I have stopped.
I have paged through.
Temple University Press, you did an amazing job. The photos are rich, the paper is kind, the cover broadcasts our love for our city.
LOVE is now officially on sale. Add a Comment
I seem to recall a few years back that Marvel Studios was really hot on getting Mads Mikkelsen on-board with one of their productions, to the point where he was cast as Malekith in Thor: The Dark World, but had to drop out due to scheduling conflicts with the then-debuting Hannibal. Given what Christopher Eccleston […]Display Comments Add a Comment
I'm gonna do occasional posts on research as I move deeper into Book 3 of the Sixties Trilogy. I house research links on my Pinterest boards, but I also want to document my process, thinking, and resources here. I'll label all research posts as such.
Full disclosure: I am stuck with book three. I don't know my story. I'm frustrated. So I'm contenting myself with research, which I've been doing intensely (ebb and flow) for about a year now, which has been mostly reading, and with no real focused objective but to understand the late sixties.
I did this with REVOLUTION and COUNTDOWN as well -- I read for about a year. You can find my bibliographies on Pinterest -- they are incomplete but will be added to as I can get to it.
So I'm working on scrapbooks today -- the non-fiction pieces of the documentary novels. I need about seven songs, one to anchor each scrapbook. They will change as the story is known and changes, but I need something to get me started, and I'm wondering if listening to the songs of the late sixties might also help me with finding my way into the story itself.
I spent most of my research day listening to the Billboard hits of 1967, 1968, and 1969. I dipped into 1970 as well. I want book 3 to be (in part) about ROCK-AND-ROLL. We've not had the chance to really do rock-and-roll with COUNTDOWN and REVOLUTION, so here is the chance to Go Big Or Go Home, and I want to revel in the music. Maybe I have a character who does the same (that's what I've been playing with, anyway).
This is the kind of day where I have 24 windows open online at once and jump back and forth between YouTube and Wikipedia for lyrics and cursory information about The Rascals, Chicago (can only use their first album), Buffalo Springfield ("For What It's Worth" is perfect, about the Sunset Strip riots in 1967 -- I can use it for larger meaning), Jefferson Airplane (which leads to a lengthy side-trip down the "San Francisco Sound" tunnel), The Fifth Dimension, The Isley Brothers, Steppenwolf -- yes, I can use "Born to be Wild," now that I have moved book 3 from 1968 to 1969.
Last year, anticipating the long flights to Hong Kong and back, I invested in Bose noise-cancelling headphones, and they are perfect for this task. I'm listening a lot right now, trying to find a way in, and pulling out a line here, a line there, of select songs (not scrapbook anchors) for inclusion somehow -- don't know how yet. I'm going on faith here that I'll figure out a way to do this, and if I don't, it's not time wasted.
Delicious lines like "It appears to be such a long long long long time before the dawn." Know it? "And the beat goes on." "The past is just a goodbye." "All the world over it's easy to see, people everywhere just got to be free." And many more.
I've been wondering if I can put more of myself into this book, like I did with REVOLUTION and COUNTDOWN. I've said I'm going to the Bay Area for book 3, but I lived in Charleston, South Carolina in 1969, my dad flew into and out of Vietnam, our high school was integrated - in spite of Strom Thurmond's defiance - by the National Guard, boy picketed to grow their hair long, girls picketed to shorten their skirts, and I loved Crosby, Stills and Nash and the Beatles and many more... the music was fresh, new, energizing, and amazing.
I was 16 years old and wanted to see the film Easy Rider. I didn't have the $3 it cost for a movie ticket. My dad said, "I will not give you three dollars to support Peter Fonda's drug habit." He forbid me to see Easy Rider. So I told my parents I was off to somewhere or other on a date with Jim (that took care of the $3, and besides, it was JIM), and instead went into downtown Charleston, South Carolina to see Easy Rider.
It. Was. Thrilling. Imagine sitting in the theater, a sheltered child of strict Southern, military parents who didn't even want rock-and-roll in the house -- I'd had to "audition" rock-and-roll in order to be allowed to play it -- I chose my 45 of "We Can Work It Out" by the Beatles and got a reluctant okay.
Imagine this kid sitting in the theater and watching Easy Rider unfold. Born to be Wild indeed. Here is the beginning of the movie with Steppenwolf's signature anthem (if you can call it that):
In preparation for the exciting LeakyCon 2016, LeakyCon is updating their website, Facebook, Twitter, and Tumblr. These sites are currently veiled under an air of mystery, as they are being rebuilt from the ground up. With constructing a new theme, LeakyCon promises new and exciting details about the relaunch of LeakyCon in Los Angeles in 2016.
Next Tuesday, September 1, is the “start of term” and the day LeakyCon will unveil it’s new sites. Are you ready to go to Hogwarts?Add a Comment
Marvel is mixing up the publishing line with the surprise addition of another book in the Guardians of The Galaxy family: Guardians of Infinity. ComicBook.com broke the news. Previous Guardians author Dan Abnett is returning to the franchise with an art team including Marvel star Carlo Barberi on art. The roster includes new and old Guardians favorites: Drax, Rocket Raccoon, […]Display Comments Add a Comment
The article--which can be seen in full in these screen shots captured by PW--attempted to defend AWP against recent complaints about the lack of diversity represented in its programming, as well as the lack of transparency in its actions. Gale's article, however, featured inflammatory language that drew its own backlash. (Among other things, the article referred to Native American as Indians.)
I pictured David Fenza saddling up a horse, Stetson in place, going out to shoot Indians.
I pictured David Fenza saddling up a horse, Stetson in place, going out to shoot Native Americans.
Question: Is this the appropriate place to put a question for 'Step by Step Novel Planning Workbook' question? Following in your workbook pages I haveAdd a Comment
Find out how to use spidergrams in plotting your book.
One of the biggest and most important challenges the Children’s Book Illustrator faces, over and over again, is the UNIQUE VISUALIZATION of the MAIN CHARACTER.
So often, I have seen illustrators resort to generic depictions of the star of the story–too “designed,” too ordinary, too much like characters already seen in media, especially on TV and video games.
The assignment is simply to illustrate a moment from the following passage from Philip Pullman’s version of “Little Red Riding Hood” from FAIRY TALES FROM THE BROTHERS GRIMM (Viking, 2012). (You may want to read the entire story. It is an excellent book.)
Once upon a time there was a little girl who was so sweet and kind that everyone loved her. Her grandmother, who loved her more than anyone, gave her a little cap made of red velvet, which suited her so well that she wanted to wear it all the time. Because of that everyone took to calling her Little Red Riding Hood.
One day her mother said to her: ‘Little Red Riding Hood, I’ve got a job for you. Your grandmother isn’t very well, and I want you to take her this cake and a bottle of wine. They’ll make her feel a lot better. You be polite when you go into her house, and give her a kiss from me. Be careful on the way there, and don’t step off the path or you might trip over and break the bottle and drop the cake, and then there’d be nothing for her. When you go into her parlour don’t forget to say, “Good morning, Granny,” and don’t go peering in all the corners.’
‘I’ll do everything right, don’t worry,’ said Little Red Riding Hood, and kissed her mother goodbye.
Her grandmother lived in the woods, about half an hour’s walk away. When Little Red Riding Hood had only been walking a few minutes, a wolf came up to her. She didn’t know what a wicked animal he was, so she wasn’t afraid of him.
Your task is to make me “FALL IN LOVE” with your illustration and especially with Red Riding Hood. I want to “meet her” for the first time.
This is NOT EASY! The deadline is tight (on purpose).
The specs are:
B & W, Limited Color, or Full Color
8” x 8”
DO NOT LEAVE SPACE FOR TYPE.
Due at SCBWI by December 1, 2015.
No late submissions will be considered.
Best of luck and good work. And, as I’ve been saying a lot lately, “COURAGE!”
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Find out how to use spidergrams in plotting your book.
The signature edition of "Iron Giant" will have its world premiere next month at the Toronto International Film Festival.Add a Comment
Eric Coleman will continue to lead Disney TV Animation in his new role of senior v-p of original programming.Add a Comment
Civil War Box Set! (Shipping three months after Christmas. Yeah, it ties in with the movie, but why not offer it for Christmas? Has Marvel solved their movie backlist problem? Do the reprints/tie-ins sell? Is there a Batman Effect for Marvel’s MCU?) Color Deadpool! Color Civil War! Deadpool Omnibus! (which starts in the middle?) Marvel […]Display Comments Add a Comment
I am woefully behind in progressing through the James Patterson Master Class on writing. It is not because it is a bad class (my thoughts so far here and here) but because I have so many other things going on it is hard for me to make the time to watch the videos. A few weeks ago I got am email inviting me to submit a writing sample to be critiqued by Patterson himself and even though I did not take advantage of the opportunity, having no fictional work in progress, I thought it was a pretty cool thing and felt a bit bad that I did not have any fiction in progress to submit and see just what kind of feedback was on offer.
Today in my email I received a message that my friends are eligible for a $15 discount of the price of a Master Class, any Master Class it seems. So if you are interested in taking Patterson’s fiction class or trying out any of the other classes on offer, if you sign up by midnight PST on September 8th, enter the code PTS86W.
There is a great article called Silence in the Library that you all might be interested in reading. It is written by an archivist and discusses the issue of naming that those who catalog materials must deal with. Before I went to library school I could honestly say I never once thought about how materials were cataloged, that someone had to figure out what subject headings and keywords and other metadata to add to them. And then when I did think about it I wondered, really, how hard could it be?
I am not a cataloger, but I had the pain and pleasure of finding out just how important these folks are in more ways than you can imagine. Because we all know that naming is important and it bumps into issues like privilege and race and class all the time. Library cataloging is not immune to any of the issues. Catalogers struggle with it every day. Not only do they have to figure out what to call materials so you, the library patron can actually find and borrow them, but they also very often consider the implications of how materials are named. Librarians at the reference desk often get all the glory when they help a patron find something, but those behind the scenes catalogers are owed a great deal of credit for creating the metadata that allows that reference librarian to help you.
Anyway, the article is great and delves into a bit of the issues and implications of naming and how librarians have the opportunity to be silent radicals. Give it a read you will have a new appreciation for librarians and archivists.
According to the acknowledgments in Untwine, we have our own Lisa Sandell to thank for inquiring whether Edwidge Danticat, award-winning author for adults, might have a YA story to share. With a plot line similar to my own work Hit, I was intrigued and dove straight into the novel.
Watch for this release, readergirlz, and drop into the drama of a teen girl losing her twin sister. Walk with a family looking for answers in the midst of deepest grief. Mourn with Giselle and find hope, beautifully.
Welcome to the YA world, Edwidge!
By Eldridge Danticat
Scholastic Press, September 2015