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In my fantasy world, as I say in my introduction to the Horn Book’s annual summer reading recommendations. kids (and grownups) could read whatever they like while on their break. Wouldn’t that be GREAT? While I remember exhortations from teachers to read over the summer (not like I or probably you needed any encouragement) there were no lists and certainly no required reading. Those were the days.
I don’t yet have anything planned for my beach reading this year. I am not at all sure I will even see a beach, but in case I do, can anyone offer a recommendation?
The post What book will you take to the beach? appeared first on The Horn Book.
WHY I have to go to Chicago to see Jack Gantos when he lives only a mile away from my office is a question I’ll happily ignore to hear his Zena Sutherland Lecture at the Chicago Public Library tomorrow night. Join us if you can; otherwise you can read Jack’s speech in the Horn Book this fall. I’m also looking forward to brunch with Hazel Rochman, or, as Milton Meltzer once referred to her, “that damned Hazel Rochman,” the lady having incurred his ire for insisting, in a far-reaching and lastingly influential Booklist editorial, that nonfiction writers for the young cite their sources. Now it’s hard to imagine that they didn’t!
The post Jack and Hazel appeared first on The Horn Book.
[As an experiment last fall, I invited self-publishers to submit their best new titles for review. About a dozen heeded the call, and I am reviewing their books in this space.]
Bandits Peak; by Chris Eboch. Pig River Press, 2015. 173pp. ISBN 0-978-0692346006. Paper ed. $9.99
Jesse is out for a wander in the wilderness he loves near his small Washington State town when he comes across some strangers, two men and a pretty young woman. Fifteen-year-old Jesse’s insta-crush on the slightly-older Maria is believable and touching, and gives the subsequent boy-detective plot some emotional resonance. That the strangers are Up to No Good will be instantly apparent to readers, but an unrealistic degree of naivete on Jesse’s part, and the unrealistic lengths the story goes to in reinforcing that cluelessness, make the novel less credible than it needs to be. But what keeps it grounded–so to speak–are the wilderness-survival details (tracking, fire-making, fishing) that are Jesse’s best weapons for getting these varmints behind bars where they belong. R.S.
[This review may be distributed freely and excerpted fairly; credit to “Read Roger, The Horn Book Inc., www.hbook.com.]
The post Selfie Sweepstakes Reviews: Bandits Peak appeared first on The Horn Book.
Please join us for the 2015 Zena Sutherland Lecture, “A Pair of Jacks to Open,” with Jack Gantos. Friday May 1, Harold Washington Library in Chicago, 7:30PM. The lecture is free but tickets are required.
The post 2015 Zena Sutherland Lecture by Jack Gantos appeared first on The Horn Book.
Author T. A. Barron instituted the Gloria Barron Prize for Young Heroes in 2000. Named for the author’s mother, the Prize is given annually to fifteen young people “who have made a significant positive difference to people and/or our environment.” Each winner receives $5,000 toward his or her work or higher education.
Barron’s latest fantasy novel, Atlantis in Peril, will be published in May by Philomel Books, and look for his thoughts about his main man Merlin in the forthcoming May Horn Book Magazine, a special issue on the theme of Transformation. Nominations for the 2015 Barron Prize can be made through the website linked above, but the deadline is April 15th so burn rubber, jk.
This is the first in a series of interviews with children’s book people about what else they do with their time.
1. RS: Over the fifteen years the prize has been awarded, have you seen any shift in the kind or focus of activism from the nominees?
TAB: The quality and diversity of these kids has always been extraordinary – they blow my mind every single year. But there have been dramatic shifts in what kinds of activism motivate them. For example, there’s been a big increase in young people helping other people and the environment at the same time – such as one recent winner who invented solar lanterns to replace dangerous and polluting kerosene or dung ones in developing countries. Another change is that nearly all our nominees these days have created their own activism websites and have a real social media presence, which definitely wasn’t the case when we started!
2. RS: Where do you see the intersection between your work as a novelist and as a conservationist?
TAB: Both are about young people – their struggles, ideals, and surprising power to change the world. Every day, I’m worried about the terrible planetary mess we are handing to our children. Yet every day, I’m amazed by the honesty, freshness, energy, dreams, humor, and courage of young people. So in my writing, I try to authentically earn the idea that every kid, of any description, has a special magic down inside – magic that could change the world. Add to that “hero’s journey” core how much I like to weave ecological ideas into my books…and you have the two themes that flow through all my stories.
Similarly, in my conservation work, I try to share stories of real people who have made a difference to creating a more healthy environment – people like Jane Goodall (visionary), John Muir (activist), Rachel Carson (writer), and Johnny Appleseed (tree planter). We actually do have the power to give Mother Nature the space and flexibility she needs to survive – but we have to believe that before we can do it. The stories we tell young people – the seeds we plant metaphorically as well as physically – can help us get there.
3. RS: Could you describe one of the most surprising or inventive projects you’ve seen submitted for this prize?
TAB: I’m still waiting and hoping for the bright young kid out there who will invent a way for me to write books faster (as a community service, of course)! Alas, that isn’t going to happen. Some of my most favorite recent projects are: (1) Waste No Food, linking food donors with charities that feed the hungry, thus helping people and keeping food waste out of landfills. (2) Literacy for Little Ones, providing new books and early literacy information to nearly 10,000 families with newborn babies. (3) Project TGIF (Turn Grease Into Fuel), collecting waste cooking oil from residents and restaurants and refining it into biodiesel to help New England families with emergency heating needs.
4. RS: What do you think is the key to growing a lifelong idealist?
TAB: Here’s what I hope to convey to any kid from any background: See your life as a story – a story of which YOU are the author. So make it the very best story you can! Tell it with courage; tell it with passion. And also find a way to have a chapter or two where your dreams for how to make the world a better place are made real by the small, everyday things you do in your life – as well as the broader causes you support.
5. RS: If I told you I wanted to save the world, what would you give me to read first?
TAB: I’d give you three books: (1) Seedfolks by Paul Fleischman (on the power of every person to make a difference). (2) A Wrinkle in Time by Madeleine L’Engle (on the power of love). And (3) The Hero’s Trail (the new 2015 edition) by T. A. Barron. (I know it’s shameless of me to include that last title…but this new edition is so packed with inspiring stories of real young people who have shown amazing courage and compassion that I just can’t resist.)
The post What ELSE do you do?: five questions for T. A. Barron appeared first on The Horn Book.
[As an experiment last fall, I invited self-publishers to submit their best new titles for review. About a dozen heeded the call, and I am reviewing their books in this space.]
Between the Osprey & the Gar; written and illustrated by Trahern Cook. Studio Campfire Books, 2014. 32pp. Paper ed. ISBN 978-1500876265. $11.99
As Grandfather tells it, there’s a legend: deep at the bottom of the lake lies the “innocence purse,” said to bring youth to its finder. So when Grandfather becomes too frail to escort the eleven cousins on their nightly cruise to watch the osprey feed, they decide to retrieve the purse and make the old man young again. This précis is rather easier to follow than the actual text of the picture book itself, which is overstuffed with tangents, flourishes, exclamation points, and cousins. (A few more commas, however, would not have gone amiss.) The acrylic illustrations employ a good range of rich tones in black outline to provide the spooky and magical aura aimed at by the overworked text. R.S.
[This review may be distributed freely and excerpted fairly; credit to “Read Roger, The Horn Book Inc., www.hbook.com.”]
The post Selfie Sweepstakes Reviews: Between the Osprey & the Gar appeared first on The Horn Book.
Roger Sutton, Paul Zelinsky, and George Nicholson at Elizabeth Law’s apartment; photo by Elizabeth Law
…to the sad news that George Nicholson, whom I had first met at an ALA, more than thirty years ago, has died. I first knew George when he was publisher at Dell; he later moved over to Harper and then to a successful second career as an agent, at Sterling Lord Literistic. He was a very kind man, scarily well-read, deceptively soft-spoken, and had great hair. Those Yearling and Laurel-Leaf paperbacks you grew up with? Thank George. Leonard Marcus interviewed him for us back in 2007; go take a look.
The post Goodbye, George appeared first on The Horn Book.
Dudley Branch Library, Boston Public Library
This Saturday I will be speaking on a panel organized by Irene Smalls for people interested in writing books for children. At the Dudley Branch Library, 65 Warren Street in Roxbury, the panel, free and open to all comers, will run from 3:00 to 4:45, optionally followed by dinner (ten bucks) at Haley House. I hope to see you there!
The post Fools, rush in. appeared first on The Horn Book.
I participated in the "Are we doing it white?" conversation at Read Roger (Roger Sutton's blog at Horn Book; Sutton is the executive editor at Horn Book; The Horn Book is highly regarded in children's literature). His 'we' is white people and the 'it' is reviewing. He references a conversation he had with librarian Nina Lindsay in which she asked if it is time to "shake up our standards" in reviewing.
At one point in the 'Are we doing it white' conversation, Roger said he would love to have more reviewers at Horn Book that aren't white, and that he is "intensely devoted" to "getting out information about cultural diversity--who's out there, what's out there, and what's NOT out there" (see his comment at 12:28). I reviewed for Horn Book in the 1990s.
I responded (at 1:56) with this:
Question for Roger:
Remember when you decided it was inappropriate for me to use the word stereotype to characterize a kid playing Indian? You decided to give the review to someone else. Later, in a review of a nonfiction book about California missions, I said the author was ignoring new research on the missions, and that review got reassigned, too.
Those were terse moments for me. I was furious. All the power was yours, and it dictated what I could or could not say as a HB reviewer. Because of those two experiences, it was not hard for me to decide to move on and focus on my dissertation. I think if you hadn’t done that, I wouldn’t have left.
Would it be different if I submitted those reviews today?
His reply (at 2:29):
Debbie, how could I forget?
Actually, i *do* forget what happened with the book about the missions but remember the playing-Indian question very well. In this book, THE BIRTHDAY BEAR, two contemporary white children and their grandfather, among other activities, put on fake headdresses and pretend to be Indians.
In regard to your review of this book, nothing would be different today. You criticized it not for inaccuracy or stereotyping but because the characters in the book engaged in an activity you found objectionable. We can’t knock a book because we morally disapprove of its fictional characters’ actions. What I said then I’ll say now: I take the ALA’s Library Bill of Rights very seriously, and I believe “materials should not be proscribed because of doctrinal or partisan disapproval” with all my heart.
I haven't been able to find the review I submitted (it was written and submitted in the 1990s). I'll keep looking. Perhaps there is one in Horn Book's files. I probably gave it a 6 in my overall rating, which is "unacceptable in style, content, and/or illustration."
I wrote an article based on the rejection of that review. It includes some of the emails that were exchanged by me and Roger.
If you'd like to get a more in-depth look, I'm sharing the article as a pdf: Contesting Ideology in Children's Book Reviewing.
It was published in 2000 in a Studies in American Indian Literatures
, the journal of the Association for the Study of American Indian Literatures
As readers of AICL know, I don't recommend books where kids are playing Indian. They invariably do that in a stereotypical way. During the time I was reviewing for Horn Book, they were sending me books with Native content because they believed I had the expertise to review those books. In the case of The Birthday Bear
, Roger also felt that it should not have been sent to me because the kids playing Indian was "peripheral" to the story. It may have been to him, but it wasn't peripheral to me.
As the article and the on-going discussion at Read Roger
show, neither Roger or myself have shifted in our views on this particular incident.
Roger titled his post "Are we doing it white?"
My answer to Roger?
Yes, you are. Indeed, you do it with glee, as evident in your reply to Sarah Park Dahlen (see his comment at 3:37) where you say that you "happily recommended" a book in which kids are playing Indian.
Please read the conversation at Are we doing it white
. I appreciate the personal notes of support I've received, and I especially appreciate the work we're all doing to push back on the power structures that use that power to affirm the status quo. We're all doing it for young people who read. What they read matters.
I’m a judge for this year’s Pannell Award for children’s bookselling and our slate of nominees has been announced. Anything you want to tell me?
The post Buy the book appeared first on The Horn Book.
Nina Lindsay has a terrific article up at SLJ about this year’s ALA Award winners and What It All Might Mean. And in my latest editorial, I write about the need to value art from outsiders as well as insiders. Can we have both? Can we HAVE IT ALL?
The post Inside and out appeared first on The Horn Book.
Drawbridges Open and Close; by Patrick T. McBriarty; illus. by Johanna H. Kim. Curly Press, 2014. 40pp. ISBN 978-1-941216-02-6. $15.95
Gr. K-3. I was glad I had read this book prior to my recent visit to Ft. Lauderdale, where everybody gets around by car, negotiating a host of drawbridges back and forth across the Intracoastal Waterway. Although the book opens (heh) confusingly with “Next to the drawbridge is a bridge house,” it then settles into a clear and nicely-patterned account of the six steps taken (by the Scarryesque Bridge Tender Todd, a fox) to open the bridge for passing boats and then the six to close it so that street traffic may resume. Coloring is vibrant without being over-lavish; the drawing of the all-animal cast is a little awkward but that of the bridge and boats and vehicles is neatly-lined, and the cutaway diagrams that show how the bridge works are excellently informative. One terrific spread shows the open bridge, the passing boats and the impatient cars from an amazing bird’s-eye-view. Perhaps the focus is a bit narrow, and it’s not said how generalizable the information is (do all drawbridges work this way?) but children with an eye for the way things work will be happy with this picture book. R.S.
[This review may be distributed freely and excerpted fairly; credit to “Read Roger, The Horn Book Inc., www.hbook.com.]
The post Selfie Sweepstakes Reviews: Drawbridges Open and Close appeared first on The Horn Book.
Seasonally enough, last night I attended Blizzard of Voices, an oratorio by Paul Moravec (husband to your friend and mine Wendy Lamb). While you might have thought the warm and woody Jordan Hall would have been an oasis in Boston’s horrible weather, Moravec’s commemoration of the 1888 Schoolhouse Blizzard was terrible–in the exactest sense–in its evocation of the wind and cold and terror and death that swept over the Great Plains and killed more than two hundred people.
Taken from Ted Kooser‘s book of the same name, the work’s texts were beautifully shared shared among a chorus and six soloists:
We finally had to dig
Down into a drift, wrapping
the blanket around us. Billy
died in the night. I thought he
was only asleep. At dawn,
I dug out, finding that we
Were in the sight of the homeplace.
And with the orchestra thundering–and more ominously, insinuating–away, it really felt like voices from a storm, meteorological and otherwise.
Am I the only person who thought this was, historically, the same storm the Ingalls family endured in The Long Winter? Nope–Laura Ingalls Wilder’s book covers events of eight years earlier. Debbie Reese and I got into it a bit a couple of weeks ago about that book, and while I take her point about the objectionable stereotyping of American Indians therein, I’m not ready to give The Long Winter up. The way it turns winter-wonderland fantasy into nightmare is unparalleled and as keenly evoked as what I heard last night.
After the concert was over, I discovered that my bus, which is supposed to show up every ten minutes, wasn’t due to arrive for at least half an hour. I started to think that the Boston winter of 2015 was Just Like Back Then, but then I slapped myself hard.
The post I’ll show you WINTER. appeared first on The Horn Book.
We saw the new Cinderella last night and you should see it too. What I loved most was that it was genuinely a children’s movie. While Cate Blanchette as the stepmother and Helena Bonham-Carter as the fairy godmother were on hand to provide some camp (and there was a PG-pushing plethora of men in tights), neither they nor the movie ever winked over the head of the intended audience. Cinderella herself was given just enough spirit (or “agency,” as our reviewers keep trying to say) to rescue her from stereotype without tipping into anachronism, and plot complications to the tale’s essentials were mercifully few. Rightfully, the high point of the movie was The Dress, first as HBC enchants it around Ella and then again when it whirls about the dance floor at the ball. Look for it on October trick-or-treaters–and maybe some June brides?
P.S. Stick around for the credits to hear Lily James (Cinderella) and HBC sing two of the classics from the original Disney film.
The post A Lovely Night appeared first on The Horn Book.
The Horn Book is looking to give away approximately 2000 new trade and library hardcover books, all published in 2014. Here is the catch: you have to come and box them up yourself and take them all. ALL: no picking and choosing. They include picture books, novels and lots of nonfiction. We are on the Simmons College campus in Boston. If this sounds like something you would like, contact Kitty Flynn, kflynn AT hbook DOT com. The person who can get to Kitty fastest with the quickest plan to move ‘em out wins.
The post Free to a good home appeared first on The Horn Book.
After seeing some alarming comments on Read Roger and Facebook I feel the need to point out something I thought everybody knew: the Horn Book, like our sisters at SLJ, Booklist, and BCCB, does not charge authors or publishers for book reviews. Publishers Weekly and Kirkus do offer fee-based reviewing services but these are in addition to (and labelled as such) their regular reviews, which are free. Personally, I think reviews you have to pay for are a waste of money and a source of the worst kind of mischief.
People have also questioned the relationship of advertising pages and review coverage, and this is totally fair game for examination: do advertising dollars buy reviews in a quid pro quo arrangement? Absent the presence of damning emails or something, I think it would be hard to prove either way, because advertisers tend to spend their money in places that are saying nice things about their products. This is not absolute, though: I once heard our wonderful ad director Al tell a marketing director at a Big Five publisher that they should be buying more ad space because we were giving them so many good reviews. Her response? “Sure, but how many of those are starred reviews?” It’s never enough. But, no, at the Horn Book we don’t review (or star) books on the basis of who is buying advertising pages. (We do offer products such as Talks With Roger that are paid for by publishers but are clearly labelled as “sponsored content” and are separate from our review coverage.)
Something I have intuited (or outright heard) from some publishers, large and small, is that they think of reviews as part of their promotion efforts. This makes sense from their point of view, in that they use reviews for marketing purposes. But we don’t work for the publishers, we work for our readers. Smart publishers know that this is in their best interest.
The post The buck stops over there appeared first on The Horn Book.
“I must stop this. I mustn’t be this way. Look. Suppose a young man says he’ll call a girl up, and then something happens, and he doesn’t. That isn’t so terrible, is it? Why, it’s gong on all over the world, right this minute. Oh, what do I care what’s going on all over the world? Why can’t that telephone ring? Why can’t it, why can’t it? Couldn’t you ring? Ah, please, couldn’t you? You damned, ugly, shiny thing. It would hurt you to ring, wouldn’t it? Oh, that would hurt you. Damn you, I’ll pull your filthy roots out of the wall, I’ll smash your smug black face in little bits. Damn you to hell.” (Dorothy Parker, “A Telephone Call.”)
Writer, is this you? Elizabeth Law has some tips on The Art of Following Up.
The post Please, God, let him telephone me now appeared first on The Horn Book.
Please join me on Saturday the 25th at the Boston Book Festival for “Masters of Fantasy,” a panel discussion with Soman Chainani (A World Without Princes), Holly Black and Cassandra Clare (The Iron Trial), and Gregory Maguire (Egg & Spoon). We’ll be talking about–well, I guess I should get on that right quick, as I’m the moderator–but FANTASY. 1:00-2:00 PM, Emmanuel Church sanctuary, 15 Newbury Street, Boston. FREE.
The post It’s not on any chart / You must find it with your heart appeared first on The Horn Book.
Last weekend my friend Lori was in town and we took the dogs for a walk in the schoolyard across the street. Three tween girls were hanging out on the jungle gym and as we passed they started whispering ostentatiously in our direction and laughing meanly. ‘Girls that age” said Lori, a middle-school math teacher in the Bronx, “are the worst.”
That encounter stayed with me as I started exploring the saga of YA author Kathleen Hale and the Goodreads troll, which Hale described at great, great length in the Guardian. What did the editors think to let her go on for 5000 words? Perhaps they are part of the great catfishing* conspiracy erected to oppress Ms. Hale, because while you begin the essay thinking “poor her,” as Hale unravels you start to smile nervously and look for an exit. It’s far away.
Then I went to a blog that Hale cited as an ally in her fight against the Dark, Stop the GR [Goodreads] Bullies, which I thought would be, I don’t know, some kind of manifesto about maintaining decency in book discussion. Instead I soon felt like Jennifer Connelly discovering Russell Crowe’s crazypants chalkboard diagrams as pages of scans and proofs and links and trolls and catfish whirled about each other with manic glee. Here, as in Hale’s confessional, I saw no victims, just bullies on all sides.
I know it’s unlikely–or NOT, he adds, as the madness infects him–that any of the participants in this circus are twelve-year-old girls, but watching the accusations fly and the drama being whipped up reminded me of those kids at the school, a big helping of attention-seeking with a side of hostility. I’ve avoided Goodreads only because it was too much like work, but it always seemed like such a nice place. Now it looks to me like those spy novels I love, where the apparent placidity of daily life and ordinary citizens is completely at the mercy of the puppet masters. If you want me, I’m in hiding.
*as Liz Burns points out, that word does not mean what Hale thinks it does.
The post I don’t THINK anyone is trying to hunt me down appeared first on The Horn Book.
Don’t get me wrong. White guys working in children’s books have it good. In fact, it would be fair to say we have it pretty much made. But in the wake of host Daniel Handler’s remarks at Wednesday’s National Book Awards, I find myself thinking about the privileged but peculiar position white guys have in this field. (Some of what I have to say applies to the non-white guys, too, but I am not going to generalize that far.)
I wasn’t at the event and can’t bring myself to watch the video because I know it would have me writhing in empathetic embarrassment. So all of my information is from the transcript and subsequent internet outrage. And what I’m left with—even more than my happiness at Jackie Woodson’s win—is how sorry I feel for Handler, and how easily I could have fallen into the same trap. (I confess to some impatience with all the talk of him stealing Her Moment because Woodson is getting a way longer moment than any children’s National Book Award winner has ever gotten before. Quickly, who won last year?)
The main thing about being a white guy in children’s books is that you get a lot more attention—not to mention Caldecott Medals!—than you would otherwise, and than is really good for you. Award committees want you as a member. Conferences want you to speak. People look to you for a “male point of view”—especially when they are seeking to solve the perennial problem of The Boy Reader, attention to whose needs getting far more ink than the needs of his sister. If you’re good-looking—and here I speak from observation—you are really set. Molly Ivins would have said that you were born on third base, and, professionally speaking, she would have been right.
It’s a nice life that’s easy to get used to. But as Handler learned, it can bite you in the ass. There he was in the spotlight, doing what he’s been amply rewarded for doing for years, and he overreached. He was trying to show us that he was as cool as we’ve long been saying he was: I am so cool I can get away with a racist-not-racist watermelon joke. He couldn’t, and I’m sorry there was no one to tell him he wouldn’t. Or maybe he didn’t think to ask? It’s the least a guy can do.
The post Being a White Guy in Children’s Books appeared first on The Horn Book.
While putting my thoughts back in to fully bake–just kidding, I’ve ditched that recipe–I wanted to share some of the valuable links people provided in the comments to my last post and on Facebook. And let me say again how grateful I am for your bearing with me. I think a lot about what it means to be a man in children’s books (why, for example, do so many of us talk about book awards like they are sports?) but my post of last Friday was not only half-baked, it was clueless as to what was happening in the kitchen and the nation.
So here’s some reality. Jackie Woodson has issued a statement in which she is definitely taking the high road:
“I’d rather continue to move the dialogue forward in a positive light rather than a negative one. This is a moment when our country can grow and learn and better understand each other. It would be nice to put the energy back where it should be — on the books and what the books are saying and doing – Redeployment is an astounding novel, Glück is nothing short of an amazing poet. I don’t know Osnos’ book yet but I plan to read it. Brown Girl Dreaming is about writing and about the history of this country. But more than that, it’s about what this conversation should be — a coming to understanding across lines of race.”
Here is a link to Nikky Finney’s “Choking on a Watermelon.” And David Perry’s post, which was one of the first critiques I saw. Laura Ruby shared this beautiful post from Ashley Ford; and Sarah Hamburg provided some historical context with Ta-Nehisi Coates’ thoughts on Forest Whittaker’s encounter with racism in an UWS deli. And I am very grateful to have found a comparison-gainer, thanks to Kate Messner, in a Princeton freshman who has “checked his privilege and apologizes for nothing.”
Please also see relevant Horn Book resources, which Elissa and Katie began curating after we published Christopher Myers’s “Young Dreamers,” one of the most important essays I’ve seen come through this office and for which I will be forever grateful to Christopher for sending it our way.
That’s it for today–I am now off to engage in the annual bloody battle also known as the Fanfare discussion.
The post Some people smarter than I appeared first on The Horn Book.
Interesting discussion about holiday library programming over at SLJ. I have two questions.
First, as is so often true when we are talking “on behalf” of children, I want to know if Santa-in-the-library is genuinely offensive to non-Santa people, or is this a case of one party being offended in advance on behalf of another? Without even asking.
Second, where would you draw the line? Some conservative Christians, for example, have taken exception to Harry Potter. Does that mean no Harry Potter programming? Taking into account cultures and/or parents that frown on dating (let alone pre-marital sex), do we decide to forgo booklists or reading club discussion of YA romances? And you might as well jettison any and all folk material from story hour for fear of offending animal rights people, animals-don’t-talk people, anti-princess people, and purist people who want to make sure LRRH ends up in the wolf’s belly. Commenters over at SLJ have pointed out that the American holiday that does not piss somebody off simply doesn’t exist, and I would add that if you decide to decorate for nothing more than the seasonal changes you are still opening yourself up to accusations of paganism, Darwinism and/or climate change denial/hysteria. Because this is America and this is how Americans are these days.
None of this is to justify your Christmas decorations on the grounds of “majority.” Because this is a library, where we say fuck the majority and try to do the best we can for as many people as possible. So celebrate everything: better the risk of your bulletin boards and story hours going over the top than the deadly peace of guaranteed non-offence.
The post Crankypants Monday appeared first on The Horn Book.
The following books will receive starred reviews in the January/February 2015 issue of the Horn Book Magazine. Coming this Wednesday: Fanfare, our choices for the best books of 2014.
Once Upon an Alphabet; written and illustrated by Oliver Jeffers (Philomel)
The Bear Ate Your Sandwich; written and illustrated by Julia Sarcone-Roach (Knopf)
Supertruck; written and illustrated by Stephen Savage (Roaring Brook)
The War That Saved My Life; by Kimberly Brubaker Bradley (Dial)
Tales of Bunjitsu Bunny; written and illustrated by John Himmelman (Holt)
Glory O’Brien’s History of the Future; by A. S. King (Little, Brown)
Star Stuff: Carl Sagan and the Mysteries of the Cosmos; written and illustrated by Stephanie Roth Sisson (Roaring Brook)
The post Starred reviews, January/February 2015 Horn Book Magazine appeared first on The Horn Book.
The Horn Book Magazine‘s choices for the best books of 2014. Sign up now to receive the fully annotated list in next week’s issue of Notes from the Horn Book:
Sam & Dave Dig a Hole by Mac Barnett; illustrated by Jon Klassen (Candlewick)
My Bus written and illustrated by Byron Barton (Greenwillow)
The Baby Tree written and illustrated by Sophie Blackall (Paulsen/Penguin)
Draw! written and illustrated by Raúl Colón (Wiseman/Simon)
Gaston written by Kelly DiPucchio; illustrated by Christian Robinson (Atheneum)
The Farmer and the Clown written and illustrated by Marla Frazee (Beach Lane/Simon)
Once Upon an Alphabet written and illustrated by Oliver Jeffers (Philomel)
Viva Frida written and illustrated by Yuyi Morales, with photos by Tim O’Meara (Porter/Roaring Brook)
Bow-Wow’s Nightmare Neighbors written and illustrated by Mark Newgarden and Megan Montague Cash (Porter/Roaring Brook)
The Madman of Piney Woods by Christopher Paul Curtis (Scholastic)
The Key That Swallowed Joey Pigza by Jack Gantos (Farrar)
My Heart Is Laughing written by Rose Lagercrantz; illustrated by Eva Eriksson; translated from the Swedish by Julia Marshall (Gecko)
We Were Liars by E. Lockhart (Delacorte)
Egg & Spoon by Gregory Maguire (Candlewick)
Rain Reign by Ann M. Martin (Feiwel)
The Turtle of Oman written by Naomi Shihab Nye; illustrated by Betsy Peterschmidt (Greenwillow)
West of the Moon by Margi Preus (Amulet/Abrams)
This One Summer written by Mariko Tamaki; illustrated by Jillian Tamaki (First Second/Roaring Brook)
Little Roja Riding Hood written by Susan Middleton Elya; illustrated by Susan Guevara (Putnam)
Firefly July: A Year of Very Short Poems selected by Paul B. Janeczko; illustrated by Melissa Sweet (Candlewick)
How I Discovered Poetry written by Marilyn Nelson; illustrated by Hadley Hooper (Dial)
Buried Sunlight: How Fossil Fuels Have Changed the Earth written by Molly Bang and Penny Chisholm; illustrated by Molly Bang (Blue Sky/Scholastic)
El Deafo written and illustrated by Cece Bell; color by David Lasky (Amulet/Abrams)
The Right Word: Roget and His Thesaurus written by Jen Bryant; illustrated by Melissa Sweet (Eerdmans)
The Story of Buildings: From the Pyramids to the Sydney Opera House and Beyond written by Patrick Dillon; illustrated by Stephen Biesty (Candlewick)
The Family Romanov: Murder, Rebellion, and the Fall of Imperial Russia by Candace Fleming (Schwartz & Wade/Random)
Josephine: The Dazzling Life of Josephine Baker written by Patricia Hruby Powell; illustrated by Christian Robinson (Chronicle)
Neighborhood Sharks: Hunting with the Great Whites of California’s Farallon Islands written and illustrated by Katherine Roy (Macaulay/Roaring Brook)
Brown Girl Dreaming by Jacqueline Woodson (Paulsen/Penguin)
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A reminder that the due date for entries in the Selfie Sweepstakes is December 15, next Monday. Those who predicted I would be swamped with entries were wrong; right now there are about a dozen submissions. If the next week does not bring a deluge, I’ll be able to comment on each of the submissions here on the blog in the coming month. I have no idea if I will find a winner.
I think the relatively few submissions tell us something valuable about the intersection between old media and self-publishing. While it is true that some commenters said they wouldn’t submit because they thought the contest was rigged and obnoxious, more complained about the requirement of a 2015 publication date. They explained that self-published books don’t work on the same calendar as trade books do; that when a book is ready to go, it goes. Others insisted that the publication date was immaterial because good books are timeless, etc. But book reviewing is part of the news business, not simply artful critiques of whatever books we feel like writing about. I also worry that the lack of a pub date can mean a lack of other things as well–a distribution plan, for example. If the only way a book can be ordered is to mail a check to the author’s house, then it is too difficult for a library to order. To the self-publishers who complain that Baker and Taylor does not want their business, I ask, sincerely: why?
Someone recently pointed out in a comment on my original rant that it is unfair to characterize self-published children’s books as “mostly pretty terrible” when trade publishers routinely publish plenty of crap. Yes, they do. But the difference is that the trade publisher believes that any book they publish will have an audience. A self publisher is more inclined to believe that any book they publish should have an audience, which is a very different situation indeed.
See you all next week, and good luck!
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