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Viewing: Blog Posts Tagged with: focus, Most Recent at Top [Help]
Results 26 - 50 of 141
26. Drains in Disguise

messI was wrong–again.

For twenty years, I’ve told students and wannabe writers that you have to put the writing first! Do it before other things take over your day.

Fight the impulse to clean your kitchen first, or straighten your office, or clean up the mess the kids made before leaving for school.

“But I can’t work in chaos,” writers protest.

You know what? Neither can I anymore–at least not well! And when I force myself to, the work is doubly tiring. Doubly stressful. Much less satisfying.

Energy Drains in Disguise

Something I read today made me realize my advice might be a tad off. Not wrong altogether, since if we don’t make writing some sort of priority, we won’t do it. However, to eliminate energy drains in your life, you need to look at the whole picture. Certainly all the things you do in a given day take your energy. Every action you take on your lengthy “to do” list uses energy.

What you may not realize is that actions you don’t take use energy as well. Your disorganized office, the piles of laundry on the bedroom floor, the stack of bills to pay, the two birthday gifts to buy, the clothing needing repair–all this drains your energy reserves as well. It happens whether you are looking at the unfinished business or just thinking about it.

It siphons off energy that could be used in a much more positive way. “These items on your mental ‘to do’ list, the ones you’ve been procrastinating about, distract you or make you feel guilty and drain the very energy you need to accomplish your goals.” (So says Cheryl Richardson in Take Time for Your Life.)

NOT an Excuse to Procrastinate

Taking care of the unfinished business that nags at your mind–and keeps you from feeling like you can settle down to write–may be necessary before you can tackle your writing assignment. Don’t go overboard though, or you’re just procrastinating. Washing the dirty dishes is one thing–taking time to replace the shelf paper in your pantry is something else.

Figure out the things that you MUST have done to feel at peace in your environment, and do those things ONLY. (It helps to do as many of them as you can the night before too.)

Eliminate the chaos in your environment, and you’ll eliminate a LOT of the chaos that blocks your writer’s mind. Now…off to clean my office.

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27. Inner Critics and Time Wasters

criticWriters are opinionated people.

Our brains never seem to stop. We criticize because we “know” how things and people should be. This “critical editor component” of our personality is absolutely invaluable to the editing and revision process. If you can’t spot what’s wrong with a manuscript, you can’t fix it.

However, this same critical ability can cause writers to actually lose focus, allowing their writing hours to slip away with little or no work done.

Think About It

Many of us go through our daily lives with our internal critic or editor in charge. We don’t see the person right in front of us as he or she is (which may be perfectly fine.) Instead, that person reminds us of an ex-spouse, and we “see” characteristics that aren’t there. Stress!

Conversely, we think the person in front of us is “supposed” to be kind and supportive (our inner definition of parent/spouse/child/sibling). And yet many such relationships are anything but, leaving us hurt and upset because they should be supportive. More stress! Life rarely satisfies a person who lets the “shoulds” run his life.

Do we spend our time “shoulding”? We don’t see a child who is happily singing at the top of her voice. (That child should be more quiet in the store!) We don’t see an interesting shade of purple hair. (That teenager should resemble a miniature adult instead.) We don’t see the predator or user sometimes either–because trusted family members shouldn’t be such things. Our “shoulds” and “shouldn’ts” color everything we observe.

Change Your Perspective

Our inner editor sometimes keeps us from seeing what’s in front of us. We are constantly “revising” the facts. So what’s the problem with that? You can’t accept–and get peace about–what you can’t honestly see or face. You stay stirred up–a condition rarely suited to being creative. Sometimes the simplest solutions evade us because we’re all riled up inside.

It reminds me of a story (you may also be familiar with) about “The River and the Lion: After the great rains, the lion was faced with crossing the river that had encircled him. Swimming was not in his nature, but it was either cross or die. The lion roared and charged at the river, almost liondrowning before he retreated. Many more times he attacked the water, and each time he failed to cross. Exhausted, the lion lay down, and in his quietness he heard the river say, “Never fight what isn’t here.”

Cautiously, the lion looked up and asked, “What isn’t here?”

“Your enemy isn’t here,” answered the river. “Just as you are a lion, I am merely a river.”

Now the lion sat very still and studied the ways of the river. After a while, he walked to where a certain current brushed against the shore, and stepping in, floated to the other side.

Control What You Can: Yourself

We also can’t gain peace of mind and the ability to focus unless we’re willing to give up trying to control everyone and everything in our environment. We spen

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28. Can You Compartmentalize?

blindersfWhen re-reading Getting It Done by Andrew J. DuBrin, PH.D., I came to a section on dealing with procrastination. One suggestion is something I’d like your feedback on.

He said you can make progress with procrastination if you “compartmentalize spheres of life.” He says that if you have multiple demands on your time that seem overwhelming, “mentally wear the same blinders placed on horses so they can concentrate better on the race and not be distracted.”

Box It Up!

I would love to be able to do that on a regular basis! Are you able to compartmentalize? I agree with the author that procrastination is more tempting when multiple demands are swirling and competing in your mind.

I think that male writers have an advantage here. They seem able to put things in boxes, tape the lids shut, and then deal with one box at a time. (I know this for a fact because I can tell when I am being put in the “wife” box!)

Women, however, mix things up. Our concern for our child’s health or marriage problems or a sibling’s financial crisis “bleeds over” into our writing time. And we tend to feel guilty if we’re happily typing away while a member of our family is in trouble or needs us.

‘Fess Up

So…please share your wisdom with me. Men, if you can explain how to put things in boxes or make blinders work, please advise. Ladies, if you’ve figured out how to push aside your other concerns while you write, please share.

I bet we could all use some tips!

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29. Taking Effective Action

actionIn the August edition of Randy Ingermanson’s free (wonderfully  helpful) newsletter, there was a link to a free e-book describing a new time management system Randy is using. (For back issues of Randy’s newsletter, go here.)

 Since “free” is one of my favorite words, and I’m always looking for ways to manage my time better, I downloaded it to skim.

Hooked!

Skimming quickly turned to reading carefully, and soon I’d read the whole 57-page e-book by Jim Stone called Clear Mind, Effective Action. It deals with the subject of “fractal planning.” Fractal has to do with breaking something large into smaller parts. (You can get the free e-book here.)

In some ways fractal planning is unique, and some parts are a combination of the best time management ideas from the past twenty years.

In the free e-book, the author explains how to implement his system on your own (on paper or spreadsheet or Word document), if you don’t want to subscribe to his service. (I’m using a Word doc–for now–to see how it goes. I have to admit that–so far–it has boosted my productivity and ability to focus significantly.) If you’d like to go directly to the Fractal Planner page and check out the features, you can do that here.

If you try the fractal planner or read the e-book, let me know. I’d like to hear about your experiences–plus or minus–if you try it out.

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30. It’s All in the Numbers

numbersHere you go! Seven ways to help you get the writing done–and sold!

6 Things You Should Know About the Publishing World

7 Deadly Sins of Writing

5 Reasons Why You Need to Get Better at Saying ‘No’

10 Essential Rules of Poetry

7 Things Agents Want to See in a Query, and 9 Things They Don’t

7 Steps to Getting Unstuck and Becoming More Productive

3 Benefits of Building Your Own Platform

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31. How NOT To Be Taken Seriously

respectIf you take yourself seriously, you will be taken seriously.

A common complaint among new writers is that friends and family members don’t take them–or their writing–seriously.

I tell them–truthfully–that the main thing they need to do is convince themselves that they are serious about their writing. Others will pick up on that attitude and start giving them the respect they crave.

Do You Need An Attitude Fix?

If you’re a self-employed, freelance writer, you’re in business. You’re creative–true. But you’re still in business if you want to make income from your writing. And often it is poor business attitudes that keep others from taking you seriously. Do an attitude check with the list below.

Are you harboring these unhelpful attitudes?

1) The “I’ll work when I please” attitude–Most of us are drawn to self-employed writing because we like the idea of being our own bosses. We can work when (and if) we so choose. But if you take this attitude to mean you can meet deadlines if nothing else comes up, you’ll never be taken seriously. It’s one thing to let an editor know you won’t be able to meet a deadline because you’re in the hospital and both arms are in traction. It’s quite another to miss a deadline because you’re hand crafting mini pinatas for your daughter’s birthday party.

2) The “I don’t have the money to be professional” attitude–You have to invest money to make money, say the experts. For example, if you’re advertising your resume-writing business with a brochure, get a good printer or have them professionally done. During the early years, I never had a publisher willing to foot the bill for flyers or bookmarks or other advertising. It came out of my pocket. [This is where I differ from the experts though. I didn't put anything on a credit card. I have a horrible fear of debt.] Since the family needed my book advances to live on, I would do “extras” to get whatever money I needed to run my office: an extra speech, an extra workshop, an extra critique. And when the “extra” money ran out, I stopped. Perhaps if I had been willing to put things on credit or had more expendable income, I could have increased book sales faster. I don’t know. But I do think you have to spend some  money to get established, even if it’s just for paper and ink. [That was me--I already had my husband's old college typewriter.]

3) The “I can’t charge more” attitude–Sad, but true. People tend to value what they pay for. Dogs that people pay big bucks for are treated so much better than free dogs from the pound. While you may choose to write or speak for free very early in your career, don’t let that period last long. [The only free stuff I used to do were talks at my children's schools as my parental/community contribution. I never wrote for free that I can remember. Even now, if I critique for free, it's because I'm trading with a writer friend who is giving me a free critique also.]

Early in my career I complained to another (more experienced) writer that I didn’t appreciate some of the disrespectful treatment I got at certain schools. Her reply? “Triple your speaking fee. You work too cheap. They’ll value you more.” With much fear and trembling, I did it. She

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32. Writer’s Block Revisited

After a couple months this spring of unexpected work and lack of sleep, I’ve found myself battling severe procrastination the past few weeks. I’m getting rested up, but I’m so out of the writing habit that getting started has become a big issue.

Luckily I can usually find a resource on my own shelves!

(FYI: After you finish this post, you may want to read my article on writer’s block called “A Block by Any Other Name…”  at the Absolute Write website .)

A Different Take on Procrastination

One such resource is a book Kurt Vonnegut called “as well researched and helpful a book on writing as I’ve ever read.” It’s Write: 10 Days to Overcome Writer’s Block. Period. by Karen E. Peterson, Ph.D. [See Amazon's great used prices for this book!]

From the author’s website: “Writers want to write, but often find themselves whirling through cyberspace, glued to HBO with a box of doughnuts, careening off to the nearest Starbuck’s, and/or carving out last week’s fossilized spaghetti from the kitchen table.”

Sound familiar? This is what Dr. Karen E. Peterson— who has overcome writer’s block herself—calls ‘the write-or-flight response.’

Write? Or Flight?

In this revolutionary book, a psychologist and novelist presents an effective way to outwit writer’s block. Based on “new brain research and sound psychological principles,” this innovative program shows writers how to conquer writer’s block using:

  • Exercises to conquer the “write-or-flight” response
  • Techniques to create that elusive “writing mood”
  • Parallel monologue and interior dialogue to jumpstart the writing process
  • Checklists to see which side of the brain is blocking you

I fully recommend that little book because it worked for me. (I realize that it doesn’t mean it will work for you, but I think it’s worth a try if procrastination is an issue for you.) It explained the actual physical reasons why certain types of blocks occur–and what to do about them.

(Now, off to read “A Block by Any Other Name…” )

Before you go though, do YOU have a favorite block buster you could share?

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33. Surrendering to the Call

surrenderDo you believe you are called to write? Or do you suspect you are?

If that’s true, why aren’t you pursuing your calling?

Food for Thought

This weekend I started reading Callings by Gregg Levoy, the author of a very practical book for writers called This Business of Writing. In Callings, he said some thought-provoking things that gave me pause.

I started writing thirty years ago, and until six months ago, there were many reasons why I couldn’t give my all-out devotion to writing: a full-time day job of teaching, raising four childrlen, multiple jobs in the church and community, serious health problems and surgeries, etc. But last fall I retired from teaching, my children are grown, and I can decide how much I babysit grandchildren and how much volunteer work I do. It’s a time I’ve been anticipating for three decades.

So…am I pursuing my writer’s calling with full devotion? I want to. I dream about it. I can almost taste it sometimes. But do I do it? No.

Why?

I’m not sure, but these quotes from Callings are helping me ask the right questions. Maybe these ideas will help you too.

  • “Although we have the choice not to follow  a call, if we do not do so,..we’ll feel alienated from ourselves, listless and frustrated, and fitful with boredom, the common  cold of the soul. Life will feel so penetratingly dull and pointless that we may become angry, and turn the anger inward against ourselves (one definition of depression).”
  • “Generally, people won’t pursue their callings until the fear of doing so is finally exceeded by the pain of not doing so.”
  • “Perhaps the main reason that we ignore calls is that we instinctively know the price they’ll exact.”
  • “All calls lead to some sacrifice because even just one choice closes the door on another, and some calls lead to much sacrifice, which may feel anything but blissful.”
  • “At some level we need to devote everything, our whole selves. A part-time effort, a sorta-kinda commitment, an untested promise, won’t  suffice. You must know that you mean business, that you’re going to jump into it up to your eye sockets and not turn back at the last minute.”

Will the Rubber Meet the Road Now?

I’ve had thirty years of (by necessity) a “part-time effort” and “an untested promise.” Now that I have the time and could choose to do so, will I “jump into it up to [my] eye sockets”?

Is the pain of not doing so finally more than the fear of trying? Yes, I think so.

How about you?

[If you've decided to surrender to the c

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34. Bulldozing The Mental Roadblocks

There are times when the creative juices just aren't flowing. Usually that's because "we" are distracted by outside influences, such as money, lack of time, stress or just having to do too many things in too little amount of time. "We" can cave into this and become totally useless in out attempts at productivity, or we can get ourselves on track somehow.

When I was a little kid, I loved monster movies... the classics, like Frankenstein, Dracula.. all the old black and whites... like I said, The Classics. The problem with this, was that when I went to sleep, my imagination was in overdrive to the point of getting nightmares featuring said monsters. To save my parents from running into my room in the middle of the night, I developed this little trick of forcing myself to think of the monsters on purpose, and then mentally creating a huge bulldozer that would push them out of my head. Sounds a little wacky, but it worked for me.

It worked so well, that I used now as a cartoonist to force myself to focus... no lie. If I'm distracted by the Money Monster, the Too Many Projects Monster, or the I really need to kill this particular person Monster, I use the bulldozer trick. I envision a "force" in my head to just shove aside all the non creative things cluttering it up... put on some rock n roll (again, the classics), grab some green tea and get down to business.

So the next time you can't focus... get on your mental bulldozer, crank up the tunes, get your caffienated beverage of choice, and do what ya gotta do. Just sayin !

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35. Efficiency Found Here!

efficientAll writers are looking for time-saving strategies and tips to increase their productivity. With school getting out in a month, many writers need to streamline both their writing life and personal life. If this is YOU, you’re in luck!

If you have June’s The Writer magazine, read Kelly James-Enger’s article called “10 ways to work more efficiently.” And for some free articles on this subject…

Start Clicking!

Other Writer articles online filled with tips to improve your efficiency–and give you more time to write–include:

Reading these articles should give you several ideas to try. I found a couple I intend to put to work immediately!

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36. The Right Conditions for Creativity

creativityCreativity is a mysterious concept to most of us. We don’t really understand what it is, where it comes from, why it leaves us, and how to make it “work” consistently. We give it a lot of power because of this.

Coaxing Creativity

However, says the author of The Soul Tells a Story, “if I know from experience that inspiration arrives under certain conditions, I will make sure to re-create the conditions that invited it initially. Thus my early experience comes to determine how it is I will work.”

After our vacation took an unexpected turn, I’ve had more time to reflect this week than the past five years combined. For four blissful days, I had no Internet connection, nowhere we had to be, plenty of books to read, places to walk, and time to think. I hadn’t really realized what an incredible luxury this is in the fast-paced world in which we live.

How Things Have Changed…

Because of marketing demands the last five years–both online and elsewhere–the writing life has been a bit frantic. I don’t know about you, but frenetic activity is not conducive to coaxing out my creativity. That much I already knew. But I hadn’t given much concentrated thought to what things did work for me.

Each writer is different. I know writers who must be surrounded by noise and people or loud music in order to write. I am just the opposite, preferring quiet and solitude when I can get it.

If you’re not sure what conditions are best for you, think back to when you started writing. How did you work best then? What conditions did you just naturally create for yourself? What are the non-negotiables you must have for your creativity to flourish?

Take a Self-Inventory

Here are some things to consider:

  • Before writing, do you need some quiet time to think, meditate, or pray?
  • Can you write at any time of day–or only at certain times?
  • Can you write any place–or do you need your “office” to be the same each day?
  • Can you write in tiny bits of time–or does your creativity absolutely require large chunks of time? Does it vary depending on the stage of your book?
  • How much socializing do you need in order to be your most creative? (This includes time with writers and non-writers alike, time to “talk shop” and time to just have fun.)
  • When you are stuck, does it help to read a book on craft (viewpoint, research, inspiration, etc.) to get your creativity flowing again?
  • Does reading other writers’ books help you be more creative–or does it make you feel anxious as you compare yourself to them?
  • Do you need a healthier diet or more sleep for your creativity to be at its peak? Or do you work best on short naps and skipping meals?
  • What kind of critique at what point in your project is helpful? What kind is the kiss of death to your creativity? (When is your ego more fragile?)
  • Do you work best with a deadline, or do deadlines make you freeze up? Do you do well with six-month deadlines but choke on series deadlines set every two months?
  • Can you be creative when dealing with emotional upset? Do you need to solve family problems before you can settle down to write?

Take Time to Know Yourself

As we’ve said before, just because conditions aren’t perfect doesn’t mean you can’t be creative. We’ve all had to produce work under some appalling conditions. But if you have a choice, it’s lovely to set up your life and home and schedule a

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37. Knowing When to Quit

quitWe don’t like to talk about quitting or giving up on our dreams. But let’s be honest. Will every wannabe writer eventually land big contracts,  snag a well-known NY agent, and be sent on ten-city book tours? No.

Maybe your dreams are more modest, but you’ve worked at breaking into publishing for years. Should you continue the struggle? For how long? How do you know when to quit?

Asking the Wrong Question

I came across an excellent discussion from a blog post that is several years old, but the advice is timeless. Called “When to Quit,” it’s a lengthy article by Scott Young on this subject. I hope you’ll read it to the end.

One factor the article said to consider was how you feel on a day-to-day basis as you pursue your dream. How is the process affecting your life, your character, your growth? “So if you are pursuing your dream and you don’t think you are going to make it, the question of whether or not to quit doesn’t depend on your chance of success. The real question is whether pursuing this dream is causing you to grow. Does this path fill you with passion and enthusiasm? Do you feel alive?”

You may not agree with all his views, but I guarantee that the article will make you think–even if you have no intention of quitting. It might lead you to make a course correction however. And it will make you evaluate why you’re pursuing your particular dream–and that’s always a good thing!

If you have a minute, give me your reactions to the ideas in his article.

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38. Principles of a Creative Life

candle“The healthy creative life is an intentional life, in which the person examines options and opportunities, necessities and desires, and makes his or her choices accordingly.”

 ~~(Vinita Hampton Wright) in The Soul Tells a Story

 

If you took time to ponder and write down answers to the questions posed in Monday’s blog, you gained a lot of information about your dreams and gifts. That knowledge is important. But knowledge alone isn’t enough. You must be intentional in using this knowledge to develop your creative life.

A Writing Life on Purpose

The healthy creative life involves practices that help further develop your gifts. If you want to write, you have the responsibility to develop practices that help you grow. (You also need to get rid of habits that hurt your writing–but that’s another post!) You can (and should) set goals, design rituals to help you get started (light candles, make tea, put on music) and form habits that help you both start and continue writing.

Here are some questions for you to answer to examine this part of your life. Even if you’ve been writing for a long time, I’d suggest answering the questions based on where you are now. I found them very helpful myself. Without meaning to, we can get off-track, our life circumstances can get us off course, or we might never have given this sufficient thought to begin with.

Now’s the Time!

Here are some more questions from The Soul Tells a Story. Brainstorm answers in your journal.

  • How intentional (using planning or goals) have I been about developing my creativity?
  • What opportunities am I looking for–and are these options open to me?
  • What qualities do I want to nurture in my personality and lifestyle that will allow me to use my gifts in my writing?
  • What rituals or practices always seem to work to help me do my writing?
  • What other rituals and practices that I’ve heard about would I like to try?

It’s time to make some intentional choices! We won’t grow as writers unless we intend to grow and choose to grow. What’s a “growth choice” that you might like to make–and implement–very soon?

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39. What Am I Called to Write?

wfa-book2-900x1200-borderAnnouncement first, then today’s blog post… For those who wrote and asked when More Writer’s First Aid would be a print book, you can now buy a trade paperback at Amazon.com. Many of you are just like me–and still prefer a non-electronic book to hold. Comments from reviewers and bloggers can be found on my website.

 

What Am I Called to Write?

callingDo you have a writing gift? Do you have a knack with words? Do you feel an  inner desire to write? Most of you who read this blog said a resounding “yes!” to those questions a long time ago.

And yet, one of the most common email or conference questions I hear is, “How do I know what I’m supposed to write?”

So Many Possibilities!

Sometimes the confusion is about subject matter. Should you write homeschool educational materials? Tips on raising children?Picture books that help preschoolers overcome fears? Humorous books to make teens laugh?

Sometimes the question involves age groups. Should you focus on preschoolers,early childhood, lower or upper elementary, YA, adults? Should you zero in on one age group or be flexible, writing for all ages?

Sometimes we wonder about form. Should we try a verse novel? Rhyming picture books? Series fiction? Nonfiction with photographs? Hardcover stand-alone novels?

Clues to the Answers

The following set of questions from The Soul Tells a Story by Vinita Hampton Wright are some ways you can explore those questions and perhaps find some answers. Take time with each question–each one serves a particular purpose.

  • The activity that gives me greatest joy is…
  • The good qualities that best describe my life are…
  • The help that people often solicit from me is…
  • The part of my personality that I would most hate to lose is…
  • The work that is most satisfying to me is…
  • The activity that I feel drawn to, even when it’s scary, is…

Finding Your Writing Niche

When I began writing thirty years ago, I only knew two things: I loved to read, and I loved my small children. I read the ICL ad and something went off inside of me, like a little burst of fireworks.  Me? A writer? Neat!

But what kind of writing?

I assumed

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40. Acting AS IF

acting(First re-read the post The Thought-Feeling-Behavior Cycle.)

After a couple of busy weekends (writing conferences to speak at) and other events, I was finally able to sit down for a lengthy time yesterday and write. Or so I thought.

I sat down all right, but once I finally had an uninterrupted moment to think, a certain situation that has been bothering me for months came flooding back. I couldn’t concentrate on my novel, and I was up and down. I walked. I ate. I sorted laundry. I worried. I ate some more. Later in the day, I Skyped a friend. But I didn’t write until…

Ah, Yes, I Remember

I picked up a book by Kelly L. Stone, author of Living Write: the secret to inviting your craft into your daily life. I flipped through it and landed on the chapter called “Acting As If.” I knew this was a phrase from my old recovery group days basically meaning “fake it till you make it.”

I reviewed the thoughts-feelings-action cycle. Since my thoughts were unruly, and my feelings were haywire, I figured that “acting like a writer anyway” was my best option. I read her chapter on “Acting As If.” Here are a couple snippets to think about:

  • People draw conclusions about themselves through observation of their own behavior just as they draw conclusions about other people based on observation of their behavior.
  • Simply act a certain way based on your ideal Writer Self-Image, and over time, you become what you are acting.

Attack that Cycle!

A licensed professional counselor, Stone had many practical suggestions about how to act “as if” you’re a confident writer, act “as if” you’re a self-motivated writer, act “as if” you’re a self-disciplined writer, act “as if” you’re a future-focused writer, and act “as if” you’re a task-oriented writer. [I definitely recommend her book.]

I used one suggestion in the “task-oriented” section, acted “as if,” and got to work. Even though it was later in the day, I had the evening free and ended up with one of the most productive writing days I’d had in a long time. (I’m re-reading that chapter first thing today though!)

Don’t give up. We’re all in this together, and I’m grateful for writers like Kelly Stone who share what works!

[NOTE: Thanks for the inquiries about the release date for the paperback of More Writer's First Aid. I thought it would be yesterday, but it looks like this weekend. I will certainly let you know!]

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41. Fiction’s Magic Ingredient

magic[Back in December I told you about an online writing class I planned to take. I promised to follow up on it when it was over. This is my review.]

I just finished Jordan Rosenfeld’s eight-week online writing class called “Fiction’s Magic Ingredient.” She’s the author of that very helpful book Make A Scene: Crafting a Powerful Story One Scene at a Time.

Here’s the class arrangement: there was material to read each week, then send-in assignments (usually two assignments ranging from 500 to 1000 words long) which Jordan critiqued and returned within a few days. We could write new material or apply the lessons to a work in progress (which I did). [More about the class below.]

When I first read through the exercises Jordan wanted us to do, I tried them out in my head, and they sounded easy. On paper, though, it was a different story!

The Rubber Meets the Road

Heather Sellers (in Chapter After Chapter) remarked on this phenomenon. “A failing we writers have is that we confuse the voices in our heads with writing; we tend to do exercises in our heads because thinking and writing feel so closely related…What’s in your head does not count, not for sculpture, not for book writing. Pencil on paper is what matters.”

The work we all did for Jordan’s class reminded me of such writing exercises. I often read the exercises and think I understand and will be able to whip it off in no time flat. Not so! 

Even after revising each assignment several times, Jordan’s insightful critiques came back with more suggestions on how to take the concept further, go deeper, weed out the clichés, and much more.  I felt challenged–and grateful that I got my money’s worth. I have gone on to apply the lessons to my novel this week.

Comparing Prices

I don’t mean to over-emphasize the money issue, but most of us need to get the most bang for our buck that we can. I was comparing the cost of Jordan’s class (I signed up early to get her discount) and was very pleased with what I received.

The material sent each week (5-6 single spaced pages) was new material, not excerpts from Jordan’s excellent Make a Scene book. The new material built on that. The amount of critiquing we received really surprised me. It was much more than you get at a writer’s conference where you pay extra for a faculty critique.

Last year I signed up and paid for (in advance) two writing conferences. The cost of each conference (not including hotel room or food) plus the personal critique (which was extra) was as much or more than Jordan’s online class–and you got much less for it, in my opinion.

So Flexible!

The other thing I noticed was related to health and family issues. About the two conferences I signed up for last year: I had a family emergency during the first one and was running a fever the other time–and missed b

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42. Why Entering Contests Boosts Writing


When I took my first fiction writing course in college, the professor compared our weekly writing assignments to a contest. On Mondays, we received a word count and a theme. During class time, each of us roadmapped a perfect plot, played with character development, created a distinct mood.

On Friday, we handed our (usually) handwritten stories to the person on our left for their consumption (or condemnation, depending on the student). Occasionally, we'd read aloud to the rest of the class. By the following Monday, professor would select a winning story of the week and share it with us.


I never won. But, this method of instruction - hours filled with nothing but writing and honing the craft - provided one of the greatest lessons about the writing contests: competition develops writing skills.

Why should YOU enter a writing contest? I'll share four lessons I learned:

  1. Guidelines offer focus. Writing within parameters forces you to focus on your message. Word baggage is eliminated and the piece forms a tightly-written story. A theme provides focus, but it does not limit your imagination. Creativity in plot and word choice are limitless! Even genre-specific contests let you stretch your writing prowess by crafting a new world or twisting history.


  2. Attitude is everything. Did I stop writing when I didn't win in class? Heck, no. I never gave up. Instead, the competition and my lack of "prized success" pushed me to develop my craft by tuning in to what wasn't working in my stories. I never viewed those works as failures. They just weren't what the instructor was looking for. A positive attitude makes a difference, and I was positive to continue trying!


  3. Contests give writers permission to write. If you're set on entering a contest, you've given yourself permission to schedule time to write. Sometimes outside forces control the amount of time we dedicate to our craft, but knowing you have a deadline and plan to enter your best work gives you the say-so to make time to write.


  4. Writing increases confidence. I've entered several poetry contests and I've experienced some success. It's a confidence boost! Even when I didn't win the grand prize, I made fantastic discoveries: what judges are looking for, what writing styles do or don't work, how other writers approach the challenge. These lessons also boost belief in my work.

Entering a writing contest may be a big step for a writer, but it's an action that will enhance your writing.

by LuAnn Schindler. Read more of LuAnn's work at her website. Graphic design by LuAnn Schindler

43. No Apologies

I recently got a(nother) rejection for one of my manuscripts. I've really struggled with this one because of all my stories, it's the one that I feel is the most ready to hit the shelves. Yet it gets no love, and no feedback on why. I've picked the thing apart, looking for big picture items, recurring issues--anything to explain why it keeps getting rejected. And then it occurred to me. Maybe the manuscript itself isn't a problem. Maybe the problem is in my perception of my manuscript.

See, my story is a sweet historical fiction. Not edgy or dark.

Sweet.


I'm embarrassed to say that it took me more than a few tries to type that sentence. Why? Because while sweet is okay, it's ofted used interchangeably with saccharine, sugary, and bubble-gum, which are not. Because much of what's popular and successful today is dark and edgy, which my story most definitely is not.

But here's the bottom line: if I want to find the right agent and publisher for my story, I have to know who to target. In order to do that, I have to know exactly what kind of book I have. In order to do that, I have to be able to define my story objectively and honestly.

Moving forward, I will continue to look for agents who like historical fiction, specifically those who have recently acquired historical fiction projects. But I will also be looking at what kinds of stories they've acquired. If they're all dark, my story probably won't appeal to them.

So know thy story, fellow writers. Don't apologize for having written a sweet story, or one without vampires, or a western instead of a dystopian or an urban fantasy. Embrace your story and you'll have a much better chance of finding the perfect home for it.

58 Comments on No Apologies, last added: 3/9/2011
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44. Why Write Daily?

writeThere is a famous quote: “If you take one day off writing, your muse will take off the next three.”

In other words, it will take you three days (after skipping writing) for you to get back into the flow of your writing project. Even taking one full day off will cost you in focus.

I don’t know why this is, but when you finally get back to writing, you can expect some uncomfortable, not-fun writing days, producing stuff that stinks. Several writers I’ve read lately say that if you’ve been away from your writing for a week or more, you can expect about ten days of writing that is no more fun than getting teeth pulled when you start again.

When I say “away from your writing,” that’s what I mean too. Sometimes–and I am sooo guilty of this–we fool ourselves that we’re writing when we’re:

  • Reading a writing magazine or blog
  • Marketing a story (looking for publishers, printing copies, going to the post office)
  • Blogging
  • Journaling
  • Answering email to writers, editors and family members
  • Speaking at writer’s conferences
  • Going to book signings or book store readings
  • Posting to Facebook or Twitter

That’s not the kind of writing I mean. Those are writing-related tasks, and writers today have more and more of them, it seems. They have to be done. But they don’t take the place of writing.

In the Flow

To stay in the groove, so to speak, you don’t have to write for hours and hours every day (although hours are lovely and the more, the better.) I have found that if I work on my novel for even twenty minutes a day, I can avoid that horrible getting started angst the next day. And I don’t have to waste time trying to remember where I was, what the characters were feeling, what the plot problem was, or that new insight I realized about the theme. Our brains seem to be able to hold onto those things for about 24 hours.

As Heather Sellers said in Page by Page, “I try to avoid missing days. The not-writing days aren’t worth it! It’s too hard to get back into it. This is why athletes cross-train off season. This is why people who are successful with weight management stay below a certain weight. It just isn’t worth it. Getting back into shape is just too hard. It is easier to keep doing it, tiny little writing periods, day after day. Without missing a day.”

Too Late?

What if you’ve already missed a few days, or weeks, or months of writing? Then start again. But you can also take this to the bank: your writing will stink, you will hate it or question your story or your talent or your motives, you will feel self-indulgent, and writing for twenty minutes will feel like hours. But this really uncomfortable period is usually necessary. That’s the bad news.

The good news is that-if you stick it out for about ten days straight-it will pass. The muse will return, the writing will be fun again, you’ll realize how much you missed it, you’ll love your writing rituals and routine, and you’ll wake up eager to write as you did in the past.

Once you regain that wonderful writing state, do everything you can to maintain it. If you know you have a super busy day tomorrow, set your alarm twenty minutes earlier and write before the day takes over. It doesn’t take much writing to stay in the flow-not nearly as much as it takes

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45. Make Writing Easy

funFirst of all, thanks for all the terrific book recommendations. I have compiled the list and plan to read through them! To thank you properly, I’m going to recommend one of my favorite books to you.

I realized over the weekend that there was a fourth benefit to being sick for ten days. Since I was too contagious to leave the house the first week, I read through my favorite books on writing. I own a lot of writing books, and I underline heavily, so mostly I re-read my underlined parts.

Sounds Heavenly

One book captivated me (again), and I re-read it cover to cover (slowly). Let me quote the first few lines of the introduction, and you’ll see why:

“How to stay limber, how to make the writing not grim, how to enjoy writing. How to make room in real life for a writing life. These are my goals. Are they yours, too?

I want my readers to be able to set up a positive, happy, easy writing life. One that is fun. I believe you can (and fairly quickly) create a writing life where the writing process itself is so enchanting and delicious, you want to write. You go to the desk willingly, stresslessly. In my dream vision for your writing life, you don’t have to make yourself write. It’s not work. It’s not tedious or punishing. It’s what you do.”

Doesn’t that sound like a heavenly writing life? The quote is from a 2005 book by Heather Sellers called Page after Page. It’s food for your writing soul.

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46. Writerly Lessons Learned

sickBeing sick for ten days recently taught me some lessons.

1) I’m too busy. It’s no wonder I have trouble getting any writing done, much less enjoying it. I’ve noticed for months that I was having a lot of trouble settling down and actually doing my daily writing. I was great at telling other people how to do it, but not good at it myself. So when I was extremely ill–but still getting more writing done than usual–it got my attention. Why was that?

It was because I was running a fever and couldn’t see people or I would spread the plague. Each morning I’d stand in the bathroom, shivering, and take my temperature. If it was over 101, the solution was simple: cancel all meetings I had that day. Most days I cancelled more than one meeting or appointment. In ten days, I cancelled ten things. Two things I really minded (babysitting my grandkids). Eight things I didn’t mind much at all. (And truthfully, five of the things I was thrilled to get out of.)

After being home a week, I realized how lovely it was to be home. I didn’t enjoy being sick, but I loved being able to stay put. And just from being home more, I wrote more. Usually just fifteen or twenty minutes at a time out of sheer boredom, but it all added up. And a lot faster than my “well” days when I pushed myself to write.

The result? I resigned from an office that requires about six or seven hours per month and two meetings per month. I plan to back out of a few more things when my terms are up.

2) The second lesson I learned when sick was that I’m online too much. I had sort of realized this for a long time, and had a goal of not getting online until noon because email and Facebook and surfing ate up too much time. But when sick, I just wanted to be curled up on the couch with the heating pad, blankets, cough drops, and a book. (I don’t have a wireless laptop, thank goodness, so that wasn’t an option.)

After ten days of only being online maybe an hour every other day to attend to editor email and post a blog, I realized how much more I was enjoying my days–even sick! I’m not even sure why, but I find being online too much quite agitating. I don’t read or watch things that are disturbing, so it’s rather a mystery to me, but I definitely notice it.

I’m feeling much better now, but yesterday I deliberately stayed offline because I didn’t need to blog, and I wrote and read and took my book outside and sat in the swing (which I hadn’t done in months) and noticed things (cardinals, daffodils coming up, lawn furniture needing scrubbing). I got the reading done that I needed to do for a class, but it was calming.

3) The third lesson I learned while sick is that I don’t read enough good books. I read a lot of articles online, or books that don’t challenge me but are entertaining before I drop off to sleep. But good books? Challenging books? They’re hard to find.

When my fever dropped after a week or so, I headed to the library for some new books. I had been re-reading classics on my shelf which I loved, but I was ready to concentrate on something new. I brought home six brand new books–I was the first to check them out.

I only ended up reading one of them all the way through, and it was only so-so. The others-many by bestselling authors–I only made it through about fifteen pages. Apparently the trend now in adult books is to switch viewpoints every two or three pages (one book had seven viewpoints in fifteen pages), and it was like being jerked around on a badly edited

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47. The Circle of Focus

When Jane Yolen speaks of ‘focus’ with respect to writing picture books, she specifies that it should be sharp and small.

There’s an acting term originally coined by the great acting teacher Stanislavski called “Circle of Focus.”  During his career as a young actor, Stanislavski often experienced tension on stage. He discovered that he could better focus by concentrating on a small circle – just himself and one other actor or prop.  Once focused on this small circle, he could extend his attention to a medium-sized circle that included more actors or larger props, and then to a larger circle, encompassing the entire stage, ultimately even the audience. This technique, he felt, enabled actors to achieve ‘public solitude.’

Dr. Stephen Covey, author of The Seven Habits of Highly Effective People, teaches the concepts of Circle of Concern and Circle of Influence – thus leading to Circle of Focus.  He describes our Circle of Concern as encompassing all that is of concern to us, our Circle of Influence as all that we actually have any direct control over, and our Circle of Focus as where best to direct our energies for maximum effectiveness.

Young reader’s circles of concern are necessarily small, just as their world is. They do not yet have the ability or experience to cope with politics, history, tragedy or economics – items that are usually within the circle of concern of most adults. Young people’s circles of concern and influence are narrower and more immediate – home, family, friends, and school – and their circle of focus is generally trained on the daily challenges of growing up: learning to tie one’s shoes, for instance, or whistle, ride a bike, or apologize.

Picture books are most successful when they maintain the same small Circle of Concern and Focus as that of a child. It’s best to leave epic tales involving multiple characters or tackling large themes to the novels that will be enjoyed in later life.

Nevertheless, within that small circle of concern, we want to keep the focus very sharp. We want to minimize wide angles and zoom in on the important. We want to choose words, images and ideas that are clear, strong, and compelling – and to avoid the blurriness of excess description and unnecessary details. We don’t need to embellish. Too many characters, references or changes within a picture book will confuse at best, and bore at worst.

Keep it simple, keep it small and keep it sharp.

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48. Treasures from the Web

treasureFor the last two weeks, I’ve bombarded you with long posts on how to make changes in your writing life–and make them last.

A Breather

Today I’ll give you a breather and show you some of the treasures I found.

Sit back and enjoy!

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49. The Fine Art of Conquering Impatience

Recently my blogging chum Shannon O'donnell posted about how important certain virtues are for people on the writing path. We must have the courage to write and put ourselves out there, we must find the fortitude needed to persevere. The one virtue she mentioned struggling with is having enough patience to stave off discouragement, depression, frustration and doubt.

Patience. Boy, that is a tough one some days, isn't it? I bet you can all relate to Shannon. I know I can.

Writing is a long journey. Most of you are probably involved in writing sites, forums, critique groups and the like, connecting with others on the writing path. You read blogs, encourage others, keep tabs on those striving just as you are. This is what it means to be a community. But there can be a dark side to belonging to this community, something that can cause us to have a crisis of faith: staying patient and upbeat when other succeed where we have not (yet).

Don't get me wrong, we cheer for every sale and piece of good news that comes to our writer friends! But, sometimes a sliver inside us feels something else: Frustration. Envy. Worry. Doubt. These emotions lead to a plague of questions: Why haven't I succeeded? Why isn't it my turn for good news? Why can't this be me? Am I kidding myself for even trying?

It's very easy to let these negative questions send us on a downward spiral, sucking away our energy, our creativity and our strength to continue. Like Shannon mentioned in her post, it is impatience that leads us down this dark road.

So how do we fight it? How do we build up our resistance and stay upbeat?

I find for me, the best way to conquer impatience is to take it out of the equation. Once my book is in an editor's hands, is there anything I can do writing-wise to make them say yes? No, there isn't. Can I make them read faster, get back to me faster? No. So, why stress and get all impatient about it? These are things I have no control over.

Instead, I put my energy into what I CAN do:

--I can make myself attractive to an editor who may look me up online. So, I put time and energy into my online presence and platform.  

--I can continue to write & polish in case they want to see something else from me. I let go of the book that's on submission and turn to the next project.

--I can continue to learn, which will help me make sure a cleaner product reaches their desk. None of us know everything--we can always improve. Learning is growing.

These are the things within my control, so I do them. :)

Here's one solid fact, no matter where you're at on the publishing trail: if you keep moving forward, you'll get there. I believe this. I live it. So, the next time impatience & negativity clouds your head space, TAKE CONTROL. Fight by putting your energy into things that will lead to your success!

42 Comments on The Fine Art of Conquering Impatience, last added: 2/17/2011
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50. Stage 4: Maintaining Long-Term Success

success(First read The Dynamics of Change, Stage 1: Making Up Your Mind, Stage 2: Committing to Change, and Stage 3: Taking Action)

You’re well on your way to achieving your major goal at this point, and you’ve probably begun several new good writing habits to support your future writing career. This is great!

You don’t want to be a quick flash that’s here today and gone tomorrow though. You want the changes to last. You want to continue to grow as a writer and build your career. But…you know yourself. The good writing habits never seem to last.

Until now.

Change and Maintain

In order to keep going and growing as a writer, you need to do two things:

  • Learn to recover from setbacks
  • Get mentally tough for the long haul

First let’s talk about setbacks. They come in all shapes and sizes for writers. They can be mechanical (computer gets fried), emotional (a scathing review of your new book), or mental (burn-out from an accident, divorce, or unexpected big expense). Setbacks do just what they sound like: set you back.

However, too often (without a plan), we allow a simple setback to become a permanent writer’s block or stall. Setbacks are simply lapses in our upward spiral, or small break in our new successful routine, a momentary interruption on the way to our writing goal.

Pre-emptive Strike

Warning: without tools in place to move beyond the setbacks, they can settle in permanently instead. Use setbacks as a signal that you need to get back to basics. Setbacks–or lapses–sometimes occur for no other reason than we’ve dropped our new routines. (We stopped writing before getting online, we stopped taking reward breaks and pushed on to exhaustion, we stopped sending new queries each week…)

Count each day of progress, and don’t be so hard on yourself. I used to make myself “start over” when trying to form a new habit, and it was more discouraging than helpful. For example, if my goal was to journal every morning, I’d count the days. Maybe I managed it five days in a row. Five! I felt successful! But if I missed Day 6 for any reason, I had to start over the next day at Day #1.

A Better Way

I don’t do that anymore. It doesn’t help. Now, if my goal is to develop a new habit, I still keep track, but I keep going after a lapse or setback instead of starting over. So if I were trying to develop a journaling habit, and journaled five days and then missed a day, I would begin again on Day #6.

I would count all successful days in a month, which motivates me to try to reach an even higher total number the next month. This works with words and pages written and other new writing habits you want to start.

Coping Plans

In order to recover from setbacks, think ahead. Ask yourself what types of things might cause you to go off course or lapse in your goal efforts. Prepare ways to cope ahead of time and have your plans in place. (Sometimes that’s as simple as always traveling with a “writing bag” of paper, pens, a chapter to work on, a craft book to read, etc. so that you can always work, no matter what the

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