Adrian Tomine, whose collection Killing and Dying is what everyone is going to be talking about this fall, has the cover of this week's New Yorker and it's s typically note perfect image of gentrification in the face of raw sewage, otherwise known as Life In These Here Five Burroughs. The above link has a gallery of Tomine's other covers and they are all equally perfect, although I'm particularly partial to the one about moving to Jersey. Others love this updated "Shop round the Corner" image from 2008.
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Before we get into it… Ms. Marvel Volume 1: No Normal, written by G. Willow Wilson, illustrated by Adrian Alphona and Jake Wyatt, was awarded the 2015 Hugo Award for Best Graphic Story, besting: Saga Volume 3, written by Brian K. Vaughan, illustrated by Fiona Staples (Image Comics)) Rat Queens Volume 1: Sass and Sorcery, […]
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§ Once again, Alison Bechdel’s award winning graphic novel Fun Home is at the center of a Carolina college controversy. The book has been assigned as freshman summer reading for Duke University’s Class of 2019, but some Christian students are objecting: “I feel as if I would have to compromise my personal Christian moral beliefs to […]
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Author and illustrator Daniel Miyares—whose most recent picture book is Float, published by Simon & Schuster in June (and the subject of my Kirkus column here)—visits for breakfast this morning. Normally, he tells me, he has merely a hot cup of Earl Grey tea with a splash of milk in the fabulous mug his wife gave him, pictured below. (“She gets me,” he adds.) If he’s taking the time to sit down and eat in the mornings, he says, he goes with biscuits. “I grew up in South Carolina,” he tells me. “It’s kind of a requirement.”
Hey, I’m in Tennessee and get this, so biscuits and tea it is.
Daniel is relatively new to picture books, at least in the grand scheme of things, and I thank him for visiting today to tell me and my readers more about his career, his books thus far, and what’s next on his plate.
Let’s get right to it.
Jules: Are you an illustrator or author/illustrator?
Daniel: Author/Illustrator, but my entry point into a story idea is usually the visual narrative.
Visit this 2015 7-Imp post for sketches from the book
(Click each to enlarge)
Jules: Can you list your books-to-date? (If there are too many books to list here, please list your five most recent illustrated titles or the ones that are most prominent in your mind, for whatever reason.)
Daniel: I’ve illustrated: Waking Up Is Hard To Do (Imagine Publishing, 2010) and Bambino and Mr. Twain (Charlesbridge Publishing, 2012).
As author/illustrator: Pardon Me! (Simon & Schuster, 2014), Float (Simon & Schuster, 2015) and Bring Me A Rock! (to be published by Simon & Schuster, Summer of 2016)
Jules: What is your usual medium?
Click here to see early sketches and development work from the book
(Click each to enlarge)
Daniel: I use inks, watercolors, gouache, acrylics, and digital tools to build my images.
Jules: If you have illustrated for various age ranges (such as, both picture books and early reader books OR, say, picture books and chapter books), can you briefly discuss the differences, if any, in illustrating for one age group to another?
Daniel: I’ve gotten to try a variety of book-type projects. I’ve made picture books, did a novel cover, and when I was first starting out I got to illustrate some serial books for the Kansas City Star newspaper. No matter who the book audience is, I try to use the same approach to visual storytelling. The principles of design and timing speak to all age groups, I think. I have learned, however, that young children have an easier time appreciating where a story wants to take them. Something about getting older dulls our ability to imagine and tolerate the absurd. I’ve found that in the picture books I make I can paint what something feels like and not just what it looks like. Sometimes to tell a proper story you need the freedom to break with truth and reality. Kids get that in a big way.
Jules: Where are your stompin’ grounds?
Daniel: I live in the middle of the map as they say, the city of Overland Park, Kansas. It’s just south of Kansas City.
Jules: Can you briefly tell me about your road to publication?
Daniel: My first book gig was a collaboration with Singer/Songwriter Neil Sedaka. He was working with Imagine Publishing to bring some re-works of his hit songs to life as picture books. The first one they wanted to do was Waking Up Is Hard To Do [pictured below]. It was 2009. I had just finished building a portfolio with my artist rep (Studio Goodwin Sturges), when they said there may be an opportunity for me, but … you would need to do a sample piece for the story on spec. It wasn’t like I had another project going on at the time, so I said sure. I’m assuming they had a handful of other artists contending for the book as well. We went a few rounds on the samples to define my take on the story, and in the end I got to do the book. For a young illustrator, it was like jumping off the end of the pier to learn how to swim. The stakes felt high. The deadlines were tight. I learned so much about who I was as a book maker, as well as who I might want to be going forward. Also, I realized just how amazing of a creative family I had in my Studio Goodwin Sturges partners. They really gave me an education on the nuts and bolts of bookmaking.
Neil was a force. I really admire his passion for music and passing that on to his grandchildren. You could tell he was totally smitten by them. Before I knew it he was on the Today show talking about our book with Kathie Lee and Hoda.
It was a wild first adventure as a book illustrator. Pretty soon after that, I started to feel the pull to tell my own stories.
Jules: Can you please point readers to your web site and/or blog?
Daniel: danielmiyares.comm or on Instagram @danielmiyaresdoodles — and on Twitter @danielmiyares.
Jules: If you do school visits, tell me what they’re like.
Daniel: I try to tailor my presentations to the audiences.
If it’s a large school-assembly kind of situation, I’ll do a slide show and discussion that starts with when I knew I wanted to be an artist (at about age four).
I also like to share what I think an Author/Illustrator really does. No matter what the age group is, if I ask what an Author/Illustrator does, I get the same answer: “They write the words and draw the pictures.” Technically, they’re right, but I’m convinced there’s a lot more fun and adventure in it than that. To prove it, I share an example of a three sentence story that I wrote for a children’s book class I taught a while back at the Kansas City Art Institute. First I share it with just the words and I ask if it’s a good story. Usually I get a resounding NO! Sometimes I get a boo or two. (Kid-honesty is the best.)
Next, I share the same story again, except I’ve added some rough sketches to it. This time I usually get belly laughs and cheers. Really I just want to share that words and pictures don’t have to be serious, intimidating business. Telling stories can be a lot of fun.
I also do readings of my books. The kids are usually so respectful and well-mannered. I invite them to take part in the readings. They help me figure out what’s going to happen next or shout out questions or suggestions. I’ve learned so much about my books through those interactions. Secretly, my goal is to get them whipped up over a story. I want the students to have as much joy and excitement as possible around the reading experience.
My finale is usually a live drawing demo. I make the wild claim to the crowd that it’s possible to make any animal in the world out of basic shapes. Mostly they don’t believe me, so I ask for a shape suggestion from the audience. I draw that on the pad of paper. Then I ask for the animal. If all works out, we end up with some pretty fun stylized animal drawings. As time allows, I’ll get some other brave souls up there to convert shapes into animals, too.
For smaller groups (like the size of one classroom), I’ll change it up to be more hands-on. I like having an activity where we make something together. If they’re on the older side, I break out the three-sentence story assignment for them. It’s a lot of fun, plus I like leaving things behind that they can keep working on or do again in their own way with their teachers.
Jules: If you teach illustration, by chance, tell me how that influences your work as an illustrator.
Daniel: When I’ve had the opportunity to teach classes, I’m always amazed at how much I grow personally. There’s something about taking on the responsibility of helping others connect dots that inevitably leads to my own dot-connecting.
I was teaching a children’s book class at the same time I was working on Float. When we covered basic principles, like pacing and composition, I would bring in-progress art from my book to speak to. They enjoyed talking about real world examples, and I got some straightforward feedback on how things read. There’s a wonderful accountability that goes along with being transparent.
Also, the student’s passion and curiosity for art and design is infectious. It’s really hard to replicate that energy outside of a classroom.
(Click to enlarge)
Jules: Any new titles/projects you might be working on now that you can tell me about?
Daniel: I just wrapped up the art on my next book with Simon & Schuster. It’s called Bring Me A Rock! It will be released Summer of 2016. It’s about a megalomaniac insect king on a power trip and the little bug who saves the day.
(Click each to enlarge)
Also, I am in the middle of illustrating a new book that Kwame Alexander wrote for North South, called Surf’s Up.
Okay, we’ve got our eggs, and it’s time to get a bit more detailed with six questions over breakfast. I thank Daniel again for visiting 7-Imp.
1. Jules: What exactly is your process when you are illustrating a book? You can start wherever you’d like when answering: getting initial ideas, starting to illustrate, or even what it’s like under deadline, etc. Do you outline a great deal of the book before you illustrate or just let your muse lead you on and see where you end up?
Daniel
: In describing my process, I have to mention Uri Shulevitz’s book Writing With Pictures. A friend turned me onto it when I was building my first book concepts as an author/illustrator. In the second paragraph of the first chapter, Uri says, “A picture book says in words only what pictures cannot show.”This simple idea helped the tumblers fall into place for me. Don’t let your words try and do what your pictures are doing and vice versa. The magic for me is that space in between word and image. Now when I’m working on a book idea, I do rough loose thumbnail drawings and write at the same time. I also like drawing and writing quickly so nothing is too precious in early stages.
(Click final art to enlarge)
(Click final art to enlarge)
(Click final art to enlarge)
My ideas for stories come from all over the place. I wish I had a clean formula for generating a great idea. As best as I can tell, I usually start with a personal struggle or anxiety. I know that doesn’t sound very uplifting, but I believe that if you can show real human struggle and how it’s overcome or redeemed, people will connect to it.
Float was a different one for me. I didn’t start with an idea at all. I was flying home from my aunt’s funeral, and on the plane I did a small drawing of a boy floating a paper boat in a puddle. As I looked at it I wondered what happened just before that moment — and I drew it. Then I wondered what happened after and I drew that. I went on like this until I found the beginning and end of the story. It felt like carving something out of stone. The plot line was in there already; I just needed to knock off what didn’t belong to uncover it.
(Click final art to enlarge)
(Click final art to enlarge)
(Click final art to enlarge)
When it comes to making art, I usually always make a quick rough sketch to start from. I try not to overdraw my sketches. Many times I’ve fallen in love with a drawing that says it all and then proceeded to choke the life out of a finished painting of it. Now I try to let my sketches give me the energy and spirit I want in my finished piece but not take it too far. I think I have the best outcomes and the most fun when I make some discoveries in my finished paintings.
I use a variety of media. I use inks, watercolors, gouache, acrylics, and digital tools. I paint the elements for my pieces separately and compile them digitally. It allows me to focus on mark-making, edges, and surface texture in a free way. So, for instance, in Float I painted most of the backgrounds with inks and watercolors wet into wet. I wanted it to feel rain-soaked throughout, but for the little boy I cut shapes out of some of my hand-painted textures on the computer. You know how rain slickers are kind of stiff and have those harsh distinct creases in them? It seemed like a fun contrast to those deep, washy, rolling neutral greys.
(Click final art to enlarge)
(Click final art to enlarge)
Aside from the hours upon hours holed up in my studio drawing and painting, making books for me has to be a team sport. The collaborations with my reps, editors, and design partners have truly helped to make my books the best they can be. I hope I never feel like I’ve got it all figured out.
2. Jules: Describe your studio or usual work space.
Daniel
: My workspace now is a studio/office in the lower level of my house. We moved in not too long ago, and I’m thrilled to have a separate room set aside to make stuff in. Up until now, our finished attic doubled as our bedroom and studio. My wife is some kind of saint for putting up with all those late nights.I like painting on this old reclaimed library table a friend of mine gave me when I first moved to Kansas City many years ago. Painting flat suits my love of wet media. Since I use digital tools, too, I like to be just a chair-swivel away from my Mac.
I have realized that when I’m cooking up ideas for stories and concepting new projects, being out and about works well for me. I spend lots of time in coffee shops and libraries with my sketchbooks.
(Click to enlarge)
3. Jules: As a book-lover, it interests me: What books or authors and/or illustrators influenced you as an early reader?
Daniel
: Shel Silverstein really ignited my imagination as a kid. In the third grade, I had a teacher read to us from A Light In the Attic. I couldn’t believe we were allowed to read things like that in school. It seemed unfair, like we were getting to skip our school lessons.Later on, it was Mark Twain’s short stories that got me. And poetry — Langston Hughes, E.E. Cummings, and the imagist poets. I quickly saw that language could evoke the most visceral of feelings.
(Charlesbridge Publishing, 2012)
(Click spreads to enlarge)
4. Jules: If you could have three (living) authors or illustrators—whom you have not yet met—over for coffee or a glass of rich, red wine, whom would you choose? (Some people cheat and list deceased authors/illustrators. I won’t tell.)
Daniel: Ok, as long as it’s between us. Let’s see … I might have to do both living and non.
William Joyce — I’d love to throw around book ideas with him. I don’t know him at all, but he seems like a great idea man.
Alice and Martin Provensen — I’m rather intrigued with how the collaboration worked, but really because The Glorious Flight is one of my all time faves.
Lynd Ward — Because his drawings are ridiculous! Maybe we could’ve drawn together. A friend pointed me toward The Silver Pony, and I can’t stop going back to it.
5. Jules: What is currently in rotation on your iPod or loaded in your CD player? Do you listen to music while you create books?
Daniel: I do listen to tunes when I work. Currently I’ve got Dave Brubeck, R.E.M., Sam Cooke, The Cure, Spoon, Dr. Dog. …
6. Jules: What’s one thing that most people don’t know about you?
Daniel: I’m a huge John Cusack fan. Whenever he does a new movie—good, bad, or horrible—I have to see it.
and made me a plush paper boat.”
7. Jules: Is there something you wish interviewers would ask you — but never do? Feel free to ask and respond here.
Daniel: I usually don’t get asked about my family, but they’re so much a part of what I do. My wife and I [pictured below] have a six-year-old daughter, named Stella, and a three-year-old son, named Sam. I didn’t grow up dreaming about making picture books. After my daughter was born, it started to make a lot of sense to me. Seeing the world through my children’s eyes has been a real privilege. I never expected they would have such an impact on my creative pursuits. Plus, they constantly remind me of what’s important in life. If left to my own devices, I worry I would be all work and no play. They keep me in a healthy balance.
Jules: What is your favorite word?
Daniel: “Quietude.”
Jules: What is your least favorite word?
Daniel: “BOGO” (not the deal, just the acronym).
Jules: What turns you on creatively, spiritually or emotionally?
Daniel: Good art, films, poetry, the fam, drawing just because, down time.
Jules: What turns you off?
Daniel: Doing the same things over and over and small-mindedness.
Jules: What is your favorite curse word? (optional)
Daniel: Does “poop” count? In my house, it counts.
Jules: What sound or noise do you love?
Daniel: Belly laughs.
Jules: What sound or noise do you hate?
Daniel: Silent cries. (You know, those out-of-breath kid-cries, where it takes the sound a minute to catch up to the face.)
Jules: What profession other than your own would you like to attempt?
Daniel: Teacher.
Jules: What profession would you not like to do?
Daniel: Accountant. (No offense. It just ain’t me.)
Jules: If Heaven exists, what would you like to hear God say when you arrive at the Pearly Gates?
Daniel: “Welcome.”
All images are used by permission of Daniel Miyares.
The spiffy and slightly sinister gentleman introducing the Pivot Questionnaire is Alfred, copyright © 2009 Matt Phelan.
Blog: A Fuse #8 Production (Login to Add to MyJacketFlap)
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Because life is too short not to know about cool children’s book festivals. Heads up, Orange County!
Behold:
Warwick Children’s Book Festival
September 26, 2015
11am-4pm, rain or shine
Free Admission; open to the general public
Railroad Avenue, Warwick (Orange County)
www.warwickchildrensbookfestival.org
Children, readers and book lovers of all ages are cordially invited to the Warwick Children’s Book Festival on Railroad Avenue in Warwick on Saturday, September 26, 11am-4pm. Fifty prominent and distinguished authors and illustrators of books for children (pre-K-12th grade) will be on hand to meet children, talk about their work, autograph and sell their books. Enjoy a free concert for children by The Uncle Brothers at 1pm on Railroad Green. There will also be a craft activity for children coordinated by library volunteers. Railroad Avenue is surrounded by charming gift shops, cafés, bakeries and candy shops. The street will be closed to car traffic for the day to enable children and families to enjoy a leisurely and safe afternoon.
The festival is presented biennially by the Albert Wisner Public Library Foundation and sponsors Glenn P. and Susan D. Dickes, longtime benefactors of the Library. Generous support has also been provided by library patrons Herbert and Stephanie Neuman, as well as by the Village of Warwick, the Warwick Farmers’ Market and ShopRite. Student artists from Warwick Valley Middle School, under the direction of art teacher Mrs. Nicole Heller, also designed and created models of the heads of beloved characters from children’s books, like Ludwig Bemelman’s Madeline, Clifford the Big Red Dog, Eric Carle’s Very Hungry Caterpillar and many others. These will be on display at the festival.
The bookseller for the event is Ye Olde Warwick Book Shoppe, a beloved Warwick institution and valued Library partner. A portion of the Festival’s proceeds will benefit Albert Wisner Public Library. Further details are at warwickchildrensbookfestival.org.
Blog: travel and sing (Login to Add to MyJacketFlap)
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Filed under: Brian Tappin, dances, flying, love
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In the past year or so, I’ve become quite the fan of Studio Ghibli (of course, just in time for the whole thing to shutter around me), and while I recognize most fans find themselves drawn to the work of the master Hayao Miyazaki, I’m one of the people that, by and large, prefers the […]
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After you explore the Wasteland, explore the art behind the Wasteland with Dark Horse.
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Hyperbole and a Half, a book collecting the webcomics of Allie Brosh with new essays, was one of the smash hits of 2014, selling 129,679 copies according to Bookscan, and doubtless more than that in the rest of the world. While it's a text/comics hybrid, the visual component of her storytelling—awkward Paintbrush tableau—is vital to her work, and she was a guest at Comic-Con just a few weeks ago.
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by Xavier Lancel Welcome to a new analysis of the Marvel sales. Reminder: I’m French, and that’s why I’m talking funny. Please address your complaints to my French-people-are-never-happy country. Reminder: the sales data referenced below is an estimate of sales to comics shops located in North America. American comics do get sold elsewhere in their original floppy […]
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Last week The Hollywood Reporter ran a succinct piece about Warner Bros. and its current box office woes. Behind a string of flops and under performers like Hot Pursuit, Vacation, Magic Mike XXL (it’s a classic folks), and The Man from U.N.C.L.E., WB is finishing #3 for the summer for the second year in a […]
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The Hugo Awards, honoring the best in science fiction, were presented this weekend surrounded by a nebula of controversy. Amy Wallace has a lengthy write-up at Wired explaining everything, but the short version is… Well, there is no short version. The award nominations, which are open to attendees and supporters of the annual WorldCon, became […]
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In the world of social media, no one does in depth con reports any more. Well, not quite true, Down the Tubes Antony Esmond has a quite detailed report on the Safari Festival 2015, the show organised by Breakdown Press and other forward looking UK comics types. Edmond’s report complete with reviews and photos (Such […]
You know how you can climb up the ladder at the top of the Magic Faraway Tree into magical lands, often those which match your wildest dreams? I’ve just spent 23 hours in my own magical treetop land, a place packed with more books than I think I’ve ever seen in such a short space of time and the good news is, I wasn’t imagining it; it was REAL!
Hay-on-Wye is a small town on the border of England and Wales and whilst its resident population is under 2000, it has over 20 bookshops, a library and one of the two biggest book festivals in the UK, bringing in over 80,000 visitors for a week in late May/early June each year.
Here are some of the wonderful bookshops we visited:
1. The Children’s Bookshop
The Children’s Bookshop would be my first recommendation for anyone looking for children’s books which they actually want to read themselves or give to children. Whilst the stock is all second-hand (as is the case in most Hay bookshops), the books here are not primarily collectors items selling for £££. Rather they are simply older books in good condition, many for £1 / £2 / £3.
2. Rose’s Books
To survive in a town with so many others, most bookshops have carved out a specific niche for themselves. Rose’s specialises in collectible, rare and out of print children’s books and is full of very, very beautiful books. Whilst children are allowed in the bookshop, this is really a place for adult collectors with a bigger budget than most parents buying simply for their kids’ enjoyment.
3. Hay Cinema Bookshop
We nearly walked past this bookshop as I thought it might be dedicated only to film books, but how wrong I was. This place is VAST and has books on every conceivable subject. Remaindered books mingle alongside second-hand books, and there’s also a specialist section containing rare and collectible books.
4. Open air shelves in the Castle grounds
Hay is a very picturesque village, with narrow winding roads and a ruined castle at its heart. There are two sets of open air bookshelves in the castle ground which you can peruse as you picnic.
5. Only for the brave
6. Richard Booth’s Bookshop
Richard Booth is credited with having started the book revolution in Hay, and he continues to play a significant role in the town running a cafe and a cinema alongside this beautiful bookshop. The children’s section isn’t enormous, though it does mix new books alongside second-hand books, so if you are looking for more recent publications this is a good place to head.
7. Addyman Books
Whilst of course the two specialist children’s bookshops were real delights for me, perhaps my favourite bookshop in Hay was Addyman Books. With a very wide ranging collection of books, including the best selection of children’s books I found outside the two dedicated children’s bookshops, Addyman’s is enormous fun to explore not least because of its themed rooms with interesting and unusual décor.
8. Broad Street Book Centre
Broad Street Book Centre had the best selection of children’s non-fiction I found anywhere in Hay.
9. Greenway’s Corner Bookshop
Tucked down a little alleyway Greenway’s has only a small children’s section but it will always have a special place in our hearts as it was actually the first bookshop we visited when we arrived in Hay. M was especially delighted as she found one of the books in the Dune series (her current passion).
10. The Poetry Bookshop
My only disappointment in Hay. But that’s only because it was on my “target list” but by the time we got there it was shut (5pm) so we didn’t manage to get inside.
Hay is lucky to have its own library as well as all these bookshops. I do wonder what it is like to be a librarian here!
Another library nearby which is very definitely worth visiting is Hereford Cathedral’s Chained Library.
Housing many medieval manuscripts (and next door to the incredible Mappa Mundi) this is a powerful space for reflecting on the value, beauty and longevity of books. It’s part of a great exhibition in the Cathedral and whilst it is about 20 miles from Hay (easily reached by public transport), it should be on any book lover’s itinerary.
For more photos from my time in Hay, head on over to Playing by the Book’s Facebook page.
What’s been your favourite ever bookish destination?
Blog: librarian.net (Login to Add to MyJacketFlap)
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A little background: when I was younger and my dad was a technologist, every so often he’d go to Washington DC to go talk to some people about technology stuff. He was always super cryptic about it and we’d joke that he was a CIA informant. To this day I don’t know what he was doing, advising someone about something. Which is just my roundabout way of starting this post about talking to the White House last week.
By “White House” in this case I mean Valerie Green, the Director of Presidential Personnel at the White House. I’m not 100% sure how I wound up talking to her and Amanda Moose, her special assistant, about the incoming Librarian of Congress but I think it went something like this…
I have, as you know, been agitating about the incoming Librarian of Congress, making sure librarians get their voices heard about this appointment. The job is a lifetime position and is often given to late-career historians. James Billington was such a person. While he did some good things for LoC in his tenure, he probably should have retired earlier and there have been legitimate criticisms of some of the things he did and did not do. I made the Librarian of Progress website and wrote an article about this for Medium. The #nextloc hashtag? That one is mine. Medium is one of those online writing platforms. They employ me to do some writing. Other people also write for them who are not employed there, for example Jason Goldman, the White House’s Chief Digital Officer.
Jason wrote an article talking about what he was doing there and I responded. We tweeted back and forth a few times. I sent him a copy of my article when I wrote it. He emailed in early July that I should chat with Valerie Green. I said “Sure, happy to continue the conversation” and then didn’t hear anything until I got an email this past Tuesday asking if I was free for a phone call with Valerie the next day at noon. Noon wasn’t super convenient but when the White House says “Free for a phone call?” the right answer is yes. I have this to say about the White House: of all the people who I have had phone meetings with in the last year or so, they were the most on time and the most prepared. The forty-five minutes I spent talking to Valerie and Amanda were a delight and not just because I felt like I was advancing my cause, both of them were pleasant and smart people who asked great questions and seemed to value my time and their own.
We talked for about 45 minutes about what the job of Librarian of Congress entailed, where Billington didn’t help, what a new person could really do to change things, and why it matters. I felt listened to and they laughed at my jokes. One of the most interesting questions they asked, besides “Has your opinion changed about what the job entails after talking to people about it for a month?” (it has) was about whether I thought people would be really hostile towards basically any appointee in today’s political climate or if there were people who might please everyone (not who were they but just did such people exist). I got to tell them how much I thought certain high profile possible choices were going to be lightning rods (in a mannerly and polite way) and how I was very concerned that media industry people would be trying to stack the deck in favor of their people. I also told them that some people–loud internet people–would probably hate whoever got picked but if they at least felt listened to it would matter a lot. That is, I think a lot of people would be disappointed if the incoming LoC was another older white man, but that could be mitigated somewhat if that person had a serious plan in place for working on LoC’s diversity issues that was front and center of their early communications.
I gave them a long list of people to talk to, primarily people at smaller libraries or representing underrepresented groups in librarianship. They seemed to appreciate that I’d thought about this a lot but also wasn’t a zealot about it. We had a nice and reasonable conversation and I felt upbeat about it afterwards particularly about my biggest fear which was that the job would go to some industry hack who was determined to wrest the Copyright Office from the clutches of the library. All in all, a very good discussion.
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‘It would be too bad if you didn’t tell me, squirrel. It would be insulting.'”
– From The Day No ONe Was Angry
Want to join me this morning, dear Imps, in looking at some artwork from French illustrator Marc Boutavant? I’m looking at two new books, in particular, here — Astrid Desbordes’ Edmond, The Moonlit Party, which was originally published in France two years ago but came to American shelves in June, thanks to Enchanted Lion Books, as well as Toon Tellegen’s The Day No One Was Angry. I believe Toon’s stories originally published in 2002, and this is the First American Edition from Gecko Press (March 2015).
Edmond, the Moonlit Party, translated by Claudia Zoe Bedrick, is the enchanting story of a squirrel who lives in a tree also populated by an owl and a bear (his neighbors, that is). Edmond is shy, so he spends time alone, making nut jam and being “an amazing pompom maker.” He makes things like pompom hats in “no more than a day or two.” It’s very fun to spot his pompom creations, and the character himself is quirky and funny in such a way that is never too precious or cloying. His neighbor, the owl, likes to dress in disguises and eventually invites him to the party bear throws — and Edmond comes out of his shell. The story is laugh-out-loud funny in spots, and Boutavant’s illustrations are a perfect fit here, Leonard Marcus describing them in the New York Times as “a stylish retro-Pop brew with winsome notes of Takashi Murakami and Richard Scarry.” Yes. That.
The Day No One Was Angry is quite unlike any other story collection you’ll read this year — and different from the way many American books would handle such a thing. Here, Tellegen explores anger in 12 stories featuring a variety of creatures. The stories are funny and bizarre and thought-provoking — sometimes all three at once. Think: An elephant who argues with himself for having climbed a tree (and fallen, as he suspected he might). Or think: A lobster who sells anger door-to-door from his suitcase. (“I’m the lobster. Can I interest you in some anger?”) It’s an intriguing collection of stories and worlds apart from your typical story set.
Here’s a bit of art from each book so that you can see for yourself. …
[Pictured above left is a spot illustration from “The Hedgehog” from Tellegen’s The Day No One Was Angry.]
when I danced with the cricket. …”
but I have to tell you: I don’t like this cake. …'”
THE DAY NO ONE WAS ANGRY. First American edition published in 2015 by Gecko Press, and all illustrations here used by their permission.
EDMOND, THE MOONLIT PARTY. First published in 2015 by Enchanted Lion Books, and all illustrations here used by their permission.
Note for any new readers: 7-Imp’s 7 Kicks is a weekly meeting ground for taking some time to reflect on Seven(ish) Exceptionally Fabulous, Beautiful, Interesting, Hilarious, or Otherwise Positive Noteworthy Things from the past week, whether book-related or not, that happened to you. New kickers are always welcome.
1) Well, this is so wonderful for obvious reasons.
2) I didn’t think it could be possible to like Lily Tomlin even more than I already did, but then I listened to her Fresh Air interview
.3) I’m driving a bit more these days, and I’m getting caught up on podcasts, both long-time favorites and brand-new delights. I’m sorry to the environment, but my ears and brain are happy.
4) My girls and I are reading this below, and it is very funny. We are racing through it, because we can’t put it down.
5) Invitations.
6) My middle-schooler continues to like her new school — and especially that the library opened this week.
7) Re-discovering old CDs and songs, such as Crowded House’s “Nails in My Feet.” Those guys and their lyrics. So good.
What are YOUR kicks this week?
Blog: PW -The Beat (Login to Add to MyJacketFlap)
JacketFlap tags: History, Dark Horse, Dark Horse Presents, Top News, Peter Bagge, founding fathers funnies, Add a tag
Peter Bagge is prolific and hilarious, a very good combination in a cartoonist. He's been running short one page historical comic strips in recent issues of Dark Horse Presents and his own series Apocalypse Nerd, and these will be collected in the one shot Founding Fathers Funnies. Bagge is all over the humor of the great people who founded our great nation, and i'm sure it goes beyond cherry trees, kites and wooden false teeth.
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Here's an exclusive first look at the trailer for Craig Thompson's Space Dumplins, his long awaited first graphic novel for kids. It goes on sale next week.
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A year ago Rat Queens artist Roc Unchurch was arrested on a domestic violence charge, resulting in his leaving the book. (Tess Fowler is now the artist.) Of course, professional concerns are only part of the story of such a personal matter, and now Unchurch has given a frank and open interview to Casey Gilley regarding what happened and where he is now. The arrest has been expunged from his record and he's trying to get things together.
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JacketFlap tags: Neil Gaiman, Literacy, nypl, Rambo, Amanda Palmer, children's reading, damien hirst, Top News, verity, Add a tag
Baby on board musician/provocateur Amanda Palmer and hubby did in waiting Neil Gaiman staged a pretty spectacular event at the New York Public Library yesterday, as the eight months pregnant Palmer recreated Damian Hirst's statue Verity with body paint. The event was well captured in social media.
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Cosplay is a thing. Variant covers are a thing. And now cosplay variant covers are most definitely a thing. Marvel will have 20 cover adorned by photos of cosplayers depicting the titular characters.
Title: Lucky Star Genre: Comedy, Slice of Life Publisher: Kadokawen Shoten (JP), Viz Media (US) Artist/Writer: Kagami Yoshimizu Serialized in: Comptiq Original Release Date: August 19, 2014 Review copy provided by the publisher Lucky Star wasn’t exactly popular when I started getting into anime and manga in 2007, but everyone could recognize its overly high-pitched song and dance routine from the ... Read more
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Over the last year or so, there’s been an increasing amount of talk in creator circles about the low page rates being given out by independent publishers for some of the smaller books. The last two or three years, publishers have been putting out a lot more titles than they used to and a lot […]
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Sometimes films take on heavy concepts: life, death, space, time travel. Other times, they take a simpler approach. Sure, it’s hard to argue that American Ultra is doing anything profound or meaningful, but it’s also hard not to have fun with a movie where the primary question seems to be: What if Jason Bourne was a neurotic pothead? […]
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“
I don’t think there are many middle-grade children’s books that talk about the ‘working poor’ — about the stresses that come when parents juggle multiple low-paying jobs and there still isn’t enough food on the table or maybe even a place to call home. Children may not know what being ‘food insecure’ means, but they understand much more than we give them credit for, especially when it comes to money.”Over at Kirkus today, I talk to author Katherine Applegate about her new middle-grade novel, Crenshaw (Feiwel and Friends), coming to shelves next month.
That conversation will be here soon.
Until tomorrow …
Photo of Katherine used by her permission.
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>>>>Life In These Here Five Burroughs<<<
Boroughs. Not Burroughs.