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When
I first read Nancy’s manuscripts, some 19 years ago, I knew instantly: she was the Real Thing, ripe
with talent, original stories and a unique voice. Her teaching experience showed through, too,
helping her target the right format for the right story for the right reader.
Nancy
also evinced Passion, with a capital P, and enough Perseverance to serve three
children’s book writers no matter where they were in their careers.
Editors
and agents as well as writing kin agreed, offering the necessary encouragement,
revision suggestions and interest to keep Nancy keepin’ on.
Today
she’s represented by Holly Root of the Waxman Leavell Literary Agency; Kirkus
starred This Journal Belongs to Ratchet; and Sourcebooks
just bought her second middle grade
novel! She also contributes to the group
blog of the debut authors of 2013 – the Lucky 13’s.
A
Student Success Story indeed.
As for Ratchet's "Student Success Story," she
spends her days fixing cars with her dad in the garage, living in a world of spark plugs, pistons, and crankshafts –not exactly normal for
an eleven-year-old girl. Even with the odds stacked against her, Ratchet endeavors to change her
life and realizes her skill as a mechanic might just be the path to her first
friend. But in the process, she alienates her father and discovers a secret she
wishes she never knew. She finds a way to, not only accept the truth she
discovers, but also accept herself and her dad.
As
I wrote in a blurb for Sourcebooks, “Readers will fall in love with
eleven-year-old Rachel, nick-named Ratchet by her car mechanic-environmentalist
Dad, as she writes from her Life in her Home School Language Arts Journal, wanting
to repair what’s broken, needing to replace the missing parts, so her very own
engine can run true and on course.
Ratchet’s journal proves a user-friendly Instruction Manual for readers
– and especially writers – eager to discover the wonder of their own life
stories.”
I’ve
been sharing this original story in this original format with teachers and
Young Authors since I received my ARC from Nancy in February. All love the book – and Ratchet - as much as
I do.
Be
sure to enter our TeachingAuthors Book Giveaway for AN AUTOGRAPHED COPY OF This Journal Belongs to Ratchet.
Include a shout-out for your Favorite Car – real, imagined,
long-ago, present, fictional, cinematic, even longed-for. The deadline to enter is June 3. See contest details following the interview below.
And, also be sure to check back in two days for Nancy J.
Cavanaugh’s Wednesday Writing Workout!
Thank you, Nancy J. Cavanaugh, Children’s Book Author (!), for sharing your Writer's Journey, yourself and This Journal Belongs to Ratchet with our TeachingAuthors readers.
Esther
Hershenhorn
* * * * * * * * * * * * * * * * * *
We first worked together privately in the early 90’s when
you were just beginning “your race to the finish line,” on two picture books
that still remain in my heart and on
my brain’s Hard Drive. Do you recall
what you were hoping to learn – and – what you indeed took away – about
writing, the Children’s Book World, publishing - so you could keep on writing?
I was hoping to take my writing to the
next level, so my questions were: Do I
have all the essential parts of the story?
And, what will make my story marketable?
Two things I remember learning from you:
1. not to miss opportunities – opportunities to develop my characters,
opportunities to add layers to my story, opportunities to add emotion to the
overall plot; 2. to dig deep and find
out what my story was REALLY about – not just on the surface, not just what was
happening, but what “life thing” the story was really about.
I’ve always considered your classroom teaching experiences
That Extra Something that bolstered both your writing and the stories you chose
to tell. Please share how your teaching
impacted, influenced and inspired your writing?
As a teacher, and then later as a
librarian, I got to read SO many books aloud to students, and I had the
opportunity to see what young people were reading and what they liked
best. That’s sort of the obvious way in
which my school experience helped my writing, but something not quite so
obvious is the impact of the repetition of certain stories over the years. There are many books which I read over and
over throughout the years, and as I did this, I was learning the patterns of
language that we find in stories. These
patterns were practically becoming engrained in my DNA. The understanding of what “story” really is
was becoming part of my soul. I believe
that understanding of story is always at work in me now as I write.
What kept you going all these years so you could indeed
cross your much-desired Finish Line?
Wonderful writing friends.
Enriching experiences (researching
topics, attending meetings, conferences, workshops, and retreats)
The satisfaction of always having
something to strive for
Small successes along the way (having
articles and short stories published in magazines and books)
How did Ratchet’s story come to be – and – why did you
choose a home-schooled student’s journal as her storytelling vehicle?
The idea started with a character, and
her name was always Ratchet. My ideas
usually start that way, and then I let my imagination dream up what the
character’s issues are and what her story might be. I chose Homeschooling for Ratchet because it
seemed to be the best way to isolate her.
Also, because of her father, it made sense that he wouldn’t want her to
go to school in mainstream society. The
idea of writing through the assignments in Ratchet’s journal came to me in the
very beginning, but it took a lot of figuring out along the way in order to
tell the whole story in this format.
What about the revision process for This Journal Belongs to Ratchet? How did your agent Holly Root and
your Sourcebooks editor Aubrey Poole help you fine-tune the manuscript to earn
a prized Kirkus-starred review.
My agent Holly is a wonderful editor
and always has helpful suggestions before we send something out, but I had
already done a great deal of revising before sending it to Holly, so we didn’t
really have to do much – just a few tweaks here and there. When my editor Aubrey read Ratchet, though she loved the character
and the story, she asked for revisions even before Sourcebooks acquired
it. She gave me some specific direction as
to what she was looking for and thankfully I was able to deliver. After Sourcebooks bought the manuscript,
Aubrey and I did two more rounds of revisions, and I absolutely loved it
because she’s a fabulous editor. She
always had an amazing vision for what the book could be, and she guided me so
that my writing would get there. I also
have to add here that Aubrey worked hard to get just the right cover and
artwork for Ratchet, and I think that
has really made this book stand out and become something special – so much more
than I ever imagined.
Finally, can you let us in on your next book, also to be published by Sourcebooks? :-)
My next book will be coming in Fall
2014 and will be another alternative format.
The entire story is told in lists, letters, and writing assignments, in
which a girl named Abigail uses her language arts class’s Friendly Letter
Project to cope with the worst school year ever – and in the process turns it
into the best year ever.
* * * * * * * * * * * * *
And now, for the giveaway details:

Our
blogiversary giveaway was such a success that we're again using
Rafflecopter to run this giveaway. If you've never entered a Rafflecopter giveaway, you may want to read their info on
how to enter a Rafflecopter giveaway and/or the
difference between signing in with Facebook vs. with an email address.
To enter for a chance to win an autographed copy of
This Journal Belongs to Ratchet (Sourcebooks/Jabberwocky) log into Rafflecopter
below (via either Facebook or an email address). You'll see that we've provided
three different options for entering the giveaway--you can
pick one or up to all three. The more options you choose, the greater your chances of winning. While we haven't made it a requirement, we hope that everyone will pick the first option--subscribing to the
TeachingAuthors blog. If you're already a
TeachingAuthors subscriber, you still need to click on that button and
tell us how you follow our blog, which will give you THREE entries in the giveaway! (If you received this post via email, you can click on the Rafflecopter link at the end of this message to enter.)
As it says in the "Terms and Conditions," this giveaway is
open to U.S. residents only. You must be 18 or older to enter. And please note: email addresses will only be used to contact winners. The giveaway will run from now through June 3, 2013. Winners will be notified June 4, 2013.
If you have any questions about the giveaway, feel free to email us at teachingauthors [at] gmail [dot] com.
a Rafflecopter giveaway
There's nothing like a pair of braces to make you feel like a teen-ager again. I don't have a bad perm and now wear contacts, but I still feel like I'm fourteen all over again. What's been interesting is that people stare. They stared at 14 and they stare at 47.
I have clear braces on top and metal ones on the bottom. My rubber bands on the bottom are turquoise because it's my daughter's favorite color. They didn't have fancy colors when I wore them the first time.
If the braces weren't bad enough, I have an expander in. Once I have my SARPE surgery tomorrow, it will help expand my narrow upper jaw. Right now, it only serves to make me talk weird and is a haven for food getting stuck.
Thanks to YouTube, I've been able to get the 411 on the SARPE surgery. I got some tips like using frozen peas for the swelling since they'll mold to your face.
I also recently watched the movie, Fat, Sick, and Nearly Dead, on Netflix and loved it. I bought a juicer and have been enjoying some delicious juice. It will come in handy for my liquid diet post surgery.
A stack of books is on my nightstand waiting to be read. I hope I feel up to it because I relish the time I'll have to just heal and read.
There are lots of magnets that come with the book for lots of interactive fun. Check out this
video to see how the book works!
By: Gabriel Granados,
on 5/20/2013
Blog:
lost in time
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Lots to be thankful for this Monday...
Thanks to you, THAT IS NOT A GOOD IDEA! spends it's 3rd week on the Indie Bestseller List (#6) and the New York Times Bestseller List (#4) and is joined on the NYT List by LET'S GO FOR A DRIVE! (#8). Thanks, you!
Here is a brief interview about humor, the Sid Fleischman Award, and GOLDILOCKS AND THE THREE DINOSAURS from SCBWI in which I discuss

Meet Paul Belford, a creative agency out of London who focuses on advertising and branding. Their approach to design is admirably simple, resulting in pieces that are clean and easy to appreciate. Check out their work here.




——————–
Also worth viewing…
Nathan Godding
Studio Patten
Heartwork 2011
Not signed up for the Grain Edit RSS Feed yet? Give it a try. Its free and yummy.
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A Huge thanks to UncommonGoods for sponsoring this week’s RSS Feed!

Spaces available in several classes. To see the catalog and sign up, go here.
By: Marge Loch-Wouters,
on 5/20/2013
Blog:
Tiny Tips for Library Fun
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This spring, the team decided it was high time to hold a party for our 1000 Books Before K Club kids. We thought: May, nice weather, a bus or historic trolley - PIGEON!!! Thus was the pigeon party born.

We offer one-two events per year for our 1000 Books families. We often hold them before or after hours so the tots and parents get exclusive use of our space and non-stop attention from staff. We might have a concert, or a cookie party with Laura Numeroff's Mouse, or mac and cheese and a chance to browse the room. We posted about last fall's Brown Bear event
here. Whatever we focus on we make sure to invite our 1000 Books families and let them know something special is about to happen for them.
As a fan of book-based parties, a Pigeon Party based on Mo Willems' books, didn't disappoint. We booked our historic trolley to do a 20 minute drive around our riverfront downtown. We left enough time to do three runs so we could accommodate any sized crowd. Two runs did nicely.
One team member, Sherri, welcomed the kids to the trolley with a pigeon stuffed toy and rode along with the families on the trolley. Another team member, Brooke, had mounted pigeon cards on craft sticks for the kids to hold; they received these before they got on the trolley. Kids used the card to wave and shout an emphatic "NO!!" when Sherri asked them if the pigeon should drive the bus.
Brooke also had stories, a small activity - decorate a bus that Pigeon might ride on - and even used the "Don't Let the Pigeon Drive the Bus" app with kids one-on-one. We also invited our families to meet staff after the party at the local downtown ice cream parlor and a few families took us up on the idea to visit together outside the library.
A bus can work just as well as a trolley for a program like this. Parents and kids were excited and staff felt like the planning was just perfect to celebrate a much-loved book with our 1000 Book families!
By:
Allen Capoferri,
on 5/20/2013
Blog:
Allen's Zoo
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Again I was drawing passerby from my usual picture window at the cafe yesterday.
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Cartoonist Dash Shaw, who has been working on a feature-length animated film of his own, will present a selection of his recent animation work tomorrow night at Light Industry (155 Freeman Street in Greenpoint, Brooklyn). In addition to his own work, Shaw will screen the rare 1980s anime biker drama Bobby’s Girl, a film that has inspired his own approach to animation.
The screening will be followed by a conversation with Shaw. Doors open at 7pm, and tickets are $7. More details at LightIndustry.org.
Here’s a clip from Bobby’s Girl:
(Illustration at top by Dash Shaw)
By: Grant Overstake,
on 5/20/2013
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Author Grant Overstake scratched his head when a shipping invoice showed multiple copies of Maggie Vaults Over the Moon had been sent to Festus, Missouri. The mystery was solved when he discovered, to his delight, that the order had been … Continue reading →
By: Gaby317,
on 5/20/2013
Blog:
Starting Fresh
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The blurb:
His first two novels established Mohsin Hamid as a radically inventive storyteller with his finger on the world's pulse. How to Get Filthy Rich in Rising Asia meets that reputation - and exceeds it. The astonishing and riveting tale of a man's journey from impoverished rural boy to corporate tycoon, it steals its shape from the business self-help books devoured all over "rising Asia." The novel follows its nameless hero to the sprawling metropolis where he begins to amass an empire built on the most fluid, and increasingly scarce, of goods: water. Yet his heart remains set on something else, on the pretty girl whose star rises along with his, their paths crossing and recrossing, a lifelong affair sparked and snuffed and sparked again by the forces that careen their fates along.
An astonishing slice of contemporary life at a time of crushing upheaval, How to Get Filthy Rich in Rising Asia is romantic without being sentimental, political without being didactic, and spiritual without being religious. It brings an unflinching gaze to the violence and hope it depicts, and creates two unforgettable characters who find moments of transcendent intimacy in the midst of shattering change.
Review:Mohsin Hamid's How To Get Filthy Rich in Rising Asia is an unexpected treat. I was drawn to the title and had somehow expected it to be set in China or Korea. My fault - I should have realized that it would be in South Asia.
The book is unusual in that it's written in the second person with such skill. We follow the story of a young rural boy whose luck and skill enable him to make fortunate choices. It starts from his gender and birth order. His less fortunate elder brother is pulled out of school to work as a house painter and his older sister is married instead of able to return to school. The boy makes full use of his education. He studies full time, works part time, learns how to sell, and with each new phase, he advances. Written as a self help book of sorts, the book captures a detached and humorous tone - keeps
The boy falls in love with a beautiful, spirited and ambitious young girl. The young girl leads an equally charmed life where her beauty, sacrifices, and skills bring her unexpected rewards.
While I enjoyed reading about the rise in their respective fortunes, what I most enjoyed about How to Get Filthy Rich in Rising Asia was seeing how the lives of the young girl and boy would intertwine.
ISBN 1594487294 Hardcover $26Riverhead Hardcover, 1st edition.
Review copy courtesy of the Amazon Vine Reviewers Program and the publisher.
About the Author:
Moshin Hamid's first novel, Moth Smoke, won the Betty Trask Award and was a finalist for the PEN/Hemingway Award. His second, The Reluctant Fundamentalist, a bestseller in the United States and abroad, was short-listed for the Man Booker Prize. Hamid, who contributes to Time, The New York Times, and The Washington Post, among others, lives in Lahore, Pakistan.

In Out of the Easy, Ruta Sepetys had me at hello. It begins:
My mother's a prostitute. Not the filthy, streetwalking kind. She's actually quite pretty, fairly well spoken, and has lovely clothes. But she sleeps with men for money or gifts, and according to the dictionary, that makes her a prostitute.
Seventeen-year-old Josie Moraine doesn't want to follow in her mother's footsteps. She's known that for years, and even though she still works at the same brothel as her mother—cleaning rooms, mind you—and even though she's on good terms with Willie Woodley, the woman who owns it, she's independent enough that she's kept her own apartment since she was eleven years old.
She works part-time at the bookstore below it, and she dreams of going to college. But when Josie dreams, she dreams big: she wants out of New Orleans, to start over somewhere up North, somewhere where she can reinvent herself—where no one knows who she is or what her mother does.
LOVE: THE DIALOGUE. Out of the Easy is set in 1950, and Sepetys' characters sling slang without sounding phony or overblown, and the dialogue zings back-and-forth like in an old movie. The characters speak in distinctive voices, and unlike in Strands of Bronze and Gold, those differences in vocabulary, rhythm, and diction are affected by economic class, vocation, and education, rather than being purely dictated by the color of one's skin.
LOVE: JOSIE. Her narration has a touch of the noir hero: deadpan, world-weary, and with an understanding of ironic humor. Unlike a noir hero, though, she is open about being emotionally affected by... things that are emotionally affecting. She's smart, she's canny, and rather than blushing and wanting to melt into the ground in embarrassing situations, she treats them as opportunities—I cheered out loud when she turned one around by becoming an impromptu blackmailer, and I swooned during another when she threw herself into a cute boy's lap to save herself (and him, to a degree) from some catty mean girls.
LOVE: HER MOTHER. Well, no, actually, I loathed her mother. But I loved that she wasn't the Pretty-Woman-hooker-with-a-heart-of-gold, I loved that she wasn't secretly sympathetic, or selfless or particularly smart. She was completely self-absorbed, and while her behavior makes her come off as rotten and somewhat stupid, it's important to remember who's telling the story: Josie isn't exactly an objective party. The other women who work for Willie are a mixed bag of funny/serious/witty/quiet/ruthless/rude/mothering/mean/sensitive and everything in between, and it's easy to imagine that if another person had told the story, Louise would have come off as more human. Maybe. Then again, SOME PEOPLE ARE JUST TERRIBLE.
LOVE: THE BOOKS. Josie works in a bookstore, and she and her best friend Patrick have an ongoing game where they predict what sort of book customers will want. There are references to Dickens and Keats, Capote and even L'Engle. And, tangentially, Poe: Josie ends up with a dead man's watch—THAT'S RIGHT, ON TOP OF EVERYTHING ELSE, SHE INVESTIGATES A MURDER—under her floorboards, and she swears she can hear it ticking, ticking, ticking. Which, of course, evokes The Tell-Tale Heart.
LOVE: EVERYTHING ELSE. Sepetys is true to the era and her characters in how Patrick's story plays out; the romance is sweet and heartfelt; the details about 1950s life and culture work themselves in fluidly; Josie wants what she wants so badly that I was never quite sure about how far she'd go to get it; and while the ending certainly has some fairy-tale elements, there's enough bitter in the sweet to keep cynics (like me) from getting all up on their high horses.
Oh, I loved this book. As it's got the same combination of fantastically-rendered historical atmosphere—the dialogue is TO DIE FOR—and mystery elements, I highly, HIGHLY recommend it to fans of Judy Blundell's What I Saw and How I Lied.
____________________________
Author page.
____________________________
Amazon.
Publisher.
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Book source: Review copy from the publisher.
By: Linda S. Wingerter,
on 5/20/2013
Blog:
Blue Rose Girls
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So, things are finally starting to calm down and I'll be able to start blogging again soon! Yay! I've missed connecting with all of you.
While I get things in order, I thought I'd share
this guest post I did for the "What to Expect When You are Expecting" website, ( yes, it a website for
the book all expecting moms know!). I wrote about
Rain Dragon's five favorite baby books! After all the
baby book testing we've done, I thought I should share!
In addition to editing and writing, I do book design, too, both covers and interiors. I've worked for a small publishing company for a couple of years, and the occasional independent author comes along. Here are the latest of the latter.
Hookernomics is a title suggested by an FTQ reader (whose name I've lost) is non-fiction, ebook-only cover. It's about the business of sex, and I thought the art of a red light worked pretty well for catching attention and lending subtext.
Collected Works is a private book, not available for sale, and at the far end of the spectrum from the first book. It is a book of poetry published in memory of my client's mother. I learned that she had, long ago, kept poems in what she called her "lavendar box," and that was the thought that led to this cover. It's a hard-cover book, and the cover is a "dust cover" with flaps on the inside.
It was a very short book--there weren't a lot of poems--and many of the poems were about one page long. So the interior design for Collected Works uses spreads, graphics, and white space to display her art.
Lastly, a lively, funny "food memoir" by a Jewish author. What else but Kosher Sutra would do? The art I found foreshadows the book nicely--lively, fun, and food (there are some delicious-sounding recipes in it).
Samples of other full cover designs are here.
For what it's worth,
Ray
© 2012 Ray Rhamey

What are flower essences and why are they so cool?
I discovered flower essences long ago. It wasn’t an instant pull; I was actually quite skeptical about them and a little wary. Like most new things, we make that step and surprised we hadn’t found that new thing that will help us all along. One thing I do know, the more I’ve used flower essences, the more I have felt this deep bond with Nature.
Many of my students and folks coming to this site have questions about what essences are, so I thought I’d have a little Q and A.
Q: What the heck are flower essences?
A: Check out this video:
http://www.youtube.com/watch?v=e7OqBx2eV3k
Q: Are flower essences like regular medicines?
A: No. Since there is nothing inside of them that is physical material, you aren’t reacting to a substance. They are safe to take with other medicines.
Q: Are flower essences cure-alls? I can take HOLLY for anger, and have no anger?
A: I wish! There are some essences that are “stabilizing” and those are great for reaching for immediate relief, like BACH RESCUE REMEDY will calm you right away in a scary situation. SALVIA is very emotionally calming. ASPEN will help alleviate great fear. These essences help in the moment. Some, like the PANSIES will help ease grief and sadness over time. Other essences will illuminate with use WHY you are angry or upset underneath and deal with an underlying pattern you keep reliving. As you take the essence, great insight will come up that will help you change that pattern or thinking and give you a new perspective.
Q: How do you take them?
A: I like putting a few drops in my water or under the tongue once a day if you are sensitive; 2-4 times a day otherwise.
Q: Can you take the wrong essence?
A: Many teachers say that if you take the wrong essence, you won’t resonate and you won’t respond. I found with sensitive folks we often respond to everything being so empathic. If you take an essence and you feel off or wonky it’s probably the wrong one and might be too strong.
Q: Can animals use essences?
A: Absolutely! My girls will lick them from my hand, or I can put a few drops on their bodies. I usually put the drops on their food or water.
-
Want to learn more? Friday starts my popular Flower Essences Class. To enroll go here. A few spots left.
-
The Fairy Beginner Healing class, which is a great intro to the Fairy energy and healing with Nature. It also has a session that starts Friday. Go here.
-
And go shop at my store, Flower Essences for the Sensitive on this site here.
More photos from the author variety show (contributed by and used with permission of the school):
me fumbling through emceeing with the other authors in the wings taking bows: Mike Rex, Susan Hood, Meghan McCarthy, Vincent X. Kirsch,
Tracy Dockray, Bruce Degen, Katie Davis, Daniel Kirk, easel,
Alan Katz, projector, Bob Shea, Tad Hills, me
levity
David Willis recently posted
this comic, and it was funny. Folks have taken Marvel superhero Johnny Storm (Human Torch) and apparently they're going to make him black. Some people are apparently complaining, because they hate black people.
I'd be more worried about Johnny Storm doing a disservice to the black comics community at large. He's loud, obnoxious, reckless, and a sleeping-around-cheater--basically every stereotype white people throw at black men to justify racism. While Sue is a voice of reason, it's super-easy to stereotype the "
mystical black woman" and she might fit that stereotype, depending on the writing. Better idea: why can't they make Reed Richards black? Oh, is it because the smart scientist isn't allowed to be black? They had to choose the noisy obnoxious loud guy to be black instead? Geez, that's great.
These comic artists cannot get race right. It goes to show that when you pallete-swap an already-established character you're almost always going to fall into some kind of stereotyping--the authors are too old and too white to make a "black version" of an established character without egregious anti-black racism involved in some way or another. It's better to make all-new characters with fresh storylines. Static Shock, for example, was created based on a black Spiderman, but he became his own character with his own powers, and it was always interesting because he's his own guy. The black Spiderman in Ultimate comics isn't a black Peter Parker--he's his whole new own character and he rocks. See, there should have been more unique black characters to begin with. We don't need the same characters booted over and over. Put them to rest, let the stories end, and get all-new characters so that creativity can flourish and race stereotypes aren't permeated. Creating a "black batman" or a "black superman" is just a way for old white men to point out to black people, "look, we never made any black characters for you--so you can re-use on of our old ones. We're too lazy to actually make good, unique characters for you, we'll just reboot some we've already used to death."
I want new superheroes that actually speak to all races and subcultures, not re-sale, re-used, re-washed pallette-swapped stereotype opportunities. What about some decent Asian superheroes, or mixed race superheroes? If you just keep painting Superman or some other guy all different colors, these different characters don't actually get to interact. Where's the fun in that? The black audience is worth more than reboots and used characters. The black audience is worth fresh characters that span a whole gamut--not just one or two that fit certain stereotypes--with new powers, new costumes, and all kinds of new awesome.
"The arm belonged to one Jim Smith, a small-time crook who, funnily enough, hadn't been seen recently"
Some time ago Fabulous Gary Corby mentioned a crime that was solved by a shark. Naturally I perked up my fins and asked for details. This morning Gary posted the story here on his blog.
Of course it cracked me up completely, as I hope it does you.
And if, like me, it reminds you of how much fun it is to read Gary Corby's work, well, we're all in luck there. SACRED GAMES, the third book in the Nico series, is being published tomorrow 5/21 and you're in for a treat. Publishers Weekly thinks so too and in addition to the starred review (even calling it "the best thus far"--and both his other books were starred reviews as well!), ran an interview with Gary.
Available whereever you buy your Fabulous books!
By: Carter Higgins,
on 5/20/2013
Blog:
Design of the Picture Book
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nature,
shape,
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by Janice Lovoos
{published 1966, by Golden Gate Junior Books}
I was in Seattle a few weeks ago. You remember the library, right?
I went to Pike Place Market, because of course, but also because flying fish and dudes in galoshes are a spectacle worth checking out. And I also wanted to get up close and personal with some bluefin tuna eyeballs.
There’s a real reason for that, trust me. But they didn’t have any tuna, so this happened: 
There’s not a real point to that story except that I adore that tweet (and those two Favoriters) and it’s what I did just before I wandered into Lamplight Books.
It’s like I stole something. Fifteen dollars? Sixty quarters? It still has that magical, musty smell of hidden secrets. And it was mine in a fraction of a split second. That fast.
Because…behold:


I’m in love. From the texture of a porcupine, to the form of mountains and weeds, to the repetition inside a squash, design is everywhere.



Design is a Dandelion ends like this, with truth and a charge:
Design is everywhere. It is for everyone. All you have to do is to learn to see it. Open your eyes and take a big, long look.

Tagged:
design,
form,
line,
nature,
shape,
space
...I wrote about M.M. Vaughan's The Ability, which wasn't a perfect match for me, but will very likely please younger fans of Roald Dahl.
Title: The Star

Author: Clemy Warner
Release Date: June 3rd, 2013
Genre: Young Adult, Dark Fantasy
Reveal Host: Lady Amber’s Tours
Blurb:
Abbii had been afraid of the dark for four long years. She hated the eerie silence that filled the night.
She would often try to forget by closing her eyes at night, but she would always be met by dreams of Shadows that would attack her, dragging her into the Darkness. Most nights, she would simply lie there with her bedding wrapped tightly around her, staring at the light coming in through her window, hoping that she would drift off into a dreamless sleep.
Ever since that day four years ago, the dark had frightened her; she had thought it would be a curse throughout the whole of her life, but something changed when she met him.
The dark seemed to lose its power and the moon’s light brightened.
Her dreams didn’t stop; nightmares still stole her sleep, but there was always a figure of Light that would save her and allow her to wake.
He said the same thing every night in her dreams. Keep fighting, Abbii.
She thought that he was part of her imagination, someone that she had created to save her, until she met him and was drawn into his bright hazel eyes.
His name was Nate.
Author Bio:
I was born in England in the West Midlands in 1991 where I am still currently living, growing up alongside one younger and three older brothers.
Books and writing was an interest that I began to develop from the first years of secondary school, and on my thirteenth birthday, I began to plan and design the idea to write a fantasy novel. I finished secondary school with high GCSE’s and then went on into further education to study English and all aspects of art and design. After six years of writing, planning and overall editing of the book, it was successfully completed, containing over 82,000 words, and self published in the first week of 2011.
With high expectations in myself, I immediately began to write a second novel in the series, while keeping my art and design a part of the process. The achievement of completing the first novel ‘Purest Light,’ allowed the ideas of the second to flow much easier and it was completed by early 2012. As I was writing the third and final book, New Beginnings, at the same time, the series was finished by its publication in 2013.
Writing is now a part of my everyday and I have started on my newest project, The Star, which is also planned to be the first of three. Only time will tell.
Excerpt:
Nate signalled for her to move forward, watching as she did after a brief hesitation. She stopped several strides in front of him and waited for him to speak. “How many windows are there?”
Not really understanding the relevance of counting windows, Abbii turned to count them.
“No!”
Startled by Nate’s outburst, she glared at him, more out of shock than malice.
“Without turning.” He watched as confusion took over her face. “Close your eyes and focus on the energy of the sunlight beaming through the glass.”
Abbii shuffled in her place, not really understanding, but when Nate smiled, she did as she was asked. She closed her eyes, immediately feeling self conscious that Nate’s gaze was focused onto her.
“Clear your mind of everything else. Think of somewhere you feel calm.”
Keeping her eyes closed, Abbii took in Nate’s statement. She felt her heartbeat increase and her breath seemed shallow, but as she relaxed her shoulders, the rest of her body seemed to follow. She listened to the faint breeze that circled through the large space, hearing leaves pitter-pattering against the wooden floor.
“Anywhere you feel calm.”
Although her mind was full of questions and worries and a fear that she would lose herself, Abbii found that an image began to form in her head. Bursts of blue and silver light soothed her, and once the image had focused, she realised why. She could see the lake at The Everglades, with the moon reflected clearly upon its surface. The stars were shining brightly, and the air was still. The feeling of calm which enveloped her felt uplifting.
“Now keep that feeling inside of you and focus onto the light of the sun.”
Not at all distracted by Nate’s words, Abbii kept hold of the calmness inside of her and expanded her mind in some way, feeling the energy of the sunlight. She could feel its warmth and the way it passed through the glass of the bay windows. The years of dirt and dust made no difference; the power of the sunlight beamed through it without faltering.
“How many are there, Abbii?”
Realising that she could sense several different areas of the sunlight’s energy, Abbii realised that each one represented one of the windows.
There are eight.
As of November 20, 2012 (that is, Midnight Eastern Time tonight) I am closed to queries. I will reopen to queries January 7, 2013.
If I already have your work, you should hear from me by January 7. (That's the point of taking the break, I have to catch up!)
I'm sorry to say that I cannot respond to new queries sent during this time.
The exceptions will be: work that I've requested -- conference material -- client or editor referrals -- and people I actually know in real life. If this is you, please be sure you've said so, along with the word Query, IN THE SUBJECT LINE of your email. Otherwise, your query will be deleted.
For all other regular queries, please feel free to try any of my colleagues at Andrea Brown Lit, or else try me again in January.
Thanks again for thinking of me in regard to your work.
Wishing you all the best, and Happy Holidays,
Jennifer Laughran
Andrea Brown Literary Agency
Peace, by artist Wendy Anderson Halperin is a visual and poetic meditation on the subject of peace. The book is dedicated to our senses, and that dedication sets the tone for the book – peace is real, and it can be sensed with our whole bodies and expressed with our words, actions, and thoughts. There is a very short text which can be read aloud, along with quotes from famous peacemakers spread throughout, and panels of illustrations depicting scenes of peace.
Halperin chooses quotes from people like Mother Teresa, Albert Einstein, Desmond Tutu, the Dalai Lama, and Anne Frank. I like that many of the quotes focused on the small ways we can work toward peace: “When people talk, listen completely” (Ernest Hemingway); and “Friendship is the only cure for hatred, the only guarantee of peace” (Buddha). The many illustrations, too, while wide in scope (they depict children and nature around the world), also depict small scenes of peace. Some of the images contrast to illustrate the concept. For example, one scene shows a grandmother washing dishes while her granddaughter lounges on the couch. A few pages later, we see the same grandmother washing the dishes with her granddaughter at her side helping her. Another scene depicts an elderly man boarding a bus as everyone continues to read their paper. Later on in the book, we see that a child has risen from his seat and offered it to the man. We also see children reading in tree houses, planting vegetables, sharing meals with their families, and quietly observing a heron.
The book is one to read and look at over and over again. It may spark discussions about kindness, friendship, stewardship of the earth, and about standing against all those things that destroy peace – like anger, apathy, ignorance, and jealousy. I can see this making a soothing bedtime book for all ages, and while it would be difficult to read the book aloud to a classroom (too many small details), it would make a good book for small groups to read and discuss in the classroom.
Posted by: Parry
By:
Donna J. Shepherd,
on 5/20/2013
Blog:
Topsy Turvy Land - Donna J. Shepherd
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Aren't they precious? Cooling off in the water is a favorite thing to do - just like kids in summer.
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Congratulations, Nancy! I'm so happy for you, and I can't wait to read RATCHET.