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I guess there's a nasa Hulk on the way, as shown in this new Marvel teaser, and he's got some on-trend athletic shorts but also a doorag or headband of some sort...not sure if that's in style or not. He also sports some kind of glove that would give away his identity.
By: Ray Rhamey,
Blog: Flogging the Quill
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Submissions Welcome. If you’d like a fresh look at your opening chapter or prologue, please email your submission to me re the directions at the bottom of this post.
The Flogometer challenge: can you craft a first page that compels me to turn to the next page? Caveat: Please keep in mind that this is entirely subjective.
Note: all the Flogometer posts are here.
What's a first page in publishingland? In a properly formatted novel manuscript (double-spaced, 1-inch margins, 12-point type, etc.) there should be about 16 or 17 lines on the first page (first pages of chapters/prologues start about 1/3 of the way down the page). Directions for submissions are below—they include a request to post the rest of the chapter, but that’s optional.
A word about the line-editing in these posts: it’s “one-pass” editing, and I don’t try to address everything, which is why I appreciate the comments from the FtQ tribe. In a paid edit, I go through each manuscript three times.
Before you rip into today’s submission, consider this checklist of first-page ingredients from my book, Mastering the Craft of Compelling Storytelling. While it's not a requirement that all of these elements must be on the first page, they can be, and I think you have the best chance of hooking a reader if they are.
Download a free PDF copy here.
Were I you, I'd examine my first page in the light of this list before submitting to the Flogometer. I use it on my own work.
A First-page Checklist
- It begins engaging the reader with the character
- Something is happening. On a first page, this does NOT include a character musing about whatever.
- The character desires something.
- The character does something.
- There’s enough of a setting to orient the reader as to where things are happening.
- It happens in the NOW of the story.
- Backstory? What backstory? We’re in the NOW of the story.
- Set-up? What set-up? We’re in the NOW of the story.
- What happens raises a story question.
Caveat: a strong first-person voice with the right content can raise powerful story questions and create page turns without doing all of the above. A recent submission worked wonderfully well and didn't deal with five of the things in the checklist.
Also, if you think about it, the same checklist should apply to the page where you introduce an antagonist.
Jacob sends the first chapter of The Freerunners
Please vote and comment. It helps the writer.
I’m trying a new poll approach. It occurred to me that asking if a narrative is “compelling” is a bit abstract. A sterner test is to ask if you would pay good money for to turn the page. With 50 chapters in a book that costs $15, each chapter would be “worth” 30 cents.
So that’s the question: would you pay that much to read the rest of the chapter? I won’t charge you, of course, but that’s the hurdle. Don't let genre/content affect your vote, decide on the basis of storytelling strength.
Please tell me in comments if you like/don't like this approach. Now for the first page:
It was the screaming next door that woke Caleb in the middle of the night. His eyes were wide open in an instant. The shriek was coming from barely metres away, its brutal pain seeping through the shabby walls around him. Caleb strained to sit upright; all the feeling in his arms and legs had disappeared. His heartbeat had erupted into a gallop, thumping like a caged animal beneath his chest. Any moment he expected someone to burst through the door and put him out of his misery.
That’s just the way things went in Groveville.
Then the scream turned to a sob, and Caleb could just make out a baby weeping. A man in the hallway was shouting in a foreign language, and much crashing and smashing could be heard. Swiftly the voice was cut off. Caleb was tempted to go out and see what was going on, but the action came to him first. He opened his door, gripping the handle very tight, and a bearded man named Rodriguez who lived across the hall was standing there to greet him.
Caleb raised his hands in defence, but there was something unnatural about the situation. Rodriguez made no attempt to move inside, and simply stood there with empty eyes and an awkward frown. Only when Caleb looked down did he see the end of a machete protruding through the man’s chest, blood seeping out in the dim light. Caleb stepped back, shock painted on his face, and Rodriguez toppled forward, face planting against the carpet. Caleb looked up, (snip)
If you could, would you pay 30 cents to read the rest of this chapter?
Well, talk about story questions! This opening did a fine job for this reader in provoking a need to know more about what the heck is going on here (even though there is a clarity issue to be resolved). I think the narrative could be crisper, too, but there are easy fixes. Notes:
It was the sScreaming next door that woke Caleb in the middle of the night. His eyes were wide open in an instant. The shriek was coming came from barely metres away, its brutal pain seeping through the shabby walls around him. Caleb strained to sit upright; all the feeling in his arms and legs had disappeared. His heartbeat had erupted into a gallop, thumping like a caged animal beneath his chest. Any moment he expected someone to burst through the door and put him out of his misery. Doesn’t seem like a shriek with brutal pain would “seep” through a wall. Wouldn’t it, for example, knife or stab through?
That’s just the way things went in Groveville.
Then the scream turned to a sob, and Caleb could just make out a baby weeping. A man in the hallway was shouting shouted in a foreign language, and much crashing and smashing could be heard. Swiftly the voice was cut off. Caleb was tempted to go out and see what was going on, but the action came to him first. He opened his door, gripping the handle very tight, and a bearded man named Rodriguez who lived across the hall was standing there to greet him. How can he be opening the door when his arms and legs have no feeling in them? Seems it would be really tough to walk and open a door.
Caleb raised his hands in defence, but there was something unnatural about the situation. Rodriguez made no attempt to move inside, and simply stood there with empty eyes and an awkward frown. Only when Caleb looked down did he see the end of a machete protruding through the man’s chest, blood seeping out in the dim light. Caleb stepped back, shock painted on his face, and Rodriguez toppled forward, face-planting against the carpet. Caleb looked up, (snip) Point of view slip in the “shock painted on his face” line—he can’t see what his face looks like if we’re in close third person POV.
For what it’s worth.
Submitting to the Flogometer:
Email the following in an attachment (.doc, .docx, or .rtf preferred, no PDFs):
- your title
- your complete 1st chapter or prologue plus 1st chapter
- Please include in your email permission to post it on FtQ.
Note: I’m adding a copyright notice for the writer at the end of the post. I’ll use just the first name unless I’m told I can use the full name.
- Also, please tell me if it’s okay to post the rest of the chapter so people can turn the page.
- And, optionally, include your permission to use it as an example in a book on writing craft if that's okay.
- If you’re in a hurry, I’ve done “private floggings,” $50 for a first chapter.
- If you rewrite while you wait for your turn, it’s okay with me to update the submission.
Were I you, I'd examine my first page in the light of the first-page checklist before submitting to the Flogometer.
Flogging the Quill © 2015 Ray Rhamey, story © 2015 Jacob
. . . his hands shaking. The masked killer in front of him yanked out the bloodied machete.
He stood before Caleb and cleaned his weapon of gore, not proud or ashamed of the murder just committed. He was simply doing his job, and the bearded man had gotten in the way. Now with the threat safely removed, he whispered to Caleb in a raspy voice, “The Growlers hunt tonight. You’d best get back to bed.” All Caleb could do was nod, and the Growler pulled the body outside before closing the door.
For a moment, confusion struck Caleb, but then he understood what had happened, and relief flooded his weary bones; he was going to be all right. The Growlers might be one of the harsher gangs in the city, but they were fair if you kept cool and minded your own business. The reprieve quickly turned cold and cruel though, the woman’s quavering voice next-door bringing him back to reality, “No! Take me instead!” There was a dull thud, and the plea was replaced with a monotonous moaning.
The baby’s crying picked up again, and now there was running in the hallway, the child’s sobbing moving further and further away until it was no more. Suddenly it was all very silent, the apartment residents contemplating what had happened: this wasn’t the first midnight abduction they had witnessed. That didn’t stop Caleb’s eyes from welling up though; he felt devastated for that poor woman.
The Growlers didn’t hunt for fun, only for profit in the form of manpower.
That meant the tearful woman next door would never see her child again. If she did, it would only be on the unfortunate end of a gun or knife.
That’s just the way things went in Groveville.
Today we're super excited to celebrate the cover reveal for VICARIOUS by Paula Stokes, releasing August 2016 from Tor Teen. Before we get to the cover, here's a note from Paula:
I am so excited to be here on YABC revealing the cover for VICARIOUS. This book has been the slowest of all my books as far as path to publication. I wrote it way back in 2012, but due to a variety of factors (finishing grad school, overlapping deadlines with my work-for-hire books, my option clause, etc.) it didn’t go out on sub until the end of 2013 and it’s not hitting the shelves until over four years after I started writing it. Having these characters in my brain for so long has made them incredibly real to me. I wanted a cover that did justice to their story and struggles, so what I asked for was a fierce-looking Korean model, the St. Louis skyline, and a dark, gritty futuristic feel. So basically this cover is everything I’ve ever dreamed of, and then some. Even the little things like the swirls of snow, the tilted horizon, and the fonts are perfect. I am so grateful to my editor Melissa Frain and the design team at Tor for coming up with this incredible cover art! I hope you love it as much as I do :)
~ Paula Stokes (VICARIOUS, Tor Teen)
Ready to see?
Scroll, YABCers! Scroll!
Here it is!
*** If you choose to share this image elsewhere, please include a courtesy link back to this page so others can enter Paula's giveaway. Thank you! ***
by Paula Stokes
Release date: August 2016
Publisher: Tor Teen
About the Book
Winter Kim and her sister, Rose, have always been inseparable. Together, the two of them survived growing up in a Korean orphanage and being trafficked into the United States.
Now they work as digital stunt girls for Rose’s ex-boyfriend, Gideon, engaging in dangerous and enticing activities while recording their neural impulses for his Vicarious Sensory Experiences, or ViSEs. Whether it’s bungee jumping, shark diving, or grinding up against celebrities at the city’s hottest dance clubs, Gideon can make it happen for you, for a price.
When Rose disappears and a ViSE recording of her murder is delivered to Gideon, Winter won’t rest until she finds her sister’s killer. But when the clues she uncovers conflict with the neural recordings her sister made, Winter isn’t sure what to believe. To find out what happened to Rose, she’ll have to untangle what’s real from what only seems real, risking her life in the process.
Great for fans of All Our Yesterdays, The Girl with the Dragon Tattoo, and Inception, Vicarious is an unforgettable, action-packed, high-tech thriller.
About the Author
Paula Stokes grew up in St. Louis, Missouri where she studied psychology, education, and nursing. In between her degrees, she worked as an English teacher in Seoul, South Korea. Paula is the author of several books for teens, including Liars, Inc. She currently lives in Portland, Oregon.
Twitter | Web | Facebook | Goodreads | Instagram
One winner will receive a signed ARC of VICARIOUS (when available).
Entering is simple, just fill out the entry form below. Winners will be announced on this site and in our monthly newsletter (sign up now!) within 30 days after the giveaway ends.
During each giveaway, we ask entrants a question pertaining to the book. Here is the question they'll be answering in the comments below for extra entries:
What do you think about the cover and synopsis?
Click the Rafflecopter link below to enter the giveaway:
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By: Patrick Girouard,
A spread from the first book in a series of five about the Fire-Breathers Academy.
By: Evil Editor,
Blog: Evil Editor
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The new Dancing with the Stars
Cast has been announced, and once again Evil Editor is not among them. The cast includes four people I've heard of: Chaka Khan and Gary Busey, who are both so old they couldn't do a slow dance without needing to crawl inside an oxygen tent: Paula Dean, who agreed to appear only if they didn't stick her with an African-American partner; and seventeen-year-old Mindi Erwin, whose claim to stardom is that her father was killed by a sting ray about a decade ago.
The other eight cast members I won't bother naming. Trust me, they aren't as famous as Evil Editor. I know this because I've never heard of them and I'm pretty sure everyone's
heard of Evil Editor. So what gives? Do they just not want to risk that an editor wins the mirror ball trophy instead of a no-talent celebrity? Not a problem. There's little chance I would even make it to the final four, and if I did, I'd throw the match and let someone who actually needs the publicity win. Screw 'em. If they don't want me, I know someone who will: American Ninja Warrior
The line between adult literature and YA is definitely bendy and sometimes more a “smudge” than a “line” (and then there’s that whole New Adult thing — remember that?) Not only are there great numbers of books that have been published for one community of readers and then been adopted by the other, there are also books that straddle the border, publishing as one in the U.S., the other internationally. Like, what’s with that, Australia? (Okay, okay; there are some British/UK ones too.)
The Book Thief by Markus Zuzak was originally published as adult, in Australia, but then published as YA in the U.S. Author John Green writes in an NYT review that he suspects the ambitious and emotional novel was actually written with an an adult audience in mind. But regardless of teen or adult reader, Green feels it is “the kind of book that can be life-changing.”
Margo Lanagan’s Tender Morsels follows Liga’s journey as she escapes horrifying abuse and raises her daughters, Branza and Urdda, in a parallel world. It’s a lyrical, fantastical fairy-tale complete with romance, violence (some graphic), and love. The book won a Printz Honor in the U.S., although it was published as adult in Australia. It was then repackaged and sold as YA in Australia.
John Connolly writes books for children (The Gates and the other Samuel Johnson series books, for instance) and adults (including the Charlie Parker detective series — what’s with all the mystery/crime crossover authors?). But at least one of his books has been marketed to both: The Book of Lost Things was originally published for adults in Ireland, but was given a more kid-appealing cover makeover to accompany The Gates U.S. release.
The Spell Book of Listen Taylor by Boston Globe-Horn Book honoree Jaclyn Moriarty, is about the trials and tribulations of the somewhat-magical Zing family. The book is a sort-of revised version of Moriarty’s Aussie novel I Have a Bed Made of Buttermilk Pancakes, from a different point of view: “I rewrote Pancakes because my American editor was intrigued by the character of Listen Taylor…The result is a different story, and one that is aimed more at young adults…” According to Moriarty, many reviewers went out of their way to say it wasn’t a children’s book (though it was published in the U.S. by children’s publisher Scholastic). The Horn Book Magazine reviewed it. Then put it on our “Mind the Gap” list as: “Best adult book on a children’s list.”
There are also books that have switched affiliation from printing to printing here in the States: Neil Gaiman’s Stardust was originally published as adult but then repackaged as a teen read (The Graveyard Book went the other direction, from middle-grade to adult). Same story for Francisco Jimenez’s Boston Globe-Horn Book-winning memoir The Circuit; it was published by New Mexico Press for adult readers, but repackaged for children when Houghton Mifflin picked it up.
Any others to add to the list?
For more on crossovers, click here.
The post Six of one, half a dozen of the other appeared first on The Horn Book.
There are only a few nationwide book chains left but those that remain really like comics. For example, Hastings, the nationwide chain that sells both new and used books, is teaming with Valiant to offer, “The Craft of Comics” – live-streaming comics making worksh0p with James Asmus (writing), Clayton Henry (pencilling), Ryan Winn (inking) and David […]
|Everest - courtesy of Universal Pictures|
(Venice, Italy) Baltasar Kormakur, the director of Everest
, the opening film of the 72nd Venice International Film Festival, is from Iceland, a geologically active land with erupting volcanoes, gushing geysers, as well as mountains and glaciers. Today, only about 300,000 people live on the 40,000-square-mile island, which makes Iceland the most sparsely populated country in Europe. Iceland taps into its excitable resources for energy, using geothermal energy -- heat from the earth -- and hydropower for 100% of its electricity.
Iceland was first settled by Vikings, and every time an Icelander wanders into Venice, they seem to radiate the power of a harnessed Wagner opera. During the press conference for Everest
, Kormakur was asked if the movie had any Icelandic qualities. Kormakur said, "I trained for the film every day as a kid, walking to school in a blizzard."
|Everest - courtesy of Universal Pictures|
To me, Everest
is a very Icelandic film. It is based on the real-life events of May 10-11, 1996, when eight people died attempting to summit Mount Everest, the highest point on Earth. We screened it here in Venice in 3D, which made vicariously climbing up the mountain and all its extreme challenges triply vivid, but I did not quite have the sense that I was actually there on the mountain -- you are not going to get vertigo from the heights.
It is not a blockbuster in the Hollywood sense. It is an ensemble piece, about several different adventure-for-hire tour groups and their clients climbing up Mount Everest at the same time. With all the heavy-weather gear and goggles, it is often difficult to distinguish Jake Gyllenhaal from Jason Clarke. I found myself longing for a protagonist to hold onto; someone to get to know more intimately; a hero that triumphs over all odds. There is none of that -- every character has weaknesses and strengths; every character is likable and not. No one particularly stands out.
|Everest - courtesy of Universal Pictures|
When a violent storm with hurricane winds suddenly attacks the climbers on the face of the mountain, a slow realization takes place. Everest
is not another "Triumph of the Human Spirit in the Face of all Odds" at all -- it is another story entirely. It is "A Day in the Life of Mother Nature," who does not care if human beings are climbing up the face of her highest mountain on Earth. She is simply being her fabulous self, thunderbolts, lightning, blizzards and all.
That eight people died on the same day was due to many factors, the most obvious one being that too many people were trying to reach the summit of Mount Everest on the same day, and there was too much congestion at a critical point -- about as glamorous as dying on the Los Angeles Freeway. Most of the people froze to death rather undramatically -- but, again, it is a true story.
|Everest - Courtesy Universal Pictures|
Why certain people have an obsession with climbing Mount Everest was not really answered; the standard "because it's there" is not a good reply. But it did cost a lot of money for the adventurers to pay for the privilege -- $65,000 back in 1996 -- and most of them were middle-aged men. Perhaps it's for the same reason why a middle-aged dentist would kill one of the world's most beloved lions for sport...
Maybe it takes a director from the Arctic Circle, the Land of the Midnight Sun and the Aurora Borealis, to tell the story of that fatal day on Mount Everest from the mountain's point of view.Everest
opens on September 18th.
Ciao from the Venice Film Festival,
CatVenetian Cat - The Venice Blog
P.S. Jake Gyllenhaal just gave some girls a thrill by signing autographs on the red carpet!
Cartoonist Glenn Head is a comics lifer, with a sensibility filtered through the undergrounds and decanted into the best of 90s alternatives. And how he's crafted a autobiographical comic called Chicago (Fantagraphics) that should be called "portrait of the artist as a young jerk" -- with Jerk meant in the most loving sense possible. It's quite a statement from a creator who hasn't gotten the attention he should in today's comics-loving wold. But Chicago, on sale today, will change that. And here's why.
Especially for the Storywraps' community...
Children's Book: The Prince And His Dragon: Magical Rhyming Bedtime Story - Picture Book / Beginner Reader, About the Power of Friendship (for ages 3-7) (Top of the Wardrobe Gang Picture Books 5) [Kindle Edition]
Melinda Kinsman (Author, Illustrator)
**Offered free on Amazon from September 2- September 5th **
Children's Books : Sweet as Fruit (Books for kids , ages 4-11 ) (Nutrition - Nutrition for Children Book 2) [Kindle Edition]
**Offered free on Amazon for the next 48 hours**
Please support our community by downloading (free) and enjoying these books. Full reviews of each will be coming in the future. Have an awesome day everyone! Happy reading.
It's a wrap.
Blog: The Open Book
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, Diversity 102
, Diversity, Race, and Representation
, Publishing 101
, African/African American Interest
, Asian/Asian American
, diversity baseline survey
, Race issues
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Exciting things have happened with the Diversity Baseline Survey since our last update!
The Diversity Baseline Survey gathers statistics on publishing staff and reviewers in four major categories:
3) Sexual Orientation
These categories will be further broken down by department. The goal is to have all major review journals and publishers—from small, to mid-size, to large— participate in this project. If we are serious about trying to address the lack of diversity in the publishing world, this is the very first step we need to take. Sharing our numbers as an industry will not only clue us in to important patterns that may be missing, it will also show that we are committed to change.
Since our last update, several new publishers have joined the survey, including Bloomsbury, Lerner Publishing, Chronicle Books and Abrams. More small publishers have joined, including Clean Reads, Dancing Lemur Press, L.L.C., and Owlkids Books. Macmillan, one of the “big five” publishers, has also joined. You can see the full list here.
All in all, almost 30 publishers and 8 major review journals will be administering the survey. This is huge.
This week, a supporter created the hashtag #BigFiveSignOn to encourage more publishers to join the survey, including the rest of the “big five” publishers (HarperCollins, Simon & Schuster, Penguin Random House, and Hachette), in advance of the mid-September deadline. We were thrilled to see the hashtag trending on Monday! Check out some great media coverage of the campaign from around the web:
“Diversity Matters: Lee & Low Push for Diversity in the Publishing World” at BookRiot
“Diversity Survey Deadline Nears” at Publishers Weekly
“Why I’m Asking that the #BigFiveSignOn” at SC Write
“The Page is a Mirror…Or Is It?” at Jamie Ayres’ blog
“Why #Bigfivesignon? #WNDB” at Coloring Between the Lines
Over at Change.org, our petition encouraging publishers to join the survey is now at almost 1,900 signatures. Have you signed yet?
The deadline for joining the survey is September 15, 2015. Help us encourage remaining publishers to join by spreading the word on social media using hashtag #bigfivesignon and by signing the petition!
Read our previous update on the Diversity Baseline Survey.
Learn about why we are asking publishers to join our Diversity Baseline Survey.
Sign the Petition.
Posted on 9/2/2015
"This month we have new fiction by Tade Thompson (“Child, Funeral, Thief, Death”), Isabel Yap (“Find Me”), and Marian Womack(“Frozen Planet”). Our reprints are by Liu Cixin (“Mountain”) and Kuzhali Manickavel (“Six Things We Found During the Autopsy,” a reprint from The Apex Book of World SF 4). We have poetry by Anne Carly Abad and Christina Sng, and Cristina Jurado wrote our nonfiction article discussing speculative fiction in Spain. Exclusive to the subscriber/eBook edition, we have excerpts from Escape from Baghdad! By Saad Z. Hossain and Sorcerer to the Crown by Zen Cho": Apex link
Btw, I have a review of Sorcerer to the Crown on Amazon.
By: James Gurney,
Blog: Gurney Journey
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We had many inspiring responses from artists around the world, ranging from seasoned professionals to people just starting out on the adventure of painting. In this post I want to spotlight a few of the results that I thought made the most of the opportunity, but I was impressed with everyone's effort, and grateful to all who participated.
It was really hard to select the winners, but I would like to give the Grand Prize to Jesse Winchester Schmidt, who painted "Sunrise Market." He says, "Sunrise is a well known market in downtown Vancouver. Always vibrant, buzzing with diversity." The striking color scheme came from using Indigo blue, Cadmium yellow, Permanent Alizarin Crimson and White.
Jesse painted the main piece in over four sessions, but he also produced more than a dozen preliminary sketches and paintings to help him warm up to the challenge.
Next up is Finalist Jared Cullum
of Richmond, Virginia, who painted Virginia's Historic 17th Street Farmer's Market. He used Cadmium Red, Yellow Ochre, Cobalt Blue & White. The perspective is very carefully drawn, the colors are muted, and the values are well grouped, making the piece look like it was done by a 19th century master.
He said his rig blew over four times because of that big wind-catching umbrella. Jared also said, "This is posted with a little bit of melancholy. As I was painting someone working the market came and sat with me and asked, "Trying to get it down before they tear it down?" Then he proceeded to tell me about how tomorrow they will be tearing this down to build a "shopping square" in it's place. No idea what that means for the farmers working but it's sad to see a historic thing go."
The next Finalist is Clay Brooks
of Denver, Colorado. He used Venetian Red, Oxide of Chromium, and Cadmium Yellow Pale, plus white. Those colors led to a harmonious and unified color statement, with the darks related to the tints.
I also like the way he handled the figures with just a few color planes stated very directly, since the figures must not have stood there long.
Clay said, "I was a little upset with my color choices in the beginning because it was impossible to get darker than 2 or 3 on the value scale. Also, subbing green for blue was interesting."
Architectural illustrator Jeff Simutis
is another Finalist. He painted the Marin Farmers Market in San Rafael, California using Ultramarine Blue, Burnt Sienna, Cadmium Yellow, and white. I love the way he echoes the colors and shapes throughout the picture and captures the bustle and energy of the whole scene.
This photo captures the busy scene that Jeff was facing on his standing tripod easel. You just know he must have had a million people coming up to him and offering comments, or saying "Paint me in! Har har!"
First up in the Honorable Mention category is Christian Schlierkamp of Berlin, Germany
. He used Cyan, Magenta and White on a yellow priming and watersoluble pencils in a Moleskine Watercolour book. I like the light and airy feeling that he achieved, letting the yellow color come through here and there, and allowing the line work to show.
Here's the view back toward Christian from the stand. Christian says, "The market stand shown is of my friend Horst Siegeris
where I buy all of our fruits and veggies."
The next Honorable Mention is Michael Mrak
, painting the Ort Family Farmstead Near Chester, New Jersey. He chose an interesting view looking in the corner doorway and up under the eaves.
The palette was Yellow Ochre, Ultramarine Blue and Venetian Red. Mike says, "It has been maybe 20 years since I limited my palette like that."
David Auden Nash painted this study using Vermilion, Sepia, and Ultramarine with an acrylic underpainting. The color statement is very exciting indeed.
Here's David Auden Nash in front of De Streekmarkt at Mariaplaats in Utrecht, Netherlands.
painted the Swarthmore Farmer's Market in Swarthmore, Pennsylvania.
The painting is 5"x7" and is painted in W&N gouache (Ultramarine Blue, Cadmium Yellow Pale, Perylene Maroon, Permanent White) on a Stillman & Birn Zeta Series sketchbook.
Charley says, "I frequently use a limited palette, but one that includes at least four colors — usually Ultramarine Blue, Cadmium Yellow Pale, Alazarin Crimson and a "helper color" like Burnt Sienna or Viridian. I didn't realize how much I depend on that helper color, which for a subject like this would have been Burnt Sienna. I would use it primarily to combine with Ultramarine to make grays and browns and to dull the bright yellow into ochre-like tones."
He continues, "I usually paint more natural landscape forms as opposed to cityscapes and artificial structures, and I'm not a particularly fast painter. I soon realized I'd taken on more than I could paint in a single session. Fortunately the weather cooperated and I was able to return to the same location under similar light conditions."Sherry Schmidt
painted the South Pasadena farmer's market in California with W&N Ultramarine, Alizarin Crimson, Lemon Yellow, and white, on cold press watercolor paper.
She says, "I taped over the other colors in my gouache palette so I wouldn't make a mistake! I enjoyed trying this and finally felt more comfortable as I got used to mixing with the three colors."
Finally, I'd like to spotlight the work of Matt Sterbenz
of Arizona. I like the way he focused on a smaller detail of the scene, and did a nice job capturing the flickering light and shadows. He used lemon yellow, burnt sienna, ivory black, and white.
Matt says, "A couple friends and I went to a Scottsdale nursery this morning. They have lots of benches and tables set up throughout the garden. The shelving there was made from old pallets and cinder blocks. Hiding from the sun in the shade, I painted this display of small bushes with Holbein gouache."
Finally, check out Dietmar Stiller's video of his painting experience. Link to YouTube
Have a look at the Facebook Event page
where all the entries are posted. My compliments to everyone who joined in, and hats off to those of you who bravely painted outside for the first time, or painted in gouache for the first time.
Jesse, Jared, Jeff, and Clay, please contact me to let me know where to send your official "Department of Art" patch as your prize.
The raunchy Comedy Central series is returning for 10 new episodes.
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A chance encounter proves fateful for two robots mining on a desolate planet.
By: Terry Hooper-Scharf,
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Vom 8. bis 11. Oktober 2015 finden mit der SPIEL
erneut die alljährlichen Internationalen Spieletage in Essen statt. Die „weltweit größte Publikumsmesse für Gesellschaftsspiele“ ist in den letzten Jahren auch für Comicfans zur wichtigen Adresse geworden. Seit die Frankfurter Buchmesse im vergangenen Jahr den Bereich „Faszination Comic“ abgeschafft hat (der Comic Report berichtete
), nutzen immer mehr Comicverlage den Messeauftritt in Essen im Rahmen der „Comic Action
“ als Alternativtermin.
2014 debütierte dort auch der Splitter Verlag
und war ob des großen Publikumsinteresses mit diesem Einstand überaus zufrieden. In zahlreichen Gesprächen vor Ort zeigte sich, dass man den Nerv vieler Neuleser/innen traf, die von der Vielfalt des Comics völlig überrascht waren und begeistert die neue Welt der Bildergeschichten erforschten. 2015 wird Splitter abermals auf der SPIEL vertreten sein und diesmal auf einem großen Gemeinschaftsstand zusammen mit Tokyopop/Popcom
Mehr auf Comic.de: http://www.comic.de/2015/08/comic-action-spiel-2015/