Children’s author and artist Leigh Hobbs is the Australian Children’s Laureate for 2016-2017. Leigh described his appointment in February as ‘a lovely thing for me because my books are on the subversive side, and … Continue reading ...
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Children’s author and artist Leigh Hobbs is the Australian Children’s Laureate for 2016-2017. Leigh described his appointment in February as ‘a lovely thing for me because my books are on the subversive side, and … Continue reading ...
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In terrific news, earlier this month Leigh Hobbs was announced as the new Australian Children’s Laureate, following in the footsteps of Alison Lester, Boori Monty Pryor and Jackie French.
Now much loved for his funny and often somewhat naughty or anarchic characters including Mr Chicken, Old Tom and Horrible Harriet, as a shy child Leigh did not dream of becoming an author, let alone a champion for children’s reading and books.
It was art that was his passion from the very beginning. Drawing was what he was “best at” in school. Drawing was what he spent all his spare time doing. Indeed, it could almost be called an obsession: at one point his father gave him an alarm clock and the instruction that drawing could only commence after it had gone off in the morning… at 6am!
Seeds of Leigh’s future style were clearly sown in those early days, with illustrations by Ronald Searle and Ludwig Bemelmans being favourites of his to pour over. “I adored Searle’s line and dark ironic sense of humour,” said Leigh when I recently interviewed him to celebrate his appointment as Laureate. I’m sure I’m not the first to see parallels between Leigh’s scratchy, flowing illustrations full of mischief and spontaneity and the freshness of Searle’s work.
Leigh’s love of drawing led him into 25 years of teaching art at secondary school. But “while I was an art teacher I did some freelance newspaper cartoons. There was always a frightful deadline, a space to fill, a topic to absorb and some text to wade through. Often I never understood the story I was supposed to illustrate. Especially if it was about something like, say, finance. So I’d just do a berserk cartoon then pull a line of text from the story and set the two together. From this I gradually developed an ear for a line of text and an eye for the text saying one thing and the drawing saying something completely different. I realised that there was power and in fact another, a third point of view in the combination.”
And this third point of view has since become a key characteristic in Leigh’s books for children; a delicious tension between what you observe in the illustrations and what you read in his words, inviting you to giggle.
As the Australian Children’s Laureate, Leigh wants to champion “creative opportunities for children.”
“I get the impression that nearly everywhere in the school context kids are assessed, ranked or ‘marked’. One of the things I’d like to do as Laureate is to champion the idea that, while I don’t believe every child is a ‘would be’ writer or artist, I do believe that given the chance, every child is capable of expressing themselves in words or pictures creatively in a way that is meaningful to them.
Creativity in the context I hope to be focussed on is not in the ‘training the child for a job’ sense. Nor is it a case of ‘every child is an artist or writer’. I never tell an audience that ‘You’re all artists’ or ‘Writers’. However I think if freed from the pressure of assessment or comparison kids can express themselves creatively in a way which they may find fulfilling. Draw a picture. Write a story. Paint a picture. Describe in words or pictures how you feel. Write a poem. Or write and illustrate a story. Create a design. Invent a code. Do it all in your own sketchbook or diary which no one can see without your permission. This would be an adjunct to the other school subjects which are assessed.
”I love this focus on creativity – for me, life is pretty meaningless without some sort of creativity in it, but I was curious to hear why Leigh thinks it is so important to encourage it.
“I think it’s important to encourage creativity in children. Art, music, writing. It’s natural for kids to want to express themselves and the choice of form which suits them best is a personal one. Of course there’s also the life enriching enjoyment from an appreciation of the creative work of others.”
And the creativity of others plays an important role in feeding Leigh’s own creativity. He has particular passions for classical music (favourite composers include Bach, Handel, Purcell and Mozart) and architecture (in particular Eighteenth century architecture, with the Pump Room at Bath and Kenwood House in London ranking amongst his most loved buildings), but reading – and reading non-fiction especially – plays a vital role in nurturing his inventiveness. “I feed and have always fed my creativity by reading. Even as a child the books I read were about history, architecture, art and biographies. All this information has gone into a sort of big reference library in my head. I draw from it or refer to it when I want to.”
Libraries have played an important role in providing the raw material to feed the fire of Leigh’s creativity and this is just one of the reason’s he also wants to use his tenure as Laureate to highlight their amazing work. Like here in the UK, “school libraries in Australia seem to be under threat and librarians an endangered species. I visit on average about 30 schools every year doing presentations and running workshops for students and I’ve noted that when a librarian retires they often are not replaced. I’ve visited schools where a library carefully, often lovingly built up over decades sits completely unused because there is no longer a librarian employed by the school. Even worse is when all the books are dispersed throughout the school. Or thrown out.”
Losing libraries is no joke at all. But wanting to remain upbeat, I ask Leigh about humour. I’ve yet to read a book by Leigh which hasn’t got me guffawing, or snorting through my nose. And yet, funny books often fly under the radar somewhat. Leigh agrees: “I think the value of humour is often overlooked. ‘It’s funny so it can’t be serious’. Humour is complex and personal. And mysterious. to analyse the whys and wherefores of humour can ruin the joke.”” As if to immediately prove his point, when asked what Leigh himself finds funny he admits, “I’ve never found jokes funny. I may appreciate that they’re clever but I seldom laugh when told a joke. I always found the Three Stooges hilarious and I think Fawlty Towers is a masterpiece of television comedy. However I was never a great Monty Python fan.”
Basil Fawlty, Moe, Larry and Curly – they’re all tremendously strong characters who stay with you long after you’ve first met them. And this strong sense of character seems to me a key feature of Leigh’s work, and so I was curious to learn something about how he goes about developing his characters.
“Yes, I think of my books as primarily character studies. The characters have developed book by book. I enjoy putting the characters in different situations and seeing how they react. Not to mention how those around them react… I started off illustrating other peoples books in 1990 but moved to creating my own characters as a response to the cutesy pie goody two-shoe type characters I’d seen in children’s books. I wanted more character in my characters and so Old Tom was born.”
I can’t resist asking Leigh which of his characters he most identifies with. “Undoubtedly there are aspects of me in every one of my characters. I was a secondary school art teacher for twenty five years and there were many Old Tom’s and Horrible Harriets. My stories are written from the heart as much as the head. This means that the ‘issues’ that inevitably work their way up through the story via the characters, such as difficulties in family relationships, or the need for friendship are explored through humour, by fully – fleshed out characters.”
Today officially heralds the start of the Children’s Book Council of Australia (CBCA) Book Week 2014. This year’s theme: Connect to Reading – Reading to Connect can be interpreted in many ways just as ones connection with art can take place on several levels. I have long purported that the humble picture book is one […]
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If you’re not away or flying back from Bologna or at festivals and conference, the SCBWI Network is:-
5-7 p.m.
Monday 2nd April
at The Hughenden
14 Queen Street Woollahra (near Paddington, Sydney).
I have been on a conference and festival trail where I have met kids, librarians, teachers, adults, even politicians from Queensland to Picton to the beautiful Dixon Room in Sydney’s heritage Mitchell Library overlooking our Botanical Gardens towards the Opera House.
I’ll be keynote at the Glouceter Festival , touring the USA with my ‘Butterflies’, visiting Taree, Melbourne ….and more ….. and I am looking forward to speaking at the IBBY Congress in London. It’s crazy but the wonderful life of a writer.
Deborah Abela, Serena Geddes, Lesley Vamos, Christopher Cheng … are just back from Bologna Book Fair; and
shared a fabulous time with heaps of brilliant authors and illustrators in Somerset on the Gold Coast like Jacqueline Harvey, Michael Wagner, Oliver Phommovanh, Ursula Dubosarsky, Tristan Bancks, Karen Brooks, Leigh Hobbs, Scott Westerfield, James Roy, Georgia Blain and the brilliant list goes on.
Frane Lessac, Mark Greenwood, Sally Murphy, Norm Jorgenson, A J Betts, Dianne Lawrenson, Samantha Hughes …
….and all those WA writers and illustrators are on the move throughout WA and NT at festivals and reaching remote indogenous communities.
Sarah Davis and Deborah Abela have flown to Alice Springs to join them. Love it.
Aleesah Darlison is back from Hong Hong; Jan Latta just back from China speaking at festivals; Jacqueline Harvey is doing her Alice-Miranda tour in the USA and UK.
Sue Whiting’s at All Saints in Perth which I loved when I spoke there last year
This is the coolest community ever!
If anyone is in Sydney on Monday 2nd April, there’s a great talk by Wendy Blaxland on non fiction writing; catch up with SCBWI Conference information on 29th June-2nd July and networking at The Hughenden.
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Love, Love, Love…. this festival.
The sun is shining, tropical palms wave in the breeze, the Radisson Resort welcoming … and there’re friends, friends, friends.
We head for the pool – author Deborah Abela and picture book author Frances Watts were splashing around. So was author Felice Arena. I swim 20 laps and relax in the jacuzzi.
We had a great welcome from Festival Director Andrea Lewis, Deputy Headmaster Michael Brohier and Festival programmer Karen Mackie and a fabulous dinner.
Caught up with so many cool authors and illustrators:-
Oliver Phommavanh – Thai -riffic!!!!; Con- Nerd and new book coming – huge success
Karen Brooks – fabulous fantasy author
Jacqueline Harvey -author of the run away success Alice Miranda
Michael Wagner -watch out for hilarious Maxx Rumble series
Leigh Hobbs -iconic illustrator and creator of Old Tom, Horrible Harriet and Mr Chicken
….. and hamming it up authors Tristan Bancks and James Roy ….watch this space for more
The ghost adventure is dark, eerie in the Woodland 1880s mansion at Ipswich Festival.
Leigh Hobbs creator of the famous and fractious ‘OLD TOM’ was being ‘scary’ with fabulous author Meredith Costain hamming it up as his doppler behind him.
General Macarthur stayed at Woodlands and his red leather chair and desk dominates an upstairs room. So of course the guys all sat in the General’s chair. Then the girls go into the act.
Highlights:-
Hanging out at the pool table with all the writers & illustrators – author Sue Whiting and illustrator Anne Spudvilas were hilarious at our game of chance and dice – I rolled a full 5 dice!!!!!!
400 hundred kids packed into the performance of ‘I Am Jack’ held spellbound -Lowood, Silkstone, Bethany, Bundamba, Toogoolawah, Brassall, Kentville, Lockrose schools were FABULOUS!
Morning walk with illustrator and author mark Wilson, illustrators Anne Spudvilas and Leigh Hobbs through the mist and field.
LOVE the authors and illustrators there – Deborah Abela, Brian Faulkiner, Sally Rippin, Gabrielle Wang, Gus Gordon, Lucia Mascuillo, Mark Wilson, Tristan Bancks, Sheryl Gwyther, Angela Sunde and ……
Thankyou to Festival Director Jenny Stubbs.
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Waking up to the laughing kookaburras and the deep blue peacock at my door; morning mist hovering in the valley with mountains in the distance – this is Woodlands.
Last night was pool at the table with fabulous illustrators Leigh Hobbs, Gus Gordon, Mark Wilson and Anne Spudvilas. This morning at 6 am we were walking through the fields joined by author and fabulous blogger Sheryl Gwyther – all before breakfast.
Breakfast is so much fun with all the authors and illustrators. Especially great to talk to Tim McGarry – the JACK in the play ‘I Am Jack’ which is a feature event at the Ipswich Festival of Children’s Literature.
LOVE IT!!!!!!!
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“Books Are Fun”
Children’s Book Festival 2011, Family Day 3rd April 2011, 10.00am to 4.00pm
State Library of Victoria and the Wheeler Centre
This free programme of ‘events’ over the Sunday was hugely popular. It was described as “the biggest celebration of children’s books that Melbourne has ever seen”. Families and children’s book lovers crammed into venues to hear a wonderful assemblage of Australia’s leading authors and illustrators. They queued for meter after meter to meet authors and illustrators and have their load of precious books signed. They waited for hours to be able to get into workshops, storytelling and performances.
The ‘Family Day’ was the brainchild of the State Library of Victoria and the Wheeler Centre who held, coordinated and promoted the various sessions. Authors and illustrators were fully utilised, most doing at least two events on the programme. [http://wheelercentre.com/static/files/assets/087ddc27/CBW_Childrensbooks_A4programme-DR7.pdf ]
Some notes from the day:
John Nicholson/Roland Harvey interview with SLV staffer
John Nicholson (architect) – author and illustrator
John started writing fiction. His publisher suggested he write non-fiction.
Working with A&U - John has an idea and approaches them with it or they have an idea and approach John. At one stage they seemed to take a turn about with this process. He now just develops ‘the ideas I want to’. He prefers to work alone now.
John agreed with Roland, in creating an authentic “Sense of place” it was important, if at all possible, to do the research for the text and images on location.
Roland Harvey (architect) author and illustrator
History was something that always fascinated him and which initially led him to writing and illustrating books.
Family activities have inspired some of his books – “At the Beach” and ‘To the Top End”. “You need to know, to “feel” the place you are writing about. To research you should “be there to be really successful”. Otherwise ther is the internet but Roland considered this sort of research “much harder” in trying to create a real sense of ‘place’.
He collaborates a lot. His latest book is a collaboration with Mem Fox which was launched at the Family Day. He doesn’t publish any more and mainly works with Penguin and A&U. He liked the freedom he had as publisher. He surrounded himself with experts in each area. He found his best books were done “against the advice of others”. It was risky but he LOVED the freedom to do what he was passionate about.
His next project is another picture book based on family travels. He is also avidly exploring Apps and is excited about this development in children’s books.
Terry Denton/Chris Morpeth interview with SLV staffer
Terry Denton author/illustrator
The place where I like to write/draw:
I have a studio in my backyard. It is quiet, no distractions.
“Gasp” is my favourite of my creations.
Denton and Andy Griffith go away for a week together when working on a new joint project to ‘get it started’.
Chris Morpeth (former teacher) author
The place where I like to write:
In a café over coffee – there are no distractions. At home, I get distracted with Nintendo and Mario. I make my stories up as I go along. I think the more you do the better you get.
Terry & Chris agreed re book writing/creation, “If it is too organised, it doesn’t work!”
Leigh Hobbs interview with SLV staffer