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Corrugated Trees | The corrugation is one of my favorite textures that I haven’t found much use for. I think the texture and repetition of the vertical lines are comfortable regular rhythms.Add a Comment
Three things you will probably have heard by now about Lucy, Luc Besson's latest film and his first foray back into proper, no-holds-barred science fiction since The Fifth Element. One, that the film's success demonstrates the viability of a female-led action/SF movie, and cements Scarlett Johansson's position as the reigning queen of filmed SF (or at the very least co-reigning queen, along withAdd a Comment
Ah, back home and time to relax. Long weeks are brutal. Is that the television you hear? Well you haven’t been home all day so you decide to check it out, thinking you left it on. As you enter the room you see the television is indeed on. And you’re already sitting there watching it. What’s going on here?
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Pick up a copy of A Year of Writing Prompts: 365 Story Ideas for Honing Your Craft and Eliminating Writer’s Block. There’s a prompt for every day of the year and you can start on any day.
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Like most first conversations and bad first drafts, my (WD’s Managing Editor Adrienne Crezo) interview with Ransom Riggs begins with a discussion about the weather. And not just any weather, either, but peculiar versions of standard precipitation: dust storms, cloudbursts, thundersnow and tornadoes. Of course, Riggs is experiencing none of those phenomena as he sits in the warmth of the never-ending summer of Los Angeles. “I hate to tell you what it’s like here right now,” he says. “No, I don’t. It’s gorgeous. Just perfect.”
That kind of easygoing humor is familiar to Riggs’ fans. Readers of his New York Times bestselling young adult novel Miss Peregrine’s Home for Peculiar Children and its sequel, Hollow City, convene on Twitter (@ransomriggs) and Instagram (instagram.com/ransomriggs) to follow the seemingly unshakable optimism of a guy who really enjoys what he does. Life is uncomplicated for Riggs, as is his approach to work and writing. “[I never] set out to be a writer,” he tells me. “I took a fiction class [in college], but … I just thought, That’d be a fun thing to do for a semester, not, This is my future.”
Whatever dreams Riggs may have had about his future, he couldn’t have predicted the wild success of Miss Peregrine’s Home for Peculiar Children, a tale of time travel and magic set against the eerie backdrop of unnerving black-and-white photos of levitating girls and creepy twin clowns. Before Peculiar Children’s release in 2011, the film rights had already been snapped up by 20th Century Fox, and the movie, directed by none other than Tim Burton, is slated for release in summer 2015. Hollow City, second of the three planned Peculiar Children books, was released in January 2014. And in the midst of all this, Riggs also released Talking Pictures, a coffee-table book of found photographs, in 2012.
It’s easy to see why Riggs is enjoying the ride, but what appears to have happened overnight actually evolved over many years. It started with a love of film and photography, which led him to collecting old secondhand photographs. In 2009, Riggs was encouraged by an editor at Quirk Books to use the found pictures as the basis of a novel. At the time, Riggs was writing daily for mentalfloss.com, a popular general-interest trivia website, editing and filming short documentaries, and shooting photo essays as he traveled. He laughs to himself as he recalls his initial reaction to the conversation: “OK, Quirk. No one’s going to read that. Let me go back to blogging.”
Luckily, Riggs decided to take the editor’s advice. He compiled his found photos and wound a weird, twisting tale around them—and, in return, an eager YA audience turned the Peculiar Children series into an unlikely hit. Here, Riggs talks about his writing and social media habits, why he doesn’t follow rules, and why it’s important to take time off.
Your photo collection plays a huge role in the Peculiar Children books. Can you tell us how you started collecting people’s castoff snapshots?
I was at this swap meet in Pasadena [in 2009] called the Rose Bowl. I knew people sold old photographs, sort of in the corner of my mind, but I was never very interested in them … because they all looked like junk. But then I found a booth at this particular swap meet that was operated by a fellow named Leonard, who had clearly gone through many, many, many bins of photos and chosen his favorite 200 and put them in little plastic sleeves. I started looking at them and I [thought], Wow, there’s something really special here. This guy has the eye of a curator, and every [photo] is like a little piece of lost, orphaned folk art. That’s really cool! As someone who grew up loving photography in every way I could, I would have loved to have had a photo collection of my own, but I couldn’t afford to buy prints. … So I thought, Here is a way I could start my own little museum of photographs.You get to be your own curator; you’re rescuing them from the trash and saying, “I decide this is art, and I’m going to keep it.”
It occurred to me, as I collected more and more, that my taste in these photos ran in very specific directions. One was a sort of Edward Gorey-esque Victorian creepiness, and the other was photos with writing on them. I always felt like these were completely anonymous photos. … If they’ve written a little bit on the picture, especially if it’s more than just a label, if it’s a thought or a feeling or something revelatory, there’s a window into this lost world that suddenly has context where it did not before. That’s interesting.
Do you collect photos now solely for book material, or is it still a thing you just enjoy doing?
It’s still partly just a hobby. Maybe one day they’ll find their way into something I do, but maybe not. I just like owning them.
I started without anything in particular in mind to do with [the photos]; I just sort of wanted to have them. … And they’re not all creepy. There are so many I have that I love that are just sort of evocative in some simple way—the look on someone’s face, or a cool angle or interesting subject or something. I have a lot that I don’t even necessarily know that I’ll use—they don’t fit in the Peculiar Children books and they don’t fit in [Talking Pictures]. I just like them.
In Peculiar Children and its sequel, Hollow City, your protagonist, Jacob, has some pretty interesting magical powers, but he’s also a teenager with all the typical teenager woes. You’ve called Jacob your “fantasy self.” How much of you is in Jacob, really?
You’d have to be a literary critic or a psychiatrist to pick the writer out of his work. Every fictional story goes through this sort of blender process where you take some real experience … you know what’s real or true when you put it into the blender with fiction, and then it gets all mixed up with something that didn’t really happen, but there’s still a little of you in there. I think the writer is in there no matter what you do. You can’t really remove yourself from it.
Did you set out to be a novelist or did you have other plans?
No, I wanted to make movies. When I was a kid I wanted to be a novelist … but then around the eighth grade I discovered movies and I became completely obsessed and lost myself in this dream of making movies. My friends and I had a video camera, and we would make movies all the time.
I knew I wanted to go to film school, but I also knew I wanted to learn things first. I wanted to learn about the important ideas and read the great books, so I went to Kenyon [College], but always with the understanding that I would go to film school afterward.
[I] was chasing the white pony of having a film career [and] doing whatever I could do: making short films and editing things and freelance writing. The writing thing came about completely by accident. … I never really wanted [it], or looked for it. I feel like the opposite might be true, instead, where if I’d tried really hard to be a writer, maybe someone would’ve [asked], “Do you want to be a filmmaker instead?” And I would’ve [said], “OK”—the theory of inverse effort.
I think [filmmaking] was a way for me to get into novel writing, which is not something I might have done on my own. Now that I’m doing it, I find that with each Peculiar Children book I have to work harder to include photos. The story has all this momentum of its own now.
Will that momentum carry the Peculiar Children series beyond the three books you have planned?
This story that I’m telling now will conclude in book three, but I think I’ll leave the door open to that world. I’m going to do something else next, but I will probably come back and write more [books for the series] one day.
Do you follow any specific writing rules?
I always distrust overly specific writing advice. I don’t agree with it, necessarily. When you’re thinking about what to write or how to write something, it’s too easy to make a lot of arbitrary rules for yourself. I think the difficult thing with learning how to write is not learning the style or rules, but figuring out what story you want to tell.
I spent a lot of time telling the wrong stories, especially when … I was in college or when I was a kid trying to imitate C.S. Lewis or Stephen King. I never understood why my writing didn’t take off. I would think, Well, the sentences are correct, and the characters are talking and everything looks right, and it seems like a story. I did exactly what [they] told me to do, but there’s no blood in it and I don’t know why. It’s something you have to learn, how to tell the right stories for you, and it’s this completely ineffable thing.
What about schedules? Do you wake up some days and think, I’m not going to write; I’m not going to edit. Do you take days off?
Oh, all the time! Sometimes I say, “Today, I’m going to clean my house and go to the movies.” Or, “Today, [my wife] Tahereh and I are going to ride our bikes and go and eat too much Persian food.” That happens a lot. That’s a lot of our days, actually.
I spent the last three months plotting book three [of the Peculiar Children series]. So just in the last couple of days I’ve transitioned into writing actual sentences on pages of the book, and now that I have that momentum, I do want to write every day—at least a little, just to keep the thread. A lot, preferably, but between books I’ll go months and months without writing. It’s exhausting. I’m just like, “I can’t.”
That’s a long break between projects! It’s a wonder that you fall back into the groove at all. Is writer’s block ever a problem for you?
I don’t really believe in that whole “wait for the muse to strike” thing. I’m more of a “sit your ass in a chair and start typing” guy. … People treat writer’s block like it’s this kind of mythical, mystical ailment. It’s actually a very specific problem, and that is that something is wrong with your story, or wrong with your scene, and you’re trying to do something that is not motivated by your characters. If your writer’s block is so complete that you don’t even know where to start, it’s probably that you’re not spending enough time at the keyboard. It’s all part of the process.
I also think that writer’s block comes from judging yourself too much, and [thinking], I only wrote one sentence today! I’m terrible!
How do you keep yourself in a chair and working when you’re so active on social media?
I find myself retreating from social media when I need to work. I realize that I’m becoming too dependent on talking to everyone on Twitter. It’s too distracting. I’m constantly reaching for it, like a drug or something.
You can spend a whole day clicking and scrolling and feeling like you’ve gotten something done—Oh man, that was a really funny tweet—but then at the end of the day you’re like, I did nothing. All day, I’ve done nothing at all. I have nothing to show for it. Except that funny tweet, of course.
So you live in Los Angeles with your wife, bestselling YA author Tahereh Mafi. And you two work together. Do you share a desk?
Yes. It’s a very long desk, very wide. So there’s space enough for our things and our laptops and all our books, and we put on our noise-canceling headphones and [work]. That’s the thing about being married to another writer—we know all of the ways in which the other person is weird and quirky, because all writers are a little weird and quirky. So we [know we] need our quiet, broody time, but then we need to run around and go have fun when writing time is over—when work is over—because we’ve been kind of cooped up inside of our own brains all day. It works. Somehow it works.
You share a lot of your social media time with Tahereh, too, which your fans seem to love. But it seems as if it could become overwhelming at a certain point. Do you ever try to hold back?
I think we’re pretty knee-deep in it all, we read a lot of it. And it’s largely positive, which I think is pretty rare. I’ve been waiting for negative weirdness to start to surface, but it hasn’t yet.
I wouldn’t keep posting pictures of Tahereh on Instagram if people didn’t keep going, “Yay! Give us more,” you know? I feel like we both have been waiting for the Internet to collectively be like, “OK, gag me, it’s enough already!” But, bafflingly, it hasn’t happened yet, so we just keep going.
How about some parting advice for writers?
Just unclench, live your life and spend less time berating yourself. Anxiety and stress are the enemies of creativity.
Adrienne Crezo is the managing editor of WD. She lives, works and writes in Ohio. Follow her on Twitter @a_crezo.
The Unwritten, Vol. 7: The Wound Mike Carey and Peter Gross
We start with the Tinker and Pauly-Rabbit hanging out in a wasteland, encountering streams of fictional refugees, streaming from The Wave.
Then we switch to a detective in Australia, who partners up with Danny--the reader from the last issue in Tommy Taylor and the War of Words--to infiltrate the Tommy Taylor cult. Tom and Richie then go hide out and deal with some very real ghosts in Tom’s past.
This is a good “must set up next plot point” volume, but nothing spectacular. EXCEPT that it introduces us to Danny and Didge (the detective), and they are awesome and great additions. (Also, let’s give a shout to Didge, who’s Aboriginal and dyslexic. Turns out dyslexia is a pretty great defense against Pullman’s freaky fiction hand! Also, she’s generally awesome and literally kicks a lot of ass.)
Book Provided by... my local library
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Over the weekend, dozens of authors and illustrators appeared at the Library of Congress’ 14th annual National Book Festival. Children’s books creator Bob Staake designed this year’s official poster. We’ve collected three writing tips that some of the writers shared during their panels.
Joey Pigza book series author Jack Gantos suggests that one “stay as organized as possible.” He thinks that one should keep several notebooks. This helps to categorize different thoughts because one idea might be a good fit for the beginning a story and another could work for the middle.
New Career Opportunities Daily: The best jobs in media.Add a Comment
It’s hot in Los Angeles. Like, super really really hot. That’s why this book is an especially welcome reprieve. A book with snow in it? Please. A book with cool blues and winter scenes? Yes.
This is Fox’s Garden.
A lone fox, stark red against the white forest. A house in the distance, swirling with the colors of home and twilight. Frightened grownups chase him away. A boy cloaked in red, watching and waiting and caring.
And the pictures. My French is un peu rusty, but according to Princesse Camcam’s blog, these have got to be cut paper illustrations, lit and photographed. They are intricate and textured, perfect layers for this story of a fox and his friend.
Remember when we talked about complementary colors setting the tone and mood? The rich red of the fox is set apart so dramatically from the snowy scene and the stark greenhouse. It’s a mood, and it’s a strong one. It’s so pretty, too.
Keep an eye on Enchanted Lion, folks. They are in the business of making beautiful books.
Be kind to a chased-away stranger today.
Review copy provided by the publisher.
Fall events are off and rolling! Here’s what’s going on this week:
Debut author Skylar Dorset will discuss and sign her novel for young adults, THE GIRL WHO NEVER WAS. In Selkie’s family, you don’t celebrate birthdays. You don’t talk about birthdays. And you never, ever reveal your birth date. Until now. The instant Selkie blurts out the truth to Ben in the middle of Boston Common, her whole world shatters.
Because her life has been nothing but a lie—an elaborate enchantment meant to conceal the truth: Selkie is a half-faerie princess. And her mother wants her dead.
Doris Fisher, won the Crystal Kite Award for the Texas/Oklahoma Society of Children’s Book Writers and Illustrators region this year for her book, ARMY CAMELS, TEXAS SHIPS OF THE DESERT. Doris will talk a little about her writing journey, so don’t miss hearing her story. Also, local writers who attended the National SCBWI Conference in Los Angeles this month will share what they learned from the many breakout sessions and keynotes.
Teen librarian Sandy Hall signs her debut YA romance novel, A LITTLE SOMETHING DIFFERENT, which was selected as the first novel to be published by Swoon Reads, a crowd-sourced teen romance imprint. This sweet romance between two college students is told from 14 different viewpoints. The creative writing teacher, the delivery guy, the local Starbucks baristas, his best friend, her roommate, and the squirrel in the park all have one thing in common—they believe that Gabe and Lea should get together.
Lea and Gabe are in the same creative writing class. They get the same pop culture references, order the same Chinese food, and hang out in the same places. Unfortunately, Lea is reserved, Gabe has issues, and despite their initial mutual crush, it looks like they are never going to work things out. But somehow even when nothing is going on, something is happening between them, and everyone can see it.
Please remember to check the website of the sponsoring bookstore or organization for the most up-to-date information on these events.
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Everyone knows about Saint Patrick — the man who drove the snakes out of Ireland, defeated fierce Druids in contests of magic, and used the shamrock to explain the Christian Trinity to the pagan Irish. It’s a great story, but none of it is true. The shamrock legend came along centuries after Patrick’s death, as did the miraculous battles against the Druids. Forget about the snakes — Ireland never had any to begin with. No snakes, no shamrocks, and he wasn’t even Irish.
The real story of St. Patrick is much more interesting than the myths. What we know of Patrick’s life comes only through the chance survival of two remarkable letters which he wrote in Latin in his old age. In them, Patrick tells the story of his tumultuous life and allows us to look intimately inside the mind and soul of a man who lived over fifteen hundred years ago. We may know more biographical details about Julius Caesar or Alexander the Great, but nothing else from ancient times opens the door into the heart of a man more than Patrick’s letters. They tell the story of an amazing life of pain and suffering, self-doubt and struggle, but ultimately of faith and hope in a world which was falling apart around him.
The historical Patrick was not Irish at all, but a spoiled and rebellious young Roman citizen living a life of luxury in fifth-century Britain when he was suddenly kidnapped from his family’s estate as a teenager and sold into slavery across the sea in Ireland. For six years he endured brutal conditions as he watched over his master’s sheep on a lonely mountain in a strange land. He went to Ireland an atheist, but there heard what he believed was the voice of God. One day he escaped and risked his life to make a perilous journey across Ireland, finding passage back to Britain on a ship of reluctant pirates. His family welcomed back their long-lost son and assumed he would take up his life of privilege, but Patrick heard a different call. He returned to Ireland to bring a new way of life to a people who had once enslaved him. He constantly faced opposition, threats of violence, kidnapping, and even criticism from jealous church officials, while his Irish followers faced abuse, murder, and enslavement themselves by mercenary raiders. But through all the difficulties Patrick maintained his faith and persevered in his Irish mission.
The Ireland that Patrick lived and worked in was utterly unlike the Roman province of Britain in which he was born and raised. Dozens of petty Irish kings ruled the countryside with the help of head-hunting warriors while Druids guided their followers in a religion filled with countless gods and perhaps an occasional human sacrifice. Irish women were nothing like those Patrick knew at home. Early Ireland was not a world of perfect equality by any means, but an Irish wife could at least control her own property and divorce her husband for any number of reasons, including if he became too fat for sexual intercourse. But Irish women who were slaves faced a cruel life. Again and again in his letters, Patrick writes of his concern for the many enslaved women of Ireland who faced beatings and abuse on a daily basis.
Patrick wasn’t the first Christian to reach Ireland; he wasn’t even the first bishop. What made Patrick successful was his dogged determination and the courage to face whatever dangers lay ahead, as well as the compassion and forgiveness to work among a people who had brought nothing but pain to his life. None of this came naturally to him, however. He was a man of great insecurities who constantly wondered if he was really cut out for the task he had been given. He had missed years of education while he was enslaved in Ireland and carried a tremendous chip on his shoulder when anyone sneered, as they frequently did, at his simple, schoolboy Latin. He was also given to fits of depression, self-pity, and violent anger. Patrick was not a storybook saint, meek and mild, who wandered Ireland with a beatific smile and a life free from petty faults. He was very much a human being who constantly made mistakes and frequently failed to live up to his own Christian ideals, but he was honest enough to recognize his shortcomings and never allow defeat to rule his life.
You don’t have to be Irish to admire Patrick. His is a story of inspiration for anyone struggling through hard times public or private in a world with unknown terrors lurking around the corner. So raise a glass to the patron saint of Ireland, but remember the man behind the myth.
Headline image credit: Oxalis acetosella. Photo by Erik Fitzpatrick. CC BY 2.0 via Wikimedia Commons.
Writer R.L. Stine plans to re-boot his popular Fear Street book series. The last Fear Street title was published back in 1999.
St Martin’s Griffin will release Party Games on September 30th. In an interview with MartiniProductionsNY, Stine revealed that he has 6 more Fear Street books planned for the future. We’ve embedded his announcement on Twitter below.
Here’s more from Bustle: “Stine’s Fear Street series was the YA equivalent to his middle grade series Goosebumps. It was ‘sleep with the lights on’ spooky, and occasionally just skewed the right amount toward silly. (Can I direct your attention to Cat?) The series was a commercial smash, and now it has acquired a cult following from twenty- and thirtysomethings across the country.”
New Career Opportunities Daily: The best jobs in media.Add a Comment
Teamwork Saying from an Unknown Source:
When I was in my teens, I kept certain memories secret, even (as best I could) from myself; otherwise, they would scald me from the inside out, boil me up in my own shame. For instance, when I was seventeen some stuff happened in a car with a stranger. I didn’t mention that stuff to anyone—and I mean not a soul—for at least ten years.
In my new novel, Rabbit Ears, I give that one awful experience in the car to my character Kaya, who is largely based on my sister, Sarah. Sarah started running away from home when she was thirteen, and ended up selling sex to survive and struggling with addiction in Vancouver’s inner city. In 1998, she disappeared. In 2002, her DNA was found on a serial murderer’s property.
In the story, Kaya doesn’t tell about what happens in that car. Unlike me, but like my sister, she is already holding bigger secrets. Those secrets—that killing silence—led me to tell Kaya’s story.
A few years ago, a woman I knew only a little bit emailed to ask if she could meet with me. She had a secret, she said, a secret about my sister.
“Yes,” I said, dreading what she might tell me.
She came to my house, a friend in tow for support, and told me that when she was a kid, Sarah was sexually abused by a neighbor. It went on for years, she said. It went on until puberty. This woman knew, because it happened to her too.
It was shocking news, horrible to learn that Sarah had suffered in that way when she was small, and that she never told us, to realize that her suffering began so much earlier than we knew. I found myself haunted by this new information, trying to take it in, to understand this new part of my sister’s experience, and her silence. Rabbit Ears arose from that haunting.
The story is fiction, but the Sarah in the story is real.
It was a joy, for me, writing my sister to life so long after her death. There’s a scene on a swing set that is drawn straight from a story a woman told me about her and Sarah. I changed its location. The little grey house where Sarah lived, at Princess and Hastings, is in the story as is the corner where she, and, in the story, Kaya, worked. When Kaya goes into Sarah’s house, she sees spilled pudding that comes straight out of my memories. And a scrawny kitten. And, outside, a glorious garden.
My book was always called Rabbit Ears because the older sister loves magic. I’ve only recently made the association between the ears and listening, paying attention. Then, while I was working on revisions, I saw an old video of my sister, and, for the first time in my life, saw that she had a Playboy Bunny tattooed on the top of her left breast. Rabbit ears. Thank you, Sarah, for your blessing!
I wanted to tell a story about a girl who went through what my sister went through, but survived, a story about a girl who broke the silence that was holding her prisoner, a story about a group of girls who paid attention, who reached out.
I believe in these possibilities for Kaya and for each one of us.
Maggie de Vries’s latest novel, Hunger Journeys, won the Sheila A. Egoff Children’s Literature Prize and was called “historical fiction at its best” by CM Magazine. She has written six other works for young readers, as well as one book for adults, Missing Sarah. A former children’s book editor and writer-in-residence for the Vancouver Public Library, she now focuses on teaching creating writing at the University of British Columbia and her own writing. She lives in Vancouver.Add a Comment
Summer 2014 behind us it’s time to move on to 2015 planning, as Wizard World has confirmed two more dates for 2015,
adding Louisville, KY and Reno, NV to its 2015 and bringing the total number of planned shows to 24. Tickets are now in sale for the first seven events of 2015, which will feature such nerdlebrities as Stephen Amell (“Arrow”), Evan Peters (X-Men: Days of Future Past), Tyler Posey (“Teen Wolf”), William Shatner (“Star Trek”),The Bella Twins and Michael Rooker. Get em while they’re hot! Here’s the complete 2015 schedule — new events are noted with an *. Still no return to New York City.
January 9-11 – Wizard World New Orleans Comic Con, Ernest N. Morial Convention Center
January 23-25 – Wizard World Portland Comic Con, Oregon Convention Center
*February 6-8 – Wizard World Wisconsin Comic Con, Alliant Energy Center, Madison, Wis.
*February 13-15 – Wizard World Indianapolis Comic Con, Indianapolis Convention Center
*February 20-22 – Wizard World Cleveland Comic Con, Cleveland Convention Center
*March 6-8 – Bruce Campbell’s Horror Fest (Chicago), Donald E. Stephens Convention Center, Rosemont, Ill.
*March 13-15 – Wizard World Raleigh Comic Con, Raleigh Convention Center
*April 24-26 – Wizard World Las Vegas Comic Con, Las Vegas Convention Center
May 1-3 – Wizard World Minneapolis Comic Con, Minneapolis Convention Center
May 7-10 Wizard World Philadelphia Comic Con, Pennsylvania Convention Center
May 22-24 – Wizard World St. Louis Comic Con, America’s Center
*May 28-30 – Wizard World Greenville Comic Con, TD Convention Center
*June 12-14 – Wizard World Des Moines Comic Con, Iowa Events Center
June 19-21 – Wizard World Sacramento Comic Con, Sacramento Convention Center
July 31-August 2 – Wizard World Richmond Comic Con, Greater Richmond Convention Center
August 20-23 – Wizard World Chicago Comic Con, Donald E. Stephens Convention Center
September 4-6 – Wizard World San Jose Comic Con, San Jose Convention Center
September 18-20 – Wizard World Columbus Comic Con (formerly Ohio Comic Con), Greater Columbus Convention Center
September 25-27 – Wizard World Nashville Comic Con, Music City Center
*October 2-4 – Wizard World Ft. Lauderdale Comic Con, Broward Convention Center
October 23-25 – Wizard World Tulsa Comic Con, Cox Business Center
October 29-31 – Wizard World Austin Comic Con, Austin Convention Center
November 6-8 – Wizard World Louisville Comic Con, Kentucky International Convention Center
*November 20-22 – Wizard World Reno Comic Con, Reno-Sparks Convention Center
LeVar Burton has won in the “Geek of the Year” category at the 2nd annual Geekie Awards. He received a special limited edition Gibson guitar as his prize.
New Career Opportunities Daily: The best jobs in media.Add a Comment
Starting in three weeks, I will be on tour in the US and UK.
Here are the dates!
Tues, Sept 23
New York Public Library, Jefferson Market Branch
425 Ave of the Americas
New York, NY 10011
For this special launch event, I will be joined by Libba Bray, Maureen Johnson, David Levithan, and Robin Wasserman! Books will be on sale here, as at all events.
Wed, Sept 24
Quail Ridge Bookstore
3522 Wade Ave
Raleigh, NC 27607
Thurs, Sept 25
Barnes & Noble
300 Neshaminy Mall
Bensalem, PA 19020
Sat, Sept 27
Politics & Prose
5015 Connecticut Ave, NW
Washington, DC 20008
Monday, Sept 29
St. Louis Public Library – Schlafly
225 N. Euclid Ave
St. Louis, MO 63108
Wed, Oct 1
Shorewood Public Library
3920 N. Murray Ave
Milwaukee, WI 53211
Thurs, Oct 2
123 W. Jefferson Ave
Naperville, IL 60540
Sat-Sunday, Oct 4-5
I’ll be in London, England for the Young Adult Literature Weekender
Details to come.
Wed, Oct 8
163 Court St
Brooklyn, NY 11201
Thurs, Oct 9
New York Comic Con
655 W. 34th St
New York, NY 10001
Tues, Oct 14
Barnes & Noble
Stonebriar Center Mall
Frisco, TX 75034
Thurs, Oct 16
Blue Willow Bookshop
14532 Memorial Dr.
Houston, TX 77079
Sat, Oct 18
12:25PM – panel event
2:15PM – solo talk
Austin Teen Book Festival
St. Edward’s University
3001 S. Congress Ave
Austin, TX 78704
Mon, Oct 20
6428 So. McClintock
Tempe, AZ 85283
Tues, Oct 21
1378 Lincoln Ave
San Jose, CA 95129
Wed, October 22, 2014
Books Inc. Opera Plaza
601 Van Ness St
San Francisco, CA 94102
This is a special ticketed event, where I’ll be giving loads of writing advice. Price includes a copy of the book. Fifteen percent of proceeds go to NaNoWriMo!
Sat, Oct 25
Boston Book Festival
1100 Massachusetts Ave
Boston, MA 02138
Nov 7 – 8
The Loft asked me for a blog post about diversity in kidlit:
“It’s so easy as an adult to fall into rigid and boring habits of mind about what young people “need” from us—as if all we had to offer was medicine—but a great thing about teaching a class for teens about fisticuffs and fornication is that conventional notions of what young people today “need” are pretty much out the window from the start. This was a class about wanting…”
The rest is at The Loft’s Writers’ Block blog.Add a Comment
|Prismatic Palette by Leslie Watkins|
|Landscape by Frank Vincent Dumond|
|Dumond, Christ and the Fishermen, 1891|
|From Pinterest via Outdoor Painter|
Reminder: New literary agents (with this spotlight featuring Valerie Noble of Donaghy Literary Group) are golden opportunities for new writers because each one is a literary agent who is likely building his or her client list.
About Valerie: Valerie Noble is an Associate Agent at Donaghy Literary Group. While studying chemistry at California State University, Long Beach, Valerie mastered the art of doing proper research, particularly for technical writing. Her love of science and reading merged when she began penning her first novel in the midst of her studies. In true scientific fashion, Valerie researched all there was to know about publishing. She connected with agents, editors, and other writers, and interned for Jessica Sinsheimer of Sarah Jane Freymann Literary Agency.
An education is never finished and Valerie continues to cultivate relationships and hopes to use her knowledge and skills in finding fresh new voices for Donaghy Literary Group.
She is seeking: Valerie is seeking Young Adult, and New Adult — in the following areas:
• Science Fiction YA/NA
• Fantasy YA/NA
• Historical Fantasy YA/NA
• Historical Fiction YA/NA
Valerie loves YA/NA science fiction and fantasy (think Kristin Cashore and Suzanne Collins) but reads everything under the sun. For her, it’s more about the writing and less about the genre. In saying that, Valerie is generally not interested in romance or paranormal.
Submission Instructions: Electronic Submissions only. Send the query letter, 1-2 page synopsis and the first 10 pages of manuscript — all in body of email, no attachments. Send to query(at)donaghyliterary(dot)com.
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