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Today I was tired and headache-y, yet I needed to get some writing done. I don’t know about you, but I find writing a grueling challenge on the rare days I feel rotten.

That’s why I found a chapter in The Write Type by Karen E. Peterson very encouraging. The author said that not all the stages of producing a story or book involve heavy-duty creative thinking. If you’re not feeling the best somedays, use that time for a writing job that requires less energy–but still has to be done sometime.

Three of the following stages you’ll be familiar with (prewriting, writing and rewriting.) The other three stages are writing jobs you have to do but rarely give yourself credit for.

Stages of Writing

• Read-writing: Reading what you’ve already written before revising
• Co-writing: Discussing with another writer what you want to write or have written, getting feedback and encouragement
• Rote-writing: typing up lists, references, and hand-written revisions
• Prewriting: Gathering notes, ideas, and resources, plus jotting down ideas or outlines
• Writing: creating the story, article, poem, or book
• Rewriting: editing, revising and proofing

What To Do?

Each stage of writing requires a different kind of energy and concentration. What is most helpful is to match your energy level to the task. It all has to be done at some point, but much of it doesn’t have to be done in order.

And if you’re exhausted, start with the easiest task. That’s what I did today. I had go through some photos I’d taken, find and watch a couple of YouTube videos on a process I couldn’t quite picture, type up a list from scraps of notes, and re-read a revised chapter to see if it held together.

It took a couple of hours, I made progress, I got some needed writing jobs done on the project, and I didn’t make my headache worse. A good day!

Did you read “Who’s in Charge?” (Part 1) and “Who’s in Charge?” (Part 2) first?

Life is one choice after another. We have to choose our writing thoughts, which help shape our writing attitudes, and that leads us to the next level: actions. This is where the writing rubber meets the road. 

Actions

A committed attitude will make choosing your actions easier. When you’re willing to do whatever it takes to revamp your personal life so you can write, the choices become clearer.

• You will do things like choosing to write before doing the dishes, even though it bugs you to leave dirty dishes in the sink.
• You will choose to write for an hour instead of watch TV or talk on the phone.
• You will choose to have that lower carb/higher protein lunch so your writing energy is high all afternoon.
• You will choose to retire at a decent hour so you’re alert to create the next morning.
• You’ll consciously choose to make quality time with your family so you can write without feeling guilty–and without being neglectful.
• Instead of a mental wish list, you’ll choose to set goals, write them down, and even make a poster for your wall so you’re staring at them daily.
• You will choose to settle family quarrels and resolve conflicts partly because NOT doing so saps all your writing energy.

Just One Fork After Another!

You will make choices in all areas of your life that will support your writing instead of making it more difficult. Each time you come to a fork in the road, try to make a choice that will put you in charge of your writing. Each choice might look small, but these decisions add up to your writing life.

It might sound restrictive, but it’s really not. In 2011, I hope we all find that freedom that comes from being in charge of ourselves–and thus, our writing.

What is one action you would change today if you could?

Hope you read “Who’s in Charge?” (Part 1) first!

On Monday I talked about taking charge of your negative thought because where the mind goes, the man (or woman) follows! And how will that help?

Attitudes

Changing your thoughts will change your attitudes and emotional feelings about writing. Instead of postponing happiness until you get published, for example, choose to be content with your writing today.

Choose to enjoy the act of putting words down on paper to capture an image. Choose to enjoy delving into your memories for a kernel of a story idea. Choose to enjoy the process of reading back issues of magazines you want to submit to. Choose to enjoy reading a book on plot or dialogue or characterization for tips you can apply to your stories.

Instead of feeling pressured to succeed quickly, choose to be patient with your learning curve. Choose to be happy about each small, steady step forward.

Zoom Out!

Look at the larger picture, how each writing day is another small building block laying the foundation of your career. Stay present in the present! Pace yourself with the determined attitude of the tortoise instead of the sprinter attitude of the hare.

You also need to choose an attitude of commitment. Commit to your goals and deadlines, to continued improvement in your writing, and to dealing with negative feelings as they come up. Commitment is more than “I wish” or “I’d like.” Commitment is “I will.” There is a huge difference! (Like the gap between a man saying, “Gee, I’d like to marry you” and “Will you marry me–here’s the ring–let’s set a date!”)

Move from the wishy-washy attitude of “I’d like to be a writer” to the commitment level of “I’ll do whatever it takes for as long as it takes to be a successful writer.” That one change in attitude can be what determines if you make it as a writer.

(Stay tuned for Part 3 on Friday.)

Life takes over sometimes, unless you live on a remote island somewhere. Even happy events–new babies, company, holidays–can sidetrack you temporarily.

Today I realized that I couldn’t even remember some of the “must do” daily tasks of the 100-Day Challenge. Reviewing the weekly challenge letters turned out to be a great way to pump me up again!

Fall Back and Re-Group!

Here, in a nutshell, are some of the tips, tricks, methods and pointers of the 100-Day Challenge that I’ve found to be most helpful. So instead of giving up the Challenge because I totally missed many of the days, I’m recommitting for the final 50 Days to do the following:

• Set your goal and break that major goal down into small tasks. Do one small task daily. The only trap you can fall into is to make your daily tasks too complex. Please write this down: “A task is something which takes no longer than 10, 20 or 30 minutes.” When you chunk every task down into slivers of time, it stops you procrastinating. If you only have 20 minutes to do a task, you’ll do it. (Use a timer, either a kitchen one or a freeware timer for your computer-Google “Timer Utility” for some free choices.)
• Talk to yourself on paper (or on screen) about your writing. Instead of thinking about writing or thinking about your goals, get that thinking down on paper or screen. Take baby steps, putting one word down after the other. Keep a notebook or file open where you frequently talk to yourself and make notes about anything concerning your writing life. You will stop being intimidated by the art of writing–it will just be something you do. (For more about this see “Write It All Down.”)
• Document everything. Write down your goals and plans. Write down each day what you did toward meeting those goals. Every little bit.  Brainstorm about your strengths and weaknesses–and things you can do to overcome obstacles. Angela said, “If you get into the habit of journaling, and talking to yourself about your writing, you’ll be amazed at the breakthroughs in your writing that you’ll achieve.” Based on the days I used her idea, I have to agree!
• Make a comprehensive Master Task List. (This took several days, but I now have a three-page single spaced list of small 20-30 minute tasks. The tasks are organized into six areas that encompass the writing and marketing things I hope to accomplish.) Now when I have a 20-30 minute “window of opportunity,” I don’t have to try to think of something I can finish in that amount of time. I just grab my list, choose one, set the timer and go.
• Keep your goal, or goals, in focus. You may find it helpful to rewrite your primary goal each day. Rewrite it on a sticky note (real paper or on your computer screen) several times a day. This helps you to refocus and remember what’s important to you–and why it’s important.
• Do confidence building activities. Re-read frequently the confidence-building thoughts you’ve worked on. See
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Because pessimism measures (in part) your ability to keep going and not quit in the face of unpleasant or disappointing circumstances, I didn’t expect the book Learned Optimism to have much to say to me.

My whole life has been about not quitting in the face of severe physical problems, depressing family life issues, and major publishing downturns. It’s been about taking responsibility, learning from things, and moving on.

“I’m no quitter” is as much a part of me as my hair color (under the Preference by L’Oreal) and my brown eyes. Yes, I sometimes took on too much. Yes, my health wasn’t always the best. But I always pressed on even if things looked hopeless.

That should earn me a high score on the book’s lengthy optimism test, right?

Um…no.

This Can’t Be Right!

I was shocked. I called my best friend who had read the book and asked what her score was. She got a 9–meaning very high optimism. I’m not surprised. She’s a great encourager.

I got a 0. (Oh, I got +14 on some good stuff, but a -14 on the bad stuff, effectively cancelling out the positives.) The test and research are based on what author Martin E. P. Seligman, Ph.D. calls your “explanatory style.” It’s how you perceive the reasons behind the good things and bad things that happen to you-and your assumptions about the future.

It’s BIG

According to Seligman, “It matters a great deal if your explanatory style is pessimistic. If you scored poorly, there are four areas where you will encounter (and probably already have encountered) trouble.”

He mentioned that you’ll (1) get depressed more easily, (2) achieve less at your career than your talent warrants [listen, writers!], (3) have poorer physical health and an immune system not as good as it should be, and (4) life won’t be as pleasurable as it should be.

The author assures me that there are many ways to change your thinking in all these areas of your life. Evidently my “explanatory style” needs a major revamping. I’m looking forward to the rest of the book. It’s very research-heavy in the first half, so I may skip to the chapters on “how to fix it.”

Expect to hear more about this in future weeks! In this time of publishing upheaval and downturns, might you benefit from some “learned optimism” yourself?

The further I put myself out there teaching, writing, consulting, living, the more vulnerable I feel. 

You meet an editor or agent in an elevator or the banquet line. They turn to you and ask, “What’s your book about? Why are you the person to write it?”

Which One Is You?

Do you give a confident 30-second talk summarizing your book’s main points and why you’re the only one who could do the project justice?

OR

Do you say, “You know, that’s a good question. I’m a lousy writer! Who do I think I am anyway, masquerading as a writer? It’s a dumb book idea.”

Of course you don’t spout that second example!

And yet, many writers do that very thing to themselves every day. That evil little voice in your head or over your shoulder whispers, “That’s a stupid idea” or “That’s been done before–and a lot better” or “You’re never going to finish that story.” And like agreeable little twits, we nod and tell ourselves, “This is a dumb idea. I’m never going to finish this. This concept was done last year–and a whole lot better!”

Then, discouraged for another day, we head for the ice cream.

Pitch It to Yourself!

The name “elevator pitch” means a short speech you have ready for that opportune moment when you can market yourself or your book idea to someone that might buy it. Every day–even many times a day–you need to pitch your writing project and yourself TO YOURSELF.

How are you going to sell your story idea to yourself? What elevator pitch can you give to yourself when you’re surprised, not by an agent or editor in the elevator, but by your own nagging questions?

• When “voice in the head” says, “This is just too hard!”
• You say, “I have done many hard things in my life. I can do one more difficult thing.”
•  
• When “voice in the head” says, “There’s too much going on in your life for you to write now”
• You say, “Writing is at the top of my To-Do list because it’s important!”
•  
• When “voice in the head” says, “Editors and agents scare me!”
• You say, “Even when I feel anxious, I can act like a professional.”
•  
• When “voice in the head” says, “I can’t write because I can’t tolerate rejections”
• You say, “NOT writing is the only rejection that matters. It’s a rejection of my dreams. I can write a little each day.”

Write Your Own Now

Take a few moments today and write at least three elevator pitches of your own, counter-acting the voice in your head. Write the pitches on cards and tape them to your computer. When the “voice” badgers you the next time, read one of your cards OUT LOUD. Several times.

And if you’re feeling very brave, add an elevator pitch in the comments section (up to three pitches) that you can begin pitching to yourself today!

I talk a lot about having a positive attitude about the writing life, but your attitude isn’t everything.

There’s no doubt about the power of a positive outlook–I would be the first to say so. Dealing with your self-doubts and writing fears is critically important. However, don’t make the mistake of thinking it will substitute for other things.

At some workshops I gave last week, I met several new writers who had the most positive expectations about their future careers that I’d ever seen. I envied them actually! But then I probed a bit deeper and found something that may well derail those writers’ dreams.

What a Positive Attitude Can’t Do

• Having a hopeful and cheery  attitude about your writing won’t matter if you’re not competent at handling words and basic English grammar. You need those skills! If you don’t have them, acquire them.
• Are you actually writing and developing your craft? If you’re a fiction writer, are you working on character development, how to write believable dialogue, and plotting? If you write nonfiction, are you working on your research and querying skills? (And no, contrary to what you might hear, blogging or journaling doesn’t count because it rarely builds actual necessary skills other than the habit of daily writing.)
• Attitude won’t change the facts in your life. Fact: you have three children under the age of four and get little time to yourself. A positive attitude won’t change that. Instead, you must incorporate that fact into your writing plans. (Write in snippets of time. Write about your experiences for parenting magazines and e-zines.) Thinking positively that today you’ll have three hours alone to write is just a fantasy.
• A positive attitude won’t substitute for change. Time runs out after a while. There comes a time when you have to stop dreaming about the writing life you want to lead, complete with visualizations and an illustrated wish book. There comes a time to actually start living the writing life. (Keep an idea file. Join a critique group. Write daily or almost daily. Learn to do market study–even if you detest it.) Unless you take concrete steps to actually live the writer’s life, all the positive attitudes in the world won’t help.

Go One Step Further

Never stop having a positive attitude! It’s vital. But as writer and leadership expert John Maxwell says, “Attitude fills us with hope that we might reach our dreams. But hope apart from action falls flat.”

Definitely KEEP your attitude positive. I don’t mean to negate that in any way. But take definite steps to put a foundation under your attitude so that your dreams really do come true.

So…what is one small step you can take today to move your hopes to the next level?

[P.S. Forgive me for not getting to your comments this week until tonight. It's been one of those weeks! But I believe I've responded to them all now. Thanks for your patience!]

In 1953 a fledgling business called Rocket Chemical Company set out to create a rust-prevention solvent for use in the aerospace industry. It took them 40 attempts to get the formula right.

Voila! WD-40, which stands for Water Displacement, 40th attempt.

I find that inspiring! What if they’d given up on number 39? Then I wouldn’t have my favorite solution for unsticking locks and making my sliding glass doors actually slide.

WD-40 Your Manuscripts

No, don’t spray the greasy mist on your manuscript. But do take the WD-40 as your slogan. Don’t stop submitting until you also have tried many, many times!

In order to spur myself on to submit several book manuscripts that I had “retired” after just two rejections, yesterday I was reading in Ralph Keyes’ The Writer’s Book of Hope. I was encouraged by some very famous “WD-40″ kinds of authors who would have remained nameless if they’d given up so early.

• Despite being represented by a top literary agent and being read by prominent editors, John Knowles’s A Separate Peace was rejected by every major American publisher who saw it. (It was published in London.)
• Other famous books that went through multiple rejects include: Look Homeward, Angel; Love Story; A Wrinkle in Time; All Things Bright and Beautiful and many other novels that became classics and continue to sell decades later.
• Twenty major publishers thought Chicken Soup for the Soul had no commercial prospects, despite the authors being experienced speakers and aggressive marketers.
• Stephen King’s first four novels and sixty short stories were rejected.

Having your work turned down is no fun, and I won’t sing the praises of being rejected. I hate it too. But we must come to terms with it, accept it as part of the writing life, accept criticism if it has merit, and get on with it.

A Necessary Part

As Keyes puts it, “To working writers, rejection is like stings to a beekeeper: a painful but necessary part of their vocation.”

And now…in the spirit of the inventers of WD-40, I’m off to submit my manuscripts another 38 times.

[I'm curious about you. 'Fess up. How many rejections do you get on a manuscript before you give up on it?]

Consider this quote from basketball great Michael Jordan: “I’ve missed more than 9,000 shots in my career. I’ve lost almost 300 games. Twenty-six times, I’ve been trusted to take the game-winning shot and missed. I’ve failed over and over and over again in my life. And that is why I succeed.”

His point? To be so successful, you have to be in the game a lot and willing to fail on the way to your successes. The same is true for writers.

Over and Over and Over

Do you want to be published by a traditional publisher? Then you need to write and submit consistently–and be willing to get rejected–in order to succeed. And not just once or twice or five times. You need to do this a lot.

Don’t misunderstand here. It’s not just a matter of doing something a large number of times. Even Michael Jordan didn’t just close his eyes, spin around, and throw the ball up in the air–and magically score hundreds of points. He:

• opened his eyes
• took careful aim at the basketball hoop
• listened to his coach
• practiced his form
• concentrated, and
• then threw the ball.

Sometimes he missed–but lots of times he scored. The one thing he didn’t do was quit along the way.

Writing Parallels Sports

In the same way, just writing and writing and writing, then submitting and submitting and submitting, won’t do the trick. It’s not just about the volume of words you write, although volume is important. (It does take practice to make perfect.)

If you want to build the career of your dreams, you must also: 

• study the markets
• take careful aim
• invite feedback from writing teachers and critique partners
• revise
• repeatedly practice whatever form of writing you do, and
• then submit.

Keep following this formula–keep on keepin’ on. The law of averages will catch up with you if you don’t quit.

What About You?

Writers struggle more with some parts of the process than others. Some can write and revise till kingdom come–but won’t submit. Others submit to editors willingly, but don’t take feedback and revise.

Which part of the above “formula” for success gives you the most trouble?

According to Walking on Alligators: A Book of Meditations for Writers by Susan Shaughnessy, “Depression is surprisingly frequent in writers… ”

I think it shows up on Mondays more than any other day. It could be from a downward turn in your health, bad news about a child, a day job issue, a fight with your spouse, or your hormones have gone haywire. Or you could just be really tired.

Whatever the cause, the “blues” can derail your writing for the day–or week–if you let it.

Dealing with Depression

I used to spend so much time “dealing” with depression. Getting to the bottom of it, finding out what the experts said about my issue, praying for help, figuring out a “plan” to deal with the problem, and…not writing.

All that dealing took away from my writing, but I assumed there was no choice. After all, you can’t write when you’re depressed, can you? Won’t everything you write be horrible and dark and depressing?

Surprisingly not.

Grit and Determination?

Shaughnessy continues: “Writing goes on in spite of depression. Depression can be paralyzing; but if you can, by sheer discipline, fight your way to your regular writing place, you may be amazed by the quality of what you produce… Writing won’t banish depression. But depression doesn’t have to banish writing.”

Actually, for me, the writing often does banish depression–at least for the time you’re writing. But the important truth there is this: depression doesn’t have to banish writing.

Just Try It

So if you’re having a “blue Monday” today, get into your favorite writing position, and write anyway. Don’t waste the day. Put your problems on hold for an hour or two, and just write. You will probably be astounded in a few days at the fine quality of what you produced, even when depressed.

One caution: Don’t edit (especially, don’t discard) while depressed. Write instead. You’re not a good judge of your work when blue. Wait to edit until the sun comes out again.

Like many families, summertime for us often means traveling by car for long distances. (I’ve learned that going anywhere in Texas means traveling a long distance.)

This summer I re-read an old post on writing while traveling and decided to practice what I preached. I packed the laptop and my novel notes, and we took off.

The Realities

Did I like working on a laptop in the front seat of a compact car? No. I don’t like typing with my elbows close to my waist or trying to find angles where the sun won’t glint off the screen. Happily, we were driving in the dark a good bit of the time, so the sun wasn’t a huge problem.

Did I like writing with the radio blaring? No–I like total quiet to write. Despite the less-than-ideal writing conditions, I was able to write a whole chapter going and half a chapter on the way home. That was about 4,200 new words of a rough draft. If I hadn’t written, what would I have done otherwise? Daydreamed. Napped. Stared out the window.

Additional Benefits

Besides getting the words down, the words written in the car will be very helpful to me later today. When I sit down to write, I won’t have to go back and see what I wrote three days ago and try to remember the emotions of that scene or where I was headed with it. It’s still fresh in my mind from writing in the car last night. I can pick up where I left off with little trouble.

(By the way, I readily admit that writing with no small children in the car is MUCH easier! When my children were little and I didn’t own a laptop, my writing in the car was done with pencil and notebook, using a flashlight after dark. Where there’s a will, there’s a way!)

Dare to Be Flexible

All our best laid plans for setting up a writing schedule can go out the window during the summertime. We don’t live on islands, but instead in families that require our flexibility. So learn to build that flexibility into your writing life.

By all means, have a set schedule and a favorite place that is most conducive for your writing. But learn to go with the flow too–and fit the writing in whenever and wherever you can. Later, you’ll be glad you did!

During the summer and vacation time, what are some other places you’ve discovered that you can write? I’d love to hear about them.

“Of all things I’ve lost, I miss my mind the most.”

I don’t recall who said that famous line, but occasionally it’s true of all of us. We don’t always need to learn new things. Sometimes we just have to remember some things we once knew–but have slipped from our present-day thinking.

Time Management Re-Visited

Because of Memorial Day this week, plus a lengthy appointment, plus joining a gym, plus speaking at the City Council meeting, plus spending time with my grandkids, my available work hours looked like a piece of Swiss cheese. It was like an old movie, just my own variation: “Honey, I Shrunk the Writing Time.”

I was thinking about it this week and realized I’ve been around this mountain a hundred times over the past thirty years. What did I do before to fix it? Silly as this sounds, I read back through the Writer’s First Aid blog’s time management posts.

Jogging the Memory

One concept that I covered in three posts (thinking like a 9-to-5 office worker) made good sense to me–again. I’m going to re-post those links from over two years ago for those of you who are newer to the blog. Hope you find them as helpful as I did this week!

• Part 1: Thinking Like a Nine-to-Fiver
• Part 2: True Grit for Writers
• Part 3: Changing Our Minds

I’ve only been up and working for an hour this morning.

Already I’ve counted eleven different distractions or temptations that I’ve had to resist in order to keep working.

Here’s my one-hour list:

• new movie that came from Netflix
• new library book, a mystery by a favorite author
• email from friends
• Snapfish photos sent by a friend
• wanted to call my best friend to tell her something IMPORTANT
• magazine on the kitchen table in the pile of mail
• new SCBWI bulletin on my desk
• do the dishes (they bug me)
• run necessary errand to “get it out of the way”
• respond to Facebook messages from friends
• a helicopter flying in circles over my neighborhood

Some I gave into. (I ran to the window to see if the helicopter was the police in case there was a criminal in my front yard. It wasn’t and there wasn’t.) I read two emails from friends but resisted answering them yet. But it amazed me in just one hour how many distractions there were to deal with!

Similarities

My best friend (who lost 100 pounds several years ago) leads a support group for weight loss. She faces temptations daily to slip back into old habits. Food is pressed on her from TV, magazines, gifts from students, family gatherings, parties, graduation receptions, her husband, and more.

But she’s kept off the 100 pounds because she has a plan. She has plans for social situations, plans for quiet evenings, plans to avoid temptation in restaurants and grocery stores, and nice ways to say “no, thanks” when well-meaning people offer her food. She calls it “mindful eating.”

Writers would do well to have “mindful writing” as well. Your distractions are probably like mine in some ways, different in some ways. But writers, too, need a plan to avoid temptation to get off schedule. Choosing to write from nine to ten this morning is only a small part of the job. Having a plan for dealing with distractions is the crucial other part.

Needing a Break?

Maybe you’ve been writing and editing and researching for an hour or two, and you’re distracted by everything. If so, maybe you need a break. But I would advise copying my friend here too. When she wants to snack, she asks herself, “Am I really hungry?” If she’s not, she might take a short walk or read a book to rejuvenate herself.

Likewise, writers need to ask themselves, “Am I really tired now?” Have you worked long enough to justify being tired? Or are you frustrated or intimidated by your writing and looking for a distraction? If you’re not truly tired, maybe you need to make a better choice too. For example, you might read an article on dynamic dialogue if you’re having trouble in that area.

Mindful Choices

It’s true that you might be really tired and need a break. Take a tip from my friend. Before she makes a food choice, she pays attention to what she’s doing. She chooses something that will benefit her body, like a banana or yogurt (instead my #1 choice: chocolate candy!)

As writers, when we really do need a break, we also need to be mindful. Choose a small break that will benefit your writing. (I’ve listed seven such choices in

A few weeks ago in “Find a Need and Fill It” I asked for your input concerning the topics you find most helpful in this blog.

Thank you all for the responses! It’s been very helpful. The requests fell into three main categories. Since I blog on Mondays, Wednesdays, and Fridays, that made it easy for me. From now on, this will be my general blogging schedule so that I can cover each topic area regularly.

What You Can Expect

Monday = Inner Motivation (includes:)

• fears–all kinds!
• discipline
• focus
• goals
• rejection
• lack of motivation
• encouragement
• a writer’s dream life
• procrastination
• working with our “inner editor”
• enjoying writing more
• perseverance
• creative inspiration
• writer’s block

Wednesday = Outer Challenges (includes:)

• setting boundaries
• time management
• distractions
• discipline
• writing schedules
• goal setting
• balancing writing with chaos in life
• balancing day jobs with writing
• our writing needs (vs. “their” needs)
• self-defeating behaviors

Friday = Tips ‘n’ Tricks of the Trade (includes:)

• specific genre help
• writing books I’ve found helpful
• blogs I find useful
• classes I’ve taken
• voice (writer’s and character’s)
• critique groups
• conferences
• working with publishers
• marketing–all kinds
• considering the audience when writing
• dealing with publishers who don’t respond
• finding good markets
• developing depth in writing
• selling “unique” pieces instead of jumping on the bandwagon

Thanks for Your Input

All your feedback has been immensely helpful in organizing future blog posts and making sure I cover topics you want to hear about and find useful. If I missed anything on these lists, feel free to let me know!

“Life is what happens when you’ve made other plans.” We’ve all heard that saying. I want to remind you that it’s during these unexpected “life happens” events that you most often lose sight of your writing dreams.

How do we keep that from happening?

According to Kelly Stone in Time to Write, “The only requirement to be a writer is a Burning Desire to Write, coupled with the dedication that that desire naturally creates. Follow that desire up with action and nothing will keep you from success.”

Life Interrupted

I agree with Ms. Stone. Adhere to that formula for success, and you can’t miss. BUT life gets in the way sometimes: personal illness, job loss in the family, sick parents or children, a teen in trouble, a marriage in trouble. It’s at these times when you need to take precautions to keep your dream alive inside you.

Other writers struggle with this too, whether it’s during calm times in life or when there’s more upheaval. “It’s easy to believe that what you do doesn’t matter, but you have to think that it does matter,” says novelist Mary Jo Putney, “that you have stories to tell, and a right to tell them.  You should take the time to yourself to explore this ability. You’ll always be sorry if you don’t do it.”

Practical Tips

There are many tried-and-true actions to take to keep your dream alive. Write out your goals and action plan, breaking it down into small, do-able steps. Set small daily goals, and write–even if it’s only for ten minutes–to stay in the habit. Visualize in great detail having pieces published, autographing your first novel, or quitting your day job to write full-time.

You don’t have time for all that?

Okay, then just do ONE thing. Steve Berry, NY Times bestselling author, said it well: “The number one thing you must do is write. You have to write, write, write, and when you can’t write anymore, write some more.”

Don’t go to bed tonight until you’ve spent at least ten or fifteen minutes writing. Nothing keeps a writer’s dream alive and flourishing like sitting down and writing. Absolutely nothing.