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1. Anime Collection Development & Programming: Part 1 – Anime Collection Development

Anime – it is a term that I have learned makes many librarians cringe. As soon as the subject is broached, they immediately pawn it off on a younger clerk or page who knows about such things. And you can't really blame them! The titles can be nearly impossible to spell and that's assuming the patron says it right. Between “seasons”, “collections”, and “OVAs” (Original Video Animation; basically straight to DVD without a theater or television release), each series has multiple versions. To top it off, since they aren't rated by the Motion Picture Association of America, it is hard to figure out what is appropriate for whom.

So when it comes time to do the collection development, this portion of the collection can be neglected and dated. Beyond this, librarians may be ignoring it as a useful programming tool to bring in one of our hardest demographics, the teens!

The good news is, you don't need to know much about anime to get started. In my job interview, I was asked what kind of programs I would like to implement for teens. I dug back into my days interning in grad school and helping their teen librarian host their wildly popular anime club. At the time of the interview, I had seen maybe 2 or 3 anime films. Suddenly, now I was “the anime guy” at my new job. I was asked to order all the anime movies for 10 branches.

First lets talk about what expectations you have with ordering this genre. Anime refers specifically to Japanese animation. For the most part, it is the same as any other movie or television show. You are still going to look at cost. You are still going to have to pick what format works best for your library. You are still going to be making judgment calls on what will circulate and what won't.

Unfortunately, quite a few titles are only available on Blu-ray right now, so if your library doesn't offer that you are just out of luck. Many of them come as Blu-ray/DVD combos. One possible problem with these, at least that I've noticed with our vendor, Midwest Tapes, is that they include the DVD “while supplies last”. I have not yet encountered a situation where they only sent me a Blu-ray and not the DVD, but they post it is a possibility.

Also, with these, if you don't normally circulate Blu-rays, you are paying Blu-ray price for just the DVD. You have to decide if that is worth it for your collection. I will skip over many of the Blu-ray/DVD combo packs unless it is an incredibly popular title. For example,  Attack on Titan came like this. Based on its popularity, I knew the library had to add it, so I bit the bullet and paid the price for it.

If your library is just starting to develop its collection, another factor to consider is how to display it. Are you going to interfile it with your other titles or is it going to have its own display? We recently decided to make our shelf locations uniform across all branches. At the time, some of our branches had an anime section and some did not. We debated briefly whether or not to interfile them with the other DVDs.

Here's my argument for anime having its own shelf location: People looking for anime typically just want anime and maybe manga (Japanese graphic novels). Not having that shelf location eliminates the browsing potential for them. At my branch, we have about 25,000 DVDs. Of those about 500 are anime. I don't think people picking up Sleepless In Seattle are going to think, “Oh and here's Sailor Moon! I've been meaning to watch that!” But if they have that dedicated shelf location, they very well may think, “While I've got Attack on Titan, I might as well get some Dragon Ball Z, oh and Fairy Tail too!”

Interfiling anime creates some problems of its own. Many of them are television shows, many are movies, so that further spreads them out. Also, most of them are in Japanese. So do you put it with your foreign collection?

That should give you some ideas to think about when ordering your anime collection. In the next part, I will talk about language selection, how to judge whether a title is appropriate for your teens, and give you a few helpful resources to help make title selection easier.

Jonathan Davis is the assistant branch manager and teen librarian at a large Indiana public library system (Lake County Public Library). He has ordered anime DVDs for 10 branches for nearly two years and has been running a successful teen anime club for most of this time. He received his MLS at Indiana University.

These articles are written in conjunction with a seminar on anime collection development and programming that were certified by the Indiana State Library that he presented in conjunction with his fellow teen librarian at Lake County Public Library, Jennifer Billingsley. This seminar will be presented again at the Indiana Library Federation Annual Conference in Indianapolis this November.


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2. railhead ambassadors

Yesterday I got to be a RAILHEAD AMBASSADOR at a special early-preview event for Philip Reeve's upcoming novel, Railhead. (Look at me, being all railway and ambassadorial in gold braid and hat. Also slightly overheated.)

Funnily enough, I used to go to lots of ambassadorial events when I first met my husband, when he was working for the British Embassy in Moscow. Back then, I was very studenty and didn't really have any dress-up clothes, so I pretty much wore black jeans, a velvet shirt and Doc Martens everywhere. All the foreign service wives had perfect English-bought clothes for every occasion and I always felt a bit awkward and gauche. So it was nice to be going to an ambassador event when I'd stopped caring about not blending in and could look like a twit with the greatest of joy, ha ha.

Anyway, back to the book, and I'm really excited about this one. Here's a snapshot of one of the posters on display at the event:

'Gentlemen Take Polaroids' is definitely my favourite train name. And here are the other assembled Railhead Ambassadors! Some of them had won a competition to attend, and others were young reviewers for the Guardian Children's Books website.

Here are a few of the tweets from Philip's first Railhead reading:

After the reading and Philip's answers to some very well-thought-out questions from the audience, we had drinks upstairs with Darren Hartwell from BookZone, Caleb Woodbridge and Laura Heath of the aforementioned tweets.

Here's Guardian Chidren's Book website editor Emily Drabble (who, incidentally, commissioned our Seawigs Comics Jam, my How to draw a hungry T-Rex, How to Draw Jampires and How to Draw a Silly Unicorn.)

Then I got to meet some more of the ambassadors while Philip signed advance review copies for the guests. (This version isn't quite finished - there will be a few more tweaks and editions in the final version - but it's ready enough to show to reviewers, to give them an early jumpstart before the book comes out in the autumn.)

These guys made me laugh. They're like, 'REEVE? We are going to CRUSH HIS VERY BONES.'

I'll look forward to reading their reviews! And I'll post a review here nearer to the publication date. But I CAN say that Railhead is ace.

And here's a good showing from the Oxford University Press Railhead publicity team: Keo Baxendine, Liz Scott and Alesha Bonser. You can check out what people are saying over on the #RAILHEAD hash tag.

Funnily enough, on my way to meet Philip, I met a REAL train driver! In fact, I'd met James Bacon before at a comics convention, but I had no idea he drove the Heathrow Express. (How cool is that?)

One more thing: Railhead is Philip's solo book (I'm not a co-author), but there's been a lovely review of our joint book, Oliver and the Seawigs by Stephen Holland of the excellent Page 45 comics shop in Nottingham. Stephen's a legendary reviewer, so I was hugely flattered to see that he'd taken time to focus on Seawigs, which isn't even a comic! I love reading his reviews: they're so exuberant, and he comes up with the most original descriptions and observations. And it's wonderful to see a review that talks so much about the illustrations. Thanks, Stephen! You can read the whole review here (scroll down a bit).

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3. When an Editor Wants to See More

When you're asked to submit another manuscript, don't feel like you have to wait a long time before doing so.


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4. Netflix Shores Up Its Original Preschool Slate With 3 New Shows

Netflix's aggressive expansion into children's TV continues with the announcement of 3 new series.

0 Comments on Netflix Shores Up Its Original Preschool Slate With 3 New Shows as of 7/1/2015 5:18:00 PM
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5. The 2015 Hugo Awards: One Month Out

I had originally planned to write this post some time last month, and make it an analogue to the one I made when the Hugo voting period open--more information than commentary.  But then the seemingly impossible happened, and this year's Hugo clusterfuck managed to throw up yet more sound and fury.  I was so angry about this latest iteration that I couldn't really bear to talk about it until I'd

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6. What I Read in June - Half a Year's Reading Progress

I'm not going to lie, Reader Friends - I hate summer.  I love living in Georgia, but June through August is just flat out misery.  It is so hot my body basically just gives up.  I've managed to avoid going outside for the most part, although we did fit in one evening hike to Sunset Rock on Lookout Mountain at the beginning of the month that wasn't too terrible.  And the view was totally worth it:

Other than that, I've been spending all my time indoors, doing everything I can to keep from wilting in the heat.  That doesn't mean I haven't stayed busy, though.  I put in twenty hours of volunteer work processing books at the Chattanooga Public Library, which earned me a library card (those who don't live in the city either pay or volunteer to get a card).  I also had a great yoga month and finally, after seven years as a platinum blonde, returned to my natural hair color.

Staying inside apparently also really boosted my appetite for reading, because I read almost as much this month as I did in March. 

Save the Date by Jen Doll
I Was A Child Bruce by Eric Kaplan
Yoga for Your Mind and Body by Rebecca Rissman
Bodies by Si Spencer
100 Skills for the End of the World As We Know It by Ana Maria Spagna
Batman: The Killing Joke by Alan Moore
Irrationally Yours by Dan Ariely
When Books Went to War by Molly Guptill Manning
The Blondes by Emily Schultz
Assassin's Apprentice by Robin Hobb
First Jobs by Merritt Watts
Batman: Earth One by Geoff Johns
Love May Fail by Matthew Quick
The Best American Comics 2013 by Jeff Smith
All The Rage by Courtney Summers
Nimona by Noelle Stevenson
The Job by Steve Osborne
Ravensbruck by Sarah Helm
Jackaby by William Ritter
The Evil Hours by David J. Morris
Tomboy by Liz Prince
The Wrong Man by Kate White

Total books read: 22
Total pages read: 5753

I'm thrilled to say that I'm nearing my year-long goal of 150 books and will be boosting my goal to 200 for the year.  I'm also significantly behind on reviews.  I'm going to have a marathon writing day on Friday, but be looking for some mini-review posts as I catch up and try to get my slate clean for the second half of 2015.

What did you read in June?

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7. Marvel Announces 45 -yes, 45- New Titles and everyone cheers..but it is KILLING comics!

I think the headline on Comic Book.Com says it all:

 Marvel Announces 45 All-New All-Different Series

Yes, 45 new comic series. I'm not really sure whether I need to say this but with comics already struggling and achieving not even cover price value just what good are 45 new first issues going to do? Oh, "morons all buy first issues -they're the ones pull in the cash!"

No, no,no, no no, no.  The whole Secret Wars was a con trick.  I wrote so.  It was going to sort out continuity and make a fresher Marvel with nothing old surviving from the 1963 Marvel.  Sorry, how many Avenger titles and Avengers linked titles?

Clench your teeth and try to hold down your anger.  Here goes:

Invincible Iron Man #1
W: Brian Michael Bendis A: David Marquez

A-Force #1
W: G. Willow Wilson CA: Victor Ibanez
“A-Force to be reckoned with…”

 All-New All-Different Avengers #1
W: Mark Waid A: Adam Kubert, Mahmud Asrar CA: Alex Ross
“Earth’s mightiest most dedicated heroes.”
Team consists of Thor, Captain America, Iron Man, Vision, Ms. Marvel, Miles Morales, and Nova.

Uncanny Avengers #1
W: Gerry Duggan A: Ryan Stegman
“Fighting for Humanity, Inhumanity, Mutants…and Deadpool”
Team consists of Spider-Man, Quicksilver, Brother Voodoo, Steve Rogers, Rogue, either Inferno or the Human Torch, a new female character, and – you guessed it – Deadpool.

New Avengers #1
W: Al Ewing A: Gerardo Sandoval
“Avengers Idea Mechanics. We A.I.M. To Help.”
Team consists of Sunspot, Squirrel Girl, Hawkeye, Songbird, Hulking and Wiccan.

Ultimates #1
W: Al Ewing A: Kenneth Rocafort
“Ultimate problems need Ultimate solutions.”
Team consists of Black Panther, Monica Rambeau, Blue Marvel, Miss America, Captain Marvel, and Galactus(!?)

Doctor Strange #1
W: Jason Aaron A: Chris Bachalo
“Some surgery requires a scalpel – some, an axe.”

Captain Marvel #1
W: Tara Butters & Michele Fazekas A: Kris Anka
“Captain Marvel rises.”

Sam Wilson, Captain America #1
W: Nick Spencer A: Daniel Acuña
“Who do you stand with?”
The cover shows a torn photo of The Falcon and Steve Rogers as Captain America in the background. Rogers and Wilson as Captain America walk in opposite directions in the foreground.

The Totally Awesome Hulk #1
W: Greg Pak A: Frank Cho
“Who is the Hulk?”
The hulks face and left hand are blacked out on the cover.

The Mighty Thor #1
W: Jason Aaron A: Russell Dauterman
“The flash may be weak but the thunder is strong.”

Scarlet Witch #1
W: James Robinson A: Kevin Wada
“Seeing red…”

Ms. Marvel #1
W: G. Willow Wilson A: Takeshi Miyazawa & Adrian Alphona CA: Takeshi Miyazawa

Illuminati #1
W: Josh Williamson A: Shawn CA: Riley Rossmo
“Forever evil.”
The team clearly features the Red Hood. Other members are smaller and silhouetted. Absorbing Man is recognizable by his ball and chain. Other members appear to be Black Ant, Titania, and…Mr. Hyde?

Hawkeye #1
W: Jeff Lemire A: Ramon Perez
“Hawkeye vs. Hawkeye”
Both Hawkeyes appear noticeably aged on this cover. Clint, in particular, is sporing a white beard and several new lines on his face.

Ant-Man #1
W: Nick Spencer A: Ramon Rosanas CA: Mark Brooks
“Once a criminal…?”

The Vision #1
W: Tom King A: Gabriel H. Walta CA: Marcos Martin
“A bold new Vision for the Marvel Universe.”

Contest of Champions #1
W: Al Ewing A: Paco Medina
“When heroes gather…”

Amazing Spider-Man #1
W: Dan Slott A: Giuseppe Camuncoli CA: Alex Ross
“Your friendly neighborhood just got bigger.”
Spidey’s got a tweaked suit with a redesigned symbol and glowing green parts. Also, it looks like the Spider-Mobile may be back.

Carnage #1
W: Gerry Conway A: Mike Perkins CA: Mike Del Mundo
“Descent into madness…”

Spider-Woman #1
W: Dennis Hopeless A: Javier Rodriguez
“Parent by day. Hero by night.”
Jessica Drew is noticeably pregnant on the cover.

Spider-Man #1
W: Brian Michael Bendis A: Sara Pichelli
“Welcome to the Marvel Universe, Miles Morales. Hope you survive the experience!”

Spider-Gwen #1
W: Jason Latour A: Robbi Rodriguez
“The Secret History of Gwen Stacy and Peter Parker!”

Silk #1
W: Robbie Thompson A: Stacey Lee CA: Helen Chen
“The Sinister Silk”
Silk appears to be robbing a bank on the cover.

Spider-Man 2099 #1
W: Peter David A: Will Sliney CA: Francesco Mattina
“Smack to the future.”

Web Warriors #1
W: Mike Costa A: David Bildeon CA: Juian Totino Tedesco
“Defending the Spider-Verse
Cover features several characters from Spider-Verse, including Spider-Gwen, Spider-Man Noir, Spider-Ham, Spider-Man: India, Spider-UK and Spider-Girl (Anya Corazon).

Daredevil #1
W: Charles Soule A: Ron Garney
“The devil’s apprentice”
The cover shows that Daredevil’s apprentice is Gambit.

Guardians of the Galaxy #1
W: Brian Michael Bendis A: Valerio Schiti
“The raccoon’s in charge.”i
The team consists of Rocket Raccoon, Groot, Drax, Venom, The Thing, and a woman in Star-Lord’s costume, most likely Kitty Pryde.

Drax #1
W: CM Punk with Cullen Bunn CA: Ed McGuinness
“Best in the galaxy

Howard the Duck #1 (yes, again.)
W: Chip Zdarsky A: Joe Quinones
“Howard, uh, gets a new hat…”

Nova #1
W: Sean Ryan A: Cory Smith CA: Humberto Ramos
“The family business…”
Cover shows Sam Alexander with an adult Nova, possibly his father.

Star-Lord #1
W: Sam Humphries A: Dave Johnson
“Feels like the first time. Feels like the very first time.”

Venom: Spaceknight #1
W: Robbie Thompson A: Ariel Olivetti
“Sometimes a hero needs a little space…”

Howling Commandos of S.H.I.E.L.D. #1
W: Frank Barbiere A: Brent Schoonover
“To fight the monsters of the world…We need the monsters of the night!
Team consists of Dum Dum Duggan, Hit-Monkey, Man-Thing, Werewolf by Night, Manphibian, zombie Jasper Sitwell, and a few others.

Agents of S.H.I.E.L.D. #1
W: Marc Guggenheim A: Mike Norton
“Keeps your friends close and your enemies closer.”

Uncanny Inhumans #1
W: Charles Soule A: Steve McNiven
“The silence is broken.”
Team consists of Black Bolt, Medusa, Reader, Triton, the Human Torch, and Beast.

Karnak #1
W: Warren Ellis A: Gerardo Zaffino CA: David Aja
“The flaw in all things”

Angela: Asgard’s Assassin #1
W: Marguerite Bennett A: Kim Jacinto & Stephanie Hans CA: Julian Totino Tedesco
“Hel hath a new fury.”

Squadron Supreme #1
W: James Robinson A: Leonard Kirk CA: Alex Ross
“Sole survivors of their own worlds, they’ll do ANYTHING to protect this one.”

Extraordinary X-Men #1
W: Jeff Lemire A: Humberto Ramos
“Still hated. Still feared. Still standing.”
Team consists of Storm, Iceman, Colossus, Magik, Nightcrawler, Jean Grey (still young), and Old Man Logan.

Uncanny X-Men #1
W: Cullen Bunn A: Greg Land
“Bigger threats require more threatening X-Men.”
Team consists of Magneto, Psylocke, Sabretooth, Mystique, and Fatomex.

All-New X-Men
W: Dennis Hopeless A: Mark Bagley
“On a mission to make their own future”
Team consists of Wolverine (X-23) and young Cyclops, Angel, Iceman, and Beast.

Old Man Logan #1
W: Jeff Lemire A: Andrea Sorrentino
“Older. Wiser. Sharper.”

All-New Wolverine #1
W: Tom Taylor A: David Lopez
“Best there is at what she does”

Deadpool #1
W: Gerry Duggan A: Mike Hawthorne CA: Tony Moore
“More Deadpool than you wanted”

I have to say movie and TV franchise based comics do well here.  This is just way too much.  It's like loading up a tipper truck with as many titles as you can and dumping them in a shop doorway and seeing what happens. 

Disney is going for, hoped-for, fast bucks and screw the fans and comic industry.  DC is rumoured to be planning something similar but I hope not.  As it is the Disney empire is going to oversee the collapse of comics and it will not care so long as the movies make money.

Awful.  And rather than asking about the effects of this glut of titles, comic book sites -almost as one- are simply asking: "Which titles are you excited about?

I guess if you are just fan-boys pushing PR from Marvel (or DC) you don't really give a feck what shit they are feeding you.  Questions should be getting asked but they just aren't.  It's just the usual cheer of "Hooray! Marvel Disney are ripping us off again!"

50 years a Marvelite and True Believer.  I see this shit and I see.....nothing.

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8. Magic of Disney Animation, R.I.P.

Disney is tearing down one of its last symbolic ties to the craft of hand-drawn animation.

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9. Me at SDCC

I’ll be talking about my next novel, ZEROES, at San Diego Comic Con next week, in company with my co-authors, Deb Biancotti and Margo Lanagan. We have our own panel to discuss the book!

We’ll have swag and chapter samplers there as well. The details:

“From Zeroes to Heroes”
Scott Westerfeld, Margo Lanagan, Deb Biancotti
Thursday, July 9, Noon
Horton Grand Theater
444 4th Ave.
San Diego, CA

Please share this graphic with ALL YOUR SDCC-GOING FRIENDS!


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10. Flogometer for Georgia—are you compelled to turn the page?

Submissions Welcome. If you’d like a fresh look at your opening chapter or prologue, please email your submission to me re the directions at the bottom of this post.

The Flogometer challenge: can you craft a first page that compels me to turn to the next page? Caveat: Please keep in mind that this is entirely subjective.

Note: all the Flogometer posts are here.

What's a first page in publishingland? In a properly formatted novel manuscript (double-spaced, 1-inch margins, 12-point type, etc.) there should be about 16 or 17 lines on the first page (first pages of chapters/prologues start about 1/3 of the way down the page). Directions for submissions are below—they include a request to post the rest of the chapter, but that’s optional.

A word about the line-editing in these posts: it’s “one-pass” editing, and I don’t try to address everything, which is why I appreciate the comments from the FtQ tribe. In a paid edit, I go through each manuscript three times.

Mastering front 100WshadowBefore you rip into today’s submission, consider this checklist of first-page ingredients from my book, Mastering the Craft of Compelling Storytelling. While it's not a requirement that all of these elements must be on the first page, they can be, and I think you have the best chance of hooking a reader if they are.

Download a free PDF copy here.

Were I you, I'd examine my first page in the light of this list before submitting to the Flogometer. I use it on my own work.

A First-page Checklist

  • It begins connecting the reader with the character
  • Something is happening. On a first page, this does NOT include a character musing about whatever.
  • What happens is dramatized in an immediate scene with action and description plus, if it works, dialogue.
  • What happens moves the story forward.
  • What happens has consequences for the protagonist.
  • The character desires something.
  • The character does something.
  • There’s enough of a setting to orient the reader as to where things are happening.
  • It happens in the NOW of the story.
  • Backstory? What backstory? We’re in the NOW of the story.
  • Set-up? What set-up? We’re in the NOW of the story.
  • What happens raises a story question—what happens next? or why did that happen?

Caveat: a strong first-person voice with the right content can raise powerful story questions and create page turns without doing all of the above. A recent submission worked wonderfully well and didn't deal with five of the things in the checklist.

Also, if you think about it, the same checklist should apply to the page where you introduce an antagonist.

Georgia sends a first chapter of The Phantom Maker and the Maze. The remainder is after the break.

Please vote and comment. It helps the writer.

Tate stared at the dead children and wondered why he didn’t feel more. Sweat, on the cusp of dripping, clung maddeningly to the end of his nose while the vieclift thrusters rattled his sticky leather seat. Storm air seeped through its grille and clung to him like hot breath.

His trainee gulped air and rapped his foot against the floor mat. Tate watched his swollen eyes hold the blue faces pressed against the tinted windows.

With a growl from under Tate’s push broom mustache, the trainee stopped. 

The vieclift dropped to the ground and its cabin door swung up. A dead boy rolled and grazed the shoe of the trainee. He whimpered and looked to Tate.

“They’re clean.” Tate said. “You won’t catch the Eidolon.”

“Sorry. It’s habit.”

Together they pulled the boy out and laid his body on the broken sidewalk.

The trainee scanned the cement block alley, a shaky hand on his shock-shooter.

“Relax,” Tate grunted. “After seven years, people are so used to seeing bodies—they don’t look. Come on, do your share.”

The trainee nodded and helped prop the boy against the alley wall. “If they’re clean,” the trainee said, “why’d you take their eyes?”

Tate felt blood rush to his ears. “I don’t take anything. Got it? Don’t ask questions. We (snip)

Were you compelled to turn the page?

I had mixed feelings about this opening. There’s much to attract a science-fiction reader such as myself—a unique world, the story questions raised by the presence of dead children, the lack of emotion on the protagonist, and the reference to taking the eyes.

But I ended up an almost because of narrative issues, primarily clarity and overwriting. That said, I encourage Georgia to keep at it, there’s an interesting story here. Lots of notes:

Tate stared at the dead children and wondered why he didn’t feel more. Sweat, on the cusp of dripping, clung maddeningly to the end of his nose while the The vieclift’s thrusters rattled his sticky leather seat as they hovered in the alley. Storm air seeped through its grille and clung to him like hot breath. While the dead children raises a strong story question right away, all the attention to the weather isn’t paid off in the chapter—it doesn’t affect the story. So why have it? To focus a bunch of words on how the sweat is about to drip from his nose foretells overwriting ahead, and I’m leery of that.

I think the feeling aspect could be stronger. What does not feeling "more" mean? It suggests that he feels something, but what? Why not simply: wondered why he didn't feel anything. Or, a little deeper: wondered why he didn't feel anything more than hollow and numb.

While it is not incorrect to use an odd word such as “vieclift” in this way—in fact, I encourage weaving in the features of a world rather that just stating them—couldn’t the word relate more to what we might think of as a vehicle? In this case, it seems like it’s a hovercraft of some sort. Help the reader see understand this with how you label things.

Later it’s revealed that it is raining, but that is not clear at all with this scene-setting. “Storm air” doesn’t communicate rain. Again, the heat and the rain do not affect the story, so why use up words to describe it? If you want it hot and rainy just for mood, just put it out there: Tate stared through the rain at the dead children and wondered why he didn’t feel more. But the rain still isn’t needed.

His trainee gulped air and rapped his foot against the floor mat. Tate watched his swollen eyes hold the blue faces pressed against the tinted windows. For me, trying a little too hard on “unique” description with the notion of eyes holding faces against windows. Clearly his eyes aren’t doing that, but that’s what the sentence says. A clarity issue.

With a growl from under Tate’s push broom mustache, the trainee stopped. I first wondered “stopped what?” until a second reading. It seems the stoppage refers to him rapping his foot, but the previous sentence refers to his swollen eyes and the faces against the windows, and it doesn’t make sense to try to stop that. A clarity issue. More than that, the trainee doesn’t stop with a growl from under a mustache—this is a clarity/meaning problem with the use of the “with” construction. And the growl comes from under a mustache?

BTW, for me “push-broom mustache” is a couple of things—a point of view slip as Tate wouldn’t be thinking about the appearance of his mustache, and the choice of description is so unusual that it takes this reader out of the story. Besides, the nature of the mustache doesn’t seem to affect the story in any way, so why this micro detail? As for the sentence, it needs to be cleaned up. Keep it simple: Tate growled, and the trainee stopped.

The vieclift dropped to the ground and its cabin door swung up. A dead boy rolled inside and grazed the trainee’s shoe of the trainee. He whimpered and looked to Tate. Did it really drop to the ground? Seems like the driver would want it to settle or lower, not drop, which could damage it. The dead boy rolled where? Into the vehicle? Not clear.

“They’re clean.” Tate said. “You won’t catch the Eidolon.”

“Sorry. It’s habit.”

Together they pulled the boy out and laid his body on the broken sidewalk. Pulled him out of where?

The trainee scanned the cement block alley, a shaky hand on his shock-shooter.

“Relax,” Tate grunted. “After seven years, people are so used to seeing bodies thatthey don’t look. Come on, do your share.” “grunted” isn’t, IMO, a legitimate dialogue tag. Try actually grunting a word and see if it works for you. You can put a period after the “Relax” and it becomes a legitimate bit of description. I don’t think the em dash punctuation works here, either.

The trainee nodded and helped prop the boy against the alley wall. “If they’re clean,” the trainee said, “why’d you take their eyes?” Raises a terrific story question.

Tate felt blood rush to his ears. “I don’t take anything. Got it? Don’t ask questions. We (snip)

Comments, please?

For what it’s worth.


Submitting to the Flogometer:

Email the following in an attachment (.doc, .docx, or .rtf preferred, no PDFs):

  1. your title
  2. your complete 1st chapter or prologue plus 1st chapter
  3. Please include in your email permission to post it on FtQ.
  4. Note: I’m adding a copyright notice for the writer at the end of the post. I’ll use just the first name unless I’m told I can use the full name.
  5. Also, please tell me if it’s okay to post the rest of the chapter so people can turn the page.
  6. And, optionally, include your permission to use it as an example in a book on writing craft if that's okay.
  7. If you’re in a hurry, I’ve done “private floggings,” $50 for a first chapter.
  8. If you rewrite while you wait for your turn, it’s okay with me to update the submission.

Were I you, I'd examine my first page in the light of the first-page checklist before submitting to the Flogometer.

Flogging the Quill © 2015 Ray Rhamey, story © 2015 Georgia



. . . have a lot of stops to . . .”

A whisper of a melody made Tate pause.

“What’s wrong?” The trainee listened, “It’s just the orphans giving the ‘all clear.’”

Another vieclift turned down the alley, rain running off its slopes.

“Close the cabin door!” Tate bellowed.

His partner froze.

Growling, Tate slammed the door himself. He smacked the back of his junior’s head, “Stay calm. Get your shock-shooter ready.”

The vieclift revved and charged them.

“Fire!” Tate drew his shock-shooter and jumped back.

His partner fumbled his weapon and the vieclift hit him, knocking him flat against the pavement.

Wide-eyed, Tate aimed his weapon at the vieclift’s window.

“Your new man was slowing you down.” A slick voice called through the vieclift’s speakers. “He didn’t even shoot at me. He wasn’t suited.”

Tate startled and lowered his weapon. “We weren’t expecting you Sir.” Tate’s eyes fell to his motionless trainee.

“Regardless, you weren’t ready.” The man spat. “Daylight’s too soon. You’ll have to throw out the rest later. He’s dead, isn’t he?”

Tate bent and checked the trainee’s pulse, the heat and whirr of the thrusters brisling his cheek. “Dead,” Tate yelled. His fingers lingered on the warm neck.

“Add him to the pile.” The engine roared and Tate rolled out of the way as the man sped off into the thinning rain.

Adrenaline shook Tate as he lifted the body into the vehicle. How long could he hope to keep this up? His eyes locked on the recruit. This was not just a body. Tate had known him a week. “Come on!” He grit his teeth.

But he felt—disappointment.

Tate looked at the trainee’s face; he had been so anxious over the dead children. With a tug on the trainee’s arm, Tate slipped off his jacket and pulled it over his own shoulders. It was still warm.

Feet scuffed the pavement. Tate looked up. A girl—head low but eyes on him, was padding softly past in the cross street. How long had she been watching?

He cocked his weapon.

The low light outlined her ribs through her thin, wet shirt. Tate had been there once.

Then he felt it: it was as if a hand squeezed his heart. Regret choked his will. His head rocked back and a sigh of relief escaped his lips. Tate holstered his shock-shooter and ducked into the vieclift, the girl forgotten before he had even lifted off the ground.

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11. Love Wins - Free Printable

I created this free printable, in honor of the historic decision by the Supreme Court to legalize same sex marriages in every state in the US. Love Wins! Yes, let people love who they want to love. When more people love and are loved, we all win. You can download a high quality print of it, right here.

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12. Library of Congress Reveals Letters About Literature Winners

library of congress logoHave you ever written a letter to one of your favorite authors?

More than 50,000 young readers (grades 4 through 12) participated in the Library of Congress’ Letters About Literature program. Each participant was tasked with writing a letter to an author (living or deceased) about how one of their books affected them.

According to the press release, this “initiative is a reading-promotion program of the Center for the Book, with the goal of instilling a lifelong love of reading in the nation’s youth.” Below, we’ve posted the full list of winners and honors.

Level 1 (Grades 4 to 6)

National Prize: Gerel Sanzhikov of New Jersey’s letter focused on The Running Dream by Wendell Van Draanen.

National Honor Award: Chelsea Brown of Virginia’s letter focused on Shades of Black by Sandra L. Pinkney.

Level 2 (Grades 7 to 8)

National Prize: Gabriel Ferris of Maine’s letter focused on Steve Jobs by Walter Isaacson.

National Honor Award (three-way tie): Emmy Goyette of New Hampshire’s letter focused on Speak by Laurie Halse Anderson.

Jonathan Hoff of New Jersey’s letter focused on Maus by Art Spiegelman.

Julianna Gorman of Maryland’s letter focused on Night by Elie Wiesel.

Level 3 (Grades 9 to 12)

National Prize: Aidan Kingwell of Illinois’ letter focused on the Mary Oliver poem \"When Death Comes.\"

National Honor Award (tied between two participants): Lisa Le of the District of Columbia’s focused on The Joy Luck Club by Amy Tan.

Hannah DesChamp of Oregon’s letter focused on the Pablo Neruda poem \"I Do Not Love You Except Because I Love You.\"

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13. Martha Brockenbrough Summer Bulletin

As writers and illustrators of children’s books, we have the cutest fantasies. Who else dreams that their work will someday be decorated by a sticker?

And then there’s the conference fantasy, where the agent or editor of your dreams holds your manuscript overhead and says, “This is brilliant!” and she just happens to have a contract in her pocket, which you sign on the spot. It’s almost better than the sticker.

But here’s the thing. People are sometimes asked to send off stories or art, and there are similarly wonderful career-transforming moments. Usually, though, nothing quite so dramatic happens.

And yet… conferences are magic. Truly. Every picture book I’ve ever sold has come directly from my time at an SCBWI conference, specifically the one in Los Angeles. I’ve sold four picture books and have interest in a fifth; each one sprang from an idea or conversation I had at that summer conference, starting with my first one in 2008.

My future editor, Arthur A. Levine, had been in Seattle that spring for a conference, and through a happy accident of seating, we’d chatted through the evening, and he invited me to submit something to him someday. At the time, I was writing an epic novel about a pirate in part because I’d given up on picture books, and in part because, well, I can’t really remember why, which was ultimately the problem with that novel.

At our local spring conference, Arthur had offered sage advice from his then four-year-old son. “When in doubt, write about dinosaurs.” At the time, this didn’t strike me as anything other than adorable. (Who was I to write about dinosaurs, anyway? At the time, I was merely thirty-seven.)

When registration opened for the summer conference in Los Angeles, I really wanted to go. But I couldn’t. We had a family reunion that weekend. And what kind of jerk puts anything in front of family? As it turns out, I am that kind of jerk.

In Los Angeles, Arthur reassured us about the picture book market, which at the time was feeling kind of battered. On the flight home, I resolved to send him a thank-you note for being so encouraging. I looked out the window, and I thought about dinosaurs, and specifically their teeth, and even more fantastically, about who might love their teeth most of all.

Arthur ended up publishing the answer to that question—The Dinosaur Tooth Fairy—five years later. A year or two after I sold The DTF, I mentioned to Arthur at another Los Angeles conference a letter I’d written to my daughter when she asked for the truth about Santa. He said he thought it sounded like a picture book as well. A dear friend I’d met at the Los Angeles conference, Samantha Berger, gave me an idea for how it might be done. I wrote it. Arthur bought it.

Last summer, Samantha and I came up with an idea at the conference while we were eating pizza poolside. So far that has turned into a two picture book deal with Arthur.

These aren’t the sort of things you can predict when you’re thinking about going to a conference. The standard fantasy—that someone might love your work and buy it on the spot—pales in comparison to what really can happen. You go to these conferences and meet people who inspire you. You make friends. You hear words you didn’t know you needed to hear, things that make you laugh and cry, things that feed your mind in ways your everyday routine might not. All of this becomes the fuel of story.

I’d never thought to dream about what comes from inspiration and connection and friendship. And yet this combination is so much better than any contract, and why I’ll go to every SCBWI conference I can.

Fantasies are great and all. But real life? It’s better.


Martha Brockenbrough is the author of the YA novels The Game of Love and Death and Devine Intervention, and The Dinosaur Tooth Fairy, a picture book. Both are with Arthur A. Levine at Scholastic, as is her forthcoming picture book, Love, Santa, as well as two Bigfoot picture books written jointly with Samantha Berger. Martha also wrote the nonfiction middle grade Finding Bigfoot for Feiwel & Friends. In addition to her work on SCBWI's Team Blog, she is the founder of National Grammar Day and author of Things That Make Us [Sic]. Visit www.marthabrockenbrough.squarespace.com and on Twitter @mbrockenbrough.

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14. The Canadian Option

We were sweating. Thank God for the tunnels. They had been a product of forethought by Canadians of the 2010's. The way we had cut down trees, maybe President Reagan had been wrong, they figured. The desert sands were endless. We could only survive underground. There was the odd palm tree but they were few and far between. The Star of the East shone brightly. The cow jumped over the moon. All was quiet. The air had to be pumped in. We didn’t know how or whence, we were just glad of it. If we could make it to the oasis, we’d be ok. There’d be water there. It was like a Frank Herbert experience except that we didn’t read much science fiction. Didn’t have time to. The digging took days and nights. Christmas season was still celebrated. Ersatz boughs of holly, but we retained some of the rituals. The prairies had been a desert for years. There was an impenetrable dome over Alberta. Toward the Dawn was what the powers that be had decided and Toward the Dawn was where we were digging. Toward the Sunset was another matter. It was about this time that I became separated from the main party. I don’t know how it happened. I couldn’t help myself. Down the gleaming crystal hallways I was drawn. It was like deja vu all over again and it was over as soon as it started. I found myself in a vast meadow of flowers. Butterflies were flitting past; colourful trees swaying in the blue sky. A dusty oil lamp of foreign origin lay in the grass at my feet. I bent over, picked it up, rubbed some dirt from its side. I felt it jump. The lamp seemed to move of its own volition. I rubbed dirt from the other side. A Genie popped out. He was dressed in traditional Genie garb, sat crosslegged on the grass. He brushed dust from his voluminous sleeves, coughed a little. A strong smell of mothballs accompanied his presence. “Well” he said, “You have set me free so I owe you a wish” He looked up at me with impatient eyes that had been too long in the lamp. I couldn’t think of anything at that moment except for getting to the oasis. I blurted it out and watched him run, the lamp in hot pursuit. He zigged and zagged, disappeared into the forest. The crystal hallways drew me back to the diggers in the main party. They were asleep at their posts on the assembly line. When I woke them up by banging the new shovel the Genie had thrown in out of the goodness of his heart, they looked around in wonder. I looked around in wonder, too. The tunnel was finished. We started walking toward the oasis. There’d be water there.

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15. Cover Unveiled for New Grace Jones Memoir

Grace Jones Memoir (GalleyCat)

A cover has been unveiled for the Grace Jones memoir, I’ll Never Write My Memoirs. Paul Morley served as the co-writer for this project.

We’ve embedded the full image for the jacket design above—what do you think? Gallery Books, an imprint at Simon & Schuster, has scheduled the publication date for September 29th. (via The Hollywood Reporter)

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16. Sincerely, Carter Leads Self-Published Bestsellers List

Sincerely, Carter by Whitney Gracia Williams leads the Self-Published Bestsellers List this week.

To help GalleyCat readers discover self-published authors, we compile weekly lists of the top eBooks in three major marketplaces for self-published digital books: Amazon, Barnes & Noble and Smashwords. You can read all the lists below, complete with links to each book.

If you want more resources as an author, try our Free Sites to Promote Your eBook post, How To Sell Your Self-Published Book in Bookstores post and our How to Pitch Your Book to Online Outlets post.

If you are an independent author looking for support, check out our free directory of people looking for writers groups.

Amazon Self-Published Bestsellers for the Week of July 1, 2015

1. Sincerely, Carter by Whitney Gracia Williams: “Arizona Turner has been my best friend since fourth grade, even when we \"hated\" each other. We’ve been there for one another through first kisses, first \"times,\" and we’ve been each other’s constant when good relationships turned bad. (We even went to colleges that were minutes away from each other…).”

2. Dare to Touch (Dare to Love Book 5) by Carly Phillips: “Olivia Dare, executive director of the Miami Thunder, and team travel director, Dylan Rhodes share more than just a passion for football–their chemistry is explosive and their feelings for each other are intense.”

3. Destined Dragons: BBW Paranormal Romance by Terry Bolryder: “Roxy is just a normal girl working hard to achieve her dreams. Until she saves someone’s life, gets on the news, and winds up kidnapped by a group of mysterious men targeting brave-hearted women. Just when she’s about to give up hope, two gorgeous men appear, rescue her and whisk her away to their castle-like mansion to keep her safe.”

4. The Allure of Julian Lefray by R.S. Grey: “Lily, you predictable perv. I knew you’d open this email faster if I tempted you with a glimpse of JT’s “PP”. Well, put your pants back on and grab some bubbly because I have much better news to share.”

5. Sweet Sinful Nights by Lauren Blakely: “Ten years ago, Brent Nichols let the love of his life slip through his fingers. It’s his greatest regret, especially since she’s all but disappeared. But when the gorgeous and captivating woman walks into his life unexpectedly, he’s determined to win her back. Whatever it takes, he won’t make the same mistake twice.”

6. Night with a SEAL by Cat Johnson: “A team of sexy SEALs, a terrorist threat, and an attraction that can’t be denied…Ten years of dedication to the Navy taught SEAL Jon Rudnick one thing—he’s not afraid to risk life and limb for his country. But when navigating military red tape begins to present more challenges than the enemy it makes Jon question his future.”

7. Desired by Dragons: BBW Paranormal Romance by Terry Bolryder: “Drake and Quill are dragon shifters, the big bad protectors of the shifter world, tasked with missions no one else can handle. Though hot, rich and capable, their partnership is held back by their sometimes clashing personalities. When they save a curvy woman named Tara from drowning, they may have just found the one thing they can agree on. They want her. Forever.”

8. Double Dragons: BBW Paranormal Romance by Terry Bolryder: “Draven and Ran are dragon shifters, the fire-breathing enforcers of the shifter world. The ones they call when things go wrong. Strong, sexy and wealthy, the only thing the two partners are missing is a mate to share it all with. But that’s tricky in the dragon world and after years of searching, the dragons have basically given up. That is, until a sexy, reckless human librarian lands in their path during a mission.”

9. Priest: A Love Story by Sierra Simone: “There are many rules a priest can’t break. A priest cannot marry. A priest cannot abandon his flock. A priest cannot forsake his God. I’ve always been good at following rules.”

10. The Island of Alphas: A BBW Paranormal Romance by Amira Rain: “Fertility Doctor Liz Fowler is not having the best of times in life. Her fiance has left her, she is in debt and now she is unemployed. So she cannot believe her luck when she is approached by a handsome and very mysterious man named Eric who offers her a job. A job he describes as being very, very important.”

Smashwords Self-Published Bestsellers for the Week of July 1, 2015

1. Negotiating for Success: Essential Strategies and Skills By George J. Siedel

2. Third Reality Revealed: Vision, Persistence, and Inventing a New Latino Identity by Third Reality Publications

3. Third Reality: Crafting a 21st Century Latino Agenda by Third Reality Publications

4. Stocks on the Move – Beating the Market with Hedge Fund Momentum Strategies by Andreas F. Clenow

5. His Bad Boy Ways By Faye Aden

6. Cunning Plans: Talks By Warren Ellis by Warren Ellis

7. Strong Brains, Sharp Minds: The Definitive Guide to the MINDRAMP Method For Brain Health & Mental Development by Michael C. Patterson & Roger Anunsen

8. Bryony And Roses by T Kingfisher

9. Prodigals Do Come Home by Bob Steinkamp

10. Depth Astrology: An Astrological Handbook – Volumes 1-4 (Introduction, Planets in Signs, Planets in Houses, Planets in Aspect) by Gargatholil

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17. J.K. Rowling Tweets Updates on Gold Dagger Award

J.K. Rowling has announced (via Twitter) that Robert Galbraith’s The Silkworm has been shortlisted for the The Crime Writers’ Association Gold Dagger Award. J.K. Rowling also previously tweeted that the second Cormoran Strike novel had been nominated for the Gold Dagger Award, just a couple weeks ago. It appears that poor Robert has mislaid his twitter password. According to the The Crime Writers’ Association’s twitter, the winners of the Gold Dagger (among others) awards will be presented on September 29, at a special event. We expect both J.K. Rowling and Robert Galbraith to be in attendance at the special event. These tweets can be seen below.


Screen Shot 2015-07-01 at 2.13.54 PM


Screen Shot 2015-07-01 at 2.13.34 PM

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18. New Zealand Children's Choice Book Awards call for action!

Vote for your favourite New Zealand book . . .


Would you like to choose the winners in the 2015 New Zealand Children and Young Adults Book Awards?

Be part of the Children’s Choice voting and have your chance to vote for the New Zealand books you think are the best.

Children and teenagers across the country have been busy reading and reviewing their favourites amongst all the New Zealand books entered in the 2015 NZ Book Awards for Children and Young Adults. Their votes created a list of 20 books they think are the best.

So get voting: we want to know what New Zealand kids think. Choose your favourite in the Top 5 in each category that’s relevant to your age group. (We have adult judges separately deciding on the overall winners, but we also want to know what kids think are the best books.)

Everyone kid who votes (you’ll need to be 18 years old or under) will be in the draw to win some books for yourself and for your school. On the second page we will ask you questions to help us contact you via your school if you win. If you are unsure about anything ask mum or dad or your teacher to help you.

Voting closes at 12 noon on Friday, 31 July.

So vote now and tell your friends to vote too. Just click
here to vote!

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19. Upcoming Nonfiction Titles Discovered at ALA

Louise and I have returned from the West Coast after attending the American Library Association Annual Conference in San Francisco. One of the best parts of attending ALA is having opportunities to talk with authors, illustrators, editors and publicists about books that are on the horizon. A highlight was listening to Melissa Sweet talk about her art, and she showed us some photos of collages

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20. Summer Fun recipe

Thought I'd pop in here and share a recipe I created for the awesome website, They Draw and Cook. You can see this, in a larger version, on there, along with other illustrated recipes I've created, on my artist's page.


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21. A New Rick Riordan Book!! #ReadRiordan

My dearest Percy Jackson fanatics. We have news!!  There's a new Rick Riordan eBook!! And it's interactive! And customizable!  Are you ready? Here it is!  NEW ORIGINAL RICK RIORDAN E-BOOKTitle: The Demigods of Olympus: An Interactive AdventurePrice: $8.99 / $7.99 On-Sale: July 14, 2015  Your quest begins! Use your demigod skills in this interactive and customizable adventure story

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22. Down the Rabbit Hole Leads iBooks Bestsellers List

Down the Rabbit Hole by Holly Madison has debuted on the iBooks bestsellers list this week at No. 2.

Apple has released its top selling books list for paid books from iBooks in the U.S. for the week ending on July 1, 2015. Grey by E. L. James is No. 1 on the list and The Girl on the Train by Paula Hawkins is No. 3.

We’ve included Apple’s entire list after the jump.

iBooks U.S. Bestseller List – Paid Books 7/1/15

1. Grey by E L James – 9781101946350 – (Knopf Doubleday Publishing Group) 2. Down the Rabbit Hole by Holly Madison – 9780062372123 – (Dey Street Books) 3. The Girl on the Train by Paula Hawkins – 9780698185395 – (Penguin Publishing Group) 4. Paper Towns by John Green – 9781101010938 – (Penguin Young Readers Group) 5. The Rumor by Elin Hilderbrand – 9780316334501 – (Little, Brown and Company) 6. Truth or Die by Howard Roughan & James Patterson – 9780316408738 – (Little, Brown and Company) 7. Luckiest Girl Alive by Jessica Knoll – 9781476789651 – (Simon & Schuster) 8. The Martian by Andy Weir – 9780804139038 – (Crown/Archetype) 9. Fifty Shades Darker by E L James – 9781612130590 – (Knopf Doubleday Publishing Group) 10. All the Light We Cannot See by Anthony Doerr – 9781476746609 – (Scribner) 11. Fifty Shades Freed by E L James – 9781612130613 – (Knopf Doubleday Publishing Group) 12. The Melody Lingers On by Mary Higgins Clark – 9781476749136 – (Simon & Schuster) 13. The President’s Shadow by Brad Meltzer – 9780446553957 – (Grand Central Publishing) 14. The Nightingale by Kristin Hannah – 9781466850606 – (St. Martin’s Press) 15. Tom Clancy Under Fire by Grant Blackwood – 9780698404861 – (Penguin Publishing Group) 16. Fifty Shades of Grey by E L James – 9781612130293 – (Knopf Doubleday Publishing Group) 17. Wicked Charms by Janet Evanovich & Phoef Sutton – 9780553392722 – (Random House Publishing Group) 18. Finders Keepers by Stephen King – 9781501100130 – (Scribner) 19. Dark Places by Gillian Flynn – 9780307459923 – (Crown/Archetype) 20. In the Unlikely Event by Judy Blume – 9781101875056 – (Knopf Doubleday Publishing Group)

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23. Trello for Writers, Part 2: Templates

If you use Trello to manage your writing projects, you might find it useful to create cards that you can use for multiple cards.

STEP 1: Create a "Templates" Board

Let's start by creating a Trello board where you can keep the cards you want to reuse. Open up Trello and click Create new board. Give the new board a title, such as "Templates," and click Create.

That's it. That was easy enough, right? You now have an empty board, waiting for your cards.

STEP 2: Create a List

Now that your board is ready, it's just sitting there empty. An empty bulletin board isn't particularly useful unless you pin something to it, and the same is true of your Trello board. Unlike the blank slate of a bulletin board, though, Trello expects you organize your cards in lists. The kinds of lists you create on your template board depend on the types of templates you want to keep there. For this demo, let's keep it simple. You can always take what you learn and get fancy later. Let's create a single list.

That's easy enough. Turns out, your board is not exactly empty. Turns out there's a box waiting for you, where you can type a name for your first list. Let's call it "Novel Cards."

Click Save (or just hit Enter) and you'll have a list, ready for your cards.

Step 3: Create Cards

Your cards can be anything you want, but because we're keeping it simple for this demo, let's go with something high level, like the following:

  • Character
  • Scene
  • Setting
  • Submission
In your new list, click Add a card, then type the name of the card, "Character," Hit Enter, and type "Scene. Continue this process until you've created all four cards.

Step 4: Add Details

The point of these cards is to contain information that you want to reuse, so we'll need to add some details. Think about the details carefully, so you add what you want and don't have to go back and make changes.

Click one of the cards, and create a comment with the outline of the details you want. Remember, that hitting enter will save the current comment and create a new one. This is good if you want each characteristic to be its own comment, where you can add more details. If you prefer a lighter card, press Ctrl+Enter to move down a line in the current comment.

For example, for the Character card, you might want details like name, age, birthday, best friend, address, appearance characteristics, personally traits, and so on. What you include and the amount of detail depends on your preferences. Click outside the card to close it, then click on the next card.

For scene, you might want a name, summary, goal, characters present, conflict, resolution, and maybe a sequel if you write using the scene and sequel method. 

Do this for each or your cards, adding the types of information you are likely to want in each project. Once you copy the card to a project (we'll do that in another lesson) you can always edit the card to add any project-specific info that you don't necessarily need in a template, such as whether your character is on Team Zombie or Team Pirate.

Next Steps

As you can see, Trello is flexible enough to adapt to your style and preferences. 

After you've created your templates, we'll copy the template cards into a project and look at how to use them to plan your story. 

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24. New York Public Library Hosts a Display to Celebrate July Fourth

nypl logoThe curators at the New York Public Library have put together a display in celebration of July Fourth.

The theme of this program will center on Sparking The Revolution: “No Taxation Without Representation.” The items chosen for this display include Benjamin Franklin’s annotated copy of a pro-Stamp Act pamphlet, an engraving of the Boston Massacre, a copy of the Continental Congress’s Olive Branch Petition, and a rare copy of the first New York printing of the Declaration of Independence.

According to the press release, visitors will see items that that spotlight on “key historic moments surrounding the American Revolution and the Declaration of Independence. A key focus of the display is the 250th anniversary of the Stamp Act, a wildly unpopular British tax on all paper used by the American colonists, and one of the critical sparks that launched the fight for American independence.”

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25. Photographer Creates Stunning Images of African Orisha Deities You've Never Heard of Before

Photographer James C. Lewis went out on a creative limb to re-imagine ancient African Yoruba dieties- the Orisha, using striking models, expert photography, and inventive photo editing techniques.  While the true essence of the Orisha is likely poorly understood by most people in the modern world in comparison to their ancient and rich roots in African culture, Lewis creates a stunning visual world that is sure to spark the imagination.

Read and SEE more here: http://www.ewao.com/a/1-photographer-creates-stunning-images-of-african-orisha-deities-youve-never-heard-of-before

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