The new "Powerpuff Girls" revival gets its first Emmy nod, and so does the last episode of "Phineas and Ferb."
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The new "Powerpuff Girls" revival gets its first Emmy nod, and so does the last episode of "Phineas and Ferb."
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The independent short film made by two Pixar artists has won the top prize at this year's SIGGRAPH.
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The 2016 Harvey nominations have just been announced, and as in past years, Valiant was the overwhelming favorite of the voting block with some 50 nominations out of some 142 total, including all but one nominees in five categories. Despite appearances, nominees are not voted on by Valiant fans, but rather industry professionals via an […]Add a Comment
The Academy is touting the diversity of its new member invites, but how diverse are they really in the animation and vfx branches?
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I was chuffed to get a call from journalist Tom Tivnan, that The Bookseller had put me up for their Rising Stars gallery, for my work on the #PicturesMeanBusiness campaign. It's nice to be recognised, but even better, it's great to see The Bookseller championing a campaign that was initially critical of them. They took the criticism in a thoughtful, professional way, made changes to the way they credited illustrators, and they're now real champions of the cause. Thank you, Tom, Fiona Noble, Philip Jones, Charlotte Eyre, Sarah Shaffi, Natasha Onwuemezi, Kiera O'Brien, FutureBook's Porter Anderson and everyone who have been working hard to credit illustrators and encouraging other people to do so, too. We're definitely making progress and seeing more illustrator names on front book covers and illustrators mentions in the media (including in The Bookseller).
While I don't think it's really a one-person campaign - it takes lots of people to make a difference - The Bookseller are leading the way and I'm very grateful to them for that. Article by Tom Tivnan ('cos #JournalismMeanBusiness):
I've highlighted the bits I think are the most important, and I can only do this campaigning because of the support I've had from my co-author Philip Reeve, Liz Cross and our publisher OUP, my agent Jodie Hodges, Joy Court of the Carnegie-Greenaway committee, the Society of Authors (Nicola Solomon, Niall Slater, Jo McCrum), Andre Breedt and the data team at Nielsen, Kellie Barnfield and Helen Graham at Little Brown for their help with data, Kate Wilson for starting up the Illustrator Salons, and all the writers, illustrators, bloggers, reviewers, booksellers and people in publishing who have been looking out to see illustrators credited properly and professionally.
A lot of illustrators are still frightened of looking like 'trouble' to speak out, but from what they say to me in private, I know your help will be hugely appreciated. Working as a freelance illustrator is a scary job, especially if you don't have a working partner or family who can look after you when your pay is uneven. I've been lucky that my partner works and it's given me some more freedom to trying to make the profession a bit more accessible to single people and people from poorer backgrounds. #PicturesMeanBusiness won't solve all the problems facing illustrators, but we need to fix the industry one step at a time: if illustrators don't have to lose brand-name recognition and the resulting loss of business because the industry, media and society at large are crediting them properly, we can focus our energies elsewhere, trying to make a living and making better books. And publishers will win in so many ways, including better searchability for their books in metadata, being able to grow their illustrators as brands that people want to search out and buy, and by gaining illustrator loyalty.
You can read more in this article by Tom Tivnan and Tom Holman, and find out about the other Rising Stars here. And, of course, find out about Pictures Mean Business at PicturesMeanBusiness.com. Do spread the word about the campaign!
By Eva Rinaldi – http://www.flickr.com/photos/evarinaldiphotography/14413533001/, CC BY-SA 2.0, https://commons.wikimedia.org/w/index.php?curid=33412380 In an email about Comic-Con HQ’s activities at this year’s SDCC, this little nugget was revealed: John Barrowman will be hosting the Eisner Awards. Barrowman is of course a much loved cult fan figure, currently starring on Arrow, who previously made a splash at whe Eisners […]Display Comments Add a Comment
May 2016 signified the opening of Lee & Low Book’s seventeenth annual New Voices Award contest! To kick off the season, we interviewed New Voices Award winner Sylvia Liu about her writing process and how she prepared her winning story, A Morning with Grandpa, for the New Voices Award. Learn more about our New Voices Award here.
What inspired you to write A Morning with Grandpa? Did you write it specifically for New Voices, or was it something you were working on already?
I was inspired by my dad, who was doing qi gong (a mind-body practice involving moving “qi,” or energy, around one’s body through breathing techniques), while we were vacationing together. He taught my daughters his breathing techniques, and that inspired the story of a grandfather teaching his granddaughter both qi gong and tai chi.
I wrote the draft as part of a year-long challenge, 12×12, where the goal is to write 12 picture book drafts in 12 months. After I wrote this story, I realized it was a great fit for the New Voices contest.
What did you do to prepare your manuscript for submitting to the New Voices Award?
My critique group gave me excellent feedback that improved my story. I also got invaluable feedback from an agent as part of a critique that came with a Writer’s Digest course.
While writing your story did you encounter writer’s block? What did you do to overcome it?
This was one of the few stories I’ve written where I didn’t experience writer’s block. The initial story came to me very quickly, though it was different than the final form. The first draft was told mainly in dialogue, and one of my critique mates encouraged me to incorporate more lyrical language.
A Morning with Grandpa is a story about trying new things. When was a time you tried something new and how did it turn out?
About seven years ago, some friends and I took a women’s surf camp. It was so much fun that we kept going back for several years. At some point, I realized that surfing was not my sport, but my friends and I still occasionally get our boards and go out into the water. Last summer, our beach had several shark sightings so I stayed out of the water for the most part.
Who were some of your favorite writers growing up? Are there any books or writers that inspire you now?
Growing up, I loved reading science fiction, fantasy, mysteries, and thrillers. My favorite series as a child was Lloyd Alexander’s Book of Three series. In my teens, I inhaled the entire oeuvres of Agatha Christie, Robert Ludlum, Ray Bradbury, Edgar Rice Burroughs, Isaac Asimov, Frank Herbert, and Stephen King.
Nowadays, I’m inspired by author-illustrators who tell stories in intriguing and beautiful ways, like Shaun Tan and Gene Luen Yang.
Finally, what advice would you give new writers interested in writing children’s books?
Read as much as you can, both in and outside the genre you are writing in, and read recently published books. As the head of my daughters’ school recently said, good readers make good writers; great readers make great writers. And knowing what is being published today will help you gauge where you are on your writing journey.
Take the time to learn the craft of writing, connect with other authors, and have fun.
Sylvia Liu was inspired to write this story by the playful and loving relationship between her children and their Gong Gong. Before devoting herself to writing and illustrating children’s books, she worked as an environmental lawyer at the US Department of Justice and the nonprofit group Oceana. She lives in Virginia Beach, Virginia, with her husband and their two daughters. This is Sylvia’s debut picture book.Add a Comment
"My Life As a Courgette" won both the Cristal and audience award for feature film at Annecy 2016.
The post ‘My Life As a Courgette,’ ‘The Head Vanishes,’ ‘Stick Man’ Take Top Honors At Annecy 2016 appeared first on Cartoon Brew.Add a Comment
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Why are my co-author Philip Reeve and I in Daunt Books Marylebone looking VERY excited?
We'd found out we'd won the children's book category for Pugs of the Frozen North in this year's Independent Bookshop Week Award! It's a celebration of indie bookshops, booksellers, and the amazing way they know their books so well and can stock and recommend just the right titles, and be real hubs in their communities. Besides selling books, indie bookshops have hosted wonderful events for us, knitted pugs, and encouraged us on social media, and we love them.
Philip has already blogged about it, and you can read more about the award in this Guardian article by Emily Drabble and over on the IndieBound website. And there's another article in The Bookseller here, by Lisa Campbell.
Big congrats to Emily MacKenzie, who won the Picture Book category, and Anne Enright, who won the Adult book category. Thanks to all the judges (Nicolette Jones, 2015 winner Sally Nicholls, Steven Pryse from Pickled Pepper Bookshop and Carrie Morris from Booka Bookshop). And thanks, of course, Britain's marvelous indie bookshops!
This kicks off Independent Bookseller Week and the best way to celebrate is to go down to your local indie and buy some books! :) If you don't have a local, Stephen Holland at Page 45 in Nottingham and lots of other shops are more than happy to post things to you. (Stephen's hand-sold SO many copies of Pugs of the Frozen North! Oh, and here's a link to my website in case you want to knit a pug or learn how to draw one.
Louisa Mellor at Den of Geek is compiling a list of top indies so go on over and add your fave if you don't see it there. You can watch developments from the week over on Twitter: #IBW2016
You know what’s even better than serving on an award committee? Having someone else write about it. As I’ve mentioned in the past, I was on the judging committee for this year’s Boston Globe-Horn Book Awards alongside Chair Joanna Rudge Long and Roxanne Feldman. It was Roxanne who reported on our discussion, and even took photos of where we met (Joanna’s gorgeous Vermont farmhouse), what we ate, and more. There is also a particularly goofy shot of me that is impressive because even without knowing that there was a camera pointed in my direction, I seem to have made a silly face. I am nothing if not talented in that respect.
Speaking of listening in on committees and their discussions, ALA is next week (she said, eyeing her unfinished Newbery/Caldecott Banquet outfit nervously) and that means you have a chance to sit and listen to one particular committee talk the talkety talk. I am referring, of course, to the ALA Notables Committee. This year they’ve released the list of books on their discussion list online for your perusal. A lot of goodies there, as well as room for a lot of books I hope they get to eventually.
I was very sad to hear about the passing of Lois Duncan. Like many of you, she was a staple of my youth. When Jules Danielson, Peter Sieruta, and I were writing our book Wild Things: Acts of Mischief in Children’s Literature we initially had a section, written by Peter, on why Lois stopped writing suspense novels for teens. It’s a sad story but one that always made me admire her deeply. She was hugely talented and will be missed.
Speaking of Wild Things, recently I was sent a YA galley by Marcus Sedgwick called Blood Red, Snow White. But lest you believe it to be a YA retelling of the old Snow White / Rose Red fairytale, it ain’t. Instead, it’s about how Arthur Ransome (he of Swallows and Amazons) got mixed up with Trotsky’s secretary and a whole lotta Bolsheviks. What does this have to do with Wild Things? This was yet ANOTHER rejected tale from our book. Read the full story here on our website where we even take care to mention Sedgwick’s book (it originally was published overseas in 2007).
As I’ve mentioned before, my library hosts a pair of falcons each year directly across from the window above my desk. I’ve watched five eggs laid, three hatch, and the babies get named and banded. This week the little not-so-fuzzyheads are learning to fly. It’s terrifying. Far better that I read this older Chicago Tribune article on the banding ceremony. They were so cute when they were fuzzy. *sigh*
In other news, Harriet the Spy’s house is for sale. Apparently.
Sharon Levin on the child_lit listserv had a rather fascinating little announcement up recently. As she told it, she’d always had difficulty finding a really fast way to catalog her personal library. Cause let’s face it – scanning every single barcode takes time. Then she found a new app and . . . well, I’ll let her tell it:
“Shelfie is a free app for iOS and Android (www.shelfie.com) where you can take a picture of your bookshelf and the app will automatically recognize your book spines and generate a catalog of your library. In addition, the team behind the app has made deals with over 1400 publishers (including HarperCollins, Macmillan, and Hachette) to let you download discounted (usually around 80% off) or free ebook or audiobook edition of your paper books (right now these publisher deals cover about 25% of the books on an “average” shelf). The app also lets you browse other readers’ shelves. Shelfie will also give you personalized book recommendations based on how readers with similar taste in books to you organize the books on their shelves. The founder of Shelfie is named Peter Hudson and he’d love to hear any suggestions about how he can make the app better. Peter’s email is firstname.lastname@example.org.“
Thanks to Sharon Levin for the heads up.
I leave NYPL and its delightful Winnie-the-Pooh toys and what happens? The world goes goofy for the story of A.A. Milne and Christopher Robin. Now we just found out that Domhnall Gleeson (a.k.a. Bill Weasley in the Harry Potter films) has just been cast as Milne in an upcoming bio-pic. Will wonders never cease?
Are you familiar with the works of Atinuke? An extraordinary storyteller, her Anna Hibiscus books are among my favorite early chapter books of all time. They do, however, occasionally catch flack of saying they take place in “Africa” rather than a specific country. Recently, K.T. Horning explained on Monica Edinger’s recent post Diversity Window, Mirror, or Neither that Atinuke did this on purpose so that kids in Africa could imagine the stories as taking place in their own countries. That makes perfect sense. The ensuing discussion in Monica’s post is respectful, interesting, and with a variety of different viewpoints, all worth reading. In short, the kind of talk a blogger hopes for when he or she writes something. Well done, Monica.
Big time congrats to the nominees for the Neustadt Prize. It’s a whopping $10,000 given to a children’s author given on the basis of literary merit. It may be the only children’s award originating in America that is also international. Fingers crossed for all the people nominated!
Hooray! The Children’s Book Council has released their annual Building a Home Library list. I love these. The choices are always very carefully done and perfect for clueless parents.
In other CBC news, I got this little press release, and it’s worth looking at:
“For the second consecutive year, the Children’s Book Council has partnered with The unPrison Project — a 501(c)3 nonprofit dedicated to empowering and mentoring women in prison — to create brand-new libraries of books for incarcerated mothers to read with their babies at prison nurseries. Fourteen of the CBC’s member publishers answered the call by donating copies of over 35 hand-picked titles for children ages 0-18 months for each library. The books will be hand-delivered and organized in the nurseries by Deborah Jiang-Stein, founder of The unPrison Project and author of Prison Baby. Jiang-Stein was born in prison to a heroin-addicted mother, and has made it her mission to empower and mentor women and girls in prison.”
You know who’s cool? That gal I mentioned earlier. Julie Danielson. She’s something else. For example, while many of us might just say we were interested in James Marshall, she’s actually in the process of researching him. She even received the James Marshall Fellowship from The University of Connecticut’s Archives & Special Collections at the Thomas J. Dodd Research Center. As a result she spent a week looking through the James Marshall Papers there. Their sole stipulation? Write a blog post about it. So up at the University’s site you’ll find the piece Finding the Artist in His Art: A Week With the James Marshall Papers. Special Bonus: Rare images you won’t find anywhere else.
I take no credit to this. I only discovered it on Twitter thanks to Christine Hertz of Burlington, VT. It may constitute the greatest summer reading idea I’ve seen in a very long time. Public libraries, please feel free to adopt this:Add a Comment
The winners of the 2015 Bill Finger award have been announced and they are Elliot S! Maggin and Richard E. Hughes. The award is presented annually to two writers, one living, one dead, in order to recognize writers who have not previously received proper recognition for their work. The award is named after Bill Finger, the ghost writer for the early Batman stories who invented much of the Caped Crusader's mythos.Display Comments Add a Comment
The wave of promising young female cartoonists that we've all been seeing change the face of comics got a bit of an endorsement with the release of this year's nominees for the Russ Manning the Russ Manning Promising Newcomer Award. The Manning Award, as it's commonly know, is presented every year at the San Diego Comic-Con as part of the Eisner Awards to "a comics artist who, early in his or her career, shows a superior knowledge and ability in the art of creating comics." The 2016 nominees are:Add a Comment
The 2016 Glyph Comics Awards Winners were announced at the East Coast Black Age of Comics Creators show on Saturday and Brotherman, won Best Story and Best Character, while Bounce won Best Comic Strip, the Rising Star award and a Fan award. The awards are presented to “recognize the best in comics made either by, […]Add a Comment
I’ve done it again. Delayed my Fusenews too long and now this post is going to overflow with too much good stuff. Forewarned is forearmed, as they say.
Me stuff for the start. And in fact, there just so much Me Stuff today that I’m just going to cram it all into this little paragraph here and be done with it. To begin, for the very first time my book Wild Things: Acts of Mischief in Chidren’s Literature (co-written with Jules Danielson and Peter Sieruta) was cited in an article. Notably, a piece in The Atlantic entitled Frog and Toad and the Self. Woot! In other news I’m judging a brand new picture book award. It’s the Hallmark Great Stories Award. Did you or someone you know produce a picture book in 2016 on the topic of “togetherness and community”? Well $10,000 smackers could be yours. In terms of seeing me talk, I’m reading my picture book (and more) at the Printer’s Row Lit Fest on June 11th. If you’re in the Chicago area and ever wanted to see me in blue furry leg warmers, now your chance has come here. Finally, during Book Expo I managed to coerce Hyperion Books into handing me three of their most delicious authors (Shannon Hale, Dean Hale, and Eoin Colfer) so that I could feed them to WGN Radio. You can hear our talk here, if you like. And check out how cute we all are:
Colfer, for what it is worth, is exceedingly comfortable. I highly recommend that should you see him you just glom onto him for long periods of time. Like a sticky burr. He also apparently has an Artemis Fowl movie in the works (for real this time!) and you’ll never guess who the director might be.
This is interesting. Not too long ago children’s book author C. Alex London wrote a piece for BuzzFeed called Why I Came Out As a Gay Children’s Book Author. It got a lot of attention and praise. Then, earlier this month, Pseudonymous Bosch wrote a kind of companion piece in the New York Times Book Review. Also Known As tackles not just his reasons for a nom de plume (skillfully avoiding any and all mentions of Lemony Snicket, I could not help but notice) but also how this relates to his life as a gay children’s book author.
Hey, full credit to The New Yorker for this great recentish piece on weeding a collection and the glory that is Awful Library Books. My sole regret is that I never let them know when I weeded this guy:
The copyright page said 1994, but I think we know better. Thanks to Don Citarella for the link.
Cool. The publisher Lee & Low has just released the winner of the New Visions Writing Contest, now in its third year. Congrats to Supriya Kelkar for her win!
New Podcast Alert: With podcasting being so popular these days, I do regret that my sole foray into the form has pretty much disappeared from the face of the globe. Fortunately there are talented folks to listen to instead, including the folks at Loud in the Library. Teacher librarians Chris Patrick and Tracy Chrenka from Grand Rapids, MI (homestate pride!) get the big names, from picture books illustrators to YA writers. Listen up!
New Blog Alert: The press release from SLJ sounded simple. “SLJ is pleased to welcome The Classroom Bookshelf to our blog network. In its sixth year, the Bookshelf features a weekly post about a recently published children’s book, including a lesson plan and related resources.” Then I made a mistake. I decided to look at the site. Jaw hit floor at a fast and furious rate leaving a dent in the linoleum. Contributors Randy Heller, Mary Ann Cappiello, Grace Enriquez, Katie Cunningham, and Erika Thulin Dawes (all professors at Lesley University’s outstanding school of ed.), I salute you. If I ever stop writing my own reviews, you’ll know why.
This one’s just for the New Yorkers. I’m sure you already saw this New Yorker paean to the Mid-Manhattan library, but just in case you didn’t it’s here, “unruly pleasures” and all.
For whatever reason, PW Children’s Bookshelf always goes to my “Promotions” folder on Gmail, so I assume they already mentioned this article. Just in case they didn’t, though, I sort of love that The Atlantic (second time mentioned today!) wrote an ode to Sideways Stories from Wayside School. Thanks to Kate for the link.
Now some Bookshare info. The idea of providing free ebooks for kids with print disabilities is a good one. And, as it happens, not a new one. Bookshare, an online accessible library, just added its 400,000th title to its collection and boy are they proud. Free for all U.S. students with qualifying print disabilities and U.S. schools, they’ve a blog you might want to read, and they service kids with blindness, low vision, dyslexia, and physical disabilities.
You probably heard that Neil Patrick Harris will be playing Count Olaf in the upcoming Netflix series of A Series of Unfortunate Events. Now we have photographic proof.
I wonder if Brett Helquist ever marvels at how much power his art has had over these various cinematic incarnations. The lack of socks is a particularly accurate touch.
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Studio Ghibli's first-ever co-production went up against 17 live-action films at Cannes, and won the special jury prize.
The post Michael Dudok de Wit’s ‘The Red Turtle’ Wins At Cannes appeared first on Cartoon Brew.Add a Comment
Jamie Coville has, as always, recorded the best of the panels from TCAF, including a shocking number in which I participated. YOU can hear the audio of the panels here and the DWAs here. The DWAs are notable for the extraordinary remembrance that Seth offered or Dawwyn Cooke and also the induction of James Simpkins into the Giants […]Add a Comment
Cynthia Leitich Smith
Oh but look! Slate’s Cartoonist Studio Prize 2016 winners for 2016 have just been announced and they are Boulet and Carol Tyler. Tyler won for Soldier’s Heart: The Campaign to Understand My WWII Veteran Father, which I was just lauding, a collection of her three volume memoir about her father, WWII vet Chuck Tyler, whose […]Display Comments Add a Comment
The LA Times Book Festival rolled out over the weekend, and the annual prized were given and in the graphic novel category the winner was Riad Sattouf and The Arab of the Future: A Childhood in the Middle East, 1978-1984: A Graphic Memoir published here by Metropolitan Books. Sattouf beat out some pretty good competition; […]Add a Comment
"Long Way North" will debut in the U.S. later this year.Add a Comment
Congrats to Phoenix Poet Peter Balakian—his latest collection Ozone Journal took home the 2016 Pulitzer Prize for poetry, noted by the Pulitzer committee in their citation as, “poems that bear witness to the old losses and tragedies that undergird a global age of danger and uncertainty.” From a profile of Balakian at the Washington Post:
“I’m interested in the collage form,” Balakian said. “I’m exploring, pushing the form of poetry, pushing it to have more stakes and more openness to the complexity of contemporary experience.”
He describes poetry as living in “the speech-tongue-voice syntax of language’s music.” That, he says, gives the form unique power. “Any time you’re in the domain of the poem, you’re dealing with the most compressed and nuanced language that can be made. I believe that this affords us the possibility of going into a deeper place than any other literary art — deeper places of psychic, cultural and social reality.”
From the book’s titular poem:
Bach’s cantata in B-flat minor in the cassette,
we lounged under the greenhouse-sky, the UVBs hacking
at the acids and oxides and then I could hear the difference
between an oboe and a bassoon
at the river’s edge under cover—
trees breathed in our respiration;
there was something on the other side of the river,
something both of us were itching toward—
radical bonds were broken, history became science.
We were never the same.
And, as the jacket description notes:
The title poem of Peter Balakian’s Ozone Journal is a sequence of fifty-four short sections, each a poem in itself, recounting the speaker’s memory of excavating the bones of Armenian genocide victims in the Syrian desert with a crew of television journalists in 2009. These memories spark others—the dissolution of his marriage, his life as a young single parent in Manhattan in the nineties, visits and conversations with a cousin dying of AIDS—creating a montage that has the feel of history as lived experience. Bookending this sequence are shorter lyrics that span times and locations, from Nairobi to the Native American villages of New Mexico. In the dynamic, sensual language of these poems, we are reminded that the history of atrocity, trauma, and forgetting is both global and ancient; but we are reminded, too, of the beauty and richness of culture and the resilience of love.
To read more about Ozone Journal, click here.Add a Comment
The University of Chicago Press is pleased to announce that House of Debt: How They (and You) Caused the Great Recession and How We Can Prevent It from Happening Again, by Amir Sufi and Atif Mian, has been awarded the 2016 Gordon J. Laing Prize. The prize was announced during a reception on April 21st at the University of Chicago Quadrangle Club. The Gordon J. Laing Prize is awarded annually by the University of Chicago Press to the faculty author, editor, or translator of a book published in the previous three years that has brought the greatest distinction to the Press’s list. Books published in 2013 or 2014 were eligible for this year’s award. The prize is named in honor of the scholar who, serving as general editor from 1909 until 1940, firmly established the character and reputation of the University of Chicago Press as the premier academic publisher in the United States.
Taking a close look at the financial crisis and housing bust of 2008, House of Debt digs deep into economic data to show that it wasn’t the banks themselves that caused the crisis to be so bad—it was an incredible increase in household debt in the years leading up to it that, when the crisis hit, led consumers to dramatically pull back on their spending. Understanding those underlying causes, the authors argue, is key to figuring out not only exactly how the crisis happened, but how we can prevent its recurrence in the future.
Originally published in hardcover in May 2014, the book has received extensive praise in such publications as the Wall Street Journal, New York Times, Financial Times, Economist, New York Review of Books, and other outlets.
Amir Sufi is the Chicago Board of Trade Professor of Finance at the University of Chicago Booth School of Business. Atif Mian is the Theodore A. Wells ’29 Professor of Economics at Princeton University and director of the Julis-Rabinowitz Center for Public Policy and Finance.
The Press is delighted to name Professor Sufi to a distinguished list of previous University of Chicago faculty recipients that includes Adrian Johns, Robert Richards, Martha Feldman, Bernard E. Harcourt, Philip Gossett, W. J. T. Mitchell, and many more.
To read more about House of Debt, click here.Add a Comment
"Kaputt" won 15,000 euros as the top pick at the 2016 Stuttgart Festival of Animated Film.
The post ‘Kaputt’ Tops 2016 Stuttgart Festival of Animated Film appeared first on Cartoon Brew.Add a Comment
Well, look at us. Here's Alexis giving his bit of the acceptance speech for the 2016 Little Rebels Award at the London Radical Bookfair, with his hand in his pocket as is appropriate, and me making the appropriate face for an award winner, and Wendy Cooling getting ready to hand over the framed trophy, most appropriate of all in every way.
This is hands down the best thing I've won in my whole life. - The Little rebels Award recognises books that celebrate social justice and equality for children aged 0-12 - what could be better?
Don't be too cross that I was reduced to making faces by the end, people said the most wonderful things about "I am Henry Finch".
Kerry Mason of Letterbox Library who runs the award put it like this:
“It’s an absolute gem of a picture book. It deploys the simplest of graphics and text to ponder vast questions about our humanity. Viviane Schwarz’s blood red thumbprint finches get to the beating heart of our existence and Alexis Deacon’s minimalist, beautifully structured, sentences are like a beginner’s course in existentialist thought. This is a book which respects and honours the youngest of readers, believing them capable of and thirsty for philosophical thought.”