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1. SCBWI Conference, My Trip Part 2: Things I Learned! #NY14SCBWI

Snippets of Wisdom from the NY SCBWI Conference



It's been over a month since the conference, but today in part 2, I'm keeping my promise to share a few of the snippets of wisdom I learned at the SCBWI New York Conference. 

What I learned from Tomie DePaola, children's book illustrator:



The influence of theater in Illustration.



Tomie was involved in theater from a young age. In college he had a teacher who told him that "Joining the theater is best thing you can do for your illustration. If you want to be an illustrator, you must love great theater." Tomie has really taken that to heart over the years! 

Costumes can really help define a character. You have to think both in time period and personality when it comes to costumes. Also it's important to take the color of the costume into account with designing the set.

When designing scenery for your illustration, think of how you can change the mood of the scene with color and weather changes.

Character sketches are your casting call. It's important to contrast your characters with size differences and varying features. Make sure you give different characters in the scene different reactions.



What I learned from Brett Helquist, children's book illustrator:



Casting and Character Development


It is important to really spend time to learn the craft of drawing. When characters are drawn well, they are alive. Often times we see illustrations are very well rendered and beautifully composed but the characters are lifeless. 

It is important to push the faces of your characters to be different and not falling into the habit of always drawing the same face.

Don't fuss with the details early on. Be messy and make mistakes. Just start drawing different characters until you find the right one. Do loose and  fast drawings to develop emotions and moods. Don't be afraid to play around with shapes and sizes. Push yourself to draw things you've never drawn before.



What I learned from Paul O. Zelinski, children's book illustrator:



Staging


A Picture book makers could be making a movie. There are characters, lighting and costumes. The edge of the books makes the set. You need to stage every element of the design, including the text in each spread.

The story will tell you what the right shape is for your particular book.

Perspective is fun. Different angles can add to a picture. Horizontal lines represent rules, strictness or stillness. Diagonal lines represent chaos, or moving. Low angle and high angle can tell different stories and add to the psychology of the picture.



What I learned from Holly McGhee art agent, Arthur Levine publisher, and Lily Malcom art director:


This was a panel where these three industry professionals were critiquing work from attendees of the illustrators intensive. Here's a little bit of what they had to say:

It's good to show different expressions and emotional interactions between characters in a picture book. Show the relationships between characters. Use diversity in your characters. Show that two characters relate differently to another character or event in the story.

Show energy in your illustration, don't make your illustrations static. A curve of the neck or a turn of a hand can make a character less wooden.

Vary your values. Remember atmospheric perspective. Recede values. Lights and darks can help to focus and mood a piece. Pay attention to your color palette.

Book covers should convey one clear moment instead of trying to capture the whole book in one image.


What I learned from Laurant Lynn, art director at Simon and Schuster:



Self-Promotion


Remember You are a business. Consider making a recognizable branding. Make goals for updating your website and sending out postcards. Make a one year plan and a five year plan and keep on task.

Website. Keep it clean, simple and easy to navigate. Separate different styles. Include a bio.

Postcards. Send your best work to art directors on post cards with images on both sides. Send out a new card every 3-4 months.

Expand your horizons. Try doing different kinds of illustration and art work. Don't get pigeon holed into a certain genre.

Go to Conferences. Get out and talk to people. Ask questions.

Challenge yourself and your craft. Continually update your art. You never know who is looking at your art. Know what is essential to have in your portfolio, and what you should take out.

Challenge yourself to get better at drawing. Go to figure drawing classes. Read all the time!

Social Media. Just do it! Facebook, Twitter, Instagram, Tumblr, Blog!

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2. SLJ BEST OF THE BEST!

THE INVISIBLE BOY…..

Invisible boy (3)BARTON

School Library Journal THE 20¬†BEST OF THE BEST….top picture books of 2103…and our Patrice Barton illustrated one of them!!!¬† congratulations Patty!!!

You will help many ‘invisible’ kids become visible…..

“LUDWIG, Trudy. The Invisible Boy . illus. by Patrice Barton. Knopf. Tr $16.99. ISBN 9781582464503.

K-Gr 2 ‚ÄďIgnored and excluded by his classmates, Brian feels invisible, but when he welcomes a new student by writing a friendly note‚Äďand Justin responds in kind‚Äďeveryone begins to see Brian with fresh eyes. Told with kid-savvy perception and emotion-tinged artwork, this quiet story shows how small acts of kindness can have big results. (Sept.)”


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3. Why Children’s Books Matter….

While in NYC recently I made a point to visit between the Lions = the New York Public Library on Fifth Ave. to see the new wonderful show THE ABC of IT: Why Children’s Books Matter, curated by Leonard S. Marcus.¬† DO GO!¬†It’ll run till March 23, 2014.

library ABC

abc of it

Traveling around and through the various clever labyrinths of experiences in books is¬†truly a journey back to your childhood.¬† I felt in awe to be honest.¬† I think we do form true¬†bonds to our favorite stories and illustrations as children ourselves, and several of those bonds were there for me … in the original!

alice

oz

I loved the visual look into how children’s books impacted our culture through the ages as well.¬†¬†Many stories have become and “inspired¬†films, plays and fashions.”¬† The reminder of this is itself inspiring.¬† We see this more and more today I think.¬† Story telling has always been so very important in society, and maybe never more today when they come at us in so many forms.¬† Children learn who they and we are through these stories. A journey back and forward, like Alice Big and Small, is a kick of a trip.¬† ENJOY!

goodnight moon  Carle color

monster hole

 

 


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4. Teaching and learning….

This past weekend I had the privilege of being on the faculty for the Mid Atlantic SCBWI Fall conference and Intensive. What a wonderful time of teaching, sharing and as always, learning.  A most creative time for all.  And boy did they treat us well!  Wonderful time.

My Friday afternoon title was DOWN AND DIRTY: The basics and beyond.¬† Hopefully we hit on lots of the topics artists, new and older in this industry, wonder about.¬† I shared words from the buyers mouths… many fortunately are very good about sharing.¬† Over all I’d say buyers (AD, editors, designers who assign) want PROFESSIONALS (ask questions, honest, team players, meet deadlines),¬†consistent style, great characters, samples sent on big POST cards so they can KEEP them on walls and attach to ms as they think about ways to go with the art etc.¬† (some hints for all!)

Then I did a fast “first look” for all those participating artists who dared!¬† It’s a great tool to see and understand how a buyer might VIEW your art given the “10 second rule.”¬†Truly, those of us who see SO much art for the industry can determine if we can use your style in generally 10 seconds.¬† We’ll want to see more or move on.¬† I tried to share some of the intuitive thoughts that go through our head when we view art…instantaneously.¬† I was kind, but honest.¬† OH course you can tell given this ‘rule’ that you need to show ONLY your very very best art, and a sample that shows a lot of what you are capable of for THIS industry’s needs.

Sat. was the more general conference and other than some portfolio reviews, I was on a¬†AGENTS PANEL with three other reps, all more Lit Agents. (Brooks Sherman¬†from FinePrint, John Cusick, Greenhouse Lit, and Susan Hawk from Bent Agency ) We have different hooks but look for very much the same sort of unique talent and ‘voice’… this and talking during the weekend was my learning point.¬† Love that.¬† Frances Gilbert from Doubleday/Random¬†was a speaker and on the Editors Panel too.¬† Loved seeing her as we hope to be working on a two book project very soon together. (with one of our CAT artists obviously…more on that)¬†. We might look a little fuzzy…that happens at these conferences! lol

Frances Gilbert and me

I got to chat a bit with Annie Stone from Harlequin Teen, Emillia¬†Zamani from Scholastic, and Melissa Miller from Katherine Tegan (HC)¬†Books as well.¬† I also enjoyed the author speakers, Keynote Cynthia Lord and Mary Quattlebaum… and other talents attending.

me and authorshere I am with Joan Waites, Mary and Cynthia¬† quite the two day adventure! Thank you Mid Atlantic…lovely time and region!!!

By husband had driven me to Sterling for this and then nicely ‘low profiled’ it so I could work and visit. He rode the bike trail both days along the Potomac River from DC to Alexandria and south to Mt. Vernon…in wind and cool temps!¬† On our way home we visited both George Washington’s birth place at Pope’s Creek (his mothers maiden name) and then Robert E. Lee’s family estate just down river… the Big House and Gris Mill and more.¬† Both are on the Potomac and so very peaceful and special to just walk around. Do visit if you are in area (Northern Neck of VA south of DC)¬† Enjoy some peace…..

Pope's Creek Washington's birthplacethis is one garden and view of Washington’s home…he lived there only till 3 or so, but lovely place. these barns and horses and oxen (back) were part of the extended grounds there too.

barns at Lee's

the big house LEES     Lee's gris mill

this first is the BIG HOUSE at the Lee estate…3 generations of outstanding VA family…and the Gris Mill down closer to the beach area.¬†¬† ALL in all quite the weekend of adventures…both educational and teaching moments…both I¬†love and cherish.

 


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5. COMMON CORE COMMON SENSE

I’ve enjoyed all¬†the talk and articles lately about the adoption of the Current¬†Educational Common Core with its emphasis on critical thinking and non-fiction facts by using trade books in our school classrooms.¬† I thought that was what good teachers were doing all along? and parents too.¬† It’s common sense.¬† We are trying to educate kids to the world around them….history and human interaction so they can understand people better as they grow.¬† Information about other lands so their eyes will be open to not only the differences but the ‘sameness’ of kids and adults, and animals all over our small earth. Good story telling has always been the draw with fiction and non fiction.¬† Learning comes in between the lines, if you will.

The advantage of this being ‘official’ now is that publishers are searching their backlists and bringing back good non-fiction as well as fiction, and grabbing up¬†informational but fun¬†new stories.¬†And of course my agency artists are thrilled to have such a need for story telling pictures for these books…for all ages. Picture books are often¬†a child’s first introduction to people and¬†life outside¬†their own family and neighborhood.¬†They have always been vital to early learning, mental growth, thinking skills¬†and maturity.¬† Ever more so today in preparation for school and during the so important early school years.

What IS new is that Publishers and marketing departments are writing up guidelines that will help teachers use these books they might not have recognized as appropriate for the standards set by this¬†Common Core. Several publishers have new sites where teachers and parents can keep knowledgeable about books on” technology, writing, math, and early literacy” (PW).¬† Some books have had ‘back of book’ questions added to encourage the conversations that lead to exploration and learning.¬† Several houses¬†have launched new lines of books based on the Core Concepts.

Some examples of current books from our agency¬†that are perfect¬†for this Core are: Nicole Tadgell illustrated “FRIENDS FOR FREEDOM: The Story of Susan B. Anthony and Frederick Douglass” (Susanne Slade from Charlesbridge Fall 14).¬† KarBen Lerner will bring “Goldie Takes a Stand” about Goulda Meir, illustrated by Kelsey Garrity Riley also Fall 14.¬† Patrice Barton illustrated “I Pledge Allegiance” by Pat Mora and Elizabeth Martinez for Knopf/Random.(14), and Larry Day’s illustrations for “Voices From Oregon Trail” from Dial and Kay Winters, tell the story!¬†(summer 14)¬†But even the newly launched “Isabelle and Isabella’s Little Book of Rules” from Little Simon and illustrated by our Priscilla Burris is a lovely, observant,¬†non fiction from the mouths of the very children we’re trying to start the conversation with!¬† Pick¬†these up and see! Use your common sense and enjoy the Common Core!¬†¬†¬†¬†¬†¬†¬†¬†¬†¬†¬†¬†¬†

SF_causes TADGELLpledge in courthouse BARTONfrom “Pledge”

from “Friends for Freedom”


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6. I’ve noticed…..Balance Finding!

With the country in what feels like such IMbalance these days, it was actually a¬†treat to read in PW this week (Nov 18)¬† about the slowdown in the sales of e-books!¬† Earlier they’d reported a decline of sales¬†with established publishers the last 5 months!¬† E-books had seen only growth up till now.¬† The slowdown is good because it feels like a balance is being found… better predictability (thus better publishing plans)¬†for publishers, bookstores, and¬†e-book sellers.¬† Most who didn’t panic¬†felt this would happen.¬†It’s a matter of time and¬†finding the balance of different formats, and what that will¬†mean to all in the industry when¬†sales in all formats stabilize.¬†¬†It’s a hybrid market and healthy for all I’m sure.¬†Reminds me of TV and movies back when.¬†Some¬†books sell better with e-book, and others are always going to be better in print.¬† Pricing continues to be challenging, but that too will find it’s balance point eventually.¬†It’s really still all about getting CONTENT in all formats available to the readers who want it.¬† And doing it in a way that all can stay in business!¬†That sounds like good news to me.


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7. When can I quit my day job?

OH the question!¬† and topic of the panel I was part of at the Winter SCBWI Art Intensive on Feb. 1.¬† David Diaz moderated Jan Constantine, Author’s Guild, Brenda Bowen, now Lit (and art) rep at Sanford¬†Greenburger Associates and myself¬†in a series of questions about the reality of the biz we all love.¬† Of course being PART of the panel….I have no memory of what we actually said!!!!…so maybe you all who were there can write crits about us in ‘comments!’¬† LOL.

“Though a living cannot be made at art, art makes life worth living…. it brings LIFE to life.”¬† this is a quote from fine artist and illustrator John Sloan¬†that I used in the panel.¬† He was actually talking about FINE ART here as he DID make most of his living with illustration, and so can you…it IS commercial.¬† But as we talked about it is quite hard in the children’s publishing market itself.¬† Possible…but hard, even when you are repped.¬† The assignments come oddly timed…one year you are turning down work, and the next twiddling your thumbs! (hopefully actually practicing practicing¬†and growing.)¬† One really must diversify into various areas of the arts, and maybe have a ‘day job.’¬† Try to find one that is involved with art of course so it FEEDS you.¬† But financial insecurity can work actively against the ‘expression’ and good choices you DO need to make to make a career in this industry, like most industries!¬† It IS a business was an all over theme.

A couple of points that were mentioned was about Your First Impression… you only get one of those with publishers.¬† It’s a small market – long memories.¬† Another was that too high advances CAN actually hurt your career if the sales records aren’t good for the books…. not earning out.¬† Do consider this when negotiating.¬† Ask questions when reading contracts! Team playing is ever so important if you want to be part of an agency…what YOU do professionally does reflect on every other artist/writer in the group! Staying Fresh and updated with your samples is very important…work to make new and promote them often to AD’s and editors. Consistency of style is also VERY important. Be¬†Brutally Honest¬†with yourself when considering giving up your day job…have a five-year business plan of action.

I do hope we get some ‘comments’ as I’m curious about¬†what ‘spoke’ to you all there too!¬† REMINDER:¬† order your THE BOOK from SCBWI….the guide to it ALL!¬† and I wrote/revised the Artist Guide part of it again.¬† Hope you find it helpful!

this visual of the ‘rep me’ is from my son and artist Jeremy Tugeau, and husband to rep Nicole Tugeau of Tugeau2….check her agency out as well!

img005


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8. BROOKLYN BOOK STORE EVENT FUN!

I just had to share this information for those of you anywhere around Brooklyn NY next month.¬† I think this event and the BATTLE OF THE ARTISTS sounds SO fun and a great time for all. VERY clever of the bookstore…might be something to try in your area!¬† Sure there are LOADS of talented children’s book artists in Brooklyn which helps! (and my daughter’s family I might mention, which as NOTHING to do with this event!)

April 11, 2013

Greenlight Bookstore celebrates Children’s Book Week May 13-19

Week of school visits topped off with bookstore party with Brooklyn

authors & illustrators

Greenlight Bookstore is proud to participate in the nearly

100-year-old tradition of Children’s Book Week, May 13-19, with a

week-long celebration of the children’s authors and illustrators of

Brooklyn.  Five local elementary schools have partnered with

Greenlight to host authors presenting books to their students ‚Äď one on

each day of the week ‚Äď and the week will culminate with a multi-author

book party at Greenlight on May 18.

Established in 1919, Children's Book Week is the longest-running

national literacy initiative in the country. Every year, commemorative

events are held nationwide at schools, libraries, bookstores, homes —

wherever young readers and books connect.  Children's Book Week is

administered by the literacy organization Every Child A Reader, and

sponsored by The Children’s Book Council, the national nonprofit trade

association for children's book publishers.  Greenlight is

participating in Children’s Book Week for the first time this year.

“When we saw the incredible list of authors and illustrators who have

expressed willingness to participate in Children’s Book Week events in

our area, we just thought ‚ÄėWe have to do something big!‚Äô‚ÄĚ says

Greenlight Bookstore co-owner and events coordinator Jessica Stockton

Bagnulo. “There’s a tremendous amount of talent in Brooklyn, and we

got excited about bringing children’s book creators and readers

together. And this gives us a unique chance to partner with our local

schools, who bring books into students‚Äô lives every day.‚ÄĚ

The schools participating in Greenlight’s program of events include

both local Fort Greene schools and those in other Brooklyn

neighborhoods; some host author events regularly, while others rarely

have authors visit their students.  Greenlight worked with school

administrators to pair authors with the age groups and interests of

their students, and hopes the Children’s Book Week events will serve

as a model for bringing more authors to area schools in future.

For the Children’s Book Week Party on Saturday May 18, Greenlight will

offer 15% off on all children’s books all day long.  To highlight the

talents of multiple great children’s book illustrators, the store will

host two rounds of Artist Battles, at 11 AM and 3 PM.  Artists will

take turns creating drawings of subjects determined by the audience of

kids, showing off their different styles ‚Äď the audience can pick their

favorites!  Afterward all illustrators will be available to sign books

and chat with young readers.  Greenlight will also offer bookmarks,

stickers, and other book-related giveaways to partygoers.

Participating authors include winners of the Ezra Jack Keats Award,

the New York Times Best Illustrated Award, ALA-ALSC Notables, the

Parents’ Choice Award, Newbery Honor Awards, Coretta Scott King Award

and the Los Angeles Times Book Prize, as well as many New York Times

bestsellers.

Authors scheduled for school visits include Ambre Anderson

(Qualities), Michael Buckley (The Sisters Grimm, NERDS), Gilbert Ford

(12 Days of New York), Tad Hills (Duck & Goose, How Rocket Learned to

Read), Fiona Robinson (What Animals Really Like), Jacqueline Woodson

(Each Kindness), and Dan Yaccarino (Doug Unplugged).  Featured

illustrators for the bookstore party on May 18 include Selina Alko (B

is for Brooklyn), Sophie Blackall (Ivy & Bean, The Mighty Lalouche),

Melissa Guion (Baby Penguins Everywhere), Melissa Iwai (Hush, Little

Monster), Betsy Lewin (Click, Clack, Moo), George O’Connor (The

Olympians series), Sergio Ruzzier (Bear & Bee), and Paul O. Zelinsky

(Z is for Moose).

Greenlight Bookstore’s Children’s Book Week Schedule:

Monday May 13: Fiona Robinson and Jacqueline Woodson visit Arts and

Letters (Fort Greene)

Tuesday, May 14: Dan Yaccarino visits Greene Hill School (Fort Greene

/ Clinton Hill)

Wednesday, May 15: Michael Buckley and Ambre Anderson visit PS 11 /

Purvis J. Behan Elementary (Fort Greene)

Thursday, May 16: Tad Hills visits The Co-Op School’s Brevoort Place

Elementary School (Clinton Hill / Bedford Stuyvesant)

Friday, May 17: Gilbert Ford visits Leadership Prep Ocean Hill (East New York)

Saturday, May 18: Children’s Book Week party at Greenlight Bookstore!

11 AM Illustrator Art Battles:

Melissa Guion

Sergio Ruzzier

Sophie Blackall

Melissa Iwai **********husband Denis is wrote HUSH LITTLE MONSTER

3 PM Illustrator Art Battles:

Selina Alko

George O’Connor

Betsy Lewin

Paul O. Zelinsky

A book signing with all authors will follow each Battle.

For more information, contact:

Greenlight Bookstore

www.greenlightbookstore.com

Jessica Stockton Bagnulo, events coordinator / co-owner:

jessica@greenlightbookstore.com

(718) 246-0200

Children’s Book Week

www.bookweekonline.com/

Nicole Deming, communications manager:

nicole.deming@cbcbooks.org

cover (3)HUSH LITTLE MONSTER IWAI


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9. “SPARE AND FRESH!”

Just in time for a fresh Spring renewing!¬† When I was in NYC last, on the¬†second day of¬†Spring,¬†I met with editorial director Jeannette Larson of HMH¬†trade, among others.¬† She uttered a phrase that has just stayed with me ever since and I had to share it with you all here:¬† the look being¬†sought for is generally “spare and fresh!”¬† And I totally got that concept!¬†¬† I’ve noticed this with almost all my visits with clients…especially for the¬†very young, and picture books.¬† Not only do they need strong characters, and a layered story that will be revisited many times, but they want¬†a clean,¬†new, approachable look in the style of art.¬† Less saturation of color often, less texture (though that can play an interesting part in even a’ spare’ approach.)¬† ¬† Negative space (or “white space”) plays an important role…and must be respected.¬† Buyers want to see energy and a more spontaneous line generally…but not messy or careless.¬† Control is there, but comfortably and with sense of movement that fits the story illustrated.

There is much interest now again in the non fiction market due to the Standard Core for schools moving in this direction for all ages.¬† Realistic, historic artists may again see more work possible….but also more unique, FUN styles, and those with humor, might see increased interest as the non-fiction is approached in a more¬†……¬†¬†¬† ¬†(continue below Patrice Barton’s spring ‘Spare and Fresh’ visual……)¬† GinnyBarton…..accessible¬†manner. But again the “spare and fresh” approach is a good montra….it allow the viewer to get ‘into’ the art, gleam much from it, and bring their own understanding and interpretation into the work viewed.¬† Less busy, but with all the important details…clear and understandable.¬† Rather like Spring itself….a fresh look at a world we thought we knew!


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10. “I’ve Noticed !”…industry news

It’s finally spring and so much seems to suddenly happen! or need doing! or change in some way!¬† Love it and hate it.. but it’s never boring and slow like winter can be.

Bologna was sort of the big start of it all.¬†¬†Word from clients is that¬†it was as wonderful as always. (I went in ’04…how time flies!)¬† Some changes were seen generally around the world.¬† Middle grade and realistic¬†fiction is “hot.”¬† Lightly illustrated middle grade…often stand-alones¬†again, and more contemporary in feel… are wanted.¬† Some lessening in YA paranormal/dystopian stories and more “fang-free fiction.”¬† (love that expression! contributed to John Adams, of Adams Lit.)¬†¬† Lots of interest in traditional, beautifully illustrated picture books it appears. Yipee!

In PW I keep reading about the changes in patterns for¬†the public’s way of buying and finding books. Less the library or book store help this past year,¬†and more¬†Amazon and from word of mouth.¬† However, in general,¬†over a¬†third of parents seem to feel their kids actually have a “stong attachment to print books.”¬†(Feb 25th) ¬†I do hope this is true.¬† We need both to balance various needs and uses.

The Common Core State Standards, which has turned more ‘non-fiction,’ ¬†is always a big influence on publishers of course as they and schools find ways to incorporate the new mandate. Should bring more work to the ‘realistic’ artists I’d think, and those who love research and history of all styles.¬† Writers and artists can help by offering games,¬† crafts and such into their sites perhaps.¬† Working out ways the schools can get links to their free downloads…. to take the information and interactiveness further.

I read a quote somewhere recently (I DO notice….)¬† but can’t place who said it….want to share as it is SO true always.¬† Publishers want “writing that sings – art that expands on words – stories that inform developmentally.”¬†¬† THAT is the ‘common core.’

Library Girl for ipad.jpgBURRISPriscilla Burris

 

 


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11. Spring BRAIN FOG?

Stay doubt - Burris
It’s spring! Time of renewal and creativity everywhere. Then WHY am I in a ‘brain fog?
Well there are lots of reasons probably…from lack of sleep (!?), to allergies, to ‘it’s still cold in VA!’ to …who knows! I just read a¬†fun newsletter piece about just this from Simone Kaplan… check her out at simone@picturebookpeople.com .¬†Loved her honesty in admitting she has ‘brain fog’ too, so here I am joining her honesty.

And it’s good to admit it when it hits. Use it! Take a break and step back from your projects…writing, illustrating, personal, whatever! If you are having trouble being clear, focused, concise and creatively fresh, don’t try so hard! Step away from the project if possible…maybe for a few weeks or more, and take a new look later. We only want to send out OUR BEST always. You only get one chance to make a good first impression. You can also ruin a good reputation by passing on unfinished or inferior work. Sometimes a deadline requires a ‘finish’…then you have to gut it out. But a step back of a few hours…take a walk, work out in gym or garden… might make all the difference in clearing the brain fog and letting the creativity break through! When are we and our work ‘finished?’ Well probably when the book is published! or the conference talk given! or time has run OUT! But we hope to feel that it’s THE BEST we can do with the situation… the plot is tight, the characters are real and credible and YOURS ALONE, and you’ve added something evocative and provocative to the world. Big order…not really. It’s just breaking through ‘the fog’ and seeing the day and its unique promise! enjoy the possibilities!…..

Image from Priscilla Burris who keeps clear always!


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12. classic..”TRUCK STOP” launch….

A wonderful truck book for boys and girls is being released this week…DO take a look and enjoy.¬† I’ve ‘borrowed’ the blurb from Melissa Iwai’s blog here…about the book and author and, for some, a surprising fact about the collaboration process.¬† Congratulations Melissa and Anne ….it’s a most fun result of a growing friendship!

Coming soon May 2013!

I’m thrilled to announce the release of TRUCK STOP, written by Anne Rockwell and illustrated by moi!! ¬†The official Viking pub date is this Thursday, but we are kicking off our blog tour today. ¬†TRUCK STOP is a fun picture book for young kids that celebrates all the different trucks and their drivers who gather for breakfast every day at the young narrator’s family’s truck stop diner.

When I first was offered the manuscript in 2011, I was so excited to see it was written by Anne. ¬†I’ve been a big fan for a long time. ¬†She`s written over 100 children’s books for all ages, on topics ranging from boats, history, mythology, to the first day of school, bugs, to the seasons. ¬†Go check out her collection of books here! ¬†Needless to say, I didn’t need much time to think it over and said “yes” to my editor immediately.

Most people don’t realize it, but usually the author and illustrator don’t meet or collaborate at all on the book. ¬†Exceptions are made, of course, if they are married, related, or perhaps have worked together in the past. ¬†So it was such a pleasure last week when I finally had the opportunity to meet Anne in person. ¬†We had been corresponding via Facebook ¬†for the past year after I turned the artwork in (yes, it takes a year for a book to be printed!)


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13. I’ve noticed…..

 

I was just catching up with my HORN BOOK reading…love that magazine…. and noticed that Melissa Iwai has a nice review in the Sept Oct edition for TRUCK STOP, written¬†by Anne Rockwell from Viking.¬† It’s a lovely story about noticing and caring, but is a must for any young truck lover!¬†¬† “Iwai’s mixed-media collage art uses texture, bright colors, and a variety of perspectives to draw readers in.” It’s an honor to get a review in Horn Book.¬† Book deserves it….. Hope you’ll check it out. truck stop cover _300 (3)IWAI

Melissa’s also been busy doing signings…one today at Books of Wonder in fact! (NYC…favorite book store!)¬† And these will include the new full length board book of B IS FOR BULLDOZER¬†written by June Sobel¬†from Houghtin¬†Mifflin Harcourt.¬† It’s been a trade book since 2003 but this is new….lovely to see new editions keeping a good book in print longer.¬† Again, for the truck loving child it’s such fun!

And if you haven’t yet visited Melissa Iwai’s blog THE HUNGRY ARTIST you are missing good food and insider artist¬†tips….yummmm…..


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14. Wonderful Books…….

I wanted to share this review of the BOOKS OF WONDER presentation/panel that our Melissa Iwai participated in last weekend…big names and such a cool place.¬† When you get to NYC DO go and visit.¬† They have original copies of Oz and other wonderful old books. (so do I actually which I cherish!)¬† anyway….enjoy Melissa’s tale of Wonder….

Sunday was an amazing event at Books of Wonder on 18th Street in Manhattan. ¬†If you have never been there before, it is a fantastic independent bookstore devoted solely to children‚Äôs books. ¬†They do not carry any licensing products ‚ÄĒ you will not find any Disney or Nickeloden books here! ¬†All the picture books are arranged alphabetically by illustrator, rather than author. ¬†It‚Äôs the only bookstore I know of that does this!

>We love it there and go often for events of which there are many.  It’s been a wonderful opportunity to meet legendary book people, like the late Tomi Ungerer or Chris Van Allsberg as well as newer, well-known authors and illustrators.  One of our favorite events was listening to Nortan Juster and Jules Feiffer talk about creating The Phantom Tollbooth last year in celebration of its 50th anniversary.

This Sunday, though, I was on a panel there!  My panel mates are all exceptional picture book creators.  I was honored to be included in the group.

With Brian Floca, Anne Rockwell, Robie Harris, Chris Raschka, Deborah Heiligman.  Not pictured are Leyuen Pham, Doreen Cronin, and Betsy Lewin.

With Brian Floca, Anne Rockwell, Robie Harris, Chris Raschka, Deborah Heiligman. Not pictured are Leyuen Pham, Doreen Cronin, and Betsy Lewin.

I was totally nervous before the event ‚Äď I am not so comfortable speaking in public anyway, but my anxiety was heightened by the stellar company I was keeping. ¬†Anne Rockwell, who is the most sweetest, generous, warmest person ever, put me at ease. ¬†I was so thankful she was able to make it. ¬†She is a ‚Äúliving legend‚ÄĚ as Peter Glassman, owner of Books of Wonder, said in his introduction of her. ¬†She has written over 100 books, many of which she herself illustrated. ¬†You can imagine my immense relief when she told me she love the illustrations for her warm story, Truck Stop!

Anne and I both spoke a bit about how the book came to be and our process of creating it. ¬†Brian Floca spoke about his amazing book, Locamotive. ¬† He actually got to drive an old fashioned locamotive for an afternoon as part of his research. ¬† Robie Harris and Chris Racshka discussed writing and illustrating a book about child fears, When Lions Roar. ¬†The challenge was creating something that wasn‚Äôt too scary, but scary enough, and what a delicate line that is. ¬†Deborah Heiligman and Leuyen Pham talked about their book on the life and work of Paul Erdos (The Boy Who Loved Math) ¬†as well as the esoteric system of Erdos numbers. ¬†The wonderful Doreen Cronin and Betsy Lewin of Click, Clack, Moo! fame have been collaborating for 18 years. ¬†Their newest is Click, Clack, Boo! They spoke about their collaboration and how much trust and respect they have for each other ‚ÄĒ also how they both share the same sense of humor (obvious if you‚Äôve ever read their hilarious books about duck and Farmer Brown).

Everyone had such an interesting perspective on the work of picture book creating. It was really fascinating and inspirational.  I was so happy to meet finally Chris Raschka and Betsy Lewin  whose illustrations I adore and whose books Jamie grew up with (along with many of Anne’s).

Anne Rockwell and me outside of Books of Wonder after the event.  Do I look relieved?

Anne Rockwell and me outside of Books of Wonder after the event. Do I look relieved?

It really is such a gift for kids to be able to meet authors and illustrators of the books they love. ¬†If you ever have the opportunity, please do so! ¬†Not every place is like ¬†NYC where there are book events all the time, but in cities across the country, especially at independent book stores, there are events taking place often ‚ÄĒ and they are free!


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15. Interview with new artist NINA MATA !

I’m very happy to share another amazing visual interview from Kathy Temean and her Writing and Illustrating Blog….check out all she does… and enjoy!¬†¬† NINA MATA http://kathytemean.wordpress.com

 

Illustrator Saturday ‚Äď Nina Mata

This week I have the pleasure of introducing you to Nina Mata. You may recognize her first piece of art, since it is one that she sent in to be shown off with the other February Illustrations. Nina has been drawing for as long as she can remember. In 1996, she attended the High School of Art & Design where she concentrated in Commercial Arts minored in cheerleading, film, and boys. In 2004, she switched from Fine Arts and majored in Illustration at The Fashion Institute of Technology.

Since then she has been freelancing full-time in illustration and graphic design working with a variety of cliente. She currently is a 2D concept artist for a social gaming company. Nina says, ‚ÄúI love and truly enjoy what I do!‚ÄĚ She specializes in character development, illustrating for the children‚Äôs market, editorial illustrations, children‚Äôs books illustration.

Here’s Nina: The Process

My process has changed over the course of 2 years, and it continues to change as I hone in my style, for example I have completely transitioned to digital from conceptual sketches to final works (though on occasions I will go back to a basic paper and pencil). Although my technique is constantly changing and ever evolving, there are certain steps that remain the same.

I usually start out with a few rough sketches, study the place, person, and or setting, and figure out the best way to execute the layout. I love close up shots of my characters I think the face can express so much more than the body sometimes. After I get a general idea of how I might want the finish to look like I start tightening up my sketch. Now days it‚Äôs been a lot easier for me to manipulate my sketches exactly how I want them (without wasting paper) since I can work with many different layers on Photoshop. If the work is for a client I‚Äôll tighten up the entire sketch, but for my promotional pieces and personal work I‚Äôll usually just sketch out the main subject and let it ‚Äútell me‚ÄĚ about its background, it‚Äôs much more fun that way.

After the sketches are laid out how I want them, I’ll move on to coloring. Since I work digitally I usually set up a layer strictly for my color palette to save a little time looking for colors. I like to bring in my training as a traditional artist in adjacent with my digital work by first doing an under painting, especially with the skin tones, I’ll usually paint it a layer of under tone (cool purple) on top of the actual skin color.

Once I have a general rough coloring in place I would add a layer of texture on top to add a little body and a sense of hand painted look about it. Sometimes, I’ll add the texture in the beginning so I know how saturated to keep the color palette.

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16. First Day of Spring!

I¬†am feeling very motivated to comment on the first day of spring….and all it traditionally holds for us!¬† It’s rather like the first day of school in the Fall and the new box of crayons that always came with that!¬† A new beginning FULL of creativity!¬† …. new perspective and growth….new possibilities…all fresh and miraculous in a way.

It’s a time we all should be taking a look at what IS and decide if that is what should BE.¬† Look around your home and studio (as well as the gardens that call outside!).¬† See if a good cleaning and reorganization of your office and studio could help the mind and soul as well as ‘the eye’.¬† My computer crashing less than a month ago forced that “look around” then .(I knew it was on it’s last¬†legs, but familiar…waited too long… all well now.)¬†New lap top and¬†updated programs made me feel new too!¬† I got energized …which was good as I had a new iPad as well¬†to get my portfolios up to date with.¬† And a lovely large mailing of printed samples to get out.¬† And then¬†a trip to Orlando to show off¬†six new artists and the rest of my special artist group. ¬†(OK, bit of vacation too.)¬† That all on top of the normal reps work week.¬† I’m back and finished with all that….and still full of energy.¬† So I’m rewriting the SCBWI Illustrators Guide presently.¬† Also overdue…amazing how we, even organizations,¬†often just hesitate to make change….

That is what I’m really writing about.¬† Don’t be afraid of change.¬† Mull it over, take your time to think and look and plan.¬†¬†A little discomfort is actually GOOD for the soul.¬† It’s¬† like traveling in a new place/country.¬† It’s unfamiliar and uncomfortable, but it opens your eyes and ears and all senses.¬† It ramps up your creativity.¬† It might be time for some style changes, color or method changes, new ways to promote yourself, new markets to explore.¬† It’s a time for PROMISE…. go grab it!

and from new artist Michell Hazelwood

 


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17. OUT LIKE A LAMB?

Well, it’s been a mild early spring for the most part…in most places.¬† Not sure March is going out like a lamb, but it’s been a nice month generally!¬† It makes me think of our changing market…. not what we expect all the time. Lets look at our market a bit…and project how artists can be part of it better.

At the winter SCBWI¬†conference I hear there¬†were¬†mixed feelings, lots of questions¬†and not many answers.¬† But have there ever been?¬† I can read articles¬†from 20 years ago that sound like they were written today. Jean Feiwel¬†mentioned that the publishing ‘lists’ sized down in children’s…but also that they were maybe ‘publishing more effectively’.¬†¬†I think it was¬†Barbara Marcus who¬†said “this is a best seller business,”¬† which upset many, but how is that different from¬†the past?¬† Publishers have to have best sellers to PAY for all the mid lists books they want to do too.¬† It is a Balancing Act.¬† Always has been.¬†It was also shared that “digital sales are supplementing print – not cannibalizing it.” That can’t be a surprise can it?¬† It’s another way to get reading material into the hands and minds of our children.¬† Not bad.¬† Challenging maybe, but not bad.¬† E books and apps are a bit of a moving target however…changing as I write, but that’s an adventure in itself, isn’t it?

The headlines early this year were “Loses widen;” “Sales fall in 2011;” McGraw Hill fires 800 people.” etc.¬† BUT I just read in PW that sales are looking better so far this past quarter overall…especially in children’ books.¬† NICE.¬†¬†But I still see the hesitancy and ‘tightness’ of the children’s book industry.¬† Optimistic but still very very careful.¬† Publishers are focusing their lists and looking for writers and illustrators who can HELP them get where they think they want to be.¬† OK, where that is might be a mystery to many of us, but we CAN help.¬† I advise artists to do their very¬†best always…in whatever style they WANT to do.¬† I read this somewhere…. (sorry)¬† writers and artists need to ‘tell the story ONLY they can tell.’¬†¬† Do something ONLY you can do.¬† Touch the heart and soul and make the reader laugh! Publishers are FOCUSING and tightening…you need to do the same. Understand who YOU are and what YOU have to contribute and SHOW, don’t TELL.¬† Give yourself permission to push your creativity and your characters.¬† Make both interesting and approachable.

So March turns into Spring for real and another quarter of industry surprises.¬† Good…that’s what it’s all about!¬† Take from that what you need…..¬† and from CAT artist Priscilla Burris an image that SHOWS that:


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18. Artist Interview !

Please visit the link below for a fun interview with newer artist with CATugeau, Susan Drawbaugh!¬† http://kathytemean.wordpress.com/2012/05/05/illustrator-saturday-susan-drawbaugh/¬†¬† We love it when Kathy Temean interviews our agency artists….such a great fun job!


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19. Shared interview with ‘an agent’… ME!

I was asked to do an interview with specific questions recently for the PEN AND INK BLOG, by artist and guest poster, Catherine Lee….they allowed me to share it here…. enjoy!¬† I guess this is MY STORY…and a lucky, happy¬†¬†one it is, if I do say it myself!

(Come on….you know you want to.)

Monday, June 25, 2012

In Conversation with Christina Tugeau

Christina Tugeau
by Catherine Lee
Edited by L. Fernandez
Christina Tugeau is an artist’s agent. She founded the Christina A. Tugeau Agency LLC in 1994.
Here’s a happy terrific woman that loves her agency adorned with a full set of wonderful artists. Perhaps we can all get inspired to love the job that we do. I hope you love the read.
1. Start Agency
I had been working for 3 ¬Ĺ years with another agent in the industry, and when it became time for me to leave, I decided to start my own agency. I‚Äôd fallen in love with picture books and the people who make them! That was in March 1994. The first year I hustled a lot‚Ķ but by end of the year I was making money and truly a rep! That‚Äôs when the ‚Äėshaking nerves‚Äô started for a time! I‚Äôd DONE it!
2. First Artist
Stacey Schuett was one of my first artists in the group…. She had done a bunch of books, and I just happened to catch her when she felt she could no longer rep herself well. My first blessing! I think the world of her as a person and an artist still! Over 18 years!! There are several still with me who came on early, but change is inevitable and not a bad thing for an artist or an agency at times.
3. ARTIST Qualities
There are several… but I have to NOTICE their style, and kno

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20. I’ve noticed….the Good in the Bad

Oddly, we often find in hindsight that a ‘bad,’ or difficult situation can bring out¬†a new or creative push that ultimately becomes very much a “good.”¬† Actually a GIFT.

The book that doesn’t work out…and leaves you a summer to explore new ways of painting that later leads to several new books.¬† The visit trip from hell in cold winter rains where you show up drenched and miserable but get a standing salute for showing up at all, and it’s memorable!¬† The agent that rejects your work for the agency but has one golden ‘tid bit’ that resonates and sets you on YOUR path.

I had such an experience recently, which is why my blog has been silent for a bit.¬† Back story:¬† I’d been asked to co host an Artist Intensive day for the FL SCBWI group in Orlando June 15th.¬† It was FABULOUS!, My buddy in this was the so talented, knowledgable¬†and enthusiastic Laurent Linn, a S&S art director. (see photo below!)¬† The group there is a very talented bunch of workers and we couldn’t have had a better time hopefully helping them along their individual paths.¬† And the Disney Yacht Club was a bit of cool breeze paradise while there.¬† Perfect!¬† except I also picked up a bacterial lung infection that lead to over a month of pain, breathing and infection scares and serious recoup after probably two pneumonias¬†with Asthmatic complications.¬† I’m getting there now, and seeing the GOOD in the BAD again, so wanted to share.¬† One night in hospital when there was no sleep to be found between horrific coughing bouts, I suddenly saw a “story” actually POP out of my¬† head!¬† and grabbed a pen and paper and wrote out the text for 15 spreads of a draft in one flourish! (ok, high level of steroids might have contributed!)¬† And notes and characters for the illustrations! It was amazing, and after¬† it was down on paper I actually did sleep a couple of hours.¬† It was a story I’d been mulling sort of.¬† I’m no picture book writer, and while an artist, not an illustrator.¬† I SO admire my group and what they can do! ¬†So we’ll see if anything comes of it.¬† But the FACT of it was so GOOD!

My point of course is to ALLOW these good moments to ‘free up’ in all your extraordinary, or ordinary, other moments.¬† A lot of it is just being available for the inspiration to arrive. And we often just aren’t.¬† My situation was unique (and I do NOT recommend it!) but something exciting might have been allowed to begin there that might never have otherwise.¬† Good.¬† I may not be able to pull this together to present officially to the industry, but it will happen as a personal project.¬† I am pushed to give it a try. How can I not?

How can YOU not!


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21. 10 Minute Rule……

Last year during a NYC visit, I was visiting a certain Penguin Group AD (hi! Cecelia)¬† and she gave me a wonderful HINT about her take on viewing art and artists’ work…and I think it applies to writing too.¬† It’s stayed with me, and because I find I practice the same rule, I felt I should finally share it with you.

THE 10 MIN. RULE:¬† if the work generally doesn’t HIT me in less than 10 minutes, I move on.¬†Done (often less!)

It’s true…. we see a LOT of art, and often we agents, ADs and designers and editors are artists ourselves.¬† We see a LOT of art over a LOT of years.¬† Sure, we filter through our own likes and dislikes, but we do keep¬†an open-eyed ‘¬†overview’ for the market¬†and it’s needs¬†at any given time.¬† We make mistakes, but we make decisions fast.¬† Have to!

So what can you take from this?¬†¬† WOW US!¬† start out GREAT and build from there!¬† Make the first piece (or paragraph) a winner and then must keep following it up with your best characters, your best drawing, your best color, your best expressions, your best action, your BEST!…..¬†and UNlike¬†everyone else’s BEST.¬†¬†¬†¬†¬†¬†¬†¬†¬†¬†¬†¬†¬†¬†¬† ¬†10 minute rule rules!

so look in the mirror often and be honest about what you see…. your best?¬† and from my CAT artist and son Jeremy Tugeau, as a reminder=¬†’ mirror, mirror, on the wall’…’


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22. “I’ve noticed”…reflecting OUR character….

My husband and I are just back from a mini reunion in CT with “The Originals”…a group of guys who came together,¬†for my husband, in 5th grade through Jr High, HS, college¬†and onward to our present ‘newly medicare’ status…¬† over 50 years!¬† I’ve known them since I was 16 and started dating the love of my life…but that’s another story.

What I NOTICED is that though we sometimes don’t see some of this group for 20+ years at a time, it’s only moments¬†till we are all comfortable and ‘back’ together.¬† The old stories and the belly laughing starts, and it’s SO good to experience!¬† Friends like¬†that take a life time to create…and it did.¬†That coming together also reveals our TRUE CHARACTERS.¬† Gone the¬†’executive’ or the ‘naturalist’ or the ‘egg head.’¬†¬†They are all just boys…and they KNOW each other’s core.¬† We girls also revert to a bit¬†’our younger selves’ as well.¬†Though I’ve also noticed that the girls have perhaps¬†grown more into who¬†we always were…wonderful to see.¬† Just like writing or drawing good characters!

It takes a life time (however¬†long your life time is so far!)¬†of experiences and careful visual ‘noting’ to be able to come up with GOOD CHARACTER.¬† Stories are so often¬†all about character.¬† You must get into your character big time to make your audience believe in him/her.¬† Explore all the tips and tricks you can to create the best.¬† REALLY KNOW THEM.¬† How would they be with¬†old, old friends? new personalities? How would they react if something went wrong, or someone disappointed them?¬† How would they take a bike ride, swim in a lake, ride a hot air balloon, open a business, care for their aging parent?¬† This might not be in your current story, but if the character will be¬†’real’ you have to know how he/she would react in most life events.¬† Now, we who have lived a few years, know a character might surprise us¬†big time with how they react to an event….and you need to be aware of that too.¬† The story, drawn or written,¬†might just be in that difference of your character but it’ll only work if you and your audience really know the ‘normal’ for your character.

I just have to include a photo of five of ‘the girls’ (second from right is me) because we took this same photo 22 years ago at the last reunion and needed to revisit our characters in photo style.¬† Yes we’re that much older, as are our husbands, but we ARE¬†OUR characters now and it shows.¬† Not all bad ladies!¬† Get into your characters…pull at them, test them with life, give them tough challenges….¬† THEN write or draw your story!

cheers¬†’girls’!


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23. OH the vision…and inspiration for ALL artists!

This borrowed from PW Bookshelf :¬† I found myself smiling at her, and his, views so many years ago… and the encouragement she could give to a YOUNG up and coming Sendak. 50 years ago he began…not knowing where he was going.¬† Do any of us?¬† Does it matter?¬† Just putting another stroke (step, word, etc) down and continuing the fun and torment and LIFE.¬† ¬†There is always more in us….and better!¬† onward….

and to illustrate this…from Michelle Henninger….

The story behind it is that Sendak, illustrating a children’s book by Tolstoy, began to doubt himself and wrote a letter to Nordstrom detailing all his self-doubts. Here is part of what she wrote back:

You reminded me that you are 33. I always think 29, but OK. Anyhow, aren’t the thirties wonderful? And 33 is still young for an artist with your potentialities. I mean, you may not do your deepest, fullest, richest work until you are in your forties. You are growing and getting better all the time. I hope it was good for you to write me the thoughts that came to you. It was very good for me to read what you wrote, and to think about your letter. I’m sorry you have writers cramp as you put it but glad that you’re putting down “pure Sendakian¬†vaguery” (I think you invented that good word). The more you put down the better and I’ll be glad to see anything you want to show me. You referred to your “atoms worth of talent.” You may not be Tolstoy, but Tolstoy wasn’t Sendak, either. You have a vast and beautiful genius. You wrote “It would be wonderful to want to believe in God. The aimlessness of living is too insane.” That is the creative artist‚ÄĒa penalty of the creative artist‚ÄĒwanting to make order out of chaos. The rest of us plain people just accept disorder (if we even recognize it) and get a bang out of our five beautiful senses, if we’re lucky. Well, not making any sense but will send this anyhow.

This was SENT in a letter….no emails then.¬† No blogs to share, no quick anything…just slow mail or phone.¬† Thank the Lord…words are saved…. messages shared.¬† again….enjoy!

The story behind it is that Sendak, illustrating a children’s book by Tolstoy, began to doubt himself and wrote a letter to Nordstrom detailing all his self-doubts. Here is part of what she wrote back:

You reminded me that you are 33. I always think 29, but OK. Anyhow, aren’t the thirties wonderful? And 33 is still young for an artist with your potentialities. I mean, you may not do your deepest, fullest, richest work until you are in your forties. You are growing and getting better all the time. I hope it was good for you to write me the thoughts that came to you. It was very good for me to read what you wrote, and to think about your letter. I’m sorry you have writers cramp as you put it but glad that you’re putting down “pure Sendakian¬†vaguery” (I think you invented that good word). The more you put down the better and I’ll be glad to see anything you want to show me. You referred to your “atoms worth of talent.” You may not be Tolstoy, but Tolstoy wasn’t Sendak, either. You have a vast and beautiful genius. You wrote “It would be wonderful to want to believe in God. The aimlessness of living is too insane.” That is the creative artist‚ÄĒa penalty of the creative artist‚ÄĒwanting to make order out of chaos. The rest of us plain people just accept disorder (if we even recognize it) and get a bang out of our five beautiful senses, if we’re lucky. Well, not making any sense but will send this anyhow.


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24. SCBWI WINTER CONFERENCE!

I am¬†most honored to be part of the Friday Feb. 1st Artist Intensive for the SCBWI Winter Conference (Grand Hyatt 42nd) this coming weekend!¬† Our panel discussion is “WHEN DO I QUITE MY DAY JOB?”¬†and I’m looking forward to the subject and opportunity to share the basics (and not so basic) to the business of being an Illustrator.¬† Brenda Bowen (editor, now Lit Agent, and writer) and Jan Constantine (general counsel for The Authors Guild) and I (20 year artist agent) will be moderated by David Diaz.

The SCBWI¬†conferences are always so very inspirational and done so professionally and with such care for the market and those who participate in it, that it’s always a joy to be part of and/or attend.¬†¬†I’ll also be one of the judges for the Art Show which is a wonderful part of these¬†events.¬† Sat. and Sun are full of other talks and sessions for writers and illustrators (or¬†both) and an almost overwhelming opportunity to get an ‘insiders’ look at¬†the children’s book industry.¬†And you meet and chat with so many interesting people!

If you are planning to be there, please make yourself known to me.¬† And if not this year, do try to attend in LA,CA (Aug.) or NYC (Feb) at some point…invaluable!¬†¬†See you there!

(“CAT”artist Melissa Iwai’s¬†got the right idea about¬†books!)

One more start IWAI


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25. Treasures from the mouths of talent!…..

Happily going over some notes I made while listening to the speakers at the conference… and want to share.¬† Didn’t make every speaker of course, but I’ll try to hit the ideas and quotes that spoke to me and I¬†hope will speak to you! Highlights….

I’ll start with the most WONDERFUL opening talk from artist SHAUN TAN. at 8:35 Friday morning of the Artist Intensive.¬† What a way to wake up….truly the ‘WAY TUGEAU!”¬† It was about “Developing a Personal Style.”¬† His overall point was that your personal style needs to be free and encouraged to just ‘emerge.’¬† He talked about how drawing and painting at a very young gave him his ‘source of power,’¬† and how it was wonderful to work and not worry about how it was ‘received.’¬† He reminded all that ART is a distortion of reality…it’s NOT literal but more theatrical and manipulated.¬† How you do this grows into your style. It’s often good to let the viewer SEE this manipulation…be aware of the painting. The Deep Style that is or will become you is not so much how you draw or paint, but how you THINK.¬† That approach will change as the¬†story and¬†image changes, and your personal style can be ‘found’ at the intersection of where all the work meets.¬† (love that!)

You don’t choose a personality for yourself or a style really.¬† They evolve and happen from the interests of the day-to-day realities.¬† One way to teach yourself to¬†know and appreciate others styles however is the age-old practice of copying master artists to LEARN from the effort…HOW and WHY it was done a certain way.¬† He likes to divide work into two parts…the ‘public’, known part, and the ‘private’ exploring, developing part.¬† Good to “think of yourself as a train station that¬†ideas pass through.”¬†(!) ¬†Allow the dream to ‘bubble up’. The deep style just comes… it’s a conversation with yourself. “Swing with the current.”¬† Style¬†often turns out to be¬†”what you do in an emergency” which he quoted from someone else…and isn’t that a truth!

Well that’s¬†a touch of one talk I just HAD to share…wonderful.¬†¬†Check out¬†Shaun Tan’s work up…interesting talent and personality.

More tomorrow from others there at the WINTER SCBWI CONFERENCE 2013!


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