Michael is faced with the terrifying truth: the plot to implant artificial intelligence into unsuspecting gamers has begun. Will all of humanity fall under the control of the Mortality Doctrine? An action-packed read that hurtles the reader to a thrilling conclusion. Books mentioned in this post The Rule of Thoughts (Mortality... James Dashner New Hardcover [...]Add a Comment
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Blog: PowellsBooks.BLOG (Login to Add to MyJacketFlap)
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From the author of Little Pea, Spoon, and Duck! Rabbit! comes a uniquely magical tale of Uni the Unicorn. Uni is the only unicorn who believes little girls are real! Lovely illustrations by Brigette Barrager make this a wonderful and memorable read. Books mentioned in this post Uni the Unicorn Amy Krouse Rosenthal New Hardcover [...]Add a Comment
Blog: Laurasmagicday (Login to Add to MyJacketFlap)
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Some of the joy of travel is when I return home and share the fun and stories with my friends and family.
On this trip though, it occurred to me that I really didn’t have a home to come back to. Not the kind of home that I had always had. This thought kept me traveling for much longer that I had planned and would take me around the world. It was in the space of time when I left the plan behind that I realized home is no longer a place, but resides in my heart. And the heart, while fragile, has an infinite capacity for love.
Some trips shape me. Some trips change me. Some trips transform me. Some trips have affected my family and friends. And sometimes, the stories I tell and the gifts I give have reached beyond those I know and love. Far beyond anything I could have ever imagined.
This is the story of the bracelet.
Wherever I was, whether in the countryside on the outskirts of Melbourne, trekking the Himalayas, in the jungles of Java or on the shores of the Bali Sea, I had my eye out for little treasures. Unique gifts I could bring back for friends and family. As I was backpacking through the world, portability was key.
In Kalibaru on the island of Java I found and purchased a handful of beautiful handmade bracelets. For the next sixty days they would travel with me all over the world. When I returned to the U.S. I gave one to my very good friend. She loved the bracelet so much she never took it off. It stayed on her wrist as she journeyed to Wales and then to Africa.
And it found its way to a little village in northern Tanzania where a tribe of Maasai lived. The women of the village made bracelets to help support their families. The Maasai women surrounded my friend when they saw her bracelet. The idea of using different-sized beads on the same bracelet never occurred to them. The type of beads captivated them. The way the bracelet fastened was a curiosity. This gave the Maasai women lots of ideas about bracelets and their future designs. My friend bought one of their bracelets and when she returned home, she gave the bracelet to me.
And through my friend and the bracelet and the Maasi women, my home just got a little bit bigger.
So often in life we think that the little things we do don’t matter. We discount our influence or even our own significance, at times. But the biggest things we do can be the smallest. A smile. A joke. A well-timed call. A small gift. A simple treasure. The little things your heart whispers can bring so much joy to the world.
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Question: Do I need permission to use the name of Dracula in a novel? My idea is to have his son as my main character and Dracula as secondary character.Add a Comment
Blog: Poetry for Children (Login to Add to MyJacketFlap)
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As we "crossover" from summer to back-to-school, I want to encourage you to put Crossover, a novel in verse by Kwame Alexander on your must-share list for the new school year-- particularly if you work with kids in 4th - 8th grade. It's such a fresh story with twin 12 year old boy protagonists who love playing basketball and are growing up-- and maybe apart-- as they cope with middle school, girls, and the expectations of their parents. The poems are full of energy and propel the story forward energetically. But I especially loved the picture of family life that comes across as each boy is trying to carve out his own identity, their dad (a former pro basketball player himself) is a hilarious character with a big story arc of his own, and their mom is the school's vice principal-- more savvy than they give her credit for. The family dynamics are lively and authentic and the picture of life at school rings true too. I'm calling it part Love That Dog meets The Watsons Go to Birmingham meets Slam.
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Here are just a few nuggets from the Readers' Guide I developed for the book and you'll find the whole guide here.
- Jordan (JB) Bell
- Josh (“Filthy McNasty”) Bell
- Dad: Chuck Bell (“Da Man”), a former professional basketball player
- Mom: Dr. Crystal Stanley-Bell, the assistant principal at the boys’ school (Reggie Lewis Junior High)
- “Conversation” pp.17-19
- “The game is tied” p. 36
- “Mom doesn’t like us eating out” pp. 41-42
- “The inside of Mom and Dad’s bedroom closet” pp. 44-47
- “Dad Takes Us to Krispy Kreme and Tells Us His Favorite Story (Again)” pp. 63-65
- “Mom calls me into the kitchen” pp. 96-98
- “Phone Conversation (I Sub for JB)” pp. 106-109
- “Suspension” pp. 138-141
- “I run into Dad’s room” pp. 165-167
- “School’s Out” pp. 188-189
- “Santa Claus Stops By” pp. 207-209
- “Questions” pp. 210-211
- “cross-o-ver” p. 29
- “ca-lam-i-ty” p. 38-39
- “pa-tel-la ten-di-ni-tis” pp. 48-49
- “pul-chri-tu-di-nous” p. 55
- “hy-per-ten-sion” p. 76
- “i-ron-ic” p. 104
- “tip-ping point” pp. 118-119
- “chur-lish” pp. 142-143
- “pro-fuse-ly” p. 154
- “es-tranged” p. 187
- “my-o-car-di-al in-farc-tion” p. 201-202
- “star-less” p. 229
- poems in rap,
- incorporates the power of nicknames,
- connects with YouTube videos of sports and music figures in the book,
- looks at the role of rules in the novel,
- showcases various forms and types of poetry that are included,
- and examines the "crossover" themes.
Blog: Cartoon Brew (Login to Add to MyJacketFlap)
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The BBC created this video profile of Beijing, China-based animation studio Light Chaser Animation, which is one of numerous companies in China that is aiming to create high-end Hollywood-quality CGI.Add a Comment
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Italian fanzine Fumettologica has made an English transcript of their interview with Milo Manara available, and offered it to run at The Beat. And it’s…a thing. Like I’ve been saying all along, Manara is Manara and he can draw all the butts in thew air he wants. However, he trots out every bingo card argument there is, from “men are sexualized too!’ to blaming this on the spread of Islam (????!!!!!????). Also women evolved to be sexy.
Also censorship is a red herring here. The issue is a MARKETING one, and I still haven’t seen anyone address that from Tom Breevort on.
I must say, I like the idea of Spider-women advancing like a jaguar. Perhaps focusing on her rump was not the best way to convey this concept.
All that said, this Spider-Woman variant has now become a symbol for many things. It really isn’t just about her butt any more.
Fumettologica: How do you interpret the debate generated by your cover?
MANARA: Reading on the internet, I saw that the criticisms have two different motivations. One is the sexy and erotic side, the other is the anatomical error. Now, about the incompetence in the drawing I do not know what to say. Let’s say I’ve tried to do my best for 40 years. Nobody is perfect, and I may be wrong; simply put, I’m a professional, doing the best I can.
On the erotic side, however, I found it a bit ‘amazing. Apart from the fact that there is a mandatory thing that I have to start by saying: it seems to me that both in the United States and around the world there are things much more important and serious to worry about. The events at Ferguson, or the drama of the Ebola. That there are people getting angry for things like that … Unless there is, these days, a hypersensitivity to more or less erotic images, due to this ongoing confrontation that we are supposed to have with Islam. It’s known that the censorship of the female form should not be a feature of our own Western civilization. This is what I find also quite surprising.
QUESTION: The main criticism to your picture – although not new, neither in discussions about comics nor in your work – is that it represents a woman who is the ‘object’ of sexual desire, through a shape and a pose that is provocative, not very ‘natural ‘
MANARA: “What I wanted to do is a girl who, after climbing the wall of a skyscraper, is crawling over the roof. She finds herself on the edge, and her right leg is still off the roof. So the criticism about anatomical issues that were made, I think they are wrong: she’s not to have both knees on the roof. One leg is still down, and the other is pulling up. Precisely for this reason, also, then this back arched. This is what I tried to do”.
That said, it’s not my fault if women are like that. I’m only drawing them. It’s not me who made women that way: is an author much more “important”, for those who believe … For evolutionists, including me, on the other hand, women’s bodies have taken this form over the millennia in order to avoid the ‘extinction of the species, in fact. If women were made exactly as men, with the same shape, I think we would have already been extinct for a long time.
Also, I do not consider it one of the covers most erotic I’ve done. I think I have chosen, out of all the poses imaginable – and the proof is there, if one goes on the Internet, where I documented myself, to see all the photos of Spider-Woman – the one that is , even framing, less problematic . If fact the view is a bit from above. You do not see hardly anything. We see only that she has an ass, drawn this way. And it’s a girl with a nice ass, indeed, at least from my point of view.
That’s the way Superheroes are: they are naked, covered in whatever color of paint. Superman is naked painted blue, Spider-Man is naked painted red and blue, and Spider-Woman is painted red. But that’s part of the “trick”, so to speak, that publishers use to create these forms of superheroes nude – of which I do not find anything wrong – but without real nudity. When we see them later in the stories, going beyond the cover, these are characters whose bodies are “in view”.
QUESTION: In addition to the form, however, it’s also the position. Don’t you see it as something provocative, if not problematic, in itself?
MANARA: It is actually a girl who is crawling, or rather, advancing at the pace of the jaguar. After climbing the wall of the building, she is pulling herself on the roof of this building. That’s how I see it. Sure, of course, since women are built in a certain way, any movement they make, if they are nude … and to some degree, more or less, all super heroines are naked. And this cover isn’t any different. And Spider-Woman is not gonna be sitting in a chair, right? But if one goes on the internet to see all the other images of the character, there are many far more erotic, and if they were naked, they would be more vulgar than what I did. Instead, as we know, this leotard, this – let’s say – ‘colored plastic wrap’ is what saves all appearances.
QUESTION: The debate remains open, however, and very timely. To add an item to the discussion, there’s also the intervention of the vice president of publishing at Marvel, Tom Brevoort, who said ” It’s, for a Manara piece, one of the less sexualized ones, at least to my eye. Maybe others feel differently.
But given that the character is covered head-to-toe, and is crouched in a spider-like pose, it seems far less exploitative to me than other Manara pieces we’ve run in previous months and years. (…) I think a conversation about how women are depicted in comics is relevant at this point, and definitely seems to be bubbling up from the zeitgeist.”
It seems that this cover has come at a time when even in the comic field there is a somehow new sensitivity: it’s not acceptable anymore to see some excesses in the ‘provocative’ representation of women.
MANARA: I can understand, of course. As I also understand people who have felt offended. But I understand in the sense that it suddenly opens my eyes, and I have to acknowledge that what I think is a beautiful picture, nice, attractive, seductive – that is exactly my purpose, or what I want to achieve – for others it is disturbing. But this is something that I have to face every time I. And by the way it keeps surprising me more and more.
If you go to the beaches now, you see girls whose scanty swimwear totally let see the shapes of their bodies. Of course, for someone that can be an image that is disturbing, but not for me. In fact, I’m sorry, but my aim – when I’m asked to draw – is trying to communicate serenity, more than seduction.
QUESTION: What has struck some commentators and writers – Dan Slott for example – is that we have raised so much amazement on a job perfectly in synch with your extensive career, which is known to everyone. Others have instead asked why all this has happened with one of your drawings and not others, suggesting how in your touch there is a graphic load that, for better or worse, makes the strongest erotic impact of the bodies you draw.
MANARA: If that were so, it would be a great compliment. I tend to believe that maybe I was already in the crosshairs of some commentators or bloggers who have seized the opportunity, even though it wasn’t the most convincing one, to raise such a problem. I understand the controversy over the fact that the use of women bodies is a sensitive issue. And I couldn’t agree more on the fact that the female body should not be used in advertising, for example, to sell … silicone sealant. The thing that I do not agree is not so much the fact that these images are erotic, but the fact that they are banal. Everyone is capable of assign beautiful image to any product: it is clear that you transfer to your product the beauty of that image. A trick so trivial that I find cloying. But when it comes to draw a character in red tights, whose line of work is skyscraper crawling, I see no scandal in the fact of drawing her in a seductive way. Because I imagine that’s how she is.
I don’t know if this character will also become a movie, but it does, I think they would have their sweet problems to make her do what Spider-Man does (frame her in the same vicissitudes and athletic performance and so on) without her becoming seductive. If she’s played by an actress endowed with an ass, it is clear that her ass will be seen. I0m reminded that her tights are “painted on” … I also noticed that some website says that more than a suit, what you see in my drawing, it’s body painting. It’s true. Sure it is. But because it is so in all the superhero comics: These tights are painted on them. You don’t see a crease, a wrinkle. You read the muscles perfectly.
I’m not so convinced, though, by the last part of the controversy. That is, those who accuse Marvel that while trying to take a stab at capturing the female audience, by using a cover of that kind, they’re commissioning it to me, an artist who, you know, has a male audience. I totally reject this. My audience is at least 50% female. I know it for a fact because when I go to festivals, and I see the queue of those who put themselves in line to get signed books, there are more women than men. Therefore, I also reject the notion that the celebration of the female body interests only to males: I do not think so.
Ah, there’s also those who insinuate the whole controversy is manufactured on purpose. I can only say I did not know anything until I was informed about it. If anything, from my point of view, I have to congratulate Marvel, who showed respect for a drawing that, as horrible as it might be, no one asked me to do any kind of change. I do not think it was worse than others, or more scandalous than others. And in front of an image of seduction I feel joy, not repulsion.
QUESTION: The author of the regular cover, Greg Land, it’s been noted that he is known to sometimes use photos of porn actresses to draw poses in his comics.
MANARA: I wasn’t aware of that. I respect very much Land as a draftsman. I see that he is one of the most realistic, and I assumed that he used models, but that he traced pictures of that kind, that I did not know. Unless it’s not just unsubstantiated slander? I like his art because it has a certain evocative power, sometimes strong, impressive, so he’s among the ones I like. I have seen, anyhow, that some have given anatomy lessons to him too. You never stop learning.
And anyway, I have to say this: the last thing I want is “épater les bourgeois” (shock the bourgeoisie), or offend someone. I just want to make something seductive that provides five minutes of relaxation. It’s all there is. The reason why I agreed to do some covers for Marvel when they asked me is because I think that in some remote farm in Maine or Oregon there was anyone who would read these comics, perhaps saying “ah, what a beautiful girl “. It’s all there is. I’d be more than satisfied if such a thing were to happen. But I do not think a design like the one on the cover of Spider-Woman could have masturbatory consequences. I do not think; it must be seductive, and I’ll do my best for it to be that way. As I said, the perspective that I chose – I have not framed her from behind, from beneath, etc. – is from above. And from height you see her sinuous back and you see her two buttocks. But it is not what you see, it’s what you know.
I’m tempted to circle back to the beginning: I think there are other things to worry about. but if you please, however, one last thing. To date I have not heard from Marvel (these days there are some communication difficulties, but I think I’ll hear from them soon, next week). But it seems to me that this cover has not yet been published. This is to say that it may well be that Marvel, seeing these controversies, withdraws it and does not publish it. Who knows, maybe we are talking about nothing: Marvel decides not to publish it so then it’s “goodnight to the bucket” (Italian expression that means “and then we’re screwed”). In any event, just for completeness, I remember that they asked me to enlarge a little bit the costume of one of those covers. So in general, if they have any objections, they tell me. And I concur: since the responsibility is theirs, it is their right to be cautios. Furthermore, it’s the American market, so whatever… Also, I was given this assignment 3-4 months ago. It was and remains only a celebration of the body, without any manipulation. I’d understand if they were real girls, forced to do things they do not want to do, for commercial purposes. But it’s just drawings, santa pazienza (holy patience).”Display Comments Add a Comment
The most recent addition to the complete review is my review of Austrian-Japanese author Milena Michiko Flašar's I Called Him Necktie, coming out soon from New Vessel Press.Add a Comment
Blog: Cartoon Brew (Login to Add to MyJacketFlap)
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A girl has to conquer her fear for her grandma who is deathly ill.Add a Comment
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Today, August 22, marks former Head Boy Percy Weasley's birthday! Please join us in wishing this Weasley brother a very happy birthday!Add a Comment
Blog: Writing and Illustrating (Login to Add to MyJacketFlap)
JacketFlap tags: authors and illustrators, demystify, illustrating, Illustrator's Saturday, inspiration, Interview, Process, Agentina, Children's Illustrator, Inés Hüni, Add a tag
Inés Hüni was born in Mendoza (Argentina), the land that produces the finest Malbec wine grapes in the world.
She remembers that as a little girl, she always dreamed about having her “taller de arte” with lots of small “frasquitos”, colored pencils and brushes of all sizes.
She moved to Buenos Aires – the big city – when she was 11.
During high school, in her spare time, Inés was always involved in drawing and arts & crafts activities. She could not wait to finish high school in order to begin studying what she really loved: Arts.
She graduated from Fine Arts with major in drawing and engraving. Inés also studied humoristic drawing and animation with some of the finest professors in Argentina and USA.
Ines is a great observer of the world that surrounds her. She loves the challenge of interpreting every brush stroke of reality and capturing it in her artwork.
Already married and with two daughters, she moved to México. What was initially supposed to be a 3-year-experience, but it has now turned into an 8-years-one, tasting and living Mexican flavors and colors. The family has recently added a fifth member, her little Mexican daughter named Mora.
Inés is a versatile creative professional. She illustrated children magazines, scholastic manuals, worked for animated movie studios, developed characters to be used in murals and posters and has illustrated several children’s books from renowned Editorial Houses from many countries.
Some of her customers are: Animation: Heart of Texas Productions (Texas, USA) in films for Disney Studios, Warner Bros and Lyric Corporation – Illustration: Garcia Ferré, Infantil, El Gato de Hojalata, Guadal, Perfil and Quipu (Argentina), Richmond, Mac Millian, Cordillera, Trillas, and Bilineata (Mexico), Santillana (Puerto Rico & U.S.A)- Everest (Spain).
Here is Ines explaining her process:
This is one of my illustrations in “Mymini moleskine.” Myninimoleskine is a little red sketchbook that I take everywhere, especially if I travel.
The idea is to draw women in different poses and moments of their lives, in one small space, that’s a challenge!
I start the sketch with the blue pencil and on it I remark with black pencil.
Here we have a sketch of a woman who is a football (soccer) fan. She is celebrating a goal with all her soul. That’s an example of how I like to start with the blue PRISMACOLOR col- erase pencil and then remark with black pencil.
Woman of the Cats: here you can see the hole process and my work space.
After scanning I clean it up with Photoshop.
This is my workspace with my lightbox, I use this table to trace and transfer the illustration to a good paper. You can also see all my painting materials, including color inks and watercolors.
You can see how I start to paint the big areas and views of my desk and materials.
Continue to paint.
With the whole illustration painted, I begin adding details with color Prismalo Carandache pencils.
Illustration almost done.
Here are several drawings I made after a trip by the south of Mexico, in Chiapas State. I was delighted by this place, especially by a town called San Juan Chamula, it’s church, and it’s popular market.
How long have you been illustrating?
I always drew, but it has been 20 years since I started to illustrate.
How did you go to school to study art?
I wanted to study Fine Arts since I was a little girl.
I finished school since I needed to, in order to pursue a University Degree in Arts.
When the time came to choose a career I had no doubts in my mind: Fine Arts. At the same time, I took a course in Humoristic Drawing in another school.
It was a lot of fun since I realized that everything that I was learning was really interesting to me.
What made you move from Argentina to Mexico?
We moved to Mexico with my family due to my husband’s job. It was supposed to be a 3 year experience but it has been almost 9 years already!
Do you think the culture of Argentina influenced your style?
Every experience a person has gone through contributes to defining you as an individual. Regarding specifically my illustration style, I think I have influence from many places, not only from my Argentinian background, but also from other places I have visited, books that I read, movies that I watched and also from some of my colleagues’ works.
What was the first art related work that you did for money?
That is a tough question! I started out by doing Christmas Cards and painting T-Shirts with original designs. I guess my first customers were my parents and my family.
Did you start out doing freelance art or did you do other work to pay the bills?
It was really a mix. At the same time that I looked for free-lance jobs, I worked in a greeting cards editorial house (similar to Hallmark) and also worked in a company that made sticker albums.
How did you get involved with animation with Heart of Texas Productions (Austin,Tx USA) in films for Disney Studios, Warner Bros and Lyrick Corporation?
Wow, that was one pretty chance! My husband and I had just moved to Austin, Texas to study a postgraduate and a neighbor of our condominium worked in that study of animation. When the person who rented us the apartment learnt that I was an illustrator, she made arrangements for me to visit the studios. After the tour, I asked if I could show my portfolio. I think that they had not finished telling me that I was already leaving my folder with them. A few days later I was called to sit for a test and then I was chosen. In Heart of Texas, we also worked for larger studios such as Disney, Warner and Lyric Corporation and that is how I ended being part of films like Aladdin, The Quest for Camelot and three children’s animations on St. Francis and his friendly world.
Do you still do animation?
No. Animation was a great learning experience and I learned it well from the inside: I was trained while I worked in Heart of Texas. In addition to that, I attended College where I experienced going through the whole process of designing: from scratch, to filming my own short (very short) animated movie.
I soon found out that the process of making animation was like a very long, mechanical chain, where one is just a small link and the only way of applying your own creativity was by designing the characters, backgrounds or the story itself. So I turned completely to illustration, which is less mechanical and a greater challenge, because each job order demands my own imagination and creativity.
What type of work did you do right after you graduated?
I worked doing typographies and some illustrations for greeting cards.
When did you decide to get involved in children’s illustration?
Well, as I already said, while I was studying Arts, I attended another school for humorous drawing, where I learned the basics on how to create characters and move them from side to side, to explore and to draw different topics and to make comic strips… But while I was studying, I realized that it would be hard for me to come up with a joke every day to go with an illustration, like the comics in newspapers. That was when I said to myself: my thing is children’s illustration. I do come up with cute illustrations that can actually be funny but are still not the daily joke or comic strip.
Have you ever illustrated a children’s book or book dummy?
Yes, I have several illustrated books:
The collection Palabrerio by Infantil.com
The collection Hadas Virtuosas – Editorial Guadal, El Gato de Hojalata
Collection Hadas con patitas – Editorial Guadal, El Gato de Hojalata
Several pedagogical publications with Santillana of Puerto Rico and the United States.
Historias maravillosas de la Biblia [Wonderful histories of the Bible] – Publishing Everest.
Deseo of Mateo [Mateo’s wish] – For Kraft, Oreo
Kazurá.Un manifiesto infantil – Editorial Quipu
It looks like you have a friend who writes and you do the illustrations. Could you tell us about how the two of you connected and how many books have you done?
Yes, my friend Agustina, another coincidence in my life! One day in Mexico, I went to a birthday party where new comers had just arrived. I ended up sitting next to one of the new ones, and the host looked at us and said: “Inés, this is Agustina and she writes. Agustina, this is Inés and she illustrates. You must know each other!” Just a few days later, I was contacted by a publisher to make a Christmas Story for Kraft Foods about the Oreo cookie. They wanted it immediately but there was no story yet and they requested the cover and an inside page… I told them that I knew two writers and we could see if they already had something written to adapt into the project… So I contacted both writers. Agustina responded immediately with a story, thought and written especially for the project. It was called “El deseo de Mateo” [Mateo’s wish].
It ended up being a beautiful book, and the best part was discovering what a wonderful team we made together. Then, new projects came up and we continued working together.
Recently our book “Kazurá” was published. It is an illustrated children’s book that we presented in Buenos Aires Book Fair this past July and continue to promote here in Mexico.
What do you consider is your first big success?
I believe that my biggest success is to be able to turn my passion into work, to let my imagination fly, to face challenges with each job order, which sometimes can be something completely new in my life. I sometimes worry but in the end, I always come up with something that I like, and that amuses me!
Each stage of my life had its own hit, like working for Disney and Warner Bross or winning a contest for and important hospital: My character became the Pediatrics’ mascot!
Success for me also meant travelling to the greatest Illustration Fair in the world (Bologna) and being contacted for different jobs after those interviews. And lately, success meant to materialize one of our projects with Agus: our book “Kazurá” recently published.
How did that come about?
The most recent success was our book “Kazurá”, which we worked jointly with my friend Agustina, designing each word and each illustration so that each of us, in our own specialized language, would tell the same story without repeating each other. We made a very good presentation of the book, with a dummy, at the Book Fair of Guadalajara. This was an efficient way to introduce ourselves and the book to the different publishers. Not only did we make a good impression on them but we ended with more than one publishing offer for “Kazurá”.
How do you promote your work to get more business?
Mainly through Blogs and webpages. I am in Childrensillustrators.com and I have recently created a blog on Facebook called “Hüni la ilustratera”.
I also promote my work presenting dummies of books in fairs such as FIL de Guadalajara in Mexico (the greatest Spanish-speaking fair of the world ) to show a complete, well presented idea, something which publishers seem to look forward to seeing, lately.
The above is an illustration which represents everything that a book can contain, and how they can amaze us. In this illustration I used a photograph of a painted wall taken by me, as a background. Then I worked on creating the characters with several sketches. I transferred them into final lines in good paper, then I scanned them and once in the computer, I worked digitally on the color in Photoshop.
What materials do you use to paint your color illustrations?
I like to work with inks and watercolors, on good papers, and on those backgrounds I work on the details with coloured pencils. Finally, I finish up digitally in the computer. Lately, I have been applying textures and photos with digital collages.
How I work:
Here is a link to a video of an e-book called “Al son the Rigoberto”, a story about frienship between a mosquito and an elephant. It is in Spanish, published by Editorial Bilineata. https://itunes.apple.com/us/book/al-son-de-rigoberto/id658854724?l=es&mt=11
Do you do any black and white illustrations?
Yes, I do. Although I am a colour fan, I have studied and made many engravings in the past during my Fine Arts career. I also made several comics with ink and pens. It is a different type of exercise, to think in black and white, and I love it, especially in my sketchbooks.
Above and Below: Painted with inks and watercolors (usually I use Colorex by Pebeo) in a good watercolor paper (Strathmore cold press), retouching the details with colored pencils (Prismalo by Carandache). Finally, after scanning it I worked digitally with Photoshop. The shells are a digital collage of my photographs.
Have you done illustrations for any children’s magazines?
Yes, in Argentina I worked for García Ferré’s magazine “Anteojito” and for women’s magazine called “Mia” by “Editorial Perfil”.
Above and the four below are illustrations made for a collective exposition in honor to the Grimm brothers, the story I had to illustrate was “All-kinds-of-fur” (is that the translation in English for Bestia Peluda?) – 2012 Buenos Aires International Book Fair.
Have you done any work for educational publishers?
Yes, I worked for many educational Publishers illustrating pedagogical texts.
What is the one thing in your studio that you could not live without?
Uh, one? Just one? I cannot work without good light or without music. And, by all means, I am very careful to have the right and best materials to work… If I must choose just a single item, that is a good, well-sharpened pencil.
Do you try to spend a specific amount of time working on your craft?
In theory, I try to… but in practice, I can´t always do so. I generally work at night. I like it when everyone at home is asleep. I do burn the midnight oil.
Do you have an agent?
I do not have an agent. And yes, I would love to have one that could make my work known worldwide and sell it for me.
Do you take pictures or do any types of research before you start a project?
I am also a photographer. It is a great advantage that today we have easy access to document everything that we like or calls our attention. When I began to study humoristic drawing, the professors encouraged us to have a file with cut-outs and photos of things that helped us draw, for example: things from the field and from the city, examples of animals and of different leaves and plants. Today, everything is a click away and we must do research before we begin to draw.
Do you think the Internet has opened doors for you?
Absolutely! Today, you can be reached from anywhere and everywhere in the world.
Do you use Photoshop or Corel Painter with your illustrations?
I use both. They are the absolute key to my work.
Do you own or have you used a Graphic Drawing Tablet in your illustrating?
A long time ago, I believe in 1998, I bought my first Wacom tablet. Today, I cannot work without it!
Do you have any career dreams that you want to fulfill?
Yes, indeed… there’s always a goal ahead.
What are you working on now?
I am working on a new book and a complete project to take to FIL de Guadalajara, and on personalized illustrations that my clients have ordered.
Do you have any material type tips you can share with us? Example: Paint or paper that you love – the best place to buy – a new product that you’ve tried – A how to tip, etc.
In animation I learned to sketch with blue pencil, Prismacolor Col-Erase is the brand, which has become almost an addiction to me as I can no longer sketch without them. The idea is to make all the necessary lines and scribbles in blue and then clean up the definitive lines with a black pencil.
There are some drawings that I like better in their primary state of sketch, and sometimes I decide “not to remark them with pencil or ink” and even let them without paint.
Any words of wisdom on how to become a successful writer or illustrator?
I really don’t know how to be a successful writer or illustrator, but I do know that a great part of our learning takes place as we observe, and perfection is reached through practice.
The more you feed your senses, the better you tell the story.
In reality, writers and illustrators are devoted to tell, to convey something. Nobody can do this successfully, unless they know it and feel it deeply from within. Last but not least, it is important to demand respect and value for our work so that our profession keeps growing strong.
Thank you Ines for taking the time to share your process and journey with us. We look forward to hearing about your future successes.
To see more of Ines’ illustrations you can visit her at:
Please take a minute to leave a comment for Ines, I know she would love to heard from you and I always appreciate it. Thanks!
Filed under: authors and illustrators, demystify, illustrating, Illustrator's Saturday, inspiration, Interview, Process Tagged: Agentina, Children's Illustrator, Inés Hüni Add a Comment
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A pastor in Ohio has filed a complaint about vampire books in the YA section of his local library and asked that the titles be removed. Rachel Mead’s Blood Promise, Matsuri Hino’s Vampire Knight and Stephanie Meyer’s Twilight series were all cited in his complaint.
Pastor Phillip Missick claims that the titles are “dark,” “sexual” and “dangerous for our kids.” ABC News has more:
Cleveland City Manager Kelly McDonald declined an interview but we have Library Director, Mary Cohn’s response to Missick’s complaint, as well as to a petition he had signed by a handful of local pastors. She noted only five percent of all the 1,500 titles in the teen section deal with occult, vampires and the supernatural, and then spoke to the mission of a public library saying materials should not be chosen or removed because of partisan or doctrinal disapproval.
New Career Opportunities Daily: The best jobs in media.Add a Comment
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Tukwila WA is one of the country’s most diverse cities. In part, it’s a hub for many Somali immigrants who attend mosque, visit the local ethnic shops and restaurants, and find support at the Somali Community Services Coalition (SCSC). SCSC has a vital presence in Tukwila, offering an array of social services for their clients, Somali language instruction for non-Somali-speaking adults, and both afterschool and summer programs for children. These refugee children are placed in the appropriate grade level by age when they arrive in the U.S.A. If a 5th grader doesn’t know English, nor is literate, it’s a struggle to keep up, especially with parents at home who can’t help them with their lessons, so I formed a partnership with the Youth Program Manager of SCSC to help reduce the summer slide. We made arrangements for two dozen elementary students to visit our library once a week during their summer school period. Our main goal was to improve the students’ reading skills, but we also hoped the Somali children would become familiar with library staff and feel comfortable using the library. I lined up our teen Book Buddy volunteer to help out with one-on-one reading sessions. Additionally, I was tasked with providing library materials to match different themes each week.
Working with this group required a fair amount of flexibility and creativity. Challenges began on the first day – we wouldn’t be doing activities based on a theme, we’d simply be reading. I had to quickly come up with some activities and reading games that would work for children ranging in ages 4-10. Those leftover science storytime materials from the previous night sure came in handy! In preparation for the following weeks, I thought of different ways of using our Bananagrams, and I took ideas from Reading Games for Young Children by Jackie Silberg. Her book offers a ton of ideas that can be adapted for early English language learners. I tried to make our reading activities fun for all the children.
The sessions were chaotic and meetings sometimes fell through. Managing this boisterous group was demanding, usually requiring constant interactions with several young people at once. But contributing toward the success of these students felt rewarding, and it was truly fun! They were so enthusiastic about learning! I’ve been asked to resume working with the students in the afterschool program this fall and I’m looking forward to our continued partnership.
-Gaye Hinchliff, member of School-Age Programs and Services Committee, is a Children’s Librarian at Foster Library, a branch of the King County Library SystemAdd a Comment
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here about my husband's work as a ceramicist and photographer.
I can now share that exquisite work here. Bill made all of the pots, arranged, lit, and took the photographs, and designed the book, which he will soon be sharing with ceramics studios.
I, however, love the work so much that I have asked if I might share it with all of you.
The link to the Blurb book preview is here.
In a few weeks I'll be sharing Bill's new web site, which features this work, his 3D design work, and his photography. Add a Comment
Question: I am currently writing a science fiction with dialogue and this is my first time writing. I'm well into the book with a word count of over 45,000,Add a Comment
At PEN Atlas Paulo Scott writes on Identity and durability, arguing:
The period of recent Brazilian democratisation (...), has so far failed to produce an even moderately impressive number of novels that manage to get away from the reality of white guys, living in the big urban centres, belonging to a middle class that is modernised and advantaged. Nor has it produced novels that risk a more substantial (and also more vertically-oriented) and challenging weighing-up of the social impact of recent political choices.Indeed, he thinks:
From this perspective, contemporary Brazilian literature (...) is still quite timid compared to what is being produced in the rest of Latin America, from Mexico to Argentina.In English we of course only get a sliver of the big picture (since very little is translated), but from that limited vantage point the differences don't seem so great.
Scott's Nowhere People is just out from And Other Stories -- see their publicity page, or get your copy at Amazon.com or Amazon.co.uk. I have a copy, and will certainly be taking a closer look. Add a Comment
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Discovering the secret to eternal youth is great and all, but middle school is weird enough without having your suddenly-13-years-old-again scientist grandpa hanging around. In The Fourteenth Goldfish, Ellie's in for a wild ride — big adventure, mystery, and lots of cool science. Books mentioned in this post Portland Noir (Akashic Noir) Kevin Sampsell Used [...]Add a Comment
From Simon & Schuster Written by Joshua David Bellin Fourteen-year-old Querry Genn's world is a desert where small groups of survivors struggle against heat, starvation, and the creatures known as the Skaldi, monsters that appeared on the planet after war swept away the old world. Suffering from amnesia brought on by an accident, Querry struggles to recover the lost memories that might saveAdd a Comment
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"The authors of books for children enchant us with clarion calls that transport us to desinations in the mind, turning us into adventurous hunters, even when we are sitting still, not moving an inch." -- Maria Tatar, Enchanted Hunters,The Power of Stories In Cildhood
My Neighbor Totoro (illustration above) is from the enchanted world of the great Japanese story teller and film director, Hayao Miyazaki.
Newly Discovered Fairy Tales are Coming
Here's the informative announcement on Amazon :
"With this volume, the holy trinity of tellers of fairy tales—the Brothers Grimm, Charles Perrault, and Hans Christian Andersen—becomes a quartet. In the 1850s, Franz Xaver von Schönwerth traversed the depths of the Black Forest and scaled the heights of the Bavarian Alps to record fairy tales, gaining the admiration of even the Brothers Grimm. Most of Schönwerth’s work was lost—until a few years ago, when a researcher unearthed thirty boxes of manuscripts in a municipal archive in Germany.
Now, for the first time, Schönwerth’s lost fairy tales are available in English. Violent, dark, and full of action, and upending the relationship between damsels in distress and their dragon-slaying heroes, they bring us closer than ever to the unadorned oral tradition in which fairy tales are rooted, revolutionizing our understanding of a hallowed genre."
In 1885, Jacob Grimm said this about von Schönwerth: "Nowhere in the whole of Germany is anyone collecting [folklore] so accurately, thoroughly, and with such a sensitive ear." The collection includes versions of Red Riding Hood, Cinderella, Rumplestiltskin and tales completely new to us.
The translator, Maria Tatar teaches folklore, children's literature, and German cultural studies at Harvard University. She chairs the Program in Folklore and Mythology. Among her books are two that I can recommend witout reservation: Enchanted Hunters, the Power of Stories in Childhood and The Annotated Classic Fairy Tales. Her blog is Breezes from Wonderland. Ms Tatar lives in Cambridge, Massachusetts.
The illustration for Briar Rose (Cinderella) is by Arthur Rackham.
“If you want your children to be intelligent, read them fairy tales. If you want them to be more intelligent, read them more fairy tales.”...Albert Einstein
The Doors of Enchantment
The Brothers Grimm, J.K. Rowling, and Linda Woolverton all have something in common...they have reached the hearts and minds of millions of children (and adults) around the world.
Woolverton is a master of reinterpreting stories, staying true to the essence of the original, and transforming them into remarkable movies. She also guides her scripts -- maintaining their integrity and originality -- through the multiple processes and inputs that are part of theatrical movie making. Few writers, female or male, have had the ability to do this successfully. And Linda Woolverton's films are both creative and as well as box office successes.
In a candid interview with Aaron Couch in the Hollywood Reporter regarding the writing of Maleficent, Ms Woolverton said that even after rewriting the script a 100 times, she still choked up when she came to the kiss scene where Maleficent awakens the sleeping Aurora. I don't know if this was a true manifestation of passionate involvement in the script, however, when Couch asks her other questions in this and in her Indiewire interview (below), she is disarmingly candid and straightforward.
What were some of your big challenges when you were approaching this?
The biggest challenge was how to make a villain into a protagonist. How on earth was I going to justify that this woman would curse a baby? (Laughs.)
Where did that motivation start?
We based this on the Disney movie, not the fairy tale. I was looking at that scene, and I had done some research, and the biggest surprise is that she's a fairy, not a witch. I've always wanted to do a dark fairy story. Then I watched that scene where she curses the baby, and I'm thinking "well if she's a fairy, where are her wings?" Suddenly it was "boom. Lightbulb. Oh! It's the wings!" Then I worked backward from there to create the Stefan relationship. (for those who haven't seen the film, Stefan's horrendous behavior unleashes the dark side in Maleficent).
Adapting Fairy Tales for a New Generation
I found fascinating insights into Ms Woolverton and her work in an excellent interview by Susan Wloszczyna in Indiewire . Here are brief excerpts:
SW: "Did turning a villain into the central figure in Maleficent present a greater challenge? There is a
reason that she is often ranked high among the popular villains in Disney lore. Even Angelina Jolie, who never warmed to the princess characters, has said the evil fairy was her favorite with her wicked sense of fun and serene elegance.
LW: It was very difficult to turn a villain into a hero and yet keep her a villain...I had to figure out what
possibly could have happened to her to make her want to hurt an innocent baby. Something that would equal that act. In the animated movie, she had no wings. She just threw her robes open like wings. I thought, 'Is that it? Did someone take her wings?' They stole her soul and her heart had to turn cold. I knew that was the right answer. We depicted it in a way that is horrible, yet you can tolerate it and still feel it. Angelina does a great job in portraying her anguish.
SW: Yet some critics are simply interpreting her need to avenge as simply the act of a woman scorned.
LW: That is part of it. She did love him.
SW: This is a PG film. Was there concern that this scene and a few others might be a bit much for young children?
We really didn't think that so much. It is wings, nothing that any of us have. We didn't cut off her legs. We killed Mufasa in The Lion King. We killed Bambi's mother. The world is an intense place. Storytelling helps children to be strong. Hansel and Gretel is about eating children. Fairy tales have never shied away from that..."
Among Linda Woolverton's achievements: Beauty and the Beast (1991) including the Tony Award winning stage musical version; co-writer of the Lion King (1994), for film and stage; Alice In Wonderland (2010), directed by Tim Burton; and, Maleficent (2014). Maleficent has currently grossed over $739,000,000. Here is a lnk to the trailer that focuses on Maleficent's wings: Maleificent
Ms Woolverton's next Disney film is her version of Lewis Carrol's Through the Looking Glass.
August 26 is the 10th annual National Dog Day. Founded in 2004 by pet lifestyle expert and author Colleen Paige. National Dog Day was created to celebrate dogs of all types, from the mutts to the purebreds, the companion animals to working dogs. It is hoped that the day will encourage dog ownership of all breeds and embrace the opportunity for all dogs to live a happy, safe and ”abuse-free life.”
National Dog Day is against BSL (Breed Specific Legislation). Dogs should not have to lose their lives
because of the atrocities they have been forced to endure at the hands of man. It’s a reminder to adopt from rescues or shelters where millions of dogs are euthanized each year because they are unwanted. And if you must buy, instead of buying from pet stores, backyard breeders, the internet, newspaper ads and puppy mills, buy only from a verified reputable breeder.
People who are not dog owners are encouraged to donate $5 to their local shelter on National Dog Day.
In celebration of this wonderful recognition of dogs and what they mean to us in our lives,
Barking Planet Productions is offering four titles FREE for KINDLE on August 26.
Among the array of many fascinating Dog related articles on Way Cool Dogs, Nancy Houser has posted regarding developments in the latest studies of the effects of dogs on children with cancer. Over 13,000 children in the USA are diagnosed with cancer annually. Here is an excerpt:..
..."The latest Vanderbilt University clinical trial on dog therapy-childhood cancer is accompanied by a grant from Thompson, to determine whether therapy dogs actually help young cancer patients. Saliva from the dogs are tested in addition to testing of the children, in order to track the dog-patient relationship.
According to Medical MedScape, 'It really promises to be a landmark study,' said John Payne, chair of the board at the American Humane Association, which is running the trial, with funding from the Pfizer Foundation and Zoetis..."
I believe the work done by LitWorld in bringing the gift of reading to disadvantaged children around the world is wonderful. I highly recommend a visit to their website. Meanwhile, here is an excerpt from a message by LitWorld founder, Pam Allyn: "
"...We started LitWorld with a small LitClub in Kibera (A Nairobi slum), and since then, LitWorld has grown to countries, cities, and towns around the world. The LitClub – a safe, nourishing space for reading, writing, speaking, listening, and viewing – is our model for what the world should look like: a promise to all children that their voices can and should tell the future..."
Imagine being a woman unable to communicate with your service dog to the point where you have lost the independence that you had once gained with your dog.
The Planet Dog Foundation (PDF) has made a grant to Educated Canines Assisting with Disabilities ECAD, a multi-faceted service and therapy dog organization, to pursue the development of an imaginative solution to the problem caused by speech problems and service dogs. This innovative pilot project is called Operation New Initiative (ONI) and will use iPads and Tablets to communicate with the service dogs.
Alice will dance in New York
In Christopher Wheeldon's wonderful version of Alice’s Adventures in Wonderland.
The Joyce Theater Foundation and the National Ballet of Canada have announced that they will present the New York premiere of Wheeldon's Alice's Adventure in Wonderland . Set to an original score by Joby Talbot and with costume and set designs by Bob Crowley, the production of the Lewis Carroll classic is scheduled to run from Sept. 9 to 14 at the David H. Koch Theater in Lincoln Center. Mr. Wheeldon’s interpretation of “Alice” had its premiere at the Royal Opera House in London in 2011. A film was made of the original production.
Here is a link to one minute and thirteen seconds of this lauded reimagining of Alice
Reimagined Fairy Tales in Early Annimation
This link will take you to Walt Disney's Little Red Riding Hood of 1922.
Therapy Reading Dogs...Children on the Road to Reading...Our Beginnings
Our invovement with therapy reading dogs has expanded to all kinds of therapy and service dog prograns and activites. It began simply, in 2008, when I learned about and became involved with teacher Julie Hauk and Pages for Preston
"I am a third grade teacher in Sheboygan, WI, and I have developed a Therapy Dog Reading program for second and third graders at Longfellow Elementary School. The program's name is Pages for Preston, after my own therapy dog. We have read Planet of the Dogs during our reading time with the dogs and my students are absolutely enthralled with the book! I was in awe at their eagerness to learn about the characters and events in the story. Watching the students read about Miss Merrie and Lucy while reading to therapy dogs was a full circle moment for me."
This was the beginning of my awareness. Thanks to Julie Hauk, since starting with Pages for Preston six years ago, we have been supporting therapy reading dog owners and organizations with complimentary books, and by sharing their stories on this Barking Planet blog.
Children can read the story of Hansel and Gretel and, if they visit England's Lake Country, they can see them running through the woods in Lancaster's Williamson Park.
Clare Brennan in a Guardian article wrote"Hilltop, woodland and lake are the perfect setting for Zosia Ward's vivid retelling of multiple fairytales...Hansel and Gretel may get top billing at the Dukes' annual outdoor production, but they are not alone. Threaded through the main story are shreds from seven fairytales, three classic children's films and one nonsense poem. Part of the fun of this show is spotting these, as you follow the abandoned twins up hill, down dale and through mysterious, wooded glades...The setting is magnificent: a hilltop memorial, swards of grass, copses and a lake. During the interval, people sit and watch the sun slip into Morcambe Bay; it is a drama in itself..."
Mary Laura Philpott wrote a warm family story in the New York Times:
And Then The Dog Died: Things You Can't Plan For When Planning a Move.
Here's an excerpt:
When planning my family’s move to Nashville from Atlanta, one of the things I put a lot of thought into was creating a sense of consistency in order to manage how much change and disorder our children would experience this summer. I read somewhere that children need to know they can rely on some things to stay the same, even when a big transition comes along.
I know, I know. Makes about as much sense as a “birth plan,” doesn’t it?...Read it all: Philpott
This multimedia exhibit was organized to give fans a behind-the-scenes look at the show and celebrate its 45 years of great success. It will run from September 18, 2014 through January 31, 2015. Visitors will not be charged an admissions fee.
Our experience at Barking Planet has been that NYPL creates wonderful exhibitions.
Also from NYPL, an invitation from librarian Elizabeth Bird..."NYPL's Children's Literary Salon is pleased to announce our next event on Saturday, September 6th at 2:00 p.m.
We publish four books by C.A. Wulff. But...who is she, beyond living in a house in the woods with rescued dogs and a varying group of other saved critters during 25 years plus of multifaceted active pet rescue...
She is an accomplished writer, artist and animal advocate. She has written three books about her true-life adventures living with an ever-changing house full of pets: Born Without a Tail, and Circling the Waggins, and Parade Of Misfits. She has also written How to Change the World in 30 Seconds, A Guide to Animal Advocacy Using the Internet as a Tool; and Finding Fido, a handbook for dog owners who have lost their dogs or other pets.
Wulff also writes an Animal Book Review column for the Examiner, and the Cleveland Pets Examiner; She is a contributing editor to the animal advocate organization AnimalsVote. Her dog news and advocacy blog is Up on the Woof. The dogs that here are from her yelodoggie art work: yelodoggie . She is also an Associate Publisher of Barking Planet Productions. She attributes her love of animals to having been raised by Wulffs. I have no idea what she does in her spare time.
1,000 DOGS PLUNGING INTO PIRATES COVE AQUATIC PARK
Date and Time: September 6, from 9am to 3pm.
Pirates Cove 1225 West Belleview Avenue Littleton, CO 80120 USA
If you are in Littleton, or anywhere nearby, take the
Doggie Plunge at Pirates Cove Aquatic Center. Take the plunge with hundreds of four legged swimmers living it up, splashing and smiling in the last of the summer sun!Throughout the day join hundreds of families enjoying food trucks, doggie activities and so much more!
This is a benefit for nonprofit Freedom Service Dogs of America, tickets $15...
"Freedom Service Dogs... enhance the lives of people with disabilities by rescuing dogs and custom training them for individual client needs. Clients include children, veterans and active duty soldiers, and other adults. Their disabilities include Autism, Traumatic Brain Injury, Cerebral Palsy, Spinal Cord Injuries, Muscular Dystrophy, Multiple Sclerosis, and Post Traumatic Stress Disorder (PTSD)." Visit their website: www.freedomservicedogs.org
A dog is lying by the side of the road...What do I do? What are my options? I want to be helpful, but this is all new to me... For answers, examples, true stories and more, visit Sunbear Squad...Let the experience of compassionate dog lovers guide you. Here's the Link: SunbearSquad -
"To sit with a dog on a hillside on a glorious afternoon is to be back in Eden, where doing nothing was not boring, it was peace." - Milan Kundera
...........................Add a Comment
U.R.Ananthamurthy (Udupi Rajagopalacharya Ananthmurthy), one of India's leading writers, has passed away.
Lots of Indian media coverage about this, of course (see, for example, Shiv Visvanathan on U.R. Ananthamurthy -- The greatest storyteller in The Hindu) -- he was a leading Kannada literary figure -- but little beyond, so far; some will surely follow -- hey, he was a finalist for the Man Booker International Prize, 2013.
Two of Ananthamurthy's novels are under review at the complete review:
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With chapter titles such as "Crumbly," "Drippy," and "Flaky," how can you not get "hungry" looking at the recipes in this fantastic baking book? Charmian Christie brings the best recipes from her popular blog to your home kitchen in a very approachable, relaxed (and delicious) way. Books mentioned in this post The Messy Baker: More [...]Add a Comment
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Today I purged a forest of paper from my files and finished setting up a nifty new filing system that has me squeeing a bit. I spent hours on this project over the past three days, but the funny thing is that right now, as I look around the room, I can’t see any difference: all the change is inside closed drawers. But now there will be much less chance of those drawers disgorging their contents across the flat surfaces of this room. Invisible or not, it’s a mighty satisfying development.
Tonight some of us are headed to a friend’s house for a group reading of The Importance of Being Earnest. Promises to be fun.
I’ll be spending part of the weekend prepping for a talk I’ve been asked to give on Monday night, about habits and scheduling and atmosphere. It’s going to be here at the house, since part of the idea is to see us in our habitat (warts and all). I promised myself to do only ordinary cleaning, nothing extraordinary, because I want to give a really true impression of what everyday life is like. (The overhauled files live in my room, where my visitors are unlikely to go, so although my efforts in that department may well qualify as extraordinary—maybe a once-a-decade event for me—it doesn’t count as a breach of my aforementioned promise to myself.)
Was going to add a photo (of what, I know not), but it’s time to head out for our Wilde reading!Add a Comment
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I first reviewed Out of the Dust in March 2008. Out of the Dust is a historical verse novel that I likely would have avoided at all costs as a kid. It is set in Oklahoma during the Dust Bowl and Depression.
Billie Jo is our piano-playing heroine. Life was hard enough for Billie Jo and her family BEFORE the tragic accident. Multiple crop failures in a row. Worry and doubt weighing down whole communities, and, not without cause. But after the accident, things are even worse.
Added to despair and doubt is anger and bitterness and regret. Billie Jo doesn't know how to talk to her father anymore. She doesn't know how to be in the same house with him. Things are just off between them. Both are suffering souls. Both have needs that aren't being met. Both need time to heal at the very least.
The novel spans two years, 1934 and 1935. These two years are very hard emotionally for almost all the characters. Out of the Dust is a great coming-of-age novel. I think I liked it even more the second time.
© 2014 Becky Laney of Becky's Book Reviews Add a Comment
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