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By: Priscilla Yu,
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Do you have back pain? Statistics show you likely do. Or you have had it in the past or will in the future. Back pain can be a million different things, and you can get it an equal number of ways. Until you've suffered it, you don't realise how disruptive it can be. Trying to fix back pain is a superb way to make people understand the power of scientific method and how to use it.
The post Scientific method and back pain appeared first on OUPblog.
mixed media - digital collage
Today I'm thrilled to have renowned author/illustrator, and Co-Director of the Writing and Illustrating Children's Books MFA and Certificate programs at Hollins University, Ruth Sanderson at dulemba.com. She has a fantastic new book to share...
THE GOLDEN KEY
by Ruth Sanderson
Reading "The Golden Key" close to forty years ago instilled in me a profound desire to some day create pictures that illuminated this evocative text. Over the years, when people have asked, “If there was one book you’d like to illustrate, what would it be?” —my answer has always been "The Golden Key" by George MacDonald. I loved the story, and the version I had was illustrated by Maurice Sendak with beautiful, dream-like pen and ink pictures. There were only 6 plates in the book, however, and I wanted to do a fully illustrated version.
After I became a working author/illustrator I tried to edit down the story to fit a picture book format, but it didn’t feel right. The story is simply too long and complex for a picture book. So my "dream project" was put on the shelf for thirty years.
In 2007 with Brian Selznick's Invention of Hugo Cabret I became aware that artists were challenging the standard format of books for children. A few years later when thinking wistfully about how The Golden Key could absolutely never be made into a picture book in this climate of shorter and shorter texts, it occurred to me that this very long story might be easily broken into chapters, as it alternates between the two characters' points of view. I also felt that 8-12 was a more suitable age group for this unusual story than that of a younger picture book audience.
In contemplating the style and medium to use, I felt that scratchboard would be perfect to convey the story's mythic quality and dramatic light and dark imagery. In my spare time between other book projects In 2011 I started to create some of the key scenes that I wanted to include in the story. My favorite scene is Tangle descending the stairway into the earth, and I always felt this was like Persephone descending into Hades.
I split the story into 9 chapters and created a dummy that paged out to around 224 pages, carefully planning room for over 45 illustrations. Some are wordless spreads, some are single pages, and some are vignettes that wrap around the text. I wanted to create the look of a fully illustrated novel. It is really a very long picture book for an older audience.
One thing that will set my version apart is the fact that, as a picture book illustrator, I decided to add elements that were not expressly stated in the text, that would “expand” the story and add an interesting subtext. This subtext was created as I mused on the object and meaning of the golden key itself and the fact that MacDonald places the key in Fairyland. I have framed the story with wordless pictures, one before the text of the story starts and one right after it ends. I have always been intrigued by the fact that the golden key seems to magically appear at the base of a rainbow in Fairyland. I imagined that perhaps a fairy might be put in charge of placing it there. And perhaps that fairy might arrange for a particular person to see the rainbow and seek the key. Or perhaps in "flitting from place to place" lest anyone should find the key, she notices a boy with a spark of desire for something beyond our normal human grasp.
Therefore, in the first illustration, before the text begins, the creatures in Fairyland watch the boy as he listens to his great-aunt's stories. One fairy is sitting on a tree stump with the golden key. I imagined her observing his spark of interest in the key.
After showing a close-up of this conversation between Mossy and his great-aunt at the start of the text, I added another wordless spread with the fairy flying off with the key, implying that she was going to hide it for the boy to find.
And sure enough, he could not resist dashing into Fairyland that evening when he sees the rainbow, a "grand sight, burning away there in silence, with its gorgeous, its lovely, its delicate colors, each distinct, all combining."
At the end of the story, in the picture where Mossy and Tangle climb into the rainbow in the distance, the fairy flies off with the key in the foreground, indicating that their story is over, but another story is about to begin. The final wordless illustration shows the fairy bringing the key back to the base of the rainbow in the forest, looking back toward the reader—an invitation for the next person to seek the key.
George MacDonald considered Fairyland to be a symbol of the imagination, and he invited each reader to interpret his stories after his/her own sensibilities. I invite readers to interpret my pictures in the same light. For me, imagination is the Golden Key.
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The sound of paddling pools, ice-cream vans, and sizzling barbecues means but one thing: summer is finally here. We caught up with four of Oxford University Press' most seasoned travelers to see which books they recommend for trips to Thailand, Cambodia, Germany, India, and France.
The post A summer reading list appeared first on OUPblog.
Blog: drawings & sketches - dibujandoarte
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s.p. remastered - scanned and redrawn - (mixed media on paper)
By: Carolyn Napolitano,
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Anton Szandor LaVey was the most outspoken and most notorious apostle of Satan in the twentieth century. On his life before founding the Church of Satan in 1966, LaVey liked to spun wild tales, but he did actually work as a professional and semi-professional musician in the carnival circuit. The High Priest of Satan was fond of bombastic classic music in the Wagnerian mould and popular tunes from the thirties, forties, and fifties, the period in which he himself had been young.
The post Was Anton LaVey serenading Satan in his cover of “Answer Me”? appeared first on OUPblog.
More wolverine news from down in California!
Designer Lizzie Lees has created a fun new interactive book packed with ideas and material for making collages. Called 'Collage Carnival' Lizzie invites the reader to create their own artworks and projects ranging from cityscapes and travel journals using holiday snaps, to glitter-filled cards for friends. Mixed in with hints and tips for getting started are pages that can be coloured, cut out,
By: Izzy Elves,
My dad’s medical bag, probably not much different from Dr. Flagg’s in the story. It had compartments for storing medicines, bandages, etc. Just like Clara in A Buss from Lafayette
, for many years of my childhood I believed that when a doctor went to deliver a baby, it was inside this bag. I wonder if doctors still carry these. Bublish
By: Betsy Bird
Blog: A Fuse #8 Production
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Radiant Child: The Story of Young Artist Jean-Michel Basquiat
By Javaka Steptoe
Little, Brown & Co.
Ages 5 and up
On shelves October 25th
True Story: I’m working the children’s reference desk of the Children’s Room at 42nd Street of New York Public Library a couple years ago and a family walks in. They go off to read some books and eventually the younger son, I’d say around four years of age, approaches my desk. He walks right up to me, looks me dead in the eye, and says, “I want all your Javaka Steptoe books.” Essentially this child was a living embodiment of my greatest dream for mankind. I wish every single kid in America followed that little boy’s lead. Walk up to your nearest children’s librarian and insist on a full fledged heaping helping of Javaka. Why? Well aside from the fact that he’s essentially children’s book royalty (his father was the groundbreaking African-American picture book author/illustrator John Steptoe) he’s one of the most impressive / too-little-known artists working today. But that little boy knew him and if his latest picture book biography “Radiant Child: The Story of Young Artist Jean-Michel Basquiat” is even half as good as I think it is, a whole host of children will follow suit. But don’t take my word for it. Take that four-year-old boy’s. That kid knew something good when he saw it.
“Somewhere in Brooklyn, a little boy dreams of being a famous artist, not knowing that one day he will make himself a KING.” That boy is an artist already, though not famous yet. In his house he colors on anything and everything within reach. And the art he makes isn’t pretty. It’s, “sloppy, ugly, and sometimes weird, but somehow still BEAUTIFUL.” His mother encourages him, teaches him, and gives him an appreciation for all the art in the world. When he’s in a car accident, she’s the one who hands him Gray’s Anatomy to help him cope with what he doesn’t understand. Still, nothing can help him readily understand his own mother’s mental illness, particularly when she’s taken away to live where she can get help. All the same, that boy, Jean-Michel Basquiat, shows her his art, and with determination he grows up, moves to Manhattan, and starts his meteoric rise in the art scene. All this so that when, at long last, he’s at the top of his game, it’s his mother who sits on the throne at his art shows. Additional information about Basquiat appears at the back of the book alongside a key to the motifs in his work, an additional note from Steptoe himself on what Basquiat’s life and work can mean to young readers, and a Bibliography.
Javaka Steptoe apparently doesn’t like to make things easy for himself. If he wanted to, he could illustrate all the usual African-American subjects we see in books every year. Your Martin Luther Kings and Rosa Parks and George Washington Carvers. So what projects does he choose instead? Complicated heroes who led complicated lives. Artists. Jimi Hendrix and guys like that. Because for all that kids should, no, MUST know who Basquiat was, he was an adult with problems. When Steptoe illustrated Gary Golio’s bio of Hendrix (Jimi: Sounds Like a Rainbow) critics were universal in their praise. And like that book, Steptoe ends his story at the height of Basquiat’s fame. I’ve seen some folks comment that the ending here is “abrupt” and that’s not wrong. But it’s also a natural high, and a real time in the man’s life when he was really and truly happy. When presenting a subject like Basquiat to a young audience you zero in on the good, acknowledge the bad in some way (even if it’s afterwards in an Author’s Note), and do what you can to establish precisely why this person should be mentioned alongside those Martin Luther Kings, Rosa Parks, and George Washington Carvers.
There’s this moment in the film Basquiat when David Bowie (playing Andy Warhol) looks at some of his own art and says off-handedly, “I just don’t know what’s good anymore.” I have days, looking at the art of picture books when I feel the same way. Happily, there wasn’t a minute, not a second, when I felt that way about Radiant Child. Now I’m going to let you in on a little secret: Do you know what one of the most difficult occupations to illustrate a picture book biography about is? Artist. Because right from the start the illustrator of the book is in a pickle. Are you going to try to replicate the art of this long dead artist? Are you going to grossly insert it into your own images, even if the book isn’t mixed media to begin with? Are you going to try to illustrate the story in that artist’s style alone, relegating images of their actual art to the backmatter? Steptoe addresses all this in his Note at the back of the book. As he says, “Instead of reproducing or including copies of real Basquiat paintings in this book, I chose to create my own interpretations of certain pieces and motifs.” To do this he raided Basquiat’s old haunts around NYC for discarded pieces of wood to paint on. The last time I saw this degree of attention paid to painting on wood in a children’s book was Paul O. Zelinsky’s work on Swamp Angel. In Steptoe’s case, his illustration choice works shockingly well. Look how he manages to give the reader a sense of perspective when he presents Picasso’s “Guernica” at an angle, rather than straight on. Look how the different pieces of wood, brought together, fit, sometimes including characters on the same piece to show their closeness, and sometimes painting them on separate pieces as a family is broken apart. And the remarkable thing is that for all that it’s technically “mixed-media”, after the initial jolt of the art found on the title page (a full wordless image of Basquiat as an adult surrounded by some of his own imagery) you’re all in. You might not even notice that even the borders surrounding these pictures are found wood as well.
The precise age when a child starts to feel that their art is “not good” anymore because it doesn’t look realistic or professional enough is relative. Generally it happens around nine or ten. A book like Radiant Child, however, is aimed at younger kids in the 6-9 year old range. This is good news. For one thing, looking at young Basquiat vs. older Basquiat, it’s possible to see how his art is both childlike and sophisticated all at once. A kid could look at what he’s doing in this book and think, “I could do that!” And in his text, Steptoe drills into the reader the fact that even a kid can be a serious artist. As he says, “In his house you can tell a serious ARTIST dwells.” No bones about it.
How much can a single picture book bio do? Pick a good one apart and you’ll see all the different levels at work. Steptoe isn’t just interested in celebrating Basquiat the artist or encouraging kids to keep working on their art. He also notes at the back of the book that the story of Basquiat’s relationship with his mother, who suffered from mental illness, was very personal to him. And so, Basquiat’s mother remains an influence and an important part of his life throughout the text. You might worry, and with good reason, that the topic of mental illness is too large for a biography about someone else, particularly when that problem is not the focus of the book. How do you properly address such an adult problem (one that kids everywhere have to deal with all the time) while taking care to not draw too much attention away from the book’s real subject? Can that even be done? Sacrifices, one way or another, have to be made. In Radiant Child Steptoe’s solution is to show Jean-Michel within the lens of his art’s relationship to his mother. She talks to him about art, takes him to museums, and encourages him to keep creating. When he sees “Guernica”, it’s while he’s holding her hand. And because Steptoe has taken care to link art + mom, her absence is keenly felt when she’s gone. The book’s borders go a dull brown. Just that single line “His mother’s mind is not well” says it succinctly. Jean-Michel is confused. The kids reading the book might be confused. But the feeling of having a parent you are close to leave you . . . we can all relate to that, regardless of the reason. It’s just going to have a little more poignancy for those kids that have a familiarity with family members that suffer mental illnesses. Says Steptoe, maybe with this book those kids can, “use Basquiat’s story as a catalyst for conversation and healing.”
That’s a lot for a single picture book biography to take on. Yet I truly believe that Radiant Child is up to the task. It’s telling that in the years since I became a children’s librarian I’ve seen a number of Andy Warhol biographies and picture books for kids but the closest thing I ever saw to a Basquiat bio for children was Life Doesn’t Frighten Me as penned by Maya Angelou, illustrated by Jean-Michel. And that wasn’t even really a biography! For a household name, that’s a pretty shabby showing. But maybe it makes sense that only Steptoe could have brought him to proper life and to the attention of a young readership. In such a case as this, it takes an artist to display another artist. Had Basquiat chosen to create his own picture book autobiography, I don’t think he could have done a better job that what Radiant Child has accomplished here. Timely. Telling. Overdue.
On shelves October 25th.
Source: F&G sent from publisher for review.
Professional Reviews: A star from Kirkus
By: Jalissa Corrie
Blog: The Open Book
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The New Visions Award, given annually by our Tu Books imprint, honors a middle grade or young adult novel for young readers by an author of color who has not previously published a novel for that age group. It was established to encourage new talent and to offer authors of color a chance to break into a tough and predominantly white market.
In addition to our New Visions Award Winner and Honor, this year there were three New Visions Award finalists: Alex Brown (Hate Crime), Hilda Burgos (The Castle of Kings), and Elizabeth Stephens (The Rougarou). Below, they share their writing experience, what inspires them, and what they hope readers will take away from their stories. We are thrilled to introduce readers to these talented writers and can’t wait to see how their careers take shape!
Could you tell us about your story?
Elizabeth Stephens: The Rougarou has been a work in progress for several years now. I drafted the first version of this manuscript my freshman year of college, though it has taken on a life of its own since! In particular, my study abroad experience in Paris, France in 2012 helped shape the details of this novel as did later work experience in Geneva, Switzerland. Whenever I reread my own book, it provides me with a sense of nostalgia – a straight shot of Paris. The infusion of Cajun folklore into the story, I adopted only very recently. I am a native French speaker because I grew up in West Africa and knew that I wanted my main character’s roots to be francophone. At the same time, I have been deeply interested in Louisiana culture since I was thirteen years old and first read Anne Rice’s Interview with the Vampire.
Hilda Burgos: The eleven year-old protagonist of my story, Ana Maria Reyes (Anamay), has a few things in common with me: she has three sisters, her parents are from the Dominican Republic, and she is growing up in the New York City neighborhood of Washington Heights. I first created Anamay about twenty years ago when I drafted a picture book manuscript about a six year-old girl who was nervous about the impending birth of a new sibling. Then I learned about a chapter book contest, and decided that Anamay’s story could be expanded to include the culture shock I experienced when I was ten years old and first visited the Dominican Republic.
Alex Brown: My mother immigrated to the US from the Philippines in the 1980s. She left an entire country behind in order to come here and be a nurse. The US has a long history of recruiting nurses from the Philippines, and from what I can tell, it started after the Spanish-American War, with the Pensionado Act of 1903 (wherein certain Filipino citizens came to the US to study). I took a little bit of what she experienced when she first arrived here, and built upon some of the obstacles she faced (including how incredibly badass she is for raising two kids as a single parent in a new country). I also drew from my own experiences growing up – the discord that happens between my main character and her parents when she chooses not to believe the legitimate folktales they tell her – reflects a lot of my feelings as a kid.
Is there anything in particular you hope readers take away from this story?
ES: I certainly hope that readers enjoy the elements of the story that I had most fun crafting: the romance between Chandelle and Reno, the setting in modern day Paris, and the fantastical elements reminiscent of Southern lore never forgotten.
HB: When I was a child there weren’t many books about kids like me: kids who lived in apartment buildings in a city, who spoke one language at home and another one in school, who had frizzy hair and dark complexions. I always looked for something familiar in the books I read. I hope that readers learn something new and expand their worlds when they read about Anamay, and that this knowledge helps them as they meet new people in their lives. I also hope that readers who share some of Anamay’s experiences find comfort in the familiarity of some of the scenes. Most importantly, I hope that readers enjoy the story and are inspired to read more and more books.
AB: I hope that people will start to think about the impact they can have on others. We live in this society where certain things – stereotypes, prejudices, hatred – are way more insidious than they have any right to be. But, with all of the bad, there’s still the possibility that anyone, anywhere, can stand up for what’s right. I’d also feel quite accomplished if people took a moment to pause and think about all of the obstacles and daily struggles that await anyone who immigrates to America. There’s something to be said about the unquantifiable amount of bravery, hope, and grit that it takes to leave one’s whole world behind, all to start a new life in an unfamiliar (and, at times, unfriendly) place.
Is there anything about your writing experience that you’d like to share?
ES: I wrote my first book at the age of eleven. It was a science fiction saga about a young girl picked up by a ragtag group of bandits and transported to other worlds. Since then, I’ve had the privilege of publishing several short works of horror in a number of online magazines and last year, I published my first fiction novel.
HB: I fell in love with language and literature when I first learned how to read. A well-written book is a work of art. In college I majored in French and Spanish literatures, and I also took English literature and creative writing classes. I wrote stories for pleasure during college and law school, and I took my first class on writing for children after law school. I draw ideas from my life experiences and observations, from stories that I have heard, and from historical accounts and current events.
AB: When I first started to seriously consider writing, I was a co-winner of the Windy City Chapter of the Romance Writers of America’s Four Seasons YA award. A few months after that, I was one of the inaugural winners of SCBWI’s Emerging Voices award. The manuscript that received these cool distinctions was my second, and since then I’ve gone on to write several more, and have quite a few other ideas for new books!
Last year, books by authors of color comprised less than eleven percent of the total number of books published for young readers, according to the Cooperative Children’s Book Center at the University of Wisconsin-Madison. The annual New Visions Award is a step toward the day when all young readers can see themselves in books.
The New Visions Award is open for submissions through October 31, 2016! Please see the full submissions guidelines here.
If you’d like more news regarding the New Visions Award, author interviews, and more, sign up for our newsletter here.
By: Monica Gupta
Blog: Monica Gupta
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क्लिक करिए और सुनिए 2 मिनट और 26 सैंकिंड का ऑडियो आईए रिश्वत दें – ऑडियो जहां मोदी जी बार बार कह रहे हैं कि न खाऊंगा न खाने दूंगा रिश्वत दूंगा न लेने दूंगा और अरविंद जी भी यही मिशन ले कर चले है कि इसे बंद करवाना ही प्राथमिकता है तो फिर मैं […]
The post आईए रिश्वत दें – ऑडियो appeared first on Monica Gupta.
Review by Sara...
THREE TRUTHS AND A LIE
By Brent Hartinger
Hardcover: 288 pages
Publisher: Simon Pulse (August 2, 2016)
Grade Level: 9 and up
Goodreads | Amazon
A weekend retreat in the woods and an innocent game of three truths and a lie go horribly wrong in this high-octane psychological thriller filled with romantic suspense by a Lambda Award–winning author.Deep in the
This will be the last post for my George Strait Project
. I thought I would make a few lists, answer a few questions, etc.One word to describe George Strait's music:
TIMELESS Some phrases to describe his music:
consistently high quality; forever true to himself, true to tradition; western swing at its best! makes you want to sing and dance!Was the project fun?
Yes, for the most part.Did I get tired of George by the end of July?
More than I thought I would be. I thought it would be impossible to have too much George in your life.Did I only listen to George Strait?
That's how I started out the month. But by the end, I was ready for a little distance and some other artists to listen to.Would I recommend this project for someone else?
Yes. But I would suggest spreading it out throughout a six month or even a year period. You could cover two to three albums per month and get it done in a year.Would I be interested in doing another chronological project?
Yes, probably. I'm not sure WHO at this point. And it will probably not be any time soon. I am also not sure if I'd ever devote that many posts to music at Becky's Book Reviews. Though if it were to be a year-long project, one post per month wouldn't be seen as quite the invasion that George became!!!Which albums are MUSTS?
If you were to only have TWO albums in your collection--say you have zero George Strait at the moment--then definitely 50 Number Ones (2004) and and 22 More Hits (2007). That would give you 72 of his best songs.Favorite album from the 1980s
? Probably Ocean Front Property. I really LOVE that one.Favorite singles from the 1980s
? Fool Hearted Memory, Amarillo by Morning, You Look So Good In Love, The Cowboy Rides Away, The Chair, Nobody In His Right Mind Would Have Left Her, Baby Blue, Ace in the Hole, Am I Blue, Famous Last Words of a Fool, Ocean Front Property, It Ain't Cool To Be Crazy About You, etc.Favorite songs from the 1980s that were never released as singles?
Friday Night Fever, 80 Proof Bottle of Tear Stopper, Dance Time in Texas, My Heart Won't Wander Very Far From You, You Can't Buy Your Way Out of the Blues...Favorite album from the 1990s
? I don't think I could ever, ever, ever choose. I might could come up with a top three albums from the 1990s...Livin' It Up (1990); Lead On (1994); One Step at A Time (1998).Favorite singles from the 1990s?
You Know Me Better Than That; Easy Come, Easy Go; The Big One; Check Yes or No; Lead On; Blue Clear Sky; One Night at a Time; I Just Want To Dance With You; We Really Shouldn't Be Doing This; Write This Down.Favorite songs from the 1990s never released as singles
? Someone Had to Teach You; She Loves Me (She Don't Love You); Is It Already Time; You're Right, I'm Wrong; Baby Your Baby; Stay Out My Arms; I Wasn't Fooling Around; Nobody Has To Get Hurt; That's Me (Every Chance I Get); Real Good Place to Start; That's Where I Want To Take Our Love; Always Never The Same.Favorite album from the 2000s?
I'm torn between Twang (2009) and Honkytonkville (2003).Favorite singles from the 2000s?
Don't Make Me Comve Over There and Love You, Troubadour, Twang.Favorite songs from the 2000s that were never released as singles?
Honk if You Honky Tonk, I Found Jesus on the Jailhouse Floor, She Used to Say That To Me, Texas Cookin', It Was Me, Where Have I Been All My LifeFavorite album from the 2010s?
Cold Beer ConversationFavorite singles from the 2010s?
I Got A Car; Drinkin' Man; Here for a Good Time.Favorite songs from the 2010s never released as singles?
Three Nails and a Cross, I'll Always Remember You, It was Love, Take Me To Texas, It Takes All Kinds.
Country Music Is....
- No more late nights, comin' in at daylight, and no more doin' you wrong.
- Nickels and dimes, memories and wines - she's on his mind once again.
- I ain't rich, but Lord I'm free.
- He must have stolen some stars from the sky, and gave them to you to wear in your eyes.
- We've been in and out of love and in-between.
- With a little mouth to mouth she was ready to go.
- Well, thank you, could I drink you a buy?
- Even my heart was smart enough to stay behind.
- I don't worship the ground you walk on.
- A devil when she held me close, an angel when she smiled.
- Don't put it all on the line for just one roll.
- All the times before she'd break down and cry.
- There won't be no more next time doin' me wrong.
- Truth be known, you're dyin', cryin', lyin' there in bed.
- I miss picnics and blue jeans and buckets of beer.
- When you hear twin fiddles and a steel guitar, you're listening to the sound of the American heart.
- We tried to work it out a hundred times, ninety-nine it didn't work.
- I'm not the hero who will always save the day.
- Oh they just don't make hearts like hers anymore.
- My heart's the only part of me that's not in love with you.
- She said I don't recall seeing you around here you must be new to this town.
- But I never felt this feeling with anybody else.
- I got my fingers crossed that this goes on and on.
- I hit my knees and told God how much I hurt.
- I caught you lookin' at me when I looked at you. Yes I did, ain't that true?
- We'd each be hurting somebody else if we don't say our good-byes real fast.
- That's where I wanna raise the babies that we make.
- My heart's been on a long vacation, but now it's beating like a cha, cha, cha
- Today I'm right where Mama prayed I'd be.
- Some peddle steel whining like a whistle of an old freight train...
Can you identify which songs these lines are from?
© 2016 Becky Laney of Becky's Book Reviews
Engel is a small company based in Amsterdam founded by Sabien Engelenburg. It began when Sabien created colourful bunting for her daughter's birthday and now features all kinds of party products including this fabulous bamboo tableware. Sabien teams up with a variety of enthusiastic designers to create the ranges which can be bought online in the Engel store or purchased wholesale by retailers
Over the past few years I’ve watched the screen debate evolve as families choose between having a “screen-free” or a “screen-filled” home. In our family we’ve carefully chosen what is watched on TV, what Internet sites can be accessed, and enforced a strict “no cellphone until you can drive” policy. Of course, every on-line safety precaution has been taken as well as placing a time-tracker on the family computer.
All of this is fine and good until schools and society started encroaching on my little domestic bubble. Our schools have chosen to embrace technology in a variety of ways from turning in term papers, taking tests, research, and in-school discussions forums.
Our children’s visiting friends come over to our house with a variety of electronic gadgets, and with them come their own rules. My first reaction was to say, “my house, my rules,” but then it dawned on me that the conversation that was not being had was the one about balance.
What does an electronically balanced family look like?
Technology, whether TV, computer, iPad, or cell phone, is a tool and a tool is only as good as the hand that guides it. That hand is only as good as the heart and mind that picks it up as well.
I decided I was tired of feeling like a “screen-cop” so I decided to sit down with my kids and come up with a set of guidelines that we could all agree to. I was really impressed with their perspective and how complete they were in coming up with guidelines for our family.
Guidelines for Screen-Time:
• Get On The Same Page: Begin the talk by discussing with your children why there needs to be limits and talk about computer and Internet safety.
• Priorities: Using computers, TVs, and electronic devices are wwwaaayy down on the priority list and can occur only after homework, music or sports practice, and family time. As one of my children put it, “screen time is a privilege and not a right.”
• Active Engagement: A point that is really important for my husband and myself is that screen time is often a passive activity. One of our Golden Rules of Home is that screen time must engage our children actively. Programs we value are Mindcraft (on our server), STEM computer activities which engage our children into building robots, airplanes, and creative computer games requesting kids to solve math problems, etc.
• Must Add Value: Whether watching a good movie, playing an iPad game, or texting on a cell phone, everything must add value our lives. Is my child learning something? Are they texting for a purpose such as directions or meeting times? Is the screen time
creating a problem solving moment such as building a STEM game? Is what they’re doing on the screen purposeful?
• Be Together: A wonderful way to connect with children and their friends is to set up a game night, and play along with them. We have a Wii and love to play the family-friendly games together. We add one half hour to our game nights so everyone gets a couple of turns and then we change the game to an off-screen one. It’s created a nice balance between on-screen and off -screen games.
• Cell-phones and Friends: Many of my children’s friends are now carrying cell phones. Before they come to our house, I make sure their parents have our land-line and cell phone numbers in case they should need to speak with their child. Near our front door is the cell-phone basket where everyone’s cell phones are turned off, placed inside, and not retrieved until it’s time for our guests to head home. I love this “electronics bin” idea I spotted on Facebook, but unfortunately I don’t know the source.
• Laptops and Friends: Many friends have laptops and iPads and are usually surprised when they are asked to leave them on the shelf inside our front door. It may sound odd, but I feel I have a responsibility to make sure our kids cannot access inappropriate websites at any time. Balanced screen time applies to everyone who enters our home. After the first couple of times visiting, friends begin automatically leaving their computers by the front door or in their backpacks which, to me, shows great understanding and support.
The best guide that we’ve found for balanced screen time is to model the behavior we want to see. One of the most important steps in creating balanced screen time is for your child to watch you turn off your devices. By creating a balance in your own habits you will help create a natural model for your children to pattern their behavior after. We’ve been very conscious to do this in our own home and have seen similar screen usage results in our growing extended family.
One More Thing…
My Secret Codes, Mysteries and Adventures Activity PDF for kids will keep young minds percolating for HOURS with this screen-free activity!
Inside young super detectives will discover:
*19 pages of sleuthing fun for your family to enjoy.
*Use Pilot Frixion Pens and craft paper to create Invisible Secret Notes!
*Make I Spy Cookies!
*Discover a President of the United States who was a Master Code Creator!
This free activity guide is a great way to encourage kids to pull books off of shelves, discover the power of imagination and build a new excitement and anticipation for reading. Fill out the info below and grab your FREE copy. Enjoy!
The post How to Create Balanced Screen Time in your Home appeared first on Jump Into A Book.
Many thanks to Matt Bieker and the Reno News & Review for this generous spotlight.
A local middle school teacher is also an author. Two of his dozens of books are on their second release.
Discover the art of Amanda Baeza, Cartoon Brew's Artist of the Day.
The post Artist of the Day: Amanda Baeza appeared first on Cartoon Brew.
"Simon in the Field" (watercolor on Yupo paper). 11" x 14"
Simon is a Belgian rescue. He needs lots of feed and TLC.
By: Lisa Kramer,
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, Social Sciences
, cross-border terrorism
, George Perkovich
, Toby Dalton
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As the new year dawned on 1 January 2016, six heavily-armed men crossed through a marshy section of the Punjab border from Pakistan into India. Disguised in Indian Army fatigues, they commandeered first a taxi, then a small SUV, eventually covering the approximately 35km to reach the Air Force base at Pathankot. There, they cut through […]
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By: Gavin McGuire,
Blog: First Book
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Books & Reading
, How to Use First Book Resouces
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, art and crafts
, fairy tales
, Folk tales
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Children don’t need planes, trains and automobiles to be transported to different countries, different worlds or even different points of view. All it takes is an engaged imagination and the right resources and they can explore the far-off corners of their active and growing minds.
First Book offers books and resources that will stimulate children’s creativity this summer and take their imaginations on vacations!
Children can fly to outer space, perform surgery, put out an inferno, explore uncharted territories and do it all before lunch with the help of fun role playing costumes. When children imagine what it would be like to be an astronaut or a doctor their world expands and they begin to dream bigger. In this section you’ll also find puppets, building blocks and even a toy taco!
Fairy and Folk Tales
This section is filled with old classics as well as exciting new titles that will keep young minds captivated. These stories, legends and myths from different cultures all over the globe will give children endless worlds full of princesses, monsters and giant beanstalks to explore.
Fantasy and Sci-Fi
Books and stories from different dimensions and galaxies! Free from the rules of space and time, the books and stories in this section will help children think beyond what seems possible and imagine freely. Children can go to the beach in another galaxy or visit an amusement park in the future…the imagination vacation possibilities go on and on with these engaging books.
Arts and Crafts
All of the beautiful paintings or paper planes children dream up can’t come to life without the tools and resources they need. This section features a wide variety of kits and activities that will help children turn their creative ideas into fantastic works of art or fun puppets.
The post Take Your Imagination On Vacation appeared first on First Book Blog.
selfportrait - mixed media - 2016
गूगल सर्च – कार्टून कुछ भी सर्च करना हो तो Google Search से सर्च किया जा सकता है. आज जब अपने नाम के कार्टून सर्च किए तो मेरे कुछ cartoons देखने को मिले.. लेखिका से कार्टूनिस्ट तक का सफर चार्ली चेप्लिन के जन्म के 125 वे वर्ष पर उनके फ़िल्मी जीवन में व्यंग्य की कथा […]
The post गूगल सर्च – कार्टून appeared first on Monica Gupta.
By: Sue Bursztynski,
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I've just started my new Western Chances applications for two young women in our Year 10 class. They are being nominated for leadership skills. I think I may have posted about Western Chances before, but not recently.
Western Chances is a scholarship aimed at students in the western suburbs of Melbourne, where a lot of kids have very little money and not much chance of going to university, apart from the TAFE colleges and small local universities. TAFE is fine, but what if you want to do medicine or engineering? At one of the bigger universities? In theory, everyone can go if they're willing to repay some of the debt once they get a job that will have enough income to do so. In practice, there are a lot of expenses you might not have expected, and even if you have a job at McDonald's to help with your share house, it may not be enough... And some have up-front fees; I remember a student of ours who got into nursing, but ended up taking a year off to work up the up-front fees.
And then there's the time before you go to university. This wonderful scholarship was set up some years ago by Terry Bracks, wife of a former Victorian Premier. (That's a state Governor for my US readers). It's not a government thing or it would have been long gone. It relies on donations to pay the staff and help get scholarships out to students who are very good at something but who just can't afford the costs of even a state education. I made a donation this year and last, taken from my inheritance of a few thousand dollars from my late friend jan howard finder(lower-case intended), who passed away a couple of years ago. Businesses do their bit and the staff, who are amazing people, get all sorts of goodies for their Western Chances scholars, as well as the money. I get phone calls from them offering a place in an engineering camp or a free camp of some other kind, and when one of my students said she was interested in events management, the lady I deal with said she knew an events manager who could help to mentor the young lady.
But here's the thing: kids change their minds. These two went for counselling from their teachers and were advised on the subjects best for them. And the girl who had planned on events management changed her mind and decided on teaching. Specifically Foods teaching. For that, she plans on doing a VET subject, Hospitality. Which will cost her $400. And probably a textbook.
And General Maths - $88 for the textbook and $200 for a special calculator.
And Business Management - if she does that as a VET subject, it will cost $200. The VCE version(I hope that's what she's planning) will cost less, but there's certainly a textbook involved.
And Health and Human Development(I'm not sure of how much the textbook for that will cost, but it's bound to be $70-80).
And Psychology? $108 for the text and workbook.
In some cases, second-hand books are possible, but not always. Psychology's textbook has changed, so this year books had to be bought new. Even if they can get them second-hand this year, there's still the workbook, which has to be bought new because you write in them.
How on earth do most kids manage? Not all the kids at my school are from poor families, but that doesn't mean they can afford all the textbooks, not to mention calculators (a good reason not to do maths! And now the Federal government is talking about making maths compulsory all the way through).
And kids who are doing the expensive practical subjects(VET) are quite often kids from poorer families.
The other girl is not as complicated as this one, but she too has some expensive subject choices. Maths alone will cost her $288 and she may need tutoring. I said I'd see if I can get her some money for tutoring - there's an inexpensive tutoring service in the area, but it would still be around $200 altogether for 20 sessions. I'm hoping that there will be free reconditioned laptop computers available this year - there wen't last year, which is why the boys I nominated were given the money and told to arrange their own. It worked out, but they had to agree to make that their scholarship gift for the year. It was too dear for anything else. They already have their special calculators, thank heaven!
I may have to say, "If we can't get a reconditioned computer, you'll have to make a choice."
I know that textbook authors do a lot of work and have to be up-to-date, but really, do textbooks have to be quite that expensive?
Ah, well, I think the young ladies might have to settle for help towards their needs; I just don't think I can get them money for the lot. It will depend on how many applications WC gets this year - and it is very popular.
This is one of those things I do when I'm not being a library and English teacher or writing books or short stories. The kids deserve a hand up! And a few hundred a year can make a huge difference.
I'm off work today after a sleepless night; if you work in an office you can sit at your desk and try to focus, but not when you have kids to teach. It's not a job you can get away with being tired. The kids know when you're faking it.
So, off to rest a bit.