- teachers and principal -their background and experience
- school policies, rules, regulations, about-health and medical regulations
The first annual Jane Lumley Prize For Emerging Writers is open for submissions till November 30th 2014!
The Jane Lumley Prize is awarded annually to a writer who has yet not published a full length book of poetry or prose. The prize alternates each year between prose and poetry, and the inaugural year will seek to recognize the brilliance of an exceptional piece of poetry.
The Jane Lumley Prize will only be awarded to writers who have not published a full length book. However, they may have published a chapbook, and/or found a home for their works in other literary journals. We also invite unpublished writers to submit their poems for consideration.
If you know the editor and/or any staff member of Hermeneutic Chaos Literary Journal, you must not submit your work. If such a relationship is identified, your entry would be disqualified.
You must create an account https://hermeneuticchaos.submittable.com/submit/34128
Enter your information to create a new account below.
If you already have a Submittable account, please log in now.
What would really happen if you gave control of a giant killer robot to a group of teenagers?Add a Comment
We’ve all seen Rube Goldberg machines: overly complicated machines that use everything from dominoes, to motors, to squirrels in order to complete a simple task. But have you ever thought about hosting a Rube Goldberg competition at your library?
Back in July, I hosted the Chain Reaction Challenge: an event where families were given supplies and two hours to construct a Rube Goldberg machine. I admit that I had my doubts about the program initially – especially since our target age was grades K– 5. However, I found that this is a great family program that emphasizes teamwork, critical thinking, and STEM!
Interested in hosting your own Rube Goldberg program? Here are a few components you might consider:
Our theme was Rollin’, Rollin’, Rollin’, and the objective was to have a golf ball roll from one side of the machine to the other and trigger the next machine (creating the chain reaction). While having a theme is pretty optional, it’s imperative to have an objective so that the teams know what they’re working toward. I felt that the golf balls were an excellent choice for this age group, but there are other objectives you could do, such as:
While many Rube Goldberg machines require motors and technical aspects, we wanted this to be a simple, age-appropriate program. We told families that they were welcome to bring supplies from home, but we also provided a lot of simple, everyday items:
I was lucky enough to partner with a local nonprofit organization http://tekventure.org/ that specializes in the maker movement. Therefore, we had engineers on hand to mentor the teams and give them some ideas and suggestions for how to build their machines.
But you do not need engineers to run this program! You can just as easily start the program with a slideshow to demonstrate some simple machines (such as ramps, pendulums, etc.). Or even have handouts with suggestions on it. As a matter of fact, the teams that participated in this program came up with most of the ideas themselves, and many of them had zero maker experience prior to the program!
We had awards for ten different categories, such as: tallest machine, most colorful, most musical, etc. This worked well for us because we had five teams that participated, so each team was able to get two awards! However, the biggest reward was watching the finished machines run. There was a great sense of accomplishment for both kids and adults to see that they created a simple, working machine.
(all photos courtesy Guest Blogger)
Erin Warzala is a Children’s Librarian at the Allen County Public Library in Fort Wayne, Indiana. She is passionate about early literacy, STEM/STEAM programming, books of all genres, and tea. She blogs somewhat regularly at http://fallingflannelboards.wordpress.com/ and can be followed on Twitter at @fallingflannel.
Please note that as a guest post, the views expressed here do not represent the official position of ALA or ALSC.
If you’d like to write a guest post for the ALSC Blog, please contact Mary Voors, ALSC Blog manager, at firstname.lastname@example.org.
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Last week I mentioned/discussed Dalya Alberge's report in The Observer on how (supposedly) British readers lost in translations as foreign literature sales boom, and at Quill & Quire they follow up on that article, wondering: Books in translation take off in the U.K.; can they do the same in Canada ?
The Canadian situation is somewhat different from the UK one, since Canada is, after all, (nominally) bilingual (yes, yes, the UK is nominally multilingual, but let's face it: French in Canada is ,,, non-trivial; Welsh, Scots, etc, in the UK ... sadly, considerably more trivial (though of course not entirely so)). Interestingly, the focus of the Quill & Quire piece is on translation (into English) from the French. It makes sense, in a way -- translations from other languages into English are most likely to reach the relatively small Canadian market via US and UK editions/translations Still, smaller markets can take the occasional lead here -- as I recently noted, Uday Prakash's The Walls of Delhi came to the US only after the University of Western Australia published it ..... And in Canada, they do have admirable publishers such as Biblioasis, which has taken the lead in some unlikely areas/languages.
The 2015 Green Rose Prize
$2,000 and publication for a book of poems by an established poet
Eligibility: Poets writing in English who have already published one or more full-length collections of poetry. We will consider individual collections and volumes of new and selected poems. Besides the winner, New Issues may publish as many as three additional manuscripts from this competition.
Please include a $25 reading fee. Checks should be made payable to New Issues Press.
Postmark Deadline: September 30, 2014. The winning manuscript will be named in January 2015 and published in the spring of 2016.
The 2014 New Issues Poetry Prize
$2,000 and publication for a first book of poems
Judge: to be determined
Eligibility: Poets writing in English who have not previously published or self-published a full-length collection (48+ pages) of poems.
Please include a $20 reading fee. Checks should be made payable to New Issues Press.
Postmark Deadline: November 30, 2014. The winning manuscript will be named in May 2015 and published in the spring of 2016.
Submit a manuscript at least 48 pages in length, typed on one side, single-spaced preferred. Photocopies are acceptable. Please do not bind manuscript. Include a brief bio, relevant publication information, cover page with name, address, phone number, and title of the manuscript, and a page with only the title.
Enclose a stamped, self-addressed postcard for notification that the manuscript has been received. For notification of title and author of the winning manuscript enclose a stamped, self-addressed envelope. Manuscripts will be recycled.
A manuscript may be submitted that is being considered elsewhere but New Issues should be notified upon the manuscript’s acceptance elsewhere.
Send manuscripts and queries to:
The New Issues Poetry Prize
(or) The Green Rose Prize
New Issues Poetry & Prose
Western Michigan University
1903 West Michigan Ave.
Kalamazoo, MI 49008-5463
Saturday's Favorite Movie Moment embraces the best movie adaptations from books, unless I find a screenplay written as well as a book.-If that's possible, and I many times it is-
The award winning classic, Charlotte's Web, was written by E. B. White, the author of many other beloved classics such as Stuart Little, The Trumpet of the Swan, and Where The Mountain meets The Moon.
E.B. White was born in Mount Vernon, New York, and was the author of many other award winning essays for adults. He is also the author of The Elements of Style, which is commonly known as "Strunk & White".
I've owned a least five copies of The Elements of Style in my lifetime, and still refer to my present copy often.
E.B White's children's books illustrate his astounding imagination, gift for characterization, dialogue, phrasing, and above all else storytelling. E.B. White died on October the first in 1985, but his books will remain shelved for many lifetimes, teaching children and adults about love, sacrifice, loss, joy, courage, friendship, loyalty, and life.
If you haven't read these children's classics to your children, it is never too late to buy a copy.
Thank you for stopping by A Nice Place In The Sun, and I hope you have an excellent week-end- :)
It’s taken years. It’s taken tears. It’s taken a revolution in technology and a new coding system. BUT THE LEAKY CAULDRON IS FIXED. (Or… about 90% fixed.)
Over the past few years, the reason that we haven’t made a lot of updates to the Leaky Cauldron is that it was made, during the last time it was designed, with a coding system that was probably too advanced for us. When it broke down we needed a programmer who not only knew what they were doing but had enough experience in our site to be able to handle it. And as our coders and volunteers grew up and on… we didn’t have it.
SO FINALLY WE HAVE REDONE THE SITE. This is wholly the work of looonnnngtime Leaky hero John Noe, and a bunch of volunteers who we have dubbed Leaky Cauldron Angels. You’ll find them on the staff page, and they are the reason we have been able to get this going again.
Most things are back and going: MyLeaky’s profiles are working, but points will be restored over the coming months (hopefully in time for Sept. 1). You can still comment on each other’s walls. We have a fancy new design. We are no longer celebrating the release of DH1. (Man, we were REALLY looking forward to that movie.) Progress!
If you’re reading this you are likely one of the people who is still with us after all this time. That is incredibly special to us, and we thank you. This is the first and largest step in bringing the Leaky Cauldron back to its former polish. We are gathering more team members very soon, so please keep an eye out on this page for more!
Enjoy a functioning (but of course still leaking…) cauldron! If you find any problems that you’d like to tell us about, please email email@example.com.
Note from John: Hey Leaky peoples! There will be a few obvious formating and missing feature issues that we’ll be ironing out here for the next few days, but do please feel free to leave us comments with suggestions or questions (or go ahead and email if you can’t comment.)
We hope most of you remember your MyLeaky names (or email addresses) used to login – you should be able to reset your passwords no problem. If not, we will be addressing a way to help you with that later this week.
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At this time, every year our house becomes housefly central for a day or two and is affectionately referred to by my husband, Tom and myself as “Amityville Horror”. Those who have seen the movie will know what I’m referring to. If you don’t know what I mean, well, Rod Steiger plays this priest, he’s in this haunted house and he gets attacked by flies and, well you really need to check this out, man.: https://www.youtube.com/watch?v=adFRKm9ezw4
But, I digress.
So, while attempting to prepare a meal today, several flies circled my head in this dreadful holding pattern, while many more of their creepy little comrades paced shamelessly across the cutting board with their nasty little bug feet. At least 50 or A MILLION flies crawled, flitted or buzzed over every inch of our kitchen. One poor unfortunate got himself stuck in the butter.
Gross! That does it!
We take up arms. Flyswatters and rolled up newspapers are picked up and waved wildly at the air in hopes of sending the tiny, vile vermin back from whence they came. The wild waving and syncopated swatting, followed by loud intermittent thwaps and kersplats, predictably sends our two kitties vaulting out of kitchen and into farther reaches of the house, each heading for their own piece of furniture to hide under and wait for saner times. Clearly the humans, usually such pacifists, have gone to a deep, dark place.
The carnage can go on for hours, sometimes days. But eventually this slaughter, the stuff of horror films, ends as abruptly as it began. Feeling spent, yet flush with cathartic relief, we turn to each other, blow the fly guts off our swatters and announce…
“This house is clean.”
Creative Minds Writing Contest
We invite submissions for Imagine’s Creative Minds Essay Contest.
The first-place winner will be published in the January/February issue of Imagine. Second- and third-place winners will be excerpted in print and published in full online. Winners will receive copies of the issue in which their work appears.
Winners will be announced in the Jan/Feb issue of Imagine and on the Imagine website.
Entrants must be 18 years old or younger.
Entries must be received by 5:00 ET on Friday, November 7, 2014.
There is no theme or topic for this competition. Essays may be any work of creative nonfiction including, but not limited to, memoirs, personal essays, travel writing, and lyric essays. We will not accept book reports, critical works, or research papers.
Essays must not exceed 1,000 words and must be titled.
Entrants may submit up to two essays.
Entries must include text only. Do not include photographs, illustrations, or background graphics or colors.
Essays must be entrant’s original work. Essays that have won other contests or that have appeared in any print or online publications are not eligible.
Save all essays in a single Microsoft Word document with your last name as the file name. Submit your entry online here.
Questions may be directed to:
mhartmanATjhuDOTedu (Change AT to @ and DOT to . )
See the winning essays from previous years in our essay archives.
|book cover by Rio Yañez and Yolanda Lopez|
|Maya reading: Brava Theater at "Our Mission, No Eviction" fundraiser, in|
San Francisco. Photo by Jean Melesaine
|The picture with the group is taken in my childhood living room in Long Beach, California. My mom is in the center back with glasses. I am up front holding the white cat and my dad is left front. The people in the picture are members of a Guatemalan solidarity organization of which my parents were members.|
In The Japan Times Andrew Lee looks (sigh ...) Inside author David Mitchell's metaphysical mind, as The Bone Clocks-author talks about his new novel and his Japanese influences.
I haven't got a copy of The Bone Clocks, yet, but Mitchell's other work is under review at the complete review (e.g. Cloud Atlas) and I should be getting to this as well (I'm in 82nd place in the queue for one of the NYPL's 18 copies ...); meanwhile, see the official site, or get your copy at Amazon.com or Amazon.co.uk.
The Lexi Rudnitsky First Book Prize (formerly the Lexi Rudnitsky Poetry Prize) is a collaboration between Persea Books and The Lexi Rudnitsky Poetry Project. This annual competition sponsors the publication of a poetry collection by an American woman poet who has yet to publish a full-length book of poems. The winner receives an advance of $1,000.00 and publication of her collection by Persea.
In addition, the winner receives the option of an all-expenses-paid residency at the Civitella Ranieri Center, a renowned artists retreat housed in a fifteenth-century castle in Umbertide, Italy.
Submission and Eligibility Guidelines:
• Entrants must be women with American citizenship.
• Submitted manuscripts should include two title pages: one containing the author's name, the author's contact information, and the title of the collection; and another containing only the title of the collection.
• Submitted manuscripts should be at least 40 pages. They should be paginated, with the title of the collection included on each page as a header or footer, and fastened with a clip. Please do not staple or permanently bind submissions.
• Submissions may include a page of publication credits. However, they should not include other sorts of acknowledgments, thank-yous, or dedications.
• Submissions must be primarily in English to be considered. Translations are not accepted.
• For the purposes of this contest, a previously published full-length book is defined as a volume of at least 40 pages in an edition of 500 or more copies that has been made readily available through trade distribution (i.e. local and/or on-line booksellers, including Amazon.com). Any woman who has published a book that meets these criteria is ineligible.
• Simultaneous submissions are accepted. Please contact us immediately if you must withdraw your manuscript(s) from consideration.
• Submissions must be postmarked between September 1st and October 31st (or the first weekday thereafter if October 31st falls on a Sunday). They should be sent to:
The Lexi Rudnitsky Poetry Prize, c/o Persea Books
PO Box 1388
Columbia, MO 65205
and should include a check (in U.S. funds) in the amount of $25.00, made payable to the order of The Lexi Rudnitsky Poetry Project. Please do not send submissions to Persea’s New York City office.
• Entry fees are nonrefundable.
• Submissions should be sent via USPS First Class, Priority, or Express mail. We reserve the right to disqualify submissions sent by other methods (e.g. USPS Media Mail) should they reach us after the postmark deadline.
The winner is chosen by an anonymous selection committee and announced on Persea's web site in January. Submitted manuscripts will not be returned.
Runners are constantly climbing. It’s in our nature to always have a goal we’re working towards, always wanting to push ourselves to do better. Whether it be chasing new PR’s, challenging yourself to expand your race distance range, or even after we’re past our ‘PR-PR’ years, redefining the times and bests (weekly, yearly, masters, etc.) bests.
Diversity. Fitting as it is now cross country season that we talk about diversifying your running and climbs. Cross country thrives on both. I’ve done posts on just how awesome hills are at improving your strength and power, which translates to speed. What I haven’t talked too much on are prolonged hill climbs.
The long climb, yup. We’re talking taking your tempo runs to the trail, or inclined treadmill if you don’t have a stretch long enough outside. I’ve previously featured the man-beast that is Michael Wardian and he’s no stranger to treadmill running.
While he’s one of the World’s best ultra and trail runners, a major chunk of his miles are done on the treadmill so he can fit his runs in around his family’s (namely his kids’!) schedules. Wardian loves a good, long climb.
He makes sure to do hill work a few times a week and, “for me that means hours of running up vertical inclines, sometimes fast, sometimes just a long grind, but always pushing to get better.” Wardian is an ultra runner after all.
Another big fan of prolonged uphill runs is Sage Canaday, a staple workout for him is an uphill tempo run. Canaday is another World leading ultra runner [check out my feature on him HERE], residing in Boulder, CO he has no shortage of trails to mountain goat up.
Take your next scheduled tempo run to a hill, keep the distance the same and adjust based on effort. [Captain Obvious: Your times aren't going to mean much, so go off of effort.] I’d suggest going 4-5 miles.
No hill? No problem…take it to the treadmill. For a moderate climb set the grade to 4% for your tempo run and again, go off of effort. Do your warm-up and cool-down at 1.5%, as that’s the equivalent to running outside on the flats…after you jack that incline up and finish your tempo run, upon lowering you’ll see just how much ‘easier’ the same pace will feel at 1.5%!
If you’re looking for a steeper incline, Captain Obvious tells us you can just elevate the treadmill.
Another twist courtesy of Coach Hudson would be to make your hill climb tempo progressive, begin the workout at a 2% grade and have it up to 6% by the time you finish.
Life’s a climb after all. For runners, we take that both figuratively and literally.
More workout posts HERE
Need some motivation to get ‘er done…look HERE
Sweat hard, recover hard… #SweatsintheCity style, Baby!
1) Are you running cross country season?
2) How do you incorporate hill work into your training?
3) Have you done incline tempo/threshold work?
Long-run trends suggest a broad shift is taking place in the institutional financing structure that supports academic research. According to data compiled by the OECD reported in Figure 1, industry sources are financing a growing share of academic research while “core” public funding is generally shrinking. This ongoing shift from public to private sponsorship is a cause for concern because these sponsorship relationships are fundamentally different. Available evidence suggests that industry financing does not simply replace dwindling public money, but imposes additional restrictions on academic researchers. In particular, industry sponsors frequently limit disclosure of research findings, methods, or materials by delaying or banning public release.
Recent economic research highlights why public disclosure of academic research is important. Disclosure permits the stock of public knowledge to be cumulative, accessible, and reliable. It limits duplication of research efforts, allows new knowledge to be replicated and verified by professional peers, and permits access and use by other researchers which enhances opportunities for complementary research. Some work finds that greater access to ideas and materials in academic research not only increased incentives for direct follow-on research, but led to an increase in the diversity of research by increasing the number of experimental research lines. Other work, examining the theoretical conditions supporting “open science” versus “secrecy”, stressed that maintaining and growing the stock of public knowledge requires a limit on the private financial returns obtained through secrecy.
To better understand the potential implications of increased industry funding, we implemented a research project that examined the relationship between industry sponsorship and restrictions on publication disclosure using individual-level data on German academic researchers. Germany is an apt setting for examining this relationship. It has a strong tradition of public financial support for academic research and, according to the OECD, Germany experienced the most dramatic growth in its share of industry sponsorship, an 11.3 percentage point increase from 1995 to 2010 (see Figure 1).
German academic researchers were surveyed about the degree of publication disclosure restrictions experienced during research projects sponsored by government, foundations, industry, and other sources. To examine if industry sponsorship jeopardizes disclosure of academic research, we modeled the degree of restrictiveness (i.e. delay and secrecy) as a function of the researcher’s budget share financed by industry. This formulation allows us to examine two potential effects of industry sponsored research contracts. The first is an adoption effect that takes place when academic researchers commit to industry funding. The second is an intensity effect that captures how publication restrictions depend on the researcher’s exposure to greater ex post review and evaluation by industry sponsors. Our models include covariates that control for non-industry extramural sponsorship, personal characteristics, research characteristics, institutional affiliations, and scientific fields of study.
Both the descriptive and regression results show a positive relationship between the degree of publication restrictions and industry sponsorship. The percentage of respondents who reported higher secrecy (partial or full) is significantly larger for industry sponsored researchers than it is for researchers with other extramural sponsors, 41% and 7% respectively. Controlling for selection, adopting industry sponsorship more than doubles the expected probabilities of publication delay and secrecy. The intensity effect is positive and significant with a larger effect on publication secrecy than on publication delay when academic researchers become heavily supported by industrial firms. These results are robust to the possibility that researchers self-select into extramural sponsorship and to the possibility that the share of industry sponsorship is endogenous due to unobserved variables.
Based on our analysis, the shift from public to private sponsorship seen in the OECD aggregate data reflects changes in the microeconomic environment shaping incentives for disclosure by academic researchers. On average, academic researchers are willing to restrict disclosure in exchange for financial support by industry sponsors. Our results shed light on an important challenge facing policymakers. Understanding the trade-off between public and private sponsorship of academic research involves gauging the impact of disclosure restrictions on the quantity, quality, and evolution of academic research to better understand how these restrictions may ultimately influence innovation and economic growth.
Image credit: Computer research, © Jürgen François, via iStock Photo.
The post Does industry sponsorship restrict the disclosure of academic research? appeared first on OUPblog.
South Korea's Studio MIR, responsible for the animation in "The Legend of Korra" and the fourth season of "The Boondocks," has signed a major deal with DreamWorks Animation to produce four animated series over four years.Add a Comment
Okay, you all. I just gotta write about another Bruce Eric Kaplan picture book, because whenever he writes and illustrates a new one, I’m reminded how wonderfully weird and refreshing they are. I see a lot of picture books on a regular basis, you see, and some of them start to blur together in my vision, but when one of his shows up, I know I’m likely in for a laugh.
Let me back up first. Kaplan is a cartoonist, whose work regularly appears in the The New Yorker, and since he’s known for his darker humor, his picture books have a touch of that as well (which means, of course, I’m going to be drawn to them). Dark humor in picture books is an easy thing to get wrong, though, yet Kaplan hasn’t made a misstep yet. At least, not in my book anyway. His debut picture book was 2010′s Monsters Eat Whiny Children, featured here at 7-Imp, and this was followed last year by Cousin Irv from Mars, which I wrote about here at Kirkus (and followed up here with art).
The new one, Meaniehead, came out in June (Simon & Schuster) and features more of his dark, hyperbolic humor and wry (and wise) observations on childhood. Henry and Eve are siblings who are experiencing an ugly new phase (as you can see above), involving lots of arguing. One day, an argument over an action figure (“There’s nothing sillier than fighting about what belongs to whom, but no kids and even fewer adults know that”) leads to a broken lamp, a wrecked bedroom, and the destruction of the house, the neighborhood, the local toy store, the library, the pizza place, the beauty parlor, the park, and all the town’s buildings, really. After a snack break, the intensive arguing continues until … well, I can’t give it all away, but some Texas football teams get involved …
… and in the end the world explodes.
That’s a Bruce Eric Kaplan book for you. Though you can never expect a moral with his books (thank goodness), there is some remorse, post-apocalypse. Best of all, he seems to really get those intense childhood fights. (My late brother and I grew up to be the best of friends, but boy howdy did we have some doozies when we were younger. I remember an argument over macaroni that is best not discussed.)
MEANIEHEAD. Copyright © 2014 by Bruce Eric Kaplan. Illustrations used by permission of the publisher, Simon & Schuster, New York.
Note for any new readers: 7-Imp’s 7 Kicks is a weekly meeting ground for taking some time to reflect on Seven(ish) Exceptionally Fabulous, Beautiful, Interesting, Hilarious, or Otherwise Positive Noteworthy Things from the past week, whether book-related or not, that happened to you. New kickers are always welcome.
1) I might have to listen to this great conversation with poet Marie Howe multiple times. This is excellent on so many levels.
2) I took my girls this weekend to this Coretta Scott King event at the Nashville Public Library, and they got to take writing and art workshops — and I finally got to meet in person R. Gregory Christie.
3) Reading about this smart idea (putting a social worker on staff at a D.C. library to work with homeless patrons) led me to this podcast. It’s from the Dallas Public Library; it’s about homelessness; and it’s hosted by a young man who is himself homeless. I’m on episode three at this point; so far, it’s interesting stuff.
4) It’s lovely to see Dolly Parton’s book program (which is FABULOUS) get some national love and attention.
5) I got a good stack of new novels at the bookstore today. On that note …
6) Bubble bath. Reading. Bye! (Sorry to kick #7.)
What are YOUR kicks this week?Add a Comment
The Iowa Short Fiction Award & John Simmons Short Fiction Award
Any writer who has not previously published a volume of prose fiction is eligible to enter the competition. Previously entered manuscripts that have been revised may be resubmitted. Writers are still eligible if they have published a volume of poetry or any work in a language other than English or if they have self-published a work in a small print run. Writers are still eligible if they are living abroad or are non-US citizens writing in English. Current University of Iowa students are not eligible.
The manuscript must be a collection of short stories in English of at least 150 word-processed, double-spaced pages. We do not accept e-mail submissions. The manuscript may include a cover page, contents page, etc., but these are not required. The author's name can be on every page but this is not required. Stories previously published in periodicals are eligible for inclusion. There is no reading fee; please do not send cash, checks, or money orders. Reasonable care is taken, but we are not responsible for manuscripts lost in the mail or for the return of those not accompanied by a self-addressed, stamped envelope. We assume the author retains a copy of the manuscript.
Award-winning manuscripts will be published by the University of Iowa Press under the Press's standard contract.
Manuscripts should be mailed to:
Iowa Short Fiction Award
Iowa Writers' Workshop
507 North Clinton Street
102 Dey House
Iowa City IA 52242-1000
No application forms are necessary. Entries for the competition should be postmarked between August 1 and September 30; packages must be postmarked by September 30. Announcement of the winners will be made early in the following year on our Facebook page and Twitter account.
Potential entrants wishing to read stories by previous winners may order The Iowa Award: The Best Stories from Twenty Years and The Iowa Award: The Best Stories, 1991ñ2000, both selected by Frank Conroy.
Daddy Wrong Legs, by Nina Laden, is a colorful board book split down the middle and offers a top and bottom page turn.Add a Comment
Heather opens the fridge.
River Styx 2015 Schlafly Beer Micro-Brew Micro-Fiction Contest
$1500 First Prize plus one case of micro-brewed Schlafly Beer
Judged by the editors of River Styx
Submissions open August 1, 2014
500 words maximum per story, up to three stories per entry.
Entry fee: $10 or $20. $20 entry fee includes a one-year subscription (3 issues). $10 entry fee includes a copy of the issue in which the winning stories will appear.
Include name and address on the cover letter only.
All stories will be considered for publication.
Previously published stories, including those that have appeared on websites, blogs, and personal home pages, are not eligible.
Though submissions are anonymous, judges will remove from consideration any entries they recognize as having been written by writers with whom they have worked or studied.
1st, 2nd, and 3rd place winners and honorable mentions will be published in the spring issue.
Contest results will be announced in April.
Enter by mail or online via Submittable. To enter by mail, include an S.A.S.E. for notification of contest results and a check payable to River Styx Magazine. Entries must be received by December 31. Mail entries to:
River Styx Schlafly Beer Micro-Brew Micro-Fiction Contest
3547 Olive Street, Suite 107
St. Louis MO 63103