the White Rhino who died November 23rd at the San Diego Zoo. There are now only three remaining White Rhinos left in the world... #Nola4Ever #EndExtinction Add a Comment
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Blog: E is for Erik (Login to Add to MyJacketFlap)
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Blog: (Login to Add to MyJacketFlap)
JacketFlap tags: Daily Drawing, BW, cartoon, character, ink, November, Turkey, Add a tag
This turkey has given up hope and is waiting for the inevitable. I hope you’re having a much better day!
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Blog: Caroline by line (Login to Add to MyJacketFlap)
JacketFlap tags: faith, this and that, Add a tag
For the salt sea and the running water,
For the everlasting hills
And the never-resting winds,
For trees and the common grass underfoot.
We thank you for our senses
By which we hear the songs of birds,
And see the splendor of the summer fields,
And taste of the autumn fruits,
And rejoice in the feel of the snow,
And smell the breath of the spring.
Grant us a heart wide open to all this beauty;
And save our souls from being so blind
That we pass unseeing
When even the common thornbush
Is aflame with your glory,
O God our creator,
Who lives and reigns for ever and ever.
Blog: OUPblog (Login to Add to MyJacketFlap)
JacketFlap tags: *Featured, Africa, History, Latin America, Online products, Social Sciences, 2014 world cup, argentina, argentina history, black disappearance, Buenos Aires, Conquest of the Desert, Dr. Erika Edwards, Erika Edwards, fifa world cup, oxbibs, Oxford Bibliographies, oxford bibliographies in african american studies, World Cup, Add a tag
The 2014 Men’s World Cup finals pitted Germany against Argentina. Bets were made and various observations were cited about the teams. Who had the better defense? Would Germany and Argentina’s star players step up to meet the challenge? And, surprisingly, why did Argentina lack black players? Across the globe blogs and articles found it ironic that Germany fielded a more diverse team while Argentina with a history of slavery did not have a solitary black player.Add a Comment
Blog: Galley Cat (Mediabistro) (Login to Add to MyJacketFlap)
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November is coming to a close and hopefully so too is your NaNoWriMo novel. Today’s tip is: Be Thankful That You Are Almost Done.
With the Thanksgiving weekend upon us, hopefully you will have plenty of free time from your day job to put the finishing touches on your novel. Even if you are traveling to visit family and friends, be sure to set aside an hour or two a day to work on your novel (ideally before you’ve eaten too much turkey!).
This is our 18th NaNoWriMo Tip of the Day. To help GalleyCat readers take on the challenge of writing a draft for a 50,000-word novel in 30 days, we will be offering advice throughout the entire month.Add a Comment
Blog: The Bookshelf Muse (Login to Add to MyJacketFlap)
JacketFlap tags: Character Flaws, Character Traits, Characters, Experiments, Positive & Negative Thesaurus Guides, Subtext, Uncategorized, Villains, Writing Craft, Writing Lessons, Add a tag
I don’t know about you, but I love reading books where the author encourages me to draw conclusions that are wrong. Case in point–untrustworthy characters who I trust anyway. Like all writers, I am ultra aware of character cues and actions as I read, so when I’m led astray and find out someone I believed to be good really isn’t, I want to cheer and tell the author, “Well done!”
Tricking readers in this manner is difficult.
In real life, all of us are body language experts. At least 93% of communication is nonverbal, meaning we are very adept at ‘reading’ other people by their mannerisms, gestures, habits and voice changes. In books, this skill allows us to pick up on nonverbal cues which communicate a character’s emotions. Plus, if we are in the dishonest character’s POV, we also have access to their thoughts and internal visceral sensations (heartbeat changes, adrenaline shifts and other uncontrollable fight-or-flight responses). All of this means that tricking the reader can be very tough.
There are several ways to make the reader believe one thing while another thing is true.
One technique is the red herring. This is where a writer nudges a reader in one direction hard enough that their brain picks up on ‘planted’ clues meant to mislead them. So for example, let’s say I had a character who was a pastor and youth councilor for his church and he spent his weekends working with homeless teens, trying to get them back into group homes. The reader will begin to get a certain image in their mind.
If I then further describe him as slightly bald with a bad taste in fashion (imagine the kind of guy that wears those awful patterned sweater vests) but who has a smile for everyone he meets, it’s a good bet that I’ve disarmed the reader. They’ve written this character off as a nice, honest guy. Even though his life is all about the church, no way could he be the one stealing cash from the collection box, or the man having affairs with depressed women parishioners, or playing Dr. Death by administering heroin to street teens, right?
Another technique is pairing. Similar to a red herring, pairing is when we do two things at once to mask important clues. If, as an author, I show my friendly pastor leaving an alleyway at night and then have a car crash happen right in front of him, which event will the reader focus on? And if later, the police find another overdosed teen nearby as they interview the pastor about the accident, commending him from pulling a woman from the wreckage before the car could explode…would the reader put two and two together? If I did my job right, then no.
A third technique is to disguise aspects of his “untrustworthy nature” using a Character Flaw. After all, no one is perfect. Readers expect characters to have flaws to make them realistic. If our nice pastor (am I going to go to Hell for making my serial killer a pastor?) is characterized as absent-minded with a habit of forgetting names, misplacing his keys, or starting service late and flustered because of a mishap, later when the police ask him when he last saw dead teen X and he can’t quite remember, readers aren’t alarmed. After all, that’s just part of who the character is, right?
When your goal is to trick your readers, SET UP is vital.
If the clues are not there all along, people will feel ripped off when you rip the curtain aside. Make sure to provide enough details that they are satisfied you pulled one over them fair and square!
What techniques do you use to show a character is untrustworthy? Any tips on balancing your clue-sprinkling so that the reader doesn’t pick up on your deceit before you’re ready for them to? Let me know in the comments!
The post The Subtle Knife: Writing Characters Readers Trust But Shouldn’t appeared first on WRITERS HELPING WRITERS™.Add a Comment
Blog: Monica Gupta (Login to Add to MyJacketFlap)
JacketFlap tags: Articles, blog, cartoonist, India, monica gupta, social media, Twitter, टेलीविजन, Add a tag
बिग बॉस डबल ट्रबल मैं अपनी सहेली मणि की tolerance के आगे नत मस्तक हूं क्योकि वो टीवी के सीरियल BIG BOSS-9 डबल ट्रबल को सीरियस होकर देखती है. इस बार मुझे एक भी पोंईट ऐसा नही मिला कि BIG BOSS देखा जाए. हैरानी है कि प्रतिभागी खुद ही रहना नही चाहते और जो आऊट […]Add a Comment
Blog: Carrie Jones (Login to Add to MyJacketFlap)
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- Tue, 16:04: Lyra contemplates the rising action in the plot. #amwriting #cat #okayreallythecatiswriting https://t.co/rvfPWYvRKl
- Tue, 16:49: It's always super obvious when I don't know what to post on social media. It becomes all cat and dog photos. All. The. Time.
Blog: PW -The Beat (Login to Add to MyJacketFlap)
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§ Rob Salkowitz gives an overview of the various subscription based comics services including Marvel Unlimited, ComicBlitz and so on. From Spotify and Apple Music to Netflix and Amazon Prime, huge chunks of the media distribution world are moving from paid downloads to monthly subscriptions. But since the early days of digital comics and graphic […]Add a Comment
Blog: OUPblog (Login to Add to MyJacketFlap)
JacketFlap tags: *Featured, Business & Economics, Journals, Social Sciences, academia, academic knowledge, Claudio Fassio, Cristiano Antonelli, economic growth, economic systems, education policy, External efficiency, hard sciences, higher education, Internal efficiency, policy guidelines, socioeconomics, university, Add a tag
Policies aimed at fostering economic growth through public expenditure in tertiary education should be better aware of the different contribution of each specific academic discipline. Rather than introducing measures affecting the allocation of resources in the broad spectrum of academic knowledge, policies might instead introduce ad-hoc measures to foster specific disciplines, for example through differentiated enrollment fees for students.Add a Comment
On a different topic, blog reader Jim Douglas asked:
"After following your creative habits for years now I've gleaned you often make a sketch study of a subject then move on to a new subject to make a fresh start. New sketchbook page, new subject. Sketches, especially ones as excellent as yours, can certainly stand on their own as works of art, but do you ever have the urge to develop a sketch and produce a larger scale work based on it? I've only known you to develop sketches into a larger piece of artwork as part of a commission, and I'm curious to know if you ever follow that rhythm when making art for yourself."
Jim, thanks for the compliment and question. As you say, my sketchbooks are very much an end in themselves, a way of seeing and sharing the world. I'm not doing those paintings to sell, and am making a living in other ways. The benefit of keeping the paintings bound together in sequence in a sketchbook offsets the limitation of not being able to frame them individually on the wall.
Blog: Beth Kephart Books (Login to Add to MyJacketFlap)
JacketFlap tags: Chronicle Books, Danielle Smith, Going Over, Red Fox Literary, Taylor Norman, This Is the Story of You, Add a tag
I learned that Going Over, my 1983 Berlin Wall book, has officially launched as a paperback, and I thank Chronicle Books for its faith in this story. (And the darling Taylor Norman, for tweeting the news.)
I learned (again from Taylor, who has so steadfastly supported this book) that This Is the Story of You has gone to print, with its gorgeous jacket and incredibly generous quotes from Dana Reinhardt, Tim Wynne-Jones, and Margo Rabb (and its Junior Library Guild citation).
I talked to Danielle Smith, who (in a matter of days) read the middle grade novel I've lately been obsessed with, said so many reassuring things, talked with me about some decisions I'd have to make as I refined the story, and said yes to representing me. I have known Danielle for almost as long as I have been writing for younger readers. The popular force behind the beloved There's a Book blog, Danielle has read my stories, always. She has supported me in a multitude of ways—throwing blog parties, walking the floor of the BEA with me, calling just to talk, listening as I worked through ideas. A few years ago, Danielle launched a career as an agent and today, as a member of Red Fox Literary, she is seeing her authors receive raves and stars, foreign sales, and success at hoped-for houses. I've always been happy to call Danielle my friend. I'm incredibly happy to be taking this step forward into the land of Middle Grade with her.
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Blog: Galley Cat (Mediabistro) (Login to Add to MyJacketFlap)
JacketFlap tags: Comic Books, Videos, Chris Evans, Mark Millar, Marvel, Robert Downey Jr., Scarlett Johansson, Add a tag
Marvel Entertainment has unleashed the first trailer for the Captain America: Civil War.
Entertainment Weekly reports that the plot “was inspired by the seven-part storyline written by Mark Millar in 2006-07 which pitted heroes against heroes in a crossover event that had the entire world of characters choosing up sides behind either Captain America or Iron Man. That happens in this movie, too, with veteran characters Black Widow, Falcon, Hawkeye, Ant-Man, and Scarlet Witch, among others, taking up arms against each other.”
The video embedded above features scenes with Chris Evans, Robert Downey Jr., and Scarlett Johansson reprising their roles as Captain America, Iron Man, and Black Widow. The Russo Brothers teamed up to serve as the directors for this movie. The theatrical release date has been set for May 06, 2016. (via ComicBook.com)Add a Comment
In many stories, the antagonist may even be more important than your main character. Your main character cannot become sympathetic without an opposing force.
The antagonist is more than just a bad guy who tries to stop the good guy. A good antagonist actually pushes the protagonist to action. The bad guy gives the good guy a reason to behave like a good guy. Because he is so important, your antagonist has to be every bit as real, every bit as well-rounded, as the protagonist.
The Antagonist is Evil
No. The good antagonist is not evil. OK, he could be, but not for the mere sake of being evil. It's fun to write the bad guy who ties maidens to railroad tracks for fun, and throws the hero's One True Love on to the conveyor belt at the saw mill just because he can. The kind of bad guy who spends his time laughing maniacally while he twirls his 'stache. There's one secret, one thing you need to remember, if you want your antagonist to be truly interesting:
The antagonist honestly believes he is the good guy. Everything he does has a reason, and to him, those reasons are Right. They are Correct. They are Good.
Your good guy needs flaws and your antagonist needs positive characteristics. In some stories, the reader might even start to wonder just which character is the good guy and which is the bad guy. Few characters are as dull as the arch-villain who is evil just because being evil is evil. People aren't like that. Even people with a warped sense of reality (another little secret: we all have a warped sense of reality, shaped by our imperfect perceptions), do things for a reason. There are truly evil actions, and your bad guy might do some of them. But we humans have an almost unending supply of rationalizations for what we do.
A Rebel With a CauseYour antagonist has his own character arc. Give your antagonist a cause. She wants to accomplish something, wants that more than anything else. And, like your protagonist, she is prepared to do what she has to do to achieve it, because that's what people do when something is of ultimate importance. Even a bad guy who wants to do something truly awful, like blow up a stadium full of innocent people, does it because he believes it has to be done to achieve the end result, which he believes to be for the ultimate good.
- Sauron thought he was doing Middle Earth a favor by taking dominion.
- Saruman thought he was doing good by trying to stop the Black Lord and taking the power himself.
- Darth Vadar probably saw the Jedi as nefarious upstarts who wanted to thwart his plan to make the universe a better place.
A Hero in His Own MindThe antagonist believes he's the hero. Your protagonist, who stands in his way, is the villain.
We are both nice people. The last cookie is sitting on the counter. You want it. I want it. Boom: conflict! In my story, you are now a villain because you want what I want.
My favorite example of this principle comes from politics. No matter what your political position is, your side is right and the other side is wrong. Maybe even evil. The thing is, the other side looks at you the same way. Why? Because each side believes it is right. If they were allowed to have their way, the world would be a spectacularly better place. It's the same with your hero and villain.
|Which one is the bad guy?|
Molly has a new puppy. This puppy is so naughty. When she takes it for walks, it pulls at the leash and tries to go its own way. It doesn't follow Molly's perfectly reasonable rules. When the puppy runs away, Molly is devastated. How could her puppy be so wicked?
But what is the puppy doing, really? It's being true to its own puppiness. It doesn't understand Molly's unnatural rules. All she does is try to to restrain it and she scolds it for simply being what it is.
Let your reader sympathize with the villain, and understand why he wants what he wants, and maybe even see his point. If your reader can sympathize with both the hero and the villain, the conflict becomes more real, the stakes are raised, and your reader is more engaged.
Read More About It
- Writer's Digest: "6 Ways to Write Better Bad Guys" by Laura DiSilverio
- Writer's Digest: "3 Techniques For Crafting a Better Villain" by Hallie Ephron
- springhole.net: "Basic Tips To Write Better & More Despicable Villains"
Blog: David Michael Slater's Blog (Login to Add to MyJacketFlap)
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The twins might stand a chance of completing their mother's mission—if they can get on the same page—but danger looms closer to home than they ever thought possible.
Blog: Miss Marple's Musings (Login to Add to MyJacketFlap)
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As many of my blog followers will know, a few weeks back I was thrilled to be contacted by Lisa Topi of the Italian publishing house, TOPIPITTORI, about translating my interview with Leonard Marcus for their website. Through our email … Continue readingAdd a Comment
David (The British Manara) Gordon is not only a great comic creator but his Chan3lings items make me wish I had a bit of spare cash!
This from his Face Book page:
" Chang31ings will be at the Festive Toy and Comic Fair this Saturday https://www.facebook.com/events/1672913699605638/ (Nov 28th) come on by and see what Christmas goodies you could treat yourself to. This is just a sample of what's on offer here
A selection of stock going to the Edinburgh Toy and Comic Fair at the peach Tree Edinburgh, Saturday 28th November, free entry."
And I am unashamedly going to show just some of the things -there is much more so go check out the table!
Blog: OUPblog (Login to Add to MyJacketFlap)
JacketFlap tags: *Featured, Arts & Humanities, Classics & Archaeology, Oxford World's Classics, #owcreads, Ancient Rome, classics, Epigrams, grief, Latin, love slave, Marcus Valerius Martialis, martial, mourning, OWC Reading Group, Poetry, sex, Add a tag
I begin with one of Martial’s more troublesome twentieth-century Avid Fans: the poet, editor, translator, and Fascist propagandist, Ezra Pound.
The post ‘A girl who made the peacock look ugly, the squirrel unloveable': Martial mourns a lost love appeared first on OUPblog.Add a Comment
Blog: Manga Maniac Cafe (Login to Add to MyJacketFlap)
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Katie MacAlister dropped by the virtual offices to answer a few questions! Be sure to enter the giveaway, too!
Do you have any favorite book boyfriends of your own?
Oh, mercy, just line my books up and start reading off the hero names. I’ve said before that I write books for myself first, and that’s absolutely true. I love all of my heroes, and it’s only because publishers won’t let me write all the heroines as me that I bother with writing those dishy men females who are worthy of them.
Outside of my books, I was one of those girls who grew up with the hots for Sherlock Holmes. As an adult, I’ve been quite fond of several of Georgette Heyer heroes, particularly those who give in to their senses of humor (Sir Tristram from Talisman Ring, and Freddy Standen from Cotillion).
What are five books on your night stand/bookshelf?
This is going to be a very disappointing answer, I fear. Right now on my nightstand are Sol y Viento (a Spanish textbook), Art: A Brief History by Marilyn Stokstad (an art history textbook), History of Italian Renaissance Art by Frederick Hartt and David Wilkins, Introduction to Forensic Science by Richard Saferson, and Step Aside, Popsm a Hark! A Vagrant Collection by Kate Beaton.
What’s your favorite quote or scene from your book?
I think the scene where Gary meets Jim is one of my faves. Especially since Gary is showing off, and Jim is instantly jealous of Gary’s toys.
If your couple’s relationship had a theme song, what would it be?
Roar by Katy Perry. The need to rise above people who want to put you down is pertinent to both hero and heroine. Plus I can see them both singing it loudly.
Tell us about the cover process. Is this what you had in mind?
I’m lucky in that my publishers have excellent art departments who take a few bits of scattered ideas that I pry out of my brain, and turn them into gorgeous covers, usually involving lick-worthy men. And this cover is no different. It’s not a bad thing to find yourself stroking a book cover, is it?
Where do you find inspiration for you writing? Do you use real people/places as a foundation?
I’ve always told myself stories, so writing is really just an extension of that. My inspiration is my muse, who I picture as a bon-bon eating diva who reclines of fainting couches a lot, waving a languid hand whenever she wants something, and basically ruling me with threats of going away on vacation if I attempt to work her too hard. I seldom use real people in my books, since the people in my head are much more flawed and thus suitable for me to torment, but I do use as many real locations as I possibly can. I rely heavily on past trips to Europe as the source of many locations, and those I haven’t visited I usually research by finding people who live there, and haunting online webcams, and photo galleries.
Do you have any hobbies or activities that you enjoy outside of writing?
When my arthritic hands let me, I like to spin wool into yarn, knit, and sew a variety of things that never quite turn out as I’ve envisioned. I’m a gamer girl, as well, so I’m online in games like World of Warcraft, Guild Wars 2, Star Wars The Old Republic, Hearthstone, Lord of the Rings Online, and way too many other games.
I’ve also decided to go back to school, and am enjoying online classes at Fort Hays State University so I can add a history degree to my list of credentials.
Would the 10 year-old version of yourself kick your butt or praise you for what you’ve accomplished in life?
Oh, she’d be thrilled that I’ve survived the last few years, since they included everything from the death of my husband to moving to a new house. And I think she’d be quite happy with the body of work I’ve produced in the last ten years, although I know she’d tell me I should stop insisting on having time off between books, and instead write non-stop.
About Dragon Storm
TURN ON THE CHARM
According to some (including himself), Constantine is one of the greatest heroes of dragonkin who ever lived. Too bad he’s now lonelier than ever and his biggest adventure involves a blow-up sheep-until he has an opportunity to save his kind once again. All Constantine has to do is break into a demon’s dungeon, steal an ancient artifact, and reverse a deadly curse. The plan certainly does not involve rescuing a woman . . .
TURN UP THE HEAT
Bee isn’t sure whether to be infuriated or relieved when Constantine pops up in her prison. The broody, brawny shifter lights her fire in a way no one ever has before, yet how far can she really trust him? Their chemistry may be off the charts, but when push comes to shove, Constantine will have to make a crucial choice: to save the dragons or the woman he’s grown to love with fierce intensity.
About Katie MacAlister
For as long as she can remember Katie MacAlister has loved reading, and grew up with her nose buried in a book. It wasn’t until many years later that she thought about writing her own books, but once she had a taste of the fun to be had building worlds, tormenting characters, and falling madly in love with all her heroes, she was hooked.
With more than fifty books under her belt, Katie’s novels have been translated into numerous languages, been recorded as audiobooks, received several awards, and are regulars on the New York Times, USA Today, and Publishers Weekly bestseller lists. A self-proclaimed gamer girl, she lives in the Pacific Northwest with her dogs, and frequently can be found hanging around online.
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Blog: Game On! Creating Character Conflict (Login to Add to MyJacketFlap)
JacketFlap tags: #amwriting, #character, #characters, #conflict, #family, #holidays, #home, #motivation, #psychology, #writingtips, Add a tag
I have to thank Simon and Garfunkel for this post which was inspired by their song Homeward Bound.
The lyrics go: “I wish I was homeward bound. Home, where my thought's escaping. Home, where my music's playing. Home, where my love lies waiting silently for me.”
Hopefully, his love isn’t lying there silently because she is dead. If so, it would place the story in the mystery or horror category.
For most, the word “home” conjures warmth and belonging, especially during the American holiday of Thanksgiving. Home can be a place where Dick finds nurturance and love. It can be the place where he feels safe in a world gone mad.
What kind of place do your characters call home? What lies in wait for Dick when he gets there? Home can remind Dick of all the things he lost or never had. Family get-togethers may be bitter rather than sweet. If a story problem forces Dick to go home, the game begins.
What if home is full of ghosts, personal demons and the walking dead, either literally or figuratively? Home can be full of mildly or severely dysfunctional people. If Dick’s family home or hometown is filled with addicts and felons, then it isn’t the cheery Hallmark scenario everyone imagines.
Going home can be psychologically or physically damaging. Can he tell anyone what home is truly like for him? Not necessarily. Shame is a huge motivating factor. It may keep Dick from telling anyone just how bad home really is. Even if Dick tells, he might be mildly rebuked for being so hard on his nearest and dearest. Surely it can’t be that bad? Except, it is. When his coworkers are rushing home, eager for the weekend or his schoolmates returning home at the end of school term, it can fill Dick with dread.
Coming from a family with something to hide places Dick in a precarious position. Even if he is brilliant and has a laudable talent or amazing skills, he has to be careful to not allow the spotlight to veer in his direction. It might startle the cockroaches from his past and make them frightened, which can make them dangerous.
Home can be a trigger for a recovering Sally. Most characters long for home. If going home puts Sally at risk for a relapse, it may not be the best place to visit. If the dysfunction that exists there is the thing that made her get high or drunk in the first place, the trigger will always be there, waiting like a land mine to blow up in her face. Sally may have to avoid home as much as she craves it. She will have to find a way to build her own home and that is not an easy thing to do. What if Sally feels more at home somewhere else? As much as her friends or other family members may like her, she isn’t really part of their home. Will they make room for her? Can they? Should they? To what extent?
Home can be full of actual ghosts or zombies. That places the story in the paranormal realm. Can Jane tell anyone? Maybe not. If she has to deal with the paranormal element at home while trying to live a normal life outside of it, Jane has serious conflict. Keeping a secret becomes a prison whether Jane is hiding that her Dad is a serial killer or a faerie King. How far is she pushed? Who could she tell? Who would believe her? How could she prove it? Her life is in danger either way.
What if Dick returns home and finds it markedly changed? He can return from college, a trip abroad, or from living on another coast or planet. What if it isn’t what he remembered? Dick may have a hard time reconciling the idealized version of home with the reality. How do the changes make him feel? Have things improved or gotten much worse. Has the town been invaded by trolls? Maybe Sally and Jane don’t remember things in quite the same way. Maybe Dick is forced to face a completely different “truth” about the way things were. The story can review all the things he thought he remembered and offer a completely different twist.
A fully drawn hero has both a home life and a work life. It’s important to give your reader a glimpse into both. It is unbalanced when we are presented with characters that are never at home or never at work. We don’t need to see every little thing they do at either location, but it helps to understand them if we see how the character operates in both worlds. They are defined by how they navigate the tricky waters both inside and outside the family.
For more on crafting conflict to create tension, pick up a copy of Story Building Blocks II: Crafting Believable Conflict available in paperback and E-book.
Blog: The Crypto-Capers Review (Login to Add to MyJacketFlap)
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From the Author
In a futuristic world, where Earth's cities are still recovering from being ravaged by gang wars, cyber crime is at its peak and threatens the world's digitized monetary supply.
Susan Caldwell is a newly hired security development manager at GTS, the company that controls the world's monetary supply and data. The sophisticated systems have been hacked and now people on Susan's team are being killed while they try to fix the breach.
Susan, who trusts no man, must rely upon the GTS CEO, Christoph Baldric, to keep her safe. Little does she know that he's the Argon alien commander on Earth. She's not interested in him, doesn't want a hookup with him, but is extremely attracted to him. Susan has her own plans and will be having a baby through the fertility clinic. She's excited about her pending future, that is, if she is still alive.
Christoph Baldric's mission is to protect the Earth's humans and nurture them so that eventually his people can merge with the humans. Christoph's planet, Argon, was blown up when their major sun exploded into a black hole. The people of Argon have been studying and nurturing Earth for many millennia as a new, potential home. Now is the time to make Earth their home and begin merging with Earth's humans, making both races stronger.
But first, the Argonians must save Earth from the Grogan's, the Argon nemesis from their home universe, Baldracon, who want to eliminate all life on Earth and take the planet for their own.
Paperback: 266 pages
Publisher: Heather Harlow Books (October 19, 2015)
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Blog: OUPblog (Login to Add to MyJacketFlap)
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It is true that the etymology of homo confirms the biblical story of the creation of man, but I am not aware of any other word for “man” that is akin to the word for “earth.” Latin mas (long vowel, genitive maris; masculinus ends in two suffixes), whose traces we have in Engl. masculine and marital and whose reflex, via French, is Engl. male, referred to “male,” not to “man.”Add a Comment
Blog: Cinda Williams Chima (Login to Add to MyJacketFlap)
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Books are a delightful way to brighten the deep midwinter. You can pre-order an autographed copy of Flamecaster (release date 5 April 2016) or order signed copies of any of my other books, hardcover or paperback, through my local independent bookstore, The Learned Owl Bookstore . Just indicate in the comments how you would like the book to be personalized or signed. Call the store if you have questions about your order.
If you're ordering for holiday giving, get your order in as soon as possible so we can make that magic happen in time.
Blog: Adventures in Children's Publishing (Login to Add to MyJacketFlap)
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Asking Better Questions by Eric LindstromThe fourth doctor of the TV series Doctor Who was my childhood hero. (He still is, but that’s a different story.) In an episode I watched as a teen, he said, “Answers are easy – it’s asking the right questions which is hard.” It was my first exposure to this idea, and it stuck with me.
Over time this perspective became a very useful tool. When I get stuck and can’t find an answer, stepping back and examining my questions often leads to a solution. This process proves itself useful in many different ways, but here I’ll focus on a key example.
Starting out as a writer, I sometimes found myself blocked, wondering, “What should happen next?” I came to understand (over years, not one Saturday afternoon) how that was the wrong question. Tornados happen. Wildebeest migrations happen. But the vast majority of events in a story don’t just happen. Characters make them happen. “What happens next?” is appropriate for the reader to ask, not the writer.
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