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Ah, young love-- there's nothing like it. Especially when one of the lovers is actually a 100 year old superhero and the other is the great-niece of that centenarian's former flame.

Marvel has announced that ABC will shoot a one-hour special called “Marvel’s Captain America: 75 Heroic Years.” Joe Simon and Jack Kirby introduced Steve Rogers and his superhero alter ego to the world back in 1941; the show will feature a look back at how the character has evolved.

Some of the Hollywood names who have agreed to take part include Marvel legend Stan Lee, actor Chris Evans, actress Hayley Atwell, and the family members of both Simon and Kirby. The air date has been scheduled for Jan. 19, 2016.

Here’s more from the press release: “Captain America has been the moral compass that has inspired generations to do better and believe in more than themselves. Whether it be leading the Avengers or fighting for his beliefs, even when it meant taking sides against those closest to him during Marvel’s Civil War, ‘Cap’ has been a beacon of light in the Marvel Universe and a central figure in the vast and dynamic world that Marvel fans know and celebrate today.”

Marvel Entertainment has unleashed the first teaser for season two of Agent Carter. The video embedded above offers glimpses of actress Hayley Atwell taking on the titular role.

According to Variety, “new cast additions for season two include Kurtwood Smith as Vernon Masters, a veteran of the War Department; Wynn Everett as Whitney Frost, a brilliant inventor and actress; Currie Graham as Whitney’s high-powered businessman husband Calvin Chadwick; and Lotte Verbeek as Ana Jarvis.” The premiere episode will air on Jan. 5, 2016. (via The Wall Street Journal)

Two actors from the Agent Carter TV series, Hayley Atwell and James D’Arcy, took on First Book’s speed reading challenge. In the video embedded above, Atwell and D’Arcy read aloud from Arnold Lobel’s Frog and Toad All Year. Altogether, they managed to read 73 words in only 10 seconds. Click here to find out how Mo Willems fared when he took on this task.

As I was drying my tears following the dramatic conclusion of this week’s episode of Agent Carter, ‘Snafu’, all I could think about was that I wanted more. More Hayley Atwell as Peggy Carter, whose range and presence eats up every frame of this small-screen show that plays like a big-screen adventure. More of the fabulous, smart dialogue and fantastic supporting cast; more of the beautiful costumes and period lighting — just more! More than just next week’s season finale. If you haven’t been watching Agent Carter yet, in the name of good comic-based television I implore you: read the recaps at ABC.com, binge watch episodes 3-7 and set your DVR to ABC next Tuesday at 9pm/8c.

When we last left Agent Carter she was handcuffed to a desk at SSR, on the receiving end of what was sure to be an impassioned interrogation at the hands of Agent Sousa (Enver Gjokaj). So it was a surprise when ‘Snafu’ opened instead on the show’s second flashback to Russia. While the last flashback showed us a young Dottie (Bridget Regan) snapping necks in 1937, this one takes place in 1943 and concerns the whereabouts of that other Russian mole: Dr. Ivchenko (Ralph Brown). It seems during WWII, Ivchenko was already in full command of the Professor X-like mind control powers he used to push Agent Yauch to commit suicide in last week’s episode. Here he uses them as mental anesthesia on wounded soldier undergoing an amputation.It’s an odd bit of exposition that serves only to define the mechanism of Ivchenko’s powers, which are pretty clearly articulated in later scenes.

Thankfully, the episode quickly plugs us back into the Carter vs. the SSR interrogation scene we’ve all been waiting for and it does not disappoint. Agent Sousa seeks to pin nearly all of the SSR’s unsolved mysteries on Carter’s double-agent machinations: the Raymond/Brannis/Krzeminski murders, theft of the Nitramene bombs and connection to Stark’s weapons cache.

Chief Dooley (Shea Wigham) looks on from behind a one-way mirror with Ivchenko by his side, pulling Dooley’s strings with every twist of his gold hypno-ring. Agent Thompson (Chad Michael Murray) comments on Dooley’s “unorthodox” choice to allow the Doctor to view the proceedings; thank goodness someone is looking on with a critical eye. Sousa, blinded by his heartbreak over Carter’s perceived betrayal, lays into Carter in the most brutal way possible: crediting her defection from SSR to Howard Stark’s ability to “get in deep” with her.

Incredibly, the temperature is turned up still higher on the proceedings as the interrogation drags on. There’s some smart direction in cross-cutting the scenes of Sousa, Thompson and Dooley all taking their turns grilling Carter. It builds the tension so that when Carter unleashes her thus-far concealed opinions on their opinions of her it feels like a revelation. Rather than take umbrage at being seen as a “stray kitten” left at Dooley’s doorstep, a “secretary turned damsel-in-distress” to Thompson or Sousa’s “girl on a pedestal transformed into some daft whore,” Carter remains calm and stands firm. “You’re behaving like children,” she tells them, “what’s worse, what’s far worse, is that this is just shoddy police work!”

And this is the appeal of Agent Carter in a nutshell: using the rampant sexism of the 1940s as a cloak of invisibility for women who serve as double agents on both sides of the emerging Cold War conflict. This being a Captain America spin-off, Agent Carter is clearly the white hat: empowered by the integration of women into the war effort, now struggling to maintain her position. Dottie shows us the other side of the same coin: empowered by integration as a child into a super-spy program, she relishes in her amoral, powerful position post-war.

Jarvis (James D’Arcy) arrives with a half-baked plan to spring Carter from her interrogation with a faked Stark-confession, but only succeeds in throwing suspicion off of Carter long enough to buy them some time to try and figure out Leviathan’s endgame. Ivchenko continues his campaign of brainwashing the Chief. By acting as a mental marriage counselor to Dooley, whose marriage seems to have suffered from to his devotion to SSR, he hopes to gain his trust — and access to Stark’s weapons store. Carter soon realizes the only way out is through, and finally divulges the truth of her double-life to the SSR team. Sousa and Thompson both believe her confession, and that’s enough for Dooley to send the boys off on Dottie’s trail.

What follows is one of the best action sequences to date. Dottie smiles as each SSR Agent underestimates her: hesitating to attack as she disarms or kills them, one after the other. Her prowess leaves even Sousa speechless: as she escapes he watches her execute a controlled fall through the center of a ten-story staircase as effortlessly as if it were a jungle-gym. Meanwhile, Dooley clears the SSR lab of it’s staff with Ivchenko by his side, shopping for Stark technology. Ivchenko makes off with “Item 17″ in just in time for Dottie to appear driving the getaway car. But before they can truly get away, says Ivchenko, they must test item 17 to ensure it “still works.”

Unfortunately, before he left, the bad doctor talked the Chief into strapping on a glowing prototype vest of Stark design. Jarvis, apparently the wikipedia of bad baby technologies, explains it was intended as a heat source for troops in cold conditions. Like nearly all of the Stark bad babies, though, there’s a dangerous flaw: the self-sustaining battery invariably overheats when activated, eventually becoming an explosive device. Warning the team that Ivchenko got inside his head, the vest nears it’s boiling point and Dooley says goodbye to SSR. Wigham, Murray and Atwell play the scene for all it’s worth: wringing every bit of heartbreak from Dooley’s parting lines to both Thompson; “Tell my wife I’m sorry I missed dinner” and Carter: “Promise me you’ll get the son of a bitch that did this!” It’s a nice touch that he leaves the avenging in the hands of Carter, who knows a thing or two about Avengers. Dooley spares Carter a parting: “atta-girl!” before bravely taking a swan-dive through the office windows just in time, exploding in mid-air.

The remaining SSR team mourns the loss of Dooley before discovering that Ivchenko stole item 17 — one of the few bad babies Jarvis can’t identify. Dottie, however, knows exactly what item 17 can do as she wheels it into a movie theater concealed in a baby carriage. A twist of the knob and the device begins to emit gas. She abandons the carriage and locks the theater doors behind her as the gas begins to take effect on the unsuspecting theatergoers. They cough, then get angry and begin to fighting each other like wild animals. They scream and tear at each other, sparing no one and leaving behind a pile of bloody corpses. It seems we finally have our answer to the mystery of Finow! Ernst Mueller (Jack Conley) may have been a creepy Nazi but he wasn’t lying when he claimed the Russian soldiers had “already been torn apart” before he and his soldiers arrived on the scene. Whatever item 17 contains, it made those unlucky Russians and movie patrons tear each other apart.

More favorite moments (there were so many!):

• I won’t pat myself on the back too hard that my earlier suspicions of the Doctor proved correct; he was so shady I rewound episode 5 to make sure I hadn’t missed him hypnotizing Carter into bringing him back to the US.
• Funny that the episode opened on Ivchenko playing mental chess with a wounded soldier; wonder how he’d fair against Magneto
• “Howard Stark has never scrambled my mind or any other part of me!” Oh Peggy, you slay me!
• Bravo to Bridget Regan, who can even make buying a baby carriage effectively sinister
• All the switchboard ladies of the SSR telephone center giving a collective “ooh” at Jarvis’ claim to have a signed confession from Stark
• Hayley Atwell breaking my heart with: “just wanted a second chance at keeping him safe.”
• The moral of the story is: always look for street parking!

by Edie Nugent

If Marvel was hoping Agent Carter would improve on its ratings from last week’s 2-episode season premiere, they must be somewhat disappointed this morning. While Agent Carter still snagged second place behind NBC’s Parks and Recreation, it’s ratings are still down 21 percent from last week.  Marvel should be interested in more than just ratings, as the show has received considerable critical acclaim.

Agent Carter opens with a summary of last week’s events and the show’s premise: Peggy Carter (Hayley Atwell)  lost “the love of her life” when Captain America’s plane went down in the Arctic. It also mentions how Carter fought side by side with Cap during WWII only to be demoted to answering phones when the war ended. It’s a nice callback to the displacement many women who joined the workforce during WWII suffered in postwar America.

“Time and Tide” builds off of last weeks’ two part premiere and finds Agent Carter confronting the beau of her neighbor Molly (Laura Coover) as he attempts to pull a Montague by climbing to her windowsill. He finds the end of Carter’s gun instead, and shakily apologizes for choosing the wrong window. These antics get Molly kicked out of the women-only Griffith housing block the following day, making way for Dottie Underwood (Bridget Regan) who Carter ignores but seems as if she may come to be important to the series.

The attempted break-in reminds Carter of another, more successful break-in: the heist that saw Howard Stark’s “bad babies” taken from his vault. Here this episode subverted my expectations: I assumed the pursuit of Stark’s dangerous inventions would lead to a bad baby of-the-week style plot. It was a pleasant surprise when Carter doubled back to Stark mansion to do some good old detective work, exploring how the tech was stolen in hopes of revealing more about who took it and why.

Before she can fully explore the sewers beneath the vault, however, the SSR’s Agent Thompson (Chad Michael Murray) appears at the door & questions Jarvis about the license plate to Stark’s car found at the implosion site of the Roxxon plant. Carter hides herself while Jarvis claims the car was stolen and that he filed a police report. Thompson drags Jarvis to SSR headquarters for questioning where he threatens to reveal Jarvis’ dishonorable discharge for treason. Now back at SSR, Carter plays dumb: telling Thompson she’s found the police report the SSR pretended to “lose” on Stark’s stolen car within earshot of Jarvis – forcing them to release him. This serves to confirm the SSR’s suspicions of her incompetence, and she receives a public dressing-down from Chief Dooley (Shea Wigham).

It was a nice touch to see Carter shaken by this experience, which reflects well on her character: SSR may be a cover job that condescends to her regularly, but it’s still something she takes pride in. It doesn’t slow her down, though, and on her return to Stark mansion she deduces that the sewer floodgates beneath it’s vault provided the smuggler’s route. Sure enough they discover a tug boat moored right outside of the sewer floodgate flying a flag bearing the symbol we saw scrawled in the dirt by Leet Brannis (James Frain) before he died last week.

Upon inspection of the boat, they discover a large cache of Stark’s bad babies. While Jarvis calls it in to SSR, Carter is set upon by a thug presumably garding the boat and engages in a fabulous fight scene where she takes as many punches as she throws before Jarvis hits the thug in the arm with a muscle-contracting invention of Stark’s. Sirens wail in the background and Carter & Jarvis flee the scene. The SSR team arrive and Agent Krezminski (Kyle Bornheimer) is tasked to bring the thug back to headquarters. On that drive, the thug reveals to Krezminski that an “English broad” is responsible for his beating. This seems to seal the Agent’s fate; only moments later an unidentified hitman kills both the thug and the Agent.

A somber workplace greets Carter the following day, with the SSR now pledged to pin both the Roxxon destruction and the killing of Kresminski on Howard Stark. “Time and Tide” is a tightly written and compelling episode of Agent Carter. A great deal of the show’s appeal is how it continues to function on three levels. You have the hardboiled cop-style narrative of the SSR Agents, contrasted with the spy-thriller of Carter and Jarvis’ adventures, set against the lives of Peggy and her roommate Angie: women empowered during WWII searching for their place post-war. I find myself wishing we had more than just 5 episodes left. We can only hope that Marvel and ABC see Agent Carter’s value in more than Nielsen’s ratings and grant it a second season.

Favorite moments:

• “Mr. Stark would trust a shark not to bite him if it was wearing a short enough skirt”
• Jarvis’ house husband by-day, Agent by-night routine is a lovely play against gender expectations
• The back-story on Jarvis’ treason to save his Jewish wife following the war was lovely

What do you think of this week’s Agent Carter? Let us know in the comments!

The time has come: After fans watched Hayley Atwell tweet for months about accidentally punching her co-stars in production, Agent Carter‘s 8-episode run kicks off tonight with a 2 hour premiere on ABC, starting at 8 p.m. Eastern time.

Picking up where Captain America: The First Avenger left off, Agent Carter centers on Peggy Carter’s work for the Strategic Scientific Reserve and her attempt to help friend Howard Stark (Dominic Cooper), who is being framed for dealing weapons to U.S. enemies. More than that, the show will also focus on the difficulty of Carter working in a male-dominated field, particularly in the 1940s when men are returning home from the war. It’s a timely a premise as ever in the comics industry and for Marvel, given the recent flack Kevin Feige caught for the lack of a solo Black Widow movie and the studio’s decision to release a Captain Marvel movie in 2018.

Early reviews of the two-hour premiere are mostly positive, with a broad consensus that Atwell is the jewel in the show’s crown and some slight concerns about the plot’s direction. With only an 8-episode order to start with, however, the show is already on a firmer footing than its sibling, Agents of S.H.I.E.L.D, which arguably suffers from the challenge of fulfilling a 22-episode season and hurts the show’s overall arc.

Early buzz:

“A lot of Agent Carter’s kick come from its setting, with its automats and Captain America Adventure Program radio shows. The series takes advantage of the period on the technical side, going all in with the shadowy lighting and softened color-tones. But its greatest asset is Atwell, who takes a character that Marvel Comics has never really done much with before and makes it her own.” – AV Club, Noel Murray

“Who knew the solution to Marvel’s problem was to turn the clock back rather than forward — and turn the spotlight over to a British woman? By setting the story in 1946, this new short-run series immediately gets a snappy, well-tailored, Hollywood-glamour look that separates it from most of TV’s offerings.” – USA Today, Robert Bianco

“The first hour suffers from a few Marvel Inc. tropes. Somebody named Stark invented something dangerous; everyone wants an All-Important Glowing Thing; there’s an implicit promise that nothing will be solved for weeks/years to come.” – Entertainment Weekly, Darren Franich

Along with Atwell and Cooper, Agent Carter features James D’Arcy as Edwin Jarvis, Chad Michael Murray as Jack Thompson, and Lyndsy Fonesca as Angie Martinelli.

Check back tomorrow for our review of the show’s premiere episode, which was penned by Captain America: The First Avenger writers Christopher Markus and Stephen McFeely.

Marvel has developed a new TV show for Captain America fans starring the superhero's love interest, Agent Carter. Actress Hayley Atwell (pictured, via) was first introduced as Peggy Carter in the Captain America: The First Avenger film adaptation. Atwell played this character again in a short film called Marvel One-Shot: Agent Carter. She has signed on to reprise her role for this new series and is currently filming The Avengers: Age of Ultron movie. Here's more from Deadline: "It’s 1946, and peace has dealt Peggy Carter a serious blow as she finds herself marginalized when the men return home from fighting abroad. Working for the covert SSR (Strategic Scientific Reserve), Peggy must balance doing administrative work and going on secret missions for Howard Stark, all while trying to navigate life as a single woman in America, in the wake of losing the love of her life – Steve Rogers." continued...

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