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By: Jen Robinson
Blog: Jen Robinson
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Book: The Way to the Zoo
Author: John Burningham
Age Range: 4-8
The Way to the Zoo by John Burningham is a picture book about a little girl named Sylvie who discovers a secret doorway in her bedroom that leads to a zoo. The animals are friendly, and sometimes Sylvie brings some of them back into her house. The small bear is cozy to sleep with, but the penguins make a splashy mess in the bathroom. And when Sylvie forgets to close the door to the zoo one day, chaos ensues.
The Way to the Zoo reminded me a bit of Barbara Lehman's Rainstorm, and a bit of Philip and Erin Stead's A Sick Day for Amos McGee. All three books feature implausible events related in a completely matter-of-fact manner. My four year old daughter thought that The Way to the Zoo was hilarious, and asked immediately that I read it again.
Burningham takes his time with the story. Instead of jumping in to where the girl finds and opens the door, she first glimpses the door from her bed, decides to wait to check it out in the morning, and then forgets, and doesn't look inside until after school the next day. He uses a relatively basic vocabulary, and explains what's happening in detail. I think that The Way to the Zoo could function as an early reader for some kids. Here's an example (all on one page spread):
"It was getting late. Sylvie had to get back
to her room and go to sleep because she
had school again in the morning.
Sylvie asked a little bear to come back
with her. He did and slept in her bed
She made sure the bear was back in the
zoo and the door in the wall was closed
before she left for school."
This passage is, of course, also good for teaching young readers about foreshadowing.
Burningham's illustrations are in pen, pencil pastel, and watercolor. The are minimalist, with only the faintest suggestion of backgrounds, lots of white space, and the details left to the reader's imagination. This isn't my personal favorite style of illustration - I couldn't always tell what kind of animal was being represented, for instance. But the pictures made my daughter laugh, particularly one involving birds in the living room, and another in which a rhino lies on the floor covered up in towels for the night.
The Way to the Zoo has a timeless feel, support in particular by the apparent freedom that Sylvie has from parental oversight. It would make a nice school or library read-aloud for K-2nd graders. Recommended for home or library use!
Publisher: Candlewick (@Candlewick)
Publication Date: August 26, 2014
Source of Book: Review copy from the publisher
FTC Required Disclosure:
This site is an Amazon affiliate, and purchases made through Amazon links (including linked book covers) may result in my receiving a small commission (at no additional cost to you).
© 2014 by Jennifer Robinson of Jen Robinson's Book Page. All rights reserved. You can also follow me @JensBookPage or at my Growing Bookworms page on Facebook.
The cast members of the television show It’s Always Sunny in Philadelphia are writing a self-help book.
The 7 Secrets of Awakening the Highly Effective FourHour Giant, Today is slated for publication in January 2015, but is currently available for preorder from HarperCollins’ new Dey Street Books imprint. Check it out:
The Gang may have finally found their golden ticket. Left alone to close down Paddy’s Pub one night, Charlie Kelly inadvertently scored himself, and his friends, the opportunity of a lifetime—a book deal with a real publishing company, real advance money, and a real(ly confused) editor. While his actual ability to read and write remains unclear, Charlie sealed the deal with some off-the-cuff commentary on bird law and the nuances of killing rats (and maybe with the help of some glue fumes in the basement with an unstable editor on a bender).
New Career Opportunities Daily: The best jobs in media.
Author: Howard Binkow
Illustrator: Susan F. Cornelison
Publisher: Thunderbolt Publishing
Buy it at Amazon
It’s Howard B. Wigglebottom’s birthday, and he plans to have everything he wants. But a huge brownie sundae for breakfast makes his tummy hurt, the large bag of bubblegum in his mouth prevents him from talking, and the whole bunch of balloons sends him flying across the sky. Why are all the things that normally make him happy making him so miserable instead? Is it because he’s got too much of a good thing?
Howard is a quick learner, and soon realizes that he needs to keep good things in moderation. A discussion guide at the end of the story also provides insights for kids in knowing when enough is enough. Discipline and moderation are skills kids need to be successful in life, and Howard B. Wigglebottom Learns Too Much of a Good Thing is Bad reminds them in a fun and non-preachy manner.
Reviewer: Alice Berger
Posted on 7/29/2014
Question: I've written my first novel, it's been edited and I am in the second re-write prior to publishing. My editor advises that it is too long (600
By: Rachel Frankel,
Blog: Illustration Friday Blog
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, tutorial / how-to
, australian graphic supply collective
, dave coleman
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In my journey towards becoming somewhat of a graphic designer, I’ve gone through many bouts of chocolate-fueled rage, cursing when I can’t figure out how to line up my beziers correctly, or how exactly to create a seamless repeat pattern. Although there are loads of tutorials online, the Australia Graphic Supply Company is set to become the “square one” learning source for budding designers and typographers of all types (pun not intended).
Self-described “pixel-wranglers,” Dave and Laura Coleman are a husband-and-wife team working out of Sydney, Australia, focusing on a wide range of visual services from photography and branding to illustration and tattoo design. While Laura mostly manages operations & finances, Dave handles the creative side of their shared business–and both of them share a serious passion for design, photography and lettering.
They host a selection of their own client work on their website, but the primary focus is on their community and growing tutorial section. What’s neat to see is that their tutorial aesthetic matches up perfectly with that of their professional projects–the aim is clearly to give the viewer proper insight into the process of creating high-quality design and typography while simplifying the process down to layman’s terms.
One of my favorite tutorials was Creating a Hand-Lettered Logotype from Beginning to End–I’ve included some screenshots and a video below.
Dave and Laura were briefly living and working abroad in Oviedo, Spain, but are now in the process of returning to their home base in Sydney. To follow along with their adventures, check out their travel blog.
I’ve also included a couple links to my other favorite tutorials below:
No Pain, No Grain (How to Create a Seamless Vector Wood Grain Pattern)
So What’s the Big Deal with Horizontal & Vertical Bezier Handles Anyway?
I can’t wait for more exciting tutorials and developments from the AGSC. Thanks so much to Dave and Laura for sharing their knowledge with us! Follow along with them on theirwebsite, Twitter, and Pinterest.
Ten-year-old Oliver Crisp encounters a shy Rambling Isle, a myopic mermaid, and a talking albatross in search of his parents in this gorgeously illustrated adventure. Will Oliver rescue Mr. and Mrs. Crisp? Or will he be engulfed by the Sarcastic Sea? A hilarious read-aloud for the whole family! Books mentioned in this post Oliver and [...]
This morning I put the finishing touches on a new portfolio and tomorrow I head to L.A. for the SCBWI Summer Conference
. I hope to see you there!! :)
Join us for an afternoon of fun and have your book signed by both the author and illustrator!
By: Michelina Ouellette,
Blog: Michelle Can Draw
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Picturebook Complete: 1,000,000 points!
Super exciting announcement! As some of you might have heard, the picturebook I have been working on from Feb- June has been printed and is (almost!) available for purchase. I just received my hardcopy this weekend, and it is beautiful!
When I was contacted by Plymouth Puzzles about creating a storybook to accompany their upcoming line of Christmas reusable gift bags I was thrilled! The book, Santa’s New Tradition, follows the story of a little girl as she discovers the waste caused by wrapping paper and decides to make a positive change.
I really enjoyed working on this book and am super excited to see it up for sale (looks like late August/ Early September release).
More coming on my process of idea to final later- and thanks for reading!
I want to introduce you to my pal, Softy. Softy introduced me to the tastiest Food Truck Festivals, when I first moved to San Francisco over 3 years ago. Softy is a Mexican Chocolate favor ice-cream - He is the coolest and the hottest!! The dude can catch fire ... quite literally!!
Softy will soon be available on Ree
Please like and support him!!
Minty, the ice-cream cone
Pull up a chair, for an adventurous novel with a lovely fantasy feel. Skyships, blunderbusses and gale cutters give this the perfect pinch of steampunk, but doesn't get in the way of the narrative. Though the fine-print on the cover says this is a... Read the rest of this post
Part of the reason for no post on Monday is that I'm in the midst of a move to Ashland, Oregon, a lovely place we lived 20 years ago and are happy to return to. We're staying with friends while we look for a house (timing was such that we had to put our household into storage--bummer).
But I should be able to continue posting as usual--NOTE: could use some more chapters to flog, the queue is at two (this week's supply).
Go here to see what Ashland and the valley it's in look like. It's in southern Oregon and is a high desert climate, not the rainy climate people associate with Oregon.
See you tomorrow.
By Matthew Jent
Oh, gang. What a fun panel.
Moderated by legend-in-his-own-time Mark Evanier, “Cover Story: The Art of the Cover” took five artists, gave them five of their own covers apiece, and had them talk about them. The covers had been chosen ahead of time, without the artists’ knowledge, and Mark hoped at least one of the choices would be a cover the artist didn’t like.
“Even if we take some potshots at your covers — it’s coming from a place of affection. Even Rembrandt had a worst painting.”
The Cover Story panel: Evanier, Conner, Staples, Brooks, Lee, Sakai.
We’d be here foreverlong if we went cover-by-cover, so let’s just hit some highlights.
“Jack Kirby hated doing covers,” Mark explained. “He never knew when to do them. Before the comic, he didn’t know what the most exciting scene would be. During the comic, he didn’t want to interrupt his flow. When he was done, he wasn’t emotionally invested in that issue anymore.”
“I agree with Jack,” Amanda said. “I prefer sequential storytelling. I like Norman Rockwell — when you can look at a piece of art and tell lots of things are going on in it.”
Barbie #42. Marvel Comics. Art by Amanda Conner.
“Okay — this was before I got into storytelling. Boy, they made me make her way too skinny.”
JSA Classified #4. DC Comics. Art by Amanda Conner.
“Y’know — geez, lookit her boobs! I wanted to pull a moment of time out to focus on the cover, a moment that happens in between panels. So you don’t see this in the book, but it still moves the story along. Paul Mounts colored it — I put the stars in the background, but he did the burst. If I trust him and leave the background blank, he goes in and does a nice design.”
This cover gave Mark the opportunity to tell a Wally Wood/Power Girl anecdote, with Amanda’s encouragement: “Wally said, ‘I’m going to make her boobs larger every issue until somebody stops me. I think they just took him off the book instead.”
Zatanna #12. DC Comics. Art by Amanda Conner.
“Okay, I don’t always do big boobs, guys. This is another example of moments in time you don’t see often. Zatanna lives in San Francisco now, and I wondered, what does she do every morning, before she goes to fight things that want to destroy the universe? Probably the same things I do: get a cup of coffee, and a muffin, and read her iPad. Except, on the Golden Gate Bridge. My favorite thing is showing well-known superheroes doing an everyday thing that you and I do.”
“Last night were the Eisner Awards, aka the Fiona Staples Show,” said Mark, by way of introduction. “The best thing about the Eisners is that whoop from the audience when they agree, yeah, that’s the one that deserves it.”
Done to Death #1. Markosia Publishing. Art by Fiona Staples.
“This was my first issue of my first comic. It was an oil painting, before I did everything digitally. They cropped it, but — that would have been my call. It’s an awkward place to cut off the image, at a joint, at the neck.”
Saga #18. Image Comics. Art by Fiona Staples.
“For Saga, the cover is part of the entire package. We don’t give away much story on our Saga covers. I usually do the cover before he scripts it — Brian told me, put Lying Cat on this one and make it dark. I had a feeling something bad was going to happen, so I gave Lying Cat a bloody mouth, like she’d taken a bite out of one of our heroes.”
“For the last few years, I’ve been pretty exclusively a cover artist. It’s not really storytelling — I’m trying to sell the book. The cover has to be done the month before Previews hits — if we’re lucky, we have a short paragraph of what happens on the inside. The beauty of designing a character as a cover artist — I don’t have to worry about the interior artist who has to draw every angle of that character for 22 pages.”
Amazing Fantasy #1. Marvel Comics. Art by Mark Brooks.
“My first for Marvel, ten years ago. It was introducing a new Spider-Girl. I really stunk at foreshortening, so her leg looks really weird. Joe Quesada designed the character, but I put in the pouches around her wrist — I still don’t know what purpose they would serve.” (An audience member shouts out — chaptstick!)
Cable/Deadpool #14. Marvel Comics. Art by Mark Brooks.
“One of the few times Cable got one up on Deadpool. But to keep them in frame, I had to have him hold the gun by the trigger and almost let it fall down, over Deadpool’s head. To this day, I think it looks very weird.”
Mark Evanier chimed in that, in earlier days, Marvel would have rejected this one because the figures obscured the title.
“That’s different now,” Brooks said. “I can pretty much cover up the entire title, as long as it’s with the main character of the book.”
Deadpool #30. Marvel Comics. Art by Mark Brooks.
“In the original solicit, Deadpool was dressed like Jimi Hendrix. Marvel found out Hendrix’s estate is very litigious. I had to go in and take out the striped shirt, take off the wig, and flip it so he wasn’t playing left-handed.”
“I always think I enjoy covers, but I always regret doing them. I’m not a fan of showing these out of sequence, because I’m afraid the same re-used images are going to crop up. I won’t have a lot to say about these because they were all done in a mad rush to get into the solicitations.”
Before Watchmen: Ozymandias #3. DC Comics. Art by Jae Lee.
“This was done for solicitation. It was an Ozymandias book, but the cover features the Comedian. Where this fight was happening, they were surrounded by falling action figures. I hadn’t finished it, so I cropped it and said, is this good enough for now? I said I would come back and finish it later. But I never finished it.”
Batman/Superman #8. DC Comics. Art by Jae Lee.
“This was tough. It’s my second time drawing a car. I’ve been doing this 22 years and managed never to draw a car. I don’t know how to draw cars, so it has to be mangled. I don’t know how artists draw those things. The tires — I don’t know how you guys do it.”
“Also, Power Girl was much bigger than Superman, so we had to reduce her digitally. But then her head looked too big, so we had to reduce he head separately. It became a kind of Frankenstein project. I have a hard time looking at it.”
Amanda chimed in by saying she has no problem with cars, but hates drawing mangled wreckage.
“Oh, we should trade off,” Jae said.
“I hate doing covers. I hate it with a passion. I have been doing covers with the same character for the past 30 years, so it’s difficult to think of a different situation for that character. The covers are done months ahead of time, and my writer, who is me, often has no idea what is going to happen in the interiors.”
Usagi Yojimbo #46. Dark Horse Comics. Art by Stan Sakai.
“This was a commission — a guy commissioned me to do a kite festival. So it was four connected pages. We used it for two consecutive covers. The colorist is Tom Bluth, who is my colorist of choice. In Tom’s case, it’s always — do what you want, Tom. I give him very little direction. I’m surprised sometimes by his choices, but it’s always better than I would color things.”
Adolescent Radioactive Blackbelt Hamsters #1. Eclipse. Art by Stan Sakai.
“Strictly a job for the money.”
“That’s funny,” Evanier added, “I worked for Eclipse — I don’t remember there being any money.”
Usagi Yojimbo #101. Dark Horse Comics. Art by Stan Sakai.
“In Usagi, there’s always a little skull when somebody dies, and a guy always writes in saying how many skulls I had in that issue. So for this cover I drew as many skulls as I could. But then the guy didn’t write in, and I was disappointed. There was no logo, but Usagi is iconic now — when people see Usagi, they know it’s a Usagi cover.”
Donald Duck Adventures #32. Walt Disney Publications. Art by Stan Sakai.
“Aw, I hate working for Disney. They kept saying ‘do it on model,’ but they didn’t give me any models! I must have drawn this duck’s head 7 times. The problem was, I was following the European design, which I prefer, and it’s a little different there.”
Evanier closed the panel by thanking everyone for participating, and saying he hoped panels like these remind folks that there’s always a story and a person behind the design choices of covers.
“These panels remind people — someone actually designed that. It gives people an appreciation for the art of the cover.”
Marcus Garvey’s UNIA-ACL: The Centennial Exhibit, a month-long, mixed-media exhibition, will be on view to the public during August 2014 in the gallery of the African American Research Library & Cultural Center in Fort Lauderdale. The Centennial Exhibit is scheduled to run from Friday, August 1, 2014, through to Friday, August 29,2014, and will focus on the life, times and modern day legacy of Marcus Garvey and the UNIA-ACL.
The unique exhibition is being mounted by the Rootz Foundation Inc. in association with the Broward County Library and Broward County Commissioner Dale V.C. Holness, to commemorate the 100th anniversary of Marcus Garvey’s international organization, the Universal Negro Improvement Association & African Communities League (UNIA-ACL). The Centennial Exhibit will be open to the public during normal library hours.
Dr. Julius Garvey M.D., son of Marcus Garvey, will be the special guest of honor for the Centennial Exhibit’s opening reception, which takes place from 4.00 pm to 6.00 pm on Friday, August 1, 2014 at the Research Library & Cultural Center located at 2650 NW 6th Street in Fort Lauderdale.
Broward County District 9 Commissioner Dale Holness is scheduled to read a proclamation by the Board of County Commissioners of Broward County declaring August 2014 as “The Right Excellent Marcus Garvey Jr. Appreciation Month” in Broward County, Florida. The proclamation is signed by Broward County Mayor Barbara Sharief.
The Centennial Exhibit consists of a large collection of public and private Garvey family photographs; vintage photographs of the UNIA membership on the march and attending organization events; posters and handbills promoting the 1920s Black Star Line shipping endeavor; a variety of press clippings, books and magazines related to the Garvey movement; inspiring quotes by Garvey himself and insightful quotes about Garvey by other famous notables; historical data and timelines; plus looped audio-visual displays.
The informative special exhibit is geared specifically for students and others who are interested in learning more about the life and achievements of the Jamaican and Pan-American hero, the global impact of his organization, and about ongoing efforts by many different organizations and individuals to continue his legacy. One of the most unique aspects of this exhibition is the photographic and other materials detailing the existence of the UNIA-ACL today in 21st century America and showcasing the organization’s present day membership and its current activities internationally.
The opening reception will mark both Emancipation Day 2014 - a day of special significance for many Caribbean and African countries - as well as the start of this year’s extended Marcus Garvey Rootz Extravaganza. The Rootz Extravaganza is staged annually by the Rootz Foundation Inc. to observe and celebrate the birth of Marcus Garvey, the Jamaica-born Pan-African patriarch and hero.
Educational psychologist and Garvey scholar, Dr. Umar Johnson will be the guest speaker at this year’s Rootz Extravaganza on Sunday, August 17 at the Lauderdale Lakes Educational & Cultural Center at 3580 W. Oakland Park Boulevard. The event is scheduled from 4.00 pm to 7.00 pm and will commemorate the 127th anniversary of Marcus Garvey’s birth as well as the 100th anniversary of the UNIA-ACL.
Marcus Garvey and Amy Ashwood Garvey established the UNIA-ACL in Kingston, Jamaica in July 1914. After Garvey relocated the organization’s headquarters to Harlem, New York in 1917, the UNIA-ACL became the largest organization of Black people in the world. At its height, with UNIA branches proliferating throughout the Caribbean, North, South and Central America, and Africa, membership in the organization soared to over 6-million people.
Dr. Julius Garvey M.D.
Friday, August 1, 2014
Research Library & Cultural Center
2650 NW 6th Street, Fort Lauderdale.
For more information call Rootz Foundation at 754-264-2205.
Join Roan Novachez in his second year at Jedi Academy. Roan's adventures in pilot training, food fights, poetry tests, and general middle-school awkwardness make for a fun summer read that's hilarious and engaging. An addictive mix of comics and text from the great Jedi mind of Jeffrey Brown. Books mentioned in this post Star Wars [...]
Cutting thru the rocky spine of Canada.
Speeding south and sun-bound.
Returning to humidity and hot nights.
Pure crystal clear skies live here
When stones align as little people.
They beckon us home.
Asking us to stay and share our spirits for a minute.
We rush south towards the chaos
And the concrete of Toronto.
A meeting place beside the lake.
Where our native friends called sacred.
Now a social magnet for the other world
To live and walkabout.
Under those hideous wires of so called progress.
We speed westward to the coolness of the vineyards,
Stretching away before us.
We pass below the cool, green maples,
Shifting slowly in the summer breeze.
We stop and smell the air, full of warmed ground.
Tasting the fruit of glacial soil.
We sip at the cup of plenty
And allow our senses
To see this beauty in taste and vision.
The French oak floors beneath our feet.
The sculptured gardens all around us.
We look across the widening lake
And see the mighty dynamo of Canada,
Poised ghostly on the rippling horizon.
Walking now under the majestic maples
Of main street.
With melded voices
Seated at pavement cafes
We sip at the cup of magic
And meet new friends
With the tembre of Quebecois in their voices.
We walk, with soft hands together
Towards O’Neal at night, as his play
Unfolds beneath our feet.
We walk again and return to our home
On wheeled feet, now quiet for the night.
Softly, together we sleep
And pass another night in our Great Lake space.
The stones have shown us where to go.
Denis Hearn 2009
THE DAUGHTERS OF MARS sounds like an excellent read. What do you think?This week marks the 100th Anniversary of the start of World War I. Atria Books is recommending Thomas Keneally’s DAUGHTERS OF MARS as an important read regarding this complicated and brutal war.
The trade paperback edition of THE DAUGHTERS OF MARS is available now.
Thomas Keneally began his writing career in 1964 and has published thirty-one novels since.
They include Schindler’s List, which won the Booker Prize in 1982, The Change of Jimmie Blacksmith, Gossip from the Forest, and Confederates, all of which were shortlisted for the Booker Prize. He has also written several books of nonfiction, including his boyhood memoir, Homebush Boy, The Commonwealth of Thieves, and Searching for Schindler. He is married with two daughters and lives in Sydney, Australia.
Today and tomorrow, my friends, you can download one Shebook for free.
Go to the site.
Use FREEBOOK as the promo code.
Find a shady spot.
I'd be so honored if you chose my memoir, Nest. Flight. Sky.
But any Shebooks book will do
Anymade is a multidisciplinary design firm based in the Czech Republic. Founded in 2007, the studio’s portfolio is filled with work exploding in color and type.
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Hello! My name is Tracy and I am so excited to be here today, celebrating with my blogger buddies! WHAT are we celebrating, you ask? Well, today marks the launch of a very exciting, special new program. Alloy Entertainment (of Vampire Diaries, Gossip Girl, and Sisterhood of the Traveling Pants fame) has partnered with Amazon to create a new imprint! As a “Powered By Amazon” imprint, it will be exclusively distributed by Amazon. Here’s more info from the official press release:
“Today, Amazon Publishing and Alloy Entertainment, a division of Warner Bros. Television Group, announced a digital-first imprint that will focus on young adult, new adult and commercial fiction. The new imprint, named Alloy Entertainment, will be part of Amazon Publishing’s Powered by Amazon program. Powered by Amazon enables publishers and authors to leverage Amazon’s global distribution and personalized, targeted marketing reach.”
I am super super proud to share that my previously self-published novel, Shattered Veil, is one of the inaugural books in this program! It has been retitled REBEL WING, given a new cover (check out the beauty below!), fully edited, and I am so, SO excited to share it with you today! In addition, two other books are part of the launch, and they are AWESOME. Read on for more info and purchase links for EVERY UGLY WORD by Aimee L. Salter and IMITATION by Heather Hildenbrand.
YA Scifi Adventure
“I’ve never been actively jealous of a fictional character . . . until now. Aris’s adventures set my imagination on fire, and made my heart take flight.” ~Kass Morgan, author of New York Times bestseller The 100
The Dominion of Atalanta is at war. But for eighteen-year-old Aris, the fighting is nothing more than a distant nightmare, something she watches on news vids from the safety of her idyllic seaside town. Then her boyfriend, Calix, is drafted into the Military, and the nightmare becomes a dangerous reality.
Left behind, Aris has nothing to fill her days. Even flying her wingjet—the thing she loves most, aside from Calix—feels meaningless without him by her side. So when she’s recruited to be a pilot for an elite search-and-rescue unit, she leaps at the chance, hoping she’ll be stationed near Calix. But there’s a catch: She must disguise herself as a man named Aristos. There are no women in the Atalantan Military, and there never will be.
Aris gives up everything to find Calix: her home. Her family. Even her identity. But as the war rages on, Aris discovers she’s fighting for much more than her relationship. With each injured person she rescues and each violent battle she survives, Aris is becoming a true soldier—and the best flyer in the Atalantan Military. She’s determined to save her Dominion . . . or die trying.
Award-winning author, Army wife, and mom Tracy Banghart has an MA in Publishing and an unhealthy affection for cupcakes. Her quiet childhood led to a reading addiction, writing obsession, and several serious book boyfriends. Rebel Wing is her third novel. She can be found at www.tracybanghart.com
EVERY UGLY WORD
By Aimee L. Salter
When seventeen-year-old Ashley Watson walks through the halls of her high school, bullies taunt and shove her. She can’t go a day without fighting with her mother. And no matter how hard she tries, she can’t make her best friend, Matt, fall in love with her. But Ashley also has something no one else does: a literal glimpse into the future. When Ashley looks into the mirror, she can see her twenty-three-year-old self.
Her older self has been through it all already—she endured the bullying, survived the heartbreak, and heard every ugly word her classmates threw at her. But her older self is also keeping a dark secret: Something terrible is about to happen to Ashley. Something that will change her life forever. Something even her older self is powerless to stop.
Perfect for fans of Thirteen Reasons Why and The List, Every Ugly Word is a gripping and emotional story about the devastating consequences of bullying.
Aimee L. Salter lives in Southern Oregon with her husband and son. She writes novels for teens and the occasional adult who, like herself, is still in touch with their inner-high schooler. She never stopped appreciating those moments in the dark when you say what you’re really thinking. And she’ll always ask you about the things you wish she wouldn’t.
Aimee blogs for both writers and readers at www.aimeelsalter.com. You can also find her on Twitter and Facebook.
Every Ugly Word is her debut novel.
By Heather Hildenbrand
Everyone is exactly like me.
There is no one like me.
Ven wrestles with these contradicting truths every day. A clone of wealthy eighteen-year-old Raven Rogen, Ven knows everything about the girl she was created to serve: the clothes she wears, the boys she loves, the friends she loves to hate. Yet she’s never met the Authentic Raven face-to-face. Imitations like Ven only get to leave the lab when they’re needed—to replace a dead Authentic, donate an organ, or complete a specific mission. And Raven has never needed Ven . . . until now.
When there is an attack on Raven’s life, Ven is thrust into the real world, posing as Raven to draw out the people who tried to harm her. But as Ven dives deeper into Raven’s world, she begins to question everything she was ever told. She exists for Raven, but is she prepared to sacrifice herself for a girl she’s never met?
Fans of Cinder, The Selection and Sara
Shepard’s Lying Game series will love Imitation, a thrilling, action-packed novel sure
to keep readers guessing until the very last page.
Heather Hildenbrand was born and raised in a small town in northern Virginia where she was homeschooled through high school. She now lives in coastal VA, a few miles from the Atlantic Ocean, with her two adorable children. She works from home, part time, as a property manager and when she’s not furiously pounding at the keyboard, or staring off into space whilst plotting a new story, she’s lying on the beach, soaking in those delicious, pre-cancerous rays. Heather loves Mexican food, hates socks with sandals, and if her house was on fire, the one thing she’d grab is her DVR player. You can find out more about her and her books at www.heatherhildenbrand.blogspot.com
Heather is a co-founder of Accendo Press, a publishing group she operates with fellow authors: Angeline Kace and Jennifer Sommersby. Accendo (a-CH-endo), A Latin word, means “to kindle, illuminate, inflame, or set fire.” This is something Accendo strives to do inside a reader’s imagination with every title released.
Please join me, Aimee, and Heather, along with some other great YA authors for a Facebook party this afternoon to celebrate the big launch! And don’t forget to enter the giveaway below!
Thanks so much to my wonderful bloggers friends who are helping me spread the word!
a Rafflecopter giveaway
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Depicting pure heart
Firefly July, A Year of Very Short Poems, which was our Environmental Book Club selection earlier this month, has won the 2014 New England Independent Booksellers Association New England Book Award in the children's category. These awards are given for books either about New England, set in New England, or by an author living in New England.
Firefly July is an anthology compiled by Paul B. Janeczko and illustrated by Melissa Sweet.
Alloy Entertainment, a division of Warner Bros. Television Group, has partnered with Amazon Publishing to launch a digital-first imprint that will publish young adult and new adult novels, as well as commercial fiction.
The new imprint is called Alloy Entertainment. The imprint launches with three new titles: YA title Imitation by Heather Hildenbrand; coming-of-age story Every Ugly Word by Aimee Salter and sci-fi fantasy adventure Rebel Wing by Tracy Banghart.
Alloy Entertainment will be part of Amazon Publishing’s Powered by Amazon program, meaning that it will use Amazon’s marketing and distribution tools to reach readers.
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Haruki Murakami‘s new novel Colorless Tsukuru Tazaki and His Years of Pilgrimage comes out next month.
Slate has an excerpt of the RandomHouse book, which is currently available for preorder. Check it out:
“I have a kind of weird story related to death. Something my father told me. He said it was an actual experience he had when he was in his early twenties. Just the age I am now. I’ve heard the story so many times I can remember every detail. It’s a really strange story—it’s hard even now for me to believe it actually happened— but my father isn’t the type to lie about something like that. Or the type who would concoct such a story. I’m sure you know this, but when you make up a story the details change each time you retell it. You tend to embellish things, and forget what you said before. … But my father’s story, from start to finish, was always exactly the same, each time he told it.”
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