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Blog: Welcome to my Tweendom
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By: Stacy Dillon,
Every now and again a book comes along that renders me smitten. In this case, the book was unexpected. It showed up on my front porch, which is something that doesn't happen so often these days. I was intrigued by both the cover and the title and since it was a weekend, I settled in.
There is not much that makes Lottie Fiske happy. She is stuck living in the boarding house with Mrs. Hester Yates after her intended guardian passes away in his porridge. Mrs. Yates is not much like her husband who was always doing things that were kind. She finds Lottie a bother who doesn't help with the chores, and is more likely found cavorting in the garden with her imagination.
Two things do make Lottie happy, and they are the apple tree in her yard, and her best friend Eliot. She has been putting her wishes in that tree for ages now and each year on her birthday she receives the trinkets she asks for. So when Eliot's health takes a turn for the worse, Lottie knows she needs to use her birthday wish for something more important than hair bows.
An apple tree gateway, a magical legacy, political intrigue and plenty of double crossing do not deter Lottie from trying to get what she needs in order to help Eliot. The problem is, Eliot's not the only one who needs what Lottie has come for.
Ormshee has written one heck of a charming story that had me right from the beginning. Setting, character, story and world building all come together in a way where readers do not see the strings. The writing itself is a pleasure to read, and I am planning on reading this aloud this summer to my own daughters. The book comes blissfully map free, but I find myself wanting to draw not only Lottie's journey, but the characters she meets along the way. From her apple tree, to Iris Gate and especially the Wisps...I have them in my mind's eye, but want to put pencil to paper and give them more shape and look upon them. While this book doesn't scream sequel (and you all know how much I adore the stand alone), I find myself wanting more of these characters. For fans of the faery, friendship, poetry and a well spun yarn.
अपना हाथ ही जगन्नाथ
कभी मोदी जी तो कभी राहुल… उफ ये राजनीति !!! किसानों की बदहाली पर ठीकरा एक दूसरे पर फोडते नजर आते हैं मुसीबत के मारे किसानों ने अलग अलग रैलियां भी कर ली, धरने भी दे दिए और तस्वीरे भी खिंचवा ली पर नतीजा शून्य अब किसान को समझ आ गया है कि दुबारा हल ही लेना पडेगा और जमीन नए सिरे से जोतनी पडेगी … किसी भी राजनीति दल की इच्छा ही नही कि वो किसानो का कल्याण करे.. और रही बात मीडिया की …वो बेचारी तो अपने टीआरपी मे ही उलझी हुई है
The post Cartoon- Kissan appeared first on Monica Gupta.
My grandson fell and split his lip.
It wasn’t quite my fault, but still,
I thought my heart would rip.
Back and forth in utter glee,
When suddenly he tripped and flopped
Three steps away from me.
I scooped him up and hugged him close;
His blood dripped on my shirt.
I knew he’d be okay
But couldn’t stand that he was hurt.
An ice pop offered by his mom
Both soothed and made him smile.
In minutes, he was up to snuff
And ready to beguile.
His lip will still be puffy
For a day, but it will heal;
Yet it will take much longer
To get over how I feel.
The most recent addition to the complete review is my review of Florence Noiville's Attachment., due out shortly from Seagull Books (in a nice-looking little volume, by the way).
"You may be interested to know that Donald lays several eggs each morning and consumes them for food."
The 2015 Pulitzer Prizes -- which include several book categories -- have been announced.
The Fiction prize went to All the Light We Cannot See (by Anthony Doerr; get your copy at Amazon.com or Amazon.co.uk).
Nice to see The Moor's Account by Laila 'MoorishGirl' Lalami was one of the finalists .....
The Criticism prize went to a TV critic.
So, your first questions might be, “Who is this? And why is he writing here?” Good questions. Let’s start there. My name is Miguel Figueroa and I work at the American Library Association on a new Center for the Future of Libraries initiative. As I’ve begun my work over the past year, I’ve been focused on three objectives:
- Identifying emerging trends relevant to libraries and the communities they serve
- Promoting futuring and innovation techniques to help librarians and library professionals shape their future
- Building connections with experts and innovative thinkers to help libraries address emerging issues
And if those objectives sound pretty obvious to you, I’m not surprised. I know that YALSA members, by the nature of your work and your audience, tend to be on trend, innovative, and outward-looking. In fact, over the past year YALSA members have been incredibly helpful in suggesting trends for me to explore, including Collective Impact, Connected Learning, and Emerging Adulthood.
Today, as part of “30 Days of Teen Programming,” I want to try to connect teen programming to an important and emerging view of the library as platform.
David Weinberg’s excellent article, “The Library as Platform,” proposed the potential for the library to serve as a platform by leveraging its data and information resources for members of the community to build from. And John Palfrey, in his forthcoming book BiblioTech: Why Libraries Matter More Than Ever in the Age of Google, encourages libraries to become platforms for hacking – engaging large communities of people with diverse skills and perspectives to remake libraries and their communities using the resources, information, and data libraries make available.
Given these descriptions, it may be very easy for us to think about the library as platform as belonging to the realm of the digital, the networked, or the technology-driven.
But the library as platform is also helpfully described in the Aspen Institute’s “Rising to the Challenge: Re-envisioning Public Libraries” as one of three key assets libraries possess – People, Place, and Platform.
- The library’s People (librarians and library staff) connect users with resources and serve as conveners for learning and creation opportunities.
- The library’s physical and virtual Place accommodates a wide range of purposes including reading, communicating, learning, playing, meeting, and doing business.
- And the library’s Platform facilitates individuals’ and groups’ discovery, creation, curation, and sharing of knowledge and innovation alone and together.
2 Platform is the participatory environment that opens the library’s technology and resources to experts from the community with an emphasis on addressing the community’s varying and expanding set of needs. The Platform emphasizes the opportunity for users to serve and be served not only by librarians and library staff, but also by other users, a rotating cast of novices, experts, teachers, learners, and peers.
It is the Aspen Institute’s view of the library as Platform that leads me to think about programming. Programming is one of the best opportunities we have to make the library a participatory environment. Programming is responsive, hands-on, collaborative, and open. But the process of programming can also be onerous, requiring that we develop, plan, practice, promote, and execute a successful program for an assembled audience.
As others have pointed out, to develop relevant programming, it’s important to look outside the library to find out what other people know and pull those ideas into our programming. I wonder, as we are thinking about the library as platform, if relevant programming won’t soon require that we pull not just the idea but also the content, the planning, and the presentation from outside the library.
As I do my work trying to look to the future, I keep returning to Joi Ito’s Principles for the MIT Media Lab, especially the concept of “Pull Over Push.” Ito helped explain this in an interview with Wired magazine as “pull[ing] the resources from the network as you need them, as opposed to centrally stocking them and controlling them.”
In a world that is increasingly networked, informed, and distributed, we can’t afford to centrally stock and control programming. In the terms of the Aspen Institute’s report, this would only utilize the People and Place assets of the library. The future, instead, might have us shift our roles toward the facilitation or “pulling” of relevant content from the community and redeploying it for the community. The expert programming librarian would then be the individual who is best able to spot knowledge, creativity, or innovation from among our users and give it a space in our library’s programming. There might be infinite opportunities available to us when we find ways to leverage all three assets – People, Place, and Platform – in their appropriate roles in our library programs.
I know that libraries are already doing this, finding ways to be a participatory platform. I also know that it is not easy. It’s a set of skills that aren’t easy to master. How are you using programming to reposition the library as platform? What are the benefits you have experienced? What are the challenges you have faced? How can we learn together? I hope you will share your thoughts in the comments section below or via e-mail (firstname.lastname@example.org). I’m excited to continue learning from my YALSA colleagues who are on trend, innovative, and outward-looking.
Miguel Figueroa works in the Center for the Future of Libraries at the American Library Association. You can reach him at email@example.com.
What not to do when using social media.
By: Heidi MacDonald
Blog: PW -The Beat
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We now live in a post Star Wars trailer world, it’s a world where anything is possible including universally liking things. This week we’ll touch on new developments with Batman, Disney Interactive, and free Mortal Kombat X goodies.
In addition to seeing the first full trailer for The Force Awakens, fans at Celebration in Anaheim got a first look at Battlefield game series developer DICE’s plunge into the Star Wars universe with Battlefront. With the game set to be a November holiday release we can now start the anticipation build up. DICE has lit the match and started the fire by releasing a series of video diaries chronicling the game’s progress. Watch the first one below:
Star Wars: Battlefront comes to the PS4, Xbox One, and Origin PC on November 17, 2015.
While no official announcement has been made, Infinity Inquirer managed to get a leaked image of possible characters for Disney Interactive 3.0. The image showcases a lineup of 11 new collectible toys which include Sam Flynn and Quarra from Tron Legacy, Olaf, and Mulan. Keep in mind Disney has neither confirmed or denied the image, but it has been taken down at the request of Disney from several sites.
With E3 approaching soon we should find out more details on the future of the franchise, including the possibility of incorporating figures from or to previous versions of the game.
Last week the Mortal Kombat franchise had it’s biggest launch in the game’s history. While no specific numbers are known it has been released that the PS4 version is outselling both Xbox One and PC. For a breakdown of sales, MKX sold 61% of its copies on PS4, 38% on Xbox One, and 1% on PC.
This week, to thank fans who’ve been part of this launch the latest game update will include a new free DLC skin for a classic character. Patch 1.02 improves online stability, adds a new move for Takeda, and includes general balancing tweaks. It’s most visible addition is the classic look of Sub-Zero seen here.
Destructoid has also reported that classic Mortal Kombat fatalities from the 90’s could be coming back in DLC form.
Now that we’ve played the game, it’ll be interesting to see how the DC Comics prequel series catches up to the game. As of now one of the game’s main four characters, Takeda, is a teen just starting his training under Scorpion. The series still has yet to do any significant story on the game’s main character Cassie Cage.
Halo 5: Guardians released a new trailer that showcases UNSC elite manhunter Spartan Locke taking out Covenant while in pursuit of Master Chief. If you check it out you’ll see new weapons and multiplayer abilities the game will have when it releases this October. Additionally it’s been announced anyone pre-ordering the shooter from GameStop in the US will get access to the Hunter-Class armor set.
Halo 5: Guardians releases for the Xbox One on 10-27-2015.
Batman: Arkham Knight draws closer and closer each week, yet the wait feels unbearable. The game’s director Sefton Hill isn’t making things easier. He teased fans on twitter with talk of a new trailer, as if that wasn’t enough there’s also talk of new features Rocksteady has not yet disclosed.
He even went so far as to say, a familiar face from Arkham City would be appearing in the new trailer. With just about everyone in the Batman universe appearing during Arkham City, it’s anyone’s guess just who he’s referring to. We should know more about the trailer including a possible date in the next few days.
Batman: Arkham Knight is set to release on June 23, 2015 for the Xbox One, PS4, and PC.
Game Comics out 4/22:
Halo: Escalation #17 (Dark Horse Comics)
(W) Duffy Boudreau (A) Douglas Franchin, Rob Lean (CA) Sparth “The Glass Horizon” part 1: An action-packed survival tale on the treacherous and barren glasslands of a Covenant-ravaged colony world . . . and a Spartan-IV’s mysterious origin revealed.
Tomb Raider #15 (Dark Horse Comics)
(W) Rhianna Pratchett (A) Derliz Santacruz, Andy Owens (CA) Andy Park
While using the cover of a fake documentary about the legendary Chupacabra, Lara and her friends are drawn into a missing-child case while hunting the organization holding their friend hostage!
Batman: Arkham Knight #3 (DC Comics) (Print ed)
(W) Peter J. Tomasi (A) Viktor Bogdanovic & Various (CA) Dan Panosian
The Arkham Knight’s shadow spreads across the city as Batman digs deeper into the murders of villains – and it will soon put him on a collision course with the most dangerous enemy he’s ever faced!
Angry Birds #10 (IDW Publishing)
(W) Various, Paul Tobin (A) Various, Stefano Intini (CA) Paco Rodriques
The pigs decide to build the “ultimate” fortress but can they muster up enough brainpower to find new ways to stop the Angry Birds?
Skylanders #8: Return of Dragon King (IDW Publishing)
(W) Ron Marz, David Rodriguez (A/CA) Fico Ossio
RETURN OF THE DRAGON KING CONTINUES! CLASSIFIED is back! Only Spryo, Hex, and Cynder have the knowledge needed to defeat this arch-nemesis!
Sonic Universe #75 (Archie Comics)
(W) Ian Flynn (A) Jim Amash & Various (CA) Patrick Spaz Spaziante
Sonic Universe has reached 75 thrilling issues, and we’re celebrating in style! “Fury”: The race is on as Sonic chases down Metal Sonic for one of the sought-after Chaos Emeralds!
Are you excited for Star Wars Battlefront? How much more Batman teasing can you take? Did Mortal Kombat X deliver for you? What video game inspired comics do you read? These are the questions we’d love to ask all your faces.
By: Carole Anne Carr,
You old devil, performing conjuring tricks
in the bleak December classroom. You ham act the nativity, roll up your sleeves. The ginger hairs on your arms glisten Your fists scoop out manure, cleansing the stable floor, warm dung drips between your coarse fingers, as your sour breath touches open faces. You revel in their reaction, forming young minds, creating an hypnotic state. Your stoat to their frozen rabbit, you teach them original sin, tell them they shut the inn door, and weave a glowing lantern slide before their astonished gaze, with towering Magi bearing bitter gifts. Lord of your chalk domain, exhausted by your matinee performance now replete, you close moist fleshy mouth, replace the lens cap over thrusting tongue, and Pied Piper them into a leafless playground. Years later, standing in that empty classroom, the stage of your many triumphs, you look at the rows of
iron-runner desks, breathing the fumes from the
pot-bellied stove, and rummage in your bag of tricks.
Your hopes for your future, your religious faith, now gone, have you forgotten the Christian army
you sent into battle?
I'll be appearing at the KRA Young Author Day on Saturday, April 15, signing books and giving two presentations. Stop by and say "Hi!" if you're in the area!
Last year Israel passed legislation placing limits on book-discounting (previously widespread, especially among the market-dominating retailers), and it would be interesting to learn about the consequences of the implementation of this legislation.
Unfortunately, what coverage one finds tends to be along the lines of Sharona Schwartz's New Israeli Law Mandates Price Controls for Books, Minimum Payments to Authors -- Here's What Happened to Sales After Just One Year at something calling itself 'The Blaze'.
While several sources are cited, the only person who seems to have been interviewed for the piece is one "Boaz Arad, the head of the Ayn Rand Center's Israel branch", with predictable results -- quoted at length and offering such helpful textbook economic explanations as:
For example, Arad said, "If I can produce at the rate of $5 an hour -- that's what I'm worth to my employer -- maybe I'm not disciplined, maybe I'm disabled, but if you enact a minimum wage of $6 an hour, it means my employer will lose a dollar on every hour he will have me so the next day I'll lose my job."
Much as readers no doubt appreciate the 'lesson' in basic economic theory ... well, there's considerable debate about the effects of minimum wage laws and this simplified version only makes the grade in your junior-high economics class.
Beyond that, and more significantly: minimum wage laws are not really comparable to pricing laws of the sort under (ostensible) discussion.
But good to see Arad 'understands' publishing -- and how authors can become successful ! --, offering helpful and insightful advice such as:
Almost the only way for unknown writers to become popular is to put their first book on sale, even to give it for free if possible, to publicize their name and get their audience and eventually make money from their writing,
So that's the secret !
Now you know !
As to the Israeli law in question: more (real) hard data and less ideologically tainted theorizing, please.
चाँद चढ़े देखा जो तुझको,
नींद मुझे ना फिर आई,
रात मुझे जब भी छू गुज़री,
सपने तेरे वो लाई,
क्या सूरज, क्या आसमान था,
कैसे सुंदरता पाई,
भीषण गर्मी सहलाने को,
सपने तेरे वो लाई,
भूल चुका था, समय रुका था,
हैरानी संग संग आई,
पल पल नोचे सत्य मुझे पर,
सपने तेरे वो लाई,
पूछूँ खुद से मैं ये पल पल,
क्यूँ तूने ली अंगड़ाई,
सुबह के हर एक जगते पल मे,
सपने तेरे वो लाई,
होश नही था, दोष नही था,
जब धीरे से मुस्काई,
होंठो के बस हाव भाव से,
सपने तेरे वो लाई,
दर्द निकट था, समय विकट था,
याद तेरी जब लहराई,
लाखो खंज़र सह डाले जब,
सपने तेरे वो लाई,
दिल भी रोया, मैं भी रोया,
तूने की जो रुसवाई,
लेकिन फिर भी रोज़ रात को,
सपने तेरे वो लाई,
आँखे दुर्लभ, साँसें दुर्लभ,
स्वर संगति यूँ पाई,
कर्कशता के बाग मे लाकर,
सपने तेरे वो लाई,
साँसे डूबी, बातें डूबी,
कब्र ही बस राहत लाई,
जीवन की सब अंतिम रातें,
सपने तेरे वो लाई |
By: Elizabeth Varadan
Blog: Elizabeth Varadan's Fourth Wish
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|Author extraordinaire . . .|
I became acquainted with Caroline Stellings through a review I wrote of her book, The Manager,
an engrossing tale about boxing with quirky, captivating characters. You can read the review at The Children's Book Review HERE . The Children's Book Review
is an award winning, online, book review site endorsed last year by the Association for Library Services to Children, a division of the American Library Association.
, published by Cape Breton University Press in 2013, is a young adult novel that won the Hamilton Literary Award for Fiction. Carolyn Stellings' middle-grade novel The Contest
(published in the USA by Seventh Generation) won the ForeWord Book of the Year gold medal in 2010. Her teen mystery, The Scratch on the Ming Vase -- which I'm reading right now and loving -- was published by Second Story Press and was included in the Canadian Children's Book CenCentre's 2013 Spring edition of Best Books for Kids and Teens . She also writes and illustrates picture books.
|Humor and boxing . . .|
|Anne of Green Gables, |
|First in an exciting mystery|
series . . .
It’s my pleasure to have this award-winning author as my interview guest today. I’ll get right to it:
Have you always been interested in writing? When did you first get into it seriously?
CS: Well, it was nearly 20 years ago, and I was in a PhD program at McMaster University, but stumbled upon a book about the life of the famous illustrator from Vermont, Tasha Tudor. She, of course, has done numerous stories about her corgies, and I decided then and there to quit the academics and write books about my dogs, which have always been Schipperkes. These are little black sailing dogs from Belgium, and very smart. First, though, I had to learn how to do watercolors.
EV: You write both YA fiction and picture books. Do you favor one of them over the other, or do you enjoy them equally?
CS: I love the picture books because they feature animal characters, not only my Schipperkes, but I have also done a series of mice books, and recently, my book about a fortune-telling cat, Gypsy’s Fortune (published by Peanut Butter Press) was chosen as a Best Bet in Canada, one of the top ten picture books of the year. I think everyone liked the traditional fortune cookie sayings! Novels are more difficult, but I have enjoyed doing a mystery series because I am a big fan of Nancy Drew.
EV: Do you approach the two genres differently? If so, what are some special challenges of each?
CS: The biggest challenge with the picture books, for me, is the art. I was not lucky enough to be born with artistic talent; in fact, it took me years to learn to paint. With the novels, the challenges come at that stage when the publisher assigns an editor. She then goes over the book piece by piece, and there is a lot of re-writing to do. With The Secret of the Golden Flower, the second book in my Nicki Haddon mystery series, my wonderful editor really worked hard to get it right. Nicki,the main character, is a female Chinese James Bond, and anytime a book has a number of clues, etc. the editing can take almost as much time as writing the book in the first place.
EV: Do you have any favorites among the books you’ve written?
CS: My two Skippers books, Skippers at Cape Spear and Skippers Save the Stone because they are about my dogs.
EV: Can you describe your writing process? Do you plot ahead of time? Become haunted by a theme or idea? Start with a character and then see where that leads?
CS: It usually takes me a few months to decide on my next project. Those are the months when my house is the cleanest, because I find it easier to wash floors than face the blank page. Once an idea hits, then my house isn’t so clean, because I can’t tear myself away from the computer. I always seem to know what my ending will be, and then I sketch out a basic plot, and a few sentences for each chapter. This inevitably changes, of course, once the characters start developing minds of their own and bossing me around. Sometimes, a book requires research. With The Manager I had to learn about boxing. Even though the book is a comedy, and boxing is just in the background, I still had to know it, right down to the last jab. EV:
The research really showed. I felt the world of boxing come alive when I read it. What was your inspiration for The Manager?
CS: One hot summer night, when I couldn’t sleep, I watched a movie called The Station Agentstarring Peter Dinklage, an achondroplastic dwarf, and a fantastic actor. I fell in love with him, and decided I had to write a YA novel with a dwarf character. I wound up with a female lead, but never stopped thinking about that film. Nothing much happens in that film, but thanks to the superb actors, it haunts you for a long time.
EV: What were some of your favorite books while growing up?
CS; The Wind in the Willows was my favorite illustrated book, and then Nancy Drew when I was a bit older. Later, of course, it was Tasha Tudor’s books, and Corgiville Fairis a masterpiece.
EV: What is the best piece of writing advice you ever received?
CS: I keep this piece of advice on a sticky note on the front of my computer at all times: SOMEONE MUST WANT SOMETHING ON EVERY PAGE.
EV: Do you have any advice for beginning writers?
CS: 1.) Don’t invent a book, experience a book and then write it. 2.) Don’t tell the reader anything; make the reader feel everything instead.
EV: What are you working on now, or can you say?
CS: I am starting a western, set in 1857 Utah Territory. Because I must learn the time period, speech, clothing, etc. I am taking longer than usual with the preparatory stages, but enjoying it. And I hope to begin editing a novel I have written about Janis Joplin called Saskatoon Blues. She came to Canada just before she died in 1970 to ride the Festival Express, and when the musicians aboard the train ran out of liquor, they made an unscheduled stop in Saskatchewan. That is where my story begins! There‘s only one problem with writing about Janis Joplin – she steals every scene she is in!
Ah . . . Janis Joplin. I can believe she would. When oldies-but-goodies come on my car's radio, she outshines all the other singers the DJ plays.
Caroline. It’s been such a pleasure to learn more about you and your work. Thank you for sharing all this.
Thank you so much, Elizabeth!
EV: Readers can find more about Caroline Stellings and her books at:
There is a new genre emerging..."New Adult" fiction for older teens aka college-aged readers. You never stop growing up, but little in the market seems to address the coming-of-age that also happens between the ages of Nineteen to Twenty-six. Life changes drastically once high school is over, you have college, first jobs, first internships, first adult relationships…Part of the appeal of NA is that the storylines are about characters who are taking on adult responsibilities for the first time without guidance from their parents. And the storylines generally have a heavy romance element.
Keep this in mind as you revise your wonderful story, New Adult books are mostly about that specific time in every person's life—the time when the apron strings are cut from your parents, you no longer have a curfew, you're experiencing the world for the very first time, in most cases, with innocent eyes. New Adult is this section of your life where you discover who you want to be, what you want to be, and what type of person you will become. This time defines you. This is the time of firsts, the time where you can't blame your parents for your own bad choices. An NA character has to take responsibility for their own choices and live with the consequences. Most storylines are about twenty-something (18 to 26) characters living their own lives without any parents breathing down their necks, and learning to solve things on their own as they would in real life. New Adult fiction focuses on switching gears, from depending on our parents to becoming full-fledged, independent adults.
I am a firm believer that if you’re going to write a certain genre that you should read it, too. So I’m going to recommend that you start devouring NA novels to get a real sense and understanding of the genre before you write one.
Here are some great recommendations: https://www.goodreads.com/genres/new-adult-romance and http://www.goodreads.com/genres/new-adult and https://www.goodreads.com/shelf/show/new-adult-romance
Just as YA is fiction about teens discovering who they are as a person, New Adult (NA) is fiction about building your own life as an actual adult. As older teen readers discover the joy of the Young Adult genres, the New Adult—demand may increase. This, in turn, would give writers the chance to explore the freedom of a slightly older protagonist (over the age of 18 and out of high school, like the brilliant novel, "BEAUTIFUL DISASTER" by the amazing talents of author, Jamie McGuire) while addressing more adult issues that early 20-year-olds must face.
Older protagonists (basically, college students) are surprisingly rare; in a panel on YA literature at Harvard’s 2008 Vericon, City of Bones author talked about pitching her novel, then about twenty-somethings, as adult fiction. After several conversations, Clare realized she had to choose between adults and teens. She went with teens.
Quote from the publisher, St. Martin’s Press: We are actively looking for great, new, cutting edge fiction with protagonists who are slightly older than YA and can appeal to an adult audience. Since twenty-somethings are devouring YA, St. Martin’s Press is seeking fiction similar to YA that can be published and marketed as adult—a sort of an “older YA” or “new adult.” In this category, they are looking for spunky but not stupid, serious but not dull, cutting-edge, supernatural stories.Quote from Georgia McBride, author (Praefatio) and founder of #YALitChat and publisher at Month9Books: "New Adult is a fabulous idea in theory, and authors seem to be excited about it. But in a world where bookstores shelf by category, to them, it is either Adult or Young Adult. Some booksellers even call their YA section “teen.” And when you have a character who is over a certain age (19 seems to be the age most consider the start of New Adult), it is received as Adult. In some cases, the designation by publishers causes more confusion than not.Let’s face it, YA is associated with teens, and at 19, most no longer consider themselves teens. So, it would support the theory of placing these “New Adult” titles in the Adult section. However, with the prevalence of eBook content, it would seem that the powers that be could easily create a New Adult category if they really wanted to...." There’s also a list on goodreads of New Adult book titles. These books focus on college age characters, late teens to early twenties, transitioning into the adult world.
Some popular authors of the NA category include:
- Jamie McGuire
- Jessica Park
- Tammara Webber
- Steph Campbell
- Liz Reinhardt
- Abbi Glines
- Colleen Hoover
- Sherry Soule
Would you buy New Adult books?
Does the genre appeal to you?
Does it sound better than YA (teen novels)?
Or are you happy with YA as it stands?
Do you consider YA to include characters that are over the age of eighteen?
Earlier today I had a thought. I know right, such a rare occurrence! The thought was about something I should mention tonight that would transition so nicely with the graphic novel I just finished reading. Since I had this thought at work I was going to send myself an email reminder. Do you ever do that? Send yourself emails or texts to remind you to do stuff? But I got busy at the circulation desk and the email to myself never got sent.
Now I’ve been trying to remember for the last hour what it was I wanted to write and I can only remember that I wanted to remember something. It’s like when you tie a string around your finger and then forget why you did it. Oh well.
The Pulitzers were announced today though. I am so out of it I didn’t even know it was that time of year. Anthony Doerr won for All the Light We Cannot See. Gregory Pardlo won for poetry. I have never heard his name before. Someone “new” to investigate sometime.
The Pulitzers do not make a nice transition to the graphic novel, Sex Criminals Volume One: One Weird Trick by Matt Fraction and Chip Zdarsky. It is told from Suzie’s point of view and in a way is a kind of coming-of-age story. When Suzie is a teen and pleasures herself for the first time she learns that when she orgasms time stops. Eventually it wears off and time starts moving again. At first she thinks this is something that happens to everyone but no one is willing to talk to her about it and none of the books at the library mention it. When she is a few years older and has sex for the first time she learns what she was beginning to suspect, it is just her.
Until she meets Jon. Suzie is a librarian and her library is going to be foreclosed on by the bank. She is throwing a fundraising party to try to save the library and Jon shows up at the party, saves her from a loser dude trying to pick up on her, and then makes her fall in love with him by quoting extensively from Lolita, Suzie’s favorite book.
Well, it turns out when Jon has an orgasm he can stop time too. Then we get some flashbacks of Jon’s story. Meanwhile, since the beginning of the book, we’ve been getting flashforwards of Suzie and Jon robbing a bank and the whole thing not going well. Eventually all the timelines catch up and the whole sex criminals title makes sense.
I know it sounds kind of weird. Okay, so it is weird. But it’s good too. The art is great and the story is definitely different. And it is not a raunchy sex book. But it’s definitely adult content, not something you want to give your thirteen-year-old niece or nephew for a birthday present. And probably not something you want to give grandma for Christmas unless you have a really cool grandma. It’s fun and silly. There is one panel when Suzie and Jon are laying in bed together saying “Sylvia Poggioli” over and over very slowly. And then Jon comments that Susan Stamberg has a sexier voice. Now if you live in the US and listen to National Public Radio this is one fantastic joke. I am never going to be able to hear either of them on radio again without giggling. And did I mention Suzie is a librarian? Not one of those sexy, shirt unbuttoned down to here and skirt cut up to there librarians, but a normal human being kind of librarian.
I put myself in line at the library for volume two, which was just published this year. I’m something like number 44 in line. Volume One ends with a sort of cliffhanger so I hope I don’t have to wait so very long for my turn to come round.
Filed under: Books
They've announced the (co-)winners of this year's Jewish Quarterly-Wingate Prize: Diary of the Fall (by Michel Laub) and Hanns and Rudolf (by Thomas Harding); see, for example, the report at The Jewish Chronicle.
Jack be nimble,
Jack be quick,
Jack jump over
Pieces from the 2015 SCBWI-WWA Conference intensive with Candlewick art director Kristen Nobles. The assignment was to illustrate the traditional nursery rhyme by going beyond the typical little boy images.
Blog: Creative Zen
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Cosplay at big wow comicfest 2015
Just this past weekend I tabled for the first time at Big WoW ComicFest, a fun little Comic Convention in San Jose, California. My friend Tamara from theMystic and I took a road trip together and shared a hotel to save on costs.
As often at Cons, I was dazzled by the many creative cosplayers who attended the show.
I made some cool new friends and picked up a few fun goodies to add to my collection. The one to the right was from Brandon Dicks and the Cthulhu print and comic book was from ComiXpress.
I had the opportunity to hang out with my friend Rick from ZOMs. He was gracious enough to help me out at my table.
Overall I thought the show was well worth the trip.
Thank you to everyone who came to see me. I will see you in September for Wizard World San Jose!
The post Big WOW ComicFest Recap appeared first on Diana Levin Art.
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People write for all kinds of reasons: to create an imaginary world; make a statement; escape. Some people even write for their health. Writing in The New York Times Science section (January 19, 2015), wellness blogger Tara Parker-Pope says: "Studies have shown that writing about oneself and personal experiences can improve mood disorders, help reduce symptoms among cancer patients, improve a person's health after a heart attack, reduce doctor visits and even boost memory.
"Now researchers are studying whether the power of writing--and then rewriting--your personal story can lead to behavioral changes and improve happiness."
She quotes Timothy D. Wilson, a University of Virginia psychology professor and lead author of a Duke study of the effects of personal story on struggling college freshmen. “These writing interventions can really nudge people from a self-defeating way of thinking into a more optimistic cycle that reinforces itself,” he said
Dr. Wilson, whose book “Redirect: Changing the Stories We Live By,” was released in paperback in January 2015, believes that while writing doesn’t solve every problem, it can definitely help people cope. “Writing forces people to reconstrue whatever is troubling them and find new meaning in it,” he said.