A big hit at Cannes and Annecy, the Oscar-contending "Ma Vie de Courgette" now has an English-subbed trailer.
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A big hit at Cannes and Annecy, the Oscar-contending "Ma Vie de Courgette" now has an English-subbed trailer.
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Award season in animation means not just the Oscars, but also the Annies and the VES Awards.Add a Comment
Oscar-hopeful "Long Way North," a hand-drawn adventure film from France, is headed to U.S. cinemas.
The post Watch The New English Trailer For ‘Long Way North,’ Debuting Next Month In U.S. Cinemas appeared first on Cartoon Brew.Add a Comment
It’s August and with the New Voices Award deadline approaching in just seven weeks, participating writers may be starting to feel the heat. No sweat! The New Voices Award blog post series has got you covered from the summer sun of stress.
At this stage, you’ve probably got your cover letter and story written down. You’ve also read July’s post on the importance of voice in a story and made your narrative even more engaging to readers. Congrats! That’s two essential checks on the New Voices To-do list –but don’t seal the envelope just yet! Now that your story is down it’s time to begin the revision process.
Revision is an important part of the writing experience. It’s about revisiting what you’ve written, identifying what needs to be strengthened, and rewriting to improve your story. Every writer’s revision process is different so to provide some guidance we interviewed two New Voices Award Winners, Linda Boyden (The Blue Roses) and Jennifer Torres (Finding the Music/ En pos de la musica), about how their revision processes helped them prepare their stories for the New Voices Award.
What inspired you to write your story? Did you write it specifically for the New Voices Award, or was it something you were working on already?
Linda Boyden: In 1978 my maternal grandfather, Edward Dargis, passed away. I was about to have my last baby and couldn’t attend his funeral 3,000 miles away. Until I went to college, we had lived in the same neighborhood and were very close. He worked at a factory but was happiest in his garden. A few nights after he passed, he came to me in a dream. He stood in a beautiful flower garden, and like Rosalie’s Papa his face was “smooth, not wrinkled.” In the dream he told me to stop grieving because he was happy. From that point on I knew I needed to write this story as a gentle way to broach a tough topic.
Many years later when my husband’s company moved us to Maui, I left teaching and decided to follow my dream of becoming a writer. I enrolled in a community college writing course. The instructor assigned us the task of writing 1,000 words a week so the first draft of The Blue Roses was actually homework! When he returned it he commented, “I wanted to like Rosalie more, but I couldn’t.” That hurt so I put the manuscript away. Months later I rethought and revisited. By the time I learned of Lee & Low’s New Voices Award, the manuscript had been through a few revisions. After winning, it went through a few more with my careful editors, Laura Atkins and Louise May.
Jennifer Torres: Finding the Music was inspired by my own childhood—growing up in a noisy family, being close to my grandparents and their stories, hearing mariachi music playing in the background of weddings, birthday parties and other special celebrations. It was also inspired by stories I covered as a newspaper reporter: one, an obituary for a farm worker who gave free mariachi lessons to neighborhood kids on his time off, and another about the sense of community that grew around the mariachi program at Cesar Chavez High School in Stockton, California. I started working on the book long before I learned about the New Voices Award. After researching publishers, I knew I wanted to submit my manuscript to Lee & Low. I went to the website to learn more about the company and to review submission guidelines—that’s when I discovered the award.
What does your revision process look like? At what point in your writing process do you begin making changes?
LB: I write at a certain time every day. When working on a picture book, I rough it out on paper and revisit the next morning. I revise the previous work then create new. Next day, repeat. When it’s almost “good” I print it, read it aloud, and revise more. I love the process: revision is the heart of writing.
JT: I always catch myself wanting to revise as I go, making changes today on what I wrote yesterday. But I try to resist! It’s too easy for me to get hung up on small details that way. I think I do much better work when I’m revising a finished draft. I can step back with a sense of the story’s full scope. The problems stand out more clearly, and, often, so do the solutions.
How often do you share your works-in-progress with other people? Are you part of a critique group or is there someone specific you rely on for feedback?
LB: I’ve been part of many critique groups over the years. Now, I share with trusted individuals only and generally online. I read most rough drafts aloud to my husband who hears the mistakes. I also share all my picture book manuscripts with one young granddaughter who also has remarkable insights.
JT: I’m not part of a critique group-I think it could be good though! I do have a few friends who I ask to read drafts after I’ve finished a couple of rounds of revision on my own. They’re talented writers—whose styles and voices are nothing like mine—and they give thoughtful and honest feedback. It’s super helpful to me to see my work from someone else’s perspective, especially when the story has been all alone in my head until then.
What is something surprising you learned while preparing your story for publication?
LB: The most surprising part was discovering that authors and illustrators seldom meet, or even have contact. My Lee & Low editors had no problem with illustrator, Amy Cordova, and me communicating. Not only did this collaboration strengthen our book, Amy and I have remained friends.
JT: During the publication process, my editor let me know that Finding the Music would be bilingual (It was initially English-only). This meant some extra editing and paring down, but I was really excited about the decision! What was surprising to me, though, was how adding the Spanish text added so much dimension to the book as a whole. I can’t imagine it any other way now, and it’s a good reminder of how the collaborative nature of the process can do so much to enrich storytelling.
How has winning New Voices Award changed the way you write or revise stories?
LB: Winning the first New Voices Award gave me something I lacked as a writer: self-confidence. Though I understood picture books, I had no training in becoming a writer other than the one community college course mentioned above. Winning also gave me the opportunity to learn from the wonderful editorial staff at Lee & Low Books.
JT: Coming from a newspaper background, I already had big appreciation for editing and revising as part of the writing process. But at a newspaper, it happens so fast. Winning the New Voices Award and preparing Finding the Music for publication helped me realize how valuable it can be to step back from a project, and approach it again weeks (or even months) later with fresh eyes and perspective.
The Blue Roses by Linda Boyden is available now!
Finding the Music/ En pos de la musica by Jennifer Torres is available now!
For more details about submitting to the New Voices Award please visit the New Voices Award page.Add a Comment
Claude Barras' breakout animation debut "My Life As a Courgette" will represent Switzerland at the Academy Awards.
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Cartoon Brew has the exclusive list of winners from the 13th edition of Animation Block Party!Add a Comment
The New Visions Award, given annually by our Tu Books imprint, honors a middle grade or young adult novel for young readers by an author of color who has not previously published a novel for that age group. It was established to encourage new talent and to offer authors of color a chance to break into a tough and predominantly white market.
In addition to our New Visions Award Winner and Honor, this year there were three New Visions Award finalists: Alex Brown (Hate Crime), Hilda Burgos (The Castle of Kings), and Elizabeth Stephens (The Rougarou). Below, they share their writing experience, what inspires them, and what they hope readers will take away from their stories. We are thrilled to introduce readers to these talented writers and can’t wait to see how their careers take shape!
Elizabeth Stephens: The Rougarou has been a work in progress for several years now. I drafted the first version of this manuscript my freshman year of college, though it has taken on a life of its own since! In particular, my study abroad experience in Paris, France in 2012 helped shape the details of this novel as did later work experience in Geneva, Switzerland. Whenever I reread my own book, it provides me with a sense of nostalgia – a straight shot of Paris. The infusion of Cajun folklore into the story, I adopted only very recently. I am a native French speaker because I grew up in West Africa and knew that I wanted my main character’s roots to be francophone. At the same time, I have been deeply interested in Louisiana culture since I was thirteen years old and first read Anne Rice’s Interview with the Vampire.
Hilda Burgos: The eleven year-old protagonist of my story, Ana Maria Reyes (Anamay), has a few things in common with me: she has three sisters, her parents are from the Dominican Republic, and she is growing up in the New York City neighborhood of Washington Heights. I first created Anamay about twenty years ago when I drafted a picture book manuscript about a six year-old girl who was nervous about the impending birth of a new sibling. Then I learned about a chapter book contest, and decided that Anamay’s story could be expanded to include the culture shock I experienced when I was ten years old and first visited the Dominican Republic.
Alex Brown: My mother immigrated to the US from the Philippines in the 1980s. She left an entire country behind in order to come here and be a nurse. The US has a long history of recruiting nurses from the Philippines, and from what I can tell, it started after the Spanish-American War, with the Pensionado Act of 1903 (wherein certain Filipino citizens came to the US to study). I took a little bit of what she experienced when she first arrived here, and built upon some of the obstacles she faced (including how incredibly badass she is for raising two kids as a single parent in a new country). I also drew from my own experiences growing up – the discord that happens between my main character and her parents when she chooses not to believe the legitimate folktales they tell her – reflects a lot of my feelings as a kid.
ES: I certainly hope that readers enjoy the elements of the story that I had most fun crafting: the romance between Chandelle and Reno, the setting in modern day Paris, and the fantastical elements reminiscent of Southern lore never forgotten.
HB: When I was a child there weren’t many books about kids like me: kids who lived in apartment buildings in a city, who spoke one language at home and another one in school, who had frizzy hair and dark complexions. I always looked for something familiar in the books I read. I hope that readers learn something new and expand their worlds when they read about Anamay, and that this knowledge helps them as they meet new people in their lives. I also hope that readers who share some of Anamay’s experiences find comfort in the familiarity of some of the scenes. Most importantly, I hope that readers enjoy the story and are inspired to read more and more books.
AB: I hope that people will start to think about the impact they can have on others. We live in this society where certain things – stereotypes, prejudices, hatred – are way more insidious than they have any right to be. But, with all of the bad, there’s still the possibility that anyone, anywhere, can stand up for what’s right. I’d also feel quite accomplished if people took a moment to pause and think about all of the obstacles and daily struggles that await anyone who immigrates to America. There’s something to be said about the unquantifiable amount of bravery, hope, and grit that it takes to leave one’s whole world behind, all to start a new life in an unfamiliar (and, at times, unfriendly) place.
ES: I wrote my first book at the age of eleven. It was a science fiction saga about a young girl picked up by a ragtag group of bandits and transported to other worlds. Since then, I’ve had the privilege of publishing several short works of horror in a number of online magazines and last year, I published my first fiction novel.
HB: I fell in love with language and literature when I first learned how to read. A well-written book is a work of art. In college I majored in French and Spanish literatures, and I also took English literature and creative writing classes. I wrote stories for pleasure during college and law school, and I took my first class on writing for children after law school. I draw ideas from my life experiences and observations, from stories that I have heard, and from historical accounts and current events.
AB: When I first started to seriously consider writing, I was a co-winner of the Windy City Chapter of the Romance Writers of America’s Four Seasons YA award. A few months after that, I was one of the inaugural winners of SCBWI’s Emerging Voices award. The manuscript that received these cool distinctions was my second, and since then I’ve gone on to write several more, and have quite a few other ideas for new books!
Last year, books by authors of color comprised less than eleven percent of the total number of books published for young readers, according to the Cooperative Children’s Book Center at the University of Wisconsin-Madison. The annual New Visions Award is a step toward the day when all young readers can see themselves in books.
The New Visions Award is open for submissions through October 31, 2016! Please see the full submissions guidelines here.
If you’d like more news regarding the New Visions Award, author interviews, and more, sign up for our newsletter here.Add a Comment
The new "Powerpuff Girls" revival gets its first Emmy nod, and so does the last episode of "Phineas and Ferb."
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The independent short film made by two Pixar artists has won the top prize at this year's SIGGRAPH.
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The 2016 Harvey nominations have just been announced, and as in past years, Valiant was the overwhelming favorite of the voting block with some 50 nominations out of some 142 total, including all but one nominees in five categories. Despite appearances, nominees are not voted on by Valiant fans, but rather industry professionals via an […]Add a Comment
The Academy is touting the diversity of its new member invites, but how diverse are they really in the animation and vfx branches?
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I was chuffed to get a call from journalist Tom Tivnan, that The Bookseller had put me up for their Rising Stars gallery, for my work on the #PicturesMeanBusiness campaign. It's nice to be recognised, but even better, it's great to see The Bookseller championing a campaign that was initially critical of them. They took the criticism in a thoughtful, professional way, made changes to the way they credited illustrators, and they're now real champions of the cause. Thank you, Tom, Fiona Noble, Philip Jones, Charlotte Eyre, Sarah Shaffi, Natasha Onwuemezi, Kiera O'Brien, FutureBook's Porter Anderson and everyone who have been working hard to credit illustrators and encouraging other people to do so, too. We're definitely making progress and seeing more illustrator names on front book covers and illustrators mentions in the media (including in The Bookseller).
While I don't think it's really a one-person campaign - it takes lots of people to make a difference - The Bookseller are leading the way and I'm very grateful to them for that. Article by Tom Tivnan ('cos #JournalismMeanBusiness):
I've highlighted the bits I think are the most important, and I can only do this campaigning because of the support I've had from my co-author Philip Reeve, Liz Cross and our publisher OUP, my agent Jodie Hodges, Joy Court of the Carnegie-Greenaway committee, the Society of Authors (Nicola Solomon, Niall Slater, Jo McCrum), Andre Breedt and the data team at Nielsen, Kellie Barnfield and Helen Graham at Little Brown for their help with data, Kate Wilson for starting up the Illustrator Salons, and all the writers, illustrators, bloggers, reviewers, booksellers and people in publishing who have been looking out to see illustrators credited properly and professionally.
A lot of illustrators are still frightened of looking like 'trouble' to speak out, but from what they say to me in private, I know your help will be hugely appreciated. Working as a freelance illustrator is a scary job, especially if you don't have a working partner or family who can look after you when your pay is uneven. I've been lucky that my partner works and it's given me some more freedom to trying to make the profession a bit more accessible to single people and people from poorer backgrounds. #PicturesMeanBusiness won't solve all the problems facing illustrators, but we need to fix the industry one step at a time: if illustrators don't have to lose brand-name recognition and the resulting loss of business because the industry, media and society at large are crediting them properly, we can focus our energies elsewhere, trying to make a living and making better books. And publishers will win in so many ways, including better searchability for their books in metadata, being able to grow their illustrators as brands that people want to search out and buy, and by gaining illustrator loyalty.
You can read more in this article by Tom Tivnan and Tom Holman, and find out about the other Rising Stars here. And, of course, find out about Pictures Mean Business at PicturesMeanBusiness.com. Do spread the word about the campaign!
By Eva Rinaldi – http://www.flickr.com/photos/evarinaldiphotography/14413533001/, CC BY-SA 2.0, https://commons.wikimedia.org/w/index.php?curid=33412380 In an email about Comic-Con HQ’s activities at this year’s SDCC, this little nugget was revealed: John Barrowman will be hosting the Eisner Awards. Barrowman is of course a much loved cult fan figure, currently starring on Arrow, who previously made a splash at whe Eisners […]Display Comments Add a Comment
May 2016 signified the opening of Lee & Low Book’s seventeenth annual New Voices Award contest! To kick off the season, we interviewed New Voices Award winner Sylvia Liu about her writing process and how she prepared her winning story, A Morning with Grandpa, for the New Voices Award. Learn more about our New Voices Award here.
What inspired you to write A Morning with Grandpa? Did you write it specifically for New Voices, or was it something you were working on already?
I was inspired by my dad, who was doing qi gong (a mind-body practice involving moving “qi,” or energy, around one’s body through breathing techniques), while we were vacationing together. He taught my daughters his breathing techniques, and that inspired the story of a grandfather teaching his granddaughter both qi gong and tai chi.
I wrote the draft as part of a year-long challenge, 12×12, where the goal is to write 12 picture book drafts in 12 months. After I wrote this story, I realized it was a great fit for the New Voices contest.
What did you do to prepare your manuscript for submitting to the New Voices Award?
My critique group gave me excellent feedback that improved my story. I also got invaluable feedback from an agent as part of a critique that came with a Writer’s Digest course.
While writing your story did you encounter writer’s block? What did you do to overcome it?
This was one of the few stories I’ve written where I didn’t experience writer’s block. The initial story came to me very quickly, though it was different than the final form. The first draft was told mainly in dialogue, and one of my critique mates encouraged me to incorporate more lyrical language.
A Morning with Grandpa is a story about trying new things. When was a time you tried something new and how did it turn out?
About seven years ago, some friends and I took a women’s surf camp. It was so much fun that we kept going back for several years. At some point, I realized that surfing was not my sport, but my friends and I still occasionally get our boards and go out into the water. Last summer, our beach had several shark sightings so I stayed out of the water for the most part.
Who were some of your favorite writers growing up? Are there any books or writers that inspire you now?
Growing up, I loved reading science fiction, fantasy, mysteries, and thrillers. My favorite series as a child was Lloyd Alexander’s Book of Three series. In my teens, I inhaled the entire oeuvres of Agatha Christie, Robert Ludlum, Ray Bradbury, Edgar Rice Burroughs, Isaac Asimov, Frank Herbert, and Stephen King.
Nowadays, I’m inspired by author-illustrators who tell stories in intriguing and beautiful ways, like Shaun Tan and Gene Luen Yang.
Finally, what advice would you give new writers interested in writing children’s books?
Read as much as you can, both in and outside the genre you are writing in, and read recently published books. As the head of my daughters’ school recently said, good readers make good writers; great readers make great writers. And knowing what is being published today will help you gauge where you are on your writing journey.
Take the time to learn the craft of writing, connect with other authors, and have fun.
Sylvia Liu was inspired to write this story by the playful and loving relationship between her children and their Gong Gong. Before devoting herself to writing and illustrating children’s books, she worked as an environmental lawyer at the US Department of Justice and the nonprofit group Oceana. She lives in Virginia Beach, Virginia, with her husband and their two daughters. This is Sylvia’s debut picture book.Add a Comment
"My Life As a Courgette" won both the Cristal and audience award for feature film at Annecy 2016.
The post ‘My Life As a Courgette,’ ‘The Head Vanishes,’ ‘Stick Man’ Take Top Honors At Annecy 2016 appeared first on Cartoon Brew.Add a Comment
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Why are my co-author Philip Reeve and I in Daunt Books Marylebone looking VERY excited?
We'd found out we'd won the children's book category for Pugs of the Frozen North in this year's Independent Bookshop Week Award! It's a celebration of indie bookshops, booksellers, and the amazing way they know their books so well and can stock and recommend just the right titles, and be real hubs in their communities. Besides selling books, indie bookshops have hosted wonderful events for us, knitted pugs, and encouraged us on social media, and we love them.
Philip has already blogged about it, and you can read more about the award in this Guardian article by Emily Drabble and over on the IndieBound website. And there's another article in The Bookseller here, by Lisa Campbell.
Big congrats to Emily MacKenzie, who won the Picture Book category, and Anne Enright, who won the Adult book category. Thanks to all the judges (Nicolette Jones, 2015 winner Sally Nicholls, Steven Pryse from Pickled Pepper Bookshop and Carrie Morris from Booka Bookshop). And thanks, of course, Britain's marvelous indie bookshops!
This kicks off Independent Bookseller Week and the best way to celebrate is to go down to your local indie and buy some books! :) If you don't have a local, Stephen Holland at Page 45 in Nottingham and lots of other shops are more than happy to post things to you. (Stephen's hand-sold SO many copies of Pugs of the Frozen North! Oh, and here's a link to my website in case you want to knit a pug or learn how to draw one.
Louisa Mellor at Den of Geek is compiling a list of top indies so go on over and add your fave if you don't see it there. You can watch developments from the week over on Twitter: #IBW2016
You know what’s even better than serving on an award committee? Having someone else write about it. As I’ve mentioned in the past, I was on the judging committee for this year’s Boston Globe-Horn Book Awards alongside Chair Joanna Rudge Long and Roxanne Feldman. It was Roxanne who reported on our discussion, and even took photos of where we met (Joanna’s gorgeous Vermont farmhouse), what we ate, and more. There is also a particularly goofy shot of me that is impressive because even without knowing that there was a camera pointed in my direction, I seem to have made a silly face. I am nothing if not talented in that respect.
Speaking of listening in on committees and their discussions, ALA is next week (she said, eyeing her unfinished Newbery/Caldecott Banquet outfit nervously) and that means you have a chance to sit and listen to one particular committee talk the talkety talk. I am referring, of course, to the ALA Notables Committee. This year they’ve released the list of books on their discussion list online for your perusal. A lot of goodies there, as well as room for a lot of books I hope they get to eventually.
I was very sad to hear about the passing of Lois Duncan. Like many of you, she was a staple of my youth. When Jules Danielson, Peter Sieruta, and I were writing our book Wild Things: Acts of Mischief in Children’s Literature we initially had a section, written by Peter, on why Lois stopped writing suspense novels for teens. It’s a sad story but one that always made me admire her deeply. She was hugely talented and will be missed.
Speaking of Wild Things, recently I was sent a YA galley by Marcus Sedgwick called Blood Red, Snow White. But lest you believe it to be a YA retelling of the old Snow White / Rose Red fairytale, it ain’t. Instead, it’s about how Arthur Ransome (he of Swallows and Amazons) got mixed up with Trotsky’s secretary and a whole lotta Bolsheviks. What does this have to do with Wild Things? This was yet ANOTHER rejected tale from our book. Read the full story here on our website where we even take care to mention Sedgwick’s book (it originally was published overseas in 2007).
As I’ve mentioned before, my library hosts a pair of falcons each year directly across from the window above my desk. I’ve watched five eggs laid, three hatch, and the babies get named and banded. This week the little not-so-fuzzyheads are learning to fly. It’s terrifying. Far better that I read this older Chicago Tribune article on the banding ceremony. They were so cute when they were fuzzy. *sigh*
In other news, Harriet the Spy’s house is for sale. Apparently.
Sharon Levin on the child_lit listserv had a rather fascinating little announcement up recently. As she told it, she’d always had difficulty finding a really fast way to catalog her personal library. Cause let’s face it – scanning every single barcode takes time. Then she found a new app and . . . well, I’ll let her tell it:
“Shelfie is a free app for iOS and Android (www.shelfie.com) where you can take a picture of your bookshelf and the app will automatically recognize your book spines and generate a catalog of your library. In addition, the team behind the app has made deals with over 1400 publishers (including HarperCollins, Macmillan, and Hachette) to let you download discounted (usually around 80% off) or free ebook or audiobook edition of your paper books (right now these publisher deals cover about 25% of the books on an “average” shelf). The app also lets you browse other readers’ shelves. Shelfie will also give you personalized book recommendations based on how readers with similar taste in books to you organize the books on their shelves. The founder of Shelfie is named Peter Hudson and he’d love to hear any suggestions about how he can make the app better. Peter’s email is firstname.lastname@example.org.“
Thanks to Sharon Levin for the heads up.
I leave NYPL and its delightful Winnie-the-Pooh toys and what happens? The world goes goofy for the story of A.A. Milne and Christopher Robin. Now we just found out that Domhnall Gleeson (a.k.a. Bill Weasley in the Harry Potter films) has just been cast as Milne in an upcoming bio-pic. Will wonders never cease?
Are you familiar with the works of Atinuke? An extraordinary storyteller, her Anna Hibiscus books are among my favorite early chapter books of all time. They do, however, occasionally catch flack of saying they take place in “Africa” rather than a specific country. Recently, K.T. Horning explained on Monica Edinger’s recent post Diversity Window, Mirror, or Neither that Atinuke did this on purpose so that kids in Africa could imagine the stories as taking place in their own countries. That makes perfect sense. The ensuing discussion in Monica’s post is respectful, interesting, and with a variety of different viewpoints, all worth reading. In short, the kind of talk a blogger hopes for when he or she writes something. Well done, Monica.
Big time congrats to the nominees for the Neustadt Prize. It’s a whopping $10,000 given to a children’s author given on the basis of literary merit. It may be the only children’s award originating in America that is also international. Fingers crossed for all the people nominated!
Hooray! The Children’s Book Council has released their annual Building a Home Library list. I love these. The choices are always very carefully done and perfect for clueless parents.
In other CBC news, I got this little press release, and it’s worth looking at:
“For the second consecutive year, the Children’s Book Council has partnered with The unPrison Project — a 501(c)3 nonprofit dedicated to empowering and mentoring women in prison — to create brand-new libraries of books for incarcerated mothers to read with their babies at prison nurseries. Fourteen of the CBC’s member publishers answered the call by donating copies of over 35 hand-picked titles for children ages 0-18 months for each library. The books will be hand-delivered and organized in the nurseries by Deborah Jiang-Stein, founder of The unPrison Project and author of Prison Baby. Jiang-Stein was born in prison to a heroin-addicted mother, and has made it her mission to empower and mentor women and girls in prison.”
You know who’s cool? That gal I mentioned earlier. Julie Danielson. She’s something else. For example, while many of us might just say we were interested in James Marshall, she’s actually in the process of researching him. She even received the James Marshall Fellowship from The University of Connecticut’s Archives & Special Collections at the Thomas J. Dodd Research Center. As a result she spent a week looking through the James Marshall Papers there. Their sole stipulation? Write a blog post about it. So up at the University’s site you’ll find the piece Finding the Artist in His Art: A Week With the James Marshall Papers. Special Bonus: Rare images you won’t find anywhere else.
I take no credit to this. I only discovered it on Twitter thanks to Christine Hertz of Burlington, VT. It may constitute the greatest summer reading idea I’ve seen in a very long time. Public libraries, please feel free to adopt this:Add a Comment
Cynthia Leitich Smith
Jamie Coville has, as always, recorded the best of the panels from TCAF, including a shocking number in which I participated. YOU can hear the audio of the panels here and the DWAs here. The DWAs are notable for the extraordinary remembrance that Seth offered or Dawwyn Cooke and also the induction of James Simpkins into the Giants […]Add a Comment
Studio Ghibli's first-ever co-production went up against 17 live-action films at Cannes, and won the special jury prize.
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I’ve done it again. Delayed my Fusenews too long and now this post is going to overflow with too much good stuff. Forewarned is forearmed, as they say.
Me stuff for the start. And in fact, there just so much Me Stuff today that I’m just going to cram it all into this little paragraph here and be done with it. To begin, for the very first time my book Wild Things: Acts of Mischief in Chidren’s Literature (co-written with Jules Danielson and Peter Sieruta) was cited in an article. Notably, a piece in The Atlantic entitled Frog and Toad and the Self. Woot! In other news I’m judging a brand new picture book award. It’s the Hallmark Great Stories Award. Did you or someone you know produce a picture book in 2016 on the topic of “togetherness and community”? Well $10,000 smackers could be yours. In terms of seeing me talk, I’m reading my picture book (and more) at the Printer’s Row Lit Fest on June 11th. If you’re in the Chicago area and ever wanted to see me in blue furry leg warmers, now your chance has come here. Finally, during Book Expo I managed to coerce Hyperion Books into handing me three of their most delicious authors (Shannon Hale, Dean Hale, and Eoin Colfer) so that I could feed them to WGN Radio. You can hear our talk here, if you like. And check out how cute we all are:
Colfer, for what it is worth, is exceedingly comfortable. I highly recommend that should you see him you just glom onto him for long periods of time. Like a sticky burr. He also apparently has an Artemis Fowl movie in the works (for real this time!) and you’ll never guess who the director might be.
This is interesting. Not too long ago children’s book author C. Alex London wrote a piece for BuzzFeed called Why I Came Out As a Gay Children’s Book Author. It got a lot of attention and praise. Then, earlier this month, Pseudonymous Bosch wrote a kind of companion piece in the New York Times Book Review. Also Known As tackles not just his reasons for a nom de plume (skillfully avoiding any and all mentions of Lemony Snicket, I could not help but notice) but also how this relates to his life as a gay children’s book author.
Hey, full credit to The New Yorker for this great recentish piece on weeding a collection and the glory that is Awful Library Books. My sole regret is that I never let them know when I weeded this guy:
The copyright page said 1994, but I think we know better. Thanks to Don Citarella for the link.
Cool. The publisher Lee & Low has just released the winner of the New Visions Writing Contest, now in its third year. Congrats to Supriya Kelkar for her win!
New Podcast Alert: With podcasting being so popular these days, I do regret that my sole foray into the form has pretty much disappeared from the face of the globe. Fortunately there are talented folks to listen to instead, including the folks at Loud in the Library. Teacher librarians Chris Patrick and Tracy Chrenka from Grand Rapids, MI (homestate pride!) get the big names, from picture books illustrators to YA writers. Listen up!
New Blog Alert: The press release from SLJ sounded simple. “SLJ is pleased to welcome The Classroom Bookshelf to our blog network. In its sixth year, the Bookshelf features a weekly post about a recently published children’s book, including a lesson plan and related resources.” Then I made a mistake. I decided to look at the site. Jaw hit floor at a fast and furious rate leaving a dent in the linoleum. Contributors Randy Heller, Mary Ann Cappiello, Grace Enriquez, Katie Cunningham, and Erika Thulin Dawes (all professors at Lesley University’s outstanding school of ed.), I salute you. If I ever stop writing my own reviews, you’ll know why.
This one’s just for the New Yorkers. I’m sure you already saw this New Yorker paean to the Mid-Manhattan library, but just in case you didn’t it’s here, “unruly pleasures” and all.
For whatever reason, PW Children’s Bookshelf always goes to my “Promotions” folder on Gmail, so I assume they already mentioned this article. Just in case they didn’t, though, I sort of love that The Atlantic (second time mentioned today!) wrote an ode to Sideways Stories from Wayside School. Thanks to Kate for the link.
Now some Bookshare info. The idea of providing free ebooks for kids with print disabilities is a good one. And, as it happens, not a new one. Bookshare, an online accessible library, just added its 400,000th title to its collection and boy are they proud. Free for all U.S. students with qualifying print disabilities and U.S. schools, they’ve a blog you might want to read, and they service kids with blindness, low vision, dyslexia, and physical disabilities.
You probably heard that Neil Patrick Harris will be playing Count Olaf in the upcoming Netflix series of A Series of Unfortunate Events. Now we have photographic proof.
I wonder if Brett Helquist ever marvels at how much power his art has had over these various cinematic incarnations. The lack of socks is a particularly accurate touch.
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The 2016 Glyph Comics Awards Winners were announced at the East Coast Black Age of Comics Creators show on Saturday and Brotherman, won Best Story and Best Character, while Bounce won Best Comic Strip, the Rising Star award and a Fan award. The awards are presented to “recognize the best in comics made either by, […]Add a Comment
The wave of promising young female cartoonists that we've all been seeing change the face of comics got a bit of an endorsement with the release of this year's nominees for the Russ Manning the Russ Manning Promising Newcomer Award. The Manning Award, as it's commonly know, is presented every year at the San Diego Comic-Con as part of the Eisner Awards to "a comics artist who, early in his or her career, shows a superior knowledge and ability in the art of creating comics." The 2016 nominees are:Add a Comment
The winners of the 2015 Bill Finger award have been announced and they are Elliot S! Maggin and Richard E. Hughes. The award is presented annually to two writers, one living, one dead, in order to recognize writers who have not previously received proper recognition for their work. The award is named after Bill Finger, the ghost writer for the early Batman stories who invented much of the Caped Crusader's mythos.Display Comments Add a Comment