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1. Top 3 Mystery Novels set in London | Selected by Carina Axelsson, Author of Model Undercover: London

Mysteries and London go together like tea and cake or jeans and Converse. Although not all of my favourite English mysteries take place in London, many do. Here are three (okay, maybe a few more than just three) of my top mystery novels set in London.

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2. My Writing and Reading Life: Carole Estby Dagg, Author of Sweet Home Alaska

Sweet Home Alaska, by Carole Estby Dagg, is an exciting pioneering story, based on actual events, and introduces readers to a fascinating chapter in American history, when FDR set up a New Deal colony in Alaska to give loans and land to families struggling during the Great Depression.

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3. Starred reviews, March/April 2016 Horn Book Magazine


The following books will receive starred reviews in the March/April 2016 issue of The Horn Book Magazine:

Thunder Boy Jr. by Sherman Alexie; illus. by Yuyi Morales (Little, Brown)

When Spring Comes by Kevin Henkes; illus. by Laura Dronzek (Greenwillow)

School’s First Day of School by Adam Rex; illus. by Christian Robinson (Porter/Roaring Brook)

Twenty Yawns by Jane Smiley; illus. by Lauren Castillo (Two Lions)

Booked by Kwame Alexander (Houghton)

The Passion of Dolssa by Julie Berry (Viking)

Raymie Nightingale by Kate DiCamillo (Candlewick)

Burn Baby Burn by Meg Medina (Candlewick)

A Tangle of Gold by Jaclyn Moriarty (Levine/Scholastic)

Jazz Day: The Making of a Famous Photograph by Roxane Orgill; illus. by Francis Vallejo (Candlewick)

The post Starred reviews, March/April 2016 Horn Book Magazine appeared first on The Horn Book.

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4. The Children’s Book Review’s Book Trends | February 2016

The Children’s Book Review | February 9, 2016 This month, The Children’s Book Review‘s book trends show a great variety: Valentine’s Day books, winter books, giveaways, and some of our staple literacy articles. 10 Kids’ Book Trends on The Children’s Book Review … 1. Where to Find Free eBooks for Children Online The Children’s Book Review presents a guest post by […]

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5. Being A Captain is Hard Work: A Captain No Beard Story | Dedicated Review

Ahoy! Captain No Beard and his crew are back. In the latest installment to Carole P. Roman’s award-wining series, Being a Captain is Hard Work, readers learn it’s okay to make mistakes, especially when you learn something from them.

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6. Bob Shea’s Ballet Cat Collection Prize Pack| Book Giveaway

Enter to win a Ballet Cat collection prize pack! Giveaway begins February 8, 2016, at 12:01 A.M. PST and ends March 7, 2016, at 11:59 P.M. PST.

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7. Best Selling Kids Series | February 2016

This month's our list of hand-selected series from the nationwide best selling Children's Series list, as noted by The New York Times, features James Dashner's Maze Runner series and Ransom Riggs' Miss Peregrine's Peculiar Children series.

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8. The past made present | Class #3, 2016


Next Tuesday (February 9), Lauren’s class will be discussing several books. The theme for the day is “The past made present” so they will look at both historical fiction and nonfiction — including one book that’s a hybrid of the two.

Everyone will be reading One Crazy Summer; they will choose to read either No Crystal Stair or Bomb; and they are being asked to explore (but not necessarily read in full) either Claudette Colvin or Marching to Freedom.

We welcome all of you to join the discussion on these posts:

  • Two historical fiction books:
    • One Crazy Summer by Rita Williams-Garcia
    • No Crystal Stair: A Documentary Novel of the Life and Work of Lewis Michaux, Harlem Bookseller by Vaunda Micheaux Nelson; illustrated by R. Gregory Christie
  • Three nonfiction books:
    • Bomb: the Race to Build—and Steal—the World’s Most Dangerous Weapon by Steve Sheinkin
    • Claudette Colvin by Phillip Hoose
    • Marching For Freedom by Elizabeth Partridge

The post The past made present | Class #3, 2016 appeared first on The Horn Book.

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9. Preview March/April 2016 Horn Book Magazine

March/April 2016 Horn Book MagazneBeverly Cleary’s 100th birthday: To mark the occasion, publisher David Reuther; authors Elaine Scott, Varian Johnson, Kurtis Scaletta, Kate Messner, and Tony DiTerlizzi; and librarian Julie Roach reflect on Beverly Cleary’s work.

Ibi Zoboi on building a “Fine Bookshelf” of mirror books. Plus, her interview with authors Edwidge Danticat and Rita Williams-Garcia.

The Writer’s Page: Marc Aronson discusses writing narrative nonfiction (versus informational nonfiction) with his wife Marina Budhos.

Field Notes: Betty Carter wonders what new chapter-book readers miss from the picture-book section.

Spring 2016 Publishers’ Previews.

From The Guide: Narrative Nonfiction.

Audiobook reviews.

The post Preview March/April 2016 Horn Book Magazine appeared first on The Horn Book.

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10. Best New Kids Books | February 2016

Our selection of hot new releases and popular kids' books has a lot to offer!

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11. The Defiant, by M. Quint | Book Review

The Defiant will appeal to middle grade and young adult readers interested in adventure, mystery, and eerie situations.

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12. Say Hello to Your Friends*…in full color

In the heyday of Livejournal, several friends and I joined one of its fan communities: babysittersclub. For a while, it was quite an active community (and it still sees some activity). Its members, most of them probably ‘90s kids like myself who’d grown just old enough to be nostalgic, posted detailed questions and answers about Ann M. Martin’s Baby-Sitters Club series, announced books they were interested in buying or selling, shared excitement when they happened to see a street with one of the characters’ names…in short, fangirling and fanboying (yes, both) occurred in spades. I rarely posted myself, but commented regularly on others’ posts, and generally felt validated by this space that acknowledged how thoroughly cool it was to love the BSC.

telgemeier_kristy's great ideaIn 2006, the community was abuzz with the news that some of the books would be adapted into graphic novels. And then an FAQ post appeared from a Livejournal user with the handle “goraina.” Cheery, friendly Raina Telgemeier subsequently posted often enough to feel like part of the community, and other members embraced her four graphic novel adaptations. She made some changes, skipping some of the books so she could get to the meatiest possible story about each of the original four baby-sitters. (For instance, book #6, Claudia and Mean Janine, gives more insight into Claudia’s character than book #2, Claudia and the Phantom Phone Calls, so Raina skipped ahead and adapted #6.) Raina wasn’t some outsider brought in to create these graphic novels. She was a BSC fan, and she got it. She captured the characters’ enthusiasm. Kristy’s confidence. Mary-Anne’s naivete. Claudia’s famous crazy outfits.

Fast-forward a few years, and a familiar style popped up among the Boston Globe–Horn Book Awards, specifically in 2010 Nonfiction Honor Book Smile. I, of course, had a copy signed for a friend who was also a babysittersclub community member on LJ. Raina recognized my friend’s username. Fandom is a wonderful thing.

If you’ve followed kids’ graphica, you know what happened next. Raina’s work grew more and more popular with Drama and Sisters, both of which I would’ve loved with or without the BSC connection, though I might not have discovered them as quickly. The phrase “graphic novel” used to only conjure up images of superheroes and adventure stories; Raina’s funny realism is much more my thing — I mean, I did grow up reading The Baby-Sitters Club — so her work was a perfectly-tailored way into graphica.

martin_claudia and mean janinePresumably because of her later books’ popularity (there’s another one coming, you guys!), the BSC graphic novels are being re-released in full color (with color by Braden Lamb, who was also the colorist for Sisters). The first one, Kristy’s Great Idea, came out in April of last year, soon followed by The Truth About Stacy and Mary Anne Saves the Day. And today, Claudia and Mean Janine, the fourth and final entry in the graphic series, hits bookstore shelves in its full-color incarnation. Check out Raina’s blog post for a look back at her process — and some BSC fanart from her childhood!

Realistic graphic novels, especially middle-grade ones about girls, are more common these days, and though I don’t know enough to say for sure that Raina started the trend, she definitely played a role in its popularity. And as any BSC fan will tell you, that’s dibbly fresh.

*Who remembers this theme song?

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13. Illustration Inspiration: Kim Krans, “ABC Dream”

This gem comes to us from Kim Krans, the creator of The Wild Unknown—a lifestyle website offering prints, calendars, and more.

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14. Whips AND chains

story-of-oI’d really like to ban the term “self-censorship” from discourse, given that we already have a spectrum of words–from “prudence” to “cowardice”–that say more precisely what we mean, and because it causes us to be confused about what censorship actually is.

As Megan Schliesman at Reading While White posted last week, the discussion about A Birthday Cake for George Washington is not about censorship. People talking about what’s wrong with the book are not censors; people saying it will damage children are not censors; Scholastic deciding to cease the book’s distribution is not censorship. Hell, somebody buying a copy of the book only in order to consign it to a bonfire is not censorship. (I think I told you guys I did this once, with a Sidney Sheldon book whose utter disregard for logical plot construction and consistent characterization caused me to pitch it into the fireplace by which I was reading. It felt naughty.)

Censorship happens when the government–and this includes public libraries–gets into the business of restricting access to information. As far as A Birthday Cake for George Washington is concerned, it would be censorship if a library that held a copy decided to restrict readership to adults, for example, or removed it from the collection on the basis of its being “offensive” or “harmful to children.” It is also censorship if a public library decided not to purchase the book on the grounds that it is offensive or harmful, or if the library thinks it will get into trouble with those who find it so. This is of course very tricky–libraries don’t purchase more books than they do, and it’s rarely one criterion that guides that decision. Here is where we have to trust in the librarian’s integrity and the library’s book selection policy and adherence to ALA’s Library Bill of Rights. I know I’ve told the story here before about the librarian I knew who didn’t purchase a sex ed book for children on the grounds that it didn’t have an index. Yes, it did not have an index–but that wasn’t the reason she didn’t buy it.

I bring all this up because of an interesting exchange I had on Twitter last week with YA novelist Daniel José Older. Reacting in a subtweet to my post about A Fine Dessert and A Birthday Cake, Older wrote “Ah here’s the Horn/Sutton tut tutting on why Scholastic should’ve let kids read that book,” with a screenshot of part of the post. I replied–or barged in, depending on your views about subtweeting–that I and the Horn believe kids should be allowed to read any book they wish. Then he asked me if I was cool with kids reading Little Black Sambo, Mein Kampf and The Story of O. (I think he dated us both with that last example.) Although I’m aware that this was intended as a sort of gotcha rhetorical question, it made me realize that Mr. Older is probably not familiar with the way librarians think. I said I was perfectly fine with kids reading any or all of those three books.

A bias toward believing that people, kids included, should be able to read whatever they want is so ingrained in librarianship that we can forget that it seems like a radical stance to civilians. And as discussions about children’s books have moved, via social media, beyond the usual suspects of teachers, librarians, and publishers, it would be good for all concerned to remember that our assumptions are not necessarily shared.

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15. Harriet the Spy, by Louise Fitzhugh | Book Review

Harriet the Spy, by Louise Fitzhugh, is an incredibly funny book—anyone who has ever felt like an outsider will certainly relate to Harriet.

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16. Sarah Dillard, Author of Mouse Scouts Makes a Difference | Speed Interview

Which five words best describe Mouse Scouts: Make a Difference? Friendship, Teamwork, Helpfulness, Perseverance, Altruism.

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17. Books for Martin Luther King Jr. Day

Martin Luther King Jr. Day provides an opportunity to reflect not only on the life of the great civil rights leader, but also on how far we’ve come — and how far we still have to go.

Below is an updated list of recommended books about Dr. King’s life and legacy (all reviewed and recommended at the time of their publication by The Horn Book Magazine and The Horn Book Guide). For more books on the civil rights movement, click here. What are your favorite books about Dr. King and the civil rights movement to share and discuss?


my brother martinOf the many stories about Dr. King, none is as personal and revealing as My Brother Martin: A Sister Remembers Growing Up with the Rev. Dr. Martin Luther King Jr., a memoir-tribute by his older sister Christine King Farris. Starting with early family reminiscences, King Farris captures the drama of a life that would lead to the “I Have a Dream” speech. The brilliance of Chris Soentpiet’s realistic illustrations, the placement of the precise text, and the oversize format make this a dramatic contribution. A poetic tribute by Mildred D. Johnson, an afterword, and an illustrator’s note are included. (Simon & Schuster, 2003)

watkins_love will see you throughIn Love Will See You Through: Martin Luther King Jr.’s Six Guiding Beliefs, Angela Farris Watkins, King’s niece, explores his six guiding principles. Watkins cites specific examples of victorious actions, including the desegregation of Alabama buses and his famous “Letters from the Birmingham Jail,” explaining with “love and respect” the importance of the fight for equality.The foundation of King’s philosophy, illustrated with colorful mixed-media art by Sally Wern Comport, will resonate with all ages. (Simon, 2015)

My Uncle Martin's Words for AmericaWatkins shares her own memories of Dr. King and provides background on the civil rights movement in My Uncle Martin’s Words for America. Her text incorporates King’s own words and explains them in context (“Uncle Martin said, ‘Let justice roll down like waters.’ He meant that everyone should be treated fairly”). Eric Velasquez’s illustrations include close-up portraits and crowd scenes, all conveying the movement’s scope. (Abrams, 2011)

martin's big wordsThe text of Doreen Rappaport’s Martin’s Big Words: The Life of Dr. Martin Luther King, Jr. is a mix of finely honed biographical narrative and appropriate quotes from King himself, emphasizing the concept that from his youth Martin had sought to inspire others with his words. The essential events of King’s life are presented in a straightforward yet moving style. The facts are extended by Bryan Collier‘s breathtaking collage illustrations. A chronology and informative notes from author and illustrator are appended. (Hyperion/Jump at the Sun, 2001)

michelson_as good as anybodyAbraham Joshua Heschel, a rabbi born in Eastern Europe, becomes a stalwart friend to Martin Luther King Jr. as the Baptist preacher urges America toward new standards of equality and freedom. In As Good as Anybody: Martin Luther King Jr. and Abraham Joshua Heschel’s Amazing March Toward Freedom by Richard Michelson, readers first meet King as a young boy, then Heschel; their shared story later unfolds. Raul Colón portrays the two leaders in swirling, textured colored-pencil and watercolor illustrations. (Knopf, 2003)

pinkney_martin & mahaliaAndrea Davis Pinkney‘s Martin & Mahalia: His Words, Her Song relates the way “Martin Luther King Jr. and Mahalia Jackson combined their respective vocal gifts to form an unshakeable ribbon of faith.” A visual representation of that faith, a series of banners with directions (e.g., “This way to freedom”) create a frame for each of Brian Pinkney‘s illustrations, while words from both King and singer Jackson provide context for the uplifting text. Notes from the author and illustrator and a discography are appended. (Little, Brown, 2013)

carson_what was your dream, dr. king

Mary Kay Carson’s What Was Your Dream, Dr. King?: And Other Questions About Martin Luther King Jr. [Good Question! series] uses a question-and-answer format to relate the story of Martin Luther King Jr.’s contributions to the civil rights movement. Brief but sufficient explanations are given to questions related to segregation, nonviolent protests, the March on Washington, the importance of Dr. King’s philosophy, his historic “I Have a Dream” speech, and his assassination. Illustrations by Jim Madsen accompany the insightful text. (Sterling, 2013)

bunting_cart that carried martinAt his funeral, Martin Luther King Jr.’s casket was carried in a borrowed wooden farm cart pulled by two mules. It’s a humble image, but the throngs of people lining the streets to pay their respects reflects Dr. King’s great work and legacy. Eve Bunting’s simple, poetic prose in The Cart that Carried Martin follows the cart’s slow, sad procession; Don Tate’s somber, handsome gouache illustrations are a perfect accompaniment.

mcnamara_martin luther king jr. dayWhile learning about Martin Luther King Jr., Mrs. Connor’s first graders illustrate their own dreams to make the world a better place: no more fighting, a clean planet, everyone having fun. Margaret McNamara’s Martin Luther King Jr. Day [Ready-to-Read: Robin Hill School series] is a simple and age-appropriate introduction to Martin Luther King Jr. Day for beginning readers (though no substantial details about MLK are provided). Mike Gordon’s warm cartoons show the kids’ great aspirations. (Simon/Aladdin, 2007)



i have a dreamKadir Nelson brings to life Dr. King’s famous speech in the superlative oil paintings of I Have a Dream. He begins with Dr. King at the Lincoln Memorial addressing the crowd; literal illustrations of his words (e.g., his “four little children”) follow. Visually, this is a stunning accomplishment that embodies the thrilling inspiration of Dr. King’s words. The complete text of the speech is appended and an accompanying CD allows readers to hear the speech themselves. (Random/Schwartz & Wade, 2012)



I See the Promised LandArthur Flowers’s I See the Promised Land: A Life of Martin Luther King, Jr. uses an innovative design to blend African griot storytelling and folk art from India to create a bold graphic homage to Dr. King for young adults. Manu Chitrakar’s illustrations, drawn in the style of Patua scroll painters (a combination of sequential and performance art), recast the story with a distinctively Indian flair. There is a creative symbiosis between the seemingly disparate elements, which reminds us that the civil rights movement is but one chapter in the story of global human rights. (Groundwood, 2013)



lewis_voices from the march on washingtonIn Voices from the March on Washington, poets J. Patrick Lewis and George Ella Lyon give voice to a cross-section of the 250,000 participants of the 1963 March on Washington: from first grader Ruby May Hollingsworth and Aki Kimura, a Japanese American sent to an internment camp during WWII, to Coretta Scott King. Many fine works on the civil rights movement are available; this adds the power of poetic imagination. (Boyds Mills/Wordsong, 2014)

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18. My Writing and Reading Life: Kristen Kittscher, Author of The Tiara on the Terrace

The Tiara on the Terrace, by Kristen Kittschier, is a clever novel, perfect for fans of Pseudonymous Bosch and Gordon Korman and a companion to The Wig in the Window.

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19. If You Were Me and Lived In … Italy, by Carole P. Roman | Book Series Giveaway

Enter to win a complete autographed set of the If You Were Me series, written by award-winning author Carole P. Roman and illustrated by Kelsea Wierenga; including If You Were Me and Lived in … Italy: A Child's Introduction to Culture Around the World! Plus, the grand prize winner will also receive the Educational Insights Geosafari Jr Talking Globe. Giveaway begins January 10, 2016, at 12:01 A.M. PST and ends February 16, 2016, at 11:59 P.M. PST.

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20. Live from ALA

Greetings from Midwinter where the REAL Caldecott Medal winner will be announced tomorrow morning — along with all the other youth media awards. If you can’t be there in person, here is a link to the live webcast (Monday 1/11 at 8 a.m. EST).


It’s been a treat having the conference in our own back yard for a change. All of us at the Horn Book are required to attend and go to a few of the publishers’ parties. No problem! Walking up and down the aisles in the massive exhibit hall, I keep running into old friends and colleagues including librarians, people who work in publishing, teachers, former students, and even some folks I know from totally unrelated parts of my life. It reminds me of being at a high school reunion.

It’s also kind of overwhelming. I’m on day 3, my feet hurt, my face is tired from smiling so much, and I still haven’t seen everything I want to. But I did get to sit in on part of the Notables committee’s discussion 2015 picture books. This is one of the few book award deliberations that is open to the public. Unexpected bonus: Micky Freeny, one of my  2005 Caldecott Committee colleagues, was chairing the group.

Now I’m resting my feet and looking through photos from the past three days. Tomorrow morning I’ll be out the door bright and early, aimin to arrive at the convention center around 7:30 to get a good seat for the Big Announcements. You’ll hear more from all of us after that. Until then, here are a few picture.


View of the exhibit hall showing about half of the room.

View of the exhibit hall showing about one third of the room.


Sarah S. Brannen signing books at the Albert Whitman booth.

Sarah S. Brannen signing books at the Albert Whitman booth. Note the size of the backpack, presumably full of ARCs and other freebies.



The Notable Children’s Books discussion is open to the public.


Tomorrow morning's press conference will be  upstairs in the huge ballroom overlooking Boston haror.

Tomorrow morning’s Youth Media Awards press conference will be upstairs in the big ballroom overlooking Boston harbor.

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21. This Little President: A Presidential Primer, by Joan Holub | Book Giveaway

Enter to win an autographed copy of This Little President: A Presidential Primer, written by Joan Holub and illustrated by Daniel Roode. Giveaway begins January 12, 2016, at 12:01 A.M. PST and ends February 11, 2016, at 11:59 P.M. PST.

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22. Five questions for Barbara McClintock

Barbara McClintockEach of author/illustrator Barbara McClintock’s picture books provides a glimpse into a jewel-box of a world, from bustling early-twentieth-century Paris (Adèle & Simon; Farrar, 4–7 years) to a cozy 1970s mouse-house (Where’s Mommy?, written by Beverly Donofrio; Schwartz & Wade, 4–7 years). Her latest, Emma and Julia Love Ballet (Scholastic, 4–7 years), does the same for the vibrant world of ballet, giving readers a look at the daily routines of two dancers: one a student just starting out, the other a professional in her prime. A dancer myself, I jumped at the chance to talk to Barbara about how she translates movement to the page.

1. How did you decide on this day-in-the-life, compare-and-contrast format for showcasing a dancer’s reality?

BM: I blame two of my favorite books for putting the idea in my head: The Borrowers by Mary Norton and The Philharmonic Gets Dressed by Karla Kuskin, illustrated by Marc Simont. The parallel world of The Borrowers fascinated me as a child. And I fell in love — hard! — with the behind-the-scenes showering, sock-pulling-on, hair-combing, and beard-trimming preparations of orchestral musicians before their evening performance in The Philharmonic Gets Dressed.

My older sister Kathleen lived, breathed, ate, and slept ballet when she was little, and I’d wanted to make a book honoring her for a long time. She took me to my first professional dance performance, which proved to have a profound influence on my creative life. Her passion for dance inspired me to believe in myself as an artist.

2. Many of your books are set in bygone eras, with richly evoked historical settings full of texture and detail. How does your process differ when you’re portraying a contemporary setting rather than recreating a historical one?

BM: I tend to use slightly bolder, brushlike line work, little or no crosshatching, and brighter colors when working with a contemporary setting. Modern surfaces are shinier, glossier, brighter, harder. Metal and glass predominate. I find it’s easier to depict those hard, shiny surfaces with gradated watercolor washes. Textural ink crosshatching seems appropriate for older stone, wood, and plaster surfaces.

Modern forms call for fluid lines, less encumbered by lots of line work. There’s detail in contemporary buildings and clothing, but forms are more nuanced, freer, with open patterns and simplified shapes compared to historical structures and fashion.

Shapes of contemporary things that move — cars, airplanes, trains — are smooth and somewhat egg-shaped, reflecting aerodynamic design considerations. Carriages, carts, and buggies are boxy, with lots of angles, which makes for different compositional elements in pictures.

mcclintock_emma and julia love ballet23. The format of Emma and Julia Love Ballet is almost graphic novel–like, with the illustrations changing sizes and shapes to accelerate the pacing. How do you know what size illustration to use when?

BM: The size and shape of the illustrations is all about creating a sense of time, movement, emotion, and place.

Vignettes isolate characters to form a sense of intimacy between the reader and the character, like a spotlighted actor on stage. There can be a powerful emotional component to vignettes. Toward the end of the book as Emma prepares to go to the ballet performance, we see her in her fancy coat, with no background, nothing else in the image. Her facial expression alone tells us this is an important time for her. Anything else in the scene would impede the immediacy of her excitement.

Vignettes can also signify rapid movement and the passage of time. Several small vignettes on a page require only short amounts of time to look at. This visual device works well to depict Emma and Julia stretching, jumping, and spinning. Viewing several small images in quick succession can be like looking at a flip-book that gives the impression of fast, fluid motion.

Broad, dramatic scenes create a sense of mood and establish place; and fuller, detailed pictures slow the reader down at significant moments by creating an environment that invites investigation. That lingering pause can give majesty to a scene or narrative concept.

At the very end of the book, I wanted to go back to a vignette approach. We see Emma and Julia connected by their shared love of ballet. I wanted Emma and Julia to dominate and fill up the entire page with no external stuff to clutter up their emotional connection. This is their story, and they tell us absolutely and directly how they feel about ballet and each other.

4. You observed the Connecticut Concert Ballet as models for the illustrations, and took some ballet classes yourself for research. How did your perspective — or your illustrations — change after these experiences?

BM: I have a much better idea of just how hard a plié in fifth position is on your inner thighs!

Watching people in motion is a much different experience than simply studying photographs. Semi-realistic drawing has so much to do with gesture, and the best way to understand how an arm or leg really moves through space is to observe someone in the act of moving. As I draw the sweep of an arm, I get inside that motion. I’m not entirely sure how to express this, but I feel the movement in my head as a physical motion and visualize where that arm is going, then translate that motion as well as I can in a two-dimensional way on paper.

Ballet has its own regimented structure of movement. I just dipped into the surface of knowledge of ballet training, but hopefully enough to give some authenticity to the way the dancers in my book move.

Barbara loves ballet

Barbara in the ballet studio

5. The book is dedicated in part to the wonderful Judith Jamison, dancer and Artistic Director Emerita of Alvin Ailey American Dance Theater. Is there a particular role of Ms. Jamison’s that resonates most with you?

BM: In the early 1970s my sister took me to see the Alvin Ailey American Dance Theater in Minneapolis. Judith Jamison was the featured soloist. This was the first professional dance performance I’d ever seen. I had no idea what to expect, and was almost afraid to go. Any hesitation vanished the moment Judith stepped on stage. She dominated space and time, creating vivid shapes and patterns.

Judith performed Cry, a sixteen-minute solo homage to black women, choreographed by Alvin Ailey for his mother with Judith in mind. Judith expressed grief, depression, loss, redemption, and joy as eloquently as any novelist. I loved dance from that evening on.

Judith’s presence, authority, and grace inspired me in my work. I admired her, and looked up to Judith as a role model — a woman who was in command of her talent and a force almost bigger than life.

From the January 2016 issue of Notes from the Horn Book.

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23. Silly Willy Winston in the Adventures of Inspector Snout: The Case of the Missing Tadpole | Book Giveaway

Enter to win an autographed copy of Silly Willy Winston in the Adventures of Inspector Snout: The Case of the Missing Tadpole, written by Donna Maguire; plus the entire 5 book Silly Willy Winston series! Giveaway begins January 13, 2016, at 12:01 A.M. PST and ends February 12, 2016, at 11:59 P.M. PST.

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24. Charlotte’s Web, by E.B. White | Book Review

Charlotte’s Web is is one of the best-selling children’s books of all time. It is about a barnyard pig named Wilbur that can talk, a barn spider named Charlotte that can write, and a young girl named Fern that stands up for her beliefs.

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25. One Two That’s My Shoe by Alison Murray

One Two That’s My Shoe by Alison Murray | Storytime Standouts

One Two That's My Shoe by Alison Murray, reviewed by Storytime StandoutsOne Two That’s My Show written and illustrated by Alison Murray
Counting Picture Book published by Disney Hyperion Books

A delightful, cheery picture book, One Two That’s My Shoe by Alison Murray will have tremendous appeal for toddlers, preschoolers and older children. Beautiful illustrations feature a lovely palette and direct readers to notice numbers and what is to be counted in each two-page spread. Very well-suited to a classroom or a library read aloud session, the illustrations are bold and large enough for a group to enjoy.

One Two That's My Shoe spread

Georgie Dog picks up one of Grace’s shoes and within minutes a chase ensues. Georgie jumps over three teddy bears and races past four wooden blocks. Soon after, he rushes outside and into the garden. Grace chases after him. This is a playful pup with a winning personality. He is clearly having fun until he encounters ten upset chickens.

One Two That’s My Shoe is a special delight and highly recommended.

Young readers may recognize Georgie Dog and Grace from Apple Pie ABC

Cut and Colour Georgie Dog from Ms. Murray’s website

One Two That’s My Shoe! at Amazon.com

One, Two, That’s My Shoe! at Amazon.ca

Storytime Standouts - Raising Children Who Love to Read

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