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Viewing: Blog Posts Tagged with: Aaron Schlecter, Most Recent at Top [Help]
Results 1 - 15 of 15
1. Four top tips about student finance

Starting University can be daunting. For most, becoming a University student is the beginning of a new academic challenge and social life. However, with these exciting ventures comes financial responsibility.

The post Four top tips about student finance appeared first on OUPblog.

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2. WE HAVE FREE MONEY FOR YOU!

I love being a children’s librarian.  But, I also have a secret love of numbers. Luckily for me, I am the chair of the ALSC budget committee where we have the thrill of looking at spreadsheets, puzzling out numbers and analyzing trends with ALSC’s Executive Director, Aimee Strittmatter.  My committee also has the honor of overseeing the Children’s Library Service Endowment, which provides funding of approximately $1500 annually for ALSC committee projects.  We make dreams come true, okay maybe not dreams, but we make good ideas a reality.

The Children’s Library Service Endowment fund (CLSE) started in 1982 and was formerly known as the Helen Knight Memorial Fund.  The proceeds of this fund support long and short-range projects and programs of ALSC.  The endowment is designed to support committees that have ideas for special projects not covered by the operating budget. Through the years it is has been the financial engine behind the “Seal” created by the Great Interactive Software for Kids Committee, School-Age Programs and Service Committee’s PDF booklist “Great Elementary Reads”. The endowment also financially supported the Great Web Sites Committee in the redesign of the website and in 2013, CLSE funded the Early Childhood Programs and Services Committee webinar speaker and provided free access for ALSC members.

If you are part of an ALSC Committee please consider using CLSE funding to make your idea a reality.  The Special Funds Application (also known as Form M) is located in The Division Leadership Manual and on ALA Connect in the ALSC Budget Committee Files and is easy to complete.  Remember that projects must align with ALSC’s strategic plan. If you have any questions along the way please contact Diane Foote, ALSC Fiscal Officer [email protected] or myself, Paula Holmes, ALSC Budget Chair [email protected].  Deadline for Applications is April 15, 2014 with notification of funding approval after Annual 2014.  Monies must be spent prior to August 31,2015.

**********************************************

Paula Holmes chairs the Budget Committee for ALSC.  She is the past chair of the Library Service to Special Population Children and their Caregivers, serves as a member of the United for Libraries Awards Committee, another division of ALA and serves on the Upper St. Clair Township Library Board. Outside her board responsibilities she runs a book group at the USC library. Before entering the world of Library Land, Paula was a retail buyer for a major, no longer existing, department store chain.  Her husband Neal, sons Thomas and Sean have benefited from her keen fashion sense, even if they don’t know it.   She is secretly proud of her LEGO trophy she won in Denmark at LEGO headquarters.

She can be reached at [email protected] and you can follow her on twitter @qsprite.

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3. KidLit Con Partners with RIF

KidLit Con has launched a fundraising partnership with Reading is Fundamental (RIF).

Earlier this year, we reported that the federal budget for RIF has been reduced. With the new partnership, readers can donate to the childhood literacy program in the name of KidLit Con.  Follow this link for more details about how to make a donation.

Here’s more from the announcement: “KidLit Con is seeking to make a more personal and direct contribution as the funds we raise will be coming directly from book lovers in the pursuit of creating more book lovers. Now is the time, quite frankly, where we need to put up or shut up. If you are a writer or a librarian or a bookseller or a book blogger or if you read blogs about books then this fundraiser is targeted directly at you … This is easy. You think books matter then you need to do something to help kids get books. Period.”

New Career Opportunities Daily: The best jobs in media.

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4. More sound than fury in the budget battles ahead

By Elvin Lim


The strategic gamesmanship leading up to the budget compromise that was reached late last week suggests a blueprint for the budget battles to come. But while many observers believe that Washington is bracing for even more epic battles to come, when Congress considers the budget for the rest of the fiscal year and legislation to raise the debt ceiling, my guess is that there will be more sabre-rattling than a serious effort to avoid raising the debt ceiling. Here are three reasons why.

First, even Democrats agree that cuts are necessary, and even Republicans know that deep cuts are difficult. There will be collusion to fight, but not necessarily to disagree. Certainly, Republicans and Tea Partiers still enjoying the honeymoon from last November’s elections have successfuly set the frame of “spending cuts” such that Democrats have been forced to fight the battle on Republican turf. But everyone already accepts that the federal government has to rein in its spending. Now, Republicans will have to take their pick between fiscal restraint and their social agenda. So far they have been consistent in prioritizing the former, for when push came to shove, even Senator Tom Coburn dropped his insistence on the Planned Parenthood rider. For Democrats, the question is not whether they can beat Republicans at their own game and propose a bigger budget slash than Republicans want, but whether they can reset the political agenda, postpone the issue, or talk about something else. Both sides however, will be sure to start off each new debate with maximal bluster and deliberately over-reach, so as to win the maximal concession from the other side and to achieve a final resting point closest to one’s original pre-bluster preference.

Second, last week revealed that neither side wants to risk the political fallout of a government shut-down. Conventional wisdom holds that Bill Clinton was the net political winner when Republicans forced a government shutdown in 1995 and 1996. Last week, even Tea Partiers revealed their interest in seeing government work, not shut down. The budget talks were the first real test of the Tea Party in government, the first test of Speaker Boehner’s ability to unite a diverse group of freshmen and veteran Republican congressmen, and the first test of President Obama’s ability to reconcile Democrats and Republicans after his announcement to seek a second presidential term. Because nobody wants to risk appearing obstructionist, the irony of divided party control in Washington – which was the case the last time a president managed to balance the budget – is that it may well prove to be more constructive than gridlocked in the short-term. The long run, of course, is a different matter. Nobody in Washington thinks about that.

Third, while Democrats are hailing the $38 billion cut in spending they acceded to as the biggest real spending cut in history, the fact is this amount represents 12 percent of the amount (about $300 billion) we would have to cut from the budget so that Congress would not have to raise the public debt ceiling of $14.294 trillion, which The Treasury Department expects we will hit in about a month. Not even Congressman Paul Ryan or Senator Marco Rubio have proposed plans aggressive enough to save us $300 billion in one month. When politicians make the most noise, then we know that they are interested more in the semblance of trying than confident in the possibility of a solution.

If the last ten years, in which we have raised the debt ceiling ten times, is any guide, it is very likely that we are going to have to raise the debt ceiling, if not the US government would not be able to raise money to fund its operati

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5. You’ve Been McGuggenized!

By Michelle Rafferty


When my friend sent me a link with the subject line: Carmel in WSJ! I clicked with trepidation. The last time my hometown made national news it involved a sodomy hazing incident and the high school basketball team. Phew. This time, it was only about a local dispute over an expensive new piece of suburban architecture:

Photo by Melissa Rafferty

This is the Palladium, a $126 million concert hall, whose controversial price tag is heating up this spring’s mayoral election. My first thought was: why, when Indianapolis theater and concert venues reside a mere 20 minutes south, did Carmel do this?* I asked our resident city expert Sharon Zukin for her opinion on the matter and she wrote:

…so Carmel, Indiana, has entered the global sweepstakes of destination culture!…every city copies every bigger, more famous, more glamorous city to build cultural attractions in the hope of attracting tourists and (hope against hope) They hire starchitects (usually Frank Gehry but in this case…the long-dead Andrea Palladio!) to design flagship buildings that will get media attention (the Guggenheim Bilbao effect). They sign up for the Cow Parade (see the website) if they have a low budget and for “The Gates” (Christo in Central Park, 2008) if they have a big budget and for the Olympics if they have a huge budget. All of which puts them on a treadmill of cultural competition.

And the ironic thing  is that the more cities compete, trying to differentiate themselves with “cultural attractions,” the more alike they become. As Zukin also told me:

…so many cities do the same thing that they ALL wind up building the same kind of attraction, so the uniqueness of any of these attractions is submerged in the wave of same-old same-old spectacles; the resulting standardization is called, thanks to the geographer Donald McNeil, McGuggenization.

Think of the Guggenheims, Times Squares, MOMA’s, and MOCA’s across the world. That’s McGuggenization. And your city could be next!

*In the Palladium’s defense, I spoke with my mom and she happened to like the center (they offered a free concert for the grand opening).  And she didn’t have much sympathy for the outcry about a potential raise in taxes due to Palladium expenses. Turns out Carmel has one of the cheapest tax brackets in the area, meaning the residents have gotten a lot of bang for their buck over their years. Like a brand new Arts & Design District. Safer roads. And Waterslides.

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6. Teen Space on a Dime

Last November, armed only with a copy of Teen Spaces by Kimberly Bolan and a budget of $1,000, I set out to create a teen space in my library. The budget actually seemed huge to me at first, but after looking up the price lists for a number of nice contract furniture companies, I realized it was almost enough to buy a chair. Woo. Hoo.

Undaunted, I expanded my search to include residential and school furniture, until I found something with an acceptable balance of quality, versatility, and price. During the process, I learned a number of things I wanted to pass on to anyone else in the position of choosing furniture for a teen space without the benefit of a consultant or even the advice of a furniture company.

  1. If you don’t have access to floor plans for your building, you can make ones using free online tools. I started out with a tape measure and graph paper, but I ended up using floorplanner.com. The best part was that after I created an outline and entered the dimensions of the shelves I was working with, I could drag and drop them anywhere and get a 3-D simulation. I think my coworkers were more impressed with the 3-D simulation than anything else I’ve done this year.
  2. Tables and chairs (and coffee tables and stools and ottomans) need to be complementary in height. Unless you’re buying chairs that go up and down (and I’m always afraid they’ll lose their oomph), you need to make sure the measurements line up. Lots of websites have guidelines. As a general rule, for adults, chair seats should be 18 inches off the ground, and table tops should be 8 inches above the chair seats. Of course, not all teens are adult sized, so you might consider slightly lower chairs, like 16 inches. Or you might consider lounge furniture, where the seats are usually lower.
  3. The space between furniture is as important as the size of the furniture. Fire code for my library requires 3 feet of walkway space between pieces of furniture. However, you should consider what really has to get through that walkway: book carts? strollers? three teens with arms linked a la the Wizard of Oz? My big mistake was putting my desk three feet from the wall, so when I pushed my chair back to stand up, the 3 feet shrank to 1 and everyone was uncomfortable walking behind me to get to the Spanish books.
  4. If you can’t afford contract furniture, you can still choose furniture based on classic commercial designs. One of the most helpful research methods I applied to this project was reading design blogs like Desire to Inspire, Design Sponge, and Apartment Therapy. I was attracted to them because they had pretty pictures, but they also taught me some design terms. In fact, by comparing library furniture catalogs with what I saw on the blogs, I learned that a lot of the furniture billed as “teen” are based on designs by Eames, Saarinen, Mies, and Breuer. Although I can’t afford originals of these mid-century modern designs, I can find knock-offs with some of the s

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7. Health-care Reform is Making a Comeback

Elvin Lim is Assistant Professor of Government at Wesleyan University and author of The Anti-intellectual Presidency, which draws on interviews with more than 40 presidential speechwriters to investigate this relentless qualitative decline, over the course of 200 years, in our presidents’ ability to communicate with the public. He also blogs at www.elvinlim.com. In the article below he looks at health-care reform. See Lim’s previous OUPblogs here.

After attempting a pivot to jobs, the Obama administration has realized that a hanging cadence on health-care will not do. Perhaps they should never have started it, but closure is what the administration now must have. An encore after the strident audacity of hope on health-care reform was temporarily dashed after the election of Scott Brown to the Senate.

In the immediate aftermath of that election, Democrats were in danger of exchanging over-confidence for excessive humility. After Obama’s historic election the year before and Arlen Specter’s party switch, Democrats were overtaken by hubris that Obama’s tune of change could be used to overturn Washington and to compel it toward a Progressive utopia. But just as Democrats were foolhardy to think that 60 votes in the Senate gave them invincible power, they somehow thought after the Massachusetts Senate election that 59 made them completely impotent.

In the media, we hear, conversely, about the conservative comeback in hyperbolic terms. On Saturday, Glenn Beck, not Sarah Palin or Mitt Romney, delivered the keynote speech in the largest annual conservative gathering, the CPAC conference. If Beck’s stardom exceeds that of the winner of the CPAC straw poll this year, Ron Paul, it is because the conservative movement, charged as it is, remains a movement in search of a leader. It is also a movement, as Beck’s criticism of Progressive Republicans in his speech reveals, which is not exactly in sync with the Republican party – the only machine capable of taking down liberal dreams.

And so a Democratic comeback on health-care reform is afoot. With one vote shy of a fillibuster-proof majority, Senator Harry Reid has opened the door to the Budget Reconciliaton process that more Progressive advocates of health-care reform like Governor Howard Dean have been pushing for a while. While it is not clear that there are 50 votes in the Senate for the public option, assuming that Vice-President Biden will cast the 51st, what is clear is that Democrats are much more likely to push through a liberal bill with the veto pivot sliding to the left by ten Senators.

In the White House too, we see a coordinated move to bring Reconciliation back as an option. Obama used his weekly address on Saturday to lay the ground work when he warned that “in time, we’ll see these skyrocketing health care costs become the single largest driver of our federal deficits.” He said this because in order to use Reconciliation, Democrats must show a relationship between health-care reform and balancing the federal budget.

No one in Washington believes that Thursday’s Health-care Summit will magically generate a consensus when in the past year there has been nothing but partisan bickering. If so, the President is not being naive, but signali

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8. How To Work With A Client’s Tight Budget


Escapee Speaks:

As I mentioned in a recent article, Is Your Client Clean or Dirty?, I believe that some clients who are perceived to be difficult do in fact have innocent intentions.  Unfortunately, bad experiences sometimes make some Illustrators unnecessarily fearful or defensive when they encounter new clients who send up possible red flags.

One example of this is a client who has a ridiculously tight budget when compared to the grand expectations they may have.

Indeed, some of these types of clients are interested in taking advantage of inexperienced or desperate Illustrators.  However, sometimes the client is simply unaware of how much time, work, and skill is required to execute their projects, and especially of how much it will cost.

It can be tempting to turn down a project at the first sign of an unrealistic budget, but in doing so, you may be walking away from an opportunity for new business or even a lasting relationship.  There are ways to work within a client’s tight budget without compromising your value as an Illustrator.

Here are some simple steps to try and make the most of a client’s tight budget:

Educate

It can be helpful to educate your client about industry standards and about the amount of time and effort it will take to complete the work that they’re asking for.  This won’t always persuade them to pay what you’re quoting for the artwork, but it has the potential to start a productive dialogue with the client about coming to an agreement that is fair to both parties.

Offer Alternative Solutions

An under-appreciated form of education is the art of offering alternative ways to meet their communication needs.  Believe it or not, many clients have not considered other, less expensive ways to get their message across in a visual way.  For example, try suggesting ideas such as a Black and White or 4 color version of their original full color concept.  If you begin this conversation, you just might find an idea that works just as well as, or even better than, the more expensive approach they were proposing at the start.

Segment the Project

Sometimes the client is simply not confident enough in your skill or in the creative process to agree to the fair price that you’re quoting.  This is understandable given the fact that they are paying for something that doesn’t yet exist, and they may have been burned by a less capable artist in the past.

One possible solution is to offer to complete smaller portions of the larger project for a smaller fee.  For instance, you may offer to create comps or initial sketches for a fraction of the total cost.  This allows the client to get a feel for what you might bring to the project without asking for free work, and it allows you to receive payment for the amount of work that you complete.  The added bonus is that if you impress the client, they just might agree to work with you on a larger scale.

Discuss Usage Rights

Many people who are seeking out Illustrators for the first time assume that they will acquire

2 Comments on How To Work With A Client’s Tight Budget, last added: 1/10/2010
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9. Fabulous Free Conference!

conferenceA year ago, I urged you to sign up for the free Muse Online Writer’s Conference. It’s been running this week, October 12-18, and my brain is over-stuffed at the moment. (Next time I won’t sign up for 28 different workshops!)

I’ve attended lectures on voice, overcoming creative blocks, writing tight, plot points and tension, enjoyed Q & A with agents and editors, pitched my middle-grade novel to an agent and got a “go ahead,” and so much more. Forums contain lecture notes and assignments, plus postings of lessons with feedback. The handouts were especially good, and I have a small binder full.

It was also especially helpful to me this year for health reasons to be able to sit in my good office chair, sleep in my own bed, eat my own food, and get up and walk around when necessary. I Skyped with a writer friend a couple of times this week (who was also “attending” the conference via her computer.) Discussing some of the workshops was helpful.

Don’t Miss Out!

It’s been a full week, and admittedly I got behind on the assignments. Next year, if I’m lucky enough to get one of the 1,000+ spots available, I will have to be more selective. I was, admittedly, like a kid in a candy store–where the chocolate was all free!

There are so many wonderful things about the Muse conference, and directors Lea Schizas and Carolyn Howard-Johnson are to be commended for the tremendous amount of work they’ve done to give writers this chance.  I’ll let you know when it’s time to sign up for next year’s conference. You don’t want to miss this opportunity.

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10. Philadelphia Libraries Staying Open

Budget passed. Libraries are staying open.

I have mixed feelings about this “unless you pass the budget, we will close the libraries!” sort of PR move, but I have to admit that I didn’t follow this last one as closely as I have followed these things in the past. I am, as always, happy that libraries are staying open. That said, I honestly didn’t think this wouldn’t pass. I don’t want people to feel threatened to vote for things — more cops, more fire fighters, more librarians — I’d like them to vote for things because they’re a good idea. Budgets are terribly complicated and we’re all making tough choices about money. I’d like to think that we could, possibly, trust our elected representatives to stnad by their words, as when the Philadelphia mayor said “We will not close facilities that serve our most vulnerable populations, such as libraries, health centers, or recreation centers.” I realize that the final decision is not his alone, but I did feel like folks had our back on this one.

4 Comments on Philadelphia Libraries Staying Open, last added: 9/21/2009
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11. The Power of Reconciliation in the Health-Care Reform Debate

Elvin Lim is Assistant Professor of Government at Wesleyan University and author of The Anti-intellectual Presidency, which draws on interviews with more than 40 presidential speechwriters to investigate this relentless qualitative decline, over the course of 200 years, in our presidents’ ability to communicate with the public. He also blogs at www.elvinlim.com. In the article below he looks at reconciliation. See his previous OUPblogs here.

There is a lot of hushed talk about using the Reconciliation procedure to pass health-care reform in the Congress these days, so Americans need to know something about this obscure parliamentary procedure, and what is at stake.

Reconciliation is an optional, deficit-reducing procedure that was created in the 1974 Congressional Budget Act. The Reconciliation process is a two-stage process. First, Reconciliation directives must be included in the annual Budget Resolution (as they were in the 2010 Budget Resolution passed on April 29). These directives instruct the relevant Congressional committees to develop (in this case, health-care) legislation by a specific date (in this case, October 15) to meet certain spending or revenue targets. The instructed committees then send their legislative recommendations to their respective Budget Committees, who then package all recommendations into one omnibus Reconciliation bill. Enter Stage 2, when this bill is then considered on the floor of both chambers of Congress under expedited procedures; of greatest political note is the 20-hour limit on debate on any Reconciliation measure, which effectively strips the minority party of the filibustering option in the Senate. That means the Democrats can pass health-care reform with a simple majority.

But there is an attendant cost to the majority party for using Reconciliation. The Byrd rule, passed in 1985, sets out the rules for what Reconciliation can and cannot be used for. In particular, it specifies that Senators will be allowed to raise a point of order against “extraneous” provisions in a Reconciliation bill which, among other things, “would increase the deficit for a fiscal year beyond those covered by the reconciliation measure.” Critically, cloture must be invoked to overcome a point of order. So the filibuster power is back.

Here’s the bottom line. Since the Budget Act states that the Reconciliation measure covers the next ten years, the Byrd Rule had the effect of allowing a point of order to be raised against any spending increase (or tax cut) that does not contain a ten-year sunset provision. That’s why the Bush tax cuts, passed via the Reconciliation route in 2001, 2003, and 2005, had sunset provisions written into them. If Democrats use Reconciliation, they will get a health-care bill, but it will expire.

Now let’s talk politics. There’s a debate within the debate that only seasoned politicos know about. Since the actual benefits of Reconciliation are mixed - a health-care bill can be passed with a simple majority in the Senate but it must have a sunset provision - the real power of Reconciliation is not in its actual usage, but in the mere threat of its usage.

The benefits of issuing the threat of going the Reconciliation route are akin to the threat of a presidential veto. The threat of a presidential veto sets the boundaries of permissible legislative action; it lets Congress know what is out-of-the-question and therefore powerfully guides legislative outcomes in the direction of the president’s preferences. By letting it be known that they will resort to Reconciliation if they had to, Democrats in Congress are incentivizing Republicans to be part of the making of a bi-partisan bill rather than be shut out of a purely partisan one. In making the threat, Democrats are specifying the costs of Republican non-compliance to the tune of: “if we let you stay in the kitchen, at least you can determine some of the ingredients in the cake. Make us shut you out and you won’t have even the slightest say.”

Like the presidential veto, the power of Reconciliation is maximal at the level of a threat. For between the time a threat is issued and the time when a bill is passed (via Reconciliation or not), there is a powerful incentive for Republican Senators to come back to the bargaining table because there is the distinct possibility that they could be shut out. Reconciliation is the Democratic antidote to the Republican Party becoming the “Party of ‘No’” For if Republicans keep saying “No,” then they box themselves into the plea of Nolo Contendere.

That is why different spokespersons for the Democratic Party are keeping the Republicans guessing and making sporadic and cryptic references to the Reconciliation possibility. And Republicans are trying to minimize the power of the threat by characterizing it as a no-go “nuclear option.” Unfortunately for Republicans, theirs is an empty threat because there is no Mutually Assured Destruction in this asymmetric power situation, and it is both a legal and political fact that, as the White House says, the Reconciliation option “is out there.” It is a win-win situation for Democrats to issue the threat, for if Republicans are unmoved by the threat, Democrats could materialize the threat and get what they wanted having known that an effort at bipartisanship had failed anyway.

What is missed in the debate out there now is that the effect of Reconciliation is already underway, for its power lies in its threat.

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12. On Budgets, Recession, and Money: Political Quotations

Yesterday saw the announcement of the latest UK Budget by Chancellor Alistair Darling. It has, of course, been all over the news for days here in Britain, so I thought it was the perfect time to bring you a selection of entries from The Oxford Dictionary of Political Quotations, compiled by Antony Jay. My favourite ten quotations concerning budgets, recession, and money are below.

“Balancing the budget is like going to heaven. Everybody wants to do it, but nobody wants to do what you have to do to get there!”
Phil Gramm (American Republican politician), in a television interview, 16 September 1990

“In this country we have got to look upon Budget promises as made of the same stuff as lovers’ oaths.”
Lord Salisbury (British Prime Minister 1855-6, 1886-92, 1895-1902)

“Recession is when you have to tighten the belt. Depression is when there is no belt to tighten. We are probably in the next degree of collapse when there are no trousers as such.”
Boris Pankin (Russian diplomat), speaking about Russia in The Independent, 25 July 1992

“It’s a recession when your neighbour loses his job; it’s a depression when you lose yours.”
Harry S. Truman (US President 1945-53), in Observer, 13 April 1958

“You cannot now, if you ever could, spend your way out of a recession.”
James Callaghan (British Prime Minister, 1976-9), at a Labour Party Conference, 28 September 1976

“Nothing is easier than spending the public money. It does not appear to belong to anybody. The temptation is overwhelming to bestow it on somebody.”
Calvin Coolidge (US President 1923-9), attributed

“The state is or can be master of money, but in a free society it is master of very little else.”
William Henry Beveridge (British economist), Voluntary Action, 1948

“That most delicious of all privileges – spending other people’s money.”
John Randolph (American politician), quoted in John Randolph of Roanoake, 1923

“No one in this world, so far as I know – and I have searched the records for years, and employed agents to help me – has ever lost money by underestimating the intelligence of the great masses of plain people.”
H.L. Mencken (American journalist), in Chicago Tribune, 19 September 1926

“There is no art which one government sooner learns than of draining money from the pockets of the people.”
Adam Smith (Scottish philosopher and economist), Wealth of Nations, 1776

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13. Marketing and Dreaming of Dreamweaver...

A note before I get into this weeks topic:
THE PAWS AND CLAWS GALA WEBSITE is up!
Scroll down to see the developing piece I'm working on.


Making "the list"...


A very important part of being an illustrator that can actually survive off of the jobs they obtain requires marketing. While I did do a limited amount of marketing last year, I've taken it upon myself to up my antics this year. As I hope to be a full time freelancing illustrator again by summer (for those of you who don't know, my husband went back to school for 3D animation and modelling last fall and with the pressure of supporting us both on one income I took up a part time job and leapt into as many local craft markets as I could to sell my work face-to-face) I'll need to be exposing myself to the biggest audience I can.

Here's a list of things I'd like to accomplish marketing-wise in 2008:

1) Update website by taking dreamweaver/flash classes
2) Get my portfolio on children's illustrators.com
3) Do another postcard run
4) Enter contests (commarts,applied arts, ACE awards)
5) Become involved in charity auctions with my art (down for 3 this year already)
6) Reasearch other ways to reach clients in children's illustraton market (European emphasis while dollar is strong)
7) Update portfolio for my agent, Maggie on a monthly basis (min)
8) Do group art show for fine art exposure
9) Sign up for more arts/craft markets



Creating a list can be a good place to look at what your marketing plans are going to cost and what you can afford to do/not do. Keep in mind that while your business is new, as mine is, shying away from marketing that looks expensive may keep your business hidden as well.

Here's the update on "Barnes Garden" (see original post here)

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14. Vote Schlechter!




Overlook's very own book hottie is in Gawker's "Hot Straight Men of Book Publishing" Poll Top 3! Vote early, often and from every computer you can for our man Aaron (and read Charles McCarry's Christopher's Ghosts, while you're at it.). Democracy is a gift and a solemn duty. Vote today. And then 5 minutes later. And then 10 minutes after that. And so on. And cheers to gawker's bookhotness judge the delightful Ms. Emily Gould. She obviously knows her hot.

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15. Vote For Aaron Schlechter



The beautiful and talented Gawker dot com genius Ms. Emily Gould is on a search to find the big male hotties of American Book Publishing. And Overlook's very own Aaron Schlechter is in the running. Vote early, often and over and over again for our beloved Associate Editor! From every computer you can! Put Aaron over the top! For the honor of the Overlook and in praise of editorial *hotness*!!

0 Comments on Vote For Aaron Schlechter as of 6/30/2007 11:26:00 AM
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