kinkade, last added: 4/8/2012
I’m pretty sure the writer didn’t mean “tot” (a rather heinous accusation, and one I do not find in the source article), but I’m rather uncertain whether what was meant was “toot” (as in an alcoholic bender) or “tit”; both are covered in the article.
Rich said, on 4/7/2012 11:19:00 AM
“a tot or two”
Tater tots? I’m down with that.
jacob lyon goddard said, on 4/7/2012 11:27:00 AM
Wasn’t he once roommates with the cartoonist Paul Chadwick?
Nate said, on 4/7/2012 11:31:00 AM
Maybe they meant “tot” as in “he liked totting up all his money?”
The Beat said, on 4/7/2012 11:38:00 AM
Jeebus! that’s what you get from living with a Brit!
“…he accomplishes through urinating on things—like a Winnie The Pooh figure outside the Disneyland Hotel, which he peed on in the late ’90s while proclaiming, “This one’s for you, Walt.” He’s also been known to grope the breasts of female admirers and exclaim, “These are great tits!” And then there’s the incident in 2006 when he got drunk and began screaming “Codpiece! Codpiece!” at a Siegfried & Roy show.”
>>
I presently have a Kinkade calendar on my wall. I didn’t know who he was when I bought it (in Jan) – it was the only (cheap) calendar Barnes and Nobles had left in the store.
Last month some artist buddy (presently having his troubles getting gallery shows) started complaining to me about “that guy” who “draws those all that wretched, candy ‘Americana’ and is making millions of bucks” and after listening for a while I said, “Hey man..that must be the guy on my wall.”
I think I looked at the calendar again after that but really didn’t give it much more real thought.
Only now, after having read the comments (at the top of this post) it is that I think I see the true genius of Kinkade.. and feel a profound sense of loss.
Nat Gertler said, on 4/7/2012 1:00:00 PM
Heidi: no more speaking British. Here in America, we speak English!
Torsten Adair said, on 4/7/2012 1:00:00 PM
His geek cred: he was a background painter on Ralph Bakshi’s “Fire and Ice” movie before becoming Rich And Famous.
(And he did a series of paintings titled “Disney Dreams”.)
I never liked his bucolic (geeze… sounds like a disease) scenes, but did appreciate his cityscapes. A bit like Impressionist Childe Hassam.
core values said, on 4/7/2012 2:54:00 PM
When I read Heidi’s line I also thought she was talking about allegations of child molestation I hadn’t heard about. This seems a lot to burden his reputation with after those paintings and that Kincade-themed movie. Maybe she could consider changing the line? I’d hate to think that I could die with all my disgraces on my head and have a blogger remark about my reputation for “liking tots” the next day. This strikes me as the most important human rights issue on the internet for April 7, 2012.
Matt said, on 4/7/2012 10:16:00 PM
I’m not British but I knew what was meant by ‘a tot or two.’
CitizenCliff said, on 4/7/2012 10:51:00 PM
Let’s call a spade a spade: it was douche art. There are few who’s death gives me such pleasure. If you bought his work, there is still time to make amends with the Universe and kill yourself now.
Howard Tayler said, on 4/8/2012 8:47:00 AM
Stay classy, Cliff. You can hate his art, and you can hate how he treated people, but taking pleasure at someone else’s death is still wrong. I don’t like his art, but I’m still sorry to see him die in his prime.
His art makes a lot of people happy, and those happy people funded the creation of jobs for student artists, mall-kiosk employees, and lots of others. Hating on Kinkade for not being a great artist is like hating on a fast food magnate for not being a haute cuisine chef, only without the argument about trans fats.
Mark Verheiden said, on 4/8/2012 9:51:00 AM
Re: roommates, Tom Kinkade lived next door to Paul Chadwick (and James Gurney) in a crummy apartment building in Los Angeles back in the early 80’s. I was Paul’s roommate for a few months in the same building around that time. When Tom moved out, I took over his apartment and old furniture.
Oh, and CitizenCliff? You’re creepy.
Torsten Adair said, on 4/8/2012 10:44:00 AM
Craig Yoe posted a photo to his Facebook page showing him, Kinkade, and Ron Turner at CCI.
Oh to be a fly on that wall!
Alistair said, on 4/8/2012 3:10:00 PM
OK I understood tot as a dram…which it is. And you lot better learn the mother-tongue couse you’ve been murdering it enough throughout the last couple-a centuries ( ducks down and waits for the hand grenades. Seriously though, I hate dhis work…to sentimental for me, but sad to see he’s gone he was a “character”.
Over the weekend, Cory Marder passed away after a long illness. The wife of Beanworld creator Larry Marder, Cory was best known to a small group in the industry, but loved by everyone she touched. Charles Brownstein has a beautiful tribute here that says everything. My heart goes out to Larry on this irreplaceable loss.
I adore this picture. Look at her, out in Africa, in the presence of the elephants she so dearly loved, the breeze tousling her hair and unbridled happiness flowing from her smile. This lady personified optimism, and had the disposition of the sun — bright, cheerful, warm, kind, funny, nourishing and filled with delight. If you didn’t smile around Cory then it was a clear indication that you were in need of the sort of psychological care that only a specialist can provide. If you didn’t love Cory, then your capacity to love was broken.
I guess this is the part where you say “We’re losing too many good ones,” the awkward thing people say when faced with the reality of the circle of life. As a man once told me, “Youth is a series of hellos, age is a series of goodbyes.” Cory would be the first person to say to take the chances to live the life you want while you have the chance. Have that conversation, go to that city, take that day off. These are the things you will remember as you make your own goodbyes.
2 Comments on RIP: Cory Marder, last added: 5/1/2012
Maurice Sendak, “widely considered the most important children’s book artist of the 20th century,” as the Times put it, has died at age 83 following complications from a stroke.
It was, of course, Where the Wild Things Are that cemented Sendak’s place as the minstrel of the wild and forbidden adventures on the path to adulthood. In the Night Kitchen was another journey into a dangerous dark world, this time illustrated with a tiny, sexless penis which caused librarians of the day to paint diapers with white-out. Last year’s Bumble-Ardy was his first children’s book in 30 years, and equally dark.
Sendak’s works were adapted into film and opera and anything else you could think of. He was a lifelong comics fan—he contributed to Mouly and Spiegelman’s Little Lit series—whose work, while labeled a “picture book” and therefore acceptable, used words and pictures just as deftly as any cartoonist.
In his later years, Sendak left behind some memorable interviews, such as this one from NPR, and these from The Colbert Report.
9 Comments on RIP: Maurice Sendak, last added: 5/9/2012
From the NY Times obituary:
“While he was still in high school he worked part time for All-American Comics, filling in backgrounds for book versions of the “Mutt and Jeff” comic strip.”
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“In the Night Kitchen” was an early graphic novel (1970), inspired by Windsor McKay’s “Little Nemo in Slumberland”.
Martha Thomases said, on 5/8/2012 8:43:00 AM
My personal favorite is his work on Russell Hoban’s THE BAT POET. A truly beautiful book.
John Shableski said, on 5/8/2012 8:43:00 AM
Sad to hear of Mr. Sendak’s passing but grateful for what he brought to us. Where the Wild Things Are was the first book I can remember buying on my own.
Paul Allen said, on 5/8/2012 9:38:00 AM
My favorite since childhood has been Higglety Pigglety Pop! or There Must Be More to Life. It’s both melancholy and funny.
Karen said, on 5/8/2012 10:08:00 AM
I love the Nutshell Library. I still have mine from when I was little.
Jimmie Robinson said, on 5/8/2012 10:11:00 AM
A man who gave us a wealth of wonderful work — for all ages.
Oliver said, on 5/8/2012 10:38:00 AM
Love Maurice Sendak!
Read the interview -certainly puts things in perspective!:)
Christopher Moonlight said, on 5/8/2012 8:21:00 PM
Where The Wild Things Are was the first book I ever read to my daughter. She also loves her Little Bear books, with his artwork.
Sendak loved a kid for eating one of his original drawings. What a guy.
i know marvel doesn’t care much about my personal collecting proclivities, but i just want to buy sequentially numbered continuously published stapled floppy paper issues of Wolverine and Uncanny X-Men, and i wish they’d stop making that increasingly difficult to do.
the rest of their titles they can do whatever they want with, enumeratively and regards to publishing schedules. i’ll buy them in collected trades depending based on quality and whim. also, speaking for from an objective aesthetic/OCD point of view, it’d be nice if they just left Fantastic Four alone. as the start of the “Marvel Era” it makes for a nice benchmarker. but i guess that was also scraped a while ago during Heroes Reborn so whatever.
It blows my mind that any of this would blow anyone’s mind.
I’m surprised that so many people are posting about being surprised that someone is surprised by this.
It’s new! Buy it! Buy it! Buy it! Please?
If JiM survives Gillen’s departure by more than a month or two, I’ll be surprised.
It’s strange, if not surprising, that Marvel is, essentially, trying to push subscriptions, but never uses the marketing techniques that regular magazine publishers do for selling subscriptions. The company is just too dependent on sales of single copies through stores.
SRS
As song lyrics go, it’s more a case of “You can check out any time you like, but you can never leave.”
And this is why I lost interested in a lot of Marvel and DC books. I use to read Fantastic Four pretty much fucked that up many of times with ending the series then starting it over again.
Piss on Marvel and DC for the lack of ideas and for having a bunch on cunts running the companies.
Creator-own comics books have been a life savers.
This is a good time to start reading some creator-owned books.
If the indies were smart they would start new arcs at the same time the big two decide to pull a reboot. Maybe even publish some point one issues.
I am so sick and tired of Marvel restarting their titles. They just started many of these a little over a year ago and already they’re going back to #1’s. $#@!
This post was intentionally and ironically incredulous, right? Please?
No one believes these books are being purged. None of this is surprising. It’s a creative reshuffle/renumbering of their main titles. Nothing is being “purged”. No one “escaped destruction”. It is not a surprise that top titles are affected. No one was predicting nor did they expect that ancillary titles would be affected. The books that will “replace this backbone” are exactly the same books with different creators.
This article was shockingly bad.
Sometimes you want to go….. Where everybody knows your name….
Granted the number on a comic never held much weight for me but I understand long time readers being a bit erked by the frequent relaunches/ reboots.
Since I’ve been a weekly/ monthly reader ( only a couple of years) I tend to pick out books based on premise and creative teams.
I understand Marvel simply playing creative musical chairs with their reboot as a opposed to DC, who made a bit of a misstep with their relaunch by not getting new talent on their books.
Fear not true believer, Cap, Stark, Thor, Hulk, the Fantastic Four, and the various mutants will be front and center in a new book by next March.
This info now confirms what more than half of the Marvel Now books will be.
Make of that what you will.
Buy what titles you like, regardless of the number on the cover.
Marvel should’ve done what DC has and started their universe from scratch again. Give people a new/fresh jumping on point, w/new creative teams. Just renumbering the same old garbage only works so long these days…
Cancel the Ultimate line, its time has long since passed. This goes for Bendis too!
I’ve got a great idea. All issues of all comics should be #1’s, just with a new volume number!
So Fantastic Four, for example, could start with Volume #612, Issue #1, then go to Volume #613, issue #1, etc!