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1. Dare to Dance: Introducing Dance Movements and Music into your Storytimes

Are you ready to energize your storytimes with dancing that goes beyond movement songs? Are you ready to dare to use your body to motivate caregivers while promoting children’s developmental needs for coordination, balance and gross motor skills?

Dancing Girls

Kids enjoy the Music in this Public Domain image from Cane River Creole National Historical Park

Our library expanded the role of our storytimes into a program that offers more than reading books, nursery rhymes and singing songs. We introduced Dance Time to teach children basic dance steps while listening to an age appropriate song.

There is so much librarians can do to enhance the library experience through dancing. Dancing provides opportunities for adults and children to learn to:

  • Follow the beats of the song with their feet and or hands
  • Balance their body parts
  • Coordinate their body movements

Additional benefits of dancing include:

  • Improve muscle tone
  • Reduce anxiety
  • Increase ability to feel comfortable about oneself

Although dancing is a natural channel of expression for many cultures, children from other cultures, including some that are predominant in the United Stated, are hardly exposed to it. In some cultures, babies are exposed to music and dancing from birth, with moms dancing around holding their babies in their arms regularly. Soon baby and mommy-and-baby dancing transforms into a semi dancing lesson with caregivers holding and moving their toddles’ hands and arms while following the beats of a song. As the child’s motor skills develop, the caregiver will now focus on simple steps using the child’s legs and feet. Dance will continue be part of the child’s life in elementary school where different dances are taught in music class.

Coming from a culture where this type of exposure to dance is widespread, in my work as a Youth Services Librarian, I noticed that lack of coordinated body movements following a rhythmic patterns in children attending our programs. Naturally, this observation changes depending on the cultural background of clients.

As a result of my observations, I supplemented our storytimes with a portion of the program called Dance Time. During Dance Time, children and caregivers are encouraged to dance to a tune following three basic dance steps that are reinforced at every storytime. When I introduced Dance Time for the first time, many children and parents were reluctant to follow me. However, after a couple months of Dance Time, these same clients appeared more relaxed and moved happily following the beat of the music.

Music is contagious and is an excellent tool to uplift spirits and transform a library program into a lifelong learning experience. Many librarians already use children’s songs during storytime. However, have you offered a “dance activity” or “movement song” to invigorate your programs? Let us know about it in the comments below.

If you feel ready to dare, try the following dance songs in your storytime:

  • Palo, palo Music Together. Palo, Palo. [Arranged and adapted by Gerry Dignan and K. Guilmartin]. Music Together: Bringing harmony Home [CD]. Princeton NJ: (2007)
  • El baile del perrito (Wilfrido Vargas)


Photo courtesy of guest blogger

Photo courtesy of guest blogger

Our guest blogger today is Kathia Ibacache. Kathia is a Youth Services Librarian at Simi Valley Public Library. She has worked as a music teacher and Early Music Performer and earned a MLIS from San José State University and a DMA from the University of Southern California. She loves to read realistic fiction and horror stories and has a special place in her heart for film music.

Please note that as a guest post, the views expressed here do not represent the official position of ALA or ALSC.

If you’d like to write a guest post for the ALSC Blog, please contact Mary Voors, ALSC Blog manager, at alscblog@gmail.com.

The post Dare to Dance: Introducing Dance Movements and Music into your Storytimes appeared first on ALSC Blog.

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2. Why We Celebrate Teacher Appreciation Day

Teacher Appreciation v3

A teacher’s job is never done.

Their days are spent solving math problems, analyzing the passages of books,  teaching the great lessons of history and serving as their students’ trusted experts. But when the final bell rings, their day isn’t finished. There are countless pages of homework to grade, lessons to plan and maybe even a sports team to coach.

The National Center for Education Statistics found that the average teacher is required to work 37 hours a week, but actually works an average of 52 hours a week. And only 30 of these hours are spent in the classroom instructing students. They spend 22 hours a week on other school-related activities.

Today is Teacher Appreciation Day (and this week is Teacher Appreciation Week!)

There are so many reasons to thank teachers for their hard work and long work days.  Take a moment this week to thank the teachers around you for  their hard work and the dedication they have for the kids they serve.

You can even send them an eCard to show how much you appreciate them.


The post Why We Celebrate Teacher Appreciation Day appeared first on First Book Blog.

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3. Default: White

Alternate Title: The Call Is Coming From Inside the House

So yesterday at lunchtime I trotted out my neat little stack of periodicals to read while I munched a ham sandwich.  I picked up the latest Kirkus (1 May 2016) and there I saw the Vicky Smith article: “Unmaking the White Default”.  As many of you may have noticed recently, Kirkus made a significant shift in the way that they review.  Normally, a children’s or YA book review will eschew mentioning the ethnicity of a human character unless that character isn’t white.  The implicit message to this is that white is the default and anything that isn’t white is the exception rather than the rule.  To combat this problem, Kirkus has taken to mentioning the ethnicity of all human characters, or at least making note of their skin tones.  In this article, Vicky discussed the change.

When this switch was initially made, the responses were mixed.  I’ve listened to the Horn Book Podcast that discussed the decision, noted the mistake in the Kirkus review of The Night Gardener (the 2016 picture book, not the Jonathan Auxier gothic middle grade), and taken an interest in the SLJ reviewers’ online course on diversity & cultural literacy (so far they have 125+ registered).

Imagine me reading all this while twiddling my thumbs.  Dum de dum.  Toodle-oo.  Hum hum hum.  Not really thinking too hard.  I review for Kirkus so, like all reviewers there, I’ve been adjusting my reviews as I write them.  There’s an art to it, really.  Some folks have been concerned that this sort of thing just reinforces how obsessed we are over skin color.  I see that, absolutely.  And I look forward to the day a Kirkus editor writes an article rescinding this reviewing method because we’ve come so far as a nation that we don’t need it anymore.  At the same time, I’m pretty sure the publishing industry isn’t quite there yet.  Or, for that matter, the nation.

I suppose it’s because I review for Kirkus that it took me this long to come to a very personal realization.  First off, do I agree with what Kirkus is doing?  Actually, I do.  The white default is more annoying than the old italicize-all-foreign-languages trope and hardly less bothersome than the describe-darker-skin-tones-entirely-in-terms-of-food method.

As Vicky Smith mentioned, it’s hardly a change everyone likes.  I saw that one commenter on the Horn Book podcast site wrote, “Why stop at hair color, eye color, skin color, DNA? Perhaps in the digital book future, we will move toward even greater specificity. A child could be placed at the center of each book she reads, the details customized to be about herself, the most interesting subject in all the world.”  A comment placing the whole debate in the context of how personalized electronic information leads to narcissistic youth sort of misses the point.  There may be kids out there that only want to read books about kids of their own races, but Kirkus isn’t doing this for them.  Would you find fault in a review mentioning a character’s chosen gender?  As a librarian, I need to know precisely what each book I read or need to read contains.  Characters are more than their ethnic backgrounds, but at the same time your race informs your life.  Not everyone has the luxury of ignoring it.

So.  We come to it.  If I agree with Kirkus, would I apply their method of mentioning all skin tones to the reviews I write on this blog?


Hadn’t really occurred to me before.

I mean, the reviews that I write for this blog are my brand.  If this blog dropped off the face of the earth tomorrow, it would be the reviews I’d really miss writing.  And in the time that I’ve been writing them I’ve settled into a nice comfortable little format.  Opening paragraph, description of the book, mentions of writing, mentions of art (if applicable), concerns, closing paragraph.  Easy peasy.  And in my time reviewing I don’t think I’ve made an active change to the format at all.

Is white the default when I review?  Yes indeed.

Could I change this?  Yes indeed.

Now let me be clear about a couple things right off the bat.  When Kirkus first started applying this method to their reviews, it was awkward.  They got the details wrong on some books and shoehorned the mentions into some of the reviews.  I have a theory, and I could be completely off, that there’s been a learning curve since then.  There is an elegance to how you describe a character in any review.  Done correctly and with careful consideration and the mention feels natural.  Done wrong and it feels almost didactic.

In the end, and when you boil it all down, this is an easy switch to make.  I’m going to give it a try and see how it goes.  Plus, I have a distinct advantage over Kirkus.  While they must bring up racial skin tones within a scant 225 words, I have all the time in the world in my own reviews to make the mentions.  In a way, bloggers are in a better position to try out this change than professional review journals.

Die, default.  Die.


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4. Little Girls Breathe the Same Air as We Do review

       The most recent addition to the complete review is my review of Oulipo-author Paul Fournel's 1978 novel, Little Girls Breathe the Same Air as We Do.

       This actually came out in English very quickly, George Braziller publishing it in 1979, and for example the Kirkus review suggested:

(I)t remains an odd, narrow exercise -- significant only as a minor-key promise of things to come from this young French writer.
       Ah, yes, the promise ! And a lot did come -- only not into English, with the recently published Dear Reader the first of his novels to be translated since then, after well over thirty years ! (though there was also that bicycling book in the meantime).
       Born in 1947, Fournel was indeed a promising young 32-year-old when Little Girls Breathe the Same Air as We Do -- and only now returns to the US/UK scene when he is closing in on 70.

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5. FMX Report #2: What The VR Future Holds

As quickly as it began, FMX is over for another year. Perhaps more than at previous conferences, speakers were especially confident in discussing the current state of the animation, vfx, and digital content creation industries – including the state of virtual reality. Just as importantly, there was much discussion of the future, especially with the clear arrival of vr and interactive and immersive storytelling. Just what should filmmakers do with this new medium? Luckily, pretty much the world’s top vr filmmakers were there to weigh in.

VR capture tools, techniques for producing content, and headsets for displaying that content seem to be innovated upon almost weekly. We still don’t know quite yet what many of the virtual reality and augmented reality tech companies have in store for us (think: Magic Leap). But there are, of course, already many ways to experience vr and several studios have dived into vr content creation. The question is, how do you make that content compelling?

At FMX, an expert panel of vr and immersive filmmakers hosted by Google Spotlight Stories’ Kim Adams was on hand to discuss their relatively short but intense experiences in the field. One of those panelists was Jan Pinkava of Pixar fame (Geri’s Game, Ratatouille). Now creative director at Spotlight Stories (part of Google ATAP), Pinkava created an early interactive film for mobile devices in 2013 with Windy Day, while ATAP was still part of Motorola.

Pinkava’s film grew out of a mission at ATAP to create something emotional for the smartphone; the group recruited Pinkava, who brought aboard other Pixar veterans like Doug Sweetland and Mark Oftedal. “We wanted to do something with this power, something emotional,” Pinkava told a packed FMX audience. “Coming from Pixar, those films they make are emotional – so we thought, let’s make movies. We sat in a room and said, why don’t we make a movie and give the camera to the audience?”

After overseeing other films crafted in Google’s ongoing Spotlight series, Pinkava has formed his own views about what works in immersive and interactive films, whether they be 360 degree experiences or vr pieces that can be watched with either simple goggles or hard-wired headsets. Pinkava constantly asks, when considering vr proposals, ‘Is this the best way to watch this? Is every way I’m going to watch this a good way? As a director, how can you help that experience for the audience be a good one?’

Two other filmmakers on the panel with experience in Google Spotlight Stories were Tim Ruffle and Jason Fletcher-Bartholomew from Aardman Animations. They collaborated on the 360-degree Special Delivery. Writing Special Delivery required a re-think of the traditional short film script. “In our heads we initially wrote a linear script,” said Fletcher-Bartholomew. “We would write in background gags, but we should have concentrated on the main chase. So getting out of that linear mindset was actually quite hard for a number of weeks. Even our storyboard was very linear, but in end we cut it up on different walls. If anyone looked at it they would have thought we were mad. We went back to cardboard cutouts and moving back to theater-like sets.”

Another challenge faced on this Aardman short, the duo shared, was how to lead the viewer around in the story and not have them get lost in the 360 world. “I found it more like choreographing a play than writing a play,” said Ruffle. “We made sure there were elements of our sets that made particular characters visible. It’s a bit like video game language. People just seem to understand to look in certain directions because something is happening over ‘there.’”

This requirement to consider new ways of choreographing the action in an immersive film was a view also shared by Nexus’ co-founder and executive creative director Chris O’Reilly. Nexus is making a new Google Spotlight Story called Rain or Shine (some clips were shown here at FMX). “Directors come in with filmmaking tools, but they all need re-thinking in vr,” said O’Reilly. “We were thinking about how to control spaces. We talked to games companies. We even talked to architects who have experience in cajoling people through airports.”

Aardman and Nexus’ experience also highlights one important aspect of vr right now: it’s new. Which means everyone is experimenting. Jacquie Barnbrook, a producer with The VR Company, which is in the process of making the much-anticipated The Martian VR experience, says part of the joy and frustration of vr filmmaking right now is just getting through it. “The director of The Martian VR, Robert Stromberg, says we’re building the plane as we’re flying it – we may die,” Barnbrook related. “Shooting in vr is the most weird and awkward experience you can imagine. Things like our cameras are not yet able to sustain shooting for more than six minutes. We were putting cups of ice on the cameras to cool them down!”

For Mirada Studios’ Andy Cochrane, who has worked on everything from a Google Shop VR Tour to The Strain VR, the result of this new wave of interactive filmmaking actually provides the opportunity to serve in multiple roles. “I’m a technical supervisor, a director, a visual effects supervisor. We settled on ‘digital and interactive director’ because it seemed to be descriptive of something.”

And Cochrane suggests that this new vr/interactive storytelling world – which is heavily concentrated right now on the west coast of the U.S – just happens to come at a time when the visual effects industry on that side of the country has been partially decimated by subsidies and other benefits being offered elsewhere. That, says Cochrane, represents an opportunity to visual effects artists who once worked in Los Angeles and are highly suited to technical and artistic aspects of virtual reality. Indeed, effects artists have for years been dealing with stitching plates, making 3D scenes and characters, and solving complex lighting issues, in helping to tell compelling stories.

The future does look bright in vr and immersive and interactive entertainment, even if we don’t quite know just what it ‘is’ yet. Certainly, vr content providers are doing everything they can to, as Jan Pinkava observes, “put tools out there for their collaborators — filmmakers — to make the things they know how to do. The whole purpose is then to make all this available to you, the audience.”

The post FMX Report #2: What The VR Future Holds appeared first on Cartoon Brew.

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6. Lilacs

I always bought a big bouquet
Of lilacs every Mothers’ Day.
My mother loved their sweet perfume
Which wafted over every room.

There were no flowers other days
To spruce things up with bright displays,
Just once a year to celebrate
A date for those who procreate.

Today, the lilacs’ cloying scent
Reminds me of when I’d present
A bunch for which I’d proudly paid
On my own Mothers’ Day crusade.

I did it more for me than her;
Were she alive, she might concur
For giving them, I felt more pride
Than what, to her, they could provide.

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7. BLUE PRINT 2016 - designastration studio

And if you are attending Blue Print you will see new designs from Tiffany Laurencio. Tiffany started the  Designastration Studio just a couple years ago and has since had several successful shows at Printsource New York and is looking forward to exhibiting for the first time at Blue Print.

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8. Replacement window

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9. BLUE PRINT 2016 - jane farnham

Jane Farnham will also be showing new designs at Blue Print this May via her agents Cinnamon Joe. The show runs just before Surtex on 12th-16th May at the Metropolitan Pavilion in New York.

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10. Sony Takes The High Road And Settles Animation Wage-Theft Lawsuit

While Disney, Pixar, Lucasfilm, and Dreamworks are still fighting against their employees, Sony has reached a settlement with the animation workers.

The post Sony Takes The High Road And Settles Animation Wage-Theft Lawsuit appeared first on Cartoon Brew.

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11. Artist of the Day: Nic Sweet

Discover the art of Nic Sweet, Cartoon Brew's Artist of the Day.

The post Artist of the Day: Nic Sweet appeared first on Cartoon Brew.

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12. SURTEX/BLUE PRINT - jennifer nelson artists

The wonderful Jennifer Nelson Artists are going to be showing at Surtex and Blue Print in New York this month. So expect lots of wonderful new art from designers Bee Brown, Jill McDonald, Lauren Lowen, Jessica Swift, Anisa Makhoul, Jennifer Orkin Lewis and fab new arrival Jill Howarth.

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13. HENRY WANTS MORE! in the wild...

Hooray!  I finally spotted HENRY WANTS MORE! (written by Linda Ashman and illustrated by me) out in the wild and among friends.  :D

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14. I Found a box of Parrots on my doorstep.

A big box of shiny new books landed on my doorstep. Memoirs of a Parrot is the fourth "memoir" book, written by the very talented Devin Scillian and published by Sleeping Bear Press.

"Yay, new books!"

When I read that a parrot would be the main character, I had to choose an African Grey parrot. I have fond childhood memories of my grandpa and his African Grey, named Chico. I chose a Hyacinth Macaw as the other parrot in the story. Mostly because of the color. I live in Ohio and Devin Scillian lives in Michigan, so it just made sense to use Ohio State (scarlet and grey) and Michigan colors (maze and blue). Plus, my wife's family is from the state up north (we're a "blended" family).

A drawing that I did in High School of my grandpa and his parrot, Chico.

Also, the main character (human) in the story plays a ukulele. I said, "hmmm, I need to get a ukulele (as reference) and begin my career as a ukulele rock star". Then I met Emily Arrow, a true ukulele rock star, so I bought one. Now I need to start practicing my ukulele licks.

"Hey, I think that I need a ukulele."

Anyway, you must take a look at Memoirs of a Parrot. It's got parrots, ukulele players and a very funny story.

End papers from Memoirs of a Parrot.

Thank you, Heather Hughes, Felicia Macheske and Sleeping Bear Press

Now, back to the drawing board. -Tim

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15. Lane Smith’s There Is a Tribe of Kids

  One of my favorite picture books of 2016 thus far is Lane Smith’s There Is a Tribe of Kids (Roaring Brook, May 2016). I’ve got a review of it over at BookPage. That is here. Today, Lane shares some early studies and sketches, as well as some final art from the book. (Note: Some […]

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16. Featured Review: Queen of Hearts by Colleen Oakes

About this book: The first novel in Colleen Oakes’s epic, imaginative series tells the origin of one of the most infamous villains—the Queen of Hearts. This is not the story of the Wonderland we know. Alice has not fallen down a rabbit hole. This is a Wonderland where beneath each smile...

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17. Paul Auster

       Eric Clement had the scoop in La Presse last week but it seems to have (entirely ?) escaped English-language notice so far (or no one cares ?): that we can look forward to Un roman de 925 pages signé Paul Auster, Auster's forthcoming novel a near-thousand-pager he expects to have out in early 2017.
       No word as to the title of the just-finished work, or any of the details beyond its (great) length:

L'écrivain préfère ne pas dévoiler l'histoire de ce nouveau roman. Il souhaite que la surprise soit totale pour ses fidèles lecteurs. Il consent toutefois à dire qu'il s'agit d'une sorte de «saga».
       They follow up this week with a proper Q & A -- no additional clues about the book, but more general odds and ends (including about American politics).

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18. Waterfall and Campfire

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19. Press Release: Where the Red Fern Grows

THIS JUST IN!   BUSTLEis celebrating the release of the  special anniversary edition of WHERE THE RED FERN GROWS (on sale today) with their exclusive feature of the new cover!    Click here to read the feature.     This article also releases Newbery Medal-winning and Printz Honor-winning author Clare Vanderpool’s letter, which is included in...

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20. Writer Wednesday: So You Think You Can Edit?

Yeah, I'm cringing at that post title too. ;) You all know I like to amuse myself though, and that's what my brain concocted for the question submitted for today's Writer Wednesday. What is that question? Check it out:

"How does someone go about becoming an editor and how you know how good you are at editing?"

Okay, well answers for this are going to vary, so let me share my journey. First, I went to college to become an English teacher, which is exactly what I was for seven years before switching careers. So, I have a degree in English. While I loved literature, some of my favorite classes were actually grammar courses. Call me crazy but I love grammar rules. Yes, I'm the girl who corrects people's grammar on a regular basis. No, I'm not sorry about it. I love grammar.

From teaching, I moved into proofreading (for a school district actually). That's when I discovered I love to edit. So I set up a page on my website to offer my services, and then I blogged about it with a very special offer. I'd edit up to 10 pages for free so people could try me out. I offered that for one month, and I picked up my first clients. Luckily for me, they were happy with my work and I still work with many of them today, years later.

Once I'd been editing for a while, I started working for several small presses, which looked good on my resume and landed me more freelance clients. That pretty much brings us to today, where I'm in the fortunate situation to have a healthy list of regular clients. I'm busier than ever and even have to turn people away at times because I tend to book months in advance.

As far as how to know how good you are at editing, your clients will tell you. Repeats are happy customers. I can say that in order to be a good editor, you must live on Merriam-Webster and Chicago Manual of Style. I check everything against those sites.

That's my journey. A love of the English language, a degree, some free trials, and now more editing jobs than I could ever fulfill. :) 

*If you have a question you'd like me to answer from the other side of the editor's desk, feel free to leave it in the comments and I'll schedule it for a future post.

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21. Sneak Peek: The Untimely Deaths of Alex Wayfare by MG Buehrlen + Giveaway (US Only)

Hi, YABCers! Today we're super excited to present a sneak peek from MG Buehrlen's THE UNTIMELY DEATHS OF ALEX WAYFARE, which released April 26, 2016 from Diversion Books. Check out information about the book below, the sneak peek, and a giveaway!   THE UNTIMELY DEATHS OF ALEX WAYFARE by MG Buehrlen...

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22. What I Read in April

In terms of having a general fulfilling, happy life, April was a huge success.  Luke and I took our first vacation with just the two of us since our first anniversary.  That's right, in seven years we haven't traveled alone.  So this year, for anniversary #8 we went to Durham.  He had a Netrunner tournament (don't judge) and I...went to the farmer's market and all the bookstores and had the best massage of my life.  Oh right, and we also got to hang out just the two of us - we raced go-karts, went paddle boating, ate EVERYTHING, and played board games in our hotel room.  

In spite of (or maybe because of) all of the fun we were having outside of books, this reading month was dismal.  I cannot remember being in a book slump of this magnitude, ever.  I am reading almost nothing and the things I'm reading I'm not loving.  My average star rating in the month of August was 2.5.  Bleak, bleak, bleak.  I've tried everything to break my slump but it's just not happening.  Here's what I read in April:

The Pocket Wife by Susan Crawford
The Decent Proposal by Kemper Donovan
Some Day You'll Thank Me for This by Gayden Metcalfe
The Rattler by Jason McNamara
Tragedy Girl by Christine Hurley Deriso
After the Woods by Kim Savage
The Girl Who Fell by Shannon Parker
Golem by Lorenzo Ceccotti
The V-Word by Amber Keyser
The Widow by Fiona Barton

So there you have it.  It was a sad month for books - everyone cross your fingers that May brings me a new energy for reading and some amazing books!

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23. This Wed and Thurs: Animated Spirits European Animation Festival in NYC

A free screening series that offers an easy way for New Yorkers to catch up on top festival films from Europe.

The post This Wed and Thurs: Animated Spirits European Animation Festival in NYC appeared first on Cartoon Brew.

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24. Some of My Favorite Online Reading in April

I've read lots of great things online in the last several weeks. Here are some of the more important things I read--pieces that gave me lots to think about.

I love all things Kristine Mraz as she always reminds me what is important for our children. Her March article, Building Ecosystems of Joyful Growth is a must read. There are so many things mandated in schools these days but Kristine Mraz and Christine Hertz remind us that there are still many things that we control and it is the choices we make that determine the kind of experiences our children have.

I also loved this article by Bobby Dodd, How to Tell If You Love What You Do.  Loving what you do doesn't mean loving every day or that the work will be easy.  These insights are definitely worth thinking about --very smart way to think about our life's work.

I enjoyed this article as a blogger--On Reviewing Bad Books When You're Part of the Literary Community by Sarah Knight at Book Riot. Being thoughtful and kind and honest to readers is important to me as a blogger and Sarah brings up some important things to think about.

I found Hard Truths: Examining How Students Spend Their Time in Our Classrooms to be a great source for reflecting on my teaching and my classroom--what matches and what doesn't. The author says "When I reflect on whether my actions line up with my beliefs, I just take a close look at the past day, week, or month in my classroom."

My Worst Nightmare--What if I Accidentally Raise the Bully? is a must-read also, in my opinion. It gave me a lot to think about in the classroom-nothing new but really thinking about giving kids opportunities to get to know each other and to really go beyond the things that happened so easily in this story when it comes to bullying and kindness.

And just another reminder that yes, independent reading is worthwhile in NEA's recent article.

Ana Menendez Mourns Her Four-Year-Old's Childhood is an important read if you are a teacher of young children.

I loved the article Visualizing 21st-Century Classroom Design. I am a little obsessed with classroom design theories after reading The Third Teacher and The Language of School Design.

If you have not had a chance to listen to Donalyn Miller's podcast interview at Book Love, it is fabulous!

And this--On the Heartbreaking Difficulty of Getting Rid of Books. If you have read Marie Kondo's book The Life-Changing Magic of Tidying Up, but can't seem to make it work for your books, then this article is a must-read!

I love this article about understanding the types of mistakes. Fascinating!

And if you are a teacher who is feeling tired at the end of the year. Dear Teacher on the Tired Days is something you may want to put someplace where you can read it often during these last few weeks of the school year.

0 Comments on Some of My Favorite Online Reading in April as of 5/4/2016 5:10:00 AM
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25. Ornaments. 15/100 #100daysofoilcrayon #the100dayproject...

Ornaments. 15/100 #100daysofoilcrayon #the100dayproject #lisafirke #sennelier #oilpastels

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