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Entries are now being accepted for the Verbolatry Laugh-a-Riot Contest. Open to humorous essays and cartoons about writing/publishing from international writers. Prizes in two categories, free (£50) and paid (£100 – with £5 entry fee). Deadline: August 31, 2016.
Happy New Year to all those of you who have supported me in so many different ways throughout the year. 2016 should be a new beginning for me with my new publisher Crimson Cloak Publishing, and I’m hoping for a happy and successful relationship with them! Several books to be released this year, new as well as re-releases. Exciting times.
Check out the book trailer for this fantasy adventure for children!
When in the enchanted wood, Emily finds she has a surprising connection with her little dog and all of the other animals. When she discovers she needs to help rid the wood of marauding goblins, she must work with the animals to bring peace back to the woodland realm.
A delightfully encouraging and warmly reassuring tale to foster adventurous spirits and feed curiosity about what lies beyond your front door, Paul Beavis’ Hello World! is a perfect picture book to put the wind beneath the wings of all those learning to explore their world around them.
Monster is bored and Mr. and Mrs. Mo, his elderly carers, are busy. Undismayed, Monster decides to go off exploring by himself and packs his rucksack with equipment worthy of an adventurer wishing to prepare himself for any eventuality.
And then Monster is off, enthusiastically crossing over fields, then a wide river, into exotic canyons, leaving a peculiar trail behind him (the reader can decide for themselves whether this is a deliberately Hansel-and-Gretel-like act or simply accidental) as items fall from his bulging bag.
Just when Monster’s energy and faith in the wisdom of his plan begin to flag, Mrs. Mo ‘miraculously’ appears with sandwiches at the ready. Once re-fueled, Monster draws his friend onwards for a final push up to the top of a nearby hill, whereupon the extra effort is richly rewarded with a breathtaking view showing a welcoming world filled with warmth and and wide-open opportunities.
This terrific tale sends subtle but solid encouragement to its readers and listeners – to have the confidence to follow their dreams, safe in the knowledge that loved ones will always be there when they need them.
Beavis’ illustrations are a tour de force, using perspective and palette to cleverly reinforce the written story; colour intensifies and the reader’s viewpoint zooms ever closer in until the moment of greatest tension in the story. This visual magnification and turning up of the heat adds another layer of drama to the play unfolding as the pages are turned.
Beautifully paced, Hello World! is also funny, touching and just the sort of story to put a spring in your step the next time you venture out to see what the new day holds for you, whether you are 4 or 94.
Inspired to get out there and feel the elements on our skin and see what unexpected surprises we could stumble upon, the girls and I decide to go on our own adventure. To help us prepare, I asked Paul Beavis for his advice. Here’s the wisdom he shared with us:
With Paul and Julia’s advice in mind, we packed our bags and headed out for our adventure. The girls were in charge and we spent a day going in whichever direction they chose. It was definitely a “go with the flow” type of day (for me), and the girls were so excited to be completely in charge of where we went and what we looked at. Definitely a bit different to lots of other sorts of family outings!
Having read and thoroughly enjoyed Hello World!, here’s what we packed, and some of the colours and textures we saw:
Whilst out and about we didn’t listen to any music, but if you’re after some kid-friendly adventuring music you might enjoy:
Adventure is a Wonderful Thing – from the Winnie the Pooh animated film
Other activities which might work well alongside reading Hello World! include:
Holding storytime in your attic / loft. Monster goes up into his attic and sees a world of possibilities in amongst all the old junk that’s stored up there. Why not take a blanket and a torch for a very atmospheric sharing of stories!
Painting with rollers. Mr. and Mrs. Mo are too busy to join Monster because they are painting their house. Why not paint on a giant scale like them, using wallpaper lining paper and big rollers. Lay the paper out to cover the patio or entire kitchen table and experience painting on a vast scale. I know my girls would love the very physical nature of this. If you live somewhere hot another alternative is to let the kids paint the house walls outside, but just with a bucket of water and a big paintbrush.
My book cover has reached the semi-finals in a great competition run by the Authorsdb website. I would be very grateful if anyone would be willing to follow the link to the site and vote for my cover, if you think it deserves it! Thank you very much if you can.
Engaging in critical thinking about one’s own belief system does not often include laughing so much you end up breathless and hiccuping but that’s just what happened one evening last week when our bedtime read was Meet at the Ark at Eight! by Ulrich Hub, illustrated by Jörg Mühle, translated by Helena Ragg-Kirkby.
This witty, keenly observed and questioning novella retells the biblical flood story with wave after wave of philosophical observations and deadpan humour. Two (male) penguins smuggle a third aboard the ark when an overworked and stressed-out dove chivvies them along to avoid extinction.
Deep in the hold of the boat the friends continue what they started on land: trying to tease out in their own minds whether God exists, and if so, what he is like. Conundrums (“We’re birds, but we smell like fish; we have wings, but we can’t fly.“), chance (“Life is so strange. If two other penguins had been standing here, they’d have been given these tickets and we’d have ended up drowning miserably,“), honesty, guilt and the complexities of friendships are explored with a stark innocence that makes the penguins’ questioning all the more powerful.
And these questions are ones that I think come naturally to children when thinking about religion – about punishment, about proof, about the essence of faith. The answers, such as they are in this book, leave a lot of space for making up your own mind; this isn’t a black and white pot-shot at religious fundamentalism, but something much more nuanced, even if some may find the laser-sharp humour hard to marry with their own beliefs.
Whether or not you or your kids pick this book up because of its rich philosophical strand, two further aspects of this moral tale are worth pointing out.
Meet at the Ark at Eight! is extremely funny. One scene in particular had my girls and I barely able to breathe for all the laughter as I read the book out loud to them; when the dove comes to check up on the penguins, one of them hides in a suitcase and pretends to be the voice of God. This scene is just so theatrical (it comes as no surprise to later find out that the author, Ulrich Hub, has written many plays) with perfect timing and exquisite dialogue. “God”‘s game is up when he pushes the boundary just a little too far and asks the dove for some cheesecake; I am putting money on this becoming a family catchphrase that will stay with us all our book=reading lives.
Secondly, the illustrations by Jörg Mühle are wonderful. Nearly every double page spread has at least one illustration and the characterization, especially of the dove, is sublime. I’ve seen very few cases in all the illustrated books I’ve ever read where an apparently simple, nonchalant line can pack such a punch.
I can only heartily encourage you to read this multi-award-winning retelling to find out how three goes into two for the final disembarkation in front of Noah. This novella hides real delight and serious philosophizing in between its slim, sensational pages.
The day after we read Meet at the Ark at Eight! “God” came visiting in his suitcase. We supplied cheesecake, and I’m glad to report that penguins, kids and all the celestial beings we know were all very happy with such a delicious after school treat.
Whilst taste-testing cheesecake we listened to:
Cheesecake by none other than the brilliant Louis Armstrong
Now ask any dino-mad four year old about a T-Rex’s favourite food and they’ll know: T-Rexes love their meat.
So what happens to poor Reg when it turns out he loves…. veg? Will his dino friends still accept him as one of their own? Will Reg be brave enough to be true to himself?
T-Veg: The Tale of a Carrot Crunching Dinosaur written by Smriti Prasadam-Halls and illustrated by Katherina Manolessou is a vitality packed, vibrantly illustrated tale about breaking the mould and learning to embrace difference. From the zest and zing of Manolessou’s bold and almost day-glow dinosaurs, to the bounce and energy-packed rhymes of Prasadam-Halls, this is the picture book equivalent of a super healthy, organic, freshly-pressed and delicious smoothie. As if packed with key vitamins and minerals it will lift your mood and put a spring in your step!
The book’s recipe mixes:
1 part Humour (kids – especially those whose veg is only ever smuggled surreptitiously into their diet – will delight in the crazy notion of a veg-loving T-rex)
1 part Emotional Meat (exploring daring to be different and being a good enough friend to recognise when you are wrong)
2 parts Visual Richness (intense patterns add depth to the eye-catching illustrations).
All are combined to serve up an extremely tasty treat whatever your preferred diet!
Letting the kids invent a new vegetarian meal. This has become a favourite activity with M: I let her choose what vegetables she wants, she chops them up, adds the herbs and spices she likes, and roasts them all in the oven. We’ve had some delicious (and different!) meals as a result. M really likes to use The Flavour Thesaurus when she’s planning a new dish.
Trying the vegetable challenge. Visit the (super)market and see if you can identify every vegetable on sale. Be brave and choose one new vegetable to try!
If you liked this post you might like these other posts by me:
Investigating the dinos in your home and putting them in a time line. Like us you might find there is an unexpected bias towards dinos from the Cretacous, not the Jurassic as you might have thought.
Dolly, blissfully unaware of any danger that might be lurking out there, has wandered off. We have to keep our fingers crossed that she hasn’t ended up at the home of the “biggest, meanest, grumpiest and greenest troll of them all“, the troll which has all others quaking in their boots: GRUMBUG!
Determined to find her, and in the sure belief that anything can be sorted out with a jolly nice slice of cake, big brother Oliver and his old (blue) friend Troll set of to bring her back home.
Oliver seems utterly oblivious to the ominous signs that are all too obvious to us readers and listeners as we follow Dolly’s tracks further and further from safety. And just as the tension has been ratcheted up as far as we can take it… a gloriously theatrical page-turn has us all relishing in the relief, laughing as we realise we’ve been holding our breath.
But then comes a twist in the tale that makes for a particularly enjoyable readaloud (especially if you love a bit of acting it out or making silly voices) before we all find out whether or not cake really can save the day.
Grumbug!‘s encouraging message that bravery and kindness are able to solve all sorts of problems is delivered with bags of humour, in text, in pictures and in the interplay between the two of them, making this a book which remains a delight to read time and time again. (In fact, once you know all the surprises, they become even more enjoyable.) Then there are the little details which might only come to you after several readings; Check the endpapers for clues as to what you could find…
Delightful characterization, an upbeat take on life and – yes – plenty of cake make this a marvellously happy read, despite the looks of anxiety on the book’s front cover. I loved Troll and the Oliver enormously, and this second book with the same characters is a worthy successor. Here’s hoping Oliver and Troll with be back for a third outing to make us giggle and fill us with delight.
As I would so very much enjoy reading this book to a classroom of kids I wanted to come up with an activity which could be replicated fairly easily for 30 or so kids to join in with. I designed a simple mask (ideally to print onto card), which can be customised for either Troll or Grumbug.
Being a booklover and an avid reader, I occasionally enjoy reading and learning more about the English language. I’ve read some great books on the topic over the years and thought I’d share some of them with you below. Let’s start with two Australian books for those with a general interest in the origins and future direction of our […]
I am delighted to say I have been taken on by a new publisher for my latest children’s humorous fantasy, ‘Be Careful What You Wish For’
”Finn is a bored young leprechaun who lives a quiet life with his family and friends in the sleepy village of Duntappin. He wants something exciting to happen, but never having been blessed by the Good Luck Fairy he soon gets far more than he bargained for. When he least expects his adventure to begin, Finn finds himself a long way from home in dire circumstances. Home begins to seem very appealing all of a sudden. Has he any hope of getting back? This is no fairy tale…
This funny and fast moving story filled by weird and wonderful characters will turn all your expectations on their head, but that’s a good thing, because it makes them all the more amusing’
My new publisher is the American based ‘Crimson Cloak Publishing’ The following extract is taken from their website.
‘Crimson Cloak Publishing was created by people who care about our authors, editors, artists, and customers. For without them, we could not exist.
Crimson Cloak Publishing is a new and exciting voice in the publishing industry. Our main goal is to provide quality literature to our audience at a fair price. We publish soft-covers and e-books, currently. Audiobooks and hard cover will come later.’
Click on the link below to check out the great books for sale!
With Harper Lee’s Go Set a Watchman out next month after a 55 year wait, gaps between (the publication of) sequels are the talk of the town. After all, we readers all love it when a great book has a sequel that we can dive into, sparing us the loss of having to leave a new world behind, allowing us to continue being part of a landscape we’ve fallen in love with.
But hang on – in each of these cases these sequels were written after the original author had died.
What about story arcs which have been returned to by the original author after a considerable period of time? 18 years went by between the publication of the third and forth volumes of Ursula LeGuin’s Earthsea series (The Farthest Shore in 1972 and Tehanu in 1990). 23 years after Richard Adams penned Watership Down (1972), he returned with Tales from Watership Down (1996). Alan Garner finally completed his Weirdstone trilogy with Boneland almost 50 years after the second book in the series, The Moon of Gomrath (1963).
It’s not just novels which are sometimes returned to after a long gap. There are several cases where picture book sequels have appear a considerable time after a first book about a given character. There were 9 years between the debut Winnie the Witch (by Valerie Thomas and Korky Paul) and Winnie in Winter (1996). Despite a slow start, there are now 15 books in the series!
There was an even longer passage of time between the first Elmer book by David McKee and the second outing for Elmer although they weren’t quite sequels; Elmer was first published in 1968 and 21 years later a re-written, re-illustrated version came out with a different publisher (Andersen), essentially as a new book. More easily identified as sequels, Chris Van Allsburg’s Jumanji and Zathura were also published 21 years apart.
But the longest gap I can find in the world of picture books, when it comes to time elapsed before a sequel appeared, is 47 years. Rosie’s Walk by Pat Hutchins first appearing in 1968. It’s been 47 years in the coming, but this year finally saw its sequel hit bookshelves, in the form of Where, Oh Where, is Rosie’s chick?
When we first met Rosie the Chicken we delighted as she walked about her farm, managing to avoid being captured by a wiley fox. Was she really entirely oblivious to the vulpine threat as she strutted about? Was the fox simply so stupid he only had himself to blame for his downfall? Great fun is had by the two stories running in parallel and yet intricately entwined. It’s a super joke – the fox isn’t ever explicitly mentioned, and yet without the fox there would be no story.
Fast forward nearly half a century and we meet Rosie just as her chick is hatching. Just as the chick tries to leave the nest, Rosie loses her little one. She searches high and low whilst the little chick faces threats from cats and fish and… yes, foxes, each time being saved serendipitously, by the un-knowing actions of her mum. It’s a funny read, with elements of slapstick, rounded off with reassurance (even the foxes appear only to have been playing family hide and seek), faithfully echoing the original palette and style of artwork. A little bit of nostalgia helps carry the the visual and written stories; the sequel’s ending doesn’t have quite the wicked joy of the original, but can nevertheless be enjoyed both those new to Rosie, and by old friends.
Inspired by Hutchins distinctive art we tried our had at making landscapes through which Rosie and her chick could wander. First we painted swathes and patches of various shades of green and yellow. Once these patches were dry we use leaf and fruit shaped stamps made from modelling clay (plasticine) to created repeated motifs on top of our blocks of colour. Once leaves and fruit were dry we went round the contours with a black permanent pen.
Hutchins herself creates her art in quite a different way creating the line drawings first and adding colour afterwards, but even so, our end results mirrored her landscapes rather pleasingly.
One of the lovely things about returning to Rosie years after I first met her is in the opportunity the sequel gives to reflect on how my life has changed since I first read Rosie’s Walk as a child, and years later shared it as a parent myself. There’s something very comforting about now having the story of Rosie’s chick to giggle over together with my own children. It’s a treat I suspect many parents and children, or even grandparents and grandchildren will enjoy.
But what about you? What sequels have you eagerly waited for? And what sequels (real or only dreamed of) are you or your children still waiting for?
I wonder, however, if perhaps 2015 will be the Year of the Lemur…
Lemur Dreamer by Courtney Dicmas (@CourtneyDicmas) stopped me in my tracks when I first saw it; the bold beauty and energy of its cover, with a silver foil moon is genius. I immediately wanted to know where the lemur is off to, and then I noticed that actually he was in a rather perilous situation (can you see the board he’s stepping off?)…
We all know the power a good opening line to reel us into a story, but with picture books, front covers can have the same task; a single snapshot to seduce us, to pique our curiosity and get us to turn inside. And Lemur Dreamer manages to do that perfectly, drawing us into a tale of an innocent lemur whose habit of sleepwalking takes him on all sorts of adventures but also puts him in danger. He’s got some great friends, however, who keep an eye out for him and come up with an ingenious solution to the trouble he finds himself in.
Dicmas believes her superpower is “drawing crocodile eyebrows“. She certainly has a real knack for fluid, expressive and joyous animal illustrations, drawn with simple outlines and filled with washes of colour, reminding me at times of the brilliant Polly Dunbar. Dicmas also has a self-confessed addiction to the the colour blue, and this gives the book a perfect soothing tone, ideal for a giggly yet calming and reassuring bedtime read.
Harold Finds A Voice, Dicmas’ début picture book, was shortlisted in the UK for the 2014 Waterstones Book Prize and I suspect more official recognition of her work will follow swiftly. I certainly will be on the look out for future books by this talented artist.
Inspired in particular by the shiny cover and one of the interior spreads we turned our hands to creating a Dicmas inspired picture.
First the girls gave their paper a watercolour wash and once dry, they stuck tissue paper on in the shape of simple buildings. On a separate piece of baking paper (tracing paper would have worked too), they drew another row of buildings, in outline with a few windows and other details.
M and J stuck the baking paper over the watercolour-washed paper, and then cut out a moon from silver foil, a length of string for a washing line, and copied the lemur’s legs and a pigeon to stick onto the top layer of their image.
Other activities which could work well alongside reading Lemur Dreamer include:
Drawing on silver foil. The front cover of this book is so alluring with its big silver moon, and that reminded me there’s something quite magical about drawing on silver foil. You’ll need permanent markers (eg Sharpies), and could use foil baking cases instead of sheet foil paper. Here’s some lovely silver foil bunting from Along Came Cherry to give you some ideas to get started.
Playing ‘Follow the leader’. Choose a leader and then get the family/group of children to all line up behind the leader. As the leader moves around everyone behind the leader has to mimic the leader’s actions. Anyone who fails to copy the movement is “out”, continuing until just one person is left behind the leader. This person then becomes the new leader. This could merge into one of my favourite games, doing The Ministry of Silly Walks.
Making your own lemur with a fluffy, stripy tale, using black and white pompoms and a pipecleaner, just like we did here.
What book cover has recently made you stop in your tracks?
Disclosure: I was sent a free review copy of Lemur Dreamer by its publisher.
I have to admit that there have been one or two occasions in my lifetime when I’ve lost a library book.
I’ve never had a reasonable excuse (the overflowing levels of books in my home may be what has swallowed them up, but I cannot use this an acceptable defence). I’ve certainly never been able to claim that any loss was on account of a wild bear hungry for words.
To make good the loss of a missing manuscript, Brother Hugo is ordered by his Abbot to prepare a fresh copy. Having borrowed the neighbouring monastery’s version of the lost text, we follow Hugo as he carefully recreates the book that has disappeared.
All goes well until his journey to return the loaned copy, when he is stalked by a hungry bear…
A historical note at the end of the book quotes from an extant letter written by Peter the Venerable (c. 1092 – 1156, a real-life abbot who published the first Latin edition of the Koran amongst other things):
“And send to us, if it pleases you, the great volume of letters by the holy father Augustine, which contains his letters to Saint Jerome, and Saint Jerome’s to him. For it happens that the greater part of our volume was eaten by a bear.“
Beebe has used this historical fact to build a captivating and funny story. We learn a lot about how books were at one time made including where parchment comes from and how some inks were made. But this is no dry non-fiction text.
Historical figures and settings come to life in ways which make them real and relevant; “The dog ate my homework” is an excuse I’ve yet to hear in real life – a bit like seeing someone slip on an actual banana skin – but it’s an excuse we are all familiar with, and which resonates clearly with poor Hugo and his encounter with the bear. Beebe’s text is perfectly peppered with slightly archaic language, giving a lovely flavour seasoned just right for using this book with slightly older children.
Schindler’s illustration are a delight, drawing heavily on many styles and motifs used in mediaeval manuscripts. Illuminated letters start each paragraph and the finely executed, detailed ink and water colour illustrations contain much humour. As befits a book about hand-created manuscripts, Schindler’s illustrations are completely executed by hand (you can learn more on Schindler’s blog), without computer manipulation, a relatively rare thing these days in picture books.
Text and illustration are both splendid but what truly completes this book is the inclusion not only of a historical note and glossary but also a commentary from both author and illustrator on the inspiration and process of their work. This adds real depth to an already interesting and beautiful book.
Inspired by Brother Hugo we wanted to make our own illuminated manuscripts. Using some colouring-in pages printed from the web as our inspiration we drew outlines for illuminated letters using pencils before going over them with ink.
The inked letters were then filled in with watercolour and a little bit of gold guache before being leather bound.
Completely at their own instigation the girls used a Latin dictionary to find words they liked to write in their manuscripts.
Whilst making our manuscripts we listened to various 12th century music such as this, this and this.
Watching the super, award winning, family-friendly feature length animation The Secret of Kells, which as you might guess from its title is about creating an illuminated manuscript.
This year sees the 10th anniversary of another of my favourite books about books: Charlie Cook’s Favourite Book written by Julia Donaldson and illustrated by Axel Scheffler. Over the course of the next few weeks I’ll be reviewing a few new book-themed book discoveries – but do let me know your favourite picture books which celebrate books and the joy of reading.
Summary : Sixteen-year-old and not-so-openly gay Simon Spier prefers to save his drama for the school musical. But when an email falls into the wrong hands, his secret is at risk of being thrust into the spotlight. Now Simon is actually being blackmailed: if he doesn’t play wingman for class clown Martin, his sexual identity will become everyone’s business. Worse, the privacy of Blue, the pen name of the boy he’s been emailing, will be compromised. With some messy dynamics emerging in his once tight-knit group of friends, and his email correspondence with Blue growing more flirtatious every day, Simon’s junior year has suddenly gotten all kinds of complicated. Now, change-averse Simon has to find a way to step out of his comfort zone before he’s pushed out—without alienating his friends, compromising himself, or fumbling a shot at happiness with the most confusing, adorable guy he’s never met.
Review: Simon has been emailing Blue for some time. And he may be falling in love with him. When the emails are discovered by Martin, he is blackmailed into trying to set Martin up with Abby or risk being outed.
I've had this on my radar a while because cute funny stories with queer characters are definitely right up my street.
I love Simon to pieces. I totally understand where he comes from, with his love of grammar and his ensembling in plays, and his sweet personality. The rest of the characters are just as good. Abby, Leah, and Nick were great friends, Cal was adorable too, and everyone spoke like they should and everyone was real.
I liked the constant mystery of who Blue was, and when we find out, it wasn't who I expected but the scenes afterwards are perfect.
The tone of writing is perfect. There’s many relatable experiences to do with many aspects of teenage life, and it’s done with a mix of thought provoking things and also humour and also seriousness when needed.
It's hugely quotable. I could probably make a tumblr with all the brilliant quotes from this novel. I'm not sure how much I'm allowed to quote without breaking copyright law, so I’m just going to say “read it” and give special mentions to the conversation with Blue from which the title comes from and the bit and "White shouldn't be the default any more than straight should be the default. There shouldn't even be a default."
Only thing that I did not understand: the homecoming scene a quarter of the way through which left me really confused. Luckily, Becky told me what it is (where school alumni come back to play a football game) and my confusion led to amazement that Americans really do take school sports seriously enough to have a parade for these things (I thought homecoming was an excuse for a dance and everything else about it was a myth). This isn’t a major thing in the novel, but it got me for a long time.
This review doesn’t the book justice, because I can’t put into words how brilliant it is. It’s not even one specific thing-just the general atmosphere and the way everything develops just infuses you with happiness. It’s definitely something to reread on a bad day.
Overall: Strength 5 tea to a heart-warming coming of age and coming out story that is best described as a warm, giant hug in book form.
What’s Inside? by Isabel Minhós Martins and Madalena Matoso, translated by Isabel Alves and Bergen Peck is a simple and yet clever, funny and honest look at the very stuff of life; the clutter, the detritus we accumulate in our pockets, stuff into in the back of drawers, let lurk around in the bottom of our bags.
Part spotting-game, part memory-exerciser, What’s Inside is a slice of family life which allows readers and listeners to play detective. First, a double page spread questions what we might find in a given location (including ‘Granny’s beach bag”, your coat pocket and bedroom wall), before we turn the page to find recognisable treasure; old bus tickets, pieces of lego, bits of plastic toy, string, the odd coin, a dirty tissue or two. The prediction game alone is great fun, but Martins has made it even more enjoyable by sneaking in some unexpected items, by posing extra questions which get you to go back and look again at what you’ve found, by making connections which link the different handfuls of bits and pieces pulled up and out into the daylight from where they’ve been gathering those little bits of crud which get stuck under your fingernails.
Replete with opportunities for discussion, laughter and moments of satisfaction (not only from recognition but also as a result of successful discoveries and problem solving), this is a delightful book, with bold and stylish illustrations, which will appeal across a wide age range, and especially to any children who love to collect and hoard, to classify and arrange their special things.
I don’t have a handbag as such, but I never leave the house without my rucksack…
Here’s my kitchen counter; can you spot the samovar, bag of pistachios, and kitchen waste waiting to go to the allotment compost bin?
Somehow showing what is inside my fridge seems like baring my soul!
Can you spot what really shouldn’t be in the fridge??
Creating a museum of clutter (and thereby getting the kids to tidy up bits and pieces stuffed in various nooks and crannies): Get the kids to empty out some of those spaces where things invariably get stuffed (like behind the bed) and lay it out like a museum, labelling the treasure that has been found.
It is with deep sadness that I heard about the death of my hero, Terry Pratchett, today. Terry has played the lead role in the books I read, and write, for many years. The world of fantasy will never be the same without him. Terry had a style and wit that no one will ever be able to replicate, he was a true genius.
I hope that Terry’s personification of DEATH met him with the love and respect Terry so richly deserves. Terry has moved on from the mortal plane, but will live forever in the hearts and libraries of all his fans.
A great man, and a fantastic author. We will not see his like again. My deepest sympathy goes out to Terry’s wife, Lyn, and to his family and friends.
Enjoy your afterlife, Terry. It is very lucky to have you…
Packed with perky Dr Seuss-esque rhyme, Spots by Helen Ward (Spots in a Box in the US) is a very funny exploration of one guinea fowl’s quest for his missing spots.
His plumage is not like the others so he sends off for dotty supplies: he wants to fit in by matching his friends. Boxes of all sorts arrive, filled with spots of different colour and size, but will any of them be spot on and what he thought he needed?
This is an amazingly illustrated, stunningly produced book about how one guinea fowl’s quest to be like all the others leads him to discover that we don’t all need to be the same to get along; smiles, not colour of spots, is what brings us together.
Helen Ward’s text is a delight to read aloud, full of bouncing, lively word play. Her illustrations, detailed and finely painted, zing off uncluttered white backgrounds, giving them a real sense of impact with each page turn. Not only beautiful to look at, they are also funny! From the guinea fowl with a box on his head to his dancing as he wears silvery, sparkly spots, there’s something reminiscent of the great black and white comedy heroes like Laurel and Hardy or Buster Keaton in the bird’s characterisation.
With die cut holes, foil and sparkle, this book has been produced with great attention to detail. The pages are such that you will want to explore them with your fingers as well as eyes as you read or listen (there’s even a spread where you’ll want to get out your pencils and make your own mark – the illustration will lure you in).
Humorous and inventive, with a subtle message about diversity and finding out who you are, Spots is a prize-worthy picture book.
We decided to create our own flock of guinea fowl each with their own style of spots. I created a guinea fowl silhouette which we printed and cut out – you can do exactly the same by downloading this left-facing fowl and this right-facing one (in pdf format).
We then let ourselves loose with spotty and dotty ideas, mixing stickers with printing (corks and lids), using the hole puncher to create mini dots to glue on, ink splats, collage circles, buttons, sequins – anything went as long as it was spotty or dotty.
All in all this made for a rather grand flock – imagine how well this could work in a classroom or group setting?!
Dotty Dimples by G.H.Green/arr.Bill Cahn – for three xylophones!
Other activities which would go well with Spots include:
Dressing up with spots. I know my girls would go mad for a box full of dot stickers and permission to cover themselves in them. I think it would look pretty cool too, especially if they were wearing something monochrome. A perfect rainy day activity!
Using left over plastic eggs from Easter and some feathers to make your own toy guinea fowl, using this image as a starting point (just add spots!)
Joining the dots. There’s a dot-to-dot guinea fowl in Spots, but rather than drawing in the book, why not print off some dot-to-dot activity sheets if you and the kids enjoy joining the dots.
Reading Elmer by David McKee; this is another story with a similar tale about being different and yet finding a way to feel happy.
Do you go in more for spots or stripes? What are your favourite picture books about either?
Disclosure: I was sent a free review copy of this book by the publisher.
Sharing something beautiful which means a great deal to you can be an awkward, even embarrassing thing to do. It can feel like going out on a limb. You take the risk of appearing sentimental and perhaps even slightly loopy.
Quite why this should be the case, I don’t know. After all, in trying to offer a special moment or experience, all the giver wants is for you to feel something of the same joy, calm, delight and warmth. But it’s a vulnerable moment, full of potential for dreams to be trampled on.
As a parent I’ve sometimes found myself in the situation where, just for a moment , I want my kids to take me seriously , to meet me as a friend and to fall in love with what I’ve fallen in love with. Don’t get me wrong, of course I want them to have their own opinions and discover their own places and times of magic. But I also want to gift them moments of golden glow inside them, serve up nuggets of warmth that will stay with them always, through bad times and good when remembering times and places that are somehow beautiful.
It happens a lot with books of course – I’ll start books I loved as a child with bated breath: What will the kids make of them? Sometimes it happens with music, and also locations with views or spaces that take my breath away or inspire excitement or awe.
A father decides that his child is old enough to be shown the universe, and takes him on a night-time walk through the town and out into an open space far from street lights where they can watch the stars together and marvel in the sparkle and space and silence. But what does the child make of all this?
The bright intensity of beauty is made bearable with bucket loads of dead pan humour. An extra pair of socks is needed because – it turns out – the universe is pretty cold (‘“Minus 263 degrees,” Dad said‘). The universe turns out to be fairly easy to find; with echoes of Neverland “the way there was straight ahead and then to the left.” And when they finally arrive at the destination picked out by Dad, “I had a feeling I’d been here before, that this was the place where people walked their dogs.”
Indeed, there is a final twist to the story which brings everyone back from interstellar dreams to everyday reality with quite a bump, brilliantly adding a layer of laughter to a moment of intimacy and affection; Father and child do get to create a special shared memory that will stay with them all their lives, but it may not be quite that which the Dad had anticipated!
Pitch-perfect words deserve exceptional illustrations, and Eva Eriksson’s soft and dreamy pencil work only enriches Stark’s text. Muted tones predominate, with the exception of an intense blue for the night time sky, giving those spreads extra impact. The story is told as a first person narrative – the child retelling the entire experience, and the illustrations also emphasise the child’s view of the world; (s)he is often looking in a different direction to his/her father, picking up on other things of interest, whether that’s the liquorice on sale in the shop or the abandoned trike in the park, I couldn’t help smiling broadly at the different facial expressions in father and child when first they gaze at the vastness of the stars above them.
[I think it is worth noting that although some may assume the child is a boy, the text does not assert this. Indeed, given the first person narrative, there’s no need for gendered pronouns when referring to the child, who could in fact be a girl. This possibility is one of the great things about this story and translation.]
When Dad Showed Me the Universe is a very clever, moving and extremely funny book about parental love. In fact, in sharing it with you here on the blog, I feel a little like the father in this beautiful book. I so want you too to gasp in delight, smile brightly and feel that sense of magic settling on you when you read this. I can’t give you starlight, but I can wholeheartedly recommend you find a copy of When Dad Showed Me the Universe without delay.
The hilarity in When Dad Showed Me the Universe has ensured that it is a book my kids have wanted to share multiple times. But already after the first reading they could see my thinking: Were they going to get to see the universe too?
First I prepared…
A perfect universe-gazing pack
A tarpaulin (to put on the ground in case it is damp)
A camping mat for each person
A sleeping bag for each person
A red torch – we used a back bike light, but you could use a normal torch with red acetate taped over or held in place using an elastic band. By using red light, your eyes will adjust more quickly to the darkness.
Hot water bottles and hats for extra cosiness
This pack was left in the garden shed whilst I kept an eye on the weather forecast for a few days, looking out for a clear night. When one came along, I was all ready to go into slightly crazy mode and tell my kids that even though they had their pyjamas on, we were going into the garden in the dark.
I didn’t take many photos as the idea was to disconnect from all the buzz we normally have going on in our lives, and just to relax watching the stars twinkling.
We were super snug and spent about 40 minutes just gazing, sometimes chatting, sometimes just being quiet.
I’m no good at night-time photography (see above). What we saw wasn’t quite like this…
Photo: Scott Wylie on Fiickr Creative Commons
…but we did all feel a sense of awe and peace in a way that took me by surprise.
We didn’t listen to any music whilst we were outside, but here is a marvellously celestial playlist:
Asking your friends and neighbours for their tips on the most beautiful place they know nearby, and then committing to visiting it. Maybe you’ll discover new places and make new memories. I found even just asking myself (and the kids) what’s the most beautiful place near where I live got us thinking hard and engaged in quite lively and at times suprising conversation.
What’s your happiest memory from going somewhere special with a parent or a child?
Disclosure: I received a free review copy of this book from the publisher.
Out in the depths of the Spooniverse Space Dog is getting read to return home following a long mission sorting out planetary problems in the Dairy Quadrant. Just as he starts to unwind a distress call comes through on his Laser Display Screen. Without a moment’s hesitation our super hero, Space Dog, jumps to and rescues the occupant of a flying saucer drowning in an thick ocean of cream on a nearby planet. But what’s this?
It turns out he’s saved his sworn enemy: Astrocat.
Will they be able to put aside their differences as another cry for help comes in over the space ship tannoy? Will teamwork triumph as they face terror together?
Space Dog by Mini Grey is an anarchic, adrenalin-packed adventure of The Highest Order. Utterly and joyously playful, wildly and lavishly imaginative, this dynamic and delightful journey exploring space and friendship is sublime.
Grey’s witty language, from the hilarious exclamations made by Space Dog (“Thundering milkswamps!”, “Shivering Stilton!”) to the deliciously outlandish names of rare alien life forms (the Cruets of West Cutlery, the Fruitons of Crumble Major) has had us all giggling time and again, even on the 15th reading of Space Dog. Her pacing is timed to perfection, with dramatic stretches interspersed with moments of great relief and humour, drawing readers, listeners, grown-ups, children ever more closely in to Grey’s fantastic, phenomenal universe Spooniverse.
Grey’s illustrations are equally packed with panache. From the detailing given to brand labels and packaging (whether on space food or game boxes) to her powerful use of suggestion (look out for what is almost missing off the page on the spread immediately before Space Dog and Astrocat land on Cheesoid 12, or the shadow redolent with threat as they turn to leave the Cheesy planet), Grey’s illustrations richly illuminate the world she has built to share with us, giving enormous pleasure every time they are returned to.
Although there are echoes of super hero comic strips and silent movies with their intertitles, dramatic soundtracks and expressive emotions theatrically mimed, Mini Grey’s visual and verbal style is truly unique. Spirited and inventive, Space Dog is an outstanding book and fortunately you can find it right here right now in our very own universe.
Every single page turn of Space Dog was met with “Mummy, can we do that??!!”, whether it was making a planet out of cereal packets, coming up with a recipe for supper based on the Spaghetti Entity in the Pastaroid Belt, designing our own version of Dogopoly, rustling up Astrocat’s cake, making spewing tomato ketchup volcanoes, or playing with fondue. In the end we settled for making spaceships for the characters in the book, and flying them over our patio.
We dressed up as astronauts ourselves, making space suits from disposable painting overalls, decorated with electrical tape and completed with control panels from cardboard.
Once appropriately attired we were ready to launch our space ships. Unlike Pop Goes the Page we used nylon bead thread rather than wire to make a zip line, partly because this is what we had to hand, but also because it’s extremely smooth and there are no issues with kinking. One end was tied to the bathroom window, the other to the end of the washing line in the garden.
Soon spaceships were zooming all over our patio…
Later we turned our hand to making hats for a fruit and vegetable parade, inspired by the hat competition which Space Dog has to judge:
Other activities you could try inspired by Space Dog include:
Making space ships big enough for kids (and their grownups?) to fit in. A large cardboard box, a roll of tin foil and some plastic lids or moulded plastic from biscuit boxes is all you need to get you started. (Here’s one we made earlier).
Reading the extraordinary graphic novel Laika by Nick Abadzis. This is more for us grown ups than the kids (though my 10 year old has read it) but I can’t resist recommending it whilst I’ve got a chance.
Would you like to go into space if you had the chance?
Disclosure: I was sent a free review copy of Space Dog by the book’s publisher.
Would you let your child loose with someone whom others might describes as threatening, morally corrupt, gullible, impudent, and very hungry for little people?
I’m guessing not.
And yet with picture books we do that more often than we might realise.
And our kids love us for it.
A great example of this is the newest board book from Gecko Press, a New Zealand based publisher I follow with great interest for they have a very particular eye when it comes to books which do things differently.
Help! The Wolf is Coming! by Cédric Ramadier and Vincent Bourgeau, translated by Linda Burgess, is a wonderfully thrilling and delightfully funny story about a wolf making its way threateningly towards us, the reader and listener. As it gets closer and closer we’re invited to do what we can to stop Wolf in his tracks and save ourselves from his clutches.
Prompted to turn the book to an angle, we cause Wolf to start slipping off the page. By shaking the book, we can rattle Wolf. But can we actually save ourselves, and more importantly, save our children?
Like Hervé Tullet’s Press Here, Help! The Wolf is Coming! pushes the boundary of what we take for granted as a book and how we can interact with the physical object in our hands. It asks questions about how we allow ourselves to play, to let imagination take over whilst we suspend reality. Both Press Here and Help! The Wolf is Coming! encourage us to do various things to the book and these actions appear to have consequences for what’s on the page.
On one level, we are in no doubt that what we’re doing doesn’t actually cause any reaction; A physical book is not like an app, where a tap or a swipe does change what happens. On another level, however, we as readers and listeners have great fun becoming omnipotent, able to shape the story and take control of the book, even if (or perhaps because?) what happens, happens inside us.
Help! The Wolf is Coming! not only tests the boundaries of what it means to be a book and engage with it. It also nudges up against themes which push boundaries. It’s about a wolf who is no doubt full of bad intentions. He’s all jagged edges, his mouth is blood red, his eyes stare strikingly out from the page. If we’re not careful, we are going to be eaten up. And yet I can guarantee this is a book that will be requested time and time again. Even though Wolf is a baddy through and through our kids will want to return to him. And why’s this? Why do we put ourselves through the worry and the fear?
Perhaps it’s all for the peal of laughter and delight that comes with the relief when we realise at the end of the book that we’re safe and in the arms of our loved ones. Just like the thrill of a circus ride, coming face to face with a threat, a big worry, or an enormous fear is all worth it if, in the end, we discover we’re safe.
That said, Help! The Wolf is Coming! will suit fans of Jon Klassen as the ending is potentially ambivalent. The door on the wolf may not actually be locked shut… and what then?
This book is sizzlingly good fun to share. It’s got an enormous appeal across the age ranges (don’t be fooled by the fact that is has been produced as a board book. I challenge you to give it to some 10 year olds and see how they react; I’d place money on a hugely positive reaction). Delicious desire, finely tuned tension, wit, power, giggles and exhilaration are all to be found in its pages. No wonder we’ve all returned many times to this book already.
And returning to wolves is something which Gecko Press has also done several times now. They’ve a whole slew of great books which explore that double edged wonderfulness of wolves – their capacity to simultaneously provide enormous excitement and terrible anxiety – and their ability to make us feel clever at their foolishness.
In addition to Help! The Wolf is Coming!, they’ve published I am The Wolf and Here I Come! (such a great book for children learning to get dressed and one which will end with adult and child heaped in a bundle of tickles and kisses and cuddles), I am So Strong, I am so Handsome (two wonderful books about hubris), Wolf and Dog (a fabulous, gorgeously illustrated first chapter book about heart warming friendship). Noting this apparent predilection for all things lupine I asked Gecko Press publisher Julia Marshall for her thoughts on her wolfish catalogue and why she thinks wolves, despite being threatening, morally corrupt, gullible, impudent, and very hungry for little children are so perfect for meeting in picture books.
Playing by the book:Help! The Wolf is Coming, I am The Wolf and Here I Come!, I am So Strong, I am so Handsome, Wolf and Dog…. what does your catalogue tell us about how you feel about wolves?
Julia Marshall, Gecko Press Publisher: Wolves can be so many different things in a book. The image of a pack of gray, slinky, shadowy wolves is terrifying, isnt it? But what our wolves have in common is that they are all a bit funny. They are busy trying to be frightening, though they are not at all. They are a bit bombastic, a little silly, and it is easy to get the better of them. And mostly they are very frightened themselves, poor things.
Playing by the book: What do you think young children love so much about these wolf characters?
Julia Marshall: I think children love to experience the frisson of fear, safely confined to the pages of the book (In I am The Wolf and Here I Come! on the back cover it says “Snap the book shut to keep the wolf inside”. And when I read it to a child I say: “And isn’t it nice that he has to stay there, all night!”). It is a bit like tickling – sort of nice-not-nice at the same time. But of course one should not take a wolf at face value. A wolf is a wolf, after all, and always a little unpredictable, and it is as well to know that.
Playing by the book:What other children’s books (in particular, picture books) with wolves in do you love?
Julia Marshall: I love Emily Gravett’s Wolves – it has my favourite picture book cover also. Old stories like Little Red Riding Hood and Romulus and Remus are very strong for me too. My favourite French wolf is Loulou by Grégoire Solotareff and I would love for that to be a Gecko Press book.
Playing by the book:Have you any more wolf books on the way?
Julia Marshall: We do! We have a new non-fiction book coming early next year about Wolf and Dog, which includes things about mummies and dinosaurs. It is a great book! I like its mixture of fiction and non-fiction and the humour that is at the heart of it.
Playing by the book:Ooh, great! That sounds right up our street. We’ll be keeping an eye out for it!
Inspired by Help! The Wolf is Coming! my girls and I set about creating our own interactive books with instructions for the readers to make magic happen. We each started with a blank board book: You can buy blank board books ready-made, your can make your own from pressed (ie non corrugated) cardboard, or you can recycle old board books by covering the pages with full sheet adhesive labels which you trim to size, which is what we did.
First we talked about different ways we can physically interact with books and what consequences that could have for their illustrations. Then we mapped out our interactions on a story board and then drew them into our board books.
Front covers and titles followed and now I can proudly present to you:
Here’s an excerpt from my 7 year old’s book:
I’m not going to give away the end of this exciting story, but let’s just say it doesn’t turn out well for Evil Emperor Penguin (yes, if you’re a fan of this fabulous comic you might recognise the lead character )
Whilst making our books we listened to:
Wolf by First Aid Kit
Hungry Like the Wolf by Duran Duran in homage to my teenage years (“What Mum, you liked this when you were a kid? NO WAY!?!”)
Howlin’ Wolf by Smokestack Lightnin’, cause you gotta educate the kids.
Alongside reading Help! The Wolf is Coming! you could look up other wolfy books to enjoy together. Here are some of my favourite:
My thanks go to @AHintofMystery, @jonesgarethp, @chaletfan, @librarymice, @ruthmarybennett, @AitchLove, @KatyjaMoran, @kdbrundell, and @KrisDHumphrey for a stimulating discussion on Twitter around wolves in books for children, especially exploring the notion that wolves in picture books are often depicted as threats (as in many of the picture books above), whilst in books for older children are often depicted as allies (for example in Michelle Paver’s Chronicles of Ancient Darkness, or Katherine Brundell’s forthcoming The Wolf Wilder). Whilst there are exceptions to this generality, we discussed why there might be different relationships with wolves depending on the age of the readership: Wolves as a metaphor for growing sexual awareness – which has (mostly) no place in picture books and is therefore presented as bad thing, but as readers get older it becomes less threatening, wolves as a cipher for independence, growth and maturity, and / or our relationship with wolves shifting as we grow up, as we become bolder and more interested in (or at least less threatened by) unpredictability. No doubt there’s much more that could be unpicked here, but it was a really enjoyable conversation and I’m really grateful to everyone who chimed in.