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What are flower essences and why are they so cool?
I discovered flower essences long ago. It wasn’t an instant pull; I was actually quite skeptical about them and a little wary. Like most new things, we make that step and surprised we hadn’t found that new thing that will help us all along. One thing I do know, the more I’ve used flower essences, the more I have felt this deep bond with Nature.
Many of my students and folks coming to this site have questions about what essences are, so I thought I’d have a little Q and A.
Q: What the heck are flower essences?
A: Check out this video:
http://www.youtube.com/watch?v=e7OqBx2eV3k
Q: Are flower essences like regular medicines?
A: No. Since there is nothing inside of them that is physical material, you aren’t reacting to a substance. They are safe to take with other medicines.
Q: Are flower essences cure-alls? I can take HOLLY for anger, and have no anger?
A: I wish! There are some essences that are “stabilizing” and those are great for reaching for immediate relief, like BACH RESCUE REMEDY will calm you right away in a scary situation. SALVIA is very emotionally calming. ASPEN will help alleviate great fear. These essences help in the moment. Some, like the PANSIES will help ease grief and sadness over time. Other essences will illuminate with use WHY you are angry or upset underneath and deal with an underlying pattern you keep reliving. As you take the essence, great insight will come up that will help you change that pattern or thinking and give you a new perspective.
Q: How do you take them?
A: I like putting a few drops in my water or under the tongue once a day if you are sensitive; 2-4 times a day otherwise.
Q: Can you take the wrong essence?
A: Many teachers say that if you take the wrong essence, you won’t resonate and you won’t respond. I found with sensitive folks we often respond to everything being so empathic. If you take an essence and you feel off or wonky it’s probably the wrong one and might be too strong.
Q: Can animals use essences?
A: Absolutely! My girls will lick them from my hand, or I can put a few drops on their bodies. I usually put the drops on their food or water.
-
Want to learn more? Friday starts my popular Flower Essences Class. To enroll go here. A few spots left.
-
The Fairy Beginner Healing class, which is a great intro to the Fairy energy and healing with Nature. It also has a session that starts Friday. Go here.
-
And go shop at my store, Flower Essences for the Sensitive on this site here.
More photos from the author variety show (contributed by and used with permission of the school):
me fumbling through emceeing with the other authors in the wings taking bows: Mike Rex, Susan Hood, Meghan McCarthy, Vincent X. Kirsch,
Tracy Dockray, Bruce Degen, Katie Davis, Daniel Kirk, easel,
Alan Katz, projector, Bob Shea, Tad Hills, me
levity
When
I first read Nancy’s manuscripts, some 19 years ago, I knew instantly: she was the Real Thing, ripe
with talent, original stories and a unique voice. Her teaching experience showed through, too,
helping her target the right format for the right story for the right reader.
Nancy
also evinced Passion, with a capital P, and enough Perseverance to serve three
children’s book writers no matter where they were in their careers.
Editors
and agents as well as writing kin agreed, offering the necessary encouragement,
revision suggestions and interest to keep Nancy keepin’ on.
Today
she’s represented by Holly Root of the Waxman Leavell Literary Agency; Kirkus
starred This Journal Belongs to Ratchet; and Sourcebooks
just bought her second middle grade
novel! She also contributes to the group
blog of the debut authors of 2013 – the Lucky 13’s.
A
Student Success Story indeed.
As for Ratchet's "Student Success Story," she
spends her days fixing cars with her dad in the garage, living in a world of spark plugs, pistons, and crankshafts –not exactly normal for
an eleven-year-old girl. Even with the odds stacked against her, Ratchet endeavors to change her
life and realizes her skill as a mechanic might just be the path to her first
friend. But in the process, she alienates her father and discovers a secret she
wishes she never knew. She finds a way to, not only accept the truth she
discovers, but also accept herself and her dad.
As
I wrote in a blurb for Sourcebooks, “Readers will fall in love with
eleven-year-old Rachel, nick-named Ratchet by her car mechanic-environmentalist
Dad, as she writes from her Life in her Home School Language Arts Journal, wanting
to repair what’s broken, needing to replace the missing parts, so her very own
engine can run true and on course.
Ratchet’s journal proves a user-friendly Instruction Manual for readers
– and especially writers – eager to discover the wonder of their own life
stories.”
I’ve
been sharing this original story in this original format with teachers and
Young Authors since I received my ARC from Nancy in February. All love the book – and Ratchet - as much as
I do.
Be
sure to enter our TeachingAuthors Book Giveaway for AN AUTOGRAPHED COPY OF This Journal Belongs to Ratchet.
Include a shout-out for your Favorite Car – real, imagined,
long-ago, present, fictional, cinematic, even longed-for. The deadline to enter is June 3. See contest details following the interview below.
And, also be sure to check back in two days for Nancy J.
Cavanaugh’s Wednesday Writing Workout!
Thank you, Nancy J. Cavanaugh, Children’s Book Author (!), for sharing your Writer's Journey, yourself and This Journal Belongs to Ratchet with our TeachingAuthors readers.
Esther
Hershenhorn
* * * * * * * * * * * * * * * * * *
We first worked together privately in the early 90’s when
you were just beginning “your race to the finish line,” on two picture books
that still remain in my heart and on
my brain’s Hard Drive. Do you recall
what you were hoping to learn – and – what you indeed took away – about
writing, the Children’s Book World, publishing - so you could keep on writing?
I was hoping to take my writing to the
next level, so my questions were: Do I
have all the essential parts of the story?
And, what will make my story marketable?
Two things I remember learning from you:
1. not to miss opportunities – opportunities to develop my characters,
opportunities to add layers to my story, opportunities to add emotion to the
overall plot; 2. to dig deep and find
out what my story was REALLY about – not just on the surface, not just what was
happening, but what “life thing” the story was really about.
I’ve always considered your classroom teaching experiences
That Extra Something that bolstered both your writing and the stories you chose
to tell. Please share how your teaching
impacted, influenced and inspired your writing?
As a teacher, and then later as a
librarian, I got to read SO many books aloud to students, and I had the
opportunity to see what young people were reading and what they liked
best. That’s sort of the obvious way in
which my school experience helped my writing, but something not quite so
obvious is the impact of the repetition of certain stories over the years. There are many books which I read over and
over throughout the years, and as I did this, I was learning the patterns of
language that we find in stories. These
patterns were practically becoming engrained in my DNA. The understanding of what “story” really is
was becoming part of my soul. I believe
that understanding of story is always at work in me now as I write.
What kept you going all these years so you could indeed
cross your much-desired Finish Line?
Wonderful writing friends.
Enriching experiences (researching
topics, attending meetings, conferences, workshops, and retreats)
The satisfaction of always having
something to strive for
Small successes along the way (having
articles and short stories published in magazines and books)
How did Ratchet’s story come to be – and – why did you
choose a home-schooled student’s journal as her storytelling vehicle?
The idea started with a character, and
her name was always Ratchet. My ideas
usually start that way, and then I let my imagination dream up what the
character’s issues are and what her story might be. I chose Homeschooling for Ratchet because it
seemed to be the best way to isolate her.
Also, because of her father, it made sense that he wouldn’t want her to
go to school in mainstream society. The
idea of writing through the assignments in Ratchet’s journal came to me in the
very beginning, but it took a lot of figuring out along the way in order to
tell the whole story in this format.
What about the revision process for This Journal Belongs to Ratchet? How did your agent Holly Root and
your Sourcebooks editor Aubrey Poole help you fine-tune the manuscript to earn
a prized Kirkus-starred review.
My agent Holly is a wonderful editor
and always has helpful suggestions before we send something out, but I had
already done a great deal of revising before sending it to Holly, so we didn’t
really have to do much – just a few tweaks here and there. When my editor Aubrey read Ratchet, though she loved the character
and the story, she asked for revisions even before Sourcebooks acquired
it. She gave me some specific direction as
to what she was looking for and thankfully I was able to deliver. After Sourcebooks bought the manuscript,
Aubrey and I did two more rounds of revisions, and I absolutely loved it
because she’s a fabulous editor. She
always had an amazing vision for what the book could be, and she guided me so
that my writing would get there. I also
have to add here that Aubrey worked hard to get just the right cover and
artwork for Ratchet, and I think that
has really made this book stand out and become something special – so much more
than I ever imagined.
Finally, can you let us in on your next book, also to be published by Sourcebooks? :-)
My next book will be coming in Fall
2014 and will be another alternative format.
The entire story is told in lists, letters, and writing assignments, in
which a girl named Abigail uses her language arts class’s Friendly Letter
Project to cope with the worst school year ever – and in the process turns it
into the best year ever.
* * * * * * * * * * * * *
And now, for the giveaway details:

Our
blogiversary giveaway was such a success that we're again using
Rafflecopter to run this giveaway. If you've never entered a Rafflecopter giveaway, you may want to read their info on
how to enter a Rafflecopter giveaway and/or the
difference between signing in with Facebook vs. with an email address.
To enter for a chance to win an autographed copy of
This Journal Belongs to Ratchet (Sourcebooks/Jabberwocky) log into Rafflecopter
below (via either Facebook or an email address). You'll see that we've provided
three different options for entering the giveaway--you can
pick one or up to all three. The more options you choose, the greater your chances of winning. While we haven't made it a requirement, we hope that everyone will pick the first option--subscribing to the
TeachingAuthors blog. If you're already a
TeachingAuthors subscriber, you still need to click on that button and
tell us how you follow our blog, which will give you THREE entries in the giveaway! (If you received this post via email, you can click on the Rafflecopter link at the end of this message to enter.)
As it says in the "Terms and Conditions," this giveaway is
open to U.S. residents only. You must be 18 or older to enter. And please note: email addresses will only be used to contact winners. The giveaway will run from now through June 3, 2013. Winners will be notified June 4, 2013.
If you have any questions about the giveaway, feel free to email us at teachingauthors [at] gmail [dot] com.
a Rafflecopter giveaway
Tomorrow 21 May at Sotheby's in London, at 19:30, there will be An auction of fifty contemporary first edition books, annotated by their authors, with all proceeds benefiting English PEN .
Check out all the lots -- some great stuff here -- and if you're in London you can view the items before the sale, today and tomorrow.
See also the Sotheby's official page.
Aren't they precious? Cooling off in the water is a favorite thing to do - just like kids in summer.
By: Cathy and Louise,
on 5/20/2013
Blog:
The Nonfiction Detectives
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We are excited about a new project we have in the works with Kidlit Frenzy, Great Kid Books, and 100 Scope Notes. Read Mary Ann Scheuer's introduction to our new series, and be sure to check back on Wednesday, May 22nd to read the reviews.
Introduction to Common Core IRL: In Read Libraries by Mary Ann Scheuer at Great Kid Books
As of November 20, 2012 (that is, Midnight Eastern Time tonight) I am closed to queries. I will reopen to queries January 7, 2013.
If I already have your work, you should hear from me by January 7. (That's the point of taking the break, I have to catch up!)
I'm sorry to say that I cannot respond to new queries sent during this time.
The exceptions will be: work that I've requested -- conference material -- client or editor referrals -- and people I actually know in real life. If this is you, please be sure you've said so, along with the word Query, IN THE SUBJECT LINE of your email. Otherwise, your query will be deleted.
For all other regular queries, please feel free to try any of my colleagues at Andrea Brown Lit, or else try me again in January.
Thanks again for thinking of me in regard to your work.
Wishing you all the best, and Happy Holidays,
Jennifer Laughran
Andrea Brown Literary Agency
Title: The Star

Author: Clemy Warner
Release Date: June 3rd, 2013
Genre: Young Adult, Dark Fantasy
Reveal Host: Lady Amber’s Tours
Blurb:
Abbii had been afraid of the dark for four long years. She hated the eerie silence that filled the night.
She would often try to forget by closing her eyes at night, but she would always be met by dreams of Shadows that would attack her, dragging her into the Darkness. Most nights, she would simply lie there with her bedding wrapped tightly around her, staring at the light coming in through her window, hoping that she would drift off into a dreamless sleep.
Ever since that day four years ago, the dark had frightened her; she had thought it would be a curse throughout the whole of her life, but something changed when she met him.
The dark seemed to lose its power and the moon’s light brightened.
Her dreams didn’t stop; nightmares still stole her sleep, but there was always a figure of Light that would save her and allow her to wake.
He said the same thing every night in her dreams. Keep fighting, Abbii.
She thought that he was part of her imagination, someone that she had created to save her, until she met him and was drawn into his bright hazel eyes.
His name was Nate.
Author Bio:
I was born in England in the West Midlands in 1991 where I am still currently living, growing up alongside one younger and three older brothers.
Books and writing was an interest that I began to develop from the first years of secondary school, and on my thirteenth birthday, I began to plan and design the idea to write a fantasy novel. I finished secondary school with high GCSE’s and then went on into further education to study English and all aspects of art and design. After six years of writing, planning and overall editing of the book, it was successfully completed, containing over 82,000 words, and self published in the first week of 2011.
With high expectations in myself, I immediately began to write a second novel in the series, while keeping my art and design a part of the process. The achievement of completing the first novel ‘Purest Light,’ allowed the ideas of the second to flow much easier and it was completed by early 2012. As I was writing the third and final book, New Beginnings, at the same time, the series was finished by its publication in 2013.
Writing is now a part of my everyday and I have started on my newest project, The Star, which is also planned to be the first of three. Only time will tell.
Excerpt:
Nate signalled for her to move forward, watching as she did after a brief hesitation. She stopped several strides in front of him and waited for him to speak. “How many windows are there?”
Not really understanding the relevance of counting windows, Abbii turned to count them.
“No!”
Startled by Nate’s outburst, she glared at him, more out of shock than malice.
“Without turning.” He watched as confusion took over her face. “Close your eyes and focus on the energy of the sunlight beaming through the glass.”
Abbii shuffled in her place, not really understanding, but when Nate smiled, she did as she was asked. She closed her eyes, immediately feeling self conscious that Nate’s gaze was focused onto her.
“Clear your mind of everything else. Think of somewhere you feel calm.”
Keeping her eyes closed, Abbii took in Nate’s statement. She felt her heartbeat increase and her breath seemed shallow, but as she relaxed her shoulders, the rest of her body seemed to follow. She listened to the faint breeze that circled through the large space, hearing leaves pitter-pattering against the wooden floor.
“Anywhere you feel calm.”
Although her mind was full of questions and worries and a fear that she would lose herself, Abbii found that an image began to form in her head. Bursts of blue and silver light soothed her, and once the image had focused, she realised why. She could see the lake at The Everglades, with the moon reflected clearly upon its surface. The stars were shining brightly, and the air was still. The feeling of calm which enveloped her felt uplifting.
“Now keep that feeling inside of you and focus onto the light of the sun.”
Not at all distracted by Nate’s words, Abbii kept hold of the calmness inside of her and expanded her mind in some way, feeling the energy of the sunlight. She could feel its warmth and the way it passed through the glass of the bay windows. The years of dirt and dust made no difference; the power of the sunlight beamed through it without faltering.
“How many are there, Abbii?”
Realising that she could sense several different areas of the sunlight’s energy, Abbii realised that each one represented one of the windows.
There are eight.
Peace, by artist Wendy Anderson Halperin is a visual and poetic meditation on the subject of peace. The book is dedicated to our senses, and that dedication sets the tone for the book – peace is real, and it can be sensed with our whole bodies and expressed with our words, actions, and thoughts. There is a very short text which can be read aloud, along with quotes from famous peacemakers spread throughout, and panels of illustrations depicting scenes of peace.
Halperin chooses quotes from people like Mother Teresa, Albert Einstein, Desmond Tutu, the Dalai Lama, and Anne Frank. I like that many of the quotes focused on the small ways we can work toward peace: “When people talk, listen completely” (Ernest Hemingway); and “Friendship is the only cure for hatred, the only guarantee of peace” (Buddha). The many illustrations, too, while wide in scope (they depict children and nature around the world), also depict small scenes of peace. Some of the images contrast to illustrate the concept. For example, one scene shows a grandmother washing dishes while her granddaughter lounges on the couch. A few pages later, we see the same grandmother washing the dishes with her granddaughter at her side helping her. Another scene depicts an elderly man boarding a bus as everyone continues to read their paper. Later on in the book, we see that a child has risen from his seat and offered it to the man. We also see children reading in tree houses, planting vegetables, sharing meals with their families, and quietly observing a heron.
The book is one to read and look at over and over again. It may spark discussions about kindness, friendship, stewardship of the earth, and about standing against all those things that destroy peace – like anger, apathy, ignorance, and jealousy. I can see this making a soothing bedtime book for all ages, and while it would be difficult to read the book aloud to a classroom (too many small details), it would make a good book for small groups to read and discuss in the classroom.
Posted by: Parry
By:
Allen Capoferri,
on 5/20/2013
Blog:
Allen's Zoo
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Again I was drawing passerby from my usual picture window at the cafe yesterday.
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2013 GradeReading.NET Summer Reading Lists

Keep your students reading all summer! The lists for 2nd, 3rd and 4th, include 10 recommended fiction titles and 10 recommended nonfiction titles. Printed double-sided, these one-page flyers are perfect to hand out to students, teachers, or parents. Great for PTA meetings, have on hand in the library, or to send home with students for the summer. FREE Pdf or infographic jpeg.
See the Summer Lists Now!
I just got home from ten days in Europe and I am ready to write. Why?
Because getting out of my writing cave makes me bump up against people, against history, against emotional struggles.

Belzec Death Camp Memorial, Poland
One place we visited is a memorial for the Belzec (Bee AWA zhek) Death Camp in eastern Poland, the first and worst of the Nazi camps which tried to exterminate Jews, gypsies and handicapped people. Over 600,000 people died here in 1941-1943. Then, the Germans flattened the camp and planted trees, in an attempt to hide what they had done.
This is history and deep emotions rolled into one poignant visit. For example, there was only one survivor of the camp–only one!–and his stories are heartbreaking. One quote was from a young boy who had entered the gas chambers and was heard to cry out, “It’s dark, it’s dark. Mama, haven’t I been good?” His last words.
For a writer to experience a sobering memorial something like this is to plumb the emotional depths to which a character might be forced to go.

Barn Swallow Nest
One place we stayed was a horse farm in eastern Poland and one morning I walked out with my camera to see what was around. Under the eaves of the horse barns were nest after nest of barn swallows. I like trying to find the small, hidden things to photograph, because as a writer, it reminds me to pay attention to the landscape, to notice the “telling details” that could make a story come alive.

"Beware of Dog" in Polish
I snapped this photo while we were stopped for a break along a country road. Writers need to remember that there are common emotions and thoughts across all languages and cultures, they are common to humanity. Fear of dogs is one of those things.

Window in Zamosz, Poland
And you can find beauty across the world, too, beauty in the common things of life such as a window.
The trip was amazing: as a writer, the trip reminded me that stories are universal, that evoking emotions–both happy and sad–is universal, and that beauty is found in the common things of life.

In Out of the Easy, Ruta Sepetys had me at hello. It begins:
My mother's a prostitute. Not the filthy, streetwalking kind. She's actually quite pretty, fairly well spoken, and has lovely clothes. But she sleeps with men for money or gifts, and according to the dictionary, that makes her a prostitute.
Seventeen-year-old Josie Moraine doesn't want to follow in her mother's footsteps. She's known that for years, and even though she still works at the same brothel as her mother—cleaning rooms, mind you—and even though she's on good terms with Willie Woodley, the woman who owns it, she's independent enough that she's kept her own apartment since she was eleven years old.
She works part-time at the bookstore below it, and she dreams of going to college. But when Josie dreams, she dreams big: she wants out of New Orleans, to start over somewhere up North, somewhere where she can reinvent herself—where no one knows who she is or what her mother does.
LOVE: THE DIALOGUE. Out of the Easy is set in 1950, and Sepetys' characters sling slang without sounding phony or overblown, and the dialogue zings back-and-forth like in an old movie. The characters speak in distinctive voices, and unlike in Strands of Bronze and Gold, those differences in vocabulary, rhythm, and diction are affected by economic class, vocation, and education, rather than being purely dictated by the color of one's skin.
LOVE: JOSIE. Her narration has a touch of the noir hero: deadpan, world-weary, and with an understanding of ironic humor. Unlike a noir hero, though, she is open about being emotionally affected by... things that are emotionally affecting. She's smart, she's canny, and rather than blushing and wanting to melt into the ground in embarrassing situations, she treats them as opportunities—I cheered out loud when she turned one around by becoming an impromptu blackmailer, and I swooned during another when she threw herself into a cute boy's lap to save herself (and him, to a degree) from some catty mean girls.
LOVE: HER MOTHER. Well, no, actually, I loathed her mother. But I loved that she wasn't the Pretty-Woman-hooker-with-a-heart-of-gold, I loved that she wasn't secretly sympathetic, or selfless or particularly smart. She was completely self-absorbed, and while her behavior makes her come off as rotten and somewhat stupid, it's important to remember who's telling the story: Josie isn't exactly an objective party. The other women who work for Willie are a mixed bag of funny/serious/witty/quiet/ruthless/rude/mothering/mean/sensitive and everything in between, and it's easy to imagine that if another person had told the story, Louise would have come off as more human. Maybe. Then again, SOME PEOPLE ARE JUST TERRIBLE.
LOVE: THE BOOKS. Josie works in a bookstore, and she and her best friend Patrick have an ongoing game where they predict what sort of book customers will want. There are references to Dickens and Keats, Capote and even L'Engle. And, tangentially, Poe: Josie ends up with a dead man's watch—THAT'S RIGHT, ON TOP OF EVERYTHING ELSE, SHE INVESTIGATES A MURDER—under her floorboards, and she swears she can hear it ticking, ticking, ticking. Which, of course, evokes The Tell-Tale Heart.
LOVE: EVERYTHING ELSE. Sepetys is true to the era and her characters in how Patrick's story plays out; the romance is sweet and heartfelt; the details about 1950s life and culture work themselves in fluidly; Josie wants what she wants so badly that I was never quite sure about how far she'd go to get it; and while the ending certainly has some fairy-tale elements, there's enough bitter in the sweet to keep cynics (like me) from getting all up on their high horses.
Oh, I loved this book. As it's got the same combination of fantastically-rendered historical atmosphere—the dialogue is TO DIE FOR—and mystery elements, I highly, HIGHLY recommend it to fans of Judy Blundell's What I Saw and How I Lied.
____________________________
Author page.
____________________________
Amazon.
Publisher.
____________________________
Book source: Review copy from the publisher.

Meet Paul Belford, a creative agency out of London who focuses on advertising and branding. Their approach to design is admirably simple, resulting in pieces that are clean and easy to appreciate. Check out their work here.




——————–
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Nathan Godding
Studio Patten
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By: Jerry Beck,
on 5/20/2013
Blog:
Cartoon Brew
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Last night in New York City, the ASIFA-East Animation Festival Awards were presented for the forty-fourth year in a row. The Best in Show prize was awarded to the NYU student short Based on a True Story directed by Jacob Kafka. In the Independent Film category, first place went to Celia Bullwinkel’s Sidewalk. Other prizes in the indie category were handed out to films by Mark Kausler, Arthur Metcalf, Bill Plympton, Richard O’Connor and David Chai.
New York veteran Candy Kugel took home first place in Commissioned Films for her TEDEd short Sex Determination, while first place in Student Films went to Michelle Ikemoto’s Tule Lake, produced at San Jose State University.
The complete list of winners is below:
BEST IN SHOW
Based on a True Story
Directed by Jacob Kafka
INDEPENDENT FILMS: FIRST PLACE
Sidewalk
Directed by Celia Bullwinkel
INDEPENDENT FILMS: SECOND PLACE
There Must Be Some Other Cat
Directed by Mark Kausler
INDEPENDENT FILMS: THIRD PLACE (TIED)
It Took A While To Figure Shit Out
Directed by Arthur Metcalf
INDEPENDENT FILMS: THIRD PLACE (TIED)
Drunker Than A Skunk
Directed by Bill Plympton
EXCELLENCE IN ANIMATION
It Took A While To Figure Shit Out
Directed by Arthur Metcalf
EXCELLENCE IN DESIGN
Christmas Day
Directed by Richard O’Connor, designed by Kelsey Stark
EXCELLENCE IN WRITING
A Knock On My Door
Directed by David Chai
EXPERIMENTAL FILMS
The Productive AniJam
Produced by Katie Cropper & Cynthea Diaz
COMMISSIONED FILMS: FIRST PLACE
TEDed: Sex Determination
Directed by Candy Kugel
COMMISSIONED FILMS: SECOND PLACE
Quiet Loud (Sesame Street)
Directed by Bob Boyle
COMMISSIONED FILMS: THIRD PLACE
Sniffles
Directed by David Cowles & Jeremy Galante
STUDENT FILMS: FIRST PLACE
Tule Lake
Directed by Michelle Ikemoto
STUDENT FILMS: SECOND PLACE
Chasing Unicorns
Directed by Deena Beck
STUDENT FILMS: THIRD PLACE (TIED)
The Crawler
Directed by Seth Brady
STUDENT FILMS: THIRD PLACE (TIED)
Good Night Guard
Directed by Janice S. Rim
STUDENT FILMS: HONORABLE MENTION (TIED)
Mirror
Directed by Q-Hyun Kim
STUDENT FILMS: HONORABLE MENTION (TIED)
Register Rap!
Directed by Josh Weisbrod
In addition to editing and writing, I do book design, too, both covers and interiors. I've worked for a small publishing company for a couple of years, and the occasional independent author comes along. Here are the latest of the latter.
Hookernomics is a title suggested by an FTQ reader (whose name I've lost) is non-fiction, ebook-only cover. It's about the business of sex, and I thought the art of a red light worked pretty well for catching attention and lending subtext.
Collected Works is a private book, not available for sale, and at the far end of the spectrum from the first book. It is a book of poetry published in memory of my client's mother. I learned that she had, long ago, kept poems in what she called her "lavendar box," and that was the thought that led to this cover. It's a hard-cover book, and the cover is a "dust cover" with flaps on the inside.
It was a very short book--there weren't a lot of poems--and many of the poems were about one page long. So the interior design for Collected Works uses spreads, graphics, and white space to display her art.
Lastly, a lively, funny "food memoir" by a Jewish author. What else but Kosher Sutra would do? The art I found foreshadows the book nicely--lively, fun, and food (there are some delicious-sounding recipes in it).
Samples of other full cover designs are here.
For what it's worth,
Ray
© 2012 Ray Rhamey
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One Crazy Summer by Rita Williams-Garica, as you can see by crowd of awards (Coretta Scott King Award, Scott O'Dell Historical Fiction Medal, Newbery Honor
By: Carter Higgins,
on 5/20/2013
Blog:
Design of the Picture Book
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by Janice Lovoos
{published 1966, by Golden Gate Junior Books}
I was in Seattle a few weeks ago. You remember the library, right?
I went to Pike Place Market, because of course, but also because flying fish and dudes in galoshes are a spectacle worth checking out. And I also wanted to get up close and personal with some bluefin tuna eyeballs.
There’s a real reason for that, trust me. But they didn’t have any tuna, so this happened: 
There’s not a real point to that story except that I adore that tweet (and those two Favoriters) and it’s what I did just before I wandered into Lamplight Books.
It’s like I stole something. Fifteen dollars? Sixty quarters? It still has that magical, musty smell of hidden secrets. And it was mine in a fraction of a split second. That fast.
Because…behold:


I’m in love. From the texture of a porcupine, to the form of mountains and weeds, to the repetition inside a squash, design is everywhere.



Design is a Dandelion ends like this, with truth and a charge:
Design is everywhere. It is for everyone. All you have to do is to learn to see it. Open your eyes and take a big, long look.

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By: darlenebeckjacobson,
on 5/20/2013
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Darlene Beck-Jacobson
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Today’s post is presented by my guest blogger and science buff Betty Gail Gallender who will demonstrate how art and science join forces to create unique projects. Here’s Betty:
I have always loved the art of creating. But what I try to understand is the “how and why” of it. This is the “Science of Art.”
Today’s experiment starts off as an art project- but helps us see that science is behind everything we make.
Our kindergarteners created the “stain glass” butterflies pictured in this entry, which inspired me to do the same lesson with the 2nd graders using “dinosaurs of the deep” as the theme. 
My questions were how did they make their “stained glass” and why did it turn out like it did?
The “How” involves some pre-work on the part of an adult. First cut out the shapes you will use on black construction paper leaving a wide outline. Trim away the inside of the design. (I used an exacto knife.) Glue the outline onto a sheet of wax paper. Turn old crayons into shavings using a pencil sharpener, a sharp knife or pair of scissors to scrape them like a carrot.
Divide the shavings by color. Then, let the kids lightly sprinkle the shavings into the open spaces on the back of the wax paper design. (Don’t use too much–a little goes a long way!) Cover the picture with another piece of wax paper. Help them place the prepared picture between a towel or a folded piece of heavy paper.
Have an adult iron over the towel covered wax paper until the crayons melt and seal the design to the second piece of wax paper. Trim the design along its outer edges and hold it up to a window to reveal your “stained glass.” Take another copy of the cutout design and glue to the back to give the picture support and a finished look.

The “Why”—your work of art looks like stain glass is due to the heat and pressure of the iron combined with the translucent qualities of the melted crayons and wax paper. The heat melts the crayons turning a solid into a translucent liquid while the pressure spreads the liquid out. The wax paper is always translucent.
Things to discuss with your kids:
Explain to them that while unmelted crayons are solids that you cannot see through, the wax paper and melted crayons become translucent. This means that you can see through them, but not clearly because they diffuse the light that is passing through them. Point out that the glass in the window is an example of something that is transparent- you can see clearly through it.
Ask them why the crayon shavings changed and discuss how heat and pressure from the iron caused the crayon shavings to melt and spread out. 
I love experiments like this because they are a perfect example of ways to engage your kids in fun projects that are both educational and entertaining. Science is not boring or hard- it’s all around us. It is something that becomes obvious when we look into the how and why of the things we make and do.
I hope you enjoyed my guest post. If you try this experiment, I’d love for you to leave a comment here or over at sciencefunwithmom.wordpress.com.
There are lots of magnets that come with the book for lots of interactive fun. Check out this
video to see how the book works!
By: Linda S. Wingerter,
on 5/20/2013
Blog:
Blue Rose Girls
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So, things are finally starting to calm down and I'll be able to start blogging again soon! Yay! I've missed connecting with all of you.
While I get things in order, I thought I'd share
this guest post I did for the "What to Expect When You are Expecting" website, ( yes, it a website for
the book all expecting moms know!). I wrote about
Rain Dragon's five favorite baby books! After all the
baby book testing we've done, I thought I should share!
Celebrate at will. I recommend a good book and a good beer.
 |
| Image credit: http://chrishallbeer.blogspot.com |
By: Grant Overstake,
on 5/20/2013
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Author Grant Overstake scratched his head when a shipping invoice showed multiple copies of Maggie Vaults Over the Moon had been sent to Festus, Missouri. The mystery was solved when he discovered, to his delight, that the order had been … Continue reading →
By: Marge Loch-Wouters,
on 5/20/2013
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Tiny Tips for Library Fun
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This spring, the team decided it was high time to hold a party for our 1000 Books Before K Club kids. We thought: May, nice weather, a bus or historic trolley - PIGEON!!! Thus was the pigeon party born.

We offer one-two events per year for our 1000 Books families. We often hold them before or after hours so the tots and parents get exclusive use of our space and non-stop attention from staff. We might have a concert, or a cookie party with Laura Numeroff's Mouse, or mac and cheese and a chance to browse the room. We posted about last fall's Brown Bear event
here. Whatever we focus on we make sure to invite our 1000 Books families and let them know something special is about to happen for them.
As a fan of book-based parties, a Pigeon Party based on Mo Willems' books, didn't disappoint. We booked our historic trolley to do a 20 minute drive around our riverfront downtown. We left enough time to do three runs so we could accommodate any sized crowd. Two runs did nicely.
One team member, Sherri, welcomed the kids to the trolley with a pigeon stuffed toy and rode along with the families on the trolley. Another team member, Brooke, had mounted pigeon cards on craft sticks for the kids to hold; they received these before they got on the trolley. Kids used the card to wave and shout an emphatic "NO!!" when Sherri asked them if the pigeon should drive the bus.
Brooke also had stories, a small activity - decorate a bus that Pigeon might ride on - and even used the "Don't Let the Pigeon Drive the Bus" app with kids one-on-one. We also invited our families to meet staff after the party at the local downtown ice cream parlor and a few families took us up on the idea to visit together outside the library.
A bus can work just as well as a trolley for a program like this. Parents and kids were excited and staff felt like the planning was just perfect to celebrate a much-loved book with our 1000 Book families!
Lots to be thankful for this Monday...
Thanks to you, THAT IS NOT A GOOD IDEA! spends it's 3rd week on the Indie Bestseller List (#6) and the New York Times Bestseller List (#4) and is joined on the NYT List by LET'S GO FOR A DRIVE! (#8). Thanks, you!
Here is a brief interview about humor, the Sid Fleischman Award, and GOLDILOCKS AND THE THREE DINOSAURS from SCBWI in which I discuss
"The arm belonged to one Jim Smith, a small-time crook who, funnily enough, hadn't been seen recently"
Some time ago Fabulous Gary Corby mentioned a crime that was solved by a shark. Naturally I perked up my fins and asked for details. This morning Gary posted the story here on his blog.
Of course it cracked me up completely, as I hope it does you.
And if, like me, it reminds you of how much fun it is to read Gary Corby's work, well, we're all in luck there. SACRED GAMES, the third book in the Nico series, is being published tomorrow 5/21 and you're in for a treat. Publishers Weekly thinks so too and in addition to the starred review (even calling it "the best thus far"--and both his other books were starred reviews as well!), ran an interview with Gary.
Available whereever you buy your Fabulous books!
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Congratulations, Nancy! I'm so happy for you, and I can't wait to read RATCHET.