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Results 13,301 - 13,325 of 664,870
13301. The Marvel Rundown: Marvel’s best new book will take you by surprise

560aacd474e5bMarvel characters are becoming more relevant everyday. Since the Guardians of the Galaxy characters became a part of the Marvel Cinematic Universe, one question has been littering the minds of long time Thanos fans: where the hell is Adam Warlock? With the release of The Infinity Entity #1, we get our answer. Not only that, we also get the launch of […]

5 Comments on The Marvel Rundown: Marvel’s best new book will take you by surprise, last added: 3/11/2016
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13302. Toronto journal seeks arts & culture pieces

Swept is a magazine based in Toronto that promotes and investigates arts and culture with an emphasis on Canadian content. Currently looking for short stories, poetry, photos, and journalistic stories/articles/op-eds. Presently unpaid; goal to start paying contributors by September 2016. Deadline: ongoing.

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13303. Finding Winnie

Finding Winnie: The True Story of the World's Most Famous Bear. Lindsay Mattick. Illustrated by Sophie Blackall. 2015. Little, Brown. 56 pages. [Source: Library]

First sentence: "Could you tell me a story?" asked Cole.

Premise/plot: Cole, the author's young son, asks for a story--a TRUE story; he wants a true story about a BEAR. What the author shares with her son--in the story--and with readers--in the book--is indeed a true story. The story of how a young soldier on his way to war--the author's great-great grandfather finds a bear at a train station, buys it, and takes it with him. The bear's name is WINNIE. And when Harry Colebourn goes to the front, he leaves Winnie in the London Zoo. Many people loved going to see Winnie, but, the best known perhaps is A.A. Milne's young son.

My thoughts: I love several things about this one. I love the personal connection. The author is sharing her own family history with readers. Older readers may enjoy looking at the album at the back of the book. Many photos and captions are included. This grounds the book very well as being a TRUE story. It brings the story to life.

But I also enjoy the framework of this one. It is a book that celebrates storytelling and families. I believe it is a bedtime story he's asking for. I love the idea of parents sharing their own stories with children, and true stories at that! Throughout the story, readers hear the mother and son chatting. It works.

I also just genuinely love the writing of this one!

Text: 5 out of 5
Illustrations: 5 out of 5
Total: 10 out of 10

© 2016 Becky Laney of Becky's Book Reviews

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13304. Wanted: Your ‘wildest’ poetry

Vallum: Contemporary Poetry is accepting poetry, reviews, essays, and interviews for an upcoming issue. Theme: “The Wild.” How do you interpret “The Wild,” what does it bring out in you? What forms are still wild? Deadline: May 15, 2016.

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13305. Seeking the fearless in women’s arts & letters

The Minola Review welcomes arts and letters from all female-identifying writers. Interested in work that is fearless and unsympathetic and goes where others are uncomfortable or afraid to go. Open to submissions of poetry, fiction, essays, and reviews. Deadline: rolling.

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13306. For the love of Spring Break

I am truly blessed to have parents who plan their own vacation around my once per year Spring Break excursion to North Myrtle Beach. They move into my house, and together, my mom and dad take over my parenting role, which involves everything from doing laundry, making meals, chauffeuring the kids to school and activities, helping with homework, playing games, and making sure no one burns the place down while I get the week off.

I am a lucky girl indeed. Here’s how I traditionally enjoy my six days:

Walking the wide expanse of white sand beach on gorgeous cool and sunny days interacting with very few humans.

Walking the wide expanse of white sand beach on gorgeous cool and sunny days interacting with very few humans.

Look at this day! Low 70s and a slight breeze. Perfect.

When I’m not at the beach, I do a little bit of this:

Jigsaw Puzzle Southern-Style

Jigsaw Puzzle Southern-Style

Stop and smell the flowers...

Stop and smell the flowers…

 

Writing, eating, visiting family, binge-watching HBO and Netflix, shopping, touring the gardens, working on puzzles, reading, visiting the aquarium, weaving, doing my nails, bike riding…

 

It’s not all fun of course. I usually bring about one hundred or more assignments/reports to grade. I just make sure I shake out the sand before I pack up to leave.

I would be a much nicer person if I could put my feet here once a day.

I would be a much nicer person if I could put my feet here once a day.

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13307. To Quote Kylie (Minogue) -WOW!


Started getting messages telling me that the last post has been shared around (in such a short time) and so far lots of praise and thumbs up from people -some of whom worked in comics (and one former Fleetway boss who says "spot on!").

Apparently the snidey little toads aren't too happy!

Now we need to wait for the UK comic shops to start closing -any good news on that front?

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13308. Face-Lift 1305


Guess the Plot

Crimson Soul

1. The Crimson God attained his unlimited power by touching the crimson stone. Now he relaxes, secure in the belief that his legion of mechanical guards will protect him from the puny slave known as "Slim."

2. Due to an extreme tie dying session, the rivers run purple, the sky's tinted green, and someone's soul got turned crimson. Only the superhero known as the Crayola Corrector can set things right.

3. Vlad has finally earned his humanity after living as a vampire for a thousand years. Only now, he is finding that living as a human is much more complicated than his previous scare, eat, and sleep un-life before.

4. The wizard Phirmigle takes over the kingdom of Tashla, imprisoning its ruler in a ruby, the Crimson Soul. When he accidentally drops the ruby in a flooding river, he also loses his magic. Maybe he should have become a rutabaga farmer. Also, selkies.

5. Only those with purple souls can enter heaven through the fast lane. Blue is almost as good, requiring only a background check. Other colors can take ages, each having it's obstacles. Bob's soul is crimson, and he's so sick of trying to cross the minefield, he's considering settling for hell.



Original Version

Dear Agent,

Since you are currently searching for young adult novels to represent ["As you represent young adult novels" would be better, but even better would be to trust that the agent to knows what she is currently searching for.] please consider my completed 95,000 word science fiction/young adult manuscript, Crimson Soul. [I'd put the title, word count and genre at the end and start with the next paragraph.]

The seven comets that struck the Earth in 2017 brought more than chaos and death. Each fallen stone gave unique super-human abilities to anyone who touched them, but the coveted crimson stone bestowed unlimited power, turning humans into gods. [How many humans did it turn into gods?] After hording [hoarding] the mighty stone’s power for himself a being known as the Crimson God created a fortress as a monument to his great legacy. [He has a legacy already? What year is it now?] Out of fear many slaves serve him faithfully. [Does a god with unlimited power really need slaves? Seems like anything a slave can do, the god can get done with a mere thought, and without worrying that the slave will screw up or try to betray him.]

The name branded on his shoulder reads SV117, but because of his frail stature his fellow slaves call him Slim. [His real name is SV830117, but he's so slim they couldn't fit it on his shoulder.] ["Slim" sounds like a cowboy name, possibly because I'm old enough to remember Slim Pickins and country singer Slim Whitman. I Googled people named Slim, and five of the ten are rappers, including Slim Jesus and Slim Thug, so I guess it depends on what generation you're from. In any case, it's a better description of physique than stature.] [Also, I don't like getting hit with all those pronouns without knowing who they refer to. Dump that sentence and start the next one "Sixteen-year-old Slim has known ...] This sixteen-year-old knows only a life of oppression until he meets and falls for another slave, who calls herself Val. [Do these people have actual given names?] Soon his joy turns bitter [I would say it evaporates rather than turns bitter. Bitter joy doesn't make sense.] when he learns of her impending death that he inadvertently caused. [I'm not sure you can say you caused something if it hasn't happened. Perhaps he learns that his actions have resulted in her death sentence.] Now he must defy his master, to free her. Val and Slim are willing to die for their freedom, but that's not enough. [They must die and then do even more.] If facing a legion of mechanical guards seems impossible, [Defeating them seems impossible; facing them is a cinch.] than [then] besting an immortal god is suicide. [Attacking him is suicide; besting him, while unlikely, suggests coming out alive.]

I graduated in 2013 with a degree in screenwriting from Azusa Pacific University [No need to mention that.] and I co-wrote an indie script named Saint Alex (2012). [No need to mention that, either, unless it's been nominated for at least a Golden Globe.] My manuscript is available, in part or full, upon request. Thank you for your time and consideration.


Notes

It seems to me that if anyone's gonna defeat the Crimson God, it's a team of people who touched the other stones, and thus have unique super powers, not a couple of his lowly slaves. What does Slim have that makes him a threat? What's his plan?

How big are the stones? Where are they? Does everyone know where they are? Do millions of people go on pilgrimages to the stones so they can have super powers, or are seven people hoarding the seven stones?

By the time this book is in bookstores, it'll probably be at least 2018, and readers will know those comets didn't hit Earth in 2017. Sort of like 2001: A Space Odyssey was intriguing in the 1990s, but now it's just a reason to mock the author for his laughable predictions.

This is all just setting up the situation. Set it up in three sentences, then tell us what happens. Tell us the story. Focus on your main character and how he plans to achieve his goal: In a world where almost everyone has a super power and many are gods, one lowly slave named Slim sets out to win his freedom and to free his true love from a god who has unlimited power and a legion of robot warriors. Start like that, except tone it down so it doesn't sound like his chances are one in a trillion times a trillion, and change his name to anything else.


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13309. Author Chat with Chandler Baker, Plus Giveaway!

YABC: What surprised you most while writing your latest book? Chandler Baker: Which character would present themselves as the main character for Book 2! When I went into drafting Teen Frankenstein, we knew High School Horror 2 would be a companion, picking up the thread of another character in the...

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13310. Just what is 2016’s first comics masterpiece???

pukeforce.jpgControversy! The title of "First Great Comic of 2016" is hotly contested this year!

2 Comments on Just what is 2016’s first comics masterpiece???, last added: 3/11/2016
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13311. Chickens not almonds


Last July I was introduced to whittling - a craft which I was somewhat apprehensive of. Especially as it involved using an electric saw to cut out the basic shape. I came away with a stick of lime wood. It was put on the kitchen side, gathered dust, was moved around quite a lot over the months and never got used. Because I don't have an electric saw and although Brian next door gave me a little coping saw, my history of hand cutting wood is not one upon which I wish to dwell. 


However, when I was back in the Cotswolds, running my last workshop, I stayed with some old and dear friends, one of whom is an antiques restorer. And he has tools. And a big electric cutting saw thing. I had brought my stick with me, in the hopes that he would help me cut some whittling shapes out.


And bless him, he did. We went to his workshop, which is just a little paradise. 




Full of jobs in progress and treasures he has collected over the years. 


Not to mention an immaculately tidy workbench. I do like a good work bench.  


As it happened, I didn't have to get to grips with the large band saw, for which I was grateful. 




He kindly cut out all my little chickens for me. Yes, they are all the same shape; my theory is, that if I practise on the same thing a few times, I may eventually learn something. And yes, to answer another question, they ARE chickens. Really. 


I have finally started one off, with the nice and ever so ouch-sharp Swedish whittling knife which Joe bought me for my last birthday. I can't say as my skills have matured since my last attempt, but let's celebrate the lows with the highs. 


If I sound a little defensive about them being chickens, it may be because 'someone' (Joe) said they look like almonds. Or livers. I think they are patently chickens. Because look;


Many fat chickens do look somewhat almond shaped, do they not?


Well I think so anyway. I'm sure once I've got the eyes on, it will (sort of) resemble one of these. Or maybe not. Wood carving is not something which comes naturally to me, and yet I feel strangely drawn to persevere with it. Because I love using tools and more importantly, I won't be beat. 


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13312. Harts Pass No. 290

Even more appropriate as we woke up to 4-8 inches of new snow this morning -- and now the sun is blazing its way to another 40+ degree afternoon. Oh yes, and the track season started on Monday, February 29th...

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13313. Introducing BEETLE BOY by M. G. Leonard

Beetle BoyAdventure! Laughter! Rhinoceros Beetles!

Darkus Cuttle’s dad mysteriously goes missing from his job as Director of Science at the Natural History Museum. Vanished without a trace! From a locked room! So Darkus moves in with his eccentric Uncle Max and next door to Humphrey and Pickering, two lunatic cousins with an enormous beetle infestation.Beetle Boy

Darkus soon discovers that the beetles are anything but ordinary. They’re an amazing, intelligent super species and they’re in danger of being exterminated. It’s up to Darkus and his friends to save the beetles. But they’re up against an even more terrifying villain–the mad scientist of fashion, haute couture villainess Lucretia Cutter.

Lucretia has an alarming interest in insects and dastardly plans for the bugs. She won’t let anyone or anything stop her, including Darkus’s dad, whom she has locked up in her dungeons! The beetles and kids join forces to rescue Mr. Cuttle and thwart Lucretia.

Beetle Boy is the story of a brilliant boy, his loyal friends, and some amazingly intelligent beetles.

Read an excerpt.

Watch a video with the author. 

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13314. Myths to Adore--Top 5 with Gloria Craw, Plus Giveaway!

  The Atlantis Rising Series takes inspiration from the myth of Atlantis as Plato wrote it. He described the island as lush with vegetation, meadows, and streams. The original inhabitants lived simple lives. They were unique because of the equality in their economics, government, and justice. Seeing this as a virtue,...

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13315. Where Does the Blame Lie?

 

See, in the 1970s my experience with printing and so on was intended to give me more experience when it came to the job I really wanted to do.  I wanted to work in publishing as an editor or publisher.  I had no intention of getting involved as an artist or writer because I knew that work was never guaranteed but as an editor you had the security.

Thorpe & Porter, IPC -any company that I could get connections to I always dealt with management or bosses and I learnt very early on that there were lots of hand-shakes and cash-under-the-table deals and this was the norm.

Odhams Press. Long established company that went through some tumultuous times. When, in 1968, Odhams encountered "financial problems, partly due to unfavourable economic conditions in Britain" and also as a result of IPC's desire to rationalise its titles and eliminate duplication,  the Odhams Press comics were transferred to IPC Magazines Ltd, another IPC subsidiary, after it closed Odhams down. This meant that Odhams, which was a limited company with separate liability, lost the Power Comics range and, in consequence, Odhams became financially unviable.
 
On the 1st January, 1969. Odhams Press effectively ceased to exist as a publishing business and the coups de grace was delivered when publication of its last surviving comic title, Smash!, was transferred to IPC Magazines Ltd.

The truth, as explained to me by two of IPCs former top men was that Odhams "needed to be put out of business" but why? The explanation was simple. Why publish more than one group of titles if  you could put them into another existing group?  I've highlighted in the past how everyone from publishers, printers, distributors and wholesalers were in on a very crooked little deal.  It's how things worked back then. Cancel a title due to "poor (rigged) sales" and there was a tax kick-back. Merge two titles and there was a scam in that.

The truth is that IPC bosses wanted Odhams out of the way and knew that its money makers were the comics and annuals. Take that from them and they sink. No one at the top levels lossed out so no reason to kick up a stink.  That is how it worked.
 
Something that few people point out because it was all "work for hire", but when one business was sold off to another and then amalgamated and sold off and so on and so forth, they all had separate liability as independent companies and how those "liabilities" were disposed of is still shrouded in a great deal of secrecy and will never be known because even if a sales contract was found it would not tell of the "nod, wink, hand-shake and brown envelope under the desk" (in other words: dirty deals). See, there was no open disclosure back in those days and even into the early 1990s things were still being done that way.

An important thing here is that if a company copyrighted anything it might be the title of a comic.  However, you go through a book like Denis Gifford's 1985 Complete Catalogue of British Comics  you might find a good few entries confusing because you will find multiples of a specific title and the only way of telling which one you are reading about it the inclusion of a publisher name.  I was once told by one of the Fleetway bosses "Just stick 'copyright' on the cover -who is going to question it?"  You see "It costs money to go through the rigmarole of copyrighting and these are just comics so why spend unnecessary cash?"

Characters were not copyrighted. Because, obviously, each would cost money and then it gets more awkward when you give the character a new name when you reprint the strip in another title.

Also, the artist/writer was a "work-for-hire" for a specific publication and, legally, though many creators never even thought about it and their work was re-used under one new owner and one title after another -and even exported under lucrative deals for the companies (look up Leo Baxendale v D. C. Thomson or Don Lawrence v Fleetway).  In effect, the characters were being used less than legally and the creator should (but they were not even considered back then) have been consulted and paid each time. It means that, today, if you are able to prove you created a certain character you can claim copyright or even request financial reimbursement -up to the 1990s many British characters were (are) still being published in other parts of the world under old licenses.

It is why IPC Media's Chief Executive made it clear to me in correspondence that "IPC Media is not and has not been involved in comic publication for more than thirty years" (that was about 5 years ago).

I could never understand why Quality Communications changed the names of IPC characters when it reprinted the stories in US format, colour comics.  The managing editor at Fleetway explained "It was probably a nod and hand shake and money under the table deal".  I asked "Well, shouldn't the company be dealing with that?"  which got a chuckle and "this is comics and the men upstairs really don't care!"

And there was more I learnt. The warehouse where Fleetway/IPC stored original art was located....well, only a very select few knew.  "Not even the editors know where it is.  So much art has gone missing over the years that we moved everything and now only a few of us know where its all stored" -the word was never used but "theft" is what was meant.  In fact, when laws changed and original art had to be returned to the artist it was found that "missing" art was very selective -the bosses knew who had made the work go "missing" but "who was going to kick up a stink?"

Comics in the UK was about one thing and one thing only.  Not about "giving the kids entertainment" or "nurturing creativity" or any of those altruistic things you read about. The sole concern and aim of comics was to make every single penny possible and if a title did not provide the "maximum earning" (even if it was still selling well) it merged, after cancellation, into another title.

I understand the need for a business to be profitable.  To make a profit -and British comics were making money. But like Marvel Comics when new owners wanted "more, more, more!" cover prices rose and and if that didn't bring in what they wanted......

I don't think in one of the conversations I had with bosses or editors the thought of entertaining youngsters ever got any consideration.  I learnt how to, uh, "cheat" when it came to releasing sales figures as well as all the other dodges. This was not "secret knowledge" but more every day conversation:

"What's on your sandwiches?"
"Cheese and pickle"
"Nice. You diddle that invoice?"
"Yes. First thing"
"Okay"
 
 But, as with US comics there was another major reason why comics hit the skids: fans became employed in companies and they started putting things in comics they wanted. I dealt with this in one of my old CBO (WordPress) postings. The reason comics failed has been given as "the advent of TV" -which in itself is the most preposterous and dumb excuse ever. Comics were still selling well from the advent of TV onward and many stars of TV were featured in comics which boosted sales -The Saint, The Man From U.N.C.L.E., Tarzan, Dr Who, The Avengers, Adam Adamant and so on. TV was helping to push comics sales.

"Oh, the computer age has ruined things!" Can I just write that this is complete and utter bollocks. You give that excise you are a major ass.  Did every kid and household in the UK have computers and laptops in the late 1970s to early 1990s? NO.

Wait -surely the Music Hall started killing off comics?  No, wait, many Music Hall stars featured in best selling comics.

Ahhh -the cinema.  Movies helped kill off comic readership!  No, wait, many stars of movies featured in comics that sold very well.

I know -radio.  Radio started killing off comics reading, right?  Oh, stars of radio were featured in best selling comics?  Damn.

I should point out that Laurel and Hardy, Buster Keaton, Arthur Askey, Roy Rogers -in fact, every US and UK theatre, movie, radio and TV star who graced British comics did so without permission. Terry Wakefield noted how his father, George, was the artist of the Laurel and Hardy comic strip and when he heard the duo were on tour in the UK he wanted to go see the characters he'd drawn for so long. NO. Forbidden. Why? Because they might find out they were in British comics and ask for payment!

Why UK comics died is simple.  Greed on the part of the owners/publishers and incompetence and stupidity on the part of the fans who got into editing comics.  Up until that point it was a job and you had a dinner break you never started conversations about comics -UK or US.  Not music hall, not radio, not the movies, not TV -these did not kill off comics in the UK.  It was the people who thought "I'll keep at this until the job goes then move on to something else" -it was greed and self interest.

Ask why countries with smaller populations but with radio, movies and the internet have comic publishing still?  I look at allof this here:

http://hoopercomicart.blogspot.co.uk/2015/05/why-are-uk-business-entrepreneurs-not.html

What I find beneath contempt, the little turd you accidentally step-in because you never saw it, are those cap-doffing, forelock pulling "the bosses know best" people who claim to be part of "the comics industry" (that does not exist) and will do everything to undermine every effort to help get it going again.  They start trolling or creating arguments because they have such small minds and so little work that it's all they can do. They want to be the "nice guys of comics" -the egoes burst out of their under developed craniums.

Yes, the UK comics people from what was the very top to the bottom of the rung worn out artists are the people to blame.  People who have looked at these things know that.  Some will point the odd one or two things out but never point fingers because they are scared of the backlash from the trolling 'nice guys'.

Fuck the trolling 'nice guys'.  They are like that shit on your shoes -wipe them away without a second thought because they are insignificant.  They mean nothing to comics.

The only way you will get successful comics in the UK is to ignore the "names" (usually in their own minds) and publish comics as a business but to entertain. And for that you will need to business entrepreneurs and their know-how and someone who knows business and more importantly comics.

Yeah. Me.

Did I just hear blood vessels popping?

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13316. Read Kid’s Classics Challenge: March’s Selection (#readkidsclassics)

Hello and Welcome to our first installment of the Read Kid’s Classics Challenge! I’m so glad you’re here and I can hardly wait to see what you’re reading as well. As many of you already know, I am a huge fan of children’s classics and over the years my family has actively read old classics and discovered new ones. In 2016 one of my many goals is to discover even more classics and share them with you, my valued readers.

So from now on, every month during my Read Kids Classic Challenge, I am going to present one classic that I simply can’t live without!

#ReadKidsClassics

Joining me in this book-ish and fun campaign is a handful of powerhouse bloggers who are excited to share their very own #readkidsclassics picks!  Please feel free to visit these five #ReadKidsClassics bloggers to see what classic book reading fun they have created.

Read Kids Classics

I don’t think it will surprise anyone what my first Read Kid’s Classics Challenge pick is going to be, and I have a very good reason for that! I picked this book because it was my first kid’s classic and it became my favorite friend and companion throughout my childhood, ….no, throughout my life.

What could that incredible book be? Why The Secret Garden of course.

The Secret Garden

It was such a favorite book that I even wrote an activity guide to bring the entire book alive, month by month. What I would have done to be Mary and to live at Misselthwaite Manor but most of all to enter that garden.

OK, so knowing this about me, can you imagine my excitement this past November when I got to meet the author of the Secret Garden (Frances Hodgson Burnett) great grand-daughter? Oh it was really incredible. I had a little fan girl moment but then again so does her great grand-daughter Penny Dupree. Frances was just the most remarkable person and Penny has dedicated her life to getting her great grandmother’s story out.

Frances Hodgson Burnett

While writing A Year in the Secret Garden I discovered that Frances Hodgson Burnett (FHB) started her writing career here in East Tennessee where I live. Last November was the 150th anniversary of her move from England to America and I was honored to be invited to participate with all of the fine folks of New Market, and Jefferson City.

So Let Me Share a Little About Frances Hodgson Burnett (FHB)

Now that you’re in my inner reading circle we’ll always refer to Frances as FHB. So reading friend I have to share with you that FHB was a most remarkable woman. At the end of the 19th century and beginning of the 20th century, FHB was accomplished woman. She started writing to support her family who had just immigrated to the United States. From the moment she penned and published her first word, she was never turned down by a publisher. At the time of her death she had over 1000 magazine articles, 55 books, and several plays.

Frances Hodgson Burnett

In her lifetime she was very well-known and admired as a writer as well as very wealthy. She was an adventurer crossing the Atlantic ocean round-trip 33 times. We owe a lot of thanks to FHB because she is the person who established copyright laws. Another writer tried to steal her story Little Lord Fauntleroy by turning it into a play. FHB wasn’t having any of that, she rewrote her own story into a theater piece and opened up directly across the street from the man who had stolen her story. She ended up running him out of business. Because of this she said that nobody should be allowed to steal another person’s work and so she established the preliminary copyright laws we now hold very dear. At the bottom of that statue are the signatures of some of the most famous writers of the time in the United States.

Frances Hodgson Burnett

 

Penny Deupree in her presentation also shared somethings that wouldn’t be considered good about her great grand mother such as she smoked, drank, and swore. She also suffered the death of one of her sons which left a huge hole in the family. The story has continued thru her great grand-daughter and now her great great grand-daughter who is writing a book about FHB.

During our time together I gave a copy of my book A Year in the Secret Garden to Penny and her family and they just loved it and were so moved. I have to share that I felt FHB was shining down on me and giving her two thumbs up. It was totally an affirmation. Since our time together in November I have felt her on a couple of occasions, like the idea of building a Secret Garden in the city where I live. I’m so glad that inspiration has led me into the Secret Garden and filled it with a lifetime of memories.

Frances Hodgson Burnett

(Photo of Penny Deupree and her grandfather Viven Burnett.)

I wish the very same for you. If you sign-up for our Read Kid’s Classic Challenge, this month I’ve prepared a beautiful Secret Garden PDF with loads of activities. It’s completely free.

What’s the Read Kid’s Classic Challenge ?

Every month during our Read Kids Classic Challenge we are going to present one classic that we can’t live without. We’d like you to join as well.

#ReadKidsClassics

 

To Participate:We’d like you to share one kids classic that you can’t live without every month. Share it on your blog, vlog and social media using the hashtag #readkidsclassics once a month to let us know what you’ve been reading.

If you should choose to post about your kids classic choice, please let us know the following within your blog post:

  • WHEN  did you Discover This Classic?
  • WHY did you Chose to Read It with your Family?
  • WHAT Makes It A Classic?
  • WHAT did you Think of This Classic?

Here’s how I classify classics as old or new (this isn’t an official classification it’s just sort of the way I think of it):

Old Kid’s Classics are those books written before 1950. New Kid’s Classics are those books written after 1950.

But that’s not all

When you sign up for the 2016 Read Kid Classics Challenge every month you will get a PDF that you can download which will have loads of activities on the particular book we’ve chosen to share at Jump into a Book. Each edition of Read the Kids Classics will highlight the story, have good things to eat in our kitchen called Table of Contents, give behind the scenes gossip about the author, easy crafts that kids can do on their own in our craftiness section, questions for the curious, explorations into the world of our featured books, as well as further connections via books like this one and topic booklists so you can find more good reads and finally a visit to the word wizard for some word play.

And Still There’s More-Free Books!

Sign up and join Jump Into A Book’s #ReadKidClassics Challenge to participate in our monthly adventure of sharing personal classic children’s favorites and activities.

On the last day of every month, JIAB will go on a book adventure; an adventure that will put participants in the running to win a bundle of book classics to fill your shelves with. This adventure could be in the form of a Instagram scavenger hunt or as easy as commenting here on JIAB. We just want participants to have fun and earn free books!

As part of this fun book-ish adventure, I will be creating free monthly PDFs of a #ReadKidClassics book and book extensions to give to all participants for their own family reading and fun.

We’re so excited about our challenge. Sign up below and we’ll see you there :)

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The post Read Kid’s Classics Challenge: March’s Selection (#readkidsclassics) appeared first on Jump Into A Book.

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13317. Early detection of intentional harm in the human amygdala

Being able to detect if someone is about to physically harm us or those around us can be critical for survival, and our brains can make this assessment in tenths of a second. But what happens in the brain while we make these assessments, and how does it occur so fast?

The post Early detection of intentional harm in the human amygdala appeared first on OUPblog.

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13318. Six Thumbs Up for this Picture Book

Pest in Show: The Buzz of Broadway

Music and lyrics by Victoria Jamieson

 

Meet a picture book that’s a literal production! And, it has narrative to be sure; but it’s in the guise of a sort of Judy Garland/Gene Kelly, “Let’s put on a Show” themed storyline.

And what do all musicals have? Why, songs of course. And, as in all musicals, it has conflict before the show opens and drama both back stage and on stage.

And here, in Pest in Show, there’s sibling rivalry afoot from the footlights as Ladybug, a diva, if ever there was one, wants a solo star turn.

The “fly in her ointment” is literally her  brother named, of course…Fly! Flies are known to be, well, pests, and the sibling known as Fly, in Pest in Show has honed his character to a fair thee well. It’s a role he was made for, and one his sister abhors!

Young readers may easily identify with either the much longed for solo role diva, or the younger one that’s always trying to literally get into the act here.

When you are the writer, producer, director AND star of your own vehicle, Ladybug naturally wants the full glare of the white hot spotlight on her alone; while Fly is anxious for a stage debut in sis’s production.

I can tell you there’s a lot of begging, bugging and wheedling on Fly’s part to well, get a part in this show of shows. He sees it as his breakout role.

Told to stay put, Fly is sticking like the veritable paper named after him. And by Act 2, when perspective hits such as “The Real Spiders” hummed to the “every kid knows it” tune of “The Itsy Bitsy Spider,” the one-ups-manship of these two insects kicks into high wire gear.

Act 3 sees Ladybug atop a cake singing a song named for her alone and has all the style of a Busby Berkley extravaganza with insects on each of the tiers of the cake. She’s the icing on the cake until…disaster ensues with Fly doing his own star turn on an empty hollow garbage drum he’s conveniently emptied on sis’s cake!

Super Fly is doing his own gig and drum solo to the tune of “Popeye the Sailor Man”

Can these two insects ever intersect in a show peacefully?

It takes a Finale with an all-bug dance-off. Victoria Jamieson shows young readers a  shimmying, wing flapping, foot stomping, wiggling, squiggling competition between a host of jumping and jiving insects joining in with Ladybug and Fly to see who wins.

Does exhaustion ensue? Will they be booed off the stage?

Or are two bugs better than one with a star and her more than willing co-star, named Fly?

Roger Fleabert gave it a “Six Thumbs Up!”

And if you hear your kids singing the songs, why not teach them to do Chubby Checker’s “The Fly.” It’s a kick!

Here’s how to do it!

 

https://www.youtube.com/watch?v=w8XBsNa8EwQ

 

 

 

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13319. 10 Great Women of Color Whose Stories You Should Know

In honor of Women’s History Month, we’ve rounded up ten of our books that feature some amazing women of color! From a baseball player to an American politician, these women have helped pave the way for many others.

1. Wangari Maathai, Seeds of Change: Planting a Path to Peace – the first African woman, and environmentalist, to win a Nobel Peace Prize

seeds of change

2. Marcenia Lyle, Catching the Moon: The Story of a Young  Girl’s Baseball Dream – the first woman to play for an all-male professional baseball team

catching the moon

3. Anna May Wong, Shining Star: The Anna May Wong Story – the first Chinese American movie star

shining star

4. Florence Mills, Baby Flo: Florence Mills Lights Up the Stage – an international dancing and singing superstar during the Harlem Renaissance

baby flo

5. Augusta Savage, In Her Hands: The Story of Sculptor Augusta Savage– a sculptor during the Harlem Renaissance who carved out her own special place in art history

in her hands

6. Pura Belpré, The Storyteller’s Candle / La velita de los cuentos – New York City’s first Latina librarian

storyteller's candle

7. Patsy Mink, How We Are Smart – an American politician from the U.S. state of Hawaii

how we are smart

8. Hiromi Suzuki, Hiromi’s Hands – one of a handful of women in the male-dominated world of sushi chefs

hiromi's hands

9. Rosa Parks, Dear Mrs. Parks: A Dialogue with Today’s Youth – Mrs. Parks changed the course of history when she was arrested for refusing to give up her seat to a white passenger on a Montgomery, Alabama bus, sparking the beginning of the Civil Rights Movement

dear mrs. parks

10. Zora Neale Hurston, Zora Hurston and the Chinaberry Tree – renowned African American writer

zora hurston and the chinaberry tree

 

We’ve also created a Women’s History Collection, available now for purchase on our website.

women's history collection

Further reading on Women’s History Month:

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13320. The Secret Subway

The Secret Subway  by Shana Corey illustrated by Red Nose Studios Schwartz & Wade, 2016 ISBN: 978-0-375-87071-2 Grades K-5 In the 1860s, stagecoaches, horses, peddlers and garbage clogged the streets of New York City. Coeditor of Scientific American, Alfred Ely Beach, had an innovative solution to the city's problem: an underground train powered by a fan. Corey's engaging narrative style brings

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13321. Guest Post: David Lubar on The Name of the Prose

Tor, 2016
By David Lubar
for Cynthia Leitich Smith's Cynsations

I love it when people ask the title of my new book. I get to say, “Character, Driven.”

Then, if they nod knowingly, I add, “Character, comma, Driven.”

If they smile at that, I add, “It’s a plot-driven novel.”

I feel it’s a clever title. But a title has to be more than clever. It also has to be a good. It has a marketing job to do.

With 35 books or so to my credit, and close to 300 published short stories, I’ve created a lot of titles. Some were good. Some weren’t.

My first novel, published back in 1999, was about kids with special powers. The working title was "Psi School." I wanted something better.

Back then, I often watched "Double Dare" on Nickelodeon with my daughter. At the end of the show, host Mark Summers would ask if anyone in the audience had a hidden talent.


One day, as he said that, I realized Hidden Talents was a perfect title for my novel. This was back in the days when we didn’t instantly and constantly search the Internet for information.

Starscape, 2003
Starscape, 2004
It wasn’t until the book came out that I searched for it in online stores and discovered there was a Jayne Ann Krentz novel by the same name.

That’s when I learned my first rule: Try to make the title unique.

Even having a similar title can be a problem. I was aware that Wendelin von Draanen had written Flipped (Knopf, 2001) before I called a novel of mine Flip. (I couldn’t resist. The title fit the story so well.) I didn’t think it would be a problem.

I also didn’t think we’d ever be on the same panel at a conference. To this day, I still run into people who confuse the two books.

I didn’t have that problem with Dunk, which was about a boy who wants to work as a clown in a dunk tank. I checked. There wasn’t a previous book with that title. But the title presented another problem. I’ve met people who never picked up the book because they thought it was about basketball.

I guess there might have been people who picked it up for that very reason. Inevitably, some of them would be disappointed. My second rule: Avoid confusing potential readers.

Graphia, 2004
Dutton, 2005
A title has to work with a broad population. My novel, "Flux Sucks," was renamed at the last minute, out of fear that “sucks” might keep it off the shelves in some communities. The hastily created new title seems to be a good one. Sleeping Freshmen Never Lie works well, I believe, because it is intriguing, and it can have multiple meanings.

I think the same holds true for Character, Driven. My main character, Cliff, is both driven to succeed in life and love, and driven by his friends because he lacks a car of his own.

The title also hints at the metafictional nature of the narrative.

I think my most successful title, in terms of marketability, caused a different sort of problem for me. The story collection, In the Land of the Lawn Weenies and Other Warped and Creepy Tales (Starscape, 2003)(excerpt), inspired such brilliant cover art from illustrator Bill Mayer that I decided the next collection also needed a Weenie title story. It was a smart move.

There are now seven Weenies collections, with an eighth coming in September. But it is a mixed blessing. Some people don’t take the books seriously, for that very reason. I’ve seen them referred to as “garbage books” by one blogger, who I suspect never looked beyond the cover, and a friend told of hearing a parent tell a child who’d snatched up a copy at a book fair to “pick a real book.”

Happily, the millions of copies in print remind me that, all in all, it was a good decision to run with the Weenies. (Not to mention the endless jokes I get to make when authors gather.)

Darby Creek, 2006
I have a chapter book about a boy who is cursed to speak in puns. The title, Punished!, actually came to me first, inspiring the book. (I also wrote a sequel, Numbed!, where the same characters lose their math skills. That, too, began with the title.)

I never tire of saying to kids who select that book at a school signing, “I’m glad you got Punished!”

I feel it’s an excellent title. But I made a mistake when I went for emphasis. Some online book sellers aren’t set up to search for an exclamation point. So neither Punished! nor Punished will produce that book.

If you search for the keywords Punished and Lubar, you’ll find the book, and some alarming bondage photos (just kidding), but the truth is that people are often better at remembering titles than authors. So a title should be both memorable and searchable.

Speaking of which, I foolishly called an ebook of mine, built from stories that were deemed too problematic for the Weenies collections, Zero Tolerance Meets the Alien Death Ray and Other (Mostly) Inappropriate Stories. I suspect that many of the kids who heard me talk about it forgot the title by the time they got home. If not sooner.

I hope I chose wisely this time. As a title, Character, Driven is memorable (I hope), searchable (I tested the comma, and found no problems), and confusing only in a fun and ironic sort of way.

Is it a good title? I think so. But that’s really a question for the marketplace to decide. And that would be you. So let me know what you think. Or just smile and nod knowingly if we ever cross paths.

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13322. Growing criticism by atheists of the New Atheism movement

We seem to be witnessing a broad reaction against the New Atheism movement by atheists as well as religious believers, whether undermining the idea of a long-standing conflict between science and religion, or taking a critical view of their political agenda. James Ryerson recently examined three new books (including my own) in the New York Times Book Review – a small sample of a growing body of work.

The post Growing criticism by atheists of the New Atheism movement appeared first on OUPblog.

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13323. Urban Sketchers for Writers, Potters, Designers . . . Everyone!


I don't think I'm alone in being a writer who's just as passionate about my artwork as I am about my writing. Clay, collage, pencils, watercolors, beads . . . they're all poetry to me. Each one of these mediums and disciplines informs and inspires my writing life, and I can't imagine dropping any of them.

But one of the things I've struggled with for a long time is finding the right kind of art group, one that matches my wonderful writer's group: a free-form meeting of women with interests that range from screenwriting to structured poetry to pithy vignettes. When we meet every two weeks, it's to write, not critique. We freewrite for about 30-40 minutes, and then we read aloud to each other. Our very informal meetings conclude with conversation and a chance to catch up on each other's personal news. It's a great system, and I've been trying to find that same kind of experience in an artistic environment. Enter: Urban Sketchers!

I discovered Urban Sketchers while I was searching Pinterest for examples of travel journal lay-outs. Over and over my favorite illustrations came from Urban Sketchers members and I was uber-curious to find out who they were. A few Google searches later, and yay, I found a chapter here in Albuquerque.

I've been attending their various events off-and-on now for about nine months, and I love the way the format follows that of my writer's group: a group of enthusiastic people gathering in an interesting place; setting off on our own to sketch; then meeting up again to share and discuss our morning's work. I particularly enjoy the positive, warm atmosphere of viewing the various sketchbooks without tearing them apart in search of perceived flaws or "mistakes."

I've grown to love Urban Sketchers so much that I want to spread the word to everyone I know--not just my artist friends, but with my writing friends, too, as well as those who are photographers, potters, jewelry makers--everyone. There's so much to be gained from being with creative people regardless of whatever medium you work with. For instance, even if you've never dreamed of doodling in the margins of your latest draft, you can still: 
  • Take note of settings. Many of the places we've sketched in are venues I've never been to before. Making notes on all the fresh sights and sounds and smells, recording what I liked about the place (and what I didn't) has all gone into my sketch journals along with my drawing.
  • Take note of details: Architecture, clothing, people watching . . . So much of what makes a story come to life depends on the details. Taking a few hours to really concentrate on every single little thing can only add to your next story project.
  • Photography. Okay, let's say you really, really don't want to draw. Take pictures instead! Who knows, photography may become an entirely new vocation for you, one that fits your written work perfectly.
  • Artist's Date: Before, during, and after. Most writers I know find the hardest advice to follow in Julia Cameron's The Artist's Way to be taking the "Artist's Date," probably because it involves a) going by yourself, and b) treating yourself to something fun. Writers are notoriously mean to themselves, especially when they feel they haven't written enough or to the quality they expect on any given day. Hence the need for the artist's date. Urban Sketchers allows you to start out in the security of a group, but then sends you on your way to discover your own unique path for a few hours. Take advantage of the time alone to do something that pleases your writer-self while feeding your entire creative being. (And you can buy yourself a treat somewhere along the way too!)
  • Meet creative people. Who knows? They might be writers! (Or want to read your books!) Seeing the work of others is always inspiring.
  • Get out of your comfort zone. Sketching, especially in public, might seem a scary thing if you've never tried it before. But if you can get over your initial fear of "What will people think?" wow, imagine how confident you'll be pitching a manuscript, or cold-calling on bookstores. Or even starting a new manuscript!
  • Sketching is meditative. Remember how much fun you had when you were a  little kid and able to zone out with your crayons and paper? Believe it or not, you were meditating at the same time. Giving yourself that same childlike joy for a few hours now and then can help you solve a myriad of character and/or plot problems. 
Some samples from my own meditations over the last two months include imagining myself as a cave-dweller at the Maxwell Museum of Anthropology:


Going back even further in time at the Natural History Museum:


If you do decide to visit your local Urban Sketchers, some essentials you'll need to bring along are: a collapsible camping-type stool, a set of color pencils (much easier and cleaner than fussing with watercolors or felt pens), a pencil sharpener, a sketch pen that you also like to write with, a hardback journal or sketchbook, hat and/or sunglasses, optional camera. Minimal tools for maximum fun.

Tip of the Day: Urban Sketchers is a world-wide phenomenon. Any Internet search will help you find a group somewhere in your area or close enough to travel to . Toss out your inhibitions and tag along--I know you'll be welcome!

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13324. PubCrawl Podcast: Writing Mechanics – Voice

This week JJ and Kelly discuss Voice in another installment of their Writing Mechanics series. Voice: What is it? How can you develop it? How many times can they say “voice” in a single episode?

Show Notes

What We’re Reading/Books Discussed

Off Menu Recommendations

What We’re Working On

  • Kelly will be teaching another class on contracts at the Loft Literary Center and working on her YA novel
  • JJ is juggling several different writing projects and is trying to figure out what to work on next

That’s all for this week! Next week we’ll be doing our QUERY CRITIQUE podcast!

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13325. Change is a hurricane or a door

2016-02-28 15.03.50

California Poppy, taken after last week’s lush rain

My formative years as a librarian were in library systems that built themselves around the concept of aggregated strength through collective action. (If you’re thinking that sounds socialist, take heed that this concept could easily describe the armed forces.)

That concept has a very weak toehold in California, across all systems. Yes, there are some shared systems and some resource-sharing and “power of this and that” and whatnot, but colleagues I know who can compare California with states with strong “systems” self-identification agree that for whatever reason, it’s different here.

Now fast-forward to early last year, when as a newly-minted CSU library dean I smoothed my starched pinafore, straightened the bow in my hair, and marched into my first statewide meeting, only to be corrected when I referred to our library “system” that the 23 state university libraries are actually a “loose federation.”

There are long-term ramifications to being a “loose federation” that are publicly available to anyone who cares to find them. To quote my doctoral cohort buddy Chuck, “We must, indeed, all hang together, or most assuredly we shall all hang separately.” (Ben Franklin may or may not have said that, but Chuck says it a lot.) But more interesting to me is that not long before I arrived, our loose federation came together on a momentous decision that puts us on a path to systemhood by agreeing that the 23 libraries, currently independently licensing a mishmosh of library management systems from varied vendors, would move to a single system, prophetically named the ULMS (Unified Library Management System).

In all fairness, this isn’t the first collective effort of the Loose Federation. We stand on the shoulders of Biblio-Giants, which in my case is particularly helpful since it means I can see the projector screen even when taller deans are in front of me. We have a common core of e-resources that are centrally funded and brokered. In times past, there have been joint statements, strategic plans, and so on. It is because of our ancestors we can at least think of ourselves as a Loose Federation, versus 23 libraries doing their own thang.

I’m part of a committee that is deeply involved in the process to identify and answer key questions related to resource sharing. It is possible… just a wee possible… that it might have been good to ask some of these questions, if not before agreeing to move to a unified system, at least within the context of the vendor selection, but that’s spilled milk.

As we deepen the questions we pose and study the data for our answers, it’s increasingly evident that there’s a critical difference between agreeing we will provide all libraries a garden-variety database we would all license anyway versus agreeing that we’re going to move to a centralized system. This is one of those movies where two people go on a date and then find themselves married, except it’s biblio-polygamy, and most of us are opposed to polygamy on the practical ground that multiple spouses sounds exhaustingly complicated, like having more than two cats, and when you add librarians to the mix it sounds even scarier.

First, we’re losing local control to a central office, so we need to design and practice governance at a scale we haven’t experienced before. The central office needs our guidance (and they are the first to say that). We no longer have the luxury of having weak or strong governance years. We need to be always on our game. And the communication across and among the 23 libraries needs to be top-notch.

Second, the new system simultaneously provides opportunities and limitations. For example — the example I’m most intimate with — we will have the capacity to share resources among the 23 libraries as we have never done before. We’ve done it with physical books, but in a work-around-y, hodgepodge  manner, and we haven’t done it with e-resources. That opportunity/limitation opens many doors and poses many questions. The smartest folks are either thrilled or alarmed by this because they see a future where our physical and electronic library collections are managed and shared on a massive scale.

The thrilled-or-alarmed crowd also understands (at least I think they do) that some of the most keenly-desired wishes of the resource-sharing community can–in some cases, will need to–come to fruition. I particularly relished the moment earlier this week where I spoke with an expert who noted a particular limitation that would make most interlibrary loan department heads I know of faint for joy, because it would frog-march us to the Promised Land of standardized loan policies, where we would all have to–are you sitting down? Do you have smelling salts pressed to your nose?–agree on how long a borrower at another library could check out a book. (As Trotsky said, “You may not be interested in standardized resource-sharing loan policies, but standardized resource-sharing loan policies are very interested in you.”) And that’s just one teensy finding that has surfaced.

There are many more ramifications of this system move; most, I believe, will be good. But what I am also being reminded of is that change is a hurricane or a door. The people who expected this to be like things always were, except maybe a little less expensive and labor-intensive, are now spinning in the eye of the hurricane, wondering what hit them. The people who saw this as leading to opportunities both seen and unseen are slowly (not without pain, but with keen anticipation) opening a massive door to our future.

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