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From the author of Roly-Poly Egg comes a story of one hungry little bird on the search for something to eat. Confetti is hungry, so she asks her animal friends what she should eat. But everything they suggest sounds yucky.

Snack Time for Confetti by author/illustrator Kali Stileman is absolutely charming. From the storyline to the artwork the details blend together to create an engaging story that will entertain your child ages 3 – 7. Confetti visits with a giraffe, a zebra, an elephant and more trying to find out what she should eat. The book teaches children what various animals eat, even though it’s a story to simply be enjoyed. With a great and funny ending, Snack Time for Confetti will be read time and again.

Rating:

Hardcover: 32 pages
Publisher: Tiger Tales (March 1, 2013)
Language: English
ISBN-10: 158925127X
ISBN-13: 978-1589251274

I received a free copy of this book from the publisher. This review contains my honest opinions, for which I have not been compensated in any way.

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Winner will receive a copy of Tiger in My Soup. Use the Rafflecopter form to enter. By entering, you acknowledge you have read the terms on the form and agree to them. Contest ends 5/30/2013 at 11:59 EST.
a Rafflecopter giveaway

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       The 2013 Nobel Prize in Literature will only be announced in October, but previously the Swedish Academy -- who select the winner -- had revealed that 195 eligible names were submitted for consideration, of which 48 were first-timers (see my previous mention). Now, as they've tweeted:

5 candidates have been selected for 2013 #NobelPrize in #Literature according to Permanent Secretary of the Swedish Academy.

       The permanent secretary, Peter Englund, goes into a bit more detail at his weblog, Att vara ständig -- and apparently the five names have only been submitted; it's not entirely final until the last session before the summer at the end of the month.

       A couple of observations here:

        - No, they don't reveal the names. Not until fifty (and a half) years from now. In fact, they try very hard to keep them secret.

        - As I've repeatedly stressed: you have to be in it to win it -- or to make the shortlist. Which is easier said than done. There's a lot of Nobel/Swedish Academy bashing that misses this point.
       Consider, for example, Forged-author Jonathon Keats' recent Wired piece, Don't Hate Google for Reader - Award It the Nobel Prize for Books [sic]. He begins:

When the Nobel Prizes launched in 1901, possible choices for the award in literature, bestowed upon a living writer to honor their entire life's work, included such historical titans as Leo Tolstoy, Edith Wharton, and Henry James.

       The thing is, as a search for the 1901 nominees shows, Tolstoy, Wharton, and James were not among the names submitted to the Swedish Academy for consideration -- while eventual laureate Sully Prudhomme was nominated by three individuals (including a University of Uppsala professor), as well as a whole gang of French academicians -- i.e. he had a lot of support.
       This is relevant, because easy as it is for outsiders to say authors X,Y, and Z are obviously the most deserving, someone still has to nominate them for them to (possibly) make the final cut. So, for example, the information that this year the Swedish Academy tried to reach out to more African academics in the nominating procedure might suggest that there's a higher-than-usual chance of African names appearing in the pool the finalists were selected from. On the other hand, less well-known writers from less widely translated languages -- especially authors not in official favor (in a lot of these countries official writers' bodies do the nominating) -- are disadvantaged.

        - The only author whose nomination has widely (and controversially) been acknowledged is Paul Goma, his name submitted by the Writers' Union of Moldavia; see, for example, the Mediafax report -- and e.g. the Times of Israel report, Author accused of anti-Semitism nominated for Nobel. (His nomination can't just be dismissed out of hand as (noxious) political posturing, either: he doesn't stand much of a chance of winning -- after Herta Müller, it's unlikely another Romanian dissident would get the prize so soon -- but he's not just some two-bit hack (and he had very good dissident cred back in the day); among his books available in English is My Childhood at the Gate of Unrest (published by Readers International); (try to) get your copy at Amazon.com or Amazon.co.uk.)

       In any case, now that the list is down to a manageable five, things get more interesting. The Swedish Academy members, who will be reading up on the finalists, will try to be careful, but it's probably pretty hard for all of them to cover their reading-tracks convincingly: it seems pretty clear, for example, that Mo Yan's name cropped up more last summer than they would have liked (which is why he found himself a betting favorite right from the start of last year's Nobel betting-season).
       The fact that a finalist or two or all five are identified only gets us so much closer to the actual winner -- who they only decide on in late September/early October, after all, but it's nice to be able to narrow the list down .....
       I wonder whether Swedish bookshops (or the various European Amazons -- surely some of the finalists' books will have to be ordered from abroad, as it's unlikely they have all been translated into Swedish) are tracking bigger orders to the Academy or the members ..... And a closer translation-watch is probably also called for: the Academy is apparently willing to commission translations of untranslated works, so if a translator from some obscure language suddenly has a big hush-hush project going .....

       At this point, the fact that they're down to five names doesn't get us (immediately) any closer to figuring out who the likely winner is (or, indeed, who is left in the running). Will Chinua Achebe's passing and the nominations from more African academics nudge them towards some continental names -- perennials like Nuruddin Farah or Ngũgĩ wa Thiong'o (or, dare I hope, someone like Ayi Kwei Armah) ? Did someone remember to nominate The Colonel-author Mahmoud Dowlatabadi, whose work-available-in-translation may have finally hit the critical level where he can't readily be overlooked any longer ? Will they toss it at Philip Roth, now that the old man has promised not to write any more books ?

       Here's hoping Swedes everywhere (and anyone in places where these academicians vacation) are keeping a close eye on the reading material the Swedish Academicians are lugging around ..... Sightings and gossip are always welcome here, too, if you have any to offer ..... Read the rest of this post

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Tomorrow - Saturday, May 20th - is the Gaithersburg Book Festival!

And I'm so proud to say that I'm going to be speaking there! I'll be speaking with my friend Jessica Spotswood, author of Born Wicked (a book Oldest adores, btw), at 2:15 in the YA Pavilion. If you are in the area, I really hope you can come by! We will be talking about worldbuilding, strong females, and outcasts.

And then at 3pm - I'll be signing in the author's tent. I really hope some people show up so I won't be lonely! ;o)

So if you are anywhere in driving distance of Gaithersburg, I really hope you will come and say hi! The festival has amazing authors there and is a Don't Miss event!!

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If there’s anything that can both dazzle my senses and make me crave Oreos, it’s this 90-second animation for Oreo’s new “Wonderfilled” campaign, directed by Martin Allais and his production company Studio Animal. Animated to a jaunty tune performed by Owl City, the spot is filled with wonderfully stylized animation, a fantastic sense of design, fun transitions, and eye-popping colors from beginning to end. And much like the classic commercials of yesteryear, it makes me WANT to buy the product it’s selling.

CREDITS
Global Marketing Communication:  Jill Baskin
Brand Marketing Director: Janda Lukin

Agency Credits
Chief Creative Officer: Joe Alexander
Group Creative Director: Jorge Calleja
Creative Director: David Muhlenfeld
Creative Director: Magnus Hierta
Senior Art Director: Brig White
Planning Director: John Gibson
Managing Director: Steve Humble
Senior Broadcast Producer: Kathy Lippincott
Broadcast Producer: Heather Tanton
Broadcast Junior Producer: Caroline Helms

Production Company: Studio Animal
Director: Martin Allais
Producer: Maria Soler Chopo
Illustration: Martin Allais
Storyboards: Martin Allais
Animatic: Pere Hernández, Javi Vaquero, Matt Deans
Animator: Pere Hernández, Javi Vaquero, Pablo Navarro, Dani Alcaraz
Tracing and color:Ezequiel Cruz, Macarena Ortega, Eva Puyuelo, Joel Morales
Compositing: Santi Justribó Martin Allais

Music
Music (performed by): Owl City (Adam Young)
Voiceover talent: Owl City (Adam Young)
Original Music and Lyrics: David Muhlenfeld (English Major, LLC)

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Gurggggggle swish…. slluuuuudge glump.… thorp…. bloop, bloop, bloop, bloop…..

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Here is Tracy explaining her process:

Below, I’ve included some of the steps I used to draw and paint the “Watermelon Barrette”.

Illustration:

• Draw the design, scan it, and then reduce the drawing to fit the surface.
• Trace the design onto tracing paper.

                       

Paint/Supplies/Brushes:

• DecoArt Americana Acrylics.
• DecoArt Matte Varnish Sealer.
• Krylon Matte Finish Spray.

• Brushes—1/8” and 1/4”      Stipplers, #1 and #3 Round, 3/4” Wash, #2, #4, and a #10 Shader, #6      Filbert, and a #10/0 Spotter.

Wood Surface Preparation:

• Sand the wood barrette with 400 grit wet/dry sandpaper.
• Remove the dust with a tack cloth.
• Apply one coat of DecoArt Matte Varnish Sealer.
• Allow to dry, sand, and then wipe clean.
• Paint the background with at least three coats of paint.
• Center the tracing over the barrette.
• Slip the dark blue dress-maker’s paper under the drawing, and then
• Trace the main pattern lines with a stylus and/or a pencil.

 

Color Worksheet:

 Drybrush Tips:

• Use a 1/8” Stippler to      drybrush small areas.
• Use a 1/4” Stippler to      drybrush large areas.
• Dip the brush into the      desired paint color.
• In a circular motion,      wipe off the excess paint onto an absorbant paper towel.
• In a circular motion,      applying slight pressure, begin in the darkest area and move toward the      lightest area.
• Follow the above steps      until the desired results are achieved.

 Finishing Touches:

• Let the piece cure (I      wait three days).
• Apply one coat of DecoArt Matte Varnish Sealer.
• Let dry (15 to 30      minutes).
• Lightly sand with a      brown paper bag.
• Apply at least three      coats of sealer, sanding between each coat.
• Spray with Krylon Matte Finish.

Did you go to school for art?
No, not unless you count the “How to Paint” workshops I signed up for in 1991.

What types of things helped you to develop as an illustrator?
In 1994, a published picture book illustrator encouraged me to draw my own designs. So with shaky fingers, I picked up a pencil and gave it a whirl. And voila! The fabric tree and snow mama was my first design, and I painted it on slate.

I continued studying “How to Paint” books, and then with three years of drawing and painting practice under my belt, I designed “How to Paint” pattern packets. During that time, I attended a Tuesday morning group for young moms at a local church. The moms loved my designs, and they invited me to teach on Tuesday mornings. One of the designs I taught them, Noah’s Flying Angels, was painted on a wood piece.

My confidence bloomed like the flowers in my garden, and I decided to sell my expanding portfolio. Without access to the Internet, I packed up my car and traipsed all over Southern Ontario, begging and pleading with store owners to stock my designs on their bulging shelves. Krafty Kennedy’s, a store in London, Ontario, took a chance and purchased my packets. Wait, it gets better. They even asked me to teach workshops. A few years later, I became a “Big Brush” teacher at national painting shows in Toronto and London, Ontario.

Here is a pattern packet design.

What was the first piece of art you did where someone paid you?

A small marketing company hired me to design thirty cards. I recently revamped “Gone Fishing” to create a Father’s Day card.

Did you start out doing interior design work?

It wasn’t until 2004 that I received accreditation as an International Design and Decorating Professional. I then obtained my Staging, Color Consulting, and Professional Organizing designations. While I was running my decorating business, QC Design School approached me to tutor students and, later, to facilitate Color and Professional Organizing workshops. I’ve recently cut back on my decorating services to allow more time to pursue my new love…writing.

What are your favorite art materials?
Hmm…I don’t really have a favorite. I paint on many surfaces—illustration board, slate, tin, wood, and canvas.
Here is a “Musical Angel” I painted on a CD box.

Have those material changed over the years?

Yes, I’ve discovered Copic markers, which I must say are not forgiving. To avoid making mistakes, I test the markers on scrap paper to ensure I choose the correct tint, tones, and shades. The upside, I reduce my painting time in half.

Here is a very rough sketch for the painting below.

Once the idea takes shape, I redraw each figure, scan it, and then enlarge or reduce each element until I’m happy with the placement. I then transfer the final drawing onto Strathmore Windpower^TM smooth finish, acid free Bristol.

How long have you been illustrating?

I seriously began illustrating in 1994, so that means almost twenty years!

I like your note cards. How did you start creating and selling them?

Thank you, Kathy. Some of my three-dimensional wood designs were the inspiration that lead me to produce a line of square-shaped greeting cards, which I submitted to the Thirteenth Uniquely Ontario Creative Arts Show in Toronto, Ontario. My cards were judged on design, workmanship, promotional materials, and saleability. After receiving a score of 92 out of 100, I was invited to participate in the show that assists in the growth of Ontario’s best home-based entrepreneurs. I was disappointed I didn’t receive 100. 

Kathy, I hope you’ll indulge me for a moment. Regal Gifts hired me to create A Country Charm Collection, reproduced on wrapping paper and gift cards.

Here are just four designs.

My confidence soared. I queried a well-known calendar company in Markham, Ontario. Rejected, I sulked, unaware God was still at work. A few months later, I received a call. My name had been passed on to Zebra Publishing. They hired me to design a “baby’s first year keepsake” calendar, and the following year, a “twelve-month folk art” calendar. Both calendars sold like hot cakes in mom-and-pop bookstores, Chapter’s bookstores in Canada, and Barnes & Noble in the U.S.

It looks like you have written and illustrated a children’s book. Can you tell us a little bit about the book?

Our Story—You & Me is much more than a children’s book. It’s also a record-keeping book sprinkled with quaint quotes that will appeal to mommies and expectant mommies who want to capture the milestones of their baby’s first year. The book is unique in that it elevates a record-keeping book to an early-reader storybook a mom can read to her child, and uses a child’s natural curiosity about their first year of life to help interest them in reading. In the years to follow, mom and growing child will giggle together, poring over candid photos of things like a toothless grin, wobbly first steps, the ultrasound, and other special moments. This fifty plus page book mirrors my calendar art and will make the perfect baby shower gift.

Do you have plans to self-publish?

I’m on the hunt for an agent.

Is illustrating children’s books a new direction for you?

It sure is. 

Have you ever illustrated something for a children’s magazine?

I haven’t pursued that avenue yet, but I have been published numerous times in American and Canadian “How to Paint” magazines.

Here are two tear sheets.

The drawing and painting instructions for the “Musical Angel CD Box” are similar to the “Watermelon Barrette”. Below, I’ve listed the differences.

Additional Supplies:

• DecoArt Walnut Gel Stain.
• Krylon Matte Finish Spray.

 

CD Box Surface Preparation:

• Prep the box as per the previous instructions, paint the base Napa Red, paint the lid Antique White, and then paint the edge Deep Teal (apply at least three coats of paint).
• Drybrush the Deep Teal area with Blue Green, and again with Deep Teal plus Buttermilk to brighten.
• Apply scotch tape 1/4” from the edge, and then paint the border Country Red.
• Paint corner squares Lamp Black.
• Dilute the gel stain with water, and then apply with a foam brush. Wipe the excess stain with a cotton cloth. Let dry.
• Spatter with Burnt Umber and again with Lamp Black.
• Trace main pattern lines onto the lid.

 

Color Worksheet 1:

 Color Worksheet 2:

What have you been doing to get your artwork noticed?

I have an online whimsical shop over at http://www.tracycampbell.net/shop.html and a website over at http://www.tracy-campbell.artistwebsites.com, where Fine Art America reproduces my original whimsical works of art on metal, stretched canvas, and acrylic. You can also buy unframed prints or framed prints that are ready to hang on your wall or on a friend’s wall.

Have you made picture book dummies to show art directors, editors, and reps.?

Not yet.

Do you have an agent?

I’m hard at work querying agents.

Do you ever use two different materials in one illustration?

Not materials per se, but here’s another style where I used a Micron pen and watered down acrylics.

The above piece was painted on illustration board. The process is the same as painting on wood, except I don’t have to prepare the surface. I just transfer the line drawing, ink the design, and then apply watered down acrylics.

I also paint on Paper Mache items.

Have you seen your style change since you first started illustrating?

Oh my, yes! My earlier drawings and paintings were stiffer than my ironing board.

Have you gotten any work through networking?
Yes, from author extradornaire, Susanna Hill. She purchased designs for her online course—Making Picture Book Magic. Take a peek over at http://www.susannahill.blogspot.ca/p/making-picture-book-magic.html.

Do you do any art exhibits to help get noticed?

Not at present.

Are you open to doing illustrations for self-published picture book authors?

Not at the moment. I’d like to concentrate on illustrating my own books.

Do you use Photoshop?

Yikes! I hear the learning curve is steep and I’m not getting any younger. I do scan my artwork, and manipulate my designs with Microsoft Publisher and Paint. Here’s one I reconfigured.

Do you own a graphic tablet? If so, how do you use it?

Unfortunately not.

How much time do you spend illustrating?

Not as much time as I’d like. Some days I work on marketing, other days I write and/or paint.

Do you have a studio set up in your house? Where do you live?

I have a second-floor studio in my 1841 farmhouse, nestled high on a hill in a secret location. 

Is there anything in your studio, other than paint and brushes, that you couldn’t live without?

My art and writing reference books.

What are your career goals?

My career goals are to find a literary and/or art agent, finish writing two picture books, polish my middle grade novel, and continue creating art that one day will appear on home décor and giftware items. Lord willing.

What are you working on now?

Besides tutoring, I’m querying agents, blogging, writing a rhyming picture book, and adding art to sell on my website.

Are there any painting tips (materials, paper, etc.) you can share that work well for you? Technique tips?

I love dark blue dress-maker’s paper. I lay my line drawings over the transfer paper, and then I use a stylus to trace the design onto any surface I like. The beauty of this paper is that as soon as you add ink or water—poof—the lines disappear.

Any words of wisdom you can share with the illustrators who are trying to develop their career?

Don’t be afraid to try new things, step out of your comfort zone. As Will Rogers once said, “If you want to be successful, it’s just this simple: Know what you are doing. Love what you are doing. And believe in what you are doing.”

Thank you Tracy for sharing your artwork and process with us. We will be watching to see how you develop your style to illustrate picture books.

If you want to see more of Tracy’s work or follow her in the future, her website is www.tracycampbell.net.  Please take a minute to leave Tracy a comment. It is much appreciated. Thanks!

Talk tomorrow,

Kathy

Filed under: authors and illustrators, How to, illustrating, Illustrator's Saturday, inspiration, Interview, Process Tagged: 3-D wood designs, How to Paint, Interior Design company, Magazines, Tracy Campbell

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For this week’s crowdfunding profile, we travel to Central America where the husband-and-wife team of Guillermo Tovar C. and Nadia Mendoza A. is working feverishly to complete Costa Rica’s first full-length animated feature
“>The Esoteric Birthday (El Cumpleaños Esotérico)

. They have been working on the film for the past two years, and plan to finish it by this December. They describe their unconventional-looking movie as an “experimental digital” animated film:

The Esoteric Birthday tells the story of the coming of age of a peculiar little girl who is about to become a powerful witch. She has to undergo a ceremony of initiation that involves a series of dangerous trials. It all takes place in a fantastic and mysterious tropical island, with over 50 characters, like a group of intergalactic witchdoctors, a religious sect of wild animals, two cannibal Amazonian warrior twins, and lots and lots more.

Guillermo and Nadia, who operate as Interdimensional Studio, are asking for $25,000 for the post production which includes sound design, original music, and hiring a small crew of local animators for lighting, texturing and compositing. The entire 70-minute film will be released online at no charge after its festival run in 2014. The rewards they are offering include drawings from the pre-production phase and having a donor’s face drawn into the film as a background character. They have currently raised just over $4,000 with 51 days left in their campaign.

LINK to The Esoteric Birthday Indiegogo campaign

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I've had a very up-and-down relationship with the Artemis Fowl books. I was enthusiastic about the first book. Though I loved Holly Short in book two, I thought there were issues with point of view. Third book...disappointing. Evidently I didn't even want to write anything here about the fourth book. With the fifth book, I was happy again. Happier, anyway. It appears that I missed book six and wasn't crazy about book seven. 

Was there a book in which Artemis went into space?

Oh, well, the series/serial is done now, and the wrap up, The Last Guardian, is quite good. We do have the choppy story line in which we swing back and forth between worlds/characters, which has appeared in earlier books. The side trip regarding Foaly's wife seemed totally unnecessary, for instance. It did give us a chance to be with Foaly, though, and who doesn't like Foaly? I also liked Artie's little brothers. Does anyone else see potential for an early reader series about criminal genius preschoolers?

The Artemis Fowl books are fantasy thrillers with humor, and with this concluding volume we are provided with a big thrilling threat for Artie to overcome. I think the actual ending of the book gives readers a chance to have their cake and eat it, too, which I'm not complaining about.

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Here's a video I made to inspire artists to use Pinterest to gather reference and inspiration!

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       In the Asahi Shimbun Mariko Nakamura reports that When it comes to publishing Haruki Murakami in English, nothing is lost in translation, revealing that Philip Gabriel:

is now translating Murakami's latest best-seller, Shikisai o Motanai Tazaki Tsukuru to, Kare no Junrei no Toshi [色彩を持たない多崎つくると、彼の巡礼の年] (Colorless Tsukuru Tazaki and His Years of Pilgrimage).

       And:

He plans to complete the translation by the year-end, with publication expected in 2014.

       Also:

"It is a very realistic book, like Norwegian Wood," Gabriel said in an e-mail interview. "To me, it seems more serious, even somber, compared to some of his other novels, but one ultimately that is hopeful."

       Don't worry, Murakami's other translator, Jay Rubin hasn't been forgotten, and he:

is currently translating Murakami's Ozawa Seiji-san to, Ongaku ni Tsuite Hanashi o Suru [小澤征爾さんと, 音楽について話をする] (Talking with Seiji Ozawa about music), which was published in 2011.

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Yesterday, Seymour Simon spoke to all children, all grades, at a Pennsylvania elementary school. Here’s what the school librarian had to say about it:Dear Seymour,Your time at Lower Gwynedd was a gift to our students as well as us oldsters! We were all mesmerized. You modeled the thrill of discovery and thinking as writing… writing as thinking. Your use of comparisons in the "space" presentations made complex numbers and concepts something we could understand. I do not doubt that every child will go home tonight and fly at least one paper airplane. It was a thrilling day for us and one that I hope will plant the seeds for future scientists and writers and educators. Thank you so much.Holly CarlsonLibrarianLower Gywnedd Elementary School

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I don't talk much about my son here but he's eleven years old and while he loves a good story (I read all of the Harry Potter books to him several years ago), he is not always patient enough to read them. He prefers graphic novels and shorter nonfiction and so when I caught him up in bed, reading ahead in Elise Broach's Superstition Mountain books, I knew they were something special. He loves these two books and is d-y-i-n-g for the third to come out. I felt it was my duty (*grin*) to make sure everyone knew about them.

In every possible way Treasure on Superstition Mountain and Missing on Superstition Mountain are cut from the cloth of classic middle grade adventure. You have four likeable kids - three brothers and their spunky girl neighbor - the pensive, more bookish child is the narrator, the parents are all decent admirable folks who support these curious active children (while also being busy enough to let them disappear for awhile) and there is a huge mystery - HUGE - that demands to be solved.
In this case the story is all about the Lost Dutchman's Mine, a very real Arizona legend that Broach discusses in her excellent afterwords. The kids go hiking on Superstition Mountain (a real place), and through an accident discover something sinister. In search of clues about what they've found, the kids hit the library, which adds an unexpectedly creepy character to the story, and the cemetery, which gives us a slightly unhinged character, and to the historical society - where we find a hero! Huzzah! It's all very Nancy Drew/Hardy Boys/Trixie Belden at their best and the scary is just the right amount of scary to keep readers turning the page while not terrifying. My son loves that each chapter ends with you wanting more and even though both books end without cliffhangers, the main story arc clearly continues. Broach is great at pacing and think that is a big part of why these books succeed so much.

We have both titles in hardcover for as my son says, he "NEEDS' them and can't stand the thought of them falling apart at some point. The covers catch the eye of their audience (kids in action!) and the drawings in the text are quite good - though, surprisingly, my son has not relied upon them. The story keeps him moving forward, not the pictures.

I can't wait to see how Broach ends this trilogy. There are some bad guys, and a lot of questions but mostly I'm enjoying how the characters have evolved and grown to ask more questions and think more deeply about what they are finding and learning. Plus she has managed to work a library and ghost town into the narrative - how cool is that?

Highly recommend, of course!

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So I stopped to get us a bite to eat for a late lunch and I heard some concern from the kiddos: 9yo: So did you mean to just order that? 10yo: Yeah, I mean, they don’t know what you really need if you don’t tell them the right amount. Me: Yes. I meant to …

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Sally O. Lee is back with another imaginative, unique creation. When circle meets square, circle is curious if square is always the same: brushing his teeth, bouncing a ball, at bathtime, and in other situations. Square assures circle that he’s always the same no matter what he’s doing. Simple in nature, this story is one of friendship and acceptance. Parents could even use this book as a teaching point for how their love remains constant no matter what happens.

A delightful story coupled with Lee’s adorable artwork is waiting for your young reader in Circle and Square.

Rating:

Paperback: 34 pages
Publisher: CreateSpace Independent Publishing Platform (March 12, 2013)
Language: English
ISBN-10: 1482676850
ISBN-13: 978-1482676853

I received a free copy of this book from the author. This review contains my honest opinions, for which I have not been compensated in any way.

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It's about time, too...

Raccoon yoga

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Rgz SALON member Lyn Miller-Lachmann has been the Editor-in-Chief of MultiCultural Review; the author of the award-winning multicultural bibliography Our Family, Our Friends, Our World; the editor of Once Upon a Cuento, a collection of short stories by Latino authors; and the author of Gringolandia, a young adult novel about a refugee family living with the aftermath of the Pinochet dictatorship in Chile. Her most recent novel, Rogue--a spring/summer Junior Library Guild selection for middle school--is out this month!

We're honored to have Lyn here as part of the rgz SALON, a feature where top kidlit experts clue us in to the best YA novels they've read recently. Today, she discusses The Language Inside by Holly Thompson:

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As of November 20, 2012 (that is, Midnight Eastern Time tonight) I am closed to queries. I will reopen to queries January 7, 2013.

If I already have your work, you should hear from me by January 7. (That's the point of taking the break, I have to catch up!)

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Please come celebrate authors Anna Boll and Kathy Quimby, winners of this year's PEN New England Susan P. Bloom Discovery Award. The event starts at 6:30 pm on Sunday, May, 19 at University Hall at Lesley University in Cambridge. It's free and parking is available. Both authors will read from their winning submissions and refreshments will be served afterwards. Come mingle with other authors, members of the PEN NE Children's Book Committee, and the winners. (I'll have the privilege to introduce Anna and her work during the event.)  Hope to see you there!

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