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1. J.R. Johansson, author of CUT ME FREE, on being inspired by two vastly different concepts

What was your inspiration for writing CUT ME FREE?

My inspiration for CUT ME FREE was a very organic thing. I was in a writing group where they were joking around and challenged me to write something that featured a creepy puppet. While pondering how to do that in a way that hadn't already been done to death, I came across information on child trafficking and child abuse and how easy it is not to see it even when it is right in front of you. The true stories I was reading were absolutely horrifying and I think they changed me in some ways. They really stuck with me and opened my eyes. Anyway, somehow these two vastly different concepts floated around in my brain until one day they ran into each other and the foundation of CUT ME FREE came to life.

What scene was really hard for you to write and why, and is that the one of which you are most proud? Or is there another scene you particularly love?

There were so many difficult scenes to write in CUT ME FREE. It's not an easy book. This is a book that seems pretty polarizing. Some people love it and others can't handle it. I didn't gloss it over or make it seem less awful than it would be. It was important to me that this deal honestly with what the recovery of a victim looks like. It's a daily struggle and I wanted to be true to that. One scene that was very emotionally difficult for me to write was a scene a bit over halfway through where Charlotte/Piper is terrified and she's decided to run again. She is walking down the street in the middle of the night and she looks around herself and finally sees what she is doing. She sees that her life has become a series of times where she flees one situation after another. She sees how it is hurting the people she cares about and she decides that she needs to change things. It's a moment that is both scary and empowering. The emotional strength she required to make that decision was difficult to capture, but now that it's done, I love it and I'm very proud of it.

What are you working on now?

Thanks for asking! I'm currently working on a standalone contemporary thriller that will be released with Macmillan in the fall of 2016. We're doing revisions on it and getting it all shiny, which is my favorite part of the creative process. I'm also starting to prepare the next project which I think might be going back in the direction of a series and introduce fantastical elements of some sort again. More to come on that soon!

ABOUT THE BOOK

Cut Me Free
by J.R. Johansson
Hardcover
Farrar, Straus and Giroux
Released 1/27/2015

Seventeen-year-old Charlotte barely escaped from her abusive parents. Her little brother, Sam, wasn't as lucky. Now she's trying to begin the new life she always dreamed of for them, but never thought she'd have to experience alone. She's hired a techie-genius with a knack for forgery to remove the last ties to her old life. But while she can erase her former identity, she can’t rid herself of the memories. And her troubled history won’t let her ignore the little girl she sees one day in the park. The girl with the bruises and burn marks.

That’s when Charlotte begins to receive the messages. Threatening notes left in her apartment--without a trace of entry. And they’re addressed to Piper, her old name. As the messages grow in frequency, she doesn’t just need to uncover who is leaving them; she needs to stop whoever it is before anyone else she loves ends up dead.

Purchase Cut Me Free at Amazon
Purchase Cut Me Free at IndieBound
View Cut Me Free on Goodreads

ABOUT THE AUTHOR

photo credit: Michelle Davidson ArgyleJ.R. JOHANSSON has a B.S. degree in public relations and a background in marketing. She credits her abnormal psychology minor with inspiring many of her characters. When she's not writing, she loves reading, playing board games, and sitting in her hot tub. Her dream is that someday she can do all three at the same time. She has two young sons and a wonderful husband. In fact, other than her cat, Cleo, she's nearly drowning in testosterone. J.R. lives in a valley between majestic mountains and a beautiful lake where the sun shines over 300 days per year.

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2. Vermeer-inspired poetry

white2

Vermeer in Hell
by Michael White
2013
http://www.perseabooks.com/detail.php?bookID=114

from publisher’s website:
Through the paintings of Vermeer, Michael White explores new landscapes and transforms familiar ones in this extraordinary new collection of poems. This captivating masterwork transports us across eras and continents, from Confederate lynchings to the bombing of Dresden, through its lyrical inhabitations of some of Vermeer’s most revered paintings, each one magically described and renewed. More than mere ekphrasis, Michael White explores the transformative possibilities of great art in his fourth collection.

reviews:
“Vermeer in Hell is Michael White’s museum of ghosts and shades, of narratives woven masterfully out of the personal and historical alike—out of the lived, the envisioned, the loved, and the terrible. Rarely have I felt the ekphrastic to be as dramatic as in White’s tour through the portraits of Vermeer, with its history of fiery damages, wars and afflictions, but also its own depiction of ‘love’s face as it is.’ Out of Michael White’s vision, each poem achieves for us the delicacy and durability of Vermeer’s own art.”
—David Baker

“Nearly every one of Michael White’s new poems is the equivalent of a quiet stroll through a blazing fire, igniting the reader’s imagination. His insights are frightening and comforting at the same time, his craft allowing for the most surprising and thrilling of associations. Vermeer in Hell is a collection that belongs in the room with all of the traditions of our language’s poetry, but it brings something completely original to us, too. It is not an overstatement to call this poetry Genius.”
—Laura Kasischke

“In these elegant, powerful poems, Michael White pays homage to a great painter while engaging social realities that affect us all. They are brave, beautiful poems linked by authentic vision and a sensitive, educated ear.”
—Sam Hamill

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3. TT Games Announce 2015 Lego Lineup Including Avengers

By Davey Nieves

Screen Shot 2015 01 30 at 11.30.31 PM 291x300 TT Games Announce 2015 Lego Lineup Including Avengers

Warner Bros. Interactive Entertainment, TT Games and The LEGO Group announced Thursday their 2015 slate of LEGO videogames, including LEGO Jurassic World, LEGO Marvel’s Avengers, plus new handheld and mobile titles. Here’s the full rundown straight from Warner Bros Interactive.

The upcoming LEGO videogame titles are:

f4mrhlgajxtlgctoybrj 300x125 TT Games Announce 2015 Lego Lineup Including Avengers

LEGO Jurassic World™
Following the epic storylines of Jurassic Park, The Lost World: Jurassic Park and Jurassic Park III, as well as the highly anticipated Jurassic World, LEGO Jurassic World is the first videogame where players will be able to relive and experience all four Jurassic films. The game will be available in June for the Xbox One, all-in-one games and entertainment system, the Xbox 360 games and entertainment system from Microsoft, PlayStation®4 and PlayStation®3 computer entertainment systems, PlayStation®Vita handheld entertainment system, the Wii U™ system from Nintendo, Nintendo 3DS™ hand-held system, and Windows PC.

LEGO Marvel’s Avengers
Avengers Assemble! Experience the first console videogame featuring characters and storylines from the blockbuster film Marvel’s The Avengers and the much anticipated sequel Marvel’s Avengers: Age of Ultron, and more. Play as the most powerful Super Heroes in their quest to save humanity. The game will be available in fall 2015 for the Xbox One, all-in-one games and entertainment system, the Xbox 360 games and entertainment system from Microsoft, PlayStation®4 and PlayStation®3 computer entertainment systems, PlayStation®Vita handheld entertainment system, the Wii U system from Nintendo, Nintendo 3DS hand-held system, and Windows PC.

LEGO Ninjago™: Shadow of Ronin™
The popular LEGO Ninjago franchise gets its most expansive adventure to date in LEGO Ninjago: Shadow of Ronin. The latest LEGO handheld game delivers an untold story of the LEGO Ninjago: Masters of Spinjitzu TV show. Using their Spinjitzu abilities, players can unleash their Ninja’s elemental power to smash their way through enemies and solve puzzles. Developed by TT Fusion, a subsidiary of TT Games, the game comes to the Nintendo 3DS handheld system and the PlayStation®Vita handheld entertainment system on March 24, 2015.

The LEGO Movie Videogame
The LEGO Movie Videogame for iPhone, iPad and iPod touch follows Emmet, an average, rule-following citizen, who is mistakenly identified as the key to saving the world. In the game, players guide Emmet as he is drafted into a fellowship of strangers on an epic quest to stop an evil tyrant, a journey for which Emmet is hopelessly and hilariously underprepared. With a delightful mix of over 90 characters from the feature film, including Batman, Superman and the Green Ninja, The LEGO Movie Videogame leads gamers on a journey through fantastical worlds in 45 exciting levels. Developed by TT Games, the mobile game is now available on the App Store.

LEGO Batman™: Beyond Gotham
In LEGO Batman: Beyond Gotham for mobile devices, the Caped Crusader joins forces with the Super Heroes of the DC Comics universe and blasts off to outer space to stop the evil Brainiac from destroying Earth. Players will unlock and play as their favorite DC Comics characters, including members of the Justice League and the Legion of Doom, and explore iconic locations such as the Hall of Justice, the Batcave and the Justice League Watchtower. Developed by TT Games, the mobile game will be available this summer.

 

Lego Jurassic World is scheduled for a June release in step with the film’s release while Lego Avengers could be the company’s November release. It appears that while the first Lego Marvel game focused more the entire comics universe, this new game will be more in tune with the Marvel MCU. It’s Lego so you can expect brick destruction and cuteness. We’ll have more on the game as news comes out leading to E3 in June.

What Lego games are you looking forward to in 2015?

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4. J.J. Howard, author of TRACERS, on using music to write

What scene was really hard for you to write and why, and is that the one of which you are most proud? Or is there another scene you particularly love?

Cam meets Nikki when she crashes into him—literally—and this complex action scene was a fun challenge to write. I started, as always, with a playlist. I imagined what Cam might listen to in his headphones as he zooms in and out of traffic as a bike messenger.

My favorite scenes to write were the ones that had Cam and Nikki arguing back and forth—I love to write dialogue—and then, of, course, they always make up!

What book or books would most resonate with readers who love your book--or visa versa?

I would say that all of my characters share a certain dry sense of humor and they’re all outsiders, or feel they are, in one way or another. My writing professor in grad school called an early draft of my first book That Time I Joined the Circus “sort of The Catcher in the Rye with a girl”—and that’s still the best note I’ve ever gotten (or probably will ever get!)

How long did you work on TRACERS?

This book happened very quickly—the entire process from first pages to final copyedits all happened in 2014. The book came out just a few days in to 2015 on January 8.

What did this book teach you about writing or about yourself?

I learned that I really enjoy writing action scenes!

What do you hope readers will take away from TRACERS?

Cam is a really different character for me. For one, he’s not a snarky teenage girl with the vocabulary of a much older girl ;) But seriously, he’s really damaged by what’s happened to him in his life, but he hasn’t actually given up hope yet. He acts as though he has, that he doesn’t care, but when you read his interior monologue in the book you find out that in spite of everything he still believes in love—and, more importantly—he still believes in himself.

How long or hard was your road to publication? How many books did you write before this one, and how many never got published?

My debut novel was published in 2013. I’d been writing for over ten years by that point, so it was a long road. I write really fast, so I have several projects that I hope to see make their ways to bookstore shelves at some point.

Was there an AHA! moment along your road to publication where something suddenly sank in and you felt you had the key to writing a novel? What was it?

I’ve wanted to write for a long time. My AHA moment: that I could (and should) write a novel, well that happened a long time ago. It was 1996 and I was walking through the social sciences section of Borders bookstore (RIP) where I worked. It really was one of those light-bulb moments. I remember it vividly. And ever since then, I’ve never been bored. Because when you have a novel going, you’re never, ever bored!

What's your writing ritual like? Do you listen to music? Work at home or at a coffee shop or the library, etc?

Music is absolutely essential! I figure out the characters and the feel of the novel through the music. I make a playlist for every project, and refine it as the writing goes along. I work best at home, with my dog Willow snuggled beside me. I get the guilt eye when I pack up my laptop to head to a coffee shop. ;)

What advice would you most like to pass along to other writers?

I wrote a short piece for Writer’s Digest online in which I compared a writing career to a theme park—and I still really stand by all of those observations. You will spend a lot of time in line, it is a lot of fun (with a lot of ups and downs) and, as with most aspects of life, I’d suggest wearing a pair of comfortable shoes.

What are you working on now?

I am writing my first middle grade for Scholastic! I’m excited to branch out into this age level! And there are also a few other works in progress there on the back burner. I can’t wait for summer so that I can write, write, write!

ABOUT THE BOOK

Tracers
by J.J. Howard
Hardcover
Putnam Juvenile
Released 1/8/2015

An action-packed romance—now a major motion picture starring Taylor Lautner.

Cam is a New York City bike messenger with no family and some dangerous debts. While on his route one day, he runs into a beautiful stranger named Nikki—but she quickly disappears. When he sees her again around town, he realizes that she lives within the intense world of parkour: an underground group of teens who have turned New York City into their own personal playground—running, jumping, seemingly flying through the city like an urban obstacle course.

Cam becomes fascinated with Nikki and falls in with the group, who offer him the chance to make some extra money. But Nikki is dating their brazen leader, and when the stakes become life-or-death, Cam is torn between following his heart and sacrificing everything to pay off his debts.

In the vein of great box-office blockbusters, the high-stakes romance here sizzles within this page-turning thriller that will leave readers feeling like they are flying through the streets of New York.

Purchase Tracers at Amazon
Purchase Tracers at IndieBound
View Tracers on Goodreads

ABOUT THE AUTHOR

J.J. HowardJ.J. Howard is wearing headphones right now, most likely. She grew up in York, Pennsylvania, obsessed with music, movies, television, and pop culture. You can call her if you ever need to phone a friend for trivia on any of the above topics, but don’t ask about sports, because she is hopeless at those (along with math). J.J. graduated from Dickinson College with a BA in English and Tiffin University with an MH in Humanities. She has been some of her students’ favorite English teacher for a quite a few years (she even has a mug somewhere to prove it). THAT TIME I JOINED THE CIRCUS is her first young adult novel. J.J. would love to hear from her readers and is always ready to trade playlists. Visit at jjhowardbooks.com.



GIVEAWAY



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5. Michael Jensen and David Powers King, authors of WOVEN, on writing collaboratively

What was your inspiration for writing WOVEN?

WOVEN was inspired by a dream. Michael dreamed he was crushed by a tree and became a ghost. He could fly around and pass though objects. Nobody could see or hear him. Being a ghost was such a fascinating experience, he wanted to write a story where our readers could experience the same thing. It was after he met David that this dream soon became a reality.

What did this book teach you about writing or about yourself?

We could write a book about all the things we learned from writing WOVEN. One thing we both learned about writing is that each character must not speak, move or act without having a clear motivation for doing so. If their motivation is unclear, then they cease to be real people.

What do you hope readers will take away from WOVEN?

It’s clear by the end of that book what we hope our readers will take away from WOVEN, how important it is that love and being yourself is key to becoming whole and “woven.” If our readers walk away from WOVEN with a higher sense of self-worth and purpose, then our job is done.

How long or hard was your road to publication?

Our road to publication was unusual to say the least. After the rights for WOVEN were returned to us, the controversy with our previous publisher ignited a media frenzy that landed us offers of representation with six major literary agencies. All of the Big Five publishing houses requested and read the manuscript. After carefully weighing our options, we selected Meredith Bernstein to represent WOVEN in an action with major publishers. Scholastic made the best offer and they have been an absolute pleasure to work with.

What's your collaborative writing ritual like?

The “Lead Writing” approach has worked exceptionally well for us. That’s when one writer handles the initial draft while the other focusing on editing and adding elements. We always plan our chapters ahead of time. This has helped us streamline the presentation into one that is unique. You could say this would be a very different book if it was written by either of us on our own.

What are you working on now?

We intended WOVEN to be a great book by itself with the potential for more. We are now working on our own projects, another collaborative project, and drafting a companion novel for WOVEN with a different main character. It’s clear by the end of WOVEN who the character is.

ABOUT THE BOOK

Woven
by Michael Jensen and David Powers King
Hardcover
Scholastic Press
Released 1/27/2015

Two unlikely allies must journey across a kingdom in the hopes of thwarting death itself.

All his life, Nels has wanted to be a knight of the kingdom of Avërand. Tall and strong, and with a knack for helping those in need, the people of his sleepy little village have even taken to calling him the Knight of Cobblestown.

But that was before Nels died, murdered outside his home by a mysterious figure.

Now the young hero has awoken as a ghost, invisible to all around him save one person—his only hope for understanding what happened to him—the kingdom’s heir, Princess Tyra. At first the spoiled royal wants nothing to do with Nels, but as the mystery of his death unravels, the two find themselves linked by a secret, and an enemy who could be hiding behind any face.

Nels and Tyra have no choice but to abscond from the castle, charting a hidden world of tangled magic and forlorn phantoms. They must seek out an ancient needle with the power to mend what has been torn, and they have to move fast. Because soon Nels will disappear forever.

Purchase Woven at Amazon
Purchase Woven at IndieBound
View Woven on Goodreads

ABOUT THE AUTHORS

Michael Jensen is a graduate of Brigham Young University’s prestigious music, dance, and theater program. Michael taught voice at BYU before establishing his own vocal instruction studio. In addition to being an imaginative storyteller, Michael is an accomplished composer and vocalist. He lives in Salt Lake City with his husband and their four dogs.

Photo credit: Michael Schoenfeld







David Powers King was born in beautiful downtown Burbank, California where his love for film inspired him to become a writer. An avid fan of science fiction and fantasy, David also has a soft spot for zombies and the paranormal. He now lives in the mountain West with his wife and three children.

Photo credit: Katie Pyne Rasmussen





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6. Pesona Kawah Putih Bandung


<!--[if gte mso 9]> Normal 0 false false false EN-US X-NONE X-NONE <![endif]-->Kawah Putih Bandung adalah salah satu objek wisata yang banyak dikunjungi oleh warga di sekitar Bandung maupun wisatawan yang datang dari luar daerah. Kawah Putih ini mulai terkenal sejak tahun 1837 ketika seorang berkebangsaan Jerman yang mulai meneliti dan menemukan tempat ini.


pesona-kawah-putih-bandung

Sejarah Singkat Kawah Putih
Dikatakan bahwa ahli botani berkebangsaan Jerman tersebut sangat penasaran dengan keadaan di desa yang sangat sunyi dari kicauan burung.Tentu saja ini menyebabkan rasa penasaran serta keingintahuan penyebab fenomena tersebut. 
Berbekal cerita yang beredar di masyarakat, yaitu, terdapat sebuah tempat angker yang selalu menyebabkan burung-burung mati apabila melewatinya, kemudian ahli botani berkebangsaan Jerman tersebut mulai menjelajah dan mencari tahu apakah kebenaran atau fakta yang disampaikan oleh warga tersebut bisa dipercaya atau tidak. Dalam perjalanannya tersebut sang ahli botani kemudian menemukan Kawah Putih. dan ternyata uap dikawah inilah yang menyebabkan burung mati.

Objek Wisata Kawah Putih
Hingga saat ini Kawah Putih merupakan tujuan favorit wisata warga di sekitaran Bandung karena tempat ini memiliki pemandangan alam yang sangat indah serta tentunya Kawah Putih yang menjadi daya tarik utama.
Selain kawah yang berwarna putih di sekitar tempat ini juga terdapat tanah yang berwarna putih. Kawah yang berada di Ciwidey tersebut sebenarnya adalah kawah yang berada di kawasan pegunungan. Gunung ini tingginya sekitar 2.400 meter di atas permukaan laut.
Pada musim dingin biasanya suhu di tempat ini turun sangat drastis mencapai 80 celcius.Namun pada hari-hari biasa suasananya lebih hangat dan mencapai 220 celsius.Walau demikian bagi anda yang tidak terbiasa dengan kondisi cuaca dingin kemang, cobalah untuk selalu membekali diri dengan baju hangat atau jaket dan syal.
Kawah Putih memiliki air yang sangat jernih dan kadang-kadang berwarna kehijau-hijauan.Hal tersebut dikarenakan kandungan belerang yang terdapat di sekitar kawah.Bukit-bukit hijau yang ditumbuhi semak belukar merupakan pemandangan yang jamak kita temukan ditempat ini.
Akomodasi Kawah Putih
Akomodasi dan fasilitas di Kawah Putih, akomodasi dan fasilitas sudah lumayan lengkap karena telah memiliki beberapa akomodasi standar seperti area parkir, transportasi, pusat informasi, toilet, restoran dan warung makan.
Akses menuju kawah putih
Untuk mencapai tempat ini anda bisa mengaksesnya dari jalur Tol Cipularang dan keluar di pintu Tol Kopo.Kemudian melanjutkan perjalanan menuju Soreang.Setelah itu anda akan tiba di Ciwidey.Jika anda tidak memiliki kendaraan pribadi anda juga masih bisa menggunakan angkot untuk datang ke tempat ini.
Untuk bisa masuk ke kawasan Kawah Putih biasanya anda harus membayar tiket masuk atau biaya kontribusi sebesar Rp. 15.000 per orang.
Namun sangat disayangkan bahwa ongkos parkir di tempat ini sangatlah mahal.Terutama jika anda ingin membawa kendaraan hingga ke dekat lokasi kawah.Untuk parkir di atas, kendaraan roda 4 biasanya dihargai Rp. 150.000, sedangkan roda dua dihargai Rp. 35.000.Namun jika anda tidak ingin biaya terlalu mahal untuk parkir anda bisa parkir di bawah dan berjalan menuju kawah biaya parkir di bawah biasanya Rp. 6.000 untuk kendaraan roda empat, dan Rp. 5.000 untuk kendaraan roda dua.
Tips
Jangan lupa untuk membawa masker jika anda berkunjung ke Kawah Putih.

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7. Chinese literary philately

       At China Daily they have a slideshow (yeah, sorry ..) of examples of how Stamps celebrate masterpieces of Chinese literature -- some pretty nice pieces.
       And, of course, anything honoring/highlighting classics like Dream of the Red Chamber (i.e. The Story of the Stone) is worth a mention ..... Read the rest of this post

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8. Vermeer-related publication

beholder

The Eye of the Beholder: Johannes Vermeer, Antoni van Leuwenhoek, and the Reinvention of Seeing
Mar 16, 2015
by Laura J. Snyder
http://books.wwnorton.com/books/detail.aspx?id=4294985240

from the publisher’s website:
In Eye of the Beholder, Laura J. Snyder transports us to the streets, inns, and guildhalls of seventeenth-century Holland, where artists and scientists gathered, and to their studios and laboratories, where they mixed paints and prepared canvases, ground and polished lenses, examined and dissected insects and other animals, and invented the modern notion of seeing. With charm and narrative flair Snyder brings Vermeer and Van Leeuwenhoek—and the men and women around them—vividly to life. The story of these two geniuses and the transformation they engendered shows us why we see the world—and our place within it—as we do today.

reviews:
“Laura Snyder is both a masterly scholar and a powerful storyteller. In Eye of the Beholder, she transports us to the wonder-age of seventeenth-century Holland, as new discoveries in optics were shaping the two great geniuses of Delft—Vermeer and van Leeuwenhoek—and changing the course of art and science forever. A fabulous book.”
— Oliver Sacks

Eye of the Beholder is a thoughtful elaboration of the modern notion of seeing. Laura J. Snyder delves into the seventeenth century fascination with the tools of art and science, and shows how they came together to help us make sense of what is right in front of our eyes.”
— Russell Shorto, author of Amsterdam: A History of the World’s Most Liberal City

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9. Run, Librarians, Run!


On Tuesday, the new mural was kicked off to a flying start, when I met the two Y4 classes, from St Joseph's Primary and Smawthorne Henry Moore schools in Castleford, who have been chosen to help me to create the artwork. We worked in Castleford Museum, just upstairs from where the mural will be housed. I had each group for less than two hours, so we had a lot to achieve in a short time


You may recall, I decided on a tiger theme, because of the local rugby team and it was a small step from that to having tigers rampaging among the librarians and children in a 'jungle library'. So, I asked the morning group to focus on tigers. I demonstrated various quick techniques to help the children structure their animals and give them movement, then they were off!


They were so into it and all drew like demons for the entire time. I just love the one at the top by Riley Farrar from St Joseph's! Those that finished their tigers early, had a go at librarians. I showed them how to use body language and eyebrows to get across emotion. Not everyone finished colouring, so I will be getting out my Derwents soon!


For the afternoon session, I changed things slightly and asked children to be more general, drawing other jungle animals. We had some interesting discussions: 'Miss, can I draw a penguin?', 'I don't think you get penguins in the jungle, do you?', 'Well, how about a shark?'. Thank goodness for Jungle Grumble, to get some idea of the animals you might actually find in the jungle!

I also asked them to think about background details for the jungle library, whist being careful not to actual colour the background, as that will of course be done digitally by me, once the design is sorted out.


The afternoon group drew me some children and a few more librarians too. Bethany has definitely got to win the prize for best librarian illustration. Look carefully and you will see that she has also featured one of the library's 'talking books':


As well as having a well known rugby team, Castleford is an important archeological site (the museum is full of Roman artifacts, including the wheels of a chariot), so I have been asked to try and feature the Romans in the mural too. It's a hard match to the existing theme, but I wondered if a few Roman soldiers might come to life from the Ancient History bookshelves. They could help restore order and fight off the tigers perhaps. With this in mind, a few children drew Romans for me:


I did the return journey to Sheffield with a lovely, fat package of amazing illustrations. This week I have been scanning them into my computer, just as low-res images for now, so I can play around, dropping them into the templates I created, trying to combine as many of them as possible into what will ultimately be one big illustration, rampaging around the walls of Castleford Children's Library.

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10. Just thinking

When I went to Office Works the other day, it was a trip I enjoyed, with my car window down and the perfume of damp earth, Eucalyptus trees and other bush vegetation wafting through. I wanted to jump out of the car and go strolling through the scrub like I used to do when I lived in the outback and then in the farming region. City living is a necessity when one gets old, living close to hospitals, chemists, specialists, doctors and of course shopping precincts. But nostalgia calls all the time to return. It seems I must content myself perhaps to little trips, scribbling my bush poetry taken from my memories and keep busy so I don't get blasted homesick all the time! I would love to be in the Murchison, particularly in the winter and spring, not necessarily the summer thank you when the sun beats down on one's head fare to push me through the baked ground! But to see the willy willy's spring up, swirling around filled with twigs and dirt and anything else it picks up, kangaroos umping away from my intrusion, the leaps causing puffs of dust or an inquisitive emu treading warily towards my stationary person. Until I moved! Here where I live I often get the smell of the jarrah trees wafting down from the hills, and the familiar itch occurs and I have the desire to wander through the Darling Ranges, checking out the plants and dark-trunked jarrah trees, granite rocks and such. Have you ever been bush reader? You don't know what you are missing. I feel for the kids of the city today, who do not have the freedom I have had when growing up and in my married years, where I roamed freely wherever I wished to go. Youngsters today cannot do that, unless it is a controlled visit to the bush. Perhaps I am not making myself easily understood, but as kids we took off into the scrub wherever the fancy took us, never worrying about getting lost or of 'absolute rotters' who may be hiding. Such things never entered our heads. We would roam anywhere and mostly barefoot. I do not recall getting feet full of prickles! Quite often I roamed on my own, amongst the granite rocks up in the Darling Ranges seeking the elusive and precious orchids, donkey, spider, pink lady, blue enamel. They were never picked, but enjoyed. It is wonderful walking through the bush and smelling the rich aroma of the blackboy. In my younger years, damaged blackboy trees were used for lighting fires, within reason of course, as the gum clogged up the chimneys. A delight though, when having picnic or camping out for the aroma of burning blackboy was delightful! Dangling from their writhing positions from shrubs and trees hang the fringed lily to enhance one's view. Underfoot were the yellow bellybuttons, amongst them the mulla mulla's, or pussytails another name for them, the common name.


Cotton bush on Three Rivers station in the Murchison


Blackboys, Gooseberry Hill, Darling Ranges

White everlastings, Moorarie Station, Murchison


Kangaroo Paws and smoke bush, Kings Park, Perth


Royal Mulla Mulla or Pussytails, Murchison

Donkey Orchids in a park near me, Kelmscott

Pink enamel orchid, Darling Ranges

Smoke bush and a friends hand Toodyay

Blue Leschenaultia Toodyay


A little blue unkown creeper


Sturt Desert pea, DeGrey region Pilbara.

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11. Sarah Cross, author of TEAR YOU APART, on not rejecting yourself

What was your inspiration for writing TEAR YOU APART?

I wanted to do another book set in Beau Rivage (a city where people are cursed to live out fairy tales), and "Snow White" is one of the fairy tales I was most surprised by when I first read the Grimms' version, because it's so disturbing and the "happily ever after" is not romantic at all. I really wanted to play with that story, and write about a girl who was anticipating that twisted fate.

What scene was really hard for you to write and why, and is that the one of which you are most proud? Or is there another scene you particularly love?

The hardest scenes to write, for me, are the emotionally intense scenes. I tend to rework those the most, going over and over them until I feel like the intensity I want is there. I don't know that there's a scene I'm most proud of; at this point in the process, it's hard for me to break it down like that. I'm really proud of the book as a whole.

What book or books would most resonate with readers who love your book--or visa versa?

Anyone who likes dark reimaginings of fairy tales should check out Angela Carter's The Bloody Chamber, Tanith Lee's Red as Blood: Tales from the Sisters Grimmer, and Emma Donoghue's Kissing the Witch.

What advice would you most like to pass along to other writers?

Don't give up. Seriously. That is the most important thing. The most devastating rejection is the one you give yourself. It's the only "no" that's final, the only one that can really stop you.

ABOUT THE BOOK

Tear You Apart
by Sarah Cross
Hardcover
EgmontUSA
Released 1/27/2015

If you want to live happily ever after, first you have to stay alive.

Viv knows there’s no escaping her fairy-tale curse. One day her beautiful stepmother will feed her a poison apple or convince her on-again-off-again boyfriend, Henley, to hunt her down and cut out her heart before she breaks his. In the city of Beau Rivage, some princesses are destined to be prey.

But then Viv receives an invitation to the exclusive club where the Twelve Dancing Princesses twirl away their nights. There she meets Jasper, an underworld prince who seems to have everything—but what he really wants is her. He vows to save her from her dark fate if she’ll join him and be his queen.

All Viv has to do is tear herself away from the huntsman boy who still holds her heart. Then she might live to see if happily ever after is a promise the prince can keep. But is life as an underworld queen worth sacrificing the true love that might kill her?

Purchase Tear You Apart at Amazon
Purchase Tear You Apart at IndieBound
View Tear You Apart on Goodreads

ABOUT THE AUTHOR

Sarah Cross is the author of the fairy tale novels Kill Me Softly and Tear You Apart (coming January 2015), the superhero novel Dull Boy, and the Wolverine comic "The Adamantium Diaries." She loves fairy tales, lowbrow art, secret identities and silence. Visit her website here

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12. Aim Higher: Conferring and Student Goals

So, you've studied your students' writing, analyzing their work for strengths and next steps. Maybe you took home a giant stack of writers notebooks, or a huge pile of on-demand writing assessments, or maybe you've just finished reading their published pieces. Now what?

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13. Talents and Skills Entry: Enhanced Taste Buds

As writers, we want to make our characters as unique and interesting as possible. One way to do this is to give your character a special skill or talent that sets him apart from other people. This might be something small, like having a green thumb or being good with animals, to a larger and more competitive talent like stock car racing or being an award-winning film producer. 

When choosing a talent or skill, think about the personality of your character, his range of experiences and who his role models might have been. Some talents might be genetically imparted while others are created through exposure (such as a character talented at fixing watches from growing up in his father’s watch shop) or grow out of interest (archery, wakeboarding, or magic). Don’t be afraid to be creative and make sure the skill or talent is something that works with the scope of the story. 

Enhanced Taste Buds

eatingDescription: the ability to taste even the most subtle of flavors, and distinctly tell the difference between bitter, sweet, salty, sour and umami.

Beneficial Strengths or Abilities: Enhanced taste buds have a genetic component, but anyone can learn to improve their range of taste. Having a love of food, a keen interest in nutrition, the desire to experiment and try new things are all qualities that will help a person develop their sense of taste.

Character Traits Suited for this Skill or Talent: focused, curious, attentive, unbiased, patient, open-minded, self-controlled

Required Resources and Training: People with a heightened sense of taste need to protect their taste buds through healthy choices. As smell affects taste, avoiding environments that have lots of scents and not wearing body sprays, perfume or aftershave will help keep one’s palette neutral. Avoiding bad habits like smoking, and foods that are overly salty or spicy will keep a character from scarring their palett. Attending a culinary school or apprenticing for a chef will help expose them to new tastes and textures, widening their experience and knowledge. Travel can also provide excellent opportunities to try different types of food and spices, not to mention learnings unique cooking methods if one’s goal is to become a chef.

Associated Stereotypes and Perceptions:

  • that people with sensitive taste buds are picky eaters
  • that people with this talent avoid processed food, fast food and do not eat junk food because they are “snooty” about what they eat

Scenarios Where this Skill Might be Useful:

  • excelling in the culinary industry (chef)
  • the ability to pick up on flavors that should not be present (drugs, poison, etc.)
  • being able to blend flavors and re-imagine food, inventing something new and earning fame

You can brainstorm other possible Skills and Talents your characters might have by checking out our FULL LIST of this Thesaurus Collection. And for more descriptive help for Setting, Symbolism, Character Traits, Physical Attributes, Emotions, Weather and more, check out our Thesaurus Collections page.

 

Image: Artistlike @ pixabay

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14. College Arts Association 2015 Annual Meeting Conference Guide

The Oxford University Press staff is happy that the College Arts Association 2015 Annual Conference (11-14 February 2015) will be held in our backyard: New York City! So we gathered together to discuss what we’re interested in seeing at this year’s conference, as well as some suggestions for those visiting our city.

Alodie Larson, Editorial:
I look forward to CAA. I love having the opportunity to meet authors, see old friends, and get together with the outstanding group of scholars who make up the Editorial Board for Grove Art. The years that New York hosts CAA are low-key for me, as I don’t need to travel. 

I recommend heading to MoMA to hold meetings over coffee and snacks in their cafes. If you need a break from the din of the conference and/or architectural inspiration, slip over to Cram and Goodhue’s beautiful St. Thomas Church 5th Avenue for a moment of quiet reflection.

Joy Mizan, Marketing:
This will be my first time attending CAA with OUP. I’m excited to help set up our booth and display our latest books and online products in Art, but I’m really excited to meet our authors, board members, and academics to learn more about their interest in Art. (It’s always great to meet in person after only interacting over email or the phone.)

Need a place to eat? There’s a great food cart called Platters right outside the hotel, so I definitely suggest attendees try it out while in NYC. It opens at 7:00 p.m. though!

Sarah Pirovitz, Editorial:
I’m thrilled to be attending CAA this year as an acquiring editor for monographs and trade titles. I look forward to hearing about interesting new projects and connecting with scholars and friends in the field.

Mohamed Sesay, Marketing:
I’m delighted to attend my first CAA conference with Oxford University Press. This conference will be a great opportunity to meet authors in person, and to get to know some of our Art consumers.

If you’re looking for a great place to eat in New York City I suggest Landmarc in Columbus Circle. The restaurant has great food and it’s right next to Central Park.

Here are just a few of the sessions that caught our eyes:

  • The Trends in Art Book Publishing, on 10 February at 6:00 p.m. in the New York Public Library, Stephen A. Schwarzman Building, South Court Auditorium (Yes, we work in publishing!)
  • Original Copies: Art and the Practice of Copying, on 11 February at 9:30 a.m. in the Hilton New York, 2nd Floor, Sutton Parlor South
  • Building a Multiracial American Past (Association for Critical Race Art History), on 11 February at 12:30 p.m. in the Hilton New York, 2nd Floor, Sutton Parlor Center
  • Making Sense of Digital Images Workshop, on 11 February at 2:30 p.m.
  • CAA Convocation and Awards Presentation, including Dave Hickey’s Keynote Address, on 11 February at 5:30 p.m. in the Hilton New York, 3rd Floor, East Ballroom
  • Chelsea Gallery District Walking Tour, on 12 February at 12:00 p.m.
  • Presenting a Code of Best Practices in Fair Use for the Visual Arts (CAA Committee on Intellectual Property), on 13 February at 12:30 p.m.
  • New York 1880: Art, Architecture, and the Establishment of a Cultural Capital on 13 February at 2:30 p.m. in the Hilton New York, 2nd Floor, Beekman Parlor
  • Art Lovers and Literaturewallahs: Communities of Image and Text in South and Southeast Asia (American Council for Southern Asian Art), on 14 February at 9:30 am in the Hilton New York, 3rd Floor, Rendezvous Trianon
  • The Encyclopedia of Aesthetics, 2nd Edition (Oxford University Press – that’s us!) on 14 February at 12:30 p.m. in the Hilton New York, 2nd Floor, Sutton Parlor Center

Of course, we hope to see you at Oxford University Press booth 1215. We’ll be offering the chance to:

  • Check out which books we’re featuring.
  • Browse and buy our new and bestselling titles on display at a 20% conference discount.
  • Get free trial access to our suite of online products.
  • Pick up sample copies of our latest art journals.
  • Enter our raffle for free OUP books.
  • Meet all of us!

And don’t forget to learn more about the conference on the official website, or follow along on social media with the #CAA2015 hashtag.

Featured Image: Reflection / Kolonihavehus by Tom Fruin and CoreAct @ DUMBO Arts Festival, Brooklyn Bridge Park, NYC by Axel Taferner. CC-BY-NC-SA 2.0 via Flickr.

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15. A Dozen Cousins, by Lori Haskins Houran | Book Giveaway

The Children’s Book Review | January 31, 2015 Enter to win a hardcover copy of A Dozen Cousins (Sterling Children’s Books, February 3, 2015), story by Lori Haskins Houran and illustrations by Sam Usher. One (1) winner receives: A hardcover copy of A Dozen Cousins Age Range: 4-6 Giveaway begins January 31, 2015, at 12:01 A.M. PST and ends February 28, 2016, […]

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16. Vermeer-related film

onscreen

Girl with a Pearl earring and other Treasures from the Mauritshuis
produced by Exhibition on Screen
in cinemas from 13 January
http://www.exhibitiononscreen.com/girl-with-a-pearl-earring

from Exhibition on Screen’ website:
Girl with a Pearl Earring by Johannes Vermeer is one of the most enduring paintings in the history of art. Even today, its recent world tour garnered huge queues lining up for the briefest glimpse of its majestic beauty – In Japan 1.2 million people saw the exhibition. Yet the painting itself is surrounded in mystery. This beautifully filmed new documentary seeks to investigate the many unanswered questions associated with this extraordinary piece. Who was this girl? Why and how was it painted? Why is it so revered?

After its world tour, the Girl with a Pearl Earring returned to the much-loved Mauritshuis in The Hague, Netherlands, which has just completed extensive renovations. Enjoying unparalleled exclusive access to this historical exhibition, the film takes the audience on a journey as it seeks to answer many of the questions surrounding this enigmatic painting and its mysterious creator, Vermeer. Using the recently completed and highly complex makeover of the museum as its starting point, the film goes on a behind the scenes detective journey to seek out the answers that lie within the other masterpieces housed in the collection.

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17. Essential considerations for leadership in policing (and beyond)

There are problems with defining the term ‘leadership’. Leadership often gets confused with the management function because, generally, managers are expected to exhibit some leadership qualities. In essence, leaders are instruments of change, responsible for laying plans both for the moment and for the medium and long-term futures. Managers are more concerned with executing plans on a daily basis, achieving objectives and producing results.

Top police leaders have a responsibility for deciding, implementing, monitoring, and completing the strategic plans necessary to meet the needs and demands of the public they serve. Their plans are then cascaded down through the police structure to those responsible for implementing them. Local commanders may also create their own plans to meet regional demands. The planner’s job is never finished: there is always a need to adapt and change existing measures to meet fresh circumstances.

Planning is a relatively mechanical process. However, the management of change is notoriously difficult. Some welcome change and the opportunities it brings; others do not because it upsets their equilibrium or places them at some perceived disadvantage. Mechanisms for promoting plans and dealing with concerns need to be put in place. Factual feedback and suggestions for improvement should be welcomed as they can greatly improve end results. When people contribute to plans they are more likely to support them because they have some ownership in them.

Those responsible for implementing top-level and local plans may do so conscientiously but arrangements rarely run smoothly and require the application of initiative and problem solving skills. Sergeants, inspectors, and other team leaders – and even constables acting alone – should be encouraged to help resolve difficulties as they arise. Further, change is ever present and can’t always be driven from the top. It’s important that police leaders and constables at operational and administrative levels should be stimulated to identify and bring about necessary changes – no matter how small – in their own spheres of operation, thus contributing to a vibrant leadership culture.

The application of first-class leadership skills is important: quality is greatly influenced by the styles leaders adopt and the ways in which they nurture individual talent. Leadership may not be the first thing recruits think of when joining the police. Nonetheless, constables are expected to show leadership on a daily basis in a variety of different, often testing situations.

“Leaders are instruments of change, responsible for laying plans both for the moment and for the medium and long-term futures.”

Reflecting on my own career, I was originally exposed to an autocratic, overbearing organisation where rank dominated. However, the force did become much more sophisticated in its outlook as time progressed. As a sergeant, inspector, and chief inspector, my style was a mixture of autocratic and democratic, with a natural leaning towards democratic. Later, in the superintendent rank, I fully embraced the laissez-faire style, making full use of all three approaches. For example, at one time when standards were declining in the workplace I was autocratic in demanding that they should be re-asserted. When desired standards were achieved, I adopted a democratic style to discuss the way forward with my colleagues. When all was going well again, I became laissez-faire, allowing individuals to operate with only a light touch. The option to change style was never lost but the laissez-faire approach produced the best ever results I had enjoyed in the police.

Although I used these three styles, the labels they carry are limiting and do not reveal the whole picture. Real-life approaches are more nuanced and more imaginative than rigidly applying a particular leadership formula. Sometimes more than one style can be used at the same time: it is possible to be autocratic with a person who requires close supervision and laissez-faire with someone who is conscientious and over-performing. Today, leadership style is centred upon diversity, taking into account the unique richness of talent that each individual has to offer.

Individual effort and team work are critical to the fulfillment of police plans. To value and get the best out of officers and support staff, leaders need to do three things. First, they must ensure that there is no place for discrimination of any form in the police service. Discrimination can stunt personal and corporate growth and cause demotivation and even sickness. Second, they should seek to balance the work to be done with each individual’s motivators. Dueling workplace requirements with personal needs is likely to encourage people to willingly give of their best. Motivators vary from person to person although there are many common factors including opportunities for more challenging work and increased responsibility. Finally, leaders must keep individual skills at the highest possible level, including satisfying the needs of people with leadership potential. Formal training is useful but perhaps even more effective is the creation of an on-the-job, incremental coaching programme and mentoring system.

Police leaders need to create plans and persuade those they lead to both adopt them and see them through to a satisfactory conclusion. If plans are to succeed, change must be sensitively managed and leaders at all levels should be encouraged to use their initiative in overcoming implementation problems. Outside of the planning process, those self-same leaders should deal with all manner of problems that beset them on a daily basis so as to create a vibrant leadership culture. Plans are more liable to succeed if officers and support staff feel motivated and maintain the necessary competence to complete tasks.

Headline image: Sir Robert Peel, by Ingy The Wingy. CC-BY-ND-2.0 via Flickr.

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18. My tweets

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19. Alina Bronsky on writing in German

       At PEN Atlas Broken Glass Park-author Alina Bronsky writes about belonging to: "the subset of authors who write books in a language that is not their native tongue", in You speak such good German.
       This is neither a new nor very uncommon phenomenon -- though in recent years English has, of course, been by far the most popular secondary language that writers have turned to. But quite a few have adopted German too (many from eastern Europe and the former Soviet Union, but also from other languages -- e.g. Tawada Yoko (e.g. The Naked Eye) -- while French also continues to be a popular second choice.

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20. Vermeer-inspired memoir

white1

Travels in Vermeer: A Memoir
by Michael White
2015
http://www.perseabooks.com/detail.php?bookID=113

from the publisher’s webpage:
In the midst of a bad divorce, the poet Michael White unexpectedly discovers the consoling power of Johannes Vermeer’s radiant vision. Over the course of a year, he travels to Amsterdam, The Hague, Delft, Washington D.C., New York, and London to view twenty-four paintings, including nearly all of Vermeer’s major work.

“A certain chain of events has left me open, on a startlingly deep level, to Vermeer’s gaze, to his meditation on our place on earth,” White writes.

Part travelogue, part soul-searching investigation into romantic love and intimate discourse on art, this erudite and lyrical memoir encompasses the author’s past–his difficult youth, stint in the Navy, alcoholism, and the early death of his first wife–and ends with his finding grace and transformation through deeply affecting encounters with the paintings of Vermeer, an artist obsessed with romance and the inner life, who has captivated millions, from the seventeenth century until now.

reviews:
“All the sorrow of love is compressed into White’s memoir. But so, too, is all the consolation of art. Nothing I’ve read…suggests so eloquently what [Vermeer’s paintings] hold for a contemporary viewer…Figures it took a poet to get it this beautifully, thrillingly right.”
— Peter Trachtenberg

“[Travels in Vermeer] touches on the mysteries of seduction, loss, and the artistic impulse. It shows how time can be interrupted.”
—Clyde Edgerton

“This book is a treasure and a guide. It is a type of healing for the intellect and the heart.”
—Rebecca Lee

about the author:
Michael White is the author of four collections of poetry and a memoir, Travels in Vermeer (Persea 2015), and has published widely in respected periodicals, including The Paris Review, The New Republic, The Kenyon Review, Ploughshares, Western Humanities Review, and the Best American Poetry. White teaches poetry and is presently chair of the Creative Writing department at the University of North Carolina, Wilmington.

publisher’s webpage:
http://www.perseabooks.com/detail.php?bookID=114

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21. January issue of Asymptote

       Just in time for the weekend -- though really stretching it, as far as the issue date goes -- the January issue of Asymptote is now available online: wall-to-wall international literature goodness, from fiction/non/poetry translations to reviews and Q & As.
       See for yourself -- just make sure you actually have time to explore for a while: there's a great deal of worthwhile material here.

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22. Vermeer-related article

“Most rare workmen”: Optical practitioners in early seventeenth-century Delft”
Huib J. Zuidervaart and Marlise Rijks
The British Journal for the History of Science, pp. 1 – 33, (March 2014)

online article can be accessed at:
http://journals.cambridge.org/action/displayAbstract?fromPage=online&aid=9202672&fileId
=S0007087414000181

abstract:
A special interest in optics among various seventeenth-century painters living in the Dutch city of Delft has intrigued historians, including art historians, for a long time. Equally, the impressive career of the Delft microscopist Antoni van Leeuwenhoek has been studied by many historians of science. However, it has never been investigated who, at that time, had access to the mathematical and optical knowledge necessary for the impressive achievements of these Delft practitioners. We have tried to gain insight into Delft as a ‘node’ of optical knowledge by following the careers of three minor local figures in early seventeenth-century Delft. We argue that through their work, products, discussions in the vernacular and exchange of skills, rather than via learned publications, these practitioners constituted a foundation on which the later scientific and artistic achievements of other Delft citizens were built. Our Delft case demonstrates that these practitioners were not simple and isolated craftsmen; rather they were crucial components in a network of scholars, savants, painters and rich virtuosi. Decades before Vermeer made his masterworks, or Van Leeuwenhoek started his famous microscopic investigations, the intellectual atmosphere and artisanal knowledge in this city centered on optical topics.

Especially of interest is the authors’ tie between three optical practitioners who lived in Delft simultaneously with Vermeer. One of them, Jacob Spoors, was in 1674 the notary of Vermeer and his mother-in-law Maria Thins. Another was an acquaintance of Spoors, the military engineer Johan van der Wyck, who made an optical device in Delft in 1654, most likely a camera obscura. A report about the demonstration in nearby The Hague has been preserved. Van der Wyck also made telescopes and microscopes and an apparatus that probably was a kind of perspective box. As a telescope maker he was preceded by Evert Harmansz Steenwyck, brother-in- law of the Leiden painter David Bailly and father of two Delft still-life painters: Harman and Pieter Steenwyck. The latter was familiar with Vermeer’s father Reynier Jansz Vermeer, at a time when the young Vermeer was still living with his parents. According to the authors, this is the first real archival evidence that such a device existed in Delft during Vermeer’s life.

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23. It's alive

What I produced when live drawing for an hour

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24. The Action Art of Mort Kunstler


On Thursday we visited the exhibition "Mort Kunstler: The Art of Adventure" at the Norman Rockwell Museum in Stockbridge, Massachusetts.  
Mort Kunstler, "Buried Alive for Four Months," Stag Magazine, 1965.

The exhibit spans his entire career, celebrating his well-known Civil War paintings, but I'd like to focus here on his earlier work for the men's action magazines, which doesn't get exhibited as often. 

When Mort Kunstler started doing illustrations in the early 1950s, he said that the field of mainstream magazine story illustration was already beginning to die away. "Color photography and television was coming in," he says, and advertising money was going to television. Dramas were broadcast on TV instead of being published in magazines.


But there were over 130 separate titles of men's adventure magazines still going strong, catering to veterans of World War II. The magazines had names like Adventure, Real, True, Saga, Stag, Swank and For Men Only

The illustrations were often printed in limited color palettes, such as red and black, and they required tight deadlines. Kunstler produced a vast output of complex images, usually staged with maximum drama and sex appeal. Most of these early paintings were executed in gouache on board.



Still at the easel in his 80s, Mort has remained busy for all these decades, with one assignment or painting idea following another. He has done it all: movie posters, plastic model box covers, commercial advertisements, and limited edition art prints.


He painted this spoof on Jaws for Mad magazine. He wasn't sure if it would alienate his fans, so he signed it "Mutz," just one of his pseudonyms.


In the 1970s, after the era of men's magazines was over, he painted paperback covers, such as "The Kansan," above. He switched to oil paint, and found his main calling painting scenes from American history, particularly documenting epic moments from the Civil War. 

All these aspects of his career are well represented in the three large rooms of the exhibition, along with examples of his preliminary sketches, comprehensive drawings, and tearsheets that show his process.

The exhibition "Mort Kunstler: The Art of Adventure" will be on view at the Norman Rockwell Museum in Stockbridge, Massachusetts through March 8. 

Books:

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25. 'Emerging Voices'

       The Financial Times tries to pay some attention to 'Emerging Vocies' with a couple of pieces, including Literature has liberated Africa's authors by Maya Jaggi and Arab writers begin to make their mark by Hannah Murphy.
       Well-meaning, no doubt, but ..... Read the rest of this post

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