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Consider this quote from basketball great Michael Jordan: “I’ve missed more than 9,000 shots in my career. I’ve lost almost 300 games. Twenty-six times, I’ve been trusted to take the game-winning shot and missed. I’ve failed over and over and over again in my life. And that is why I succeed.”

His point? To be so successful, you have to be in the game a lot and willing to fail on the way to your successes. The same is true for writers.

Over and Over and Over

Do you want to be published by a traditional publisher? Then you need to write and submit consistently–and be willing to get rejected–in order to succeed. And not just once or twice or five times. You need to do this a lot.

Don’t misunderstand here. It’s not just a matter of doing something a large number of times. Even Michael Jordan didn’t just close his eyes, spin around, and throw the ball up in the air–and magically score hundreds of points. He:

• opened his eyes
• took careful aim at the basketball hoop
• listened to his coach
• practiced his form
• concentrated, and
• then threw the ball.

Sometimes he missed–but lots of times he scored. The one thing he didn’t do was quit along the way.

Writing Parallels Sports

In the same way, just writing and writing and writing, then submitting and submitting and submitting, won’t do the trick. It’s not just about the volume of words you write, although volume is important. (It does take practice to make perfect.)

If you want to build the career of your dreams, you must also: 

• study the markets
• take careful aim
• invite feedback from writing teachers and critique partners
• revise
• repeatedly practice whatever form of writing you do, and
• then submit.

Keep following this formula–keep on keepin’ on. The law of averages will catch up with you if you don’t quit.

What About You?

Writers struggle more with some parts of the process than others. Some can write and revise till kingdom come–but won’t submit. Others submit to editors willingly, but don’t take feedback and revise.

Which part of the above “formula” for success gives you the most trouble?

I can’t believe I never thought of this before! I feel ditzy even admitting this, but maybe it will help you like it’s helped me.

Aha! Moment

I have dozens of great writing books, and many of them contain terrific writing exercises to help us improve our craft. Some will improve the quality of your description, some will develop character emotions, some will pep up your dialogue, etc.

When I buy a book like this, I start out with great enthusiasm, using a clean notebook to do the writing prompts and exercises. Less than a week later, I’ve put the book on the shelf. Why?

Doing the writing exercises takes time. And I have so little writing time that I don’t feel I can spend it doing writing exercises.

What’s the Answer?

I never thought–until today–to combine the two things! I can’t believe this never occurred to me. I’m reading The Writer’s  Portable Mentor: A Guide to Art, Craft, and the Writing Life.  At first, I groaned when I read this: “Basic productivity underlies everything else. Take the chapters one by one. Actually do the exercises!“

I sighed and almost quit reading. But the author, Priscilla Long, added this instruction that created the AHA! for me: “But–and this is crucial–do every exercise in relation to some peice you are working on. Don’t just make up sentences on the fly, out of your head. Instead, in your writer’s notebook, write out a paragraph from the piece you are working on as it currently exists. This is your ‘before’ paragraph. Then work the paragraph, using whatever craft technique you are currently deepening… When you get an ‘after’ paragraph you like, type it back into the piece.”

Paradigm Shift

Actually doing the exercises in the craft books (or your lesson manual) is what improves your writing craft. So put your study/craft book right beside the manuscript you’re working on and use portions of your current work to do the exercises. You’ll be growing as a writer AND revising your manuscript at the same time.

I’m going to go back and systematically use the writing exercises in all the books on my shelf–while applying the exercises to my current revison. This technique will revolutionize my studying from now on!

I realize that many of you have probably been doing this for years! But it’s news to me–and I’m excited to see how this is going to change the way I write. If you try this, let me know how it works for you.

Why do some writers struggle for each word, while other writers have words that seemingly flow from their fingertips?

I’ve Got a Secret!

Are there secrets to being able to write with ease? Does anyone really know what works and what doesn’t?

Well, Daphne Gray-Grant’s article on “The Seven Habits of Highly Effective Writers” will give you a lot of food for thought in this area. She studied effective writers to discover their secrets–and has revealed them here.

Make It Personal

Read the article–study it–maybe even journal about it. We all need to periodically consider if we need to develop some new habits–and drop a few old ones.

Is there something you’d add to Daphne’s list? If so, leave it in the comments below. Then make your own list of habits you want to develop to further your writing career. Post several copies where you’ll see them daily–and then watch them transform your writing life.

Getting into the writing habit is difficult, especially in the early years of writing. Our lives are full to overflowing already, so where can we possibly fit in some writing? How can we form a consistent writing habit when our schedules change from day to day, depending on our obligations?

Believe it or not, you have more time to write than you think. Keep a time log, tracking how you spend your time for a few days or a week. If you do, you’ll spot “down” time that you use for other things which could be snagged for your writing.

Redirect Your Time

When my kids were very young, I desperately wanted to write. I realized that instead of catching up on laundry and chores during their afternoon naps, I could write. Instead of making beds and doing dishes during the morning half hour of “Mr. Rogers,” I could write. Instead of thumbing through ragged magazines for twenty minutes every Friday afternoon while my daughter got her allergy shots, I could write.

Bed making and dishes and laundry could be done while little ones milled around. I chose to write instead when they didn’t need me. That “nap-Mr. Rogers-allergy shot” schedule became my writing routine until my youngest went to kindergarten. By that time, Atheneum had published my first five middle grade novels.

Hidden Time

“But I really don’t have any free time!” you might truly think. I challenge you to study your schedule very closely. Everyone has pockets of “down” time during the day. It may vary from day to day, but usually it is consistent weekly. (For example, you may sit in the pick-up line at your daughter’s elementary school every afternoon for fifteen minutes. Instead of listening to the radio, write.)

You might free up some time by doubling up on your mindless activities. Most of us multi-tasked before the word became popular, but if you’re not, try it. While supper is cooking, don’t watch the news; pay those bills or wrap those birthday gifts, and free up a half hour in the evening to write. If you want to write YA novels, listen to those young adult books on tape while you walk your dog. You’ll be doing your “market research” for an hour, freeing up an hour later to write.

Get It in Writing

Write down whatever pockets of time that you discover can be used for your writing. Even if it’s only fifteen-minute chunks, note them. You can write an amazing amount in ten or fifteen minutes at a time-and it adds up. You may find these chunks in the “between times.” You might have a bit of time between when the kids get on the school bus and you have to leave for work. Or between your day job and supper, you may have half an hour that you wait on a child at ball practice. (I wrote a lot sitting in bleachers waiting for children at practice.)

Write all these pockets of time down on a weekly schedule and write it on your daily calendar. Make it a habit. Perhaps on Monday, Wednesday and Friday, you write half an hour before work, plus daily you write fifteen minutes before cooking supper, and Saturday morning you write an hour while the kids watch cartoons. That’s four hours of writing in a week, just in the free bits and pieces. Since many of us started writing while caring for small children and/or holding down a day job, this kind of weekly schedule may be the best you can do for a while.

And that’s fine!

Time-Honored Tradition

The highest percentage of today’s famous, best-selling authors admit that their writing schedules were exactly like this in the early years. But they had that “burning desire to write” too. And that desire is what motivates us to find those pockets of time, give the

Because I am going to practice what I preach and go for a long hike today, I decided to post a previous article on recovering your energy. It’s worth repeating, I think.

HAPPY NEW YEAR!

In a previous blog on “Managing Your Energy Fully,” I quoted from the book The Power of Full Engagement:

To be an effective energy manager, you need to spend nearly all of your time fully engaged in the high positive energy quadrant or recovering your energy by spending time doing things in the low positive energy quadrant.

Definition of Terms

The low positive energy quadrant consists of doing activities that leave you relaxed, mellow, peaceful, tranquil and serene. For me, that means reading a good book or watching a good movie or spending time with certain people with whom I’m on the same sympathetic wavelength.

For you, such positive-energy producing activities may include fishing, golf, sitting in your porch swing, listening to music, going for a bike ride or stroll, or any number of things. The important point is this: unless you spend sufficient short periods throughout your day in intermitten recovery, you’ll burn out and experience a host of other unpleasant symptoms.

Is It Really That Important?

Yes, if you spend all day writing furiously on your novel, zipping along in your high energy positive quadrant, you’ll produce an amazing amount of work. That day, anyway. Maybe even two days in a row, but that will be it.

By relentlessly spending mental energy without recovery, you’ll be tired, anxious, irritable–and self-doubt will inevitably set in. In a tired state, our stories stink, our ideas sound hackneyed, and our prose deadly dull. At that point, we end up taking off more time from the writing than we would have if we’d made ourselves take those intermittent breaks throughout the writing day.

The Pay-Off

What’s the result of taking those short “low positive energy” recovery breaks? You’ll come back to your work more energized, less ache-y in the neck and back, and more emotionally upbeat.

The emotional component is just as important as your physical energy level! Defusing the bombs of self-doubt and anxiety will help your writing as much as feeling re-energized. And in the end, you’ll write more, not less, by taking the short breaks throughout the day.

Give it a try for a week and see. I think you’ll be amazed.

A year ago, I urged you to sign up for the free Muse Online Writer’s Conference. It’s been running this week, October 12-18, and my brain is over-stuffed at the moment. (Next time I won’t sign up for 28 different workshops!)

I’ve attended lectures on voice, overcoming creative blocks, writing tight, plot points and tension, enjoyed Q & A with agents and editors, pitched my middle-grade novel to an agent and got a “go ahead,” and so much more. Forums contain lecture notes and assignments, plus postings of lessons with feedback. The handouts were especially good, and I have a small binder full.

It was also especially helpful to me this year for health reasons to be able to sit in my good office chair, sleep in my own bed, eat my own food, and get up and walk around when necessary. I Skyped with a writer friend a couple of times this week (who was also “attending” the conference via her computer.) Discussing some of the workshops was helpful.

Don’t Miss Out!

It’s been a full week, and admittedly I got behind on the assignments. Next year, if I’m lucky enough to get one of the 1,000+ spots available, I will have to be more selective. I was, admittedly, like a kid in a candy store–where the chocolate was all free!

There are so many wonderful things about the Muse conference, and directors Lea Schizas and Carolyn Howard-Johnson are to be commended for the tremendous amount of work they’ve done to give writers this chance.  I’ll let you know when it’s time to sign up for next year’s conference. You don’t want to miss this opportunity.