JacketFlap connects you to the work of more than 200,000 authors, illustrators, publishers and other creators of books for Children and Young Adults. The site is updated daily with information about every book, author, illustrator, and publisher in the children's / young adult book industry. Members include published authors and illustrators, librarians, agents, editors, publicists, booksellers, publishers and fans. Join now (it's free).
Login or Register for free to create your own customized page of blog posts from your favorite blogs. You can also add blogs by clicking the "Add to MyJacketFlap" links next to the blog name in each post.
Viewing: Blog Posts Tagged with: Crowdfunding, Most Recent at Top [Help]
Results 1 - 25 of 174
How to use this Page
You are viewing the most recent posts tagged with the words: Crowdfunding in the JacketFlap blog reader. What is a tag? Think of a tag as a keyword or category label. Tags can both help you find posts on JacketFlap.com as well as provide an easy way for you to "remember" and classify posts for later recall. Try adding a tag yourself by clicking "Add a tag" below a post's header. Scroll down through the list of Recent Posts in the left column and click on a post title that sounds interesting. You can view all posts from a specific blog by clicking the Blog name in the right column, or you can click a 'More Posts from this Blog' link in any individual post.
Crowdfunding isn’t a new idea, but we haven’t spent much time discussing it here at Pub Crawl– and I think it’s becoming increasingly relevant to writers today who have more options than ever to publish their work.
Platforms like Kickstarter and Indiegogo have been around for more than seven years, and by far have become the best known way to finance projects and products by appealing directly to the consumers who want them. In comparison to the old standby of PayPal donations, and its many limitations and hassles, if enough people are interested in your Kickstarter project, you will raise enough money to hopefully deliver on your promises. But if you don’t have enough support, your proposed project usually goes away quietly.
Many authors have successfully used Kickstarter to self-publish books, using the funding to hire editors, proofreaders and artists; distribute them in print and electronic forms, and even market them. Considering one of the largest hurdles for self-published writers is spending the money to make their books as polished and professional as traditionally published books (or perhaps even more so), this is a fascinating and exciting way to get work out to readers, as well as promote books before they’re released.
Slightly newer to the scene is Patreon, which has quickly become “the world’s largest crowdfunding site for artists and creators” since it was established in 2013. In a nutshell, Patreon allows people to provide ongoing support to an individual–not necessarily for a particular project–through a monthly commitment of as little as $1. As implied by its name, it’s evoking the old patron model of enabling creative work, while offering supporters incentives like exclusive content, early access, and sometimes even a voice in what work gets produced.
(Another site that has recently appeared is called ko-fi, basically an online tip jar that lets fans buy you a cup of coffee with the click of a button, perhaps more as a sign of appreciation than a viable, continuous income stream.)
Essentially, what all these crowdfunding services offer is a way for fans to buy time for creators to make more of the thing they enjoy, and let them know their work is valued and in demand. As a writer with a job and a toddler, a sink full of dishes and piles of dirty laundry, I often must be picky about what projects I sign up for and prioritize the paying work — contracted books and stories — over the shiny ideas I want to play with, or the unpaid blogging I might want to do. So getting “paid” by patrons to write a fun short story that I may not be able to sell (or the novel I may not be able to sell, yikes) has a certain appeal. My friend N.K. Jemisin recently launched a Patreon that will allow her to quit her day job, the dream of many a writer, so far attracting more than $3800 in less than a week as of this writing.
The simple fact is most writers can probably produce more if they only had more time, and 40+ hours a week is a lot of time.
If I ever did a Patreon or something similar, I suspect it would be to raise funds for a babysitter so I can write more and do more events.
As more writers I know create Patreons with a wide range of success, I’ve been thinking more about this phenomenon. (Interestingly, as far as I can tell, not many YA writers have embraced Patreon, but it seems to be gaining popularity in the science fiction and fantasy community, of which I am also a part.) The truth is, I personally have a difficult time separating the idea of crowdfunding from charity, even though intellectually I know that people are buying something they want or rewarding you for something only you can provide. Part of me also imagines this as creating yet another array of deadlines and expectations and obligation to your supporters, who are basically making an investment in you and your work. You have more time, but on some level you’re also more accountable, potentially to dozens if not hundreds of people. How much do you ultimately owe them for helping make it possible?
But I am also aware that one of my hangups is the fear that I won’t get much support, or that I’ll be “competing” with all the other Patreon creators out there for the same dollars. Who needs an additional metric for comparing their own success to that of others? And before you remind me that you shouldn’t compare yourself to others, and that writing and publishing isn’t really a competition, allow me to suggest that this isn’t an entirely irrational consideration. I think a solid fan base is essential to a successful Kickstarter and Patreon, so your newer writers, less published writers, and debut writers probably won’t benefit from them as much — or at all.
What do you think about crowdfunding creative efforts? Have you supported any Kickstarter or Patreon campaigns? What would get you to donate your money to support a writer beyond buying their published work?
I received a nice note asking me to promote this Kickstarter for aComic Book Convention Survival Guide by Kyle Rose and Matthew Bernard. The Comic Book Convention Survival Guide combines years of convention expertise into one convenient location where it can be shared with the world. It will ensure that our readers become well informed […]
There’s a lot of news about comics out there, so this is going to be a lot of column. • Faith #1 continues to be a huge hit for Valiant and is now in its FOURTH printing! The new printing hits on March 30th along with Faith #3. Here’s a cover gallery and some interiors. […]
Retrofit Comics has been putting out some of the finest small press comics of recent years and they’ve announced their Spring/Summer 2016 line with Leela Corman, Alabaster Pizzo, Kaeleigh Forsyth, James Kochalka, Paloma Dawkins, Eleanor Davis and Luke Howard so this season should be just as fantastic. They’re running a Kickstarter to pay for printing and artist […]
Comics publishing has hit a bit of a slowdown, as I've noted a few times, and Kickstarter seems to be picking up the slack for a lot of publishers. Comicker's Dave Acampo wrote a piece looking at this is mostly about his own Kickstarter for Comicker, but has some general observations and a pie chart of where the money goes prepared by Comicker publisher Sean Williams:
When Vanessa Cadena entered the library at Bret Harte Middle School this school year, she knew she had a big job ahead of her.
It was Vanessa’s first year at the school and the library had not been updated in almost twenty years. Full of damaged and outdated books, Vanessa saw the reluctance on the kids’ faces when they left the library with books they didn’t want to read.
“It was a space that was defined by a vast collection of outdated and tattered books, technology and furniture. It begged to be pumped with vitality again,” said Vanessa, the Library Media Specialist for the school.
To create the library her students needed, Vanessa needed some help. She started a First Book Fundly campaign with the goal to raise $1,000 to invigorate the shelves. She reached out to the PTA at both her school and the elementary schools whose students would be attending Bret Harte in the future. She spread the word via social media, faculty, friends, the local public library and the closest books hop. She even enlisted the help of an intern to pass out flyers promoting the campaign.
When she not only met, but exceeded her goal, Vanessa was ecstatic – and so were her 7th and 8th graders. With the money raised, Vanessa was able to add 350 books to her library. This year alone she has purchased 1,000 brand-new books from First Book to revitalize the collection.
It’s made an immense difference in the reading habits of her middle schoolers.
Now, Vanessa has “regulars.” She can’t keep fiction and graphic novels in stock and students race to library to see her new arrival section. When the kids take home a book, they usually finish it by the next day.
“Kids are excited to read,” Vanessa explains. “The teachers have told me this is the first year they could send their students to the library and every single student comes out with a book – and it’s a book they are reading and excited about.”
A team of six creatives have launched an indiegogo campaign for a 96-page graphic novel entitled Beyond Lovecraft. They aim to raise $8,000.
The book will feature horror stories inspired by the fiction of H. P Lovecraft. Artist Rob Moran has signed on create the illustrations. Writer Jasper Bark has been enlisted to pen the story. We’ve embedded a video about the project above.
Here’s more from the campaign page: “The linking story is set in the apocalyptic aftermath of the return of the great god Cthulhu. The scattered band of humans that survive this catastrophe scratch a bare living, hiding in the shadows of what’s left of their civilisation. A tiny group of scientist from Miskatonic university find a way to access the fabled Library of the Yith. This is an alien archive that contains the entire history of the universe and was first mentioned in Lovecraft’s novella: ‘The Shadow Out of Time.'”
Well speak of the devil, here’s a new Kickstarter from the Locust Moon folks that plans to reprint some long lost early work by Will Eisner. The story of how it came to light is one of the craziest things I’ve ever heard: A collector outside Philly discovered 104 zinc plates engraved with work that […]
Irish cartoonist NHOJ (John Cullen) has been posting his Daily Comics for over 650 days at this point. They are often funny, sometimes poignant and always beautiful and entertaining. Here’s a look at his process. Fascinated by the kind of dedication such an effort takes, I asked NHOJ some questions about such topics as his […]
There's been a lot of tweeting and tumblring about the need for more diversity in comics. And now you can make comics more diverse! Here is a chance to actually support a project by African-American creators that deals frankly with racial issues from a non-white perspective. BLACK is a new kickstarter for a graphic novel written by Kwanza Osajyefo (aka Kwanza Johnson)and Tim Smith III with art by Jamal Igle with additional art by Khary Randolph. Former Vertigo editor Sarah Litt will oversee the production. The story is high concept: what if only black people could become superheroes? Let your mind wander over that.
The other day we mentioned that the hugely popular team behind Harley Quinn of Amanda Conner and Jimmy Palmiotti had imposed a sensible signing limit for shows, which makes sense because they are two of the busiest people we know. For instance, Palmiotti is currently running Kickstarter — his ninth—for a standalone graphic novel in […]
Well, since it’s Friday let’s go all out with the Kickstarter newsw. Her’s a newsish one from Steve Hamaker, a collection of his graphic novel PLOX Volume One which he’s been serializing online. The story follows three online gamers and their experiences: Kim; the guild leader at the end of her rope, Chad; the […]
Comics Beat contributor Seth Ferranti has had a long and storied past. A writer well and truly familiar with life on the streets, Ferranti began picking up the craft of writing while serving a 25 year sentence in the Federal Bureau of Prisons for acting as the kingpin of an LSD empire. Ferranti released his first […]
Rarely do I get to learn the story of people who have moved away from the comics industry. Artist and creator Thomas Boatwright is an interesting example of someone who did the comics thing for awhile but eventually, initially not entirely by choice, moved on to other ventures. As a fan of his comics I’ve been […]
San Diego State University has over 20,000 comics and related items to process! (Here’s a basic list of comics waiting to be cataloged!) Like most libraries, they don’t have the funding to process the donations, and to make them accessible to patrons. Thus, San Diego State University has set up their own crowdfunding portal, called […]
A little while back, Brian Hibbs wrote a piece involving the place of Kickstarters in the comics world that still seems to be making the rounds online. It comes at it from the retailer angle, and as somebody who’s run a few Kickstarters, I have a few different thoughts about how crowdfunding fits into the […]
As crowdsourcing has become a normal part of financing creative projects, a few bad apples have soured the barrel with non delivery. A few months ago, the FTC announced it would start looking in to Kickstarters that don't deliver and now a Seattle court has ordered the creators of the Asylum Playing Cards Kickstarter—Altius Management and Edward J. Polchlopek—to pay over $54,000 in fines and settlement.
The wrestling/comics connection has always been strong, from their shared roots in carnival strongmen singlets to former grappler CM Punk's writing comics career. And here's a new one: Muscle Temple, an indie comics anthology spotlighting the squared circle that is currently being crowdfunded. Frank Gibson of Tiny Kitten Teeth is leading the rumble. which will include work by Maddy Flores, Sam Alden, Box Brown, Amanda Meadows, Zac Gorman. According to Gibson:
This is actually a crowd watch too as Iron Circus is kickstarting a collection of Sophie Campbell’s Shadoweyes: Volume One: Sophie Campbell began Shadoweyes in 2010. It stars Scout Montana, a slight and fragile teenage girl with dreams of defending her city as a masked vigilante. But one night, close on the heels of her […]
If you’re hankering for something to scratch that Samurai Champloo itch, you should take a look at Stéphane Métayer’s Tephlon Funk! – a Hip Hop story told through an manga-influenced comic with French artists David Tako and Nicolas Safe. The Kickstarter campaign has 5 days left on it and they’re just over the 50% mark to self-publish the […]
If you liked Coraline, you'll probably like Calliope, a proposed stop motion film that's a collaborations bwteen the world of designer toys (Circus Posterus’ toy designers Kathie Olivas and Brandt Peters), stop-motion innovator and Annie Awards Special Achievement recipient Martin Meunier (Coraline) and filmmaker Jon Schnepp (The Death of “Superman Lives”: What Happened). It's currently being Kickstarted, and if it isn't quite a Halloween thing, it certainly fits in with the mood of the season.