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1.



Muddy...

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2. The Future of Crime Fiction: "I don't really see the point of making up crimes"

davidpeace.jpg"There's so much that happens in real life that we don't understand and we can't even fathom. I don't really see the point of making up crimes. The crime genre is the perfect tool to understand why crimes happen," explained our special author guest this morning.

Today's guest on the Morning Media Menu was David Peace, one of the most critically acclaimed mystery novelists in the world. He is the author of The Red Riding Quartet (about the Ripper murders in England), The Damned Utd (which was recently turned into a film), and Tokyo Year Zero. He was chosen as one of Granta's 2003 Best Young British Novelists and won the French Grand Prix de Roman Noir for Best Foreign Novel.

Press play on the embedded player below to listen. The show will be archived around the mediabistro.com network all morning.

He talked about adaptations of his novels and his new American release, Occupied City--a retelling of a mass murder in Japan. He also pondered his own place in the mystery genre. "I make no bones about it. To me the greatest mystery or crime writer of the last 25 years is James Ellroy. When I started out, his LA Quartet really raised the bar--in taking the history of Los Angeles and America and found a new purpose for the crime novel," he explained.

Peace concluded: "White Jazz pushed the boundaries you could tell a story, the pace of telling stories ... I'm always trying to write a book better than Mr. Ellroy. I've yet to do it. But that's my hope."

New Career Opportunities Daily: The best jobs in media.

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3. GalleyCat Readers Debate Controversial Book Club Bud Light Super Bowl Ad

Meet the Super Bowl commercial that launched a thousand literary blog posts. During the most watched television show ever, Bud Light unveiled the beer ad embedded above, poking fun at book clubs, male readers, female readers, and book reading in general. The ad shows a couple fun-loving beer drinkers crashing a book club, playing with all sorts of stereotypes about American readers.

Our post on the topic generated a wide range of reader responses. One reader wrote: "If ya' can't laugh at yourself... I'm a writer and reader (and book club member) and don't drink much beer, but it didn't bother me a bit. If we all took ourselves a bit less seriously, we'd save time (and have more fun!)"

Another reader took offense at the offense: "I enjoy drinking bud light because its cheap and I can drink a lot of it while I'm not being an organic chemist, which frankly requires more intelligence and betters society significantly more than being a stuck up literary snob."

Reader Deborah performed a quick literary fact-check: "They were also apparently discussing Little Women but the plot she was giving to him sounded like no version of Little Women I've ever heard before!"

Paul Oliver wrote: "The scariest part of the commercial is the hero. I have noticed a clear trend in commercials making men out as increasingly simple or buffoonish. Ever see the Dominos commercial where a woman is ringing door bells in a home improvement store to try them out? Yeah, the men come running from everywhere in the store in belief that Dominos pizza was just delivered."

The late, great novelist Nathanael West weighed in on his posthumous Twitter feed: "Undrinkable beer. Nobody in the ad would be one of my readers."

Finally, C.J. West contributed some book club intelligence: "The makers of Bud Light are trying to be funny here ... Who cares if they got the background on the book right? They're trying to be funny. I've visited many book clubs to talk about my books and NEVER has there been a man in attendance. The men of the house run when the ladies start coming in. If you are offended by this, I think you're taking yourself a little too seriously."

What do you think?

New Career Opportunities Daily: The best jobs in media.

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4. It's Starting To Feel Like Spring Already


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5. A Pint-Sized Hamlet

One of the single most charming things I've ever seen is this video, in which actor Brian Cox teaches a bit of Shakespeare to toddler Theo, w... Read the rest of this post

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6. Photorealist Glennray Tutor

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Painter Glennray Tutor is a photorealist. I particularly like his series of marbles and romance comics.

Photorealism always seems to get a bad rap in our comments from those who dismiss the practice as having no artistic value other than precision. But I like this quote from Tutor’s site:

“It’s easy to dismiss photo-realist work as an exercise in surface obsession, but Glennray Tutor, a Jedi warrior of the style, has to be admired for his dedication to what Yeats called ‘the fascination with what’s difficult.’”

The marbles, comics, canned goods, candies, and toys — all rendered in bright, saturated colours — evoke a sense of childhood wonder, especially when you look at his body of work, and not just individual pieces.


Posted by John Martz on Drawn! The Illustration and Cartooning Blog | Permalink | No comments
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7. French Canadian folk art by Hazel Boswell

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Cartoonist Diana Tamblyn has scanned in some illustrations from the 1938 book French Canada: Pictures and Stories illustrated by Hazel Boswell. Diana writes:

My Grandmother had many of these illustrations framed and had them hanging up in her home as they depict scene from Quebec where she grew up.

I grew up seeing them and when she passed away, I inherited them, and they now hang in our home.

I realized I knew nothing about the artist, and so many years later I still found them enchanting. Thanks to some sleuthing and trusty Google, I found they were illustrations from a book written and illustrated by Hazel Boswell called “French Canada: Pictures and Stories”, and was printed in 1938.

It was very popular in its day. I tracked a copy down on Abebooks and thought I would share the wealth with scans of all the illustrations. Enjoy!


Posted by John Martz on Drawn! The Illustration and Cartooning Blog | Permalink | No comments
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8. In Conversation with Matt de la Peña

I've interviewed Matt de la Peña over at sarazarr.com. The formatting is a bit complicated to cut and paste to LJ like I normally do, so you'll have to travel one click....

http://www.sarazarr.com/archives/1535

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9. Blizzard by William Carlos Williams

This evening, another snow storm is coming our way here in New Jersey. We appear to be located on the border between "major" and "crippling" snowfall, if our local forecast is to be believed. It will be a classic Nor'easter, with the snowstorm that's currently in Chicago joining forces with the storm tracking across the south, so that we'll end up with a very strong snowstorm that includes some blizzard conditions (which requires visibility of 1/4 mile or less and winds in excess of 30 m.p.h. for a period of 3 hours or more, as it turns out).

What is more appropriate on a day like today than a poem about a blizzard by one of New Jersey's native sons?

Blizzard
by William Carlos Williams

Snow:
years of anger following
hours that float idly down —
the blizzard
drifts its weight
deeper and deeper for three days
or sixty years, eh? Then
the sun! a clutter of
yellow and blue flakes —
Hairy looking trees stand out
in long alleys
over a wild solitude.
The man turns and there —
his solitary track stretched out
upon the world.


The poem is written in free verse. Given his use of the word "anger" and his time period extending to 60 years, I have to note that Williams was not restricting himself to writing about a snowstorm, but is also speaking about the accumulation of a life, and he compares looking back at his footsteps in the snow to looking back at the course of his life.

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10. Paul Dempsey – Bats

Enjoy the latest music video from Webuyyourkids. It’s for Paul Dempsey’s song, Bats.


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11. Recent reads & book news


1. My new column went up last week at Bookslut and included several titles of the "coming-of-age" variety. In particular please note Tales From the Madman Underground by John Barnes, a recent Printz honor recipient that I have not heard nearly enough about around the blogosphere. Go. Read. You will fall so hard and fast for this one that you really will not believe it.

2. Other titles in the column (all of them fabulous) are: Age 14 (gritty WWI drama); Stunt (spec fic/family drama mashup from one of my favorite small presses all about missing parents, bad parents and a discovered grandparent who is a trapeze artist); Shine, Coconut Moon (or what I like to think of as an Indian twist on the Gilmore Girls, including post-9/11 drama); A Very Fine Line (manages to be about clairvoyance, home schooling, cross dressing and family secrets all at once - plus BONUS crushing on the teacher); and the Colors gn trilogy from First/Second which is as pretty as it gets and very funny and also all about growing up in Korea. Nicely done, each and every one.

3. In the midst of January chaos there was also a new issue of Eclectica. (Read here to see how my editor is still waiting on one of his adopted children to arrive from Haiti - they have been in the process for Evans for about two years now). I had three review pieces for kids up in the issue, including one on Myths, one on learning books (that you don't realize are teaching you things and thus are supposed to be boring) and one on biographies of many people I did not know much of anything about. Amazing what you can learn reviewing picture books!

4. Oh - and bonus, another review of Shine, Coconut Moon from Eclectica contributor Niranjana Iyer.

5. I just finished reading Raina Telgemeier's delightful MG graphic novel Smile. I didn't intend to do more than give it a quick glance (it showed up unrequested) but after turning just a few pages I was completely sucked into this one. It follows the real story of the author's trials and tribulations after falling and severely damaging her two front teeth at the age of 12. All through middle school she is alternately tortured and healed by a variety of dentists, orthodontists, etc. and must deal with the physical discomfort and all too familiar emotional dramarama. Nothing truly exceptional happens in this book except growing up but it's told so well that you can't resist it. In terms of plot it is a perfect MG vacation book - add a sandwich, some chips and lemonade and this the 2010 winging in the hammock version of The Penderwicks. The bonus here is the fantastic multicultural cast - Telgemeier has truly drawn Raina's school in about the most realistic manner I've ever seen with all shades of brown and beige portrayed with great fun and aplomb.

Smile is a true winner - could very well be a dark horse award winner later this year (I'm thinking the Cybils are doing to love this one.)

6. Bonus - See much more about Smile at Raina's website.

7. Cory Doctorow YA SF alert! F

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12. More snow today?!?


Honestly.  Enough, already!  And guess who forgot to cover the grill last Friday?



Oops.

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13. Dinosaurs

What book can you give a boy to get them to read!?!?!?  Anything dinosaurs of course!  SO when Chronicle Books sent me this new book, Dinosaurs by Dennis Schatz - I knew it would be a hit here at our library!  Oh man!  Give a boy stereo speakers, pictures of dinosaurs fighting and sounds to accompany - I'm thinking that's about all you need - oh, maybe batteries that NEVER run out!!  This one will never be on our shelves!

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14. YALSA Process Committees, Juries & Advisory Boards Appointments

It is time to begin making appointments for YALSA Process Committees, Juries, & Advisory Boards that will begin work July 1, 2010. If you are interested in serving on a YALSA Process Committee, Jury or Advisory Board here is some information you may find helpful:
If you are new to YALSA, a Process Committee, Jury, &/or Advisory Board can be an excellent way to get to get your feet wet and begin to learn how member groups work. There are nearly 30 different Process Committees, Juries & Advisory Boards ranging from Legislation to Teen Read Week so it is easy to find a group that fits your interests. A complete list of YALSA Process Committees, Juries, & Advisory Boards is available at http://tinyurl.com/YALSAcom. In order to serve on one of these groups, you need to be appointed by me, the President-Elect.
If you want to be considered for an appointment, first do some background work and find out about each group by checking the YALSA web site for a description of each group. You may also want to contact the Chair of the group and ask him or her questions. Chair information is available at http://tinyurl.com/YALSAchair. Once you have done your research and decided which group is the best fit for you, the next step is to fill out a volunteer form. The form is available at http://yalsa.ala.org/forms/form.php and is due no later than March 12, 2010, for this round of appointments.
Once you fill out your volunteer form, you will receive an automated reply from the YALSA office acknowledging the receipt of your form. After that acknowledgment has been sent, you will not hear from me or my Appointments Taskforce before I begin making appointments in mid March. Beginning in mid-March appointment invitations will be sent by email from the YALSA office. Because most of the communication will take place by email, it is important that your email is set up so that it can receive messages from YALSA, including yalsa@ala.org. All spring appointments will be filled by May 7.
New this year: at the 2010 Midwinter Meeting, YALSA’s Board voted to convert all Process Committees, Juries & Advisory Boards into 100% virtual groups. In other words, individuals will not be required to travel to conferences in order to participate on these groups. This means that the groups will now be doing most of their work and communicating in a virtual environment and group members must be comfortable using web 2.0 tools such as ALA Connect. This change was made because ALA modified its committee participation policy, freeing Divisions up to do the same.
Please contact me if you have any questions or need more information at kimpatton@kclibrary.org. Thank you for your willingness to lend your time and talents to YALSA!

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15. Boris


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16. Jigsaw Puzzles, Not Everyone Likes Them

At a recent plot workshop, one of the writers stopped me on the way to lunch to ask for help. I asked her to tell me a bit about her project.

As soon as she starts in, I'm hooked. She has a truly novel idea with an even more novel format in which to tell her story.

As with most highly creative writers, she has trouble bringing the story into focus. She wanders to one plot point and then flits to another unrelated point. I hold each of these fragments and slowly begin to put them into position in my mind for the overall structure. (I've been weird like that since I was a kid, and a non-verbal one at that. I remember stories about how I could put together jigsaw puzzles of any piece count with the pieces upside-down and only the grey backs as reference. Hey, I warned you I was weird that way.)

With lunch plates chiming and my stomach grumbling, I wait as she retrieves yet another element of her story. The deeper she goes, the more self-defeating talk pops up.

"This doesn't make any sense."

"You're doing fine," I say. "Keep going."

"It's probably not any good."

"You're doing fine," I say... over and over again.

Finally she blurts out enough for me to help her locate the key scenes

After she rushes back to our workshop room to jot the scenes onto her newly created Plot Planner for her individual project, I shake my head in despair. If she has so many doubts in her head in just recounting ideas, how is she ever going to overcome the demons long enough to write the story?

Sure, she's outside the box and that can be challenging in this time of high conformity and deep suspicion of anything different. However, I firmly believe those of us lucky enough to call ourselves writers are being called to create. When we and our flaws sabotage ourselves from showing up to write and from reaching our goals of completion, yet one more idea the universe looks to us to manifest disappears and who knows how much longer the evolution of our planet will take because we doubt ourselves before we ever even try???

Based on the picture I saw in the jigsaw puzzle of her story, I saw greatness.

Hope you show up for your jigsaw puzzle today. I see greatness there, too...

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17. olympics

SocMo is getting psyched up for the Winter Olympics!

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18. Books on Film

Man, the blog title got that old Duran Duran song "Girls On Film" in my head. Oh 80s music, I love you. Anyway...


Sunday afternoon my friend Jenny and I went to see The Lovely Bones. We both had just read the book so it was fresh in our minds and we were eager to see how it would be interpreted on film. The answer? Loosely.

I really enjoyed the book. I went into it thinking it was about a girl trying to help her father solve her murder from the beyond. I got this impression from vague memories of people discussing it years ago when it came out (it was one of those books I kept meaning to check out at the time, but I was in grad school and had lots of assigned reading occupying my time) and then the commercial for the movie which revived my interest in reading it and pushed it to the top of the TBR pile because since I usually prefer books to movies, I like to read the books first. I found that the book was so much more than that. It was more like a study of how people respond to grief and rebuild their lives over the years after a violent and sudden loss. This is a subject that definitely interests me. I'm still grappling with recent deaths myself. I don't want to get too spoilery so I'll just say how much I loved how the many different characters were developed so fully (as that is something I work hard on myself) and I was impressed by the wide scope of the story.

And I really wondered how the hell they were going to recreate that in a movie. This was something Jenny and I chatted about on our way to the theater, specifically wondering how they would age the younger characters over a ten year period. We also wondered how they would deal with the ending since it wasn't a Hollywood ending by any means. I expressed that I felt the ending in the book fell short emotionally for me... just a little bit. If you've read my books, you know I don't like the Hollywood ending or to have all the loose ends tied up. And while I got most of the emotional closure I needed, something felt missing.

So Jenny and I sat down for the movie. We thought it was going to be nearly empty since it was Superbowl Sunday, but I guess there were a bunch of women who had the same idea as us--let's catch the chick flick with our friend while everyone else is focused on getting ready for the big game. Unfortunately there was a group of elderly women right near us who talked for a few minutes as the movie started until everyone in the theater was shushing them. They also made that awful obvious commentary throughout, like "Don't go in there! Oh no, she's gonna go in there..." Ugh. I'll probably have to see the movie again at some point just to see it without that obnoxious soundtrack. And I also think I need to see it without thinking so much about the book.

I could tell pretty much right away that they were going to make changes. When they stated the age of one of the characters (Susie's love interest, making him older than her, not the same age), I knew they wouldn't be doing the whole ten year time span thing. That's okay, I told myself. It would be hard to do in a movie anyway. But the problem was I kept waiting for certain parts that I'd loved from the book to show up... and then they wouldn't. Much of what they chose to cut was the stuff I loved the most, the stuff that showed how the characters developed and changed after the narrator died. Jenny and I felt that the mother in particular was overlooked. (My mother's response to that: was a man producing it? Um yeah actually.) The other thing that bugged me was they completely changed Susie's heaven into something that could be visually spectacular, ie good for the movie and full of special effects etc. I thought the heaven that Alice Sebold gave Susie was perfect: it involved the things in life she missed the most, like the high school she would never get to attend. It was another thing I'd really loved about the book.

So those were the main two

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19.


“Could book publishers suddenly be in the position of telling Google what to do?” http://ow.ly/15tDU #books

Filed under: News

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20. Faeries stave off the cabin fever?

Another snow day. More snow expected today and tomorrow. You know it's bad when...

Your Chinese teacher calls for your weekly lesson and asks what's going on and you tell her that you got all the snow in the world this weekend and are getting more tonight and you haven't been to work since Thursday because of it. And she says "Oh yes, I know, I saw that on the news." WHEN YOUR CHINESE TEACHER LIVES IN SHANGHAI! Apparently, my weather woes are international news now. Aiyo!

The Good Neighbors: Kith Holly Black, illus. Ted Naifeh

In this sequel to Kin, (which I reviewed in March) the fairies are getting closer to taking over Rue's town. Rue's still searching for her mother, and her friends are being seriously weird as the fae start to encroach in many different ways on her life.

I really liked this one, much better than the first. And I think I just put my finger on what's a little weird about this series. It doesn't read like a usual one-shot graphic novel even though it's published like one. (Ok, yes, I know it's a series) but I want to compare it to works like the The Plain Janes, or Rapunzel's Revenge (which both have sequels). But, instead, it reads more like Death Note or Fables-- something that's very long-range and almost needs to be considered as a whole instead of individual volumes. Does that make sense? Either way, it requires a brain shift for me when reading, which is something I'll be sure to keep in mind in when the next volume comes out.

In general, I really like Black's work in folklore and how she brings traditional beliefs and lore into a modern setting. I think she's a master at this. She doesn't mess with her supernatural realms, and I really appreciate that. You can tell she's a serious student of this. Also, I'm still blown away by the talk she gave at the National Book Festival in 2007 and her views on urban legends as modern folklore. Good, thought provoking stuff.

Book Provided by... my local library


Tithe: A Modern Faerie Tale Holly Black

Kaye's always been a weird girl, but when she moves back to New Jersey and reunites with her childhood friends, she realizes that maybe it's not her fault. Kaye really is a pixie--a changel

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21. Linky-Links

1. Today I've got a brief review of a book called Quicksand: HIV/AIDS in Our Lives up over at Guys Lit Wire. The book is written by a woman who prefers to remain anonymous, given that she shares some information about her brother-in-law, who was diagnosed with HIV, developed AIDS and, eventually, died from related illnesses. Having lost a dear friend to this illness several years ago, I was eager to read the book, which provides concise, clearly presented factual information about the HIV virus, how it is (and is not) spread, what the treatment is like, and what it feels like to receive word that someone you know has HIV or AIDS. I hope you'll check out my review and, more importantly, that those of you in the library field will be sure to get this one for your libraries. The book says it's suitable for ages 10 and up, and that felt about right to me, given the content.

2. This month, I've got an article up at Kid Magazine Writers about the clerihew: what it is and how to go about writing one. It includes two original poems I wrote to illustrate my point: one about Edmund Clerihew Bentley and another about, well, Derek Zoolander.

Derek Zoolander,
Model grand-stander,
Excellent eugoogolizer
And terrorist neutralizer.


3. Those of you who've written poetry and are interested in free verse, and who happen to be interested in attending the New England SCBWI Conference come May might be interested in the workshop I'll be leading on Sunday, May 16th: "Tactics and Techniques to Fix Up Your Free Verse". Here's the official write-up on it:

Whether you write individual poems or entire novels in free verse, this workshop is for you. It will focus on improving free verse poetry using devices such as alliteration and assonance, refined imagery, improved use of line breaks, fine-tuned similes and metaphors, and more. The workshop is suitable for experienced poets working in free verse who are interested in taking their work to the next level, and will include a folder with handouts and exercises for reference and use at home.

*Note to self: get those folders and handouts together!

And here are three things I hope people will take home from the workshop:

1. Enhanced understanding of the importance of structural components such as line breaks and stress patterns.
2. Knowledge of specific strategies, devices and poetic techniques to improve the quality of free verse poems.
3. Revision pointers and tactics to polish your work, with take-home exercises.

Here's the link to the conference website, where you can learn more about this terrific event.

Kiva - loans that change lives

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22. Tim Parks on “the dull new global novel”

Would Shakespeare have eased off the puns to succeed in the new global literary marketplace?

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23. "Science Fiction Has Given the Umlaut in Upper High German a Run for Its Money"

The title of this post comes from a very worthwhile audio interview with Samuel R. Delany at The Dragon Page (you'll have to listen to find out what it means!  The interview is about a third of the way into the podcast).  It was the first time I'd publicly heard the release date of Chip's new novel, Through the Valley of the Nest of Spiders, which is scheduled to be releaed in November from Alyson Books, where the great Don Weise, who was the editor for Dark Reflections, is now the publisher.  A version of part of the new novel appeared in Black Clock 7 a few years ago, and Chip read some of it aloud at Readercon this past summer.  It tells the story of the relationship of two men, starting in 2007 and continuing for about seventy years into the future.

The interview also contains interesting discussions of The Jewel-Hinged Jaw, of why Chip writes what he does, of his work at Temple University, and of the growing acceptance of some forms of genre writing among the country's MFA writing programs.

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24. Songless, Two Ways, One Caveat


The first way is simple. I don’t have a theme song for my WIP. For a while there, I didn’t have time to ponder a musical mascot and one didn’t magically fly into my ears, either. Now that I’ve edited the first hundred pages for my critique group retreat (more on that another day), the ms is resting comfortably in the drawer (who am I kidding ... it’s on the computer), and would be resting more comfortably with a designated tune. No. It’s not a requirement, but I’ve used songs to help remind me of essential themes or character traits for my books. So UFHL is songless for now.

Also songless is The Seventh Level. Now this one’s had a theme song for a long time ... Bigger Than My Body by John Mayer. Here’s where the songless part comes into play: I made the big mistake of writing in a line of lyrics from a show tune. It’s not like I hadn’t been warned about the cost of permissions. It’s not like I was unwilling to pay for the use. Copyrights are vital to all of us. It’s just that Big-Name Permissions holder was going to charge me so much for using a line from a song that it would take me royalties from nearly 250 books for every 15,000 copies printed. I took 15 minutes and wrote around the lyrics without affecting the story or the voice.

The moral of this post: Theme songs, good; lyric use, costly.

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25. Brings it all back

Indeed it does.

Flipping through my old sketchbook today made me smile. Sketches to me are like a time machine. Within every line, curve and shading it takes me right back to where I’d drawn it. It reminds me of the smallest detail of that particular day I drew something, from the type of pencil I used right down to how the weather was or the silly things that were occupying my mind at the time.

Old sketches for me are like getting a whiff of an old familiar scent. The kind that bum rushes you in some idle afternoon and fills you up with all sorts of memories that your mind has attached the smell to.

Amazing. I think if I ever lost my memory these old sketches would help bring it all back..

OK no more procrastinating. I have so much to do today.

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