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For some reasons I had this bookmark in my links for a month and just got around to posting it. Out of Step Arts is a small art agency that offers prints and more from artists including Ming Doyle, Nathan Fox, Toby Cypress, Tula Lotay, Liz Suburbia, Andrew McLean and more. When you're in the mood to just look at a lot of art on tumblr, check out OOSA's print shop. It's all affordable.

When Scholastic launched its Graphix imprint 10 years ago, graphic novels were a novelty, if you can pardon the expression, in the mainstream publishing world. And kids comics were an unknown quantity—comics shops didn’t want them and bookstores didn’t know what to do with them. In the first wave, there were many miscues and misunderstandings at many houses along the way. But Graphix wasn’t the one making them. Granted, starting out a line with Jeff Smith’s Bone is about as much a sure thing as possible—6.9 million copies in print and counting. But picking Raina Telgemeier to do a Babysitter’s Club relaunch and eventually Smile, and Kazu Kibuishi to publish his Amulet series weren’t as sure—but they sure paid off. Along the way Graphix has picked up multiple Eisner Award wins and nominations, a Stonewall Book Award, a Boston Globe-Horn Book Award Honor, an Edgar Allan Poe nomination, and 14 New York Times bestsellers. They’ve published many more top cartoonists such as Doug TenNapel, Greg Ruth, Mike Maihack and Jimmy Gownley. And there’s more to come.

To celebrate their tenth anniversary—Bone: Out From Boneville was published in 20o5—Scholastic has some cool stuff on tap. To kick things off they’re revealing two covers for the first time:

Craig Thompson’s Space Dumplins comes out in August. It’s the first kids book by the acclaimed author of Blankets and Habibi, and his first one in full-color, with Dave Stewart adding hues.

And the sister/brother duo of  Jennifer L. Holm and Matthew Holm, best selling authors of Babymouse and Squish have a new one as well: Sunny Side Up (August 25, 2015; ages 8-12), which is a semi-autobiographical story, their first.

In addition, 12 Graphix artists have created new art that will be offered as prints throughout the year at events and online. The line-up: James Burks, Nathan Fox, Jimmy Gownley, Matthew Holm, Kazu Kibuishi, Mike Maihack, Dave Roman, Greg Ruth, Jeff Smith, Raina Telgemeier, Doug TenNapel, and Craig Thompson. Events include ALA Midwinter (Chicago, IL), Emerald City Comic Con (Seattle, WA), Texas Library Association (Austin, TX), BookExpo (New York City, NY), ALA Annual (San Francisco, CA), Comic-Con International (San Diego, California), Long Beach Comic Expo (Long Beach, CA), Salt Lake Comic Con (Salt Lake City, UT), and New York Comic Con (New York City, NY).

Finally, on February  24, Graphic will publish BONE #1: Out from Boneville, Tribute Edition, with a new illustrated poem from  Jeff Smith and new tribute art from sixteen top artists.

Along with the cover reveal, Graphic has announced some future projects:

• Two more installments in the Amulet series
• A new graphic novel, as yet untitled, by Kazu Kibuishi
• Books 3 and 4 in Mike Maihack’s Cleopatra in Space series
• And from Raina Telgemeier, a nonfiction family story in the vein of  Smile and Sisters), a collection of short stories, and a fictional graphic novel.

It’s definitely worth giving Graphix and its founder, David Saylor, a tip of the cap. 10 years ago it was a gamble. Today it’s an institution.

When Scholastic launched its Graphix imprint 10 years ago, graphic novels were a novelty, if you can pardon the expression, in the mainstream publishing world. And kids comics were an unknown quantity—comics shops didn’t want them and bookstores didn’t know what to do with them. In the first wave, there were many miscues and misunderstandings at many houses along the way. But Graphix wasn’t the one making them. Granted, starting out a line with Jeff Smith’s Bone is about as much a sure thing as possible—6.9 million copies in print and counting. But picking Raina Telgemeier to do a Babysitter’s Club relaunch and eventually Smile, and Kazu Kibuishi to publish his Amulet series weren’t as sure—but they sure paid off. Along the way Graphix has picked up multiple Eisner Award wins and nominations, a Stonewall Book Award, a Boston Globe-Horn Book Award Honor, an Edgar Allan Poe nomination, and 14 New York Times bestsellers. They’ve published many more top cartoonists such as Doug TenNapel, Greg Ruth, Mike Maihack and Jimmy Gownley. And there’s more to come.

To celebrate their tenth anniversary—Bone: Out From Boneville was published in 20o5—Scholastic has some cool stuff on tap. To kick things off they’re revealing two covers for the first time:

Craig Thompson’s Space Dumplins comes out in August. It’s the first kids book by the acclaimed author of Blankets and Habibi, and his first one in full-color, with Dave Stewart adding hues.

And the sister/brother duo of  Jennifer L. Holm and Matthew Holm, best selling authors of Babymouse and Squish have a new one as well: Sunny Side Up (August 25, 2015; ages 8-12), which is a semi-autobiographical story, their first.

In addition, 12 Graphix artists have created new art that will be offered as prints throughout the year at events and online. The line-up: James Burks, Nathan Fox, Jimmy Gownley, Matthew Holm, Kazu Kibuishi, Mike Maihack, Dave Roman, Greg Ruth, Jeff Smith, Raina Telgemeier, Doug TenNapel, and Craig Thompson. Events include ALA Midwinter (Chicago, IL), Emerald City Comic Con (Seattle, WA), Texas Library Association (Austin, TX), BookExpo (New York City, NY), ALA Annual (San Francisco, CA), Comic-Con International (San Diego, California), Long Beach Comic Expo (Long Beach, CA), Salt Lake Comic Con (Salt Lake City, UT), and New York Comic Con (New York City, NY).

Finally, on February  24, Graphic will publish BONE #1: Out from Boneville, Tribute Edition, with a new illustrated poem from  Jeff Smith and new tribute art from sixteen top artists.

Along with the cover reveal, Graphic has announced some future projects:

• Two more installments in the Amulet series
• A new graphic novel, as yet untitled, by Kazu Kibuishi
• Books 3 and 4 in Mike Maihack’s Cleopatra in Space series
• And from Raina Telgemeier, a nonfiction family story in the vein of  Smile and Sisters), a collection of short stories, and a fictional graphic novel.

It’s definitely worth giving Graphix and its founder, David Saylor, a tip of the cap. 10 years ago it was a gamble. Today it’s an institution.

If Paul Pope and Brendan McCarthy had a love child it would be Nathan Fox. Rarely have I seen an illustrator who produces work that is equally as impressive in ink/brush mode, as it is in full colored/painted mode; each being perfectly realized pieces of art. After a short stint of focusing his career on editorial illustration, Fox moved onto comics in the early 2000’s, and further expanded his skill-set at The School of Visual Arts(New York), in the Illustration As Visual Essay Graduate Program.

Nathan Fox’s career in comics has been an eclectic one, including work on mainstream books like Harley Quinn, The Haunt, and Batman: Gotham Knights, along with indy projects such as Pigeons from Hell, Blue Estate, and Dogs of War. Currently, Fox is providing cover art for the DC/Vertigo series Federal Bureau of Physics AKA FBP(which was recently optioned for a film), drew a story in Vertigo Quarterly: CMYK, and is part of an impressive collection of artists reviving Jack Kirby’s Captain Victory and the Galactic Rangers for Dynamite Entertainment.

Nathan Fox has also done illustration work for Wired Magazine, The New Yorker, Rolling Stone, Mad Magazine, and Entertainment Weekly, just to name a few. His work has been featured in art galleries across the U.S. and he teaches Visual Narrative at The School of Visual Arts in New York City.

You can get the latest news, and explore more of Nathan’s work at his website here.

For more comics related art, you can follow me on my website comicstavern.com - Andy Yates

TweetHello and welcome! We are starting a weekly art thingy and have -rather thoughtfully- set it for Friday, that interminable day where the weekend is within touching distance and yet you still have to be at work. Hence, pretty and cool stuff that will help tide you over- forget words, just feast your eyes. This [...]

What’s this? A new graphic novel illustrated by the amazing Nathan Fox and written by M.F. Wilson?

Why, yes! Or at least a collection of “Fluorescent Black,” their story that has been running in HEAVY METAL for the last three years. Fox writes “We are really proud of how it turned out and it features a TON of new content including guest pinups, additional narrative pages and more.”

An 8-page preview can be seen here.

And the PR:

Heavy Metal Magazine will publish and distribute the graphic novel Fluorescent Black in July of 2010. A hardbound limited edition will be sold at San Diego and New York Comic Con. The novel is nearly 200 pages long and was written by MF Wilson, illustrated by Nathan Fox and colored by Jeromy Cox. Fluorescent Black is one of the most popular stories featured in the adult illustrated magazine and has a massive cult following. “We are very excited to be publishing Fluorescent Black. This book is like nothing else out there! It’s crazy, original and totally punk,” says Kevin Eastman, Editor-in-Chief of Heavy Metal Magazine.

The novel takes the reader into the hard-hitting dark future of South East Asia where gene-tech has divided the human race into two races. A particularily unique element of the story is the way in which a utopian and dystopian future exist in near proximity; it seems to draw inspiration from a lot of the border disputes going on in politics today. The story plays with other hot-button themes like public healthcare, gene patenting, eugenics, the dangers of bio-artistry, and the limits of body modification. Known for it provocative ideas and scientific accuracy, Fluorescent Black has been praised by biotechnology web rings and counter-culture magazines as a seminal “bio-punk” novel, a relatively new genre which has been slowly working it’s way into the literary and cinematic marketplace. MF says, “I wanted to write this story for all the things it is guilty of; it’s hard-core, violent, sexual and frightening. It’s venereal horror, bio-punk and psychadelic science fiction all rolled into one.” It seems to be the perfect material for an illustrator like Nathan Fox who has built a fan base out of his featured work in rock-and-roll magazines and adult comic books, and who is known for his kinetic freehand and raucus style. Every panel is a work of art, with hidden (sometimes blush-worthy) details that only become apparent on a second or third read. “I wanted this book to be wild and colorful; it had to be a living, moving thing.” The collaboration between these artists has produced a one-of-a-kind novel that is well worth the pricetag. It is available through heavymetal.com, amazon.com and will be on comic book shelves everywhere later this year. For more information, visit freethegene.com

Lynn Brittney's Nathan Fox: Dangerous Times is more or less a retelling of Shakespeare's Othello as a spy story.

In Elizabethan England, the Spymaster General, Sir Francis Walsingham, has formed an intelligence network to ensure that England's Queen remains safe from assassination. Walsingham is always on the lookout for new agents, and 13 year old boy actor, Nathan Fox, has just caught his eye. Nathan is a gifted young actor in the same company as actor and fledgling playwright, William Shakespeare. Nathan is of gypsy descent which makes him a skilled acrobat and horseman. He also picks up accents and languages very easily. The Spymaster General sends one of his top agents, John Pearce (a former actor himself), to recruit Nathan, who accepts with considerable delight and excitement. He leaves the theatre, but not before promising to keep Will Shakespeare fully informed of his adventures, and is taken to Master Robey's School of Defence to learn the skills that will keep him alive: dagger-throwing, sword-fighting, and street-fighting, as well as code-breaking. He sets off on his first assignment, partnering Pearce, and they travel to Venice to secure an alliance against the dreaded Spaniards. In Venice, Nathan and John, who are posing as servant and master, meet the great General Othello. However, their mission doesn't go quite as planned and the partners become embroiled in the events that surround the tragic love affair between General Othello and the young noblewoman, Desdemona.

I read Shakespeare's Othello a few years ago, so I knew how the main plot of this story was going to turn out. I'm not sure if that's a good thing or not as it meant I wasn't reading the story with any expectation of it turning out to be anything other than a tragedy, from the point of view of Desdemona and Othello. I also knew in advance that this was the first book in a series, so I didn't fear for Nathan's survival at any point, even though he got into some life-and-death situations. For younger readers, though, this probably won't be an issue, and it will probably work well as an introduction to Shakespeare's play.

Nathan Fox: Dangerous Times has been shortlisted for the 2007 Waterstones Prize. There's a Nathan Fox website that's got some useful references for children who've been reading the story.

I received my copy of Nathan Fox: Dangerous Times from the author.