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Some time last year, Erica Wagner, Publisher at Allen and Unwin, is reported as having said that there was a lot to be gained by having a text already illustrated [not that Allen & Unwin published picture books]. This is seemingly a change in direction.

Some writers/illustrators I know have recently signed contracts for ‘print ready’ books.  This is not self-publishing, but submission to a royalty paying publisher of a book that is ‘ready to go’ in publishing terms.

What constitutes a ‘print ready’ book?  It is a book that has been -

• professionally edited,
• proofread, has been
• designed to industry standards,
• professionally designed cover and,
• if illustrated, has all images appropriately set.

This is a great way to go for authors who are able to pay illustrators and book designers up front. Most authors are not able to do this.  This then means all creators involved in a book project agreeing to royalty share and working between paid projects to collaborate on their book.

What have I gleaned about such ‘print ready’ deals? One company, smaller and reasonably new, offered a small advance and a good contract, by industry standards, with higher than regular royalty share for creators. An offer of help with promotion was also part of the deal. Another company, medium sized and established, offered no advance but better than average royalty shares for creators and help with promotion and marketing of the book.

How does this stack up against what is generally on offer now?

• Small and middle range publishers, in general, do not offer advances.
• Larger publishers offer advances depending on the book, depending on the author, and depending on the agent involved.
• Smaller and middle range publishers often [there are exceptions] expect the author to do it all in relation to promotion, even requiring the submission of a marketing plan.
• Larger publishers vary greatly as to how much promotion they will give a book.
• Generally, publishers will submit copies of their publishing output for major awards, such as the CBCA, and to a selection of leading review outlets.

What’s the down side for author, illustrator, book designer, [often the illustrator], to go down the  ‘print ready’ publishing path?

• It IS a lot of extra work for all creators involved to ensure the book is ‘professional’ standard even before it is submitted.
• There is no money upfront.

Are the rewards worth the effort?

• If you love collaborative work, it is a big plus.
• Creators have much more project control to create the book they have collaboratively envisaged.
• A quality product, ‘print ready’,  is a major bargaining point for creators/agents. ‘Print ready’ saves the publisher heaps!

The first company mentioned does small print runs, sells out their print runs, reprints and even sells out reprints and so it seems to be gradually snowballing.

It is too early to know in the second instance.  [I’ll keep you posted!]

My feeling is that, if Erica Wagner was sensing a ‘trend’ and if these companies make a success of it, we will see more such deals.  It’s something to think about!

To be launched end of June – “Toofs!” a collaboration between J.R. and Estelle A.Poulter an illustrators Monica Rondino and Andrea Pucci. More to come on what was a ‘print ready’ deal.

TOOFS by J.R.Poulter & Estelle A. Poulter, illustrated by Monica Rondino & Andrea Pucci

It's that time of year when we take a hard look at what we've done and assess how we want to improve and move forward. This is something I'm doing constantly, but it does seem important to take a moment to write it all down, especially since I feel like I have learned a lot about myself this year, and especially this past month or two.

I started out 2012 miserable and full of self-doubt. It was a long-time coming. These feelings had been building for a couple of years, so I declared 2012, the year of re-evaluation. I had to figure out what made me happy. More specifically, I had to figure out if writing still made me happy or if I was done, ready for a complete change of career and life focus.

I went back and forth, up and down about this. I'd spend a month deeply in love with storytelling and then three months hating every word I wrote or hating myself for writing. I felt like I'd finally gotten on the right track again in September and then had an absolute breakdown, my biggest crisis of faith yet in November, which I documented in this piece for Rookie--possibly the best, most honest, real and in-the-moment piece I've written for Rookie.

In July, I decided to go back to therapy for the first time in roughly nine or ten years. I was deeply depressed and anxious, especially about writing, and I couldn't do the re-evaluation thing on my own. It was one of the best decisions I've ever made. Not only did I benefit personally, I figured out a lot about my own writing. I put all the writing tips I gleaned from my therapist in this YA Outside the Lines post.

Perhaps the most important of those tips was be grateful for and recognize my accomplishments, big and small. So here's what I've done in 2012

• Knitted one hat and one scarf for my mother, and one hooded baby blanket for my friend's first child. Started my first knitting project for myself, a skirt.



• Taught 16 students in a Young Adult Fiction class at Columbia College and read well over 1000 pages of their work.
• Grew lettuce, strawberries, tomatoes, green beans, many varieties of peppers, many types of herbs, quite a few flowers.



• Made countless vegan meals, tried and even invented several new recipes.
• Got my eleventh tattoo. (It's Latin for "breathe.")

• Joined my local library board.
• Tended bar three nights a week and briefly made a tumblr about my adventures.
• Visited my favorite place on earth, Seattle.



• Saw (and met!) Mark Lanegan (whose music inspires my writing big-time), as well Garbage, Social Distortion, and several amazing bands (and legends like Iggy Pop!) at Riot Fest.
• Hosted a college friend for about half the year and went on adventures with her like to my first Renaissance Faire.



• Visited with several other friends from out of town, reconnected with my childhood best friend/sister after she moved back, spent as much time as I could with my amazing teenage niece who is my heroine, and made the ultimate birthday package for my BFF to celebrate eighteen years of friendship.
• Went to my first Comic Con where I met people like the stars of one of my all-time favorite shows, Twin Peaks.



• Went to my first RT convention, participated in a panel about boundaries in YA and in Teen Day. Met Francine Pascal, author of the Sweet Valley series that ruled my childhood.





• Watched the last five seasons of Buffy for the first time, all five seasons of Angel for the first time, and most recently, watched all of the first season of Game of Thrones in 3 days.
• Turned old t-shirts into new shirts, and in one case, a dress.



• Celebrated my third wedding anniversary in Portland, Oregon. We also visited the gorgeous Oregon coast and met up with one of my best writing buds, Tara Kelly, who took this photo of us.

• Nursed my elderly cat/best friend of 17 years, Sid, for several months and then said a sad but beautiful farewell to him the weekend after Thanksgiving and wrote him a tribute.
  
• Wrote 17 columns for my local newspaper, the Forest Park Review.
• Wrote 20 essays, some deeply personal, others pure fun, for Rookie as well as countless reviews of books, movies, TV shows, music, hot chocolate, candy, and electronic items that do and should exist.
• Wrote my first essay for Ms. Fit Magazine, a real world feminist fitness magazine that will debut in January of 2013.
• Made zines with my niece and her BFF at a Rookie Road Trip event.

• Took part in an amazing reading to celebrate the release of ROOKIE YEARBOOK ONE.
• Did a vlog to celebrate the release of the DEAR TEEN ME anthology, which features my letter to my teenage self about an abusive relationship.
• Researched (both by visiting the library and sneaking into a cemetery after hours) and wrote my first short story in umm... eight years? It's a ghost story--my personal twist on a local urban legend about a hitchhiking phantom flapper--which will come out next October in an anthology called VERY SUPERSTITIOUS published by Month9Books.
• Went on a writing retreat in Arizona.



• Wrote about 50,000 words of one YA novel (ie. the Modern Myth YA)
• Wrote about 60,000 words of another YA novel (ie. the Contemporary YA)

I love writing about the things that matter most to me, whether that be writing fiction about female musicians or teenagers struggling with depression, self-injury and addiction, or writing nonfiction about my own experiences with self-injury, grief, addiction, abuse and bullying. Over the past year, writing for Rookie has literally changed my life and my perspective on writing. I've struggled with the ups and downs (okay, mainly the downs) of my fiction career, but my regular contributions of personal essays and goofy things like my glowing review of my DVR have kept me balanced and happy as a writer.

Hi Everyone!

Lists can be extremely useful, especially when they are constantly being updated!

Here are two such.

The first, compiled by the enterprising and enthusiastic Brain Grove, is a list of US publishers who are currently accepting submissions for children’s books – http://j.mp/SVbnCk  – he also, very helpfully, adds links toeach entry to take you straight to the site.  I also recommend his ebook on  query /submission letter writing.

The second,  a veritable database, is continuously being updated by the very proactive authors, Delin Colon and Lisa Kalner Williams – http://bit.ly/writerinterviewopps …

If you haven’t joined www.jacketflap.com, I highly recommend it – an excellent networking site for all things related to children’s literature and books.

Get busy and good luck!

The launch was wonderful, a chance to  see everything in place, admire friends’ exhibits, show it all off to friends and family and network! Sheryl Gwyther, Prue Mason of SCBWI and Michelle Richards [our wonderful Exhibition coordinator from Brisbane Square Library] organised the launch event. Jenny Stubbs, Coordinator of one of Australia’s leading children’s book festivals, “Ipswich Festival of Children’s Literature”,  came down from Ipswich to open the exhibition. Jenny gave a stirring and encouraging speech to gathered authors, illustrators and friends, despite protesting she didn’t fancy herself a speaker .

Visitors included Dr. Virginia Lowe of “Create a Kid’s Book” fame and Lucia Masciullio of Blue Quoll Publishing, teachers and teacher librarians from Brisbane and Ipswich. Feedback has been excellent. It is vindicating, as an author or as an illustrator, to have people acknowledge the work that goes into a book’s creation and to have a new appreciation of the end result!

Read other reports of the Exhibition on Anil Tortop’s Blog and the SCBWI Facebook page. Better still, go along and have a squizz – Level 2, Brisbane Square Library, George Street Brisbane CBD, from 13th July to 31st August, 2012!

Click to view slideshow.Books are created from the imagination and inspiration of authors and the insightful vision of illustrators. They are then crafted. The authorial crafting may be right brain with a touch of editing or slow and laborious left brain plotting. For an illustrator, it may be  inspiration flowing like rivers from brush or  stylus or it may be  storybook or dummy creation then rethinks, scrap some ideas, adapt others. Eventually, a book emerges that is then ‘ready for submission’. These days, that may mean  adding animation and audio to make the book a digital production for app developers like  Utales or Flying Books, or for YA, formatting it for Kindle or Nook e-publishers. It may mean self publishing on Createspace  or Lightningsource, Smashwords or Lulu.  Or it will mean the long road via submission to traditional publishers.

If the latter is chosen, the publisher will often require more editing, changes and perhaps more changes. My own book, started under contract to one publisher, was already well underway with the inimitable Sarah Davis as illustrator. We were having a ball creating our book. Then our publisher was taken over and the new publisher wanted  to  institute changes. At first, the major change – ‘get rid of the dead bird’ – seemed straight forward. Then we realised  the book needed the bird but, to keep it, we had to  make some big adjustments. An injured bird can’t just disappear in a children’s book, it has to get better and be released, which, in our picture book, meant its story  had to be woven into the fabric of the main story seamlessly. No problem, a few days and Sarah and I had nailed it! As book creators, you have to be flexible and, especially if going the traditional publisher route, you can’t be too precious about your creation.

SO! This exhibition is about the journey numbers of wonderful children’s and YA books took from creation to  bookshelf! Each book has a different creation story to reveal - something the public doesn’t see, it’s behind the scenes. Now the reader can take a peek backstage, behind the scenes to how it all came together!

THE SET UP

Setting up was not straight forward. The spaces has to be utilised to best advantage and the  items displayed needed to be seen from as many angles as possible given I had a two shelf rectangular glass case.  I didn’t end up using everything I brought with me. It would have been too cluttered. Last minute inclusion, bulldog clips, proved life-savers! They held the  photographic prints in place.

I had never ‘hung’ a painting before at an exhibition and that proved ‘interesting. Sarah Davis sent up her wonderful original painting via kindly courier, Peter Taylor, but it was unframed. I had no time to find a frame. Fortunately, I had one around the house that was  a good match colour-wise though not quite the  perfect size.

Given my exhibit was about my close collaboration with Sarah, the items displayed needed to reflect the two minds working together to make a new creative whole – our book! Sources of inspiration, stages in text change, changes in images, cover and trivia relating to the characters, objects and places in the book all combined to make a successful ( I hope you agree) exhibit!

THE LAUNCH