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1. A Jazz Appreciation Month Playlist

Established in 2001, Jazz Appreciation Month celebrates the rich history, present accolades, and future growth of jazz music. Spanning the blues, ragtime, dixieland, bebop, swing, soul, and instrumentals, there's no surprise that jazz music has endured the test of time from its early origins amongst African-American slaves in the late 19th century to its growth today.

The post A Jazz Appreciation Month Playlist appeared first on OUPblog.

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2. P is for Dame Elizabeth de Pembrugge

from Kaleidoscope, my first book of poems,
broadcast on BBC Northwest


photograph taken at Tong Church, Tong village,
where my book Thin Time is set

Dame Elizabeth de Pembrugge

Push open the baize covered door,
and step into the dust filled, underwater light,
the smell of damp hymn books, decaying flowers, 
and in this time stood still for all eternity,
here on the altar tomb lies one grand dame
beside her chain-mailed husband,
her dignity still intact, despite the best attentions
of Cromwell’s bigots, who hacked her nose,
her feet, her hands.

The clatter of the latch announces the departure
of another visitor, as I remain in the evening sunlight 
that slides across the paving, and listen to those two proud figures 
repeat their nightly conversation, 
and wonder if she thought the cause was just. 
Or did she scorn Sir Fulke beside her,
having no admiration for armoured splendour,
lion guarded feet and noble chivalry, preferring him
to stay, defend the castle, fulfil his feudal obligations, 
rather than to dash in religious blood lust
to the first crusade?

I hear her icy words crackle through the vaulted air, 
berating him for his stupidity, his early death,
saying that she would gladly have forgone the honour, 
the cost of this expensive tomb, 
if he’d had the sense to forsake the glory, 
and remain with her at home! 


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3. Nigeria Prize for Literature

       The Nigeria Prize for Literature -- at US$100,000 more remunerative than many major American literary prizes (though you'd figure with the kind of cash they could get around to updating the official page to this year's competition ...) -- rotates through four genres (fiction, non, children, drama), and this year is a kid's-lit year.
       At This Day they now report that 109 Authors Vie for 2015 NLNG Literature Prize. Good to see there's that much eligible children's literature being written in Nigeria -- and hopefully the prize can help raise the profile of some of it.

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4. Georgi Gospodinov profile

       With The Physics of Sorrow out in English this week Garth Greenwell writes about The Bulgarian Sadness of Georgi Gospodinov at The New Yorker's Page-Turner weblog.

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5. The long history of World War II

World War Two was the most devastating conflict in recorded human history. It was both global in extent and total in character. It has understandably left a long and dark shadow across the decades. Yet it is three generations since hostilities formally ended in 1945 and the conflict is now a lived memory for only a few. And this growing distance in time has allowed historians to think differently about how to describe it, how to explain its course, and what subjects to focus on when considering the wartime experience.

The post The long history of World War II appeared first on OUPblog.

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6. Social Media Etiquette

What not to do when using social media.


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7. Review – The Last Anzac by Gordon Winch and Harriet Bailey

The Last Anzac, Gordon Winch (author), Harriet Bailey (Illus.), New Frontier Publishing, March 2015. This year marks the 100th anniversary of the Gallipoli landing. For this significant Anzac Centenary, a myriad of children’s books have been released to teach our young ones about the physical, emotional and historical impact of war, and to celebrate our […]

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8. Pete Hautman, author of EDEN WEST, on reading your work out loud

We're thrilled to have award-winning author Pete Hautman stop by to share more about his latest novel EDEN WEST.

Pete, tell us about your inspiration for writing EDEN WEST.

I began Eden West back in 2002, at the same time I was working on Godless. Both books deal with the differences and relationship between religion and faith, both are coming-of-age stories, and both are about a young man in conflict with his father. But in Godless, the conflict is generated intellectually—it is Jason’s thoughts that create dissonance—whereas in Eden West, Jacob’s apostasy is impelled by external forces. One might say that Eden West is an inside-out version of Godless.

As for the specific inspiration that got me started on Eden West, I was thinking about fences—chain-link fences in particular—and imagined two people meeting through such a barrier, and I wondered why the fence was there, why they were on opposite sides of it, and what it takes to make them climb over.

What scene was really hard for you to write and why, and is that the one of which you are most proud? Or is there another scene you particularly love?

Scenes involving multiple characters—such as the banquet scene, or the scene where Father Grace announces his betrothal—are always difficult for me, and I am never completely at ease with the result. Probably my favorite passage in the book is when Jacob is alone, following the gray owl through the Mire. I’ve spent a lot of time alone in bogs hunting for mushrooms. That scene feels particularly vivid to me.

What book or books would most resonate with readers who love your book--or visa versa?

That’s a tough one, since I try hard to write books that are different from what is out there. I would NOT point them to other “cult books.” Maybe something like Lois Lowry’s The Giver, or Kindred, by Octavia Butler, whose work I recommend at every opportunity.

How long did you work on EDEN WEST?

Twelve years, with several starts and stops.

What did this book teach you about writing or about yourself?

Every book is an education, yes? Working on Eden West, I discovered I have more empathy for those who are immersed in nonstandard belief systems than I expected to be. It’s easy to be snarky or intolerant of people-of-not-my-faith, and to forget that we are all fellow travelers. I think often of a line from Gene Wolfe’s The Shadow of the Torturer: “That we are capable only of being what we are remains our unforgivable sin.”

What do you hope readers will take away from EDEN WEST?

I don’t really think that way. I’ve come to accept that I cannot control what happens once a book leaves my hands. When people start reading Eden West (or any book), they will make it into something new, something I never intended. Books continue to be “written” by readers after publication—the act of reading is a part of the creative process. I’ve done my bit as a writer; now I pass the baton.

How long or hard was your road to publication? How many books did you write before this one, and how many never got published?

Pretty much all of my extant work has been or will be (I hope) published. Keep in mind that I wrote and destroyed thousands of pages before I ever submitted anything to a publisher. I was pretty tough on myself, in retrospect. But once I thought I’d gotten good enough, I sold my first novel (Drawing Dead) fairly quickly: six months to find an agent, twelve months for the agent to find a publisher, then another eighteen months for the book to come out. It felt like forever, but by industry standards, that’s pretty typical.

Was there an AHA! moment along your road to publication where something suddenly sank in and you felt you had the key to writing a novel? What was it?

It was a long road, so there were too many AHA! moments to count. There were also a lot of AAARGH! moments when I thought the novel had crashed and burned. At one point I went AAARGH! and set it aside for two years.

What's your writing ritual like? Do you listen to music? Work at home or at a coffee shop or the library, etc?

I’m kind of boring that way. I do all my writing at home sitting at my desk. In a coffee shop I am more interested in watching the people and eavesdropping when possible. I guess that’s part of writing, but not the part where words are being put on the page. I love the library, of course, and I spend many hours there doing research. That’s part of writing too. But I don’t “write” while I’m there.

I do get work done while running. That’s when many plot issues are resolved. When I get home from a run I often head straight for my computer where I drip sweat on the keyboard while recording dialogue that came to me during my run.

I don’t listen to music while writing, but I often have an informal playlist—songs I find myself listening to repeatedly that seem to get me into whatever headspace a particular story requires. For Eden West I listened to a lot of K.D. Lang and Dr. Dre. I know that’s weird; I can’t explain it.

What advice would you most like to pass along to other writers?

Other than the usual—read, write, observe, rewrite—I’ll suggest one technique that has worked for me: Read what you’ve written out loud and record it, then wait a day or two and listen to yourself reading your own work. I use my cell phone to record, then play it back over the car stereo while I’m driving around. Painful and time consuming, yes, but I learn a lot about pacing, and I catch a lot of mistakes.

What are you working on now?

As I write this (in mid-March), I’m working on a rather unusual unboxing video. I just got my first author’s copy of Eden West, but I haven’t yet opened the scary package. I have the chainsaw, the goggles, and the mask. I am at this moment waiting for my camera operator to show up.

{Pete sent us the unboxing video of the scary package - click here to view it.}

I have a middle-grade sci-fi comedy coming out this fall (The Flinkwater Factor), and I’m putting the final touches on a YA novel about birth order and eating contests.

ABOUT THE BOOK

Eden West
by Pete Hautman
Hardcover
Candlewick
Released 4/14/2015

Tackling faith, doubt, and transformation, National Book Award winner Pete Hautman explores a boy’s unraveling allegiance to an insular cult.

Twelve square miles of paradise, surrounded by an eight-foot-high chain-link fence: this is Nodd, the land of the Grace. It is all seventeen-year-old Jacob knows. Beyond the fence lies the World, a wicked, terrible place, doomed to destruction. When the Archangel Zerachiel descends from Heaven, only the Grace will be spared the horrors of the Apocalypse. But something is rotten in paradise. A wolf invades Nodd, slaughtering the Grace’s sheep. A new boy arrives from outside, and his scorn and disdain threaten to tarnish Jacob’s contentment. Then, while patrolling the borders of Nodd, Jacob meets Lynna, a girl from the adjoining ranch, who tempts him to sample the forbidden Worldly pleasures that lie beyond the fence. Jacob’s faith, his devotion, and his grip on reality are tested as his feelings for Lynna blossom into something greater and the End Days grow ever closer. Eden West is the story of two worlds, two hearts, the power of faith, and the resilience of the human spirit.

Purchase Eden West at Amazon
Purchase Eden West at IndieBound
View Eden West on Goodreads

ABOUT THE AUTHOR



2762Pete Hautman is the author of Godless, which won the National Book Award, and many other critically acclaimed books for teens and adults, including Blank Confession, All-In, Rash, No Limit, and Invisible. Mr. Was was nominated for an Edgar Award by the Mystery Writers of America. Pete lives in Minnesota and Wisconsin. Visit him at petehautman.com.


What did you think of our interview with Pete Hautman, author of EDEN WEST? Let us know in the comments!

Happy reading,


Jocelyn, Martina, Jan, Shelly, Susan, Lisa, and Erin

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9. The Stately Beat Manor Comics Pull: 4/22/15

Egg_Fu_Earth-One_001

Comics, comics, and more comics — the Beat Staff is a little obsessed with their own supply. The only way in which to satiate our immense need for the written word and illustration is for our supply to grow…larger. A group of the Beat’s most favored (desperate) staff members banded together to make this list after finishing off every single graphic novel and floppy in the mansion, (it was the only way for the team to quench the thirst for knowledge!) While others call it unhealthy, we deem our staff picks as a public service announcement to gather the masses together and enjoy the wild world of comics.


Alex’s Picks: Convergence: Swamp Thing #1

Writer: Len Wein Artist: Kelley Jones Colorist: Michelle Madson

STARRING HEROES FROM CRISIS ON INFINITE EARTHS! The dome has cut off all the heroes from their powers – but what happens when Swamp Thing is cut off from his life source in The Green?

Author Len Wein is returning to one of his greatest creations Wolverine Swamp Thing! Joining him is classic horror artist Kelley Jones for one of the wackier Convergence tie-ins. After reading author Charles Soule’s ingenious take on the hero, we simply can’t get enough of Alec Holland’s mysterious monster-based alter ego.

STK668474


Matt’s Picks: Kaptara #1

Writer: Chip Zdarsky Artist: Kagan McLeod

A space expedition goes horribly wrong because if it didn’t there would be no story! Reluctant explorer Keith Kanga and his crew crash land on KAPTARA, a world filled with danger and weird danger and dangerous weirdos! And if he can’t survive then earth, the place where YOU live, is doomed! Join CHIP ZDARSKY (Sex Criminals the Duck) and KAGAN McLEOD (Infinite Kung Fu) as they put the ‘fi’ back into ‘sci-fi’ and pretty much disregard the ‘sci’ part in this epic story of punching and love!

Yes, the first issue hasn’t come out yet. No, I don’t have an advance review copy. So how is this recommendation not premature? Because Chip Zdarzky’s solicitations and relationship with his local Applebee’s alone have me excited for Kaptara. Two issues of Howard the Duck further demonstrate that Chip is a helluva writer, and, as long as his scripting isn’t eating into his time drawing Sex Criminals, I am totally on board for Kaptara and anything else that comes out of his demented head.

STK669383


 

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10. Why these books should win (the BTBA)

       I hope you've been following the daily installments of the 'Why This Book Should Win' (the Best Translated Book Award)-series at Three Percent as the judges (and a few others) make the case for each of the twenty-five longlisted titles.
       Yesterday was my (first) turn, making the case for Leopoldo Marechal's Adam Buenosayres.

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11. Juliana Romano, author of FIRST THERE WAS FOREVER, on really listening when people give you notes

We're pleased to have Juliana Romano stop by to tell us more about her debut novel FIRST THERE WAS FOREVER.

Juliana, what is your favorite thing about FIRST THERE WAS FOREVER?

My favorite thing about “First There Was Forever” is how girl-centric it is. Even though it’s a story of two girls fighting over a guy, the book is really an exploration of the inner lives of these two friends: Lima and Hailey. Even though Nate, the guy they both like, is a big character, the book really isn’t about him. Lima and Hailey are complicated and thoughtful, much more so than Nate. Grappling with sexuality and jealousy is part of growing up, but that doesn’t define these girls. And the friendship between them, even though it’s platonic, is as loving, demanding and rewarding as any romantic relationship.

Also, for me personally I think I like that the book is embedded with threads from my own life, like the music and the places they go! I loved being able to reference my own high school experience for those things. Meredith’s cat is named Leonard Cohen, and me and my friends were obsessed with Leonard Cohen’s music in high school. Especially the early stuff, like “Suzanne” and “Bird on a Wire” and “Chelsea Hotel.”

What scene was really hard for you to write and why, and is that the one of which you are most proud? Or is there another scene you particularly love?

Emotionally, the hardest scene for me to write was when Hailey and Lima say all the things to each other that they’ve kept bottled up. I put off writing it for a long time, I think because I knew it would be hard. And during the writing process, I was back and forth with my agent, she kept encouraging me to take it further. But now, it’s one of my favorites. Also, the sex scene!

What book or books would most resonate with readers who love your book--or visa versa?

I’d like to think that people who love my book would also love “The Summer I Turned Pretty” by Jenny Han, and “Uses for Boys” by Erica Lorraine Scheidt. Also, “Anna Karenina” by Leo Tolstoy. Can I say that?! That book inspired me so much because Anna hurts so many people but I love her so much anyway. And her choices are so limited. In high school, your choices are very limited, too.

What did this book teach you about writing or about yourself?

Empathy.

What's your writing ritual like? Do you listen to music? Work at home or at a coffee shop or the library, etc?

My best experience writing has been when I’m juggling it with other things. When I started writing “First There Was Forever” I was just plopping down at my computer in between other responsibilities. It didn’t matter where I was or what time of day it was, or if I had the perfect music on. I think when I’ve started to get to precious about how and when to write, my writing suffers. I always try to remember that special time when I first began and I felt like writing was my secret escape.

What advice would you most like to pass along to other writers?

Write what you want and don’t let anyone tell you that your content isn’t important! But on a more practical level, learn how to take notes. We can never be objective readers of our own work, so we really need to listen to people when they tell us what they think. Notes, even hard ones, are a generosity from the person who is giving them. It can be challenging because writing is so personal and it’s frustrating when people don’t take away what you want them to, but on the flip side, people also take away amazing things that you didn’t intend.

What are you working on now?

My second book is about a girl growing up in New York City who wants to go to art school. I went to art school, and I’m really glad to reflect on that experience. This book is a summer-in-the-city book, and I love New York in the summer. It’s so hot and it can be dirty, but that just adds to its romance.

ABOUT THE BOOK

First There Was Forever
by Juliana Romano
Hardcover
Dial Books
Released 4/14/2015

Perfect for fans of Jenny Han’s The Summer I Turned Pretty and Huntley Fitzpatrick’s My Life Next Door, Juliana Romano's expressive debut is an absorbing and bittersweet story about first love, first loss, and the friends that carry us through it all.

Lima and Hailey have always been best friends: Lima shy and sensitive, Hailey funny and free-spirited. But Hailey abandons Lima to party with the popular kids and pursue Nate, her disinterested crush. As their friendship falters, Lima and Nate begin spending more time together. And before Lima knows what she’s feeling, she and Nate do something irreversible. Something that would hurt Hailey....if she knew it happened.

Lima thinks she’s saving her friendship by lying, but she’s only buying time. As the secrets stack up, Lima is forced to make a choice: between her best friend forever, and the boy who wasn’t meant to be hers.

Purchase First There Was Forever at Amazon
Purchase First There Was Forever at IndieBound
View First There Was Forever on Goodreads

ABOUT THE AUTHOR

julianafromanoJuliana was born in 1982 in New York, New York and grew up in Santa Monica, California. She received a B.A. from Wesleyan University in 2004 and an M.F.A. in Painting from U.C.L.A. in 2008.









What did you think of our interview with Juliana Romano, author of FIRST THERE WAS FOREVER? Let us know in the comments!

Happy reading,

Martina, Jocelyn, Shelly, Jan, Lisa, Susan, and Erin

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12. NPM Project: Jumping Into Form - Interview with Avis Harley

In preparation for sharing forms this month, I wrote to a number of poets and asked if they would respond to a short list of questions on poetry, writing, and form. I'm thrilled every time one responds positively and find they have all been extremely generous with their time.

Today I'm sharing the thoughts of Avis Harley, a former teacher and author of 5 books of poetry for children, including African Acrostics: A Word in Edgewise (2009), The Monarch’s Progress: Poems with Wings (2008), Sea Stars: Saltwater Poems (2006), Leap into Poetry: More ABCs of Poetry (2001), and Fly with Poetry: An ABC of Poetry (2000).

How do you begin a poem? 
Avis: It varies.  It can be a visual image, a musical thought, a physical sensation, or perhaps just a single word.  But before I start writing, I like to immerse myself in someone else’s poetry. Sometimes an idea might come from this reading, but mostly I return to my earlier inspiration.  A word grows into a phrase that grows into a line, and slowly, over time and many, many rewrites, a poem might emerge.


How do you choose the form of your poems?
Avis: 
It’s crafty business, poetry writing,
But poetic forms are so inviting!

Should it be free verse?  Rap?  Haiku?
Intravista?  Sonnet?  Clerihew?
Limerick?  Villanelle?  Elegy?
A Couplet?  Acrostic?  A parody?

A myriad of forms from which to choose,
but the content decides which one to use.


What tools do you use in writing poetry?
Avis: I enjoy playing with rhyme, and have three different rhyming dictionaries. My Penguin Rhyming Dictionary is a well-thumbed paperback.  Another book is A Rhyming Dictionary and Poets’ Handbook by Burges Johnson, where the words are grouped into one-syllable rhymes, two-syllable rhymes, three-syllable rhymes, and so on – a double-dactyl-delight.  I also like Walker’s Rhyming Dictionary.  It is a reverse-order dictionary and a handy source for eye-rhymes, where endings are the same in spelling but not in sound.  I love eye-rhymes, and wrote a whole book of them, but recognize this obscurity is hard to sell.  But they were fun to write, and here’s one of them:

TOUGH

Dandelions plough
straight through
cement.   Although
just a golden hiccough
shining in its tiny trough,
for Dandelion, that is enough.

I also use the thesaurus, plus a Webster’s and an Oxford dictionary.  Canadians sometimes have different pronunciations and spellings to the Americans for certain words.  The ‘u’ in words such as honour, savour, humour, etc., disappears when my poems go over the border, bringing back childhood memories of a big red X on a spelling test if the ‘u’ were ever omitted.

But most of the time we both agree,
except when saying ‘zed’ or ‘zee.’

For forms, I often refer to The Harper Handbook to Literature, edited by Northrop Frye, et al.  Lewis Turco’s The Book of Forms: A Handbook of Poetics is a wonderful resource.  A book I encouraged my teacher/librarian students to read when I was teaching a poetry course at the University of B.C. is called The Teachers and Writers Handbook of Poetic Forms, edited by Ron Padgett.  It’s full of useful information and reader-friendly definitions.   I am somewhat addicted to collecting books of form, if only to discover new and obscure kinds of poems I’d like to try.


What would you like students or children to know about poetry?
Avis: It doesn’t always have to rhyme or be funny. Poetry is the most inspiring and beautiful arrangement of words language can offer. Poetry is a producer of the ‘ah-ha’ moment. Robert Frost said “Poetry begins in delight and ends in wisdom.” I would like children and students to discover this delight and wisdom by reading lots and lots of good poems – all kinds. Poetry is meant to be enjoyed; too many ‘simile-safaris’ can kill poetry. I would like them to know the wonder of language, and to try writing their own poems, and learn through this experience that poetry writing is not easy, but so rewarding.  It is a lifelong friend.


Are there any forms you haven't tried but would like to? Why or why not?
Avis: Yes, there are a lot of forms I have not yet tried!  I have experimented with many different ones in two ABC poetry books I’ve written, and do have my favourites – especially haiku, triolet, sonnet, limerick, and acrostic.  I’ve always been intrigued with puzzles and word games: crosswords, scrabble, anagrams, acrostics, words-within-words, rebuses, and any type of word fun that could be a springboard for a poetic form.  I like to create poems with messages inside, and enjoy inventing my own forms.


Finally, one of your esteemed colleagues suggested I ask for a poem in a foreign verse form. Would you be willing to share a poem for this project?
Avis: "Foreign" can mean unfamiliar, and my choice of verse form will be unfamiliar, as it is an original poetic form I have created.  I’ve called it the intravista, where words within words, arranged downward, make a poem within a poem.  Here is an intravista about our old cat, Sockeye:

                        THE CONTENTED CAT

                        A thermal cushion arrives on my lap,
                           spurred on by the thought
                   of a blissful nap.  She neatly
                          washes paws and chin – then lets
              her heartwarming purr begin.
                   So pleasant that murmur of purr and meow,
                            there’s enough contentment
                     to unfurrow my brow.

Her
purr
is
as
warm
as
her
fur. 

By hiding a word within another word, the intravista continually surprises me.  Coming up with an unusual word to envelop another one always seems to spark an unexpected idea, and it’s fun to have an inner voice give you two poems for the price of one.  As April is the month of blossoms, and also Poetry Month, I’d like to close with this poem:

                      IN THE KEY OF BEE

                      Blossom weather!
                           The sun-dappled
                                         street is alive
               with humming.  Listen
              to these trees blissfully thrumming
                                in the soft key
                              of honeybees!

The
apple
tree
is
full
of
                                                       bee!

Poems ©Avis Harley. All rights reserved.

A million thanks to Avis for participating in my Jumping Into Form project this month.

0 Comments on NPM Project: Jumping Into Form - Interview with Avis Harley as of 4/18/2015 1:03:00 AM
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13. Michaela MacColl, author of THE REVELATION OF LOUISA MAY, on writing mysteries centered around famous authors

We're delighted to have Michaela MacColl join us to share more about THE REVELATION OF LOUISA MAY, the latest novel in her series of literary mysteries. Michaela has also agreed to give away an ARC, so make sure to enter the giveaway below.

Michaela, what is your favorite thing about THE REVELATION OF LOUISA MAY?

My favorite thing about The Revelation of Louisa May (Chronicle 2015) is probably Louisa May Alcott herself. I just liked her so much! When I write these literary mysteries I always start with biography. I learn as much as I can about the writer who will be my main character. I feel a little bit like a sculptor – adding bits and pieces of my understanding of the character until she’s fully formed in my head. When I start to write, the voice comes naturally. But Louisa was special – I understood her from the beginning.  She was bright and contrary even as a toddler (her wacky parents did all sorts of educational experiments on them and documented the results!).  The most practical member of the family, even at 12 her harassed mother (Marmee) confided in her way too much about the disastrous family finances. Louisa’s response was to vow to earn enough money to support the family … with her pen.  And she did. Little Women was published in 1869 and has never gone out of print. Louisa was a millionaire and yes, she supported the whole family.  She had grit and I liked that.

What was your inspiration for writing THE REVELATION OF LOUISA MAY?

I’m doing a series of literary mysteries for Chronicle that are tagged as “tales of Intrigue and Romance.”  The idea is to get readers hooked on the writer – then the kids are bound to go to their amazing works. We began with Emily Dickinson, then the Bronte sisters. Louisa May Alcott was a natural choice for the third installment. How many librarians do you know who weren’t hooked on that book? So many of us grew up yearning that the next time we reread the book somehow Jo would change her mind and end up with Laurie!

As I said, these books are mysteries. So I usually scour biographies looking for a body or a hint of one. I discovered early on that the Alcotts, in keeping with their humanist and transcendental philosophies, were also members of the Underground Railroad and Louisa mentions sheltering a fugitive slave named George in their kitchen. As soon as I began to think about fugitive slaves I thought about secrets. And slave catchers. And blackmail.  From there it was an easy jump to murder!

What scene was really hard for you to write and why, and is that the one of which you are most proud? Or is there another scene you particularly love?

One of my favorite scenes is not a hugely important one. Louisa is visiting with her good friend, Ralph Waldo Emerson.  He’s an adult who is a good friend to her family (Emerson encouraged the Alcotts to move to Concord and helped them out financially more than once) and he has always encouraged her love of reading.  The room that Louisa loves best in the world is his library.  Emerson guarded his time and his workspace, but Louisa was always welcome there. In that scene there’s a quick memory that flashes through Louisa’s mind of when Emerson’s beloved son dies of scarlet fever. Louisa had been sent with a note to the Emerson house. The distraught father meets her at the door and tells her his boy is dead. They sit on the steps for a long time crying together. With that kind of foundation for a friendship, it’s not surprising to the reader that when murder and scandal come close to touching the Emersons, Louisa is there to defend them.

What's your writing ritual like? Do you listen to music? Work at home or at a coffee shop or the library, etc?

I have a lovely office where I hardly ever work. I like curling up on the couch or in a chair in front of the fireplace. When I’m under a time crunch I go to the closest Paneras – mainly because the coffee is OK and I don’t like the food!  I spend a lot of time in libraries doing research. My town’s library is ridiculously busy  -- a true center of the community – but not very quiet. The local university library on the other hand is a ghost town until finals. So I go there and make the day of the research librarian.

What are you working on now?

I’m doing the final copy edits on the next literary mystery. This one is about Jane Austen and is still untitled.  What’s fun for me (besides writing and reading Jane Austen!) is that all the other characters I’ve written about also read Jane Austen. Emily Dickinson was delighted to see that a woman could be a serious writer. Charlotte Bronte felt that Austen books were passionless and too genteel.  And Louisa May Alcott of course was just delighted to know that it was possible to earn a living with her pen!

ABOUT THE BOOK


The Revelation of Louisa May
by Michaela MacColl
Hardcover
Chronicle Books
Released 4/14/2015

Louisa May Alcott can't believe it—her mother is leaving for the summer to earn money for the family and Louisa is to be in charge of the household. How will she find the time to write her stories, much less have any adventures of her own? But before long, Louisa finds herself juggling her temperamental father, a mysterious murder, a fugitive seeking refuge along the Underground Railroad, and blossoming love. Intertwining fact, fiction, and quotes from Little Women, Michaela MacColl has crafted another spunky heroine whose story will keep readers turning pages until the very end.

Purchase The Revelation of Louisa May at Amazon
Purchase The Revelation of Louisa May at IndieBound
View The Revelation of Louisa May on Goodreads

ABOUT THE AUTHOR

Michaela attended Vassar College and Yale University earning degrees in multi-disciplinary history. Unfortunately, it took her 20 years before she realized she was learning how to write historical fiction. Her favorite stories are the ones she finds about the childhood experiences of famous people. She has written about a teenaged Queen Victoria (Prisoners in the Palace, Chronicle 2010) and Beryl Markham’s childhood (Promise the Night, Chronicle 2011). She is writing a literary mystery series for teens featuring so far a young Emily Dickinson in Nobody’s Secret (2013) and the Bronte sisters in Always Emily (2014). She has recently begun a new series with Boyd’s Mill/Highlights called Hidden Histories about odd events in America’s past. The first entry in the series is Rory’s Promise and will be published in September 2014. She frequently visits high schools and has taught at the Graduate Institute in Bethel, CT. She lives in Westport CT with her husband, two teenaged daughters and three extremely large cats.



What did you think of our interview with Michaela MacColl, author of THE REVELATION OF LOUSIA MAY? Let us know in the comments and don't forget to enter the giveaway!

Happy reading,
Martina, Jocelyn, Shelly, Jan, Lisa, Susan, and Erin

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14. recognizing the detail smorgasbord (plus spring giveaway winners!)

 

Photo by Vicky Lorencen

Photo by Vicky Lorencen

This time of year is an absolute boon for children’s writers. If you have children or grandkids, you’ll soon be attending award ceremonies, field days, banquets, carnivals, graduations, end-of-year parties or picnics. Well, when you do, be sure to take notes. These occasions are an All-You-Can-Record Detail Smorgasbord!

Oh, I know you think you’ll remember. You are wrong. Even if you take photos, many details will be spirited away. I am the mother of a high school senior. Benefit from my experience.

Write.

It.

Down.

Jot down the names of the various awards and how students react to them, the food and amusements offered at the carnival, how the banquet was decorated and what was served, choice sound bites you overhear, and what teachers say to regain crowd control. Take note of the popular (and the not-so-popular) kids are wearing and how they talk, the words to songs that are sung, the music being played at a ceremony, the names of the games being played (and so on and so forth and what have you).

These notes will become precious to you when you sit down to write. You’ll have a stockpile of details to bring your work to life and ground it in a reality that is so familiar to your readers. (Oh,  and yes, you’ll have recorded dear details from your child’s school year, so there’s that too.)

The truth of the story lies in the details. ~ Paul Auster

Congratulations to the winners of the Frog on a Dime Spring Cleaning Giveaway . . .

Photo by Vicky Lorencen

Photo by Vicky Lorencen

Lindsay Fouts–winner of Writer’s First Aid: Getting Organized, Getting Inspired and Sticking to It by Kristi Holl

Danielle Hammelef–winner of Writing with Pictures: How to Write and Illustrate Children’s Books by Uri Shulevitz

Please contact me with your address and I’ll be delighted to send you your book!

 


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15. Jane Higgins, author of THE BRIDGE, on letting reading teach and inspire you

We're thrilled to have Jane Higgins join us to share more about her award-winning novel THE BRIDGE.

Jane, how long did you work on THE BRIDGE?

I worked on it for about three years, although I was playing with the idea of it for a while before that.

What book or books would most resonate with readers who love your book--or visa versa?

Try these: they are all compelling. How I Live Now by Meg Rosoff, The Tomorrow Series by John Marsden, the Chaos Walking trilogy by Patrick Ness, The Hunger Games trilogy by Suzanne Collins, Feed by MT Anderson.

What do you hope readers will take away from THE BRIDGE?

For me, THE BRIDGE is about two things. First, there’s the possibility that when you meet your enemy face to face you might discover that your world is more complex than you thought.  And secondly, it’s about the power of friendship. I work a lot with young people in my day job as a researcher and I’m always struck by how important their friends are to them.  Ultimately, THE BRIDGE is a story about friendship, what borders it might take you across, and what you might discover about yourself and your world on the way.

How long or hard was your road to publication? How many books did you write before this one, and how many never got published?

I have one ‘training wheels’ novel sitting in a drawer at home. I guess I worked on that for six or seven years. It got rejected by numerous agents and publishers, but that’s okay; I learned a lot while I was writing it. In 2008 I joined a writing group consisting of established writers and poets as well as beginners like me.  I wrote THE BRIDGE with helpful feedback from them. In 2010, after two substantial rewrites, I submitted it to a New Zealand publisher, but it got rejected, so I did another rewrite and finished that in time to enter it in Text Publishing’s Prize for Young Adult and Children’s Writing. To my profound and lasting delight, it won. Text (in Australia) published it in 2011 and it was picked up for North America by Tundra after that.

Was there an AHA! moment along your road to publication where something suddenly sank in and you felt you had the key to writing a novel? What was it?

There was no big revelation, but there was a moment when I realized that this was not going to work as a short story, and that I had to let it be the novel it wanted to be.  After that, I wrote in an exploratory kind of way – I was discovering the world of Cityside and Southside at the same time that my protagonist, Nik, was.

What's your writing ritual like? Do you listen to music? Work at home or at a coffee shop or the library, etc?

I have a day job as a researcher, so I have to squeeze my writing into the ‘nooks and crannies’ of my day (and night). When I get the chance I write at home at a desk that is a little crowded with writing stuff: books, a dictionary, a thesaurus, a candle, pens and pencils; also a miniature TARDIS which is not exactly writing related but I do like to look at it to ponder the power of the imagination. I don’t usually listen to music. If I do, it will be instrumental because I find lyrics distracting. I’m definitely more of a pantser than a planner and I like to hone and polish as I go, which is undoubtedly inefficient, but it’s the fun bit! When I finish a section I read it aloud because I want to write with cadence and rhythm and the best way to test that is to read aloud. When I’ve finished a whole draft, I read it aloud to my husband Paul, who listens and asks questions, spotting plot problems and contradictions and helping me solve them.

What advice would you most like to pass along to other writers?

I guess my favourite piece of advice is also the most obvious, and that’s to read. Read, read, and read some more. Read widely and well, read great writing, read as a writer, let it teach and inspire you.

What are you working on now?

At the end of last year I finished a sequel to THE BRIDGE. It’s called HAVOC and it’s set about six months after the end of THE BRIDGE. It has just been published in New Zealand and Australia by Text. And now I’ve started something new.

ABOUT THE BOOK

The Bridge
by Jane Higgins
Paperback
Tundra Books
Released 4/14/2015

The City is divided. The bridges gated. In Southside, the hostiles live in squalor and desperation, waiting for a chance to overrun the residents of Cityside.

Nik is still in high school but is destined for a great career with the Internal Security and Intelligence Services, the brains behind the war. But when ISIS comes recruiting, everyone is shocked when he isn't chosen. There must be an explanation, but no one will talk about it. Then the school is bombed and the hostiles take the bridges. Buildings are burning, kids are dead, and the hostiles have kidnapped Sol. Now ISIS is hunting for Nik.

But Nik is on the run, with Sol's sister Fyffe and ISIS hot on their trail. They cross the bridge in search of Sol, and Nik finds answers to questions he had never dared to ask.

The Bridge is a gritty adventure set in a future world where fear of outsiders pervades everything. A heart-stopping novel about friendship, identity, and courage from an exciting new voice in young-adult fiction.

Purchase The Bridge at Amazon
Purchase The Bridge at IndieBound
View The Bridge on Goodreads

ABOUT THE AUTHOR

Jane was born in Christchurch, New Zealand. Over the years, she has traveled away, but she returned in the 1990s; she and her husband, Paul, live there still, even though the ground now shakes at regular and unnerving intervals and has done since the earthquakes of September 2010 and February 2011.

Growing up, she read a lot of classic science fiction, fantasy and myth, and was captivated by the astonishing beauty and strangeness of the universe and by the writers who explored it – in fiction and non-fiction. She tried some exploring of her own, in the company of the very cool people in the Canterbury Astronomical Society – people who made their own telescopes and tracked the patterns of the solar system from their own backyards. She watched Dr. Who (almost, but not quite, from the beginning), Star Trek (favourite episode: The Trouble with Tribbles – great, because so silly) and The Prisoner (great, because so weird), and kept reading. She went to university and completed a degree in astronomy and mathematics and thought about spending her life sitting on a mountain being an astronomer.

A trip away to Europe, post-degree, derailed those ambitions. Seeing serious poverty and serious preparations for war for the first time was a powerful experience. She came home to study social science and learn from some amazing people about its concrete expression in the world through campaigns against poverty, oppressive labour laws and racism in New Zealand and elsewhere.

She became an academic at the University of Canterbury then at Lincoln University, specializing in research with young people about their lives. She wrote a lot of non-fiction for academic journals, kept reading and finally had a go at writing a novel.

She was lucky to be part of the inaugural intake of the Hagley Writers’ Institute – more wonderful people, including tutors and fellow scribblers. In their company, The Bridge grew from a short story into something longer and more complicated.

She still works as a researcher with young people, still reads, still writes (and still watches Dr. Who).



What did you think of our interview with Jane Higgins, author of THE BRIDGE? Let us know in the comments!

Happy reading,


Jocelyn, Martina, Jan, Shelly, Susan, Lisa, and Erin


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16. Nice Art: Behold Valiant Previews Featuring Ninjak, Divinity, and Ivar

Valiant has just debuted a brand new round of previews from some of their biggest and best books. First up is Ninjak #1, which contained a solid debut with incredibly smart writing and art from Matt Kindt, Clay Mann, and Butch Guice. The story revealed Colin King hunting down a group of individuals on assignment from MI-6, wasting no time dazzling fans with the exploits of Valiant’s premiere ninja. This is going to be another 40-page issue complete with two stories for the agreeable price of $4.99.

NINJAK #2

Written by MATT KINDT

Art by CLAY MANN with BUTCH GUICE

HUNTED BY THE SHADOW SEVEN!

International financier Colin King hasn’t just come to Tokyo to take the Rippongi club scene by storm. As the covert MI-6 operative codenamed Ninjak, he’s also tracking down the men who trained him to be a lethal weapon…the very same men whose movements have now aligned with the latest terror plot by the cybernetic crime cartel called WEBNET! But how do you detect killers who specialize in the undetectable? And how does he know that the SHADOW SEVEN haven’t caught up with him first? It’s all-out ninja-versus-ninja warfare as the deadliest men and women of five continents converge on the Tokyo underworld for a blood-spattered blowout!

$3.99 | 40 pgs. | T+ | On sale APRIL 22

NINJAK_002_VARIANT_PASTORAS NINJAK_002_VARIANT_ALLEN NINJAK_002_COVER-C_GUERRA NINJAK_002_COVER-B_JOHNSON NINJAK_002_COVER-A_LAROSA NINJAK_002_001 NINJAK_002_003 NINJAK_002_004 NINJAK_002_005 NINJAK_002_006

The first two issues of Divinity have been extraordinarily good, proving that Matt Kindt really has a good hold on the world of the Valiant. However, the most extraordinary part of the title for me is how the publisher found just the right job for Trevor Hairsine. The artist doesn’t have a typically clean Marvel style, but instead features more jagged lines and a specific style of pencilling. His artwork can almost be compared to that of Frank Quitely, an excellent storyteller whose art depicts a very specific style of tone.

DIVINITY #3 (of 4)

Written by MATT KINDT

Art by TREVOR HAIRSINE

The sci-fi saga of 2015 continues – from New York Times best-selling writer Matt Kindt (RAI) and blockbuster artist Trevor Hairsine (X-Men: Deadly Genesis)!

A being with the power of a god roams free in the Australian Outback, bringing life to the barren wasteland and making him a hero to natives who live there and the visitors that have sought him out. But can the global superpowers of Earth rely on this long lost cosmonaut not to abuse his seemingly limitless power? The entity called DIVINITY will put that trust to the test when he discovers what became of the life he left behind…and the family he once knew…

$3.99 | 32 pgs. | T+ | VALIANT PRESTIGE | On sale APRIL 22

DIVINITY_003_001 DIVINITY_003_002 DIVINITY_003_003 DIVINITY_003_004 DIVINITY_003_005 DIVINITY_003_006 DIVINITY_003_COVER-A_DJURDJEVIC DIVINITY_003_COVER-B_MULLER DIVINITY_003_VARIANT_GILL DIVINITY_003_VARIANT_LAROSA

Ivar, Timewalker can be sort of compared to a dark Doctor Who, as the titular hero is hiding some big secrets throughout space and time. Fred Van Lente and Clayton Henry continue to craft the story of Ivar, that begins to grow darker as more time continues to pass. Henry’s art has been so clean and specific to the title, which is perfect as Ivar could possibly expanded with the female demographic that has been so keen on Doctor Who in the past couple of years. Henry’s clean linework and expressive characters make this title a joy to experience as the debut arc of Ivar comes to an end with the fourth installment of the series.

IVAR, TIMEWALKER #4

Written by FRED VAN LENTE

Art by CLAYTON HENRY

Time is almost up!

Ivar has been keeping a secret from his partner-in-time, Neela, this whole time, and once she learns the truth their relationship will be history! Literally! Join New York Times best-selling creators Fred Van Lente & Clayton Henry for the epoch shattering conclusion of our first (time)arc!

$3.99 | 32 pgs. | T+ | On sale APRIL 22

IVAR_004_001 IVAR_004_002 IVAR_004_003 IVAR_004_004 IVAR_004_005-006 IVAR_004_COVER-A_ALLEN IVAR_004_COVER-B_MESSINA IVAR_004_VARIANT_VILLALOBOS

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17. Niall Leonard, author of SHREDDER, on the importance of hard work

SHREDDER is the last novel in the Crusher trilogy, and we're pleased to have Niall Leonard stop by to tell us more about it.

Niall, what was your inspiration for writing SHREDDER?

Shredder was the culmination of a trilogy that started with Crusher. I suppose the driving idea for this part of the story was of one guy caught between two or three unstoppable forces and how with wits and courage he manages to play one off against the other.

What scene was really hard for you to write and why, and is that the one of which you are most proud? Or is there another scene you particularly love?

The last scene was the hardest to write for reasons that will become apparent to the reader.  But at the same time it had a poetic rightness to it.

What book or books would most resonate with readers who love your book--or vice versa?

Any of Lee Child's Jack Reacher novels, I think.  Though his are a little longer than mine and my hero is less convinced of his own rightness.

How long did you work on SHREDDER?

It took about six months to write but a year or two to plot out and daydream before that.

What did this book teach you about writing or about yourself?

That when you put your imagination to work there are no limits on what you can depict.

What do you hope readers will take away from SHREDDER?

A feeling of exhilaration, and maybe some regrets…

How long or hard was your road to publication? How many books did you write before this one, and how many never got published?

Funny you should ask that question - I just cleared out the attic of my old house and found a few copies of the first book I ever wrote, finished when I was 20 years old.  It never got published, and for that I am extremely grateful - not because it's bad (though it's not very good) but because it's gushingly autobiographical.

When I first started writing professionally it was for TV because I'm good at dialogue, and good at taking notes from producers and making script changes quickly and efficiently.  All the same I got a bit of a reputation after a while for being 'difficult' because I got more and more frustrated at the compromises I had to make and the way my ideas got mangled to fit the demands of television.  After all that pressure, writing a novel was amazingly liberating - no-one messes with your work or tells you to do it differently.  Sometimes your editor might make a suggestion, but they never change anything without your permission.

Many people know I wrote the first novel of this trilogy, Crusher, in about a month.  What's less well known is that I had been plotting it on and off for about three years before I finally set pen to paper. If you've planned your story properly it's not such a challenge to write it quickly. That said, every author has their own approach.

Was there an AHA! moment along your road to publication where something suddenly sank in and you felt you had the key to writing a novel? What was it?

They key to writing a novel is to sit down and write the blasted thing.  If you wait for an AHA! moment you may be waiting the rest of your life.  Aha moments come from focusing for ages on the problems of your story until you come up with an answer - from hard work, in other words.  Inspiration is for poets - unpublished ones.

What's your writing ritual like? Do you listen to music? Work at home or at a coffee shop or the library, etc?

I never listen to music, it's too distracting. I usually work at my desk but sometimes the temptations of the Internet and email are too great - then I go work longhand in the kitchen, or very rarely to a café.  I like to write trickier scenes out in longhand, where I can tear out pages and crumple them up and throw them away in anger like a proper author.  Then when the scene is in a shape I like I put it onto a PC and carry on working.  I try to set myself a quota of words or scenes each day, and to get to the end of that one way or another.

What advice would you most like to pass along to other writers?

A quote I read this morning from Steven King, which goes something like 'talent is cheaper than table salt - what separates the talented individual from the successful is a lot of hard work'.  In other words, talent ain't enough - don't count on it to get you where you want to be.

What are you working on now?

I am finishing off a period detective novel based on a genuine historical character so amazing nobody will believe he existed.

ABOUT THE BOOK

Shredder
by Niall Leonard
Hardcover
Delacorte Press
Released 4/14/2015

In the gut-wrenching third and final novel in Niall Leonard’s Crusher series, Finn Maguire is lured back into the warring factions of the underworld by way of blackmail.

Finn “Crusher” Maguire has one simple task: to set up a meeting. But when that meeting is between the Guvnor and the Turk, two psychotic criminals vying for control of London’s underworld, Finn’s task proves to be anything but simple. As the city cracks under a blistering heatwave and the UK is rocked by a series of terrorist outrages, Crusher finds himself caught up in a gang war full of carnage, corruption and treachery. To save himself and the girl he loves from being shredded to a bloody pulp between opposing factions, Finn faces horrifying risks and impossible choices.

Purchase Shredder at Amazon
Purchase Shredder at IndieBound
View Shredder on Goodreads

ABOUT THE AUTHOR

Niall Leonard grew up in Newry, Northern Ireland. In 1977 he attended the University of York to study English, and from there went on to The UK National Film and Television School where he trained as a screenwriter and director. His first film was Absolution, an old-fashioned revenge thriller with a supernatural twist, filmed on location in Newry in 1983 and starring Derek Halligan. Niall returned to Newry In 1985 to shoot locations for his graduation movie, the black comedy No Man’s Land, starring Patrick Bergin and Des McAleer.

After graduating from the NFTS in 1986 Niall’s first broadcast work as director was the comedy series Phil and Arthur Go Off for Channel Four, followed by stints on ITV’s long-running cop show The Bill. Meanwhile Niall pursued his own projects, writing and directing the one-off black comedy Rotten Apples starring BJ Hogg and Ian McElhinney, and developing Over The Wild Frontier, a six-part comedy drama set on the Irish border, for Channel Four.

Niall’s first TV script to be broadcast on the network was an episode of Jimmy Nail’s cop show Spender, closely followed by Pie In The Sky with Richard Griffiths.

In 1994 Niall took up a year-long contract as a Script Editor at BBC Northern Ireland, where he got to work with his long-time hero Graham Reid on Life After Life and made the acquaintance of Belfast’s Hole In The Wall Gang. His work as script associate on their pilot for Give My Head Peace led to a partnership that continued for ten years, with Niall contributing to every episode of the immensely successful satirical sitcom and its spinoff stage productions.

In 1995 he returned to full-time writing with a script for the groundbreaking Irish comedy drama Ballykissangel and went on to create episodes of Silent Witness, Hornblower, Sea of Souls, Second Sight, and Holby City. Niall adapted the Minette Walters thriller The Dark Room for BBC1, and wrote numerous episodes over several series of Monarch of The Glen, Wire In The Blood and Wild At Heart.

Recently Niall completed screenplays for two big-budget two-part thrillers for US cable TV, loosely adapted from novels by Alastair Maclean. Air Force One is Down started shooting on location in Luxembourg in May 2012, with Puppet On A Chain slated to go into production later the same year.

As part of the 2011 Nanowrimo novel-writing event Niall wrote Crusher, a gritty crime thriller set in London featuring Finn Maguire, a dyslexic young offender investigating the murder of his father. The novel was picked up by Random House for publication in October 2012, and Niall is currently working on its sequel.

Niall has led seminars and workshops on screenwriting and script editing for the BBC, the Northern Ireland Film Council and the Irish Screenwriters’ Guild, and lectured on the creative process at the University of Reading.

He is married with two kids and a rather smelly dog and lives in West London.


What did you think of our interview with Niall Leonard, author of SHREDDER? Let us know in the comments!

Happy reading,


Jocelyn, Martina, Jan, Shelly, Susan, Lisa, and Erin


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18. back to school

On Being a Late Bloomer is here.

The Year of Exploration is here.

 It occurred to me yesterday: I am intuitively doing what I did when I was so young and a single mom, uneducated, needy, and wanting a life for my kids, for myself, wanting to understand the world and to find my place in it. I went to school. I got my undergraduate degree from the many libraries I haunted during those years.

I was barely 22, I was broke, I was alone with two small children, but I had a library card. I still have a library card. Now I have two (we made peace). Suddenly, in this year of exploration, I am back to school and in much the same way. Let's call it a graduate degree.

I'm following my intuition, pulling on strings when an idea comes to me or someone mentions something that rings a "year of exploration" bell. I am truly following my nose here, as well as my list of things I want to explore. These notes are the ones I took when listening to Malcolm Gladwell's THE TIPPING POINT from my library system's Overdrive account. I *love* Overdrive.And my library.

I don't know what I'll do with what I learn from THE TIPPING POINT, but that's not the point. I know I will use it. I know it's part of the year of exploration. It will tie in with everything else. I've always been a learner; I rarely have a stretch of time in which to learn in depth, intensely. That"s where I am now.
I finally excavated my office. I've been on the road for the past six months -- I've traveled in six months as much as I usually do in a year. I have bought myself some time off the road. My sabbatical starts June 1. I'll still travel. But that travel landscape is going to look different going forward.

More on that later. For now, I've spent the most lovely, rainy Friday afternoon going through ephemera of the past six months on the road. Letters from students, student writing, receipts, little gifts and remembrances, bills and business stuff... "Oh! There's my parking receipt!"... and photographs to remind me of good work done with new friends.


I got on the road 15 years ago when I became so suddenly single, and I've done a good job of taking care of me and mine, I've done good work on the road -- I've learned so much -- and I've written some good books. Now is the time for stillness and learning to love my new hometown, and writing, and learning, and being. Becoming. Something. I don't know what yet. I am trusting the process.

Have a great weekend, friends. I'm going to be off exploring....

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19. Delilah S. Dawson, author of HIT, on being inspired by South Park and an iPod update

HIT is the latest novel by Delilah S. Dawson, and we're delighted she's joining us to share more about it.

Delilah, what was your inspiration for writing HIT?

It was inspired by South Park, believe it or not. One night, I watched the Human CentiPad episode, in which accepting Apple's terms of service legally contracts you to be sewn into a human centipede. The next day, my own iPod downloaded a new version (without my permission, I might add) and forced me to accept a new TOS. Basically, either you Accept it, or you throw away your useless piece of tech and lose all your music and songs forever. I pressed Agree and prepared myself to be sewn to another foolish iPod owner.

And then I started to think about how easy it would be to slide something sneaky into a long, unreadable Terms of Service agreement. What if, when signing up for a new credit card, they tweaked the wording so that instead of "This agreement may be terminated at any time," to "This cardholder may be terminated at any time?" Would anyone notice? And if they agreed anyway, what would happen when the bank took advantage of that stipulation?

That was the story seed: What if you could be legally killed for not paying your debts?

What scene was really hard for you to write and why, and is that the one of which you are most proud? Or is there another scene you particularly love?

The opening scene was actually the hardest to write. Part of Patsy's problem is that the more people you kill, the easier it gets, but that first one's a doozy. As I've never killed anyone (Promise!), it was hard putting myself into the shoes of someone standing there, gun in hand, watching the clock count down.

I'm super proud of the scene between Patsy and Jeremy. It wasn't in the first draft, but it always makes me emotional.

What book or books would most resonate with readers who love your book--or visa versa?

I would say that if you want to read about the first step of a dystopia, this is the book for you. I mean, I love The Hunger Games and Divergent, but you look at those worlds and think, "Uh, how did we get to the point where we're all divided up by arbitrary lines and wearing gray tunics?" I wrote this book as the first event that changes the core of America and sends us down a path that gets increasingly twisted. My pal Trent Reedy is doing something similar in his Divided We Fall Trilogy about the war that could happen tomorrow, if we're not careful. No tunics necessary.

What are you working on now?

Right now, I'm writing the sequel to HIT, which is called STRIKE and will be out in 2016. It picks up right where HIT ends, but... it's got an even higher body count. The good news is that Patsy doesn't go to the Capitol to take on the New Government, which is one of my pet peeves in dystopia. The bad news is that she loses someone very close to her...

I'm also in edits for WAKE OF VULTURES, a Fantasy I recently sold to Orbit in a two-book deal. It's the book that inspired the vulture feather tattoo on my right forearm, and it will be out this October under the name Lila Bowen. Which is still me. :)

ABOUT THE BOOK


Hit
by Delilah S. Dawson
Hardcover
Simon Pulse
Released 4/14/2015

NO ONE READS THE FINE PRINT.

The good news is that the USA is finally out of debt. The bad news is that we were bought out by Valor National Bank, and debtors are the new big game, thanks to a tricky little clause hidden deep in the fine print of a credit card application. Now, after a swift and silent takeover that leaves 9-1-1 calls going through to Valor voicemail, they’re unleashing a wave of anarchy across the country.

Patsy didn’t have much of a choice. When the suits showed up at her house threatening to kill her mother then and there for outstanding debt unless Patsy agreed to be an indentured assassin, what was she supposed to do? Let her own mother die?

Patsy is forced to take on a five-day mission to complete a hit list of ten names. Each name on Patsy's list has only three choices: pay the debt on the spot, agree to work as a bounty hunter, or die. And Patsy has to kill them personally, or else her mom takes a bullet of her own.

Since yarn bombing is the only rebellion in Patsy's past, she’s horrified and overwhelmed, especially as she realizes that most of the ten people on her list aren't strangers. Things get even more complicated when a moment of mercy lands her with a sidekick: a hot rich kid named Wyatt whose brother is the last name on Patsy's list. The two share an intense chemistry even as every tick of the clock draws them closer to an impossible choice.

Delilah S. Dawson offers an absorbing, frightening glimpse at a reality just steps away from ours—a taut, suspenseful thriller that absolutely mesmerizes from start to finish.

Purchase Hit at Amazon
Purchase Hit at IndieBound
View Hit on Goodreads

ABOUT THE AUTHOR

Delilah S. Dawson writes whimsical and dark Fantasy for adults and teens. Her Blud series for Pocket includes Wicked as They Come, Wicked After Midnight, and Wicked as She Wants, winner of the RT Book Reviews Steampunk Book of the Year and May Seal of Excellence for 2013. Her YA debut, Servants of the Storm, is a Southern Gothic Horror set in Savannah, GA, and HIT is about teen assassins in a bank-owned America. Her Geekrotica series under pseudonym Ava Lovelace includes The Lumberfox and The Superfox with The Dapperfox on the way. Look for Wake of Vultures from Orbit Books in October 2015, written as Lila Bowen.

Delilah teaches writing classes at LitReactor and wrote the Island of Mesmer world for Storium.

Delilah lives with her husband, two small children, a horse, a dog, and two cats in Atlanta. Find out more at www.whimsydark.com.


What did you think of our interview with Delilah S. Dawson, author of HIT? Let us know in the comments!

Happy reading,


Jocelyn, Martina, Jan, Shelly, Susan, Lisa, and Erin


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20. The official Batman v Superman: Dawn of Justice trailer is here

Batman_v_Superman_-_Dawn_of_Justice_(official_logo)

And as predicted, the official teaser for Batman v Superman: Dawn of Justice has dropped via Zack Snyder‘s twitter feed:

 

What do you think? Sound off below, and have a great weekend!

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21. The Reading Strategies Book

Have plans mid-June? Cancel them and prepare to run to your nearest bookstore. The Reading Strategies Book by Jen Serravallo is a must and is intended for grades K-8!

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22. World Hemophilia Day


Today is World Hemophilia Day. 

For many summers I had the privilege of taking care of young hemophiliacs at The Hole in the Wall Gang Camp. Many of my pals outside of camp had these crazy misconceptions of the blood disorder. To put it simply, hemophiliacs have low levels of Factor VIII or Factor IX, the proteins needed to clot blood. As my friend and former camper, Conor, recently said in a post, "...it's a crappy disease that can leave you with a giant pile of complications if not managed appropriately."

Who's Conor? Conor is the kid who was the initial inspiration for Monkey Boy. Back in the fall of 1999 I was working at camp and started calling Conor "Monkey Boy" and he started acting the part...for the duration of our camp session! This photo was taken in 2001, shortly before Good Night, Monkey Boy was published. 

What is Conor up to now? He's studying to be a doctor! Seriously, what an inspiration. I'm in touch with many of Conor's peers, and they all grew up to do such amazing things. 

The CDC has posted a great summary of what hemophilia is all about here: http://www.cdc.gov/ncbddd/hemophilia/facts.html?mobile=nocontent

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23. New Adult Fiction Genre - Contemporary Romance - #WriteTip



There is a new genre emerging..."New Adult" fiction for older teens aka college-aged readers. You never stop growing up, but little in the market seems to address the coming-of-age that also happens between the ages of Nineteen to Twenty-six. Life changes drastically once high school is over, you have college, first jobs, first internships, first adult relationships…

Part of the appeal of NA is that the storylines are about characters who are taking on adult responsibilities for the first time without guidance from their parents. And the storylines generally have a heavy romance element. 

Keep this in mind as you revise your wonderful story, New Adult books are mostly about that specific time in every person's life—the time when the apron strings are cut from your parents, you no longer have a curfew, you're experiencing the world for the very first time, in most cases, with innocent eyes. New Adult is this section of your life where you discover who you want to be, what you want to be, and what type of person you will become. This time defines you. This is the time of firsts, the time where you can't blame your parents for your own bad choices. 


An NA character has to take responsibility for their own choices and live with the consequences. Most storylines are about twenty-something (18 to 26) characters living their own lives without any parents breathing down their necks, and learning to solve things on their own as they would in real life. New Adult fiction focuses on switching gears, from depending on our parents to becoming full-fledged, independent adults.

I am a firm believer that if you’re going to write a certain genre that you should read it, too. So I’m going to recommend that you start devouring NA novels to get a real sense and understanding of the genre before you write one.

Here are some great recommendations: https://www.goodreads.com/genres/new-adult-romance and http://www.goodreads.com/genres/new-adult and https://www.goodreads.com/shelf/show/new-adult-romance
 

Just as YA is fiction about teens discovering who they are as a person, New Adult (NA) is fiction about building your own life as an actual adult. As older teen readers discover the joy of the Young Adult genres, the New Adult—demand may increase. This, in turn, would give writers the chance to explore the freedom of a slightly older protagonist (over the age of 18 and out of high school, like the brilliant novel, "BEAUTIFUL DISASTER" by the amazing talents of author, Jamie McGuire) while addressing more adult issues that early 20-year-olds must face.

Older protagonists (basically, college students) are surprisingly rare; in a panel on YA literature at Harvard’s 2008 Vericon, City of Bones author talked about pitching her novel, then about twenty-somethings, as adult fiction. After several conversations, Clare realized she had to choose between adults and teens. She went with teens.

Quote from the publisher, St. Martin’s Press: We are actively looking for great, new, cutting edge fiction with protagonists who are slightly older than YA and can appeal to an adult audience. Since twenty-somethings are devouring YA, St. Martin’s Press is seeking fiction similar to YA that can be published and marketed as adult—a sort of an “older YA” or “new adult.” In this category, they are looking for spunky but not stupid, serious but not dull, cutting-edge, supernatural stories.

Quote from Georgia McBride, author (Praefatio) and founder of #YALitChat and publisher at Month9Books: "New Adult is a fabulous idea in theory, and authors seem to be excited about it. But in a world where bookstores shelf by category, to them, it is either  Adult or Young Adult. Some booksellers even call their YA section “teen.” And when you have a character who is over a certain age (19 seems to be the age most consider the start of New Adult), it is received as Adult. In some cases, the designation by publishers causes more confusion than not.
Let’s face it, YA is associated with teens, and at 19, most no longer consider themselves teens. So, it would support the theory of placing these “New Adult” titles in the Adult section. However, with the prevalence of eBook content, it would seem that the powers that be could easily create a New Adult category if they really wanted to...."

There’s also a list on goodreads of New Adult book titles. These books focus on college age characters, late teens to early twenties, transitioning into the adult world.

Some popular authors of the NA category include:
  • Jamie McGuire
  • Jessica Park
  • Tammara Webber
  • Steph Campbell
  • Liz Reinhardt
  • Abbi Glines
  • Colleen Hoover 
  • Sherry Soule
http://www.wattpad.com/story/29486760-irresistible-mistake-new-adult-romantic-suspense


Would you buy New Adult books? 
Does the genre appeal to you? 

Does it sound better than YA (teen novels)? 
 
Or are you happy with YA as it stands?

Do you consider YA to include characters that are over the age of eighteen? 
 

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24. Assessing March on the resolution scale

March was a really weird month. I had a plan for what I wanted to get done and then everything was tossed out the window when I heard from the State of Alaska Library, Archives and Museum. I worked with them last year to develop the new aviation exhibit and early last month they contacted me with the outline and request for labels. As the labels are very specific, and very specific word counts, and the whole thing had to be done by the end of the month, it ate up a lot of my time. I’m thrilled to be co-curating this project so I was happy to do whatever was necessary (and the paycheck is nice too). But it pushed everything else I was planning right off the table.

1. I did submit reviews for Nova Ren Suma’s The Walls Around Us and Edward Hogan’s The Messengers to Locus. Look for those in a couple of months.

2. I had several pieces run in AK Dispatch News – most notably an article on the dangerous history of commercial use of aircraft for spotting in the herring fishing industry.

3. One review turned into Booklist and two books read (though I didn’t get to the reviews on those until this month).

4. I spent several days exchanging emails with an online longform journalism site discussing a pitch I submitted about Alaska. It went back and forth, the editor was very cool, but eventually it was clear that it was impossible for me to accomplish what they wanted. (Especially the suggestion of travel to the bush which is crazy expensive.) The time and energy this ate up made me reevaluate what I should be pitching and where, which is an ongoing process. I think I’ve finally got it figured out….here’s hoping.

And that was it. Not much accomplished on the genealogy front which is frustrating. I did send a couple of emails to family members asking them questions but I need to sit down and figure out a few things so I can get some letters in the mail. I also need to find a map of New York City for the late 1800s/early 1900s as I have some addresses but don’t have context for where those neighborhoods were.

A lot more has happened in April, but more on that in a few weeks!

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25. A Shooting Star by Edith M. Thomas

A Shooting Star From Aridane's Crown Something came flashing down Over the distant town, Over the river and sleeping farms; The planets above seemed to wink As they watched the traveler sink; And motherly Earth, I think, May have folded a little lost star in her arms. -Edith M. Thomas

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