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1.


I am so looking forward to the movie, " Hidden Figures". It inspired this little piece for the cover of the fall issue of SCBWI. The Society of Children's Book Writers and Illustrators. SCBWI.org. If you are interested in learning about how to write or how illustrate children's books you want to start here.

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2. रक्तदान का महत्व – आईए नया जीवन दें

रक्तदान महादान है और स्वैच्छिक रुप से किया रक्तदान सबसे अच्छा दान है रक्तदान का महत्व समझते हुए हमें रक्तदान जरुर करना चाहिए क्योकि रक्त किसी फैक्ट्री में नही बनता और एक नेक कार्य करने का सबसे बेहतर तरीका है रक्तदान करना रक्तदान करना मानो किसी को नया जन्म देना आज का दिन रक्तदान के […]

The post रक्तदान का महत्व – आईए नया जीवन दें appeared first on Monica Gupta.

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3. "Totem pole" will not appear in future printings of Robin Talley's AS I DESCENDED

On Friday, I read On Making Mistakes on Robin Talley's Tumblr page. There, she wrote:

Two weeks ago, my latest book, As I Descended, was released. One week later, I received an anonymous message from a thoughtful reader who’d just started the book. This reader, who’s Indigenous, noticed that I’d used the term totem pole in chapter 1 to describe where a character stood in her school’s social hierarchy ― in the sense of the phrase “low man on the totem pole.”
Talley's response to that reader was similar to the one I got from Sarah McCarry when I wrote to her about that phrase in her book (see her post), and the response I got from Ashley Hope Perez when I wrote to her about the phrase in her book (see my post).

In short: they listened.

Talley wrote that she'd shared that reader's message with her editor, Kristen Pettit at Harper Teen, and that the term will be taken out of future printings of the book. Here's the photo of the page that Talley posted:


The line is "Maria was almost as high up the totem pole as Delilah." I'm guessing that the book's title "As I Descended" is a reference to that totem pole. My guess is that Delilah is going to descend from a high point on the social status hierarchy.

The book itself has nothing to do with Native peoples. I haven't read it, so do not want anyone to think that this post is an endorsement of the book.

In her post, Talley apologized:
I profoundly regret that I used the term this way, and I apologize to any readers who have been hurt by it.
I shared Talley's Tumblr post, adding this:

Really glad to see another person speak up about this, and another writer and editor acknowledge its use as being wrong! Very glad it’ll come out of the next printings, too, and that it is all being made public for us to know! Thank you, Robin! 
A thought, though, about apologies. 
I get why people offer them. They’re a social grace. But sometimes, they carry some things that don’t work. They suggest that __ is hurt by the word that misrepresents their particular demographic, when maybe __ isn’t actually hurt. Maybe __ is just pissed off. Yeah, I know, being angry can be characterized as hurt. Still, though, saying someone of that demographic is the one who should be apologized to suggests they’re the only one who is hurt by the word, when I think everyone who doesn’t know it is a problem is impacted by it. 
Instead of “I profoundly regret that I used the term this way, and I apologize to any readers who have been hurt by it,” maybe something like (and yeah, I know, this is pretty audacious of me to tell someone how to apologize, but I think we’re talking about larger issues) “I messed up. I didn’t know I was messing up. Lot of us don’t know. Let’s not do that, ok, ourselves, anymore, ok? And let’s tell others about it, too.” 
On Twitter, I retweeted her "On Making Mistakes" tweet, and that I had a response to her post (crossing lot of social media platforms with this post!). Talley replied that she agrees with my points.



In brief:

1) A Native reader wrote to Talley.
2) Talley listened.
3) Talley wrote to her editor.
4) Talley and her editor are revising that line.
5) Talley wrote about this error, publicly.

Change happens, when we speak up, and when we listen. With more of this speaking up, and listening, I feel optimistic that change can happen.

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4. Show, Don't Tell

We've all heard the advice to show, don't tell, but how do you do that?

https://nerdychickswrite.com/2016/07/26/brushing-up-on-show-dont-tell-by-marciecolleen1/

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5. The Nature Center

Wooded paths with fallen trees
And sunlight dappling through
Provided us with such a lovely
Sunday thing to do.

Deer were munching leaves and barely
Noticed us pass by,
While squirrels scampered from the ground
To branches way up high.

As Henry jumped from stump to stump
(The playground kept the theme),
I made his sister giggle
(Which is every Nana’s dream).

Although I am a city gal,
The forest has its charms,
The better to appreciate
With grandkids in one’s arms.

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6. A History of my Archive in 10 Objects. No.2: The Last Voyage of Henry Hudson, 1975

Number 2 in the discoveries made at my dad's house from long hidden archives of my work. In my wildest dreams I never thought I'd ever see this picture again, but there it was, in my dad's loft, warts and all, the very first drawing I ever attempted in pen and ink, from 1975, aged 16.

School project: The Last Voyage of Henry Hudson, copy of an engraving in The Graphic, after the painting by John Collier. Pen & Ink with watercolour on paper. 73cm x 51cm. 1975.

Prior to this drawing I'd worked steadily but quietly at school on assigned projects. It was acknowledged that I was "good at art", but this was post modernist, late hippy mid 1970's, most of the art classes were light on drawing skills, heavy on texture and tactility, I found little to inspire me. Batik tshirts? Organic bio-plant patterns? Yeuk! No, I wanted to draw! Draw people! Things!

Away from school however I'd long since discovered the joy of the BIC biro, and filled old unused school exercise books with drawings, copied or inspired by WW2 Commando comics. After my dad bought me a couple of Adrian Hill guides to drawing and sketching I'd taken a sketchbook with me everywhere I went, and on every holiday over the previous year filled it with directly observed sketches from life in biro. This was all entirely independant from school. Finally a confrontation with a school bully ended up with the contents of my school bag scattered across the classroom floor, and my sketchbooks were discovered by my form tutor (and art teacher) Al Sayers.

Everything changed from then on. My wonderful art teacher Jackie Asbury (where is she now?) introduced me to a dip pen and a bottle of indian ink for the first time, and told me to draw something challenging. A 19th engraving of Collier's The Last Voyage of Henry Hudson seemed to fit the bill.  I knew absolutely nothing about Henry Hudson or John Collier, or for that matter pen and ink drawing, but I set to and produced this clumsy, tentative piece, little knowing that pen and ink was to become my chief medium for the next 40 years.

Well, this is what I wanted it to look like....

The source engraving, The Last Voyage of Henry Hudson, after the painting by John Collier

It's embarassing - those terribly badly drawn hands... it bears little resemblance to the source image, how could I hope to reproduce an engraving with a dip-pen? I had a lot to learn, but it was a start, and I never looked back.


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7. Protecting Student Writing Time

My students won’t become writers just because I want them to be writers. Writers need to wallow in new information, time to let all the words, ideas and questions wash over them, connect with their schema, and let the new information become their own.

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8. Monster Eating Cake. Original Art for Sale

Monster eating cake
Monster in the rain
Monster eating cake again

Original Doodle (and doggerel) by me!
Special Offer £24.99 Post Free
Pen and Ink and Watercolour
Size is 6" x 4" in 10" x 8" White Mount
Will be created especially for you. Each one will differ slightly.
Use the Paypal button below to purchase!

Picture of a monster eating cake
Buy now! £24.99 Post Free

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9. Multiple Points of View

Question: I've been told I'm head-hopping in my contemporary romance manuscript. How do you convey different characters' thoughts, feelings, or reactions

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10. Time and Circumstance with Theresa Milstein

Please help me welcome Theresa Milstein, to The Storyteller's Scroll. We're revealing the cover of her new poetry and prose collection, Time and Circumstance. Publication date: March, 2017 Genre: Single Author Poetry & Prose Collection Paperback: ISBN-13: 978-1-925417-30-2 ePub: ISBN-13: 978-1-925417-31-9 Kindle ASIN: to come “The trunk of this family is lost to history / Photo

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11. Critique Partners

Why is it so important to have someone else read your work-in-progress?

https://livibuglady.wordpress.com/2016/08/01/cps-and-why-you-need-them-meredith-ireland/

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12. Back to philosophy: A reading list

Are you taking any philosophy courses as part of your degree this year? Or are you continuing with a second degree in philosophy? Then look no further for the best in philosophy research. We’ve brought together some of our most popular textbooks to help you prepare for the new academic year. From Plato to Descartes, ancient wisdom to modern philosophical issues, this list provides a great first stop for under-graduate and post-graduate students alike.

The post Back to philosophy: A reading list appeared first on OUPblog.

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13. Raymie Nightingale, by Kate DiCamillo

I was a kid running wild and free in the 1970s, and I find myself intrigued with the fiction written these days that takes place during that time period. It's a convenient time period, for sure. By this I mean that technology hadn't yet tethered us to our parents, and I'm assuming that most kids were like my sister and I -- running around the neighborhood and beyond with friends and coming home when we got hungry.

Raymie is a girl who isn't really noticed much by her parents. Her father has actually just up and left with a dental hygienist and Raymie's mom is spending her time staring into space. Raymie finds some comfort in neighbor Mrs. Borkowski who seems to know everything and always has time to talk to Raymie. She has also hatched a plan to get her father to come home.

Raymie has decided that she will enter and win the Little Miss Central Florida Tire 1975 pageant. This will result in her picture in the newspaper. Her dad will be so proud of her, he'll have to come home. When Raymie tells her dad's secretary her plan, Mrs. Sylvester says Ramie just has to learn to twirl the baton as her talent.  This is how she ends up at Ida Nee's place for twirling lessons along with Beverly Tapinski and Louisiana Elefante -- two girls who couldn't be more different from one another.

Louisiana is a wheezy and delicate girl, prone to swooning, while Beverly is the tough talking daughter of a cop who swears that she's seen things. In between these two, Raymie Clarke is a steadfast girl just doing her best to understand others.

Over the next few days, Louisiana dubs their trio the Rancheros, and even though Beverly refuses to live by the moniker, it becomes clear that Louisiana often gets her way. As the girls search for Louisiana's beloved cat, perform good deeds, experience loss, and do a little breaking and entering along the way, they slowly reveal their worries to one another.  They become tied together by the brokenness that surrounds them.

As always, DiCamillo leaves poetry on the page. But this book felt different to me. I was talking to a colleague about it and I noted that it felt like it had a big dose of Horvath in the pages. Some have said the girls are too quirky and almost derivative. I disagree. When you look closely, kids are weird. And if they allow themselves to be honest with who they are, Beverlys and Louisianas and Raymies are completely reasonable. Trying to mend neglect with toughness or fantasy is innately human. I really enjoyed this quiet and quirky summery read. I do wonder at today's kids sitting with the 1975 setting. I'm interested in their feedback.

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14. Writing about topics I don't know too well...

Hi! I'm John (big fan of your page!), and I have a question that has been haunting me for a while and will not let me begin ANY book I try to write.

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15. The development of urban nightlife, 1940s hipsters, & the rise of dating

Cities in the early days of the United States were mostly quiet at night. People who did leave the comfort of their own homes at night could often be found walking into puddles, tripping over uneven terrain, or colliding into posts because virtually no street lighting existed.With the advent of gas lighting, culture transformed in fascinating ways. Here are 12 interesting facts about urban nightlife, which show how times have greatly changed and, remarkably, how some things have remained the same.

The post The development of urban nightlife, 1940s hipsters, & the rise of dating appeared first on OUPblog.

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16. Brexit and article 50 negotiations: What it would take to strike a deal

In the end, the decision for the UK to formally withdraw its membership of the European Union passed with a reasonably comfortable majority in excess of 1¼ million votes. Every one of the 17.4 million people who voted Leave would have had their own reason for wanting to break with the status quo. However, not one of them had any idea as to what they were voting for next. It is one of the idiosyncrasies of an all-or-nothing referendum.

The post Brexit and article 50 negotiations: What it would take to strike a deal appeared first on OUPblog.

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17. Saturday Sunrise

I woke up a little early Saturday - or maybe the days are indeed getting shorter here. At any rate, I was so glad to capture this out our flat window:


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18. Author Rita Williams-Garcia & The Surely Do Dancers

By Cynthia Leitich Smith
for Cynsations

CSK Author Award Acceptance Speech by Rita Williams-Garcia from The Horn Book. Peek:

"...upon occasion, our histories are bound by peace and wonder as people of the planet Earth, looking up as we did on one night in the summer of 1969.
"In spite of some current rhetoric, very few of us on this soil can claim a separate and sole history. We are a joined people. Let’s keep looking up."

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19. Wagon Wheels

Wagon Wheels. Barbara Brenner. Illustrated by Don Bolognese. 1978. HarperCollins. 64 pages. [Source: Bought]

First sentence: "There it is, boys" Daddy said. "Across this river is Nicodemus, Kansas. That is where we are going to build our house. There is free land for everyone here in the West. All we have to do is go and get it."

Premise/plot: Wagon Wheels is an early chapter book based on a true story. Set in the late 1870s, the book follows the adventures of the Muldie family as they settle in Kansas. First the family settles in Nicodemus, Kansas, a black community. Then the father leaves the boys behind and searches for a better place to settle down and call home, this time near Solomon City. The boys--all on their own--travel to rejoin their father. (The father disliked the flat land and missed trees and hills.)

The book is narrated by Johnny, one of four boys being raised by a widower. The text is simple, and the action is straight-forward. Though simple, it was packed with just the right amount of detail. This book is much, much shorter than any of the Little House books, but, it is just as vivid.

My thoughts: I really liked this one. The edition I picked up is all black-and-white illustrations. I could not tell based on the cover alone that it was a black pioneer family. So I was very pleasantly surprised when I started reading the text to find some diversity. The family--and the community--are saved from starvation by the generosity of Indians--Osage, I believe. Unlike the Little House books, the Indians are portrayed positively. Yes, they are referred to as "Indians" but not savages or redskins or the like.

© 2016 Becky Laney of Becky's Book Reviews

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20. दो पंक्तियाँ

किनारो सी है यह ज़िंदगी, खुशियाँ छूकर गुज़रती है,
हवाओं सी आती है हिम्मत, किरणों सी बिखरती है || Dr DV ||







लहर सी टकराई तू, मैं किनारो सा मौन रहा, बरसी बारीशों सी , न जाने मैं तेरा कौन रहा || Dr DV||







प्रचंड सागर में, एक नाव का सहारा था, ऐसा ही शायद कुछ, वो रिश्ता हमारा था || Dr DV ||








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21. Book Review: George by Alex Gino

Title: George
Author: Alex Gino
Published: 2015
Source: Local Library

A note: While she's called George through most of the book, Melissa is the name she's chosen for herself, so that's what I'll use in this review. Please see: How to Talk About George at AlexGino.com

Summary: Melissa knows she's a girl, even if the whole world seems to think she's a boy named George instead. She's scared to tell anybody - her mother, her brother, even her best friend - the truth that she knows in her heart. But when the chance to play Charlotte in Charlotte's Web comes her way, she realizes that this may be a way to be who she is.

First Impressions: This was so quietly sweet, and yet so comprehensive in how the world was enforcing gender on her. I keep getting the sniffles over it. I also loved how unexpected some of the reactions were.

Later On: The thing that kept running through my head was how thoroughly this is a children's book. Melissa is in the fourth grade. The class play is Charlotte's Web. There's little to no discussion of sexuality or attraction - it's this vague, misty thing that feels as far away as the moon. There's a little discussion of genitalia: she hates taking a bath and having to see "what's between her legs", and she talks briefly and vaguely about transitional surgeries and medication with her best friend. But Melissa is primarily and appropriately concerned with a child's world - her family, her friends, school woes, why nobody seems to know who she really is.

Her gender is a source of constant stress - not confusion. I think it's important to clarify that. She knows her own gender, even though everything from the bathroom pass to the play's casting call conspires to shout at her, boy boy BOY BOY BOY. It's this constant screaming that makes her miserable. When she gets the chance to be her real self, in public, with her loving and accepting best friend at her side, I swear that I felt a weight lift off my shoulders.

I know that strictly because of the topic, this will be shelved in some YA sections. That's the wrong place for this book. This is a tender, beautiful, relatable book for children of all gender identities.

More: Waking Brain Cells
Interview with Alex Gino at School Library Journal

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22. Monday Mishmash: 9/26/16


Happy Monday! Monday Mishmash is a weekly meme dedicated to sharing what's on your mind. Feel free to grab the button and post your own Mishmash.

Here's what's on my mind today:
  1. Only One Week Until After Loving You Releases!  I can't believe October 3rd is almost here! 
  2. Editing  I'm finishing up a client edit this week in time for a new one on October 1st.
  3. Two Work Days With Extended Hours  This week my daughter has student council and chorus after school, so thus begins my longer work hours on Tuesdays AND Wednesdays. 
  4. 2017 Publication Schedule  I'm going to be releasing books every two months in 2017. Stay tuned for more information on that this Wednesday.
  5. Fall!  My favorite season is here! I love the smell of fall, specifically the smell of October. October has been my favorite month all my life. There's something special about it.
That's it for me. What's on your mind today?

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23. VIDEO: They All Saw A Cat

I love this book, THEY ALL SAW A CAT by Brendan Wenzel. Check out the trailer on YouTube by clicking the image below.

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24. ‘I Like Girls,’ ‘Louise en Hiver’ Wins Top Prizes at Ottawa

A surprising short tops Ottawa 2016.

The post ‘I Like Girls,’ ‘Louise en Hiver’ Wins Top Prizes at Ottawa appeared first on Cartoon Brew.

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25. Hummingbird Farewell

The feeder's full; the hummingbirds
Have likely flown away
To find a better climate
For their wintering foray.

I've read that they fly solo,
Not like others, in a swarm,
To Mexico or Panama
In search of someplace warm.

I wonder how they fare in flight,
Their frenzied wings a'blur
And what they do if storms or winds
Or hurricanes occur.

I'll take my feeder down and dump
The sugar water out 
And hope next summer once again
I'll see them flit about.




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