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I’ve written before about our great experiences with various MOOCs one or more of us has taken via Coursera. Here’s another list of offerings, this time from FutureLearn.com. Courses that have caught my eye include:
• Moons— “Explore the many moons of our Solar System.” This has Beanie written all over it. Eight weeks, starts March 17. The Open University.
• Kitchen Chemistry— “Along the way you will use fruit tea to identify acids and alkalis, investigate chemicals that speed up reactions and experiment with electron transfer reactions. This should give you a feel for the world of molecules and an idea of some reactions. It should also introduce some methods to separate chemicals, to find out what chemicals are present in a mixture and ways to change chemicals from one form to another.” Six weeks, starts in April. University of East Anglia.
• England in the Time of Richard III! Exclamation point mine. “Explore 15th century England through archaeology, history and literature against the backdrop of the excavation of Richard III.” Yes, please. Methinks it’s time to introduce Rose and Beanie to Josephine Tey’s Daughter of Time—a compulsive reread for both Jane and me—as a backdrop to this course. Six weeks, starts mid-2014. University of Leicester.
Those plus the Courseras we’re already signed up for—including a History of Art for Artists, Animators, and Gamers via CalArts, which is just getting rolling—may tide us over until the next iteration of ModPo kicks off in September. Boy do I love sending my kids to college around the world in our own living room.
Searches for this phrase (minus the comma) keep popping up in my stats. It’s a Downton Abbey quote, Violet mocking Isobel: “I wonder you don’t just set fire to the Abbey and dance ’round it, painted with woad and howling.” She didn’t pause for a comma, which has some folks confused. ‘Howling’ here is a verb.
Here is a person who is painted with woad, and is also howling.
Woad is a blue dye extracted from a the plant Isatis tinctoria or “dyer’s woad.” Its flowers are yellow but you can get blue from its leaves. I learned a lot about it while researching my Martha books—woad would have been one of Auld Mary’s staples. Indeed, it was a staple in European textiles through the Middle Ages, until it was gradually replaced in commercial use by indigo.
You chop the leaves into a paste, let them dry, crumble them into powder, then sprinkle them with water and allow them to ferment, a process known as “couching.” Then you add a mordant, something to help fix the color into the cloth. In days of yore this was most commonly stale urine. (The ammonia in the urine serves as the fixative, as you probably learned from The Mammoth Hunters.) Fun fact: according to this dyeing site, the urine of male beer drinkers was most effective. The collection and sale of urine from certain cities was big business, at one time.
Urine from London was shipped up the coast to Yorkshire, where there was a big dyeing industry, and this is the origin of the phrase “taking the piss.”
Captains were unwilling to admit that they were carrying a cargo of urine and would say that the barrels contained wine.
“No – you’re taking the piss” was the usual rejoinder.
In ancient Scotland, so the story goes, the Picts liked to paint or tattoo themselves with woad, especially before going into battle. In fact, that’s how they came to be called Picts by the Romans, from the Latin word “pictus” or painted. Julius Caesar wrote in his The Conquest of Gaul, “All the British color themselves with glass, which produces a blue color.” Over time his word “vitro” (glass) came to be associated with woad, and the image of blue-painted Scottish warriors stuck. Some modern scholars dispute the association, saying Caesar meant something else entirely; it is widely accepted that the early Britons did engage in body art but the contemporary thinking, as far as I can tell, seems to be that the paint was probably not made from woad. However, other experts will point out that woad has antiseptic properties, which could well explain its use in painting the skin before or after armed conflicts. And so woad lives on in battles (of the scholarly sort) to this day.
Whatever the truth may be, the blue body paint is exactly what the Dowager Countess had in mind when she tossed her barb at Isobel. If I had any kind of Photoshop skills you would be looking at Maggie Smith’s face painted with woad (and howling) right now.
Some quick notes on things we’re using a lot lately:
• Spellosaur app (Rilla and Huck). With the paid version, you can enter lists of spelling words for each kid. They both ask to play it daily, which is fine by me. Huck’s favorite part is recording his own audio for the words, which he then laughs at on playback during the activities. I wouldn’t normally be working on spelling with a five-year-old but he enjoys the app so much, it isn’t work. For Rilla, I’ve been entering word lists from an old copy of Spelling Power. She also created a second user account to use for French words. Here, too, she loves recording the audio herself.
• I couldn’t find our Chronology game (I know it’s around here somewhere), but Rose and Beanie have been absorbing a lot of history this year, in a jumble of time periods. Science history in the Renaissance, American history between the Revolutionary and Civil Wars, medieval English literature (now heading into Renaissance there too), all sorts of non-coordinated reading going on. We took our old timeline down last year—it was up too high and we weren’t really adding to it anymore—and I wanted some way to make chronological sense of all these events they’re soaking up. So I had a brainstorm and made our own custom Chronology set, sort of. We got index cards and wrote various key events and people on them, with a little stripe of colored highlighter on one side to indicate science, literature, arts, or political history.* They put the dates on the back of each card. We play the game just like Chronology: I put down one starter card and then they take turns calling out the date of the next event, and putting it down in a row in chronological order. If we can keep it up, we’ll build a nice collection of the main points of our history/science/literary studies this year. They get pretty giggly and competitive in the game, so it’s been way fun so far.
*A fifth color denotes fictional works related to a period we’re studying. There are certain novels and films that will always represent a particular time and place—Betsy in Spite of Herself, for example, popped immediately into the girls minds when we read about German immigrants building a home away from home in Milwaukee.
• The other thing we do quite a lot in our history studies is link whatever we’re reading about to our own family history, as far as we’re able. This applies mostly the 18th century and on, of course (although we do have a couple branches on the family tree traced back to the 16oos). I like to pull up our tree on Ancestry.com and take a look at who among our ancestors was living in a particular area at a given point in time. The big waves of Irish and German immigration in the first half of the 19th century, for example, became much more vivid to the girls when they got a look at the names and disembarkation dates of their forebears who were among those masses.
Our Round Buildings, Square Buildings reading took us to the Flatiron Building, which led to the Chrysler Building (cue “Hard Knock Life”), the Empire State Building, the old and new Manhattan skylines, and much discussion along the way. I got a bit homesick for NYC. Somewhere around here I have a copy of a letter I wrote to friends back home during my first year in New York—a long description of the view from the top of one of the Twin Towers. Ouch. It would be a good thing to post tomorrow, if I could find it, but them’s slim odds.
A friend posted a caterpillar pic on Facebook, looking for an ID. Beanie was game, and we wound up meandering around this ID site for a good long while. Didn’t find our friend’s critter, but I learned a whole lot about ghost moths…
Rilla is interested in French, which led to an hour on YouTube this afternoon, listening to French children’s songs (and marveling at their unabashed gruesomeness, some of them). It all began with Alouette:
Little lark, nice lark, I am plucking you?! Who knew? (French speakers, that’s who.) Oh, the belly laughs this generated.
Many videos later, we discovered the Most Persistent Earworm of All Time.
Les crocrocro, les crocrocro, les crocodiles will be haunting my dreams tonight.
“A bumpy line of buildings stretched like castles along the horizon. They were grain elevators at Port Arthur and Fort William filled with mountains of grain which trains had brought from the plains of western Canada. The ships now passing Paddle would carry the grain to other lake ports and other lands…”
(She decided to draw stalks of wheat to represent the grain. She’s charting Paddle’s journey through the Great Lakes in blue.)
But of one of the great treasures of old Irish literature we will talk. This is the Leabhar Na h-Uidhre, or Book of the Dun Cow. It is called so because the stories in it were first written down by St. Ciaran in a book made from the skin of a favorite cow of a dun color. That book has long been lost, and this copy of it was made in the eleventh century…
In the Book of the Dun Cow, and in another old book called the Book of Leinster, there is written the great Irish legend called the Tain Bo Chuailgne or the Cattle Raid of Cooley.
This is a very old tale of the time soon after the birth of Christ. In the book we are told how this story had been written down long, long ago in a book called the Great Book Written on Skins.
That last bit cracked us up and we had to spend a while proclaiming the title in sonorous tones.
We enjoyed the story of the Book of the Dun Cow even more than the story in the Book of the Dun Cow, if you see what I mean. Marshall drops in intriguing details and doesn’t explain them: “But a learned man carried away that book to the East.” Who? Why? Where?
We’d have liked to hear more of Mary A. Hutton’s poem, “The Tain,” of which only a snippet was included—the Brown Bull’s death:
“He lay down
Against the hill, and his great heart broke there,
And sent a stream of blood down all the slope;
And thus, when all the war and Tain had ended,
In his own land, ‘midst his own hills, he died.”
Later we decided it was time for Rilla to meet The King of Ireland’s Son, and Padraic Colum’s rollicking, lilting prose swept us off on a grand adventure. Oh, such chills when the Eagle looks at the King’s Son with the “black films of death” covering her eyes!
Hmm, this is all sounding rather gruesome, but I guess I’m just calling out the gruesome bits. We were laughing ourselves silly at certain parts of the morning’s reading. And Colum weaves in such irresistible poetry:
His hound at his heel, His hawk on his wrist; A brave steed to carry him whither he list, And the green ground under him,
I put the fastenings on my boat For a year and for a day, And I went where the rowans grow, And where the moorhens lay;
And I went over the stepping-stones And dipped my feet in the ford, And came at last to the Swineherd’s house,– The Youth without a Sword.
A swallow sang upon his porch “Glu-ee, glu-ee, glu-ee,” “The wonder of all wandering, The wonder of the sea;” A swallow soon to leave ground sang “Glu-ee, glu-ee, glu-ee.”
I’m a longtime fan of the Brave Writer writing program for homeschoolers—as this gushing review from (gasp) 2005 will attest. I’ve borrowed many an idea from Julie Bogart’s The Writer’s Jungle and I’ve ordered a number of issues of The Arrow and The Boomerang over the years. These monthly newsletters, which you can purchase individually or by subscription, are focused around a particular novel that you read aloud to your kids. For each book, there are copywork and dictation passages, a discussion of a literary element that appears in the reading, and writing prompts for your students. For my kids, I’ve found these downloads to be great discussion starters—and for me, they’ve been an easy way to introduce my kids to the tools of literary analysis.
So it’s a tremendous honor to see one of my own books on the list of Arrow titles for 2012-2013. The Prairie Thief, which comes out in late August, will be the October selection. Thanks, Brave Writer!
Julie Bogart has some fun plans in mind for October, such as a podcast interview with me…I’ll keep you posted!
P.S. Here’s next year’s Boomerang list (aimed at ages 12-15), if you’re interested. The Arrow is for kids ages 8-12. And this year Brave Writer is adding a new tool for early readers: The Wand.
So says Rilla. Her father does not approve. Her father is not a fan of tarantulas.
But he’ll forgive me, because he knew what he was getting into when he married me—the runaway train of my enthusiasm. How did we get on to spiders this morning? Rose said something about liking them; I think that was it. Beanie shuddered; she sides with her daddy on this one. Rose and I had a sudden impulse to go outside and see how many different kinds of spider we could count. Oddly, the pickings were slim: we only found two. Usually, they’re everywhere you look, causing some small child or other to shriek and run away. But there were two tiny ones of a species we’ve yet to identify, teensy oblong things with thin stripes of brown and tan, poised on webs stretched between the stems of the rose bush. Look, said Rose, I found this out yesterday: if you put a bit of twig in the web, the spider will come and snip it out. We waited, but the spider was on to us, frozen, silently glaring. Ten minutes later, after we’d roamed the yard in search of others, the twig was gone.
By chance—or maybe this is what put spiders on Rose’s mind this morning?—I’d pulled Fabre’s Life of the Spider off the shelf a day or two ago, thinking it might make a nice nature-study read for the summer, and added it to the high-tide stack in the living room. At the time, I wasn’t at all sure it would grab my girls—read-alouds are a challenge, these days, with one sweet boy endlessly butting in with questions, and the other impish one endlessly butting you with his head. But they were interested, so I gave it a try. Note to writers: If you want to hook an audience of 6-13-year-olds, “Chapter 1, The Black-Bellied Tarantula” is a sure-fire way to begin.
The Spider has a bad name: to most of us, she represents an odious, noxious animal, which every one hastens to crush under foot. Against this summary verdict the observer sets the beast’s industry, its talent as a weaver, its wiliness in the chase, its tragic nuptials and other characteristics of great interest. Yes, the Spider is well worth studying, apart from any scientific reasons; but she is said to be poisonous and that is her crime and the primary cause of the repugnance wherewith she inspires us. Poisonous, I agree, if by that we understand that the animal is armed with two fangs which cause the immediate death of the little victims which it catches; but there is a wide difference between killing a Midge and harming a man. However immediate in its effects upon the insect entangled in the fatal web, the Spider’s poison is not serious for us and causes less inconvenience than a Gnat-bite. That, at least, is what we can safely say as regards the great majority of the Spiders of our regions.
Nevertheless, a few are to be feared; and foremost among these is the Malmignatte, the terror of the Corsican peasantry. I have seen her settle in the furrows, lay out her web and rush boldly at insects larger than herself; I have admired her garb of black velvet speckled with carmine-red; above all, I have heard most disquieting stories told about her. Around Ajaccio and Bonifacio, her bite is reputed very dangerous, sometimes mortal.
Well played, Monsieur Fabre.
Of course we had to look up these twin terrors, the malmignatte with her thirteen red spots, and the tarantula, about whom Fabre’s predecessor, Leon Dufour, waxes quite lyrical: “…when I was hunting her, I used to see those eyes gleaming like diamonds, bright as a cat’s eyes in the dark.” Off we trotted to Wikipedia, for pictures, and YouTube, for pictures that move.
With Beanie: did our first week’s charting for Journey North. Mystery City #1 has very nearly the same latitude as ours, judging from its photoperiod, and Bean entertained me with a list of the countries around the globe at roughly our parallel. You see why I love this project so?
(FWIW, here’s how I described it to my local homeschooling list this morning, wanting to make it clear you don’t have to be some organizational goddess to pull this thing off: “If Mystery Class sounds daunting to you, let me just add that I forgot all about it until this morning and am sitting here in my pajamas, coughing my lungs out, hair not yet brushed, huddled on the couch calculating photoperiods with [Beanie]. A few simple math problems—she’s doing most of the work. [Huck] is climbing on the back of the couch. Scott’s got Elvis playing. I’m checking Facebook while [Bean] does the next calculation. In case you were picturing some super-organized activity requiring a ton of preparation and concentration—this isn’t that!)
With Jane and Rose: watched the first video lecture (very short) for a Coursera class we discovered yesterday, and which Jane has signed up for: Fantasy and Science Fiction: The Human Mind, Our Modern World. (I loved the reading list. Some great stuff there, and a number of things I’d been meaning to read with the girls this year anyhow.)
The first text is the Lucy Crane translation of Grimms’ Tales, available for free download at Project Gutenberg. The instructor (Professor Eric Rabkin of the University of Michigan) mentioned the intriguing fact that the illustrations (beautiful, just my cup of tea, see below) in this edition are by Crane’s husband, Walter Crane, who wrote about book (explained Dr. Rabkin) about the role of illustration in books. Which! Got! Me! Very! Excited! And when you put ‘Walter Crane’ into Google it autosuggests ‘Walter Crane arts and crafts movement’ Which! More! Excited! Still! My cup of tea? More like my bathtub of tea, my swimming-pool of tea. And now (having spent a bit of happy, albeit sniffly, time on teh Wikipedia and other avenues) I have added Yet More Things to Read to my impossible list.
You see what I mean?
So we zapped the Lucy Crane text to the Kindle, and I read the first story aloud to Rilla—”The Rabbit’s Bride,” which I didn’t remember at all, though I thought I’d read Grimm backwards and forwards, including some of it in German. (Digression: true story: my friend Caryn and I got banned from the high-school library for a full semester in tenth grade due to uncontrollable outbursts of giggling over an assignment for our German class. Look, you spring the original version of Rapunzel on a couple of unsuspecting sophomore girls and what do you expect? Suddenly she had twins! Zwillinge! So that’s how the witch knew she was entertaining a visitor!)
(Thing is, I fervently believed I loved that library more than anybody in the whole school. Me. Banned from a library. I couldn’t believe it. My intemperate book-hoarding habits probably spring from this brief and interminable period of deprivation.)
Anyhow, “The Rabbit’s Bride.” I did not see that ending coming. Nor the middle, for that matter.
At Huck’s naptime there was cuddling (cautious, on his part: “I don’t want to get sick, Mommy”) (sigh) and at his request, another round of the much-loved Open This Little Book, which gem I’ll be reviewing for GeekMom one of these days. (Talk about illustrations to swoon for. Delicious.)
Then lots of Japan Life with Rilla and Beanie—a game we like to play, which involves massive amounts of casual math and spatial reasoning, but of course they aren’t seeing it that way, it’s just fun.
I missed out on some of my favorite parts of the day—walking Wonderboy to school and back; my long morning ramble with Scott—but by mid-afternoon I was feeling better than I have all week, and I got outside to water my neglected garden. Was relieved to see my young lettuces are looking spruce. So are hordes of weeds.
A hummingbird, a funny solar-powered grasshopper, a cup of mint tea with honey. “I can’t believe how much I’m not sick of you,” says the mug, a gift from Scott.
Two very dirty children scrubbed clean after concocting Mud Soup or some such delicacy in the backyard.
Tonight I’m missing the much-anticipated reception for the San Diego Local Authors Exhibit at the downtown library, very sad not to be there but it wouldn’t be nice to carry this cough out in public. But I’m sure there will be something nice on TV with Scott later (he DVRs the best things) and I have two compelling books in progress on my Kindle at the moment: a gorgeous collection of Alice Munro stories given to me by one of my favorite people in the world, and a review copy of a book called Washed Away: How the Great Flood of 1913, America’s Most Widespread Natural Disaster, Terrorized a Nation and Changed It Forever—how’s that for a title that grabs you and won’t let go? So far, so gripping. The levee just broke in Dayton, Ohio. Entire houses are floating away with people on the rooves. (Roofs? What are we saying these days?) I’m chewing my nails off.
I’m reviewing some new apps for GeekMom, including one I think is going to be quite popular: Mystery Math Town from Artgig. You may recall that I gave high marks to Artgig’s Marble Math & Marble Math Jr. over at Wired a while back. I’ll link to my Mystery Math Town review when it goes live, but I thought I’d give you a heads-up. Fun, absorbing, and is proving an engaging way to slip in some math-fact practice for my Beanie-and-under crew. Including Huck. You can customize for addition, subtraction, multiplication, single digits, double digits, etc.
Yesterday Rilla and I needed to choose our next read-aloud. We decided to spread all the contenders out on my bed. Turned out there were a lot of contenders. I see a couple of repeat-requests snuck in there. (Odd Duck, for example—a graphic novel by Cecil Castellucci, art by Sara Varon. Rilla adores it.)
(I rotated the photo so the titles would be easy to read, and Facebook friends thought I was displaying a giant wall display. I wish!)
After much deliberation, Rilla chose a new arrival, The Big Bad Wolf Goes on Vacation (which I’ve now read aloud three times in two days—once each to the 9yo, 6yo, and 4yo), and then settled in for Ramona the Pest. Her first acquaintance with Ramona. That perfect first sentence—”‘I am not a pest,’ Ramona Quimby told her big sister Beezus.”—had her at hello.
The Story of Science: Newton at the Center by Joy Hakim. Our history spine for the high-tide parts of our year. Yup, history: Hakim’s Story of Science series takes a historical-biographical approach to science, tracing the development of ideas in the context of the lives of the great thinkers and scientists, and the cultural and political events surrounding them. This is book two in the three-partseries, beginning in the 1450s: the printing press, the fall of Constantinople. My heart goes all pitty-pat when I think about some of the books I can pull off the shelves this year to go along with this one: The Apprentice by Pilar Molina Llorente; The Second Mrs. Giaconda; Twain’s Joan of Arc; Diane Stanley’s Michelangelofor starters.
Jenn asked for the titles of some of the natural-history books Beanie has been enjoying, so I’ve started a list in the comments of this post.
Only some of them, you understand. Most of the game-playing and show-watching and walk-taking happens during my work time.
Wonderboy started back to school on Tuesday. That kicked the rest of us into—perhaps not high tide, but the tide coming steadily in.
We watched the first twenty minutes of that Vermeer documentary I posted a link to the other day. It’s riveting so far. The only reason we didn’t view the whole thing in one gulp was because I didn’t want to overwhelm the kids (especially Rilla, who was entranced) with too much information. We’ll take our time with it…a sort of Slow Reading philosophy applied to YouTube.
(“Master of Light” indeed! I learned a lot in that first third of the video—learned to see some things I hadn’t known to look for.)
Earlier this summer, Jane asked Scott to give her a course in the history of rock and roll. So after our busybusy July was past, he put together a playlist for her and commenced the seminar this week. All three of our older girls showed up for class.
Rilla learned a little Latin (dry-erase markers and a whiteboard continue to be a sure-fire way to ensure enthusiastic vocab practice…ditto colored chalk and a little slate). And I love getting to dip back into the stories her sisters loved at this age. The Sword of Damocles went over like gangbusters. And the “Albion and Brutus” opening chapter of Our Island Story, which she’s heard before but likes because mermaids!
Which made it extra fun when “the white-cliffs-of-Albion” showed up in our Just So Stories pick today—”How the Whale Got His Throat.” I’d forgotten that bit, and my Mariner of infinite-resource-and-sagacity was an Irishman until he mentioned his natal-shore. Hasty accent-change required. At the end of the tale, Rilla peered closely at the grating the Mariner had lodged in the Whale’s throat (you didn’t forget about the suspenders, did you?) and commented: “So that’s why whales eat krill. They’re filter-feeders.” I’d been prepared to launch into an exploration of baleen, but I’m informed Octonauts beat me to it.
I was then required to read “Dingo! Yellow Dog Dingo!” (exclamation points very much a part of the title), which is how she refers to “The Sing-Song of Old Man Kangaroo.” Try as I might, I can’t make that inordinately proud creature sound remotely Australian. Gotta step up my game.
(Tangent: upon reflection, if I absolutely-please-don’t-make-me HAD to choose one single storybook for all future readalouds, I do believe I’d go with the Kipling. Playful language, magnificent vocabulary, surprising and amusing narratives, magnetic subject matter, sense of humor, discussion-fodder, colorful locales, magic, and crocodiles. You really can’t go wrong.)
Let’s see, we also spent some time with this book: Assembling California by John McPhee, the fruit of my hunt for something to satisfy the local-geology itch created by our drive to Denver last Month.
First chapter quite promising. Begins at Mussel Rock off the shore of San Francisco, and dropped us right into the San Andreas Fault. Perfect. Then of course we wanted to see Mussel Rock for ourselves. YouTube obliged with this gem:
Those lingering shots on the uneven pavement of the parking lot, and later the cockeyed houses on a San Francisco street, really bring home the reality of shifting plates. And from McPhee we learned that the science of plate tectonics is quite new! Just barely older than I am.
Rilla is learning “The Walrus and the Carpenter” by heart. She had the first three stanzas down last spring but we forgot about it over the summer. She likes to practice when we’re walking around the corner to pick Wonderboy up from school.
There were other things…the visit to the Mammoth and Mastadon exhibit at the Museum of Natural History on Monday (and a carousel ride, mustn’t forget that), and the hopeful rescue of some withering veggies from our sunbaked garden. We relocated the cukes and canteloupe, and both tomato plants, and a poor, parched blueberry bush. Something’s quite different in that corner of the yard this year. Everything’s struggling. Or maybe it’s just that I’m off-season. I don’t usually do much out back during the late-summer months. January’s when my garden really perks up and starts producing.
We’ve got loads of monarch caterpillars, though. And goldfinches galore.
Rose got her ears pierced. Jane and Wonderboy and I cleaned out a Staples. Her college pile is growing.
“Isaacson takes the reader on a leisurely, respectful tour of buildings around the world: churches, houses, museums, lighthouses, all kinds of structures, from the humble to the magnificent. In simple, straightforward prose he discusses various architectural concepts such as the impact of building materials, the interplay of light and color, and the significance of roof shape. His stunning photographs turn even the roughest earthen hut into a work of art. His lyrical text helps us see in the pictures what we might otherwise have missed:
‘These buildings are part of the Shaker Village at Sabbathday, Maine. On an afternoon in late winter they are warm and creamy, but in December, shadows thrown at them make them look haunted. A building only a few yards away fades into the land on a hazy morning.’”
Round Buildings, Square Buildings was edited by my first boss in publishing, the great Stephanie Spinner. It was near completion by the time I came on board; I don’t think I did much more than look over galleys and jacket copy, and probably put through the request for Mr. Isaacson’s author copies. It’s one of those books I sat at my desk reading, unable to believe my good fortune: This is my job now; I’m getting paid to read.
Before Round Buildings I hadn’t done much real seeing of architecture. There were buildings I loved: the sandstone administration building (formerly a convent) of my first college, Loretto Heights, with its red tower soft-edged against a blue sky, and inside, a gorgeous mosaic floor—tiny tiles set into place by wagon-training nuns, so the story went. But even there, I was drawn more to story than to form. Most of the buildings that captured my imagination, pre-Isaacson, lived in books: Green Gables, the House o’ Dreams, Jane’s Lantern Hill house with its “lashings of magic.” The Muskoka cabin. (No one does houses better than Montgomery.) Plumfield. Juniper’s cottage. Miss Suzy’s tree-house with its acorn cups. Vicky Austin’s grandfather’s house-in-a-converted-stable with the stalls full of books. A great many English houses in a great many English novels.
But most of the time, my eye was drawn more to nature than to man’s edifices. I had next to no vocabulary for understanding architecture. Isaacson changed that in a paragraph with his description of the creamy walls of the Taj Mahal changing colors as the sun moved across them—the very passage I read with Beanie and Rose this morning. He writes about harmony and you find yourself looking for it everywhere you go. He made me see my world differently—just as John Stilgoe’s Outside Lies Magic changed how I looked at just about everything else: power lines, rain gutters, a sculpture garden, the line at the DMV. The way Betty Edwards’s Drawing on the Right Side of the Brain changed the way I see faces.
Clicking through these old posts, I see I’ve made a connection between these three books before. They’re transformative, all three.
Funny also to see in the old Stilgoe post I linked above, “Way Leads on to Way,” that I’d been reading Fifty Famous Stories Retold* to Beanie that year—in March, 2008, when she was seven years old. And now here’s Rilla seven, and I’m reading it to her. (Today’s tale: Androclus and the Lion. It drew cheers, and a narration with gusto. Because LION.) I have to laugh: way doesn’t just lead on to way; sometimes it leads right back full circle. I didn’t choose Round Buildings for the older girls and Fifty Famous Stories for the seven-year-old at the same time—again—on purpose; I guess it’s just that I’ve been doing this long enough now that I know what works for us, and these things have worked time and again. It did strike me this morning, reading the Isaacson, that the Stilgoe might be a satisfying read for Jane and Rose right about now.
In no particular order, some books and links we’ve been enjoying this week:
Adam of the Road. Newbery-winning middle-grade novel by Elizabeth Janet Gray. We’re only on chapter three so I haven’t much to share about it yet, but it’s delightful so far. Young Adam’s father is Roger the minstrel, and Roger has been off at a respected minstrel school in France while Adam’s attending school at St. Alban’s. And now Roger’s coming back, and I’m guessing from the title that Adam’s hopes will be fulfilled and he’ll be accompaning his father on a journey. Loads of good rich detail here, including, in today’s chapter…
“Sumer Is Icumen In,” a very old English round which I remember learning in a college poetry class. We had to memorize it in Middle English. (I can also still recite the opening of The Canterbury Tales, thanks to Prof. Kraus.) The modern English translation of “the bullock sterteth, the bucke verteth” had, naturally, my nine- and twelve-year-old daughters in hysterics. Scatological humor has no statute of limitations.
Beanie reread the St. Alban chapter of Our Island Story to refresh her memory of that tale, since the book opens on the feast of St. Alban in the town of St. Albans. On a walk, Adam and his friend Perkin pass the crumbling remains of the old Roman buildings from centuries past, and we found pictures of these at Wikipedia.
We’ve been reading bits of Gombrich’s A Little History of the World as well as sections of The Rule of St. Benedict. I looked all over for our copy of The Sailor Who Captured the Sea, a lavishly illustrated picture book that tells the story of the Book of Kells, but it hasn’t turned up yet. (We read it a few months back, though. It’s around somewhere.) Sister Wendy’s The Story of Painting has a nice section on the Book of Kells and the Lindisfarne Gospels.
I had the pleasure of seeing this scroll (scroll down, no pun intended) up close in real life at our visit to Sandra Dodd’s house in Albuquerque last month. It’s a marvel. (I am still kicking myself for forgetting to take pictures during that visit. It was a good lesson for me—I kept my camera close at hand for the whole rest of the trip!)
Yesterday, by chance, Rilla pulled Barbara Cooney’s picture book Chanticleer and the Fox off the shelf, based of course on the Chaucer tale. We meant to read that (again) today but we got distracted by our old timeline, the one Jane and I began in New York in the year 2000 and which graced our wall for the four years we lived in Virginia, filling up with colorful entries. It has been in a roll on top of a cabinet the whole time we’ve lived here in California because I couldn’t find wall space for it. Too many bookcases! But today it occurred to me that it would fit in the living room/dining room if we stretched it
Got lots of requests to post photos of the timeline. Here you go, but I must point out that you didn’t specify *good* photos.
We began this timeline when Jane was about six years old. She was on a major Magic Tree House kick that year, and she got super excited by the idea of printing out little images of the book covers and gluing them onto a timeline. (Glueing? My spellcheck says no, but it looks better to me that way. Whatevs.)
I bought a roll of art paper and tacked it to the hall wall. The length of the timeline was determined in the following scientific manner: when I got to the end of the hall, I cut the paper. I drew a mostly straight line along the middle with a Sharpie. Then I measured the line (this is such a backwards way to approach it) and figured out how many centuries I wanted to include, and divided it up more or less evenly. I probably hollered down the hall to get Scott to do the math for me, because I can’t hold a ruler and divide at the same time.
Yikes, the fold-wrinkles really look awful in this picture, don’t they? They don’t show up that way in real life. I suppose it’s in pretty good shape considering it spent the last four years rolled up and semi-smashed under a poster tube. Why it wasn’t inside the poster tube, I cannot say.
I think if you click on the pic you’ll go to Flickr where you can see a larger image. And you’ll see it’s nothing fancy. The yellow tags at the top say ANCIENT HISTORY, DARK AGES, MIDDLE AGES, MODERN TIMES. These are, of course, rough divisions.
A few closeups. We began, as I said, with the time periods Jack and Annie visited in the MTH books. (Over the years, most of those pasted-on book covers have fallen off.) Later, we gradually filled in other events we read about. Sometimes we printed out pictures to help us remember, like the little illuminated manuscript we glued on probably six or seven years ago. It was fun to discover it again yesterday, just minutes after we’d clicked all over the internet looking at illuminations.
Look! One of the Magic Tree House covers survived!
This is my favorite section because it’s got so much of wee Jane in it. That wobbly six-year-old’s handwriting spelling out “Golden Age of Pirates,” couldn’t you just die? So sweet. The pirates’ heyday was hugely important to her, back then.
And the Little House girls. She had me cut them out and show her where to stick them on. She herself cut the blue gingham border and Little House logo off a notepad my editor had sent me; these were vital decorations, you understand.
It’s funny now to look back and think of all those books we read together, Child’s History of the World and whatnot, when she was So. Very. Young. We continued to add to the timeline after our move to Virginia in early 2002, but in that house it was up high on a wall over the piano and after a while I got tired of climbing on a stool to reach it, and we stopp
Her name is Amy Ludwig VanDerwater, and she had the best coat at the convention, and she kept me in stitches with her stories. She’s a poet and a writing teacher, and her blog, The Poem Farm, is kind of incredible because Amy writes and posts a new poem every day. She’s on day 210 now. Two hundred and ten original poems in as many days! I’m in awe.
Homeschooling moms and teachers take note: what Amy does on her blog is really unique. Besides sharing her poems, she writes about the process—what sparks the idea, what stages the poem goes through along the way. Here’s an example from today’s sunflower poem:
This poem is simply a description, a word picture, of one sunflower at two times in its life. You probably noticed that this poem is divided into two stanzas, and each one takes place during a different month. In this poem, I wished to snap a wordshot of how a sunflower’s head position changes over time.
Something about words here too: while this poem does not rhyme at the ends of its lines, you will hear that the first stanza rhymes some internal vowels: gazes, straight, and face. In the second stanza, you hear more repetition of sounds: seeds, deeply, and weep.
A writer thinks much like being a scientist. Look closely. Quiet down. Observe. Today on the playground or later at home, stare at things. Let one image capture you like a prisoner, and do not look away. If you are reading this in writing workshop now, walk over to the window or take a walk outside. Be wowed by an image. Then write your description, as finely and truly as you are able.
See what I mean? I haven’t seen anyone else doing this online, writing frankly and intensively about the process of crafting a poem, and it’s an invaluable resource for young writers. (Heck, and old!)
I’m rerunning this old post full of gift ideas for homeschoolers—or anyone, really! Most of the posts linked below are a few years old and could be added to, of course. For now, a big round-up of posts from the past.
Have any of you tried out the Potato Chip Science kit? It was one of the coolest things I saw at ALA last weekend and I’ve got one on the way…looks like something my gang will enjoy the heck out of. Would love to hear about your experiences with it. I’ll report back after we’ve had a go ourselves.
Another quickie post to record some fun learning moments from this morning…I seem to keep doing this lately, these kind of “here’s today’s rabbit trail” posts. Bit lazy of me; I have a separate blog where I (sometimes, sporadically) record these things. Somehow it’s easier to do it here. Never know whether it’s of interest to anyone but our own family, but I kind of like having the archive all in one place.
Anyhoo. We read about Luddites in Story of the World (we’re bouncing, lately, between that and Abe Lincoln’s World and Landmark History of the American People—I may have said this already; and also by “we” I mean mainly Rose and Beanie and me), and then, taking the excellent suggestion of kind Anne in the comments, we visited the BBC Schools website’s section on the Victorians. I had forgotten about this site, which has a smorgasbord of fun stuff. We spent a lot of time there back in Ancient Greece days. Today we mostly looked at the photos and illustrations pertaining to the rise of factories, especially the parts involving child labor. My lasses are fascinated by the contrast between their lives and the lives of, say, an eight-year-old coal-mine door-opener in the north of England, in the days before laws were passed that said you had to be at least ten years old for that sort of work, and could spend no more than ten hours a day at it. Beanie will be ten in just over a week; the notion of spending all daylight hours huddled in a dark coal tunnel caused her eyes to grow as large as if she had, in fact, done just that. Well, almost.
We looked at Victorian architecture a bit, too. And then squeezed in a chapter of Strictest School in the World before lunch.
Speaking of which! Fun news from the author, Howard Whitehouse, who kindly wrote me an email yesterday! He’s offering a very nice deal on the three Emmaline and Rubberbones books: His publisher, Kids Can Press, has made it possible for him to offer a limited number of inscribed, hardcover copies at a much reduced rate:
$5 USD each, plus actual shipping at media (book) rate by the post office. A set of all three, inscribed to whoever you like, would be $21 including a very nice mailer envelope (!) delivered within the US. More outside, obviously.
The books are The Strictest School in the World: Being the Tale of a Clever Girl, a Rubber Boy and a Collection of Flying Machines, Mostly Broken (2006)—a Victorian prison break tale set at a boarding school involving flying machines and pterodactyls.
The Faceless Fiend, Being the Tale of a Criminal Mastermind, His Masked Minions and a Princess with a Butter Knife, Involving Explosives and a Certain Amount of Pushing and Shoving(2007)—in which a master criminal plans to kidnap lovable-yet-deranged Princess Purnah, with S
We’ve done the project by ourselves as a family, with a group of online friends, with a group of local friends—all sorts of arrangements. The last couple of years have been immensely fun, each year culminating in a big feast where each group brings a dish representative of its assigned Mystery Location.
On Saturday I took the three oldest girls to the San Diego Science Expo at Petco Park. Throngs of people, dozens of nifty hands-on exhibits and activities, a mental overload of Very Cool Stuff. My favorite part was when we’d made it about halfway around the circuit inside the stadium and came to a large ring of booths in a park just outside, and Beanie and Jane were practically cheering with enthusiasm: Look at the guy making smoke rings with that gizmo! Look at the motorized robot-car built out of Legos!
And Rose and I were like: OOH, LOOK AT THAT BUILDING OVER THERE THAT SAYS CANDY FACTORY.
I took my camera to the Expo but neglected to take it out of my bag. I did snap one quick pic of the smoke-rings guy on my cellphone (which happened to be in my hand because I was googling the Showley Bros. Candy Factory).
The smoke rings didn’t show up in the photo, but I do believe that’s a bit of Beanie’s hair in the lower left.
Freshman year of college, my Voice and Diction instructor assigned a very long poem for memorization. I don’t think we had to recite the whole thing (she’d have had to spend the entire rest of the semester listening to us) but I do recall cramming a massive chunk of it. This came up in the car the other day in a conversation with my girls about words with confusing pronunciations. Without thinking about it, I found myself chanting,
“Dearest creature in creation, studying English pronunciation…”
I didn’t get much farther. Remembered a few more fragments. “Something something who can tell/ Why it’s pall, mall, but Pall Mall.”
Strangely, the Pall Mall line isn’t included. But I vividly remember Sally Waldman-Klauser staring disdainfully at us students over the tops of her enormous dark glasses, and blowing cigarette smoke out of the side of her mouth before informing us that the London Street was pronounced ‘pell mell.’ We were a bunch of Colorado kids who only knew the name as a cigarette brand and didn’t understand why “tell” was rhymed with “Mall” in that couplet.
The poem is called, I believe, “The Phonetic Labyrinth.” Really quite delicious, when no one is breathing smoke at you for flubbing a line.