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Every day for the past six years, Tyler Knott Gregson has written a simple haiku about love, and posted it online. These heartfelt poems have attracted a large and loyal following around the world. This highly anticipated follow-up to Chasers of the Light, presents Tyler’s favorites, some previously unpublished, accompanied by his signature photographs, which capture the rich texture of daily life.
This vibrant collection reveals the intimate reflections of one of poetry’s most popular new voices — honest, vulnerable, generous, and truly present in the gift that is each moment.
Some will calm, some will soothe, some will arouse desire. You definitely don't want to mail the whole book to your mother. Actually, probably 80% you wouldn't want to discuss with her unless you have a very, very, very comfortable relationship.
This is definitely something you want to give to someone you love love.
Now we move on to my favorite of the two: Men & Cats by Marie-Eva Gatuingt & Alice Chaygneaud.
Now, this your mom might enjoy. Assuming she likes scantily clad men. And cute cats.
About the book
A brilliant collection of photographs that brings together two of the world’s favorite things: hot men and cute kittens.
Based on the chic French Tumblr Des Hommes et des Chatons, Men & Cats presents an original collection of 50 pairs of sexy men and adorable cats. Each clever match-up shows a heartthrob posing alongside a cat in a similar pose or with a similar expression. Not sure if you want to look at sexy men or cute cats? With this book, you don’t have to choose.
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If you are under 13, please get a parent or guardian's permission to enter, as you will be sharing personal info such as an email address. Actually TBH for this one, you probably should be significantly older than 13. I'm just saying.
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Recently a friend asked me whether she should address the concerns of a beta reader who had clearly missed something in her novel that everyone else got. This started me thinking about the challenges in revising a story when you’ve received critiques from many different people, particularly when their comments contradict each other.
We’ve talked a lot at Publishing Crawl about revising your novel on your own and with editorial letters, but what about earlier in the process — maybe before your book even reaches agents or publishers? I am a big believer in beta readers and critique groups, and I participate in an amazing writing group. Almost every piece of fiction I have written has benefited from the sharp insights of other writers who tell me what’s working and what needs work, and call me out when I’m being lazy. If you’re fortunate, there will be a consensus, a clear sign to what you should focus on, but often there’s very different feedback from everyone, and it isn’t at all obvious who is “right” about your story. Now what?
First and foremost, it’s your story, so you have to follow your instincts. That said, you do have to be open to the possibility that you can make it even better by listening to suggestions you may not immediately agree with. And always remember that you can’t make everyone happy, but that isn’t the point; you’re trying to figure out how to make the story as good as it can be, which should also be the goal of your critiquers.
My record for critiques on a single piece is probably around twenty, for some of my short stories at the Clarion West Writers Workshop, which is where I developed my process for juggling feedback and planning a revision strategy. Whether I have seven or 17 critiques, my first step is to read through everyone’s comments and my notes from the crit session, jotting down the key points and organizing them into four categories:
I totally agree with this comment and I will definitely do this
I disagree with this note, but they’re probably right, so I’d better fix that
That’s very interesting, I’ll keep that in mind
Although here I’m focusing on what needs to be improved in the next draft, make sure you’re also noticing the good stuff, which can show you where your story is on the right track, as well as give you an ego boost that is likely sorely needed about now. This is the stuff you don’t want to break when you’re fiddling with everything around it — which can easily happen, especially if you’re trying to follow every suggestion you received.
Once you’ve listed everything out, categories 1 and 2 should give you a pretty clear idea of what changes to make in your revision; however, sometimes you will get two or more recommendations that are incompatible, and you have to choose one. Assuming you don’t want to settle for the fastest and easiest fix, you should consider what makes the most sense for your characters and their story, and what fits with the rest of the feedback you’ve received and strengthens what was already there.
You can also consider the source of the feedback: For example, if you’re writing a YA novel, you might weigh criticism from other YA writers or readers more heavily than feedback from someone who rarely reads YA or doesn’t enjoy it. (Their perspective is still valuable and probably shouldn’t be dismissed out of hand, but they may be unaware of some of the nuances of your particular genre.) Or certain readers “get” your work or connect with your story more than others, so they have a better idea of what you were trying to accomplish.
Once I have a sort of road map of the changes I want to make, I usually dive in and start editing from beginning to end, in a linear order, layering in changes as I go. Of course every edit ripples throughout the piece, so the more time I can spend focused on and immersing myself in the story, the better to keep it all in my head, and ultimately put it on the page. I’m also keeping in mind some of the criticism that I am less sure about, or even some of those “nopes,” because as the story changes, they might make more sense or I’ve become more receptive to them. As I change the story, I feel more free to take it wherever it needs to go. If I take it too far or it doesn’t work, I can always revert back to the previous draft!
When I first started revising this way, it sometimes felt like I was writing by committee, and I resisted taking too many suggestions from others. Whose story is this, anyway? But if you’re committed to telling it in the best possible way, so it will reach the most readers, getting lots of feedback from many different perspectives is incredibly helpful. Don’t forget that every reader is different — just look all those wildly differing reviews on Goodreads! (No, don’t.) In a way, they’re all correct, because reading is such a personal, unique experience. And so is writing. In the end, you decide what your story will be, and you’re the only person who can write it.
Everyone’s writing and revision process is also unique! So, how do you reconcile varying feedback from multiple readers?
Way back in June of 2007, I had the honor of representing TWU’s School of Library and Information Science at ALA Annual in Washington, DC. I was a member of ALA’s Student-to-Staff (S2S) Program, with assignment to the ALSC Division. If you’ve never heard of the S2S program, you can read about it here. There are 56 active ALA Student Chapter Groups at accredited graduate schools. Each is entitled to submit one name for consideration for the program. Schools have varying criteria. My school chose the student – me based on an essay contest. Others have different criteria, but the end result is that 40 promising students receive a free trip to ALA Annual in exchange for working with ALA staff during the week. I was able to choose with whom I wanted to work. An aspiring children’s librarian, naturally, I chose ALSC.
It was my first connection with the national community of librarians. It was during my week as an ALA S2S er, that I first met ALSC’s own Aimee Strittmatter, Laura Schulte-Cooper, and Marsha Burgess, and I began my continuing association with the division. I wrote a piece about my experience for ALSConnect, now called ALSC Matters. (I am no less bright-eyed and bushy-tailed now.)
If you know someone in grad school right now, do them a favor and let them know about the S2S program. If you participated in the S2S program, give a shout out! Did you work for ALSC at the conference? When or where did you attend? How wonderful was it?
(The Student-to-Staff Program was established in 1973. There should be a lot of us out there!)
These are some striking new designs available for licensing from Victoria Johnson. They form part of the portfolio she'll be showing at Blue Print in New York next week. To create the designs she began playing with paint, then chopped up the various papers and used them to make individual flowers for a potential greetings card range. Victoria is represented by Jennifer Nelson Artists who will
After 22 years of reading Christmas books to my kids, it is rare that I find a holiday book that is worthy of sharing here. But, when Peter H. Reynolds, author of the Creatrilogy of picture books that explore creativity and inspiration, creates a Christmas book, you know it will be worth buying and reading year after year. It is a good thing to have at least one or two picture books that help kids recognize the rampant consumerism of this season, and The Smallest Gift of Christmas is a reminder in the gentlest, most subtle of ways, which is exactly what I look for in a book with a message. The message ofThe Gift of Christmasis one that is easy to forget this time of year - being with people you love is the best gift, no matter what time of year. Reynolds wraps this message (which has been clobbered in so many other Christmas books) in a story that is sure to entertain young listeners and readers and presents it in a tiny trim size along with a photo-frame ornament.
The Gift of Christmas begins, "Roland was eager for Christmas Day." The accompanying illustration shows stockings hung over the fireplace, Roland's reaching all the way down to the floor. When Roland races downstairs on Christmas morning only to see the "smallest gift he had ever seen," he wonders, "had he waited all year for this tiny gift?" Roland closes his eyes and wishes his hardest for a bigger gift - and he gets it. Over the course of a few pages, his greed grows, as does the size of his gift. Finally, he heads off to search the universe for the biggest gift. When he looks into his telescope and sees earth shrinking to a tiny dot that will soon disappear, he realizes that what he really wants is to be back on earth and home with his family. As is rocket lands gently in his snowy front yard, Roland realizes that the "smallest speck was his biggest gift."
Short, simple and sweet. The Smallest Gift of Christmas is one that kids need to (and will want to) hear more than once.
The December issue of Words Without Borders will apparently be devoted to literature from Madagascar, and at Broadly Ilana Masad profiles translator Allison Charette, in Meet Madagascar's 27-Year-Old Literary Ambassador.
Madagascar is one of those countries from which almost nothing is available in English -- even though some Malagasy writers write in French (i.e. aren't that inaccessible).
Charette got a PEN grant to translate Naivo's Au-delà des rizières (see the Sepia publicity page), so hopefully we'll at least see that in English soon.
It’s fall, and with chilly weather comes more time for reading indoors! Ah, to be snuggly and warm by an open fire with an excellent book—nothing compares. At the STACKS, we believe that sharing is caring, and we love to share our book recommendations. She here are the Best Books of Fall as voted by YOU!
The reigning book favorites Harry Potter and Percy Jackson definitely top the list this fall, but Warriors and Kingdom Keepers are gaining ground!
What books are you excited to dig into? What books do you think everyone needs to be reading RIGHT AT THIS MOMENT? Share your picks the Comments below!
How did we get to the day before Thanksgiving already?
If you're like me, you still have to vacuum, bake pie, clean the bathrooms, bake more pie, make sure there are fresh towels, and bake more pie :) And those of you not cleaning and baking probably have to travel.
So we're going to keep today's post as short and sweet as possible!
In honor of Thanksgiving tomorrow, I think our Something Chocolate should be festive and turkey-oriented, don't you? :)
Obviously dark chocolate is preferable to milk chocolate, but we'll take what we can get :)
Gobble, gobble, gobble!!! :)
Today's pitch comes to us from Jen who says, "I’m just starting out on my journey into the overwhelming and wonderful world of picture book writing. When I start to doubt myself, my two young kids cheer me on and get me back in the game. We live in the beautiful seacoast of New Hampshire. Next up – work on my social media presence!"
Here is her pitch: (and she would especially love feedback on a title since she's not wild about this one but has yet to come up with anything she likes better!)
Working Title: Ernie Fakes A Tooth Age/Genre: Picture Book (ages 4-8) The Pitch: In a rush to get his first lost tooth home and under his pillow, Ernie Blossomfoss trips and watches his tooth go sailing into the playground woodchips. Convinced the tooth fairy won’t come unless she has a tooth to collect, Ernie hatches a plan to leave the perfect counterfeit. When the clever fairy doesn’t fall for it, Ernie ups the ante until he finally learns a lesson more valuable than a crisp dollar bill.
So what do you think? Would You Read It? YES, MAYBE or NO?
If your answer is YES, please feel free to tell us what you particularly liked and why the pitch piqued your interest. If your answer is MAYBE or NO, please feel free to tell us what you think could be better in the spirit of helping Jen improve her pitch. Helpful examples of possible alternate wordings are welcome. (However, I must ask that comments be constructive and respectful. I reserve the right not to publish comments that are mean because that is not what this is about.)
Please send YOUR pitches for the coming weeks! For rules and where to submit, click on this link Would You Read Itor on the Would You Read It tab in the bar above. There are openings in January so you've got a little time to polish up your pitches and send yours for your chance to be read by editor Erin Molta!
Jen is looking forward to your thoughts on her pitch! I am looking forward to having the family together for Thanksgiving tomorrow... even though I have to vacuum :)
Have a wonderful Wednesday, everyone, and Happy Thanksgiving!!!
I mentioned the announcement of the Dhaka Translation Center's 'Library of Bangladesh'-series earlier this year, and apparently the first two volumes are now out, published by bengal lights: see their publicity pages for two novellas by Syed Shamsul Haq and a collection of stories by Hasan Azizul Huq -- and let's hope there's some foreign distribution for these, too.
Apparently ten more volumes are already planned.
Tim Hopgood is an illustrator and author I admire greatly. His brilliant Here Comes Frankie was one of the first books I reviewed on this blog, over 6 years ago now, and I’ve yet to read a book of his which hasn’t made me happy.
His use of colour is exceptional. His strong sense of design is eye-catching. His use of visual textures always has me stroking the pages of his books. Yes, I’ll admit I’m a bit of fan!
And so it’s a great honour, and an enormous delight to bring you an interview with Tim today. His latest book is something of a departure for him – up till now (at least when working with children’s publishers) he has always illustrated fiction, but Fabulous Frogs is a bold, extremely beautiful and fascinating non-fiction collaboration with Martin Jenkins (author of the award-winning Can We Save the Tiger?). I kicked off my interview with Tim by asking him about this different genre and what impact it had on his illustrations.
Playing by the book: This is the first time you’ve illustrated a non-fiction book. How was your approach different (and also how was it similar) to illustrating a fiction picture book?
Tim Hopgood: It was my first time working on a non-fiction book and my first time working with the team at Walker (Editor – Lucy Ingrams, Art Director – Beth Aves) and Author – Martin Jenkins, but what was so great was their approach was exactly the same as mine when working on my own picture books. By that, I mean the process was very fluid. We met a few times face-to-face at key stages in the development of the book and the rest of the time it was all done via email, but nothing was ever set in stone until it went to print, and that’s how I like to work. So the book was allowed to evolve in a very natural, organic way; it was a very enjoyable process.
It was also incredibly hard work. For me, the biggest challenge was trying to capture the essence and personality of each frog in my style of illustration whilst remaining anatomically correct. When working on a fiction picture book I wouldn’t be too concerned with anatomical correctness as I’d be more interested in whether my frog character had personality and emotion so this was the main difference, as all the frogs had to be easily identifiable. I don’t think I’ve ever drawn anything quite so small and in such detail as the tiny frogs from Papua New Guinea!
The other big difference was each frog belonged to a different world; so unlike in a fiction picture book where you create a world for your characters to exist in and have to stick to it throughout the book, this project allowed me the freedom to create completely different backgrounds for each frog. In some cases I kept the backgrounds white, which is something I don’t usually do in my own books.
Goliath Frog – a rough draft and the final image
Playing by the book: I think you’ve combined anatomical correctness, personality and emotion wonderfully well in this book – a huge part of its visual appeal is that the frogs have immense personality – lifting the book into something special and very, very distant from a “dry” fact based book…
Tim Hopgood: Thank you Zoe! that’s really good to hear…
Playing by the book: So is there anything about the process of illustrating non-fiction that you think you will “bring back” to your story picture books? Any way of looking at a subject which is different for you now because of the things you had to think about with your frogs?
Tim Hopgood: Although I wasn’t able to draw any of the frogs from life, I think my observational skills were sharpened because of this project. I studied lots and lots of photographs of each frog and had to work out what were the defining features, what made each frog special and then try to bring that frog to life on the page. I think working on the book reignited my interest in nature and I think this will influence my future projects.
Playing by the book: That’s wonderful to hear! Were you a fan of frogs before you illustrated the book? Not everyone loves wet slimy creatures…
Tim Hopgood: As a child I was fascinated by frogspawn and tadpoles; I think children like the way tadpoles move in the water. When my children were little we discovered frogs at the bottom of our garden so we created a small pond in the hope to encourage more (we put an old school sink in the ground and put some plants in it) and amazingly it wasn’t too long before we had a sink full of tadpoles. The kids loved watching the tadpoles grow and develop into tiny frogs.
A rough layout for an interior page from Fabulous Frogs, and the final version
Playing by the book: Which is your favourite frog in your book?
Tim Hopgood: My favourite is the striped rocket frog from Australia. It can jump five metres in one go. I love the look of this frog with its cool stripes running down its back and sides. The other one I really enjoyed drawing is the Malagasy rainbow frog.
Malagasy Rainbow Frog
Playing by the book: How did you and the author interact during the process of creating the book – like a great picture book, the illustrations in this book don’t just double up on the text – there’s a real interplay between words and images. Did Martin indicate what he was thinking of with regard to images? Or was there something of a dialogue about how text and image could play together?
Tim Hopgood: When I first read Martin’s text what really appealed to me was the humour running through it and that it was packed full of frogs I’d never heard of, so I knew this had the potential to be a very striking and informative book. Although we didn’t interact directly – it was all done via Beth (Art Director) – there was definitely a dialogue between text and image which shifted and developed throughout the creative process, but it was a team effort.
We did meet a few times at key stages in the development of the book. At our first meeting we discussed the overall approach and Lucy (Editor) explained how the text would work on two levels: there’s the main text running through the book and then there’s the more detailed information which would sit smaller on the page. We discussed initial ideas for each spread and Beth and Martin provided me with source material for each frog. The next stage was for me to respond to the text in a visual way.
For my first rough I did several versions for each spread so that we could discuss options and work out which one we all thought worked best. Throughout the process the copy would be revised and repositioned on the page to work with the illustrations I was creating. And sometimes I did new drawings to sit more comfortably with the text. Beth is the kind of Art Director I really enjoy working with, the kind that has a clever knack of getting the best out of you, sometimes pushing you out of your comfort zone, but in a supportive and encouraging way. I think a great Art Director can often see things in your work that you as an artist can’t see yourself, they can see you’ve got more to give and that maybe you should approach a subject in a slightly different way, and with the right encouragement and support you can do it! I learnt a lot from creating this book and not just about frogs, but about drawing too!
Striped Rocket Frog
Playing by the book: Whilst researching your frogs, did you come across any other non-fiction illustrator’s work on frogs that really stood out for you?
Tim Hopgood: Oh yes – Art of the New Naturalists – Forms From Nature by Peter Marren and Robert Gillmor is an amazing non-fiction book for anyone interested in art and nature. I was given this book as a present and was inspired by the vitality of the drawings and the strong design compositions of the New Naturalist covers that are lovingly recorded in this book. It definitely influenced the way I approached the artwork for Fabulous Frogs: artwork for a non-fiction book doesn’t have to be clinical it can be painterly too. Combining expressive artwork with clear-cut information produces an interesting dynamic and that’s something I intend to explore in future projects.
Playing by the book: So apart from books used for researching for work, what role does non-fiction play in your own personal reading? Now, and as a child?
Tim Hopgood: As a child, non-fiction played a big part in my love of books. I struggled to learn to read and I struggled to find books that I enjoyed reading. I was always drawn to the non-fiction side of our local library, highly illustrated books on nature filled with facts had a particular appeal.
When I was nine, my parents bought me a hardback copy of ‘More Tell Me Why’ – Answers to over 400 questions children ask most often, by Arkady Leokum, published by Odhams Books. I loved that you could dip into it, that you didn’t have to start at the beginning and stick with it all the way through to make sense of it. You could flick through the pages and see something different each time you picked it up and I loved that it weighed a ton! And although it was heavy that didn’t stop me taking it to school and proudly reading from it in assembly!
Nowadays you’ll find plenty of non-fiction titles on my book shelves; mainly cookbooks (I recently completed over 100 illustrations for the new River Cottage cookbook ‘Love Your Leftovers’), but also lots of books on artists, designers, textiles and architecture. I still love the way you can dip in and out of a non-fiction title and discover new things each time you pick it up.
Playing by the book: One last and completely different question given that you are being interviewed on Playing by the book… what’s the last thing you did / place you visited / something you made for fun having been inspired by a book you’ve read?
Tim Hopgood: Now I feel very dull! I’m afraid it’s been all work and no play here recently, but when I’m not drawing I love to cook. For my birthday I was given ‘A Modern Way to Eat’ by Anna Jones – her Artichoke and fennel seed paella recipe is delicious!
Playing by the book: A book that makes you want to cook? That’s good enough for me! Thank you so very much Tim – here’s to frogs, fennel Seeds and further success in the future!
The Plot: Riley and Reid walk in on our their band mates Lucy and Nathan -- to their surprise, Lucy and Nathan are together. Together-together.
Riley is stunned, especially because Lucy is her best friend and Lucy never said a word. Riley and Reid both resolve to pursue love (and kissing and maybe even sex), and to share each detail, and to help each other out.
The top of Riley's list is her crush, Ted Callahan; Reid's is Jane.
How successful is their plan? Well, there will be kissing. Of Ted Callahan, and other guys.
The Good: This is primarily Riley's story, but because Riley and Reid share notes and progress reports and suggestions in a Passenger Manifest journal, and part of that is written by Reid, it's both their stories.
Kissing Ted Callahan is about Riley shaking herself into action. Oh, she's hardly passive. Her goal is rock star, so her time has been taken up with the band. And her best friend is Lucy, and she's friends with Reid and Nathan, but she's been satisfied, kind of, with that.
Riley isn't satisfied anymore. And confiding in Reid, instead of her usual Lucy, helps push her to do things like offer Ted Callahan a ride home. Or kiss Garrick. Or call the number of the cute boy she met at the CD store. Riley goes from zero love interests to three. Kissing Ted Callahan is about Riley (and Reid) navigating teen age dating, figuring out the difference between like and love and lust and love, wondering just what is right to tell someone if there isn't any real commitment yet.
Reid's story in some ways mirrors Riley's The first girl he pursues turns out to already have a boyfriend, and Riley doesn't really make the connection to her own situation. The next girl is -- well, it's a bit funny, because Reid makes a list of potential girls. Ones who talk to him, ones he likes, who has potential? Unlike Riley, he's not acting on a crush. It's more that he wants someone, and there is something very sweet and likable in how he keeps himself open to any possibility rather than requiring a crush first. It's also very honorable that he pursues a girl he likes being with, ignoring that his friends don't really like her.
At one point, rather late in the story, their Passenger Manifest goes missing and Riley and Reid have to deal with the consequences. For Riley, that ends up being the consequences of not having conversations and not talking. Kissing and sex may create a connection but it doesn't replace talking. Yes, there is a sex scene, butwhile Riley may be kissing three boys there is only one that she really likes. No, I won't say who.
What's nice about the emphasis on communication is that it is clear from the beginning that Riley's failure at spoken honesty, and desire to not confront, isn't something that just happens with boys. Remember Lucy? Part of what drives the whole book is Riley's continuing inability to talk with her best friend, Lucy. Part of Riley's growth is realizing she has to have the tough conversations, whether it's about the status of a friendship or of a relationship.
I also like how this explores attraction and relationships (both friendship and more), and that Riley (and Tom and Garrick and Milo) is not just about who she is dating or kissing but is about creating real friendships and how those friendships are made. Lucy, Riley, and Reid have known each other since kindergarten and those types of friendships sometimes means someone has a hard time making new friends -- they don't have the skills. Riley is developing those skills, though admittedly mainly because she is seeking a boy. And mainly because she assumes that Lucy's changed relationship with Nathan means that Lucy's friendship with Riley is different.
Finally! It's also about a band, and I loved how being part of the band is used for the story, from being what ties Riley and her friends together, to her passions and interests, and also the time it takes outside of school. Their dedication is clear.
One final thing: this may be a spoiler, so stop reading if any type of spoiler bothers you. This is not the type of book where Riley looks at her good friend Reid and sees him in a different light while he has an unrequited crush. This is about two people who are friends, whose friendship grows stronger but whose friendship remains a friendship.
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The most recent addition to the complete review is my review of Enrique Vila-Matas' Sophie Calle-novel(la), Because She Never Asked.
This is actually just one story from a bigger Spanish collection (Exploradores del abismo), published as a stand-alone in New Directions' lovely pocket-sized Pearl-series.
It's a great introduction to Vila-Matas' work -- perhaps the ideal starter-volume.
A few more Christmas designs now with a selection of inspired designs from The Dot Com Gift Shop. They have gone for old school illustrations with a mid century feel on cards, wrap, bags, cake tins, napkins and more....
And whilst on the subject of The Dot Com Gift Shop a few other new arrivals caught my eye including Scandinavian style birds, retro kids cards and wrap
Since tomorrow is thanksgiving, I thought I'd share what I'm thankful for this year. These are in no particular order, and I'm sure I'm forgetting people so I'll apologize in advance for that.
This Thanksgiving, I'm thankful for:
my family who is so supportive of the crazy author/editor lifestyle I've chosen
my friends who accept that I ignore them when I'm in my writing or editing bubble
my writer friends who truly know how tough this business is and endure it alongside me
my amazing street team, Kelly's Coven, who shares every step of this journey and helps me make decisions about author logos, book settings, and so much more
my agent who keeps me sane when I just want to scream and cry, which has been more than I'd like to admit
my social media manager, Amber, who always has brilliant ideas about how to spread the word about my books
my readers, whether they've been with me from the start or have just discovered my books
my newsletter subscribers for actually wanting to hear from me every month to see what I'm up to
the schools who have invited me to speak and share what I do for a living
my editing clients who allow me to make some money to pay bills and allow me to work on some really amazing books
bookstores who invite me to sign and who also carry my books on the shelves so I can take pictures of them out in the wild
my social media followers who put up with my posts about my crazy Shep-hound dog, my adorable daughter, all my books, The Walking Dead, my love of Jensen Ackles, and my Jamberry nail obsession
Limitless books for being so amazing to work with and for putting out Our Little Secret and the entire Into the Fire trilogy
my editors and beta readers for making me a better writer
bloggers and book reviewers who take the time to review and share my books with others...
I could keep going, but this is getting kind of long. And the really nice thing is that amidst all the struggles I encounter in this industry, seeing all these great people I have to be thankful for makes me really grateful that I decided to pursue this career.
*If you have a question you'd like me to answer from the other side of the editor's desk, feel free to leave it in the comments and I'll schedule it for a future post.
This is an incredible read. Mesmerizing, hypnotic, addictive it captures you from its opening lines and doesn’t let go long after you have put the book down. http://www.boomerangbooks.com.au/Life-and-Death-of-Sophie-Stark/Anna-North/book_9781474603072.htm FREE Shipping. Save $6.95 when you use the promo code bookbites at checkout
There are few stories more abjectly fascinating than those surrounding Lance Armstrong’s triumph over a cancer he was given infinitesimally small chance of surviving and his subsequent seven Tour de France (AKA Tour de Lance) victories. Consequently, there are few stories more assumptions-shattering than the revelation that Armstrong had, in fact, been using drugs to […]
Now Playing - I Am Invisible by They Might Be Giants
Sorry about the delay, as usual! It's
been a hectic year, between two dozen comic con appearances, a "kids"
alphabet book and the always there shop madness, this blog kind of
fell by the wayside, but I'll be trying to do better in the new year,
using this blog as both a personal journal and as a way for my fans
हे मेरे भगवान समझ से बाहर है कि आज समाज में ये हो क्या रहा है. इतना दुख है ये सब देख ,पढ और सुन कर कि दिमाग विचार शून्य है. जहां न्यूज चैनल एक एक बयान कुरेद कुरेद कर दिखाने में जुटे हुए हैं इतनी जबरदस्त और खतरनाक राजनीति हो रही है कि […]
Our friends at grammarly.com have sent a helpful list of things to watch for when editing - whether it's your NaNoWriMo novel or anything else. However I've held back on sharing till the end of the month, because I think it's essential that while you're in that first draft and actively creating, you must NOT worry about spelling, commas, or anything else that blocks your flow.
The important thing in your first draft is just to keep writing. Even if you realise you've just used a stereotypical description - 'red as a beet', etc – unless you can come up with a better one immediately, just leave it there for now. If you're truly worried that you won't notice how bad it is, use an asterisk or footnote e.g. 'red as something unusual that fits into the store: ruby? traffic light? fresh blood?'
Then move on. No matter how beautiful a sentence seems as you write it in that first draft - it's highly unlikely that it'll remain in that form in the finished book. So relax, write, and when your story is done and needs tidying and editing, be absolutely rigorous about these five tips.
Good luck to everyone doing not just NaNoWriMo, but taking that brave step of leaping into any new writing!
If you know anything about kid's books, kid's book awards and graphic novels, then the name Cece Bell should not be new to you. I had the pleasure of getting to know her work before she wowed the world with the 2015 Newbery Honor book, El Deafo, and am so happy to get to spend more time with her books now, especially her creation, Sock Monkey and all his friends. Bell has a sensibility that is a bit left of everyday and a wonderful way of somehow making every story, very subtly and sweetly, about acceptance, friendship, bravery and love. Originally published almost 10 years ago, Candlewick wisely, happily, has reissued Sock Money Takes a Bath, Sock Monkey Boogie-Woogie and Sock Monkey Rides Again.
Sock Monkey is a famous toy actor. He is also kind of a stand in for toddlers. In Sock Money Takes a Bath, Sock Monkey gets some good news and some bad news. He has been nominated* for "Best Supporting Toy in a Motion Picture" and has been invited to attend the Oswald Awards Ceremony at the Big Theater. The asterisk notes that "Nominees MUST be clean." Just thinking about taking a bath makes Sock Monkey, "dizzy with fear." Happily, his best friends, Miss Bunn, Froggie and Blue Pig are free to help him out. Miss Bunn takes him to bathe with mild soap and a few other monkeys in a hot springs atop a snowy mountain. Froggie helps him rinse in the clear, cool water of a pond and Blue Pig gets Sock Monkey to the desert where he can bask "all day in the sizzling sunshine." Clean and calm, Sock Monkey heads to the awards where he faces disappointments and surprises and a lot of great word play from Bell.
While I love all three books, I think thatSock Monkey Boogie-Woogie just might be my favorite. Sock Monkey is going to the Big Celebrity Dance and is super excited - until he discovers he doesn't have a partner! His three best friends are traveling, but they send home gifts that come together to make - another monkey! Sock Buddy can make cupcakes AND turns out to be the perfect dance partner! They impress everyone at the dance and, best of all, when Sock Monkey's friends meet Sock Buddy, they feel like they've known him forever. What I especially love about Sock Monkey Boogie-Woogieis the fact that Sock Monkey and Sock Buddy both seem to be guys. Bell makes the less conventional choice and it makes the book all the more completely lovable.
Sock Monkey Rides Again finds our famous toy actor in another difficult situation. This time, it's not the prospect of having to bathe that is throwing him off, it's the fact that he will have to kiss the leading lady! In order to star as Red Reardon in "Hubbub at the Happy Canyon Hoedown," Sock Monkey will also have to learn to yodel, ride a horse, lasso a cow and get some cool duds. As always, Sock Monkey's friends are there to help out. But, when it comes time to kiss Lulu Nevada, he just can't do it and Lulu is left in tears. No matter how he tries to console her, he realizes there is really only one thing he can do, and he does it. And the director gets his shot!
I have been reading Sock Money Takes a Bath,Sock Monkey Boogie-WoogieandSock Monkey Rides Again over and over to my students, from kindergarten to fifth grade, and they all love Sock Monkey. Also, all three books always seem to spark some kind of discussion, whether it's about how to make a sock monkey, or looking at pictures of the monkeys in the hot springs.
The original inspirations for the cast of the Sock Monkey books!
Happy Thanksgiving everyone. This is a quick note to let you know how thankful I am for all of you that read my posts. It is nice to know what you do, or in this case, what I do is not for naught. I hope each one of you has a wonderful holiday. I will see …