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The summer before last, at LonCon, I participated in a panel about "The Gendered AI"--those characters, either robots or disembodied artificial intelligences, who are seen as possessing a gender (where gender almost always means female, since maleness is still considered an unmarked category, and genre fiction rarely distinguishes between a robot that is genderless and one that is male-identified
To get the obvious stuff out of the way, Batman v Superman: Dawn of Justice is a terrible movie. I mean, you didn't need me to tell you that, right? It's been out for three weeks, and the reviews have been so uniformly terrible that its 28% freshness rating on Rotten Tomatoes actually seems a bit high. And before that consensus formed, there were the pre-release reviews, which were if anything
“Harry Potter isn’t real? Oh no! Wait, wait, what do you mean by real? Is this video blog real? Am I real if you can see me and hear me, but only through the internet? Are you real if I can read your comment but I don’t know who you are or what your name is or where you’re from or what you look like or how old you are? I know all of those things about Harry Potter. Maybe Harry Potter’s real and you’re not.” ― John Green
The illustration of Hogwarts is by Jim Kay
Opening the Doors to Wonder
Wonder comes in many forms.
Harry Potter swept the reading world and opened the doors to a greater audience. The success of the Harry Potter series renewed broad-based respect for fairy tales.
From the first book and beyond, J.K. Rowlingcreated an alternate world thatreaders could relate to. People young and old are drawn in to these robust stories and their engaging, fully developed characters. As with the classic stories from the past, the characters, imaginative twists and turns of the stories, and the fully realized details, combined to enable readers to believe in the magic of an alternate reality. The seven Harry Potter books created an enormous worldwide audience. And provided the substance for wonderful films.
Adults have also become fans of the books and movies, creating a record breaking "crossover" market. And the phenomenon continues to grow...
Click the photo for spring wonder.
Contact With The Lives Of Others
"Rowling's books, by arousing curiousity and establishing contact with the lives of others, even if they exist solely within the confines of a literary work, enable children to develop capacities that readily translate into real-life experience. JkRowlingnever shies away from the great existential mysteries: death and loss, cruelty and compassion, desire and depression. Harry is anything but sheltered from the evils of Voldermort...he is destined for greatness even though he also posseses the weaknesses, failings, and vulnerabilities of all humans."
Maria Tatar -- Enchanted Hunters -- The Power of Stories in Childhood
Harry Began On A Train
JK Rowling: I was going on a train from Manchester to London and I was looking out of the window at some cows, I believe and I just thought: "Boy doesn't know he's a wizard - goes off to wizard school." I have no idea where it came from. I think the idea was floating along the train and looking for someone and my mind was vacant enough so it decided to zoom in there.
Stephen Fry: And you played with the idea in your head…
JK Rowling: Exactly! From that moment I thought: "Well why doesn't he realise he's a wizard?" It was as though the story was just there for me to discover and I thought: "Well his parents are dead and he needs to find out they're wizards" and on we went from there.
The illustration, from the Philosophers Stone, is by Jim Kay.
Hermione...an empowered young woman
"Throughout the Harry Potter Tales, Hermione emerges as the beneficiary of three centuries of girls' book identity. At times the plucky youth, at times the serious student, at times the foolish lover, at times the tomboy, at times the blossoming maiden -- taken together, all these aspects of her personality make her the heir to everyone from Jenny Peace in Sarah Fielding's The Governess, to Jo in Alcott's Little Women, to Alice in Carroll's Wonderland, to all the girl guides, or "new Women" or adventuresome or studious females who fill the range of popular writing well into the twentieth century."
From Seth Lerer writing about Theaters of Girlhood, Domesticity, Desire, and Performance in Female Fiction in his book, Children's Literature, A Reader's History from Aesop to Harry Potter
Finding the Right Wand -- an adventure in an alternate reality
First, you go to Diagon Alley where Ollivanders is located..."Ollivanders: Makers of Fine Wands since 382 B.C...
A single wand lays on a faded purple cushion in the dusty window."
You will be helped by Mr. Ollivander, a very old man, who remembers every wand he has sold -- and to whom he sold it.
You will be measured in many ways by a tape measure that works on its on while Mr Ollvander explains that, "Every Ollvander wand has a core of powerful magical substance...We use unicorn hairs, phoenix tale feathers, and the heartstrings of dragons. No two Ollivander wands are the same..."
You may have to try many wands before you have the right one.
It seems you don't choose the wand, the wand chooses you...
The fully imagined detail in the Harry Potter books plays a major role in their appeal. The fascinating story of Harry finding the right magic wand takes place in Harry Potter and the Sorcerer's Stonewhen Hagrid takes Harry shopping on Diagon Alley, and introduces him to the the world of wizards.
The illustration of Harry and Hagrid in Diagon Alley is by Jim Kay
An Alternate Universe
..."J. K. Rowlinghas created a world as fully detailedas L. Frank Baum’s Oz or J. R. R. Tolkien’s Middle Earth, a world so minutely imagined in terms of its history and rituals and rules that it qualifies as an alternate universe, which may be one reason the “Potter” books have spawned such a passionate following and such fervent exegesis...."
From the book review by Michiko Kakatani of Harry potter and the Deathly Hallows in the New York Times
Stories That Opened My Mind
"There are hundreds upon hundreds of reasons for one to fall in love with the world and characters J.K. Rowling created in the Harry Potter series, the aforementioned being among them. For me, these are the stories that opened my mindto the wonderful world of books, novels and novellas, making them very near and dear to my heart..."
...Harry is called back into active duty when evil powers return in force... a new book and a play (opening in London) based on the book - HarryPotter and the Cursed Child -- are on their way, arriving in late July. They are based on a story by J.K. Rowling. Here are two links for more information: Pottermore and NPR
Wizardry Before Harry
The Wizard World in 1920's USA is the setting for a new movie,starring Eddie Redmayne...
Fantastic Beasts and Where to Find Them opens in the UK in November 2016... The book about Fantastic Beasts was used as part of the curriculum for young wizards in the Hogwarts classroom. There will be two sequels...all written by J.K. Rowling.
Support For Children
J.K. Rowling spendstime and money on helping people...In 2004 she foundedLumos...'No child should be denied a family life because they are poor, disabled or from an ethnic minority. Lumos works to support the 8 million children in institutions worldwide to regain their right to a family life and to end the institutionalisation of children."
For the real J.K. Rowling, or as close as we will probably get, I suggest the Oprah Interview... Engaging, interesting, and with some excellent documentary scenes woven in...Also, her candid, heartfelt, Harvard speech.
The N.R.A. Reimagines Classic Fairy Tales, With Guns
Liam Stack wrote this disturbing article. Here are excerpts...
"The world of make-believe can be a scary place, but never fear: Thanks to a series of reimagined fairy tales published online by the National Rifle Association, classic characters like Hansel and Gretel are now packing heat. The group has published two of the updated tales on its N.R.A. Family website in recent months, entitled “Little RedRiding Hood (Has a Gun)” and “Hansel and Gretel (Have Guns).” The stories have outraged advocates of gun control, but their author, Amelia Hamilton, a conservative blogger, has called them lessons in gun safety...
In the N.R.A. version, Little Red Riding Hood sets off through the forest to visit her grandmother, just like in the original. But the Big Bad Wolf did not scare her this time, because she “felt the reassuring weight of the rifle on her shoulder.”
When the wolf approached her, “she shifted her rifle so that it was in her hands and at the ready.” He fled in fear...
Dan Gross, the president of the Brady Campaign to Prevent Gun Violence, agreed, calling the stories “a disgusting, morally depraved marketing campaign.” He said in a statement that the stories were in poor taste in part because nearly 50 children and teenagers are shot each day in the United States, and suicide by gun is a leading cause of death among children over the age of 9..."
Here is a link to read all of this disturbing article:FairyTaleGuns
The photo of a boy with a Barrett rifle at a meeting of the National Rifle Association in St. Louis in 2012. is by Daniel Acker for The New York Times
Save The Children
Save the Children works in 120 countries, including the United States, and has helped more than 166 million children — including more than 55 million children directly. Here are excerpts from the story of one child...
"At 12 years old Omar* suddenly found himself responsible for his family and working to support his mother and younger brother after his father was killed in the conflict... 'I am the man of the house now and they are relying on me'...Recently Omar started working in a fuel market in northern Syria where the work is both difficult and dangerous, and yet it is a job that pays enough to meet his family’s needs. Every day he goes to the market with his bucket and sponge to collect fuel that has spilled onto the ground from the tankers. Using the sponge he soaks up the fuel, squeezes it into his bucket and sells what he has collected at the end of every day.
Omar said, 'We have to be here very early in the morning because the tankers arrive early, so I get here at six in the morning and leave late at night so I that I have time to collect as much fuel as possible'..."
Omar was a good student and loved school; he dreamed of becoming an architect. His life is now about survival.
Here is a link to read all of Omar's painful story: Omar
Top photo, courtesy IRF; bottom photo, courtesy Save The Children.
Importance of Children's Books for Most Adults "But children's books are extremely important. Most adults don't read many books and if they do it will probably be some form of popular fiction. So achildren's classic may be the last, or in some cases, the only, piece of serious literature they have read. As such these books are very influentialand so I think it is our responsibility to consider them as seriously and carefully as any other great literature."
From a Guardian article by Pulitzer Prize winning author, Alison Lurie, professor emeritus of literature and writing at Cornell University, and author and editor of a multitude of children's books.
Here are excerpts from Chapter One of the book...the story of how dogs came down to Planet Earth to help people...
"Far out in the sky, on the other side of the sun, is the Planet of the Dogs. Dogs have always lived there in peace and happiness.
There are country dogs and city dogs. They live in places like Shepherd Hills, Poodletown, Retriever Meadows, Muttville, Hound Dog Hamlet, Biscuit Town, and Shaggy Corners...
Dogs talk to each other in many ways. They woof, bark, and howl. They use body movement, face licking, smiling, and tail wagging. Dogs can hear what other dogs are thinking. And they always tell the truth...Dogs are very good at sleeping, taking naps, and waiting for someone they love...
Dogs have no worries on their planet because there are no dangers there. There are no bad dogs, no hungry animals, and no mean people. There is plenty to eat, lots of time to play, and all kinds of schools for the puppies to learn interesting things about their planet and each other. It’s a wonderful place to live.
This is the world of Yelodoggie, created by author and dog advocate, C.A. Wulff.
All dogs, deep in their heart of hearts, are yellow. Because yellow is the color of light and joy and happiness, and these attributes are the true essence of dogs. Here is a link to Wulff's Etsy shopwhere you can see more of these delightful original watercolor paintings and prints celebrating dogs. They make a wonderful gift...
Alternate Realities from Finland
Leena Krohn, a highly regarded writer in Europe, wrote one of my favorite books, Tainaron. I was gratified to see that Joshua Rothman, in the New Yorker, wrote that her newly published book of collected fiction was among " The Books We Loved in 2015". Here is an excerpt:
"I also found myself hypnotized by Leena Krohn, a Finnish writer whose collected stories and novels, rendered into English by many different translators, have just been published as a single volume, “Leena Krohn: Collected Fiction.” Broadly speaking, Krohn is a speculative writer; one of the novels in the collection, for example, consists of thirty letters written from an insect city. (“It is summer and one can look at the flowers face to face.”) Krohn writes like a fantastical Lydia Davis, in short chapters the length of prose poems. Her characters often have a noirish toughness; one, explaining her approach to philosophy, says that when she asks an existential question, “life answers. It is generally a long and thorough answer...”
A compelling5 minute report on DW tv news about a little girl in North Koreabrought me a reminder of the power of film. Vitaly Mansky, the producer/director, has made a very poignant filmabout the life of Zin Mi (the little girl) in both the real world and the manufactured world of North Korea.
Here are excerpts from an informative article by Carmen Grayin the Guardian...
"A new film on life in North Korea has caused a diplomatic row after the director used officially sanctioned shoots to demonstrate how the state manipulates its people.
Authorities are said to have tried to prevent screenings of Under the Sun, a film that follows a North Korean girl as she prepares to celebrate the Day of the Shining Star, the birthday of former supreme leader Kim Jong-il...The film reveals how government representatives seek to construct an image of an “ideal” family, capturing the hectoring of officials as they tell the Koreans what to say, how to sit and when to smile.
“I wanted to make a film about the real Korea, but there’s no real life in the way that we consider,” said Mansky, who spent a year in the country filming. “There is just the creation of an image of the myth of a real life. So we made a film about fake reality.”
"Credit the Disney folks with making what could have been a lecture on stereotypes into one of the more amusing animated kidflicks of recent vintage. When you consider that this is the same zip-ah-dee-doo-dah studio that once made Song of the South ... well, let's just say Zootopia suggests we've all come a long way"...Bob Mondello, NPR
The Witch, a low budget (one million dollars), independent production, continues to find an ever-growing audience (over 30 million dollars)...
"The Witch is a scary movie and a serious one, because it lure us into the minds and the earthly domains, of those who are themselves scared, night and day, that they have forfeited the mercies of God. It takes an original movie to remind us of original sin..." Anthony Lane in his New Yorker review.
Stacy Schiffinwrote an excellent article, relevant to this movie, on TheWitches of Salem, also in the New Yorker. Here is an excerpt..."In 1692, the Massachusetts Bay Colony executed fourteen women, five men, and two dogs for witchcraft. The sorcery materialized in January. The first hanging took place in June, the last in September; a stark, stunned silence followed. Although we will never know the exact number of those formally charged..."
“Both Rowling and Meyer (Twilight series), they’re speaking directly to young people. … The real difference is that Jo Rowling is a terrific writer and Stephenie Meyer can’t write worth a darn. She’s not very good.”- Stephen King
Circling the Wagginsby C.A. Wulff
What happens when a group of the most irascible, insane, and ridiculously un-adoptable pets known to man end up being permanent residents in an animal rescuer's home? Challenges abound and chaos reigns!
Here are excerpts from author Tim McHugh’s review…
"Circling the Wagginsis a heart-felt and moving story of two women's quest to heal and nurture a wide variety of animals. C.A. Wulff poignantly captures the complex personalities of the mice, dogs, and cats that inhabit her wilderness home as well as the humorous chaos that ensues as they all try to coexist. It is by turns a roller-coaster ride of animal rescue, as well as a keen reflection on the frailty of all life and the healing power of love and letting go."
Good Dog provides therapy dog services to people in health care, social service, educational and communityfacilities, and at disaster sites around the country. Its highly-trained and fully-certified volunteer teams each consist of a human handler and therapy dog. Good Dog focuses on work in the four divisions of Education, Health Care and Wellness, Research, and Disaster Response.For more on the work of these divisions, click here.
As the largest certifying animal-assisted therapy organization on the East Coast of the United States, Good Dog currently operates in New York, Connecticut, Massachusetts and New Jersey, and at disaster sites around the country. Good Dog focuses on work in the four divisions of Education, Health Care and Wellness, Research, and Disaster Response."
by Jane E. Brody, Personal Health writer for the New York Times
"It did not take long for me to recognize the therapeutic potential of Max, the hypoallergenic 5-month-old Havanese puppy I adopted in March 2014. He neither barked nor growled and seemed to like everyone, especially the many children that come up and down our block.
When I asked if a crying child passing by would like to pet a puppy, the tears nearly always stopped as fluffy little Max approached, ready to be caressed.
So I signed us up for therapy dog training with the Good Dog Foundation, which met conveniently in my neighborhood. If we passed the six-week course, we would be certified to visit patients in hospitals and nursing homes, children in schools, and people in other venues that recognize the therapeutic potential of well-behaved animals..."
Here is the link to read all of this fascinating and informative article by Jane Brody: Personal Health
The illustration is by Paul Rogers
We have free reader copiesof the Planet Of The Dogsseries for therapy dog organizations, individual therapy dog owners, librarians and teachers...simply send us an email at email@example.com and we will send you the books
Our books are available through independent bookstores, Barnes & Noble,Amazon, Powell'sand many more.
The Planet Of The Dogs series is also available in digital format at
The illustration from Planet Of The Dogs is by Stella Mustanoja-McCarty
Meeting A Dog
If you see an injured dog or a dog in trouble , from puppy mills to poison, Sunbear Squad can help you. Sunbear Squadis a leading source for information and guidance in dog rescue and care. Here is an excerpt from their site about meeting a new dog(s)...
"In the western world, we are taught at an early age to greet new people by approaching them with upright posture, looking directly into their eyes and offering a hand to shake or squeeze. It becomes second nature to us, so as a result, many of us animal lovers greet every living thing–except bugs–using those same “good manners...
We must UNLEARN that set of social rules to avoid frightening dogs, cats, and other animals, who will perceive full-front posture, staring, and outstretched arm as rude and threatening (unless they were very well-socializedwith humans during the crucial developmental period).
In other words, polite human greetings are bad manners for greeting dogs and cats! In fact the two greeting languages are almost all completely opposite...Here is a link to read all of this article:Meeting A Dog.
“If there are no dogs in Heaven, then when I die I want to go where they went.” ― Will Rogers
In A Dark Wood "In the mid-path of my life, I woke to find myself in a dark wood," wrote Dante in The Divine Comedy, marking the start of a quest that will lead to transformation and redemption. Likewise, a journey through the dark of the woods is a common motif in fairy tales: young heroes set off through the perilous forest in order to reach their destiny; or they find themselves abandoned there, cast off and left for dead. The road is long and treacherous, prowled by ghosts, ghouls, wicked witches, wolves, and the more malign sorts of faeries....but helpers also appear on the path: wise crones, good faeries, and animal guides, often cloaked in unlikely disguise. The hero's task is to tell friend from foe, and to keep walking steadily onward..."
We have all been lost in the woods at some time in our life either literally, metaphorically or both.
Being lost in the woods, where there is no clear path to follow, and the light is fading, is a serious and frightening matter.
Wild beasts, dangerous people, and invading armies cannot be seen in the dark forests. But they are there, in the mind of the author, the teller of tales, the animator...and in the mind of the child, until the story or myth finds light, escape and salvation.
So it was in a tale told, in 1805,by 12 year old Henriette Dorathea Wild, to the Brothers Grimm: Hansel and Gretel
Hansel and Gretel, The Impossible Tale
I have always found this to be a dark and disturbing tale. It deals with war, famine, abandonment, fear, cannibalism, a witch, dark forces and death in a rather overwhelming confluence. And the central characters are children who must experience and deal with these problems.
Moreover, in Hansel and Gretel, the line between reality and fantasy is often blurred.
Fortunately, as is the custom in the tradition of fairy tales, escape from the darkness, salvation, and a happy ending offer relief from the darkness.
But what about mother? Mother in various versions of this tale tends to be heartless, self-centered and uncaring. The Grimms, in their seventh edition, transformed the cruel mother into a cruel stepmother.
The father, despite having regrets, remorse, sadness, and love for his children, is nevertheless a partner in his wife's dark scheme of abandonment.
'No, wife,' said the man, 'I will not do that; how can I bear to leave my children alone in the forest?—the wild animals would soon come and tear them to pieces.' 'O, you fool!' said she, 'then we must all four die of hunger, you may as well plane the planks for our coffins,' and she left him no peace until he consented. 'But I feel very sorry for the poor children, all the same,' said the man."
Fear and loss of hope...a mirror to the past.
The top illustration is by Theodor Hosemann; The lower illustration is by Arthur Rackham
"Determined to find a way back home, Hansel and Gretel survivewhat children fear more than anything else: abandonment by parents and exposure to predators..." - Maria Tatar writing in her wonderful book, The Annotated Classic Fairy Tales.
The Return of Hansel and Gretel
Over the centuries, the classic story ofHansel and Gretelhas been reinterpreted in books, films, TV, ballet, theater, popular song and opera.
In 2014, Neil Gaiman and Lorenzo Mattotti published a stunning new version. The illustrations envelop the story. And Gaimen, in his brilliant retelling, creates a masterful balance between fantasy and reality.
Here is an excerpt that sets the background and tone for the story that follows:
"War came, and the soldiers came with it -- hungry, angry, bored, scared men who, as they pushed through, stole the cabbages and the chickens and the ducks, The woodcutter's family was never certain who was fighting whom, nor why they were fighting,, nor what they were fighting about. But beyond the forest, fields of crops were burned and barley fields became battlefields, and the farmers were killed, or made into soldiers in their turn and marched away. And soon enough the miller had no grain to mill into flour, the butcher had no animals to kill and hang in the window, and they said you could name your own price for a rabbit."
This is the setting -- famine and the aftermath war -- for this fairy tale of abandoned children. Gaimen's decision to spell out the chaos and hunger that overwhelmed the woodcutter and his family, is the impetus for all that follows.
This is a fairy tale, and therefore has a happy ending. The children return home to a great embrace by their father who had been searching for them every day in the forest. Mother has died for reasons "no one alive can say". However, "the treasures they had brought from the old woman's cottage kept them comfortable, and there were to be no more empty plates in their lives."
The Human Condition "Written with a devastating spareness by Neil Gaiman and fearsomely illustrated in shades of black by Lorenzo Mattotti, the newest version of 'Hansel and Gretel' astonishes from start to finish...Their rendition brings a freshness and even a feeling of majesty to the little tale. Some great, roiling essence of the human condition — our fate of shuttling between the darkness and the light — seems to inhabit its pages...
...It would be a monstrous thing to do, to kill our children,” the father says. “Lose them, not kill them,” the mother replies. In the Grimms’ original version... both parents agree that the children must be sacrificed. Then came later editions in which the mother alone is heartless. By the mid-19th century it was a stepmother who ordered the father to get rid of the children,... Gaiman’s middle ground strikes just the right note of horror — a mother who would kill her children seems infinitely worse than a stepmother who makes the same calculation, yet having both parents plotting to off their offspring pushes the brutality too far toward hopeless despair rather than delicious terror....
The insights above were taken from Maria Russo's review of Hansel and Gretel in the New York Times
.................................. The Oral Tradition
An insight by Angela Carter reminds us that fairy tales, tales of wonder, connect us to the world of our ancestors...
"For most of human history, 'literature,' both fiction and poetry, has been narrated, not written — heard, not read. So fairy tales, folk tales, stories from the oral tradition, are all of them the most vital connection we have with the imaginations of the ordinary men and women whose labor created our world.” ―Angela Carter
The painting of Finnish country women talking after church is by Albert Edelfelt
Surviving in a Hard World
"The Grimms are in our blood. The fairy tales of 'Cinderella', 'Hansel and Gretel,' "The Fisherman and His Wife," 'Rumpelstiltskin' and dozens of others have become the common currency of our imagination. The cottage and the castle, or the forest or the mountain, have become the houses for our fears... ... "We come to realize just how many of the Grimms' 'Tales' were about the family. These are stories of parents challenged by rural poverty, of husbands and wives fighting over who's in charge, of craftsmen who, for all their skill, cannot reshape their worlds. The 'once upon a time' here is a time of fishermen who get no fish, of shoemakers too poor to purchase leather, of unsuccessful millers and subsistence woodsmen. Many of these stories are tales of failed fathers who must make devilish deals to keep their children or, at worst, send them away.
And in those children,we may find true heroes. 'Hansel and Gretel' is really a fable of ingenuity: finding the pebbles or the breadcrumbs to mark the path home, or taking advantage of a witch's vanity to push her into an oven."
Seth Lerer writing about Phillip Pullman's book,Fairy Tales from the Brother's Grimm, in theSF Gate.The painting of a peasant family is by Vladimir Makovsky
How to Change the World in Thirty Seconds is dedicated to all of the individuals and groups who devote their heads, hands, and hearts to improving the world for companion animals. You are all, every one of you, my heroes -- C.A. Wulff
"This is probably the best "how-to" book I have ever seen. It is written in a very conversational manner while being extremely educational. Along with giving step-by-step instructions on how to use each advocacy tool, Cayr gives some background on each website, organization, and group... She walks you through the necessary steps and gives tips..."
Variations on Hansel and Gretel
There have been countless books,an enduring and respected opera by Engelbert Humperdinck, and a plethora of popular manifestations of Hansel and Gretel, Here ar two of the latter...celebrity photography and the world of fashion from Voguemagazine; and a song and video, Out Of The Woods, by the award winning Taylor Swift.
The opera is performed by college theater groups as well as National Opera Companiesof Holland, Wales,and England as well as the Metropolitan Opera in New York.
Vogue Magazine, in anticipation of the Met production, published an extensive Hansel and Gretel photo shoot by Annie Leibovitz. The witch was played by Lady Gagaand Hansel and Gretel by actors Andrew Garfield and Lily Cole.
In her video,Taylor Swift,alone in an exotic and rather threatening woods, runs and sings her hit song, Out Of TheWoods...the woods are alive, wolves are in pursuit. and the snow covers the world as she sings "Are we out of the woods yet? Are we out of the woods yet? Are we in the clear yet? Are we in the clear yet?..
The photo is by Annie Leibowitz for Vogue..
"The world of reality has its limits; the world of imagination is boundless." Jean-Jacques Rousseau
KidLitosphere has helped many readers find their way to these pages. Here is an excerpt from their home page...
"Some of the best books being published today are children’s and young adult titles, well-written and engaging books that capture the imagination. Many of us can enjoy them as adults, but more importantly, can pass along our appreciation for books to the next generation by helping parents, teachers, librarians and others to find wonderful books, promotelifelong reading, and present literacy ideas." Here is a link to Kidlitosphere.
The illustration from Planet Of The Dogs is by Stella Mustanoja-McCarty
"Did you ever wonder how dogs came to be man’s best friend? I’m sure that there is some historical explanation, although it may be shrouded in the mists of prehistoric times. But in your mind’s eye think back to those times and just imagine for a minute that there is a planet far out in space on the other side of the sun that is inhabited by intelligent dogs that live in peace and happiness. As the book opens, the dogs learn that there is trouble on Earth. Bik, the greedy leader of the warlike Stone tribe of Stone City, is planning to invade and conquer the peaceful people of Lake Village and surrounding Green Valley...
Author Robert J. McCarty has created a charming fantasy-allegory that can be read and understood on at least two different levels. Children will enjoy the story about dogs that come from another planet to help people on earth. But under the surface are the important messages of friendship, love, loyalty, and overcoming evil with good.
Stella Mustanoja McCarty’s black-and-white shaded drawings are delightful companions to the text. Two sequels are now available, Castle in the Mist and Snow Valley Heroes: A Christmas Tale. Barking Planet Productions supports therapy dog reading programs across the country with book donations. Both old and young, especially dog lovers, will find Planet of the Dogsan enchanting tale."
Wayne Walker reviews for Stories for Children Magazine, Home School Book Reviews, and Home School Buzz,
"So I believe that we should trust our children. Normal children do not confuse reality and fantasy -- they confuse them much less often than we adults do (as a certain great fantasist pointed out in a story called 'The Emperor's New Clothes'). Children know perfectly well that unicorns aren't real, but they also know that books about unicorns, if they are good books, are true books. All too often, that's more than Mummy and Daddy know; for, in denying their childhood, the adults have denied half their knowledge, and are left with the sad, sterile little fact: 'Unicorns aren't real.' And that fact is one that never got anyone anywhere (except in the story 'The Unicorn in the Garden,' by another great fantasist, in which it is shown that a devotion to the unreality of unicorns may get you straight into the loony bin.) It is by such statements as, 'Once upon a time there was a dragon,' or 'In a hole in the ground there lived a hobbit' -- it is by such beautiful non-facts that we fantastic human beings may arrive, in our peculiar fashion, at truth."
The damaged lives and suffering of children and their parents in today's war-torn world affect us all.The International Rescue Committee provides help to children in over 20 countries. Here are excerpts from their website
"Currently 20 million children and adolescentsare uprooted from their homes either as refugees or internally displaced persons. In order to respond to this, the IRC promotes the protection and development of children and youth, from the earliest stages of an emergency, through post-conflict and recovery.... In over 20 countries, the IRC’s community-based, participatory and holistic children and youth programs include: IRC provides counseling and services to young people who have experienced disease, abuse, exploitation or loss and separation from their families.
IRC “child-friendly spaces” provide the youngest victims of war and natural disaster with a safe place to play, participate in structured activities and to heal from trauma and loss while rebuilding a sense of normalcy.
The IRC trains educators, constructs classroom, and supports schools that are attended by hundreds of thousands of children.
We provide skills training to young people who have had their education or careers interrupted by war or natural disaster. More than half of those who receive such training are girls...".
For the world's more full of weeping than you can understand."
From The Stolen Child by William Butler Yeats
In 1988, The Waterboys,an Irish Musical Group set the The Stolen Childto heartfelt music. This was followed by a version with the lilting voice of the Canadian singer, Loreena McKennit
Trying to Reach Home
The illustration that greets you at the top of this blog is from Tomm Moore's movie folktale, the Songof the Sea, an amalgam of Irish folklore and Moore's imagination. Here are excerpts from the Guardian's 5 Star review:
"A gorgeous, almost painterly tale of two siblings trying to reach home, but waylaid by witches, owls and faeries...This superb Irish animation from the director of 2009’s The Secret of Kells is a treat; an enchanting and verymoving 'familyfilm'. Once again, the story is rooted in Irish folklore, with selkies, giants and faeries slipping in and out of a tale of a vanished mother, a grieving father, and two lost but resourceful children trying to make their way home."
This new film, inspired by events in Salem, has excellent reviews and is off to a very good start. Here are excerpts from the review by Mahola Dargis in the NY Times.
"A finely calibrated shiver of a movie, “The Witch” opens on a scene of religious wrath. On a New England plantation, around 1630, a true believer, William (Ralph Ineson), and his family are facing a grim assemblage. The setting is a kind of meeting house crowded with men, women and children, a congregation whose silence and unsmiling faces imply disapproval or perhaps fear. Whether they’re standing in judgment doesn’t matter to William, whose arrogant faith in his own notion of Christianity is as deep and darkly unsettling as his sepulchral voice...
Written and directed by Robert Eggers, “The Witch ” takes place in an America that in its extremes feels more familiar than its period drag might suggest. It’s set a decade after the Mayflower landed in Plymouth and tracks William’s family as it leaves the plantation to settle down alone at the edge of a forest. There, the family members build a farm, grow corn and commit themselves to God, a contract tested by a series of calamities that turn this story of belief into a freak-out of doubt...
What makes you and the movie jump, is that he stays inside the characters’ worlds and heads, all disastrously close quarters. These are people who fervently believe both in the Devil and in God, and for whom witches are as real as trees; it’s no wonder that their inability to tame the New World blurs with their fears..."
A Tribute to Hayao Miyazaki The Essence of Humanity is a 17 minute montage of compelling moments from the wonderful films of Hayao Miyazaki. Miyazaki said:"Creating animation means creating a fictional world. That world soothes the spirit of those who are disheartened and exhausted from dealing with the sharp edges of reality." Written and narrated by Lewis Bond. Here is a link:The Essence of Humanity
Inside Out Wins Both the Academy Award and the Golden Globe...
Apparently, this is a true breakthrough film from Pixar with great reviews and huge audiences of kids and parents...with a worldwide box office of over $850,000 before the awards.
Here is an excerpt from A.O. Scott's rave review in the NY Times: "
"The story takes place mostly in the head of an 11-year-old girl named Riley (Kaitlyn Dias), who has just moved with her parents (Diane Lane and Kyle MacLachlan) from Minnesota to San Francisco. What happens to Riley on the outside is pretty standard: a dinner-table argument with Mom and Dad; a rough day at school; a disappointing hockey tryout. But anyone who has been or known a child Riley’s age will understand that such mundane happenings can be the stuff of major interior drama.
......... The achievement of “Inside Out” is at once subtler and more impressive. This is a movie almost entirely populated by abstract concepts moving through theoretical space. This world is both radically new — you’ve never seen anything like it — and instantly recognizable, as familiar aspects of consciousness are given shape and voice. Remember your imaginary childhood friend? Your earliest phobias? Your strangest dreams? You will, and you will also have a newly inspired understanding of how and why you remember those things..."
Emma Brockes,writing in theGUARDIAN,wrote an article in praise of libraries..."Libraries today are as fast as and more generous than any online bookshop"...here is an excerpt:
..."It turns out that, during my five-year hiatus, the convenience argument has expired. The New York Public Library system has made it fantastically easy to order any book directly from your computer. There is a phone app, and an app for downloading ebooks. The half-empty shelves are irrelevant given that you can put a hold on any book in the entire New York system and it will be delivered to your branch within days. This week, I went on a half-hysterical borrowing frenzy and ordered ...Then I took my kids to the children’s section upstairs, where there are play mats and huge windows and a librarian who is very cross, all of the time, particularly if you try to feed your child a snack without her seeing. After almost 10 years in New York, I’ve never felt so at home."
Fairy Tales and the Human Struggle
At their best, the storytelling of fairy tales constitute the most profound articulation of the human struggle to form and maintain a civilizing process. They depict metaphorically the opportunities for human adaptation to our environment and reflect the conflicts that arise when we fail to establish civilizing codes commensurate with the self-interests of large groups within the human population...." Jack Zipes on The Art Of Storytelling Show
More Children in Crisis
The National Association to Promote Library & Information Services to Latinos & the Spanish Speaking
" REFORMA, established in 1971 as an affiliate of the American Library Association (ALA), has actively sought to promote the development of library collections to include Spanish-language and Latino oriented materials; the recruitment of more bilingual and bicultural library professionals and support staff; the development of library services and programs...
The recent arrival of over 70,000 childrencrossing the southern border into the United States has created an unprecedented humanitarian refugee crisisthat compels REFORMA as an organization to act.The children, mostly Spanish speaking, are coming from El Salvador, Guatemala and Honduras. While recent news coverage of this event has focused on legal, medical and emergency response to services, there are few if any news stories that demonstrate the social-emotional and information needs of these children and families. A view of the Immigration and Customs Enforcement (ICE) facilities shows children waiting in large storage like facilities with no activities to occupy the children’s minds through learning and play while they are being processed.
With no knowledge of where they are going or if they will reach their families in the United States, REFORMA has implemented a project,Children in Crisis, to solicit donations, purchase and deliver books for these children. We are soliciting children's books in Spanish to be delivered to the children in the detention centers in and to the shelters and group homes around the country where these children are sent after being processed. In the second phase of the project we will be coordinating backpacks that will contain books as well as paper, pencils, erasers, crayons and a writing journal for children to use in their journey toward their destination..."
Here is a link to learn more: Reforma Website. The Reforma photo is of a library visit by Hispanic shelter children.
Assistance Dogs of the West, Santa Fe , N.M., has won a $5,000 grant from the Planet Dog Foundation (PDF) for their wonderful work with therapy dogs.
Here are excerpts from their site:
"Simply put, we teach students to train dogs to help people. Since 1995, more than 2500 student trainers in New Mexico have taken part in the ADW Assistance Dog Student Training program, the largest of its kind in the world. This work strengthens relationships, builds skills and nurtures empathy among young people, the dogs they train and our clients..."
Warrior Canine Connection
Warrior Canine Connection™ (WCC™) teaches warriors with combat injuries how to train service dogs for other veterans with disabilities. The dogs are trained to provide mobility support and to offer constant, non-judgmental, healing companionship to minds and bodies ravaged by war.
Here is an excerpt from the Planet Dog Foundation Site with a succinct overview:
'Assistance Dogs of the West teaches students of all ages to help train service dogs and provide dogs to people with physical, psychological,
The photograph of a Belarus bus stop is by Alexandra Soldatova
Enchantmenttakes many forms in wonder tales.
Metamorphosis and transformation are part of life.
In an instant, a girl, a boy, or even a powerful a prince may be transformed into a swan, a frog, a fox, a bird or a bear.
And then, there is the beast...
Beauty and the Beast
For a young woman to confront a beast is an experience of fear beyond words. In a time when dark spirits, witches and the devil himself acted on humans, both powerful kings and lowly peasants were vulnerable to transformation. Beauty and the Beast, is a rather incredible tale about a prince turned into a beast. And he will remain a beast until he marries. It will take an extraordinary woman to overcome her fear and revulsion and offer herself in marriage to the Beast...
Beauty and the Beast is an incredible story and a fascinating read. This story of fearful enchantment is not, however, for young children.
It was originally written in 1740 as a book, La Belle et La Bete, by Gabrielle-Suzanne Barbot de Villeneuve.
The version rewritten in 1757 by Jeanne-Marie Leprince de Beaumont, and published in a magazine for proper young women, is the most widely known version today. It is much shorter than the original, and was especially relevant for its readers in its exploration of love and inner beauty.The story has inspired countless books, plays, and films.
Love, Fidelity, and Civilité
The following excerpt, by Terri Windling, taken from her Journal of Mythic Arts, provides insights into the relevance of Beauty and the Beast to the real life experiences of women. In her fascinating article, Windling also provides in-depth analysis and history of this classic fairy tale as well as the many variations inspired by the original.
The Journal of Mythic Arts, "(JoMA) is sponsored by The Endicott Studio, a nonprofit organization dedicated to literary, visual, and performance arts inspired by myth, folklore, fairy tales, and the oral storytelling tradition."
"De Villeneuve was part of the "second wave" of French fairy tale writers (Madame D'Aulnoy, Charles Perrault, and other salon fairy tale writers comprising the "first wave" fifty years earlier). When she sat down to create Beauty and the Beast(a novella–length tale first published in La jeune ameriquaine, et les contes marins), she was influenced by the work of "first wave" writers, by the story of "Cupid and Psyche" in Apuleius' Golden Ass, and by the various Animal Bridegroom legends of folklore. The story she came up with was uniquely her own, however, and addressed issues of concern to women of her day. Chief among these was a critique of a marriage system in which women had few legal rights — no right to chose their own husband, no right to refuse the marriage bed, no right to control their own property, and no right of divorce. Often the brides were fourteen or fifteen years old, given to men who were decades older. Unsatisfactory wives risked being locked up in mental institutions or distant convents. Women fairy tale writers of the 17th & 18th centuries were often sharply critical of such practices, promoting the ideas of love, fidelity, and civilitébetween the sexes. Their tales reflected the realities they lived with, and their dreams of a better way of life. Their Animal Bridegroom stories, in particularly, embodied the real–life fears of women who could be promised to total strangers in marriage, and who did not know if they'd find a beast or a lover in their marriage bed."
The two illustrations, above, of Beauty and the Beast are by Angela Barrett.
Conversations with the Beast
Dinner in the Castle
"Go ahead and eat, Beauty", said the monster,"And try not to get bored in this house, for everything here is yours, and I would be distressed if you were to become unhappy."
"You are very kind", said Beauty. "I swear to you that I am completely pleased with your tender heart. When I think of it, you no longer seem ugly to me."
"Oh, of course," Beast replied. "I have a tender heart, but I am still a monster."
"There are certainly many men more monstrous than you," said Beauty. " I like you better, even with your looks, than men who hide false, corrupt, and ungrateful hearts behind charming manners."
"Beast opened his eyes and said to beauty...'the thought of having lost you made me decide to starve myself to death. Now I will die happy for I have the pleasure of seeing you one last time.'
'No, dear Beast, you will not die,' said Beauty. 'You will live and become my husband. From this moment on, I give you my hand in marriage, and I swear that I will belong only to you. Alas, I thought that I felt only friendship for you, but the anguish I am feeling makes me realize that I can't live without you.'
Scarcely had Beauty uttered these words when the castle became radiant with light...She turned back to look at her dear Beast, whose perilous condition made her tremble with fear. You can imagine her surprise when she discovered that Beast had disappeared and that a young prince, more handsome than the day was bright, was lying at her feet, thanking her for having broken the magic spell cast on him."
An annotated anthology of Beauty and the Beast storiesis currently being edited byMarie Tatar
The illustrations are by Walter Crane (top) and Mercer Mayer (bottom).
An Ancient Story
More validation regarding the ancient origin of wonder tales, including Beauty and the Beast...
Sara Graçada Silva, New University, Lisbon; and Jamshid J.Tehrani, Durham University; have published a new study exploring the origins of folktales in the Royal Society Open Science Journal. .This is a new open journal publishing high-quality original research across the entire range of science on the basis of objective peer-review."The researchers for this study utilized innovative methodology and computer applications.Here is an excerpt:
..."For example, two of the best known fairy tales, ATU 425C ‘Beauty and the Beast’ and ATU 500 ‘The Name of the Supernatural Helper’ Rumplestiltskin’) were first written down in the seventeenth and eighteenth centuries . While some researchers claim that both storylines have antecedents in Greek and Roman mythology [44,45], our reconstructions suggest that they originated significantly earlier. Both tales can be securely traced back to the emergenceof the major western Indo-European subfamilies as distinct lineages between 2500 and 6000 years ago [2,3], and may have even been present in the last common ancestor of Western Indo-European languages (figure 4).
The photos are from Newgrange, a neolithic monument built 5,000 years ago in Boyne Valley, County Meath, Ireland.
Thanks to Heidi Anne Heiner and Sur La Lune where I first read about this study.
Fairy Tales and the Civilizing Process
"At their best, the storytelling of fairy tales constitute the most profound articulation of the human struggle to form and maintain a civilizing process.They depict metaphorically the opportunities for human adaptation to our environment and reflect the conflicts that arise when we fail to establish civilizing codes commensurate with the self-interests of large groups within the human population. The more we give into base instincts – base in the sense of basic and depraved – the more criminal and destructive we become. The more we learn to relate to other groups of people and realize that their survival and the fulfillment of their interests is related to ours, the more we might construct social codes that guarantee humane relationships. -- Jack Zipes on The Art Of Storytelling Show
The Frog Queen illustration, by Andrea Dezso, is from Jack Zipe's book, The Original Folk and Fairy Tales of the Brothers Grimm.
“If one is lucky, a solitary fantasy can totally transform a million realities.” ― Maya Angelou, Poems
WorldRead AloudDay is February 24, 2016
LitWorld empowers children worldwide through reading and the power of story.
World Read Aloud Day continues to grow and is now celebrated by over one million people world- wide.The following is from the LitWorld website...
"World Read Aloud Day motivates children, teens, and adults worldwide to celebrate the power of words and creates a community of readers taking action to show the world that the right to literacy belongs to all people. World Read Aloud Day is celebrated by millions of people in more than 100 countries thanks to people like you who participate and spread the word across the globe!"
Planet Of The Dogs
The Planet Of The Dogstakes place long, ago. There were no dogs on planet earth. Invaders and outlaw tribes were an ongoing threat to farms, villages and towns where ordinary people lived.
Dogs came down to Green Valley from their own peaceful planet to help people. Using their courage, intelligence and their great love of humans, the dogs were able to help good people in myriad ways: rescuing lost children; bringing comfort and healing to the old and the lonely; guarding homes and farm; and finally, overcoming the invading warrior tribes and bringing peace to the land...
Reviewer Wayne Walker in Stories for Children Magazine:..." Author Robert J. McCarty has created a charming fantasy-allegory that can be read and understood on at least two different levels. Children will enjoy the story about dogs that come from another planet to help people on earth. But under the surface are the important messages of friendship, love, loyalty, and overcoming evil with good..."
The illustrations from Snow Valley Heroes and Planet Of The Dogs are by Stella Mustanoja-McCarty
Action and Compassion...An exciting video posted on Facebook by the Logical Indian...a dog, carried along turbulent waters, is rescued... for compassionate people and for all dog lovers...a dog rescue video
Beauty and the Beast and Disney
Disney is producing a new live action, 3-D, musical film version ofBeauty and the Beast for release in March 2017. Emma Watson plays beauty. From the trailer, it looks like there are lots of special effects and plot additions. Music from the Disney hit Broadway musical version will be included. The Broadway version was written by Linda Woolverton, the writer also responsible for the very engaging, Maleficent . However, she is not the writer of this 2017 movie version.
We can only hope that Beauty's fearful journey of transition will not become a sugar coated, overwrought romance.
Here is the link to the trailer of the version that will open in 2017 .
Disney's 1991 animated film of Beauty and the Beast
I haven't seen this version. Therefore, I have posted excerpts from two recognized authorities.
Excerpts from two divergent opinions: One, by the respected Terri Windling, author of highly regarded children's books and recognized as an expert on children's literature (Myth and Moor blog, the JOMA archives...Nonetheless, I found myself disturbed by the film — by the broad liberties the Disney Studio took in changing classic elementsof the tale. This leads to the question of where precisely should one draw the line between use and abuse of fairy tales in creating art for modern audiences. It is a question that particularly concerns those of us interested in myth, folklore, fairy tales, and the ways they are used in contemporary arts.
Here is a divergent opinion by respected film critic, the late Roger Ebert,... "The film is as good as any Disney animated feature ever made - as magical as “Pinocchio,” “Snow White,” “The Little Mermaid.” And it's a reminder that animation is the ideal medium for fantasy, because all of its fears and dreams can be made literal. No Gothic castle in the history of horror films, for example, has ever approached the awesome, frightening towers of the castle where the Beast lives..".
Disney Power, Enchantment and Myopia
For many years, Jack Zipes has written about, and documented, Disney's usurpation and corruption of fairy tales. Here is an excerpt...
"Our contemporary concept and image of a fairy tale have been shaped and standardized by Disney so efficiently through the mechanism of the culture industry that our notions of happiness and utopia are and continue to be filtered through a Disney lens even if it is myopic...myopic has continued to dominate both reality and utopia."
Room to Read...bringing books to disadvantaged children
Over 9.7 million books were checked out from Room To Read Librariesin 2012. Here are excerpts from their website describing some of the outstanding work they accomplish worldwide:
"We envision a world in which all children can pursue a quality education, reach their full potential and contribute to their community and the world.
To achieve this goal, we focus on two areas where we believe we can have the greatest impact: literacy and gender equality in education.
We work in collaboration with communities and local governments across Asia and Africa to develop literacy skillsand a habit of reading among primary school children, and support girls to complete secondary school with the life skills they’ll need to succeed in school and beyond."
"Our Girls’ Education Program ensures that girls complete secondary school and have the skills to negotiate key life decisions. Our program reinforces girls’ commitment to their own education, works with girls to develop essential life skills and increases support for girls’ education among their parents, school staff, and communities."
This is the home of author, blogger and animal advocate, CA Wulff. This is where she lives with her rescued dogs, writes her books, and helps people and dogs. She recently wrote on her blog, Up On The Woof, about her rescue work through the Community page, Lost & Found Ohio Pets on Facebook. The number of lost dogs, abandoned dogs, and rescued dogs is staggering.
Wulff has written two outstanding, practical, How-To books for dog (and animal) owners -- and for caring people who want to make a difference.
"Would you know what to do if you found a stray pet? You might think that calling animal control would be the best thing for the animal - but you'd be wrong. Lots of food for thought in this book, including what to do if you find a stray pet, how to keep from losing a pet, and what to do if your pet is lost. The authors are donating all of the proceeds to ARME's Beagle Freedom Project, a group that rescues dogs used in laboratories."
"This book not only offers a starting point for animal rescue but serves as a comprehensive resource book for animal rights advocates. C.A. Wulff has done the urgent heavy lifting here so that the heart and the hands of the rescuer doesn't have to be burdened or bound with the anxieties of not knowing where to begin...I whole heartedly recommend this book as a necessary tool to bring about change in the world."
One of the reasons for JK Rowling's success was that she didn't give a fig for what people thought they wanted. They didn't know they wanted Harry Potter till she wrote about him. That's the proper way round.
Beauty and the Beast -- Variations in Books, Film,Theater and Song
The variations on Beauty and the Beast are endless. Countless books, toys and games, Film andTV productions, CD and DVD offerings...and much of it is owned or licensed by Disney. This is, indeed, a manifestation of the culture industry.
Disney's Broadway musical version, according toWikipedia, "ran on Broadway for 5,461 performances between 1994 and 2007, becoming Broadway's ninth longest production in history...The musical has grossed more than $1.4 billionworldwide and played inthirteen countries and 115 cities."
Here is an excerpt fromDavid Richard'sreview in the New York Times: "It is hardly a triumph of art, but it'll probably be a whale of a tourist attraction. It is Las Vegas without the sex, Mardi Gras without the booze...You don't watch it, you gape at it, knowing that nothing in Dubuque comes close."
Cocteau's Beauty and the Beast
Before there were any Disney versions, Jean Cocteau, French author, designer, artist, playwright, and film maker created a film, La Belle et La Bete (1945). It was based on the version by Jeanne-Marie Leprince de Beaumont. Filmed in black and white, it was highly stylized and elegant.
The film was very well received by the critics -- Roger Ebert added it to his list of the Best 25 Films. Bosley Crowther, in the New York Times , 'called the film a "priceless fabric of subtle images,...a fabric of gorgeous visual metaphors, of undulating movements and rhythmic pace, of hypnotic sounds and music, of casually congealing ideas." '(Wikipedia)
The Cocteau film also directly inspired, among several other versions, an opera by Phillip Glass, a Fairie Tale theaterwith Susan Sarandonand Klaus Kinski, and an original song by Stevie Nicks.
Here is a link to the song, Beauty and the Beast, sung by Stevie Nicks
“[I] went from fighting on the battlefield, to laying in a bed and having people take care of [me], back to being independent and doing everything on [my] own…”
Chris Strickland, Age 22, Corporal, U.S. Army, regarding his Service Dog, Ruthie.
Mission and Services
"NEADS/Dogs for Deaf and Disabled Americans provide independence to people who are Deaf or have a disability through the use of canine assistance.
NEADS (National Education for Assistance Dog Services, also known as Dogs for Deaf and Disabled Americans), is a 501(c)(3) non-profit organization that was established in 1976. Our Assistance Dogs become an extension of their handlers and bring freedom, physical autonomy and relief from social isolation to their human partners.Service dogs are provided free to veterans.
The Human Canine Bond- NEADS has trained over 1,500 Assistance Dog teams since 1976. NEADS is accredited by Assistance DogsInternational, the internationally recognized governing body that establishes industry standards and practices. NEADS offers a wide spectrum of Assistance Dog services"
“When I was a child, adults would tell me not to make things up, warning me of what would happen if I did. As far as I can tell so far, it seems to involve lots of foreign travel and not having to get up too early in the morning.” ― Neil Gaiman, Smoke and Mirrors
The World and Its Wonders
Maria Tatar,in her wonderful book, Enchanted Hunters,describes how reading ignites a child's mind and transports them to worlds of imagination and wonder. In this excerpt from the chapter entitled Theaters for the Imagination, she discusses how fairy tales -- wonder tales -- opened the doors to new worlds:
"The deep, almost visceral connection between childhood and wonder had what was once perceived to be a dark side. The child's innate curiosity about the world and its wonders was repeatedly demonized and linked with the evils of idle hands...The rise of the fairy tale created a tectonic shift in children's literature and revealed that something had been long off kilter. Fairy tales -- sometimes referred to as "wonder tales" because they traffic in magic -- opened the door to new theaters of action, with casts of characters very different from the scolding schoolmarm, the aggravated bailiff, or the dis approving cleric found in manuals for moral and spiritual improvement. Books were suddenly invaded by fabulous monsters -- bloodthirsty giants, red-eyed witches, savage bluebeards, and sinister child snatchers -- and they produced a giddy sense of disorientation that roused the curiosity of the child reader."
Maria Tatar, Enchanted Hunters, the Power of Stories in Childhood.
A Message for the Family
This is a message from Churchhill Falls Public Library in Newfoundland, Canada...
Posted by author Mary Balogh on her FB page.
Alice returns May 27 in Tim Burton's Through the Looking Glass (Disney)...Much the same wonderful cast...Here is the delightful trailer
Inside Out 2, A Pixar film that has a humorous, Judy Blume approach to the mind of a young teenage girl...Inside Out was a multiple award winner...here is the trailer link: Inside Out 2
The Angry Birds Movie (Sony)...Inspired by the computer game...Opens in May...Here is the trailer for The Angry Birds Movie
The Jungle Book (Disney)...in 3D and Imax 3D...Opens April 15...Here is the fast action trailer for The Jungle Book
Fantastic Beasts and Where to Find Them (Warners)...written by JK Rowling...a return to the world of wizardry...Opens Nov 18...set in the USA in 1926...here is the announcement trailer
Elegant and Deep
"If I am a scholar, I am also a parent. To read to a childis to experience not just the pleasures of instruction or the warmth of entertainment, but the immense importance of quite simply reading...Even the most ordinary prose becomes mag
I received Tomorrowland for Christmas and we watched it the other night. I loved every minute – it was especially fantastic as I grew up on the Space Coast just south of Cape Canaveral and have some pretty strong feelings about NASA and Disney’s vision of tomorrow. Here is my favorite quote from the movie though, the parable of good vs bad wolves:
A few days ago I watched a barn fire grow on social media over how a blog post was titled by another reviewer. The fanning of the flames, the giddiness of building the fire, turned my stomach. So much time and energy put toward dragging someone down and all for what? Twenty-four hours later it was done, everyone had moved on and here’s the thing – the blog post said what they wanted it to say, everyone was just pissed over the snarky title.
Yeah. This is what we spend our time on now.
I’ve done it, we’ve all done it, and it’s so damn easy to do it….to just get stuck in something that only lives to spread negativity. I can’t believe how much of my life has been spent living that way.
So, I’m trying to feed the good wolf. I should have been feeding the good wolf all along – I have deep regrets over time spent tending the bad wolf, especially when I was much younger. All I can do now is try to avoid that animal in the future which, by the way, brings me back to the greatness of Tomorrowland. Here’s the full trailer – check it out if you can:
Since my Craftsy masterclass launched on Oct 19th, I have had an amazing 1161 people sign up! This is great news, not just because it is brilliant to know that it is obviously hitting the spot, but also because Craftsy classes are paid very much like picture books - you get an advance and then royalties.
For those who don't know how an advance works, it is a payment to help cover the time the artist spends in development and production. It's better than a flat fee though, because it is an advance on royalties that the company expects you will be able to earn, which means that, if sales go really well and you earn more than the advance they've paid, you start to get more payments: your actual royalties.
I was paid half my advance when we finished filming in September last year and half when the class went live in October. The Craftsy website has a place with a little graph which tells me how much of my advance has been earned out. I've been taking a peak every few days and watching it creep up and, FANTASTIC news - this morning it looked like this. It was at 99%!
I goes up slightly faster if people click through from my website or blog, so it's hard to work out exactly how many people that missing 1% represents, but I reckon I need about 12 more people to subscribe, for me hit the golden 100%.
The great thing about a Craftsy class is that it is not in 'real time'. You can sign up at any time and watch it at any time: it's there forever, for you to watch over and over if you like, so you can work through things as fast or as slowly as you wish. Plus, if you get busy and suddenly don't have time to get through all the 7 lessons, you can come back and carry on next year, if that fits better. You also get the chance to ask me questions and post your homework. If you've not seen it yet, this little trailer gives you a very clear idea of what you learn:
So, if you want to be able to draw characters with confidence - animals, people, whatever you fancy - and more importantly, learn how to make them feel real, by giving them individual personalities and emotional responses to their situations, have a go at the class and be one of my 12 people!
It's currently on sale at £19.16 (or whatever the equivalent is in dollars, if you are over that side of the pond). I think for what you get, that it really good value. I've certainly had lots of lovely feedback. Hope you like it!
A few weeks ago, someone on my twitter feed joked that soon, we'd be inundated with a million reviews and thinkpieces about The Force Awakens all starting the same way--with a recitation of the author's personal connection to Star Wars, how they first encountered the movies, what their emotional reaction to the prequels was, and what place the franchise holds in their heart. This threw me,
A review by another Matt, Matt Zoller Seitz, convinced me to watch Matt Shepard Is a Friend of Mine, and I'm glad I did. I wasn't going to, but these sentences got me curious: "It is wrenching but never exploitive. It is impressively skeptical of the same mission that it takes on its shoulders: to make something positive from a senseless crime without diminishing its senselessness."
What kept me from the film had been a fear of it being maudlin or superficial. I know the Shepard case well, I've seen The Laramie Project a couple of times, I've heard Judy Shepard speak about her son's murder. I didn't think more could, or even should, be made of it. The film proved me wrong.
Matthew Shepard was only a year (and a couple months) older than me. He died a few days before my 23rd birthday. Despite the barrage of national (and international) news coverage, I didn't learn of his murder for a few weeks, because I was in the midst of my first year working full-time at a boarding school, and I barely had time to sleep, never mind keep up with the news. At some point, a friend from college emailed and asked what the climate was like where I was, given how rural and isolated it seemed in my notes to her, and she worried, she said, because of what had happened to the boy in Wyoming. I didn't know what she was talking about at the time, but I soon did.
A rural gay man killed by homophobia. Once I knew about the story, I couldn't get it out of my mind. I followed the trial coverage obsessively. I thought I knew the story pretty well, but one of the excellent things Matt Shepard Is a Friend of Mine does is shift the angle. It's no longer the story of someone defined by his murder, though the murder is of course important, but rather the story of Matt Shepard, his friends, and his family. It tries to recover the Matt Shepard who became Matthew Shepard, a symbol for the world. That turns out to be a powerful, gripping, and deeply moving quest.
Michele Josue & Matt Shepard
It works so well because director Michele Josue is perfectly positioned to do this work — she went to high school with Shepard, but doesn't seem to have stayed closely in touch with him later, and so the film is partly about her own recovery of Matt, her own quest to fill in gaps. What she discovers and chronicles are both the material remnants of his life and, more importantly, the network of people who knew him and remember him. She finds his presence by mapping his absence.
While the film is informative and quite moving with regard to his murder, it's not so much a true crime movie as it is a story of how friendship works and how friendship lasts. It's significant that Josue made the movie fifteen years after Shepard's death, because the time is enough to allow some perspective and to allow us to look back on the legacy, but it's also not so much time that major figures within the story are no longer available. It's also not enough time, if there is such a thing as enough time, to get rid of the pain. A significant section of the film explores Josue's desire to escape grief, and her realization that such escape is not only not possible, but not desireable.
A question that comes up repeatedly, though quietly, throughout the second half of the movie is: Why did this particular crime capture the world's attention? As multiple people point out in the film, gay bashing wasn't (and isn't) especially rare. Dozens of other people were killed for being (or being perceived as) gay in 1998, but it was Shepard's story that moved the world. There's no single answer, and no really definitive answer, though some good partial answers surface, the most convincing being how much Shepard looked and seemed like an ordinary (white) boy from down the street, and how particularly brutal his murder was. (I suspect it resonated, too, because we couldn't help imagining the many hours he spent bleeding alone before he was discovered and helped, though it was too late, ultimately, to save his life. If we imagined that unimaginable time, and if we did so as someone who lived or had once lived in terror of being hurt or killed if our sexuality were known, the resonance was overwhelming and devastating.) He could have been anybody's son, somebody says in the film, which isn't exactly true, of course, but it highlights one of the perceptions that made Shepard's such an irresistible story — his was a familiar sort of face, his family a seemingly familiar sort of family, and his story came from the heart of the American mythos: not just rural but frontier America, where he was left to die while tied to a fence post. (Later, Brokeback Mountain would further publicize the idea of all-American gayness through its setting.)
It doesn't feel to me like a long time from Matthew Shepard's death in 1998, and yet it's more than 17 years now. Had he lived, he would have celebrated his thirty-ninth birthday at the beginning of this month. It's hard to imagine Matthew Shepard, the symbol, at thirty-nine, but Josue helps make a thirty-nine-year-old Matt imaginable, and thus makes his death all the more heartbreaking.
That heartbreaking quality surprised me in the film, because after the initial shock of the story, for those of us who weren't friends with Matt Shepard, his death actually came to stand for a lot of good progress that was made afterward. I have very mixed feelings about the assimilationist success of Gay, Inc., but I really never expected to see federal gay marriage in my lifetime, to see gay kisses become relatively normalized on tv and in mainstream movies, to see anything remotely like Sense8 from anyplace other than the very indie and very queer world, etc. Watching Matt Shepard Is a Friend of Mine, I remembered what it used to feel like to live in terror of anybody finding out, or even just suspecting, that you're not entirely heterosexual. It's not that the terror's all gone, or that we're all safe and happy and prosperous etc., or that there aren't still bashings and murders (in 2014 the FBI counted "1,248 victims [of hate crimes] targeted due to sexual-orientation bias" and suicide remains an ever-present problem). But in many places of the U.S. now, it is easier to live openly as a gay, lesbian, or bisexual person than it was fifteen or twenty years ago. The culture (or, at least, part of the dominant culture) has shifted, and Matthew Shepard's murder — and the conversations and work that murder inspired — contributed to the shift.
Matt Shepard Is a Friend of Mine reminds us of this, and it does a lot more besides. It pays close attention to how people continued their lives after his death. It shows why his death remains meaningful, and why his life deserves to be remembered. It suggests much about forgiveness, about grieving, about news media, and about living with questions that can't be answered. It is, finally, a beautiful tribute to a friend, and to a grief that cannot, and should not, be lost.
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The star-studded new film “The Big Short” is based on Michael Lewis’s best-selling expose of the 2008 financial crisis. Reviewers are calling it the “ultimate feel-furious movie about Wall Street.” It emphasizes the oddball and maverick character of four mid-level hedge fund managers in order to explain what it would take to ignore the rating agencies’ evaluations and bet against the subprime industry—that is, their own industry.
Hope and Celebration - Light in the darkness, time out for happiness, wonder and magic.
Enter the world of tales told by people, of stories that live on. of tales of wonder, fairy tales.
Santa Claus, the man in the red suit stepping out of the chimney, comes to us from the talented Thomas Nast; his popular 19th century illustrations helped to popularize Santa Claus as we know him today.
Charles Dicken's, A Christmas Carol,and the power of story.
This book influenced the thinking of generations of readers, and transformed the spirit of theChristmas holiday. The transformation was guided by Dicken's passionate belief that the true Christmasspiritembodied caring and generosity -- especially for those less fortunate.
A Christmas Carolwas written with the passion born of his painful childhood as an impoverished 12 year old boy from a broken family.With his father in debtor's prison, Dickens was forced to leave school and work ten-hour days for six shillings a week under harsh conditions (the factory was home to multitudes of rats) in England's new industrial economy.
Much has changed with the passing of time and the commercialism of the marketplace has brought an endless stream of marketing -- more games, toys and advertising -- to Christmas.
But the Spirit Of Christmas does live on.
“I will honour Christmas in my heart, and try to keep it all the year. I will live in the Past, the Present, and the Future. The Spirits of all Three shall strive within me. I will not shut out the lessons that they teach!” ...Ebenezer Scrooge in A Christmas Carol.
Scrooge Lives On...
Viking has recently published (October 2015) a well reviewed book by Charles Lovett, The Further Adventures of Ebenezer Scrooge. For more information, visit his website: Charles Lovett
The above illustrations are by John Leech from the original A Christmas Carol.
The Legend of Santa Claus
IN the USA, the legend of Santa Clauswas greatly enhanced in the early nineteenth century by the poem, A Visit From St.Nicholas.
The popularity of this story-poem, first published in 1823, continued to grow with the passing years. It was originally written for his children by Clement Clarke Moore.
Later in the century, popular illustrations by Thomas Nast, including Moore's poem, A Visit From StNicholas, firmly established Santa Claus as a jolly, rotund figure in a red suit with a white beard. Nast's images of Santa and his red suit became accepted and remain the norm today.
The illustration is by Thomas Nast.
The Fairy Tale Moves On Its Own Time
"It all adds up to this: the fairy tale narrates a wish-fulfillment which is not bound by its own time and the apparel of its contents. In contrast to the folk tale, which is always tied to a particular locale, the fairy tale remains unbound. Not only does the fairy tale remain as fresh as longing and love, but the evil demons that abound in fairy tales are still at work here in the present, and the happiness of "once upon a time", which is even more abundant in the fairy tale, still affects our vision of the future..."
The above insights into the role of fairy tales are from an essay written in 1930 by the German scholar and philosopher, Ernst Bloch. I believe that the context in which they were written adds to their import. Germany in 1930 was in the grip of the Great Depression. Poverty and uncertainty had swept the land. Adolf Hitler and the Nazi Party were feeding on people's fear and rising in power. Bloch later escaped to the USA where he wrote his renowned three-part treatise, The Principle of Hope(1938-1947).
The illustration from the Secret Of The Kells is by Tomm Moore. The painting is by Gerard Dubois.
The Elves and the Shoemaker
Here is an excerpt from a fairy tale by the Grimm's that came to be a Christmas story. It tells of the elves who helped a hard working, but impoverished shoemaker and his wife ...they, in gratitude, surprised the elves at Christmas time.
"About midnight in they came, dancing and skipping, hopped round the room, and then went to sit down to their work as usual; but when they saw the clothes lying for them, they laughed and chuckled, and seemed mightily delighted.
Then they dressed themselves in the twinkling of an eye, and danced and capered and sprang about, as merry as could be; till at last they danced out at the door, and away over the green..."
Who is Santa? Where did he come from? How did the toy workshops get started? Where did all the elves come from and why did they agree to move to the wintry north and make toys for Santa? And how about the flying reindeer...where did they come from? These are among the many heretofore unanswered questions about the orgins of Christmas and Santa Claus.
Now, at last, author Mark Couturierhas written The Saga Of Santa Claus, a fascinating book telling the complete story of the ancient origins of Christmas and Santa Claus. For a comprehensive picture of this original book, check out the enthusiastic Amazonreviews.
"The year 2015 will see the 49th annual Kwanzaa, the African American holiday celebrated from December 26 to January 1. It is estimated that some 18 million African Americans take part in Kwanzaa.
Kwanzaa is not a religious holiday, nor is it meant to replace Christmas. It was created by Dr.Maulana "Ron" Karenga,a professor of Black Studies, in 1966. At that time of great social change for African Americans, Karenga sought to design a celebrationthat would honor the values of ancient African cultures and inspire African Americans who were working for progress.
Kwanzaa is based on the year-end harvest festivals that have taken place throughout Africa for thousands of years."...Kwanzaa ends with gift giving and a celebratory feast.
Christmas Lights Moving Through the Hills... A Holiday treat, and a wonder to behold, the moving lights are on hundreds of sheep, running in the darkness, guided by sheepdogs...this is a classic video...Here is the link: Moving Lights
Penn Vet Working Dog Center Philadelphia, PA is a recent recipient of a Planet DogFoundation (PDF) grant. The goals of the Penn Vet working Dog Center are "national security, fields of detection work, canine health and performance, and to enhance that unique bond between humans and man’s best friend". The Planet Dog Foundation has awarded grants exceeding one million dollars to fund "the training, placement and support of dogs helping people in need."
"The Penn Vet Working Dog Center is part of the University of Pennsylvania's School of Veterinary Medicine, and serves as a national research and development center for detection dogs. They work to train elite detection dogs to assist in medical research, national security, and finding victims of disasters. PDF has awarded a $10,000 grant in support of Punches, a female Labrador Retriever named in honor of Jack Punches, a victim of the attacks of 9/11. Punches is training to detect explosives, explosives residue, and post-blast evidence. Trained explosives detection dogs can also detect firearms and ammunition hidden in vehicles and containers, on persons, or buried underground."
Here is an an excerpt from the dog lovers book, Circling the Waggins, by CA Wulff. The dogs seen in the ebook cover are the current residents of the cabin in the woods wherein this saga of a life with rescued dogs takes place. The book is a journey into the heart and mind of a dedicated pet lover who shares her experiences, concerns, and deep emotions with the reader.The setting is a cabin-home in a national park forest. The characters are several adopted dogs, cats, and, for a while, domestic mice -- and two compassionate women.
"I feel like we are haunted by the ghost dog of Christmas past.The season brings a million reminders of our Troll, a dog who had loved Christmas more than any other time of year. He would get excited at the first signs of holiday decorations, and his eyes would shine with a child’s wonder. On Christmas morning, he would race to be the first dog under the tree, to tear at the packages full of biscuits and rawhides. Each of the dogs would tear at a package, but Troll unwrapped with such gusto and fervor, that they would all abandon their presents to stand back and watch him, and then make off with whatever treats he had revealed."
Review... Loved it… This delightful conclusion to the Planet of the Dogs series just caps off a wonderful tradition. The story is well suited to be read aloud to younger children and as chapter book for the older ones. All of your favorite dogs help rescue two of Santa's reindeer from the Evil King of the North. The story also imparts important lessons of cooperation and responsibility." Mary Jacobs, Editor/reviewer Bookhounds
We have free reader copies of all the books in the Planet Of The Dogsseries for therapy dog organizations, individual therapy dog owners, librarians and teachers...simply send us an email at firstname.lastname@example.org and we will send you the books.
The illustration, above, from Snow Valley Heroes, A Christmas Tale, is by Stella Mustanoja-McCarty.
"What a truly wonderful and unique Christmas story for the whole family..." Don Blankenship, Teacher, Reviewer for Great Books For Kids.
Singing One Of The Old-Time Carols
..."'I think it must be the field-mice,' replied the Mole, with a touch of pride in his manner. 'They go round carol-singing regularly at this time of the year. They're quite an institution in these parts. And they never pass me over—they come to Mole End last of all; and I used to give them hot drinks, and supper too sometimes, when I could afford it. It will be like old times to hear them again.'
'Let's have a look at them!' cried the Rat, jumping up and running to the door.
It was a pretty sight, and a seasonable one, that met their eyes when they flung the door open. In the fore-court, lit by the dim rays of a horn lantern, some eight or ten little fieldmice stood in a semicircle, red worsted comforters round their throats, their fore-paws thrust deep into their pockets, their feet jigging for warmth. With bright beady eyes they glanced shyly at each other, sniggering a little, sniffing and applying coat-sleeves a good deal. As the door opened, one of the elder ones that carried the lantern was just saying, 'Now then, one, two, three!' and forthwith their shrill little voices uprose on the air, singing one of the old-time carolsthat their forefathers composed in fields that were fallow and held by frost, or when snow-bound in chimney corners, and handed down to be sung in the miry street to lamp-lit windows at Yule-time..."
The Wind in the Willows by Kenneth Grahame, Illustration by Ernst Shepard
Interview With Santa
This interview was conducted as part of a program to determine the truth behind the incredible story of Snow Valley Heroes, A Christmas Tale....
Interviewer: Thanks for taking the time to answer our questions and clarifying things.
Santa: I’m happy that the story is finally coming out.
Interviewer: Is it a true story?
Interviewer: Why haven’t we known about it before?
Santa: I think it was lost in the mists of time…It took place hundreds and hundreds of years ago.
Interviewer: Is it true that there was to be no more Christmas?
Santa: I’m sorry to say that it’s true. Until the dogs arrived.
Interviewer: The dogs?
Santa: It was a surprise to all of us in Santa Claus village. None of us, and that includes all the elves, had even heard of dogs.
Interviewer: Is that because you were so far North and rather isolated?
Santa: Well, that and the fact that dogs has just started arriving on planet earth. Prior to that time, there had been no dogs on Earth.
Interviewer: Really! Where did they come from? And how did they find you?
Santa: They had started coming down to Earth from their own planet – the Planet of the Dogs. They came down to help people. Somehow, they heard we were in trouble, and one day, there they were, just like that...
"One Christmas was so much like the other, in those years around the sea-town corner now, out of all sound except the distant speaking of the voices I sometimes hear a moment before sleep, that I can never remember whether it snowed for six days and six nights when I was twelve, or whether it snowed for twelve days and twelve nights when I was six.
All the Christmases roll down towards the two-tongued sea, like a cold and headlong moon bundling down the sky that was our street; and they stop at the rim of the ice-edged, fish-freezing waves, and I plunge my hands in the snow and bring out whatever I can find. In goes my hand into that wool-white bell-tongued ball of holidays resting at the rim of the carol-singing sea, and out come Mrs. Prothero and the firemen..." Dylan Thomas, A Child's Christmas in Wales
Light In The Darkness
"The Global Partnership for Education (GPE) supports developing countries to ensure that every child receives a quality basic education, prioritizing the poorest, most vulnerable and those living in fragile and conflict-affected countries.
Since its inception, the Global Partnership has supported developing country partners to achieve remarkable and measurable results. For example, the number of out-of-school primary school children has been reduced from 56 million to 41 million in 2012. They have also achieved substantial improvements in gender parity and major increases in the number of girls completing primary school in countries where GPE has supplied support and resources.
Here is a link for more ot the remarkable RESULTS,from around the world (updates and photos), of the Global Partnership for Education.
Hope in Dystopia in Mockingjay: Part 2
This film is being seen by multitudes of people worldwide. Based on that fact alone, Mockingjay 2 is an important YA crossover film. It is a rather long, dark, viewing experience, executed with excellent acting and all the traditional elements of a very well done action movie. Mockingjay 2 also deals with issues of morality amidst the painful chaos of war.
Richard Lawson, in his thoughtful Vanity Fairreview, considered the film's significance in these troubled times as well as the "entertainment" value of the film. Here are excerpts:
"Mockingjay: Part 2 shows us, in rich and bracing fashion, the Hunger Games movies have been saying something all along—about the tragedy of youth (or anyone) in war, about post-traumatic stress disorder, about the ways we cede our autonomy to notions of comfort, to spectacle, to the easy lies of othering. The film makes these points in a far more clear-headed, more resonant manner than its source material. It’s a rare film adaptation that improves upon the original text, highlighting its crucial themes while streamlining and shaping the action into something legible and gripping...
The Hunger Games films...show us how good blockbuster movies can be. And they beseech us, in their earnest way, to be better, conscientious stewards of our own fraught and fragile world. That’s a useful message for anyone these days, young adult or not."
Star Wars: The Force Awakens -- in time for the Holidays
The Dark Side Returns Worldwideon December 18-19 in 2D, 3D, and IMAX 3D...just in time for the Holidays. Disney executives expect a very happy holiday, anticipating box office records with this $200,000,000 million dollar film. Fans will find that Harrison Ford, Chewbacca, Jedi Knights and light sabers have all returned along with the Dark Side. In keeping with changing times, the good side also has an important female warrior woman, Rey. Played by newcomer Daisy Ridley, she is also a red hot pilot.
Review: In ‘The Good Dinosaur,’ a Reptile Tends to His Human Pet
Manohla Dargis, the excellent NY Times reviewer, wrote a warm review for this latest Pixar production. Here is an excerpt...
"Blink and you may miss the sly joke that sets 'The Good Dinosaur' on its enchantingly eccentric way. It begins with a near apocalypse 65 million years ago and an asteroid racing toward Earth. And while that’s around the time, more or less, that science hypothesizes the dinosaurs bit the dust, the wizards at Pixar have forged another creation story. Instead of crashing, the space rock zips past the big blue marble... "
Hope and Celebration are here with music... 3 minutes and 40 seconds of joy from singing kids in many places...What A Wonderful World (Playing for Change)
All About Dog Love
Nancy Houser, on her Way Cool Dogs Blog, provides a wide variety of information on dog issues ranging from health care and nutrition to canine science and dog love. On a recent post, How To Love Your Dog, she wrote about many facets of dog love. Here's an excerpt...
"How to love your dog by being a dog is something every dog owner should know about, as long as they do not continuously wag their tail!
And, whether your dog is a mischievous young puppy and full of bounding love, or an older dog that has been abandoned with very little love— it won’t be too hard to play the part.
Loving your dog makes it easy to build positive and loving feelingsfor this furry friend, choosing what is best to develop a better life. Dogs who are lovednot only feel safe, but secure and cherished. But, recognizing if youlove your dog does not mean a thing if your dog does not love you back."..The article continues, including a point by point section entitled , "How to tell if your dog loves you back".
Nancy also includes information on fascinating MRI studies regarding a dog's love byneuroscientist Dr Gregory Berns. Dr Berns wrote a book titled "How Dogs Love Us". To learn more about Dr, Berns and his MRI dog studies, here is a link to his Ted Talk.
The photo is courtesy of the wonderful Paws Giving Independence therapy dog organization, Peoria,Illonois. Please click on the photo to enlarge and to see why it was chosen.
Children, War, and Hope
Thirty million children have been driven from their homes by war. In a touching and informed article on refugee children, Jake Silverstein -- in the New York Times Magazine-- writes of this devastating situation by telling the stories of three young girls. Each is from a different part of the world: the Ukraine, South Sudan, and Lebanon. Here are excerpts from this excellent article:
..."Young as these girls are, they have already been asked to bear a profound loss. You can see it in their faces. They appear to be only half children, the other half having been matured ahead of schedule by trauma and displacement. They know what they should not. And yet, there is still that other half. They are still kids. Unlike the adults in the frame, who must be constantly aware of their dangerous ordeal, the girls, from time to time, might forget. If the moment was right, they might play a game...
That children, even under the worst of circumstances, are able to remain children supplies the world around them with the sense of a future, which is the equivalent of hope..."
The photo of the five Syrian children was taken in the Domaz refugee camp in Iraq.The photo of the young girl and her brother was taken in a Syrian refugee camp by Jeff J. Mitchell/Getty
"Story time is drawing capacity crowds at public libraries across New York and across the country at a time when, more than ever, educators are emphasizing the importance of early literacy in preparing children for school and for developing critical thinking skills. The demand crosses economic lines, with parents at all income levels vying to get in.
Many libraries have refashioned the traditional readings to include enrichment activities such as counting numbers and naming colors, as well as music and dance. And many parents have made story time a fixture in their family routines alongside school pickups and playground outings — and, for those who employ nannies, a nonnegotiable requirement of the job...
Libraries around the country have expanded story time and other children’s programs in recent years, attracting a new generation of patrons in an age when online offerings sometimes make trips to the book stacks unnecessary. Sari Feldman, president of the American Library Association, said such early-literacy efforts are part of a larger transformation libraries are undergoing to become active learning centers for their communities by offering services like classes in English as a second language, computer skills and career counseling."
The illustration of the rabbits is by Beatrix Potter.The illustration of the Moomins is by Tove Jansson.
Anna Nirva is the guiding light at Sunbear Squad, a leading source for information and guidance in dog rescue and care. Here is an excerpt from their site about fostering dogs
There are few stories more abjectly fascinating than those surrounding Lance Armstrong’s triumph over a cancer he was given infinitesimally small chance of surviving and his subsequent seven Tour de France (AKA Tour de Lance) victories. Consequently, there are few stories more assumptions-shattering than the revelation that Armstrong had, in fact, been using drugs to […]
I had the ‘I should have re-watched the last film before seeing this film’ feeling about a minute in to Mockingjay 2, the final film instalment of The Hunger Games trilogy. (The last book of which has, confusingly, filmicly been split into two to make the trilogy a kind of quadrilogy.) For I couldn’t remember […]
The durable Bond is back once more in Spectre. Little has changed and there has even been reversion. M has back-morphed into a man, Judi Dench giving way to Ralph Fiennes. 007 still works miracles, and not the least of these is financial – Pinewood Studios hope for another blockbuster movie. Hollywood roll over and die.
Oral tales, songs, and poems reflected the lives of the people. They were stories and songs of wonder and dreams.
They were told and discussed around the hearth, the marketplace,the spinning room, and in the taverns --wherever people gathered.
They helped people to cope with the wars, hunger, poverty and religious conflicts that characterized their lives.
In the 16th and 17th centuries,Giambattista Basile,a Neopolitan soldier, courtier and writer (1575-1632), collected and rewrote, in the language of ordinary people, 50 tales of wonder.
They were called theTale of Tales or the Pentamerone.
Now, for the first time, several of these tales have been adopted into alandmark film,the Tale of Tales.
I have seen the film and found it uncompromising in reflecting the sensibility of the original tales. However, like the original tales, they are far from the simplified, romanticized, linear simplicity of Disney films.This, in turn, may be affecting the as yet incomplete distribution of Tale of Tales.
I found that the two reviews excerpted below offer insightful personal reactions to the film. They both came from viewings at the Cannes Film Festival.
Unnerving Even For Adults
"Drawing on the rich and until-now unexplored vein of Neapolitan fairy tales written by Giambattista Basilein the early 17th century, Tale of Tales combines the wildly imaginative world of kings, queens and ogres with the kind of lush production values for which Italian cinema was once famous. The result is a dreamy, fresh take on the kind of dark and gory yarns that have come down to us from the Brothers Grimm and Charles Perrault, only here they're pleasingly new and unfamiliar. Starring Salma Hayekas a childless queen who is willing to do anything – absolutely anything – to conceive...
These fairy tales are certainly not aimed at children, though they will light the fire of many teens. Apart from a few moments of artistic eros — the first a shot of two court ladies consumed with passion for each other in a carriage; the second a post-orgy scene laced with naked, Felliniesque bodies — there is an underlying horror that is unnerving even for adults."
"Matteo Garrone’s Tale of Tales is fabulous in every sense: a freaky portmanteau film based on the folk myths collected and published by the 16th-century Neapolitan poet and scholar Giambattista Basile ... It is gloriously mad, rigorously imagined, visually wonderful: erotic, hilarious and internally consistent. The sort of film, in fact, which is the whole point of Cannes. It immerses you in a complete created world..."
"The tales were probably intended to be read aloud in the 'courtly conversations' that were an elite pastime of this period...Lo conto (the tales) contains the earliest literary versions of many celebrated fairy-tale types -- Cinderella, Sleeping Beauty, Rapunzel, and others -- that later appeared in Perrault's and the Grimm's collections. But Basile's tales are often bawdier and crueler than their more canonical counterparts." -- Nancy Canepa,The Oxford Companion to Fairy Tales.
Here is a link to the 1894 translation by John Edward Taylor of the Tale of Tales (The Pentamerone) with illustrations by John Cruickshank.
Except for the detail from a Bruegel painting, at top, all of the above images are from the Tale of Tales.
The Sun, Moon and Talia...the original story of Sleeping Beauty.
Here is an excerpt from Basile's story of what later became a very different story, by both Perrault and the Brothers Grimm (Briar Rose). Written for adults in the early 17th century, it's a long way from Disney.
"So he (a young king) climbed in and wandered the palace from room to room, but he found nothing and no one. At last he came to a large, beautiful drawing room, where he found an enchanting girl who seemed to be sleeping. He called to her, but she would not wake. As he looked at her, and tried to wake her, she seemed so incredibly lovely to him that he could not help desiring her, and he began to grow hot with lust. He gathered her in his arms and carried her to a bed, where he made love to her. Leaving her on the bed, he left the palace and returned to his own city, where pressing business for a long time made him think no more about the incident.
But Talia, who was not dead, but merely unconscious, had become pregnant, and after nine months she gave birth to twins, as beautiful a boy and girl as ever were born. Kindly fairies attended the birth, and put the babies to suck at their mother’s breast. One day, one of the infants, not being able to find the nipple, began to suck at his mother’s finger. He sucked with such force that he drew out the splinter of flax, and Talia awoke, just as if from a long sleep. When she saw the babies, she did not know what had happened or how they had come to her, but she embraced them with love, and nursed them until they were satisfied. She named the infants Sun and Moon. The kindly fairies continued to attend her, providing her with food and drink, which appeared as if delivered by unseen servants..."
The top illustration is by Edward Burne-Jones. The lower illustration is by Walter Crane.
The Oral Tradition
..."The tales came to the tellers from other tellers, or they read tales, digested them, and made them their own. Indeed, we always make tales our own and then send them off to other tellers with the hope that they will continue to disseminate their stories..." - Jack Zipes, The Forgotten Tales of the BrothersGrimm, in the The Public Domain Review
The illustration of Beauty and the Beast is by Walter Crane.
Inside Those Secret Forests, Caves, and Seas...
"These were the 'last echoes of pagan myths...A world of magicis opened up before us, one which still exists among us in secret forests, in underground caves, and in the deepest sea, and it is still visible to children...(Fairy tales) have existed among the people for several centuries.' And what we find inside those secret forests, caves and seas...(are) fairy tales full of families, full of parents who bequeath a sense of self to children, full of ancestors and heirs whose lives play out, in little, the life of a nation from its childhood to maturity."
Illustration from Pekka Halonen's painting, Pioneers In Karelia
The TN Safety Spotters
The TN Safety Spotters, dogs from Memphis, TN, are Deaf Therapy Dogs who travel the Mid-South with owner, trainer, and handler, Paricia Bell. All the Spotters are rescued dogs.
"TN Safety Spotter’s goal is to significantly reduce the number of dog bite injuries and fire deaths in children using deaf therapy dogs as educational tools and teachingaides in Fire Safety and Dog Bite Prevention programs...
"The Spotters visit schools, libraries, hospitals, Fire Stations, camps and special events"...they are an excellent example of a dedicated dog lover finding multiple ways to help children and adults through their therapy dogs. The fact that the latest scientific research shows 30% of Dalmatians are born deaf has not deterred Patricia Bell nor her dogs
Who were theSnow Valley Heroes?
Did they really save Christmas? The question has been asked by children and adults for many years. And there have been many who tried to answer these questions.
The confusion and uncertainty is because the Snow Valley Heroes came from the Planet Of The Dogs long, long ago.This is the true story of how the dogs saved Christmas, told for the first time in many years.
"Snow Valley Heroes, A Christmas Tale,represents the age-old struggle between good and evil, and the fight to save the Spirit of Christmas–told in a format children can comprehend. My 10-year-old son was excited to see a new Planet of the Dogs book arrive in our mailbox..I give this Christmastreasure a rating of five stars." -- Charyl Miller Pingleton, The Uncommon Review
We have free reader copies of the Planet Of The Dogsseries for therapy dog organizations, individual therapy dog owners, librarians and teachers...simply send us an email at email@example.com and we will send you the books.
Our books are available through your favorite independent bookstore, Barnes & Noble, Amazon, Powell's and many more.
Planet Of The Dogs is now available in digital formatat
The illustration, above, from Snow Valley Heroes, A Christmas Tale, is by Stella Mustanoja-McCarty.
The Skies Have Clouded Over
"Disquiet about fairytaleshas become rather more widespread...Dislike of shallow promises and easy solutions in times of war, eco-disaster and other horrors have grounded fairytales; the escapist stories have become lenses through which difficult truths are inspected. Children around the world continue to grow up with the magic of fairytales in books, and to relish the multiple ways they are adapted, updated and put on to stage and screen. But the “realisation of imagined wonder”, which JRR Tolkien saw as the aim of the genre, isn’t always bright and shiny any more; its skies have clouded over..."
From: How Fairy Tales Grew Up by Marina Warner in theGuardian
The picture is from the TV show Game Of Thrones
A Global Event HungerGames:Mockingjay2is opening on November 18-20 worldwide after a premiere in Paris on November 9th. The first three Hunger Games films have grossed nearly two billiondollars. The films came from the Hunger Games book series by Suzanne Collins; over fifty million books have been sold.
This is another huge crossover phenomenon.
The Hunger Games films have also become an example of what Marina Warner refers to when she writes, "the escapist stories have become lenses through which difficult truths are inspected.
Mockingjay2 will see Katniss Everdeen on a quest to unite and liberate the citizens of war-torn Panem and destroy the evil President Snow. Hi-tech danger, mortality and moral choices are all part of the challenge.
The disappointing reviews discouraged me from seeing Pan. Here is an except of the NY Times review by AO Scott (whom I respect), and a review/analysis from the entertainment world by Brent Lang in Variety.
"Peter Pan, who flew through the air in a costume, was in many ways a prototype of the modern superhero. He has certainly been a lucrative entertainment franchise for a very long time, with durable merchandising potential, from feathered hats to peanut butter. All of which may help to explain the otherwise baffling existence of “Pan,” a hectic and labored attempt to supply the boy who never grew up with an origin story.
The dominant emotion in 'Pan' is the desperation of the filmmakers, who frantically try to pander to a young audience they don’t seem to respect, understand or trust." AO ScottNYTIMES; "
“Pan” was supposed to provide a fresh spin on the oft-told tale of the boy who could fly, but the pricey epic remained earthbound last weekend, opening to an anemic $15.3 million.
That disastrous start guarantees it will rank alongside other costly misses like “Jupiter Ascending” and “Tomorrowland” as one of the year’s biggest box office disasters. With an $150 million price tag, Warner Bros. could lose tens of millions on a film it hoped would kick off a new fantasy franchise.
When the dust settles and studio executives comb through the wreckage for clues about what doomed the adventure film, it appears that it will suffer from two fatal and seemingly contradictory flaws. “Pan” was both overly formulaic and too wild a deviation from J.M. Barrie’s beloved children’s classic to succeed." Brent Lang, Variety
The Hollywood Movie Meeting - How Movies Get Made
The following transcript was taken from a meeting of executives of a major Hollywood film company. The meeting is already in progress...
Executive #1: Should we produce this film?
Executive #2: Well, here's a Synopsis: It opens when the mother dies and the bereaved father, a merchant, remarries. His lovely daughter now has a cruel stepmother with two ugly daughters and they all abuse the girl. Her only friends are birds and a magic tree. That's act one. Now in act two...
Executive #3: What happens to the father? He just stands around while they abuse the kid?
Executive #2: He has to travel for his work. He's away a lot.
Executive #2: Act two better be good after that start.
Executive #1: I wanna hear Act two. I heard Disney made a lot of money with this.
Executive #2: In Act two we meet a handsome Prince who is planning a big party.
Executive #3: Why are we even talking about this if Disney already made it?
Executive #1: Maybe, we can make some changes.
Executive#3: Changes? What kind of changes?
Executive #1: Maybe we can we change it to Christmas? We need a new flick for Christmas and at least this is based on a winner from the past. And we'll change the name...call it Cindy's Happy Holiday!
Executive #3: That's a helluva idea. What's next?
To Be Continued...
How to Change the World in 30 Seconds A Web Warrior's Guide to Animal Advocacy Online by C A Wulff
Although you may want to help animals, you may not have any idea where to begin. Or maybe you think that you don’t have enough time to make a difference. This guide will offer practical steps to get started using dog advocacy as the focus and will explain how just thirty seconds a day on the Internet can not only make a difference, but can also change the world.
Here is a review..."Combining case histories with practical tips on how to use the Internet to advocate for dogs, Wulff's book is an inspiring, informative and highly usefulvolume that anyone who thinks dogs are worth fighting for should have on their shelf." John Woestendiek, author of 'Dog, Inc.' and the website ohmidog!
Read sample chapters of How to Change the World in Thirty Seconds: Amazon
An Outstanding Program: Therapy Reading Dogs for At-Risk Students!
"Austin Dog Alliance Bow Wow Reading Dogs are non-judgmental certified therapy dogs who listen to at-risk students reading aloud. The dog's handler has been educated on how to help at-risk readers learn to read. Many of our Bow Wow Reading dog volunteers are retired teachers or principals.
Here are the requirements for BowWow therapy reading dog handlers:
Must enjoy children; Love to read!; Have a willingness to get to know the children, understand their challenges and remember small things about them; Have compassion for and sensitivity to the hesitant and reticent child; Patience with over-active children; Possess patience with repetitive reading of the same book; Have the ability to discern age with reading abilities and related activities; Are flexible and have the ability to 'go with the flow'; Are a retired teacher or principal or have attended a seminar on how to help at-risk readers."
Texas Textbooks: McGraw-Hill changes slaves to immigration workers in High School textbook
HOUSTON — "Coby Burren, 15, a freshman at a suburban high school south of here, was reading the textbook in his geography class last week when a map of the United States caught his attention. On Page 126, a caption in a section about immigration referred to Africans brought to American plantations between the 1500s and 1800s as 'workers' rather than slaves.
He reached for his cellphone and sent a photograph of the caption to his mother, Roni Dean-Burren, along with a text message: 'we was real hard workers, wasn’t we'..."
The post that follows is about a book and a film outside the usual purview of this blog.
I have included it because of the subject matter, a young boy caught in the savage chaos of the real world today, and because it relates to the world of war, fear, and painful uncertainty of the past. Oral tales, that live on today as tales of wonder, originated in a hard world where ruthless power reigned and cruelty, superstition and hard times dominated daily life for most people.
And so, I have posted below about a book, Beasts of No Nation, by Uzodinma Iweala, and a movie made from the book, that tells the story of A Boy Soldier's Heart Of Darkness. This is the title of Simon Baker's book review of Beasts of No Nationby UzodinmaIweala. Here is an excerpt:
"In a young child's life, few games can equal hide-and-seek: the excitement of crouching in a secret place as the pleasure of remaining at large vies with the thrill of possible discovery. The problem comes when a game like this turns serious -- when, say, the people you're hiding from want not just to find you but to hack you to pieces."
Here is a link to read all of the NY Times Book Review by Simon Baker
The Movie Wants Us To Look At That Moment Square In The Face
"The movie holds on to a fair chunk of the book’s first-person narration, which is critical, because it establishes Agu as a character with his own thoughts and ethics rather than merely a shellshocked onlooker. There comes a moment when the boy has to cross the line from theory to action — from training to murder — and 'Beasts of No Nation' wants us tolook that moment square in the face. It is awful, it has happened and is happening still, and for once you aren’t able to turn the page or switch to another channel. And then the movie invites us to wonder what happens to the child who is now a murderer. 'It is the worst sin, but it is the right sin to be doing,' Agu tells himself, but that lie doesn’t last. Before long, he is begging the sun to stop shining on this world."
It took courage and great commitment by the brilliant young American director Cary Fukunaga to make this film. Netflix has released the film simultaneously in theaters and on the Internet. Over 3 million viewers in North America have seen Beasts of No Nation since its release on October 16.
KJ Dell'Antonia, in a very informative NY Times Motherlodearticle, wrote about a very special new Sesame Street initiative -- Julia, an autistic little girl. Here are excerpts:
"Sesame Street got so many things right with its new character, Julia, an orange-haired girl with autism whose eyes never quite meet the reader’s. Introduced in a digital storybook available online and in print, Julia is described as an old friend of Elmo’s. When Elmo’s muppet friend Abby meets Julia, she is confused, and she has questions. Julia doesn’t talk to her right away, does that mean Julia doesn’t like her? Why does Julia get so upset over loud noises?
And then there are the things Abby doesn’t comment on — Julia knows every word to a lot of songs. She spins the wheels of toy cars over and over and over again, and flaps her arms when she is excited. She is a recognizably different (and recognizably autistic) without being overwhelmingly so… children with autism can find themselves in her, and children learning about the condition can start here.
Sesame Workshop based Julia on years of research, says Jeanette Betancourt, Sesame Workshop’s vice president of outreach and educational practices. “We wanted to demonstrate some of the characteristics of autism in a positive way,” she says. The choice of gender was also deliberate. “We wanted to break down some of the myths and misconceptions around autism. It’s not only impacting boys, but girls as well...”
Here is a link to read all of this insightful article on Motherlode
Here is a Sesame Streetlink to their many programs devoted to autistic and/or special needs children.
How to be a volunteer animal rescue transport driver...
"Over-filled animal control facilities or pounds euthanize an estimated 4 million dogs and cats each year...
Each weekend in America, an army of volunteer rescue transport drivers deliver dogs and cats to safety in an organized relay of vehicles. Hard-working volunteer transport coordinators plan the logistics, organize the four-legged passengers, and provide support by phone continuously during the entire one- or two-day operation. Drivers sign up for relay "legs" via e-mail. They meet the previous leg drivers at an appointed time, transfer the lucky dogs and cats to their vehicles, and drive to the next relay meeting spot where the process is repeated until the destination is reached..."
Here is a link to read the rest of this informative Sunbear Squad article:Rescue.
And here is a link to sample pages of Deb Eades book: Every Rescued Dog Has a Tale: Stories from the Dog Rescue Railroad.
"The more one gets to know of men, the more one values dogs."
The first thing you notice about Crimson Peak is how deliberately, consciously old-fashioned it is. This is a movie that starts with the camera zooming in on the cloth-bound cover of a book bearing the film's title, and whose scene breaks (chapter breaks, we should say) are signaled by irising in on a prop or a character's face, as if we were watching an old-timey silent film. The second thing
This weekend is your last chance to take advantage of my special half-price deal, celebrating the launch of my online illustration workshop.
This little trailer shows you the kind of thing I cover in the 7 lessons:
I am thrilled to bits with how it's recruiting and I already have two really lovely 5-star reviews on the class. Here are highlights from what my new students had to say:
"This is a terrific course. Lynne Chapman is an excellent teacher who knows how to make it seem easy and fun to draw. I am a retired illustrator, and I've been rather stuck in my ways of doing things but I have enjoyed learning Lynne's approach and it is giving me new inspiration. This is carefully planned and well presented. I recommend it. A five star course for artists young and old." " Lynne is so clear to listen to and really helpful. The homework seems really doable and the accumulated knowledge is applicable to all kinds of illustration regarding a younger audience"
Thank you guys for that smashing feedback. I'm so glad it the class is coming across so well!
So, click this link and you will get the class for 50% of the regular price. After tomorrow night, the link will still be there, but the discount will be reduced to $10 off. Have fun!!
Today is the day!! My Craftsy master-class, teaching you how to draw children's book characters, just went live, slightly ahead of schedule! To celebrate, you can get the class half price for the rest of this week from this blog post. Yep - Craftsy allow me to discount the class if I want. So what better time?
Last week I got a sneak preview of how it looks and am absolutely delighted with the way it's turned out. The editing guys have done a smashing job, splicing all the material together. There's me talking (okay, nothing new there says John...), plus all the various drawing demos that we filmed, lots of illustrations from my books, as well as various extra drawing tips with bits and bobs of graphics.
Plus, Craftsy's clever, techy guys have had to build the whole background platform, because the workshop is not just a series of films. Oh no...
After each lesson, I set my students a homework project to do. Then, when they're done, they can post their work onto a gallery, for me and the other students to see. Great eh? Plus students can even ask me questions, if there's anything they need more help with.
Huge CONGRATULATIONS to Tami T, who was the winner of my prize draw. Well done Tami! Have fun. I look forward to seeing your characters :-)
If you were unlucky, don't worry: all is not lost! Craftsy classes are very reasonably priced but if you are on a tight budget, get in quick while mine is super-duper-brilliant-value with my launch-week deal...
The other brilliant thing about the workshop is that it does not have an expiry date. You can watch it as many times as you like, for as long as you want - once you sign up, everything is yours for good. And because you only need a pencil and paper, once you have signed up, it's not going to cost you anything extra at all.
I have tried really hard to pack all 7 of the lessons with tons of tips which should really help your character drawings, both of animals and people, but I've also done my best to make it a fun workshop to do. Please do let me know what you think. As this is my first venture of this kind, I'd really like to hear your feedback.
Long ago, when folk tales were told by people in homes, in fields, in the marketplace and taverns, there were many stories of the forests.
Two out of three of the original 1812 Grimm Folk Tales are set in or involve the forest.
The forests held beauty and danger, the known and the unknown, light and darkness.
The forests were places of lost and abandoned children; homes of witches, elves, and dwarfs. They were the place where wondrous events occurred.
The forests were a threshold of wonder.
The illustration is of Harry Potter seeing the Silver Stag.
The Forest - steeped in ancient myth and legend and infused with spiritual meaning...
Justine Gaunt, in Woodlands.co.uk, writes of the underlying significance and symbolism of the forest found in the minds of ancient peoples and in their folk and fairy tales.
"Anyone embarking upon the journey of exploring forest symbolism finds themselves, perhaps like Little Red Riding Hood waving goodbye to her mother at the garden gate, on a vast voyage punctuated with the joys and dangers of the psyche, steeped in ancient myth and legend and infused with spiritual meaning.
It is no accident that so many fairytale characters find themselves having to traverse danger-laden tracts of woodland. In a most practical sense, as the ancients dreamed up those stories and even when the oral traditions were finally written down in the middle ages and later, the lands of northern and western Europe were thick with woodland. The dangers were palpable: from rogues and bandits lying in wait for unsuspecting travellers to opportunistic wolves hungry for the kill...
As for Little Red Riding Hood, straying from the path and into the woods is similarly dangerous and filled with treachery. Symbolically, those who lose their way in the uncharted forestare losing their way in life, losing touch with their conscious selves and voyaging into the realms of the subconscious..."
The illustrations of fairies and for the story of Tom Thumb are by Gustav Dore.
Fairy Tales Speak to the Secret Self
Tim Lott, who writes a Family Column for the Guardian wrote about the resonance andconnection that the dark side of fairy tales have -- especially for kids - after taking his family to an interactive total immersion theater event based on Phillip Pullman's Grimm Tales...
"But why do these particular plots have such resonance for the audience? Bruno Bettelheim in his study, The Uses of Enchantment, suggested that folk and fairytales that endure from generation to generation, speak to something deep in the reader’s unconscious – for instance, that these older tales legitimized the murderous and violent instincts that all children experience, freeing them from the guilt that such feelings generate...
Whether or not you believe in Bettelheim’s Freudian take on storytelling, it is unquestionable that the best stories have a profound resonance of the Grimm tales transparently address our darkest fears, but in a sense, all mythic storytelling is about addressing uncertainties and anxieties...
Archetypal stories, then, for adults and children – even the “simplest”, not usually thought of as “art” – are more than merely entertainment. The more they involve us imaginatively, the more they speak to the secret self. Without access to those ancient portalsthat lie within us all, and certainly lie within Grimm Tales, we may applaud the style, and the elegance and the sophistication of the storyteller. And in children’s stories... "
Here is a link that will connect you to the full article, Fairy Tales Are Not Just For Fun: Guardian
Both illustrations are for the Grimm's story, the Robber Bridegroom. The top one is by John Cruikshank; the lower on is by John Gruelle.
The Planet Dog Foundation (PDF), Planet Dog's non-profit grant-making organization, is awarding $60,000 in new grants to twelve canine service organizations throughout the country.
"A PDF grant of $5,000 toAmerica's VetDogswill support the training and placement of dogs for veterans being trained through their Massachusetts Prison Puppy Program. Collectively, inmates from local facilities along with local volunteer weekend puppy raisers will train 40 future service dogs per program cycle to assist our nation's veterans with disabilities. The program not only raises the quality of life for wounded veterans and keeps them active in their communities, but also has a positive impact on the inmate population involved in the training."
America's VetDogs serves veterans from all eras, and first responders who have honorably served our country and community, by providing Guide Dogs, Service Dogs for Disabilities,, Service Dogs for PTSD, Hearing Dogs, and more...Click this link and Learn more about America's VetDogs here.
Save The Children
The devastating effect of war on children is seen in a brief video, Second A Day, produced by Save The Children. Here is an excerpt from a report by Dion Dassannayakein the Express:
"The moving clip starts with a childcelebrating her birthday and follows her moment by moment as war and conflict develops in the UK. The hard hitting clip shows London being turned into a war zone where rockets are fired at buildings in broad daylight and children wear gas masks. The powerful video ends with a moving shot of the young girl celebrating her birthday once again."
In just one minute and thirty three seconds, we are reminded of what is happening to multitudes of children today. Here is a link to YouTube- Second A Day
The Wonder of a New Fairy Tale
Pixar's Inside Out...Inside the Mind of an 11 Year Old Girl...
After a rather disappointing hiatus of wonder, the folks at Pixar-- who produced Up, Toy Storyand Finding Nemo--have produced another winner, both critically and with audiences.
Rotten Tomatoes reports that 98% of 217reviewers were enthusiastic and positive in their reviews of Inside Out. Opening weekend crowds for “Inside Out” were 56% female and 38% under the age of 12. Families comprised 71% of the audience. The film opened June 19 and has already grossed over $300 million in ticket sales.
Here's the reaction of Craig Mathiesonin the Sydney Morning Herald:
"The most pleasurably complete Pixarfilm since 2004's The Incredibles,Inside Outdelivers a witty and empathetic answer to the eternal lament of, "What is going on inside your head?"
And, here's an excerpt from an insightful review by Andrew O'hehir in Salon.com
"... there’s an enormous conceptual gulf between Disney films of the “classic” mode, from “Snow White and the Seven Dwarfs” and “Dumbo” right through “Pocahontas” and “The Little Mermaid,” and the consistently elegiac and nostalgic childhood’s-end fables of the Pixar era. If you’ve ever wondered why Pixar’s animators have never gotten around to adapting “The Velveteen Rabbit,” Margery Williams’ 1922 classic about the boundary between childhood imagination and adult reality, it’s because they don’t have to. Almost every Pixar film is “The Velveteen Rabbit,” transmuted into some new fictional universe but built upon the same question, perhaps the most profound and tragic ever framed in the English language: 'Of what use was it to be loved and lose one’s beauty and become Real if it all ended like this?' ..."
"Like Wulff's "How to Change the World in 30 Seconds", this book is another practical handbook for helping pets. Easy to follow steps, important data, and insider info. Displaced pets make up most of the animals that find themselves in pounds, and with 3-4 million animals euthanized inU.S. shelters every year, it's no place for your beloved pet!Many times the pet's people have no idea where, or how, to start looking for them. This guide spells it out with lots of helpful tips and advice. And all the sales go to charity - how great is that?... An Amazon 5 star review by Kristina Kane
Here's a link to read excerpts, reviews, and to purchase Finding Fido.
I was quite taken by an excellent and evocative Dog Poem on C.A. Wulff's website, Up On The Woof
Sight Unseen...the Threshold of Invisibility
Here are excerpts from "The Hows and Whys of Invisibility" by Kathryn Schulz in the New Yorker.
...."These questions are not so much answered as provoked by “Invisible: The Dangerous Allure of the Unseen”(Chicago), by the British science writer Philip Ball...
His book takes seriously a subject that, perhaps aptly, has heretofore been mostly disregarded. Invisibility looms large in the kingdom of childhood—in pretend play and imaginary friends, in fairy tales and comic books and other fictions for kids—but it seldom receives sustained adult scrutiny. And yet, once you get past the cloaks and the spells, invisibility is a consummately grownup matter. As a condition, a metaphor, a fantasy, and a technology, it helps us think about the composition of nature, the structure of society, and the deep weirdness of our human situation—about what it is like to be partly visible entities in a largely inscrutable universe. As such, the story of invisibility is not really about how to vanish at all. Curiously enough,it is a story about how we see ourselves..."
The illustrations are from the Miyazaki film Spirited Away.
Alice: 150 Years of Wonderland
The Morgan Library Museumin New York is presenting an extraordinary exhibit, both at the Museum and Online...
"This exhibition will bring to light the curious history of Wonderland, presenting an engaging account of the genesis, publication, and enduring appeal of Lewis Carroll'sclassic tale, Alice's Adventures in Wonderland.
For the first time in three decades, the original manuscript will travel from the British Library in London to New York, where it will be joined by original drawings and letters, rare editions, vintage photographs, and fascinating objects—many never before exhibited..."
The array of artwork by Lewis Carrol and John Tenniel is dazzling. The scope of the online exhibit is quite comprehensive and includes information and links to early Alice films.
“You know very well you’re not real.”
“I am real!” said Alice, and began to cry.
“You won’t make yourself a bit realler by crying,” Tweedledee remarked: “there’s nothing to cry about.”
“If I wasn’t real,” Alice said—half laughing through her tears, it all seemed so ridiculous—“I shouldn’t be able to cry.”
“I hope you don’t suppose those are real tears?” Tweedledum interrupted in a tone of great contempt.
Through the Looking Glass and What Alice Found There-Lewis Carrol
Illustration by John Tenniel
Castle In The Mist is the second book in the Planet Of The Dogs Series -
"...Castle in the Mist is full of the same elements I enjoyedinPlanet of the DogsandSnow Valley Heroes:beautiful, detailed, soft, mood setting drawings; the fun and antics of the dogs, and the people who are discovering them for the first time; encroaching danger and suspense; the lovely fantasy of a planet of dogs who are so concerned with the people of earth; and the forgiveness, unconditional love and loyalty that the dogs are able to subtly impart."- Taken from a 5 star Amazon review by Lisa Harvey, Book Thoughts by Lisa...
We have free reader copies of the Planet of The Dogs book seriesfor therapy dog organizations, individual therapy dog owners, librarians and teachers...simply send us an email at firstname.lastname@example.org and we will send you the books.
Our books are available through your favorite independent bookstore, Barnes & Noble, Amazon, Powell's and many more...Librarians, teachers, bookstores...You can also order Planet Of The Dogs, Castle In The Mist, and Snow Valley Heroes, A Christmas Tale, throughIngram with a full professional discount.
The illustration by Stella Mustanoja-McCarty is from Castle In The Mist
Rescuing Wonderful Shivery Tales
Marina Warner, in the New York Review of Books, writes an extremely informative overview encompassing the books and lives of the brothers Grimm, the work of Franz Xaver von Schönwerth (The Turnip Princess, translated by Maria Tatar), as well as related work by Philip Pullman and the translation of Selected Tales of the Brothers Grimm by Peter Wortman.The article also contains information and insights regarding the contributions through the years by Jack Zipes, including his translation of the Original Grimm Tales and his latest book, Grimm Legacies, The Magic Spell of the Grimms' Folk and Fairy Tales.
Here is brief excerpt regarding a turning point:
The brothers had been strongly encouraged to make their scholarship a bit more family-friendly by including Ludwig’s illustrations after they learned of the huge success in England of the first English translation by Edgar Taylor(1823 and 1826), with its quirky, joyous drawings by George Cruikshank. In Grimm Legacies, Zipes relates how the tone of the English illustrations changed the tales’ reception, inspiring Dickens to write sentimentally about their innocence, and Ruskinto claim that Cruikshank’s “original etchings…[are] unrivalled in masterfulness of touch since Rembrandt.”
The illustration of the Elves and the Shoemaker is by George Cruikshank.
"The simpler question to answer is why these tales are called "fairy tales." It is from the influence of the women writers in the French Salons who dubbed their tales "contes de fees." The term was translated into English as "fairy tales." The name became so widely used due to the popularity of the French tales, that it began to be used to describe similar tales such as those by the Grimms and Hans Christian Andersen." Heidi Anne Heiner --SurLaLune
The illustration of Beauty and the Beast is by Walter Crane.
Sunbear Squad is Anna Nirva's practical site for a wide range of information focused on the well being of dogs ( as well as cats). Here are a few excerpts from a very comprehensive article on Traveling by Car or Truck with Pets.
...On the Road...
Once you are on the road with your pet, you will need to adhere to some basic guidelines to keep your animals and your family happy and safe. Here are some recommendations for the trip itself:
Keep the Animal Inside...Anyone who owns a dog knows how much these animals like to put their heads out the window while they are riding in a car. This is dangerous for the animal, as debris can injure it. It is best to keep the animal’s head and every other part inside the car or truck, and never let your pet ride in the bed of a pickup truck, which exposes it to many dangers.
Stop Frequently...Particularly if you are traveling with a dog, you will need to stop regularly to give your animal bathroom, exercise, and water breaks. Fortunately, most rest areas have ample space for you to give your pet a chance to stretch its legs. Keep your pet leashed when you stop and have a bag ready to clean up after it.
Food and Water...You will want to limit excessive feeding while you are traveling to avoid giving your pet an upset stomach. Keep feeding to a minimum and stick to the pet food. Avoid the temptation to let the animal snack on what you are eating, as that can cause some unpleasant digestive issues.
On the other hand, you want to make sure that your pet gets as much water as possible. Give it water every time you stop. You may also want to bring along some ice cubes, which are a treat for most pets and easier for them to handle than water if they get upset stomachs while you are traveling...
There is much more to this article...here is the link: TRAVEL
"When a man's best friend is his dog, that dog has a problem." - Edward Abbey
Remember the Craftsy online-workshop I was invited to run on How to Design Children's Book Characters? Well, last month, my outline got the go-ahead (yeh!), so I have now moved onto the next stage, fine-tuning the content.
The company are extremely professional and organised, which is great, as it fills me with confidence that they will get the best out of me (and help to make it look like I know what I am talking about!). They have a huge team of people working on all aspects of the process. First of all, I was commissioned by the Acquisitions Editor, who talked me through the framework of the workshops and advised me while I put together the outline and organised it into 7 similar length lessons of approx 15 - 20 minutes each. Now I have started to go through the lesson plans in detail with a Producer.
My producer called me from Denver last week and we talked for about 45 minutes about what happens next. He asked me to devise 'homework' projects to follow each of the 7 lessons. I also have to make a list of all the materials I will need and all the materials my students will need. The biggest job though is to time myself, to make decisions about which teaching points I am going to demo live and which I am going to talk through, using existing examples of my book illustrations - I can't demo everything as there is so much to teach and so little time.
I did the homework last week and have started making preliminary decisions about what book illustrations I think I am going to need to show on-screen. Next job is to hunt them out of the archive to send to my producer. Luckily, I still have the original digital scans of pretty much everything I have ever had published.
I have also just had an email from another member of the team: the Talent Coach. they are responsible for making sure I coming across well on screen. All very interesting stuff. I am so enjoying the wild variety of my work at the moment, what with this film, the urban sketching book, the residency, the school visits and of course my next picture book with Julia Jarman, which I start in October.
Goodness: the deadline for the bookhas suddenly jumped out of the bushes and is frantically waving its arms at me! I have until August 20th to get everything done. It's about a month, but counting only the free days I have to work on it, it's actually 3 weeks. Trouble is, that is also the only remaining time I have to prepare for filming the Craftsy class too - same deadline. Yikes.
I clearly need to get my skates on. I hate to be so busy when it's summer though. I spent last Sunday working at my computer with the blinds down, while other folks were prancing around in the sunshine. Sob.
I have gone through the design layouts for almost all the book now. There are about a dozen new images to scan, because of rejigging the content at the design stage, then I have to choose sketches I want to feature as full page images for each of my chapter-header pages. It's hard to do that without having a proper overview of the content, so Quarto are about to send me a definitive version of what we have done so far.
Once the final sketches are scanned, I will at last be able to get rid of all the sketchbooks piled around the studio. I'm really looking forward to a good tidy up.
There are still a few little bits of text that need doing: extra sections that have appeared as we have made changes (it has been very much a project that you have to allow to evolve as it goes along). That won't take long though. The main job left is all the step-by-step drawings dotted through the book. I am going to do some of them live to camera, so we can choose stills from the film to use to illustrate stages of the process. It's a wee bit scary, to be honest. I am going down to London to sort that out in a fortnight. We have 1.5 days to work on the filming and sort any photography, like taking pictures of all the elements of my sketching kit for instance. Right. Back to it...
Tales of wonder usually have happy endings. They may have danger and darkness, forbidden places and strange creatures, witches and cruel magic...but wonder tales -- fairy tales -- do have happy endings...with very few exceptions. The journey may be fearsome, but salvation and awakenings occur in the end...and these stories endure forever.
Beauty, Horror, and Ignition Power...
Enchanted Hunters, The Power of Stories in Childhood by Maria Tatar, takes the reader on a wonderful journey through children's literature.
In the chapter entitled, Beauty , Horror and Ignition Power, she writes about the effect of wonder tales on the imagination of children, including the balance between the dark side and positive endings. Here are excerpts..."We rarely worry about the effects of beauty, but horror is another matter...with an allure all its own, horrorhas the power to frighten as well as to fascinate...how much do we want children to find in their stories and how soon?..."
Tatar then illustrates the idea of too much horror with "Hans Christian Anderson's'The Girl Who Trod On The Loaf', a tale that revels in torturing Inger, the 'girl' in the title." Tatar then writes, by contrast. of three classic tales where all ends well.
"By contrast,'Little Red Riding Hood', 'Hansel and Gretel', and 'Snow White' begin with the child as victim, but they end with the triumph of the underdog and the punishment of the villain. 'Children know something they can't tell; they like Red Riding Hood and the wolf in bed' Djuna Barnes once declared. Fairy tales and fantasy enact perils and display horrors, but they always show a way out, allowing children to explore great existential mysteries that are far more disturbing when they remain abstract and uncharted rather than take the concrete form of the story."
The illustration of Little Red Riding Hood is by Hermann Vogel.
The Defining Dynamic of the Fairytale
Amanda Craig,is an acclaimed British novelist, journalist, and children's book reviewer. The following excerpt is from her insightful review of Marina Warner's "OnceUpon A Time, A Short History of the Fairy Tale", in the Guardian
"One of the most interesting aspects of reworking fairytales is that it tends to be practised by idealists and reformers, whether devout Christians, such as CS Lewis, or socialists, such as JK Rowling. The defining dynamic of the fairy tale is optimism (as opposed to the tragic tendencies of the myth), but this has encouraged bowdlerisations from the dark and gruesome aspects of many originals – Dickens hated the way the illustrator George Cruikshank softened stories, the brothers Grimm tinkered to “excuse the men and blame the women”, and the ambiguity of the fairytale led to them being twisted into Nazi propaganda, with Little Red Riding Hood being saved from a Semitic wolf.
Happily, they have also been transmuted by modern feminism: Neil Gaiman’s striking novella, The Sleeper and the Spindle... conflates and subverts Snow White and Sleeping Beauty into a tale of female courage and choice..." Read it all in the Guardian
The illustration from Tom Thumb is by Warwick Goble.
Where the Light is Golden...
“October knew, of course, that the action of turning a page, of ending a chapter or of shutting a book, did not end a tale. Having admitted that, he would also avow that happy endings were never difficult to find: "It is simply a matter," he explained to April, "of finding a sunny place in a garden, where the light is golden and the grass is soft; somewhere to rest, to stop reading, and to be content.” ― Neil Gaiman, The Sandman, Vol. 4: Season of Mists
The Humane Society of Missouri helps more than 85,000 homeless, abused and unwanted animals each year. Here is their mission statement:
"Since 1870, the Humane Society of Missouri has been dedicated to second chances. We provide a safe and caring haven to all animals in need - large and small - that have been abused, neglected or abandoned. Our mission is to end the cycle of abuse and petoverpopulation through our rescue and investigation efforts, spay/neuter programs and educational classes. We are committed to creating lasting relationships between people and animals through our adoption programs. We further support that bond by making available world-class veterinary care, and outstanding pet obedience and behavior programs..."
"Wulff`s heartwarming storiesabout a household of misfit dogs, reminds me that family can include the four-legged variety, as well as the two-legged. Her simple affirmation that "My dogs are not perfect.... but they are perfect for me," guides the telling of these gentle stories. For dog lovers everywhere."
If you have not yet read "Born Without a Tail: the Making of an Animal Advocate" or "Circling the Waggins: How 5 Misfit Dogs Saved Me from Bewilderness", this mini ebook is the perfect introduction to the world of C.A.Wulff."Parade of Misfits" is only available in digital format.
C.A. Wulffis an author, artist, and animal advocate. She has volunteered in animal rescue for more than 26 years and attributes her love of animals to having been raised by Wulffs.
Dr. Seuss’ ‘What Pet Should I Get?’
By MARIA RUSSO,in the NY Times. MS Russo writes an appreciation of the incredible Theodore Seuss Geisel, his wonderful books, and the new-found book, What PetShould I Get? Here's an excerpt...
"First, though, the book itself: It features a round-faced brother and sister — his close- cropped hair is bristly on top, she has a long, wispy ponytail — who enter a pet store excited about the prospect of taking a new animal home. 'Dad said we could get one./ Dad said he would pay,' the boy exclaims. Inside, they confront a head-spinning lineup of choices. Also, they don’t have much time — their mother has told them to be home by noon. A few pages into their predicament and again toward the end, the words MAKE UP YOUR MIND charge across the top of a two-page spread, each held aloft by a different invented Seussian creature — floppy-limbed, scruffy-coated, oddly proportioned, jubilantly weird. On one of those pages, the boy sums up the book’s central point in a deceptively innocent lament: 'Oh, boy! It is something to make a mind up!' ”
Here's a link to a delightful and informative Dr.Seuss Today Show report on the new book, Theodore Geisel, his widow, his personal assistant, and his publisher.
"To the uneducated, an A is just three sticks."
“People say nothing is impossible, but I do nothing every day.”
“We'll be Friends Forever, won't we, Pooh?' asked Piglet. Even longer,' Pooh answered.”
“I think we dream so we don’t have to be apart for so long. If we’re in each other’s dreams, we can be together all the time.”
A.A. Milne, Winnie-the-Pooh
The illustration is by Earnest Shepard. ...................
Rescuing Wonderful Shivery Tales
This is the title of Marina Warner's excellent and inclusive article in theNY Review of Books . Warner writes about contributions to the world of wonder tales and children's literature by Jack Zipes, Philip Pullman, Peter Wortman, and Maria Tatar. In the case of Tatar, she concentrates on her work in introducing, translating, and annotating the Turnip Princess, the tales collected by Franz Xaver von Schonwerth.
Here are excerpts from this informed and insightful article:
"Jack Zipes has long been a staunch advocate of fairy tales and their proper study since his book Breaking the Magic Spell (1979) issued a devastating blast against the wishful thinking of mass entertainment and shook the staid and soporific scene of folklore studies. To interpret the tales he has combined Marxism, feminism, cultural materialism, and even—for a short period—evolutionary biology. He has stirred readers with a similar passion for his material, while attacking the use of literary fantasy in movies and television to camouflage moral manipulation. Writers whom he admires—Jane Yolen, Terri Windling, and above all Angela Carter—and the films informed by their work have supplied countermodels to the sins of the dream factory.
In the epilogue of the new critical collection, Grimm Legacies, Zipes, drawing on the work of the philosopher Ernst Bloch, once again argues that fairy tales are best understood as utopian thought experiments. When the peasant crushes the ogre, the poor lad finds justice; persecuted by malicious relatives, the kind sister gets her due, the courageous girl saves her beloved siblings or lover...
Zipes is on a lifelong mission, as ardent as the Grimms’, to bring fairy tales into circulation for the general increase of pleasure, mutual and ethical understanding..."
The illustrations for the Grimm's Hansel and Gretel and King Thrushbeard are by Arthur Rackham.
FOR YOUNG FANTASY AND ANIMAL LOVERS EVERYWHERE
By Don Blankenship, educator and reviewer forGood Books for Kids . This is an excerpt from his review of Castle In The Mist...
"This is the second book in the Planet of the Dogs series and I must say I enjoyed it, cover to cover. This work can be read as a sequel to Planet of the Dogs, an ideal situation, but can also be read as a stand-alone with no loss to the flow of the story. This read is suitable for children of approximately eight years and up as a reader, or can well be read to children much younger. Adults will love this one also; I know I did, but then I have my fare share of kid still in me...
The art work by Stella Mustanoja McCarty is of the same high quality that we found in the first book in this series (and we find in the sequel to this book also), and is a delight to theeye. These are a series of black and white drawing, probably enhanced by the use of charcoal, which fit the text perfectly. When you bring a skilled artist and writer together that know children and know their dogs, then you know you are in for a treat."
Read sample chapters of Castle In The Mist at our website: Planet Of The Dogs. The photo, above, of the boy, Chase, and Rose, the therapy dog, are by Susan Purser. Susan and Rose bring hope and caring to many people, of all ages, from young readers to the ill and the aged.
We have free reader copies of the Planet of The Dogs book series for therapy dog organizations, individual therapy dog owners, librarians and teachers...simply send us an email at email@example.com and we will send you the books.
Our books are available through your favorite independent bookstore, Barnes & Noble, Amazon, Powell's and many more...Librarians, teachers, bookstores...You can also order Planet Of The Dogs, Castle In The Mist, and Snow Valley Heroes, A Christmas Tale, throughIngram with a full professional discount.
The illustration and book cover are by Stella Mustanoja-McCarty.
Pan In The Garden
"In many ways , modern children's literature remains an Edwardian phenomenon.This period defined the ways in which we still think of children's books and of the child's imagination. During it's few years, this age produced a canon of authors and works that are still powerfully influential in the field...Our default mode of childhood, if you like, remains that decade or so before the first World War; the time between the death of Queen Victoria in 1901, and the assassination at Sarajevo in 1914, the time when writers looked back over loss and could only barely anticipate the end of the old order"
In the chapter "Pan In the Garden",Seth Lerer, in his book, Children's Literature, A Reader's History from Aesop to Harry Potter, writes of the impact of the Edwardian era on children's literature..."the years before the First World War in Britain and America were also years that socially and politically redefined childhood."
Children's books written in the Edwardian era are known, even today, by many children: The Secret Garden (Frances Hodgson Burnett), Peter Pan (JM Barrie), The Wind In the Willows (Kenneth Grahame) and more.
The cover illustration is by Inga Moore.
"Logic will get you from A to B. Imagination will take you everywhere." Albert Einstein
The illustration is from Miyazaki's Castle In The Sky.
Disney Got It Right in 2011-- After Previous Stumbles
According to Rotten Tomatoes, 90% of the critics (out of 127) liked the 2011 Disney production of Winnie the Pooh. Here is excerpt from the review by Michael DeQuina inMovie Report.
..."the writing team and directors Stephen J. Anderson and Don Hall make it work by never losing sight of the spirit of the characters, world, and Milne: imagination, innocence, and heaps of heart--best encapsulated by the bear's simple, moving gesture of friendship that so eloquently ties up the story, characters, themes and the enduring legacy that is Pooh."
Maine has an organization - EmBrace A Vet - that provides healing support with therapy service dogs. They also provide retreats for groups of vets and their families. This is from their site:
"Embrace A Vet is a nonprofit organization dedicated to providing direct and supportive services to these Maine Veterans and their families living with PTSD and/or TBI. Besides helping to save the lives of our veterans by providing love and hope through a new canine 'best friend', we also save the lives of many of the dogs who we adopt from shelters."
Embrace A Vet is the recipient of a $5,000 grant for their Paws for Peace Program. This funding, from thePlanet Dog Foundation (PDF) will aid in the placement of 12 dogs with veterans in need,
Jessica Lahey,in the Motherlode section of the New York Times, wrote an excellent article on reading,literacy, and RIF. Here is an excerpt...
"Fortunately, Reading Is Fundemental (RIF), has been enriching children’s childhoods through thedistribution of free books since 1966, when the founder Margaret McNamara resolved to give books to the children of Washington, D.C., children who may not otherwise have the chance to own books. RIF delivered books into the hands of these children by way of their iconic Bookmobiles; magic vehicles of wonder that pulled right up to the schoolhouse door and invited children to select, and take home, books of their very own. In its first year, RIF gave 200,000 books to 41,000 Washington children, and by the time I stepped into my first Bookmobile in 1977, I was just one of 1.1 million children RIF served that year.
Literacy is a prime predictor of student success, as well as a range of economic and physical well-being. According to the National Center for Education Statistics, nearly half of the adult population, or 93 million Americans, read at or below the basic level needed to contribute successfully to society. Adults below this basic level of literacy are far more likely to be unemployed and live in poverty, while individuals who achieve higher levels of literacy are more likely to be employed, earn higher wages, and vote in state and national elections"...
Here's a link to read it all: Motherlode
Go Ask Alice
AnthonyLane,in an effervescent New Yorkerarticle, wrote about Lewis Carrol, the Alice books, the world of nineteenth century Oxford,and several biographies in what Lane calls the Carrolllian maze. Here is an excerpt from this fascinating article... "Conversations about what is real, what is possible, and how rubbery the rules that govern such distinctions turn out to abound in the tales of Alice. Yet they are sold as children's books, and rightly so. A philosopher will ask how the identity of the self can be preserved amid the ceaseless flow of experience, but a child -- especially a child who is growing so fast that she suddenly fills the room -- will ask more urgently, as Alice does, "Was I the same as when I got up this morning? I almost think I can remember feeling a little a little different" Children, viewed from one angle, are philosophy in motion."
After I had prepared this post, I found that it was already posted by Maria Tatar on Breezes From Wonderland. Tatar has since added more about Alice including information about a new Annotated Alice by Mark Burstein and other news about 175 translations worldwide.
Here is a link to Grace Slick singing White Rabbit at Woodstock (August 1969)
The illustration of Alice is one of ninetytwo by John Tenniel for Lewis Carrol's books.
A Rose Is Not a Rose...
This excerpt is from a fascinating article by Marina Warner in the Guardian
"A fairytale doesn’t exist in a fixed form; it’s something like a tune that can migrate from a symphony to a penny whistle.
Or you can compare it to a plant genus, to roses or fungi or grasses, that can seed and root and flower here and there, changing species and colour and size and shape where they spring. But if the prevailing idea of an archetype gives too strong an impression of fixity, the picture-language of fairytale is fluid and shapeshifting: a rose is not a rose, an apple not an apple; a princess or a villain signify far more than what they seem. A dictionary of fairytale would look more like a rebus made up of icons: snow, crystal, apples, dark forests, pinnacled castles, mermaids, toads, giants, dragons, sprites, fair princesses, likely lads and crones.
The symbolism comes alive through strong contrasts and sensations, evoking simple, sensuous phenomena that glint and sparkle, pierce and flow, by these means striking recognition in the reader or listener’s body at a visceral depth (gold and silver; diamonds and rubies, thorns and knives; wells and tunnels). It’s an Esperanto of the imagination, and it’s available for any of us to use – in almost any medium..."
The painting of Sleeping Beauty is by Edward Burne Jones. The illustration is by Jennie Harbour.
The Society of Bloggers in Children’s and Young Adult Literature
I highly recommend Kidlitosphere as a source for anyone interested in children's literature.
The following is excerpted from their site...
Some of the best books being published today are children’s and young adult titles, well-written and engaging books that capture the imagination. Many of us can enjoy them as adults, but more importantly, can pass along our appreciation for books to the next generation by helping parents, teachers, librarians and others to find wonderful books, promote lifelong reading, and present literacy ideas.
The “KidLitosphere” is a community of reviewers, librarians, teachers, authors, illustrators, publishers, parents, and other book enthusiasts who blog about children’s and young adult literature. In writing about books for children and teens, we’ve connected with others who share our love of books. With this website, we hope to spread the wealth of our reading and writing experience more broadly...
KidLitosphere Central strives to provide an avenue to good books and useful literary resources; to support authors and publishers by connecting them with readers and book reviewers; and to continue the growth of the society of bloggers in children’s and young adult literature...here is a link to read more.
Welcome to our world.
The top illustration is of of Tom Thumb. The bottom illustration is of the Frog King.
There's magic, wonder, and exceptional animation here...I learned of this film, when I received this message from Joy Ward (author of exceptional dog books)..."There is an absolutely gorgeous animated movie out right now. It's Song of the Sea by an Irish team. Lovely story about o little boy and his selkie sister. Wonderful for everyone!"
The film reviewers have been uniformly enthusiastic. Here is an excerpt from Leslie Felperinin the Guardian:"Song of the Seablends Celtic legends, bravura design and animation, and intelligent storytelling that understands but never patronises young viewers, to create an exquisite and rewarding work ..." Here is a link to the trailer: Song Of The Sea
No Dark Deeds Here
This excerpt of the review by Jo Williams in the St Louis Post-Dispatch, sums up the Minions, a movie for the very young.
"If you’re old enough to read a movie review in a newspaper, you’re too old to fully appreciate “Minions.” Ditto if you’re old enough to read the menu at a fast-food joint, the height requirements at an amusement park or the price tag on a shiny yellow toy. This spinoff of the “Despicable Me” cartoons is like a pre-verbal version of “Inside Out,” all coos and colors and cute facial expressions. Tiny tots will eat it up like jelly beans. But what about their bigger siblings and baby-sitters? Will they be trapped on a sugar-rush cycle with no hope of escape?
Yes, but … The mad scientists at Dreamworks have scrubbed this ’toon of anything that might scare or challenge the target audience"...
Several years ago, I read Deb Eades book, Every Rescued Dog Has a Tale, and first learned about the nationwide network of volunteers who are "rescuing dogs from certain deaths in kill shelters and then being driven by dedicated animal lovers to a new life in another state."
Deb Eades was one of these volunteers, and her book is filled with touching first-hand stories of rescuing dogs and driving them to a place where another volunteer takes over and drives the next leg of the rescue journey. Or, sometimes, actually driving the rescued dog(s) to their new home.
Sunbear Squad is a mainstay in dog rescue. Here is an excerpt from their site:
"Each weekend in America, an army of volunteer rescue transport drivers deliver dogs and cats to safety in an organized relay of vehicles. Hard-working volunteer transport coordinators plan the logistics, organize the four-legged passengers, and provide support by phone continuously during the entire one- or two-day operation. Drivers sign up for relay "legs" via e-mail. They meet the previous leg drivers at an appointed time, transfer the lucky dogs and cats to their vehicles, and drive to the next relay meeting spot where the process is repeated until the destination is reached..."
To read the entire article follow this link: Rescue
"All knowledge, the totality of all questions and answers, is contained in the dog." -- Franz Kafka, Investigations of a Dog
The universe has conspired to turn my research work this summer into mass culture — while I've been toiling away on a fellowship that has me investigating Virginia Woolf's reading in the 1930s and the literary culture of the decade, the mini-series Life in Squares, about the Bloomsbury group and Woolf's family, played on the BBC and the film Testament of Youth, based on Vera Brittain's 1933 memoir of her experiences during World War One, played in cinemas.
I've now seen both and have mixed feelings about them, though I enjoyed watching each. Life in Squares offers some good acting and excellent production design, though it never really adds up to much; Testament of Youth is powerful and well constructed, even as it falls into some clichés of the WWI movie genre, and it's well worth seeing for its lead performance.
The two productions got me thinking about what we want from biographical movies and tv shows, how we evaluate them, and how they're almost always destined to fail. (Of course, "what we want" is a rhetorical flourish, a bit of fiction that would more accurately be expressed as "what I think, on reflection, that I want, at least now, and what I imagine, which is to say guess, what somebody other than myself might want". For the sake of brevity, I shall continue occasionally to use the phrase "what we want".)
Testament of Youth is easier to discuss in this context, partly because it's a single feature film based (mostly) on one text and not a three-part mini-series depicting the lives of people about whom there are shelves and shelves of books. Though the filmmakers clearly read some of the biographies of Vera Brittain, as well as her diaries, and occasionally incorporate (or at least allude to) some of this material, the structure of the film of Testament of Youth is pretty much the structure of the book, even though the screenplay takes some massive liberties. (I expect the 1979 mini-series was able to be more faithful, since it had more time, but I haven't gotten around to watching it on YouTube, which is pretty much the only place it seems still to be available, never having been released on DVD.)
For any 2-hour movie of Brittain's memoir, massive liberties are unavoidable, and overall I think the filmmakers found good choices for ways to streamline an unwieldy text — 650 pages or so, with countless characters who constantly bounce from one locale to another.
I should admit here that I don't much like Brittain's book. Some of the war parts are compelling, and it's certainly important as a historical document, but it seems to me at least twice as long as it needs to be, and Brittain simplified the main characters to such an extent that I find it hard to care about any of them. For instance, when Roland, the great love of her life, dies, it's all supposed to be terribly sad and devastating and I just thought, "Finally! No more of that insipid pining and those godawful letters back and forth and that hideous poetry!" (Which is not to say that I wanted more of the slog of the first 100+ pages of the book with all the details of Oxford University's entrance exams.) Someone could create an abridgement of Testament of Youth, maybe reducing the book to 150 or 200 pages, and it would be vastly more interesting and compelling, because there really is some excellent material buried amidst it all. Concision was not among Brittain's writerly skills.
I am not the right reader for Testament of Youth, however. None of us are, really. The book became a bestseller for a number of reasons, but one of them was that readers could fill in its thin parts with their own memories, experiences, and griefs. What the film of Testament of Youth achieves is to evoke some semblance of the emotion that was, I expect, present in the book for its first readers, most of whom would have had memories of the war years, and many of whom would have suffered similar losses as those described by Brittain — losses both of loved ones and of a certain, more innocent, worldview.
The deaths in the film were, for me at least, far more powerful than the deaths in the book. One reason is the change in medium: the move from the words on a page to actors embodying roles. Deaths in books can be hugely powerful, of course (see A Little Life for a recent example), but Brittain's ability as a writer was not up to the task, at least in a way that would transfer beyond the experiences of people for whom the First World War was still an event that had defined important portions of their lives. The characters in the film are less idealized than in the book, more human. The screenplay by Juliette Towhidi creates situations, moments, and dialogue that allow the characters to live a bit more than they do in Brittain's narrative, where the characters are more asserted by the writer than dramatized. The acting by the men is generally good, and Taron Egerton is especially effective as Brittain's brother Edward. (Kit Harrington struggles a bit in the role of Roland, but it's a nearly impossible role, since its primary requirement is for the actor to make poetic mooning somehow alluring.) But I think the real reason this film of Testament of Youth ultimately succeeds at evoking some emotion and making us care about what we watch is that Alicia Vikander is a truly extraordinary actor. Her portrayal of Brittain manages to convey the important overall arc of the character: from naive, idealistic girl to war-hardened woman shattered not only by the events of the war but also by the deaths of all the men she most loved.
Life in Squares might have been saved by its performances as well, given the talent of the actors in the show, but they never get a chance to do much. Writer Amanda Coe tries hard to give focus to the story she wants to tell, but she was unfortunately undone by the limitations of time — three episodes of not quite an hour in length is simply too little for what Coe and the other filmmakers attempt, and the result is mostly thin and unaffecting. Coe does some great things with the material, but there's just not much for the actors to work with, because the scenes move forward so quickly that there's no chance to build up anything. It's a real waste, unfortunately, because the lead actors in the first two episodes, James Norton (as Duncan Grant) and Phoebe Fox (as Vanessa Bell), capture some of the energy, attraction, and personality of young Bloomsbury in ways I've never seen before. The mise-en-scene is important, too, and marvelously rendered, giving a sense of the physical world through careful attention to the detail of sets, props, and, especially, costumes. But it's a mise-en-scene in service to ... well, not much.
For anyone who doesn't know the intricacies of the personal relationships among the "Bloomsberries", Life in Squares must be terribly confusing, especially given the choice to have two sets of actors play the main characters: a younger group and an older one, with the older group seen in quick flashbacks in the first two episodes, then dominant in the third, which is set in the 1930s. (The BBC has a helpful guide to the characters on their website.) With so many people coming and going through the show, and only a handful of characters given more than a few lines, it's difficult even for a knowledgeable viewer to know who is who.
The best decision the show makes is to focus primarily on Vanessa Bell, a fascinating person who has too often been invisible in the pop culture shadow of her sister, Virginia Woolf, but who was really much more at the core of the Bloomsbury group than either Virginia or Leonard Woolf. Her life also exemplified the ideals and aspirations of the group — she was an artist, had an open marriage to Clive Bell (with whom she had two children), and had a child with Duncan Grant, who preferred sex with men but for whom Vanessa was about as close as a person can get to what might be thought of as a soul mate. Their lives included mistakes, prejudices, jealousies, and great grief, but nonetheless seem to me to have been quite beautiful.
The problem Life in Squares fails to solve is the problem of showing entire lives over a long period of time. This was a problem Virginia Woolf knew well, and tackled again and again in her novels. But the problem of narrative time in a movie is very different from the problem of narrative time in a novel, because cinema's relationship to time is different from that of prose narratives, as lots of filmmakers and film theorists have known (Deleuze's second Cinema book is subtitled "The Time-Image"). This is one of the big perils of biopics, since they seek to show the progression of a life, and yet cinema is usually at its best when taking a more focused, less expansive view. Some wonderful films have covered entire lives — Citizen Kane comes to mind, as does 32 Short Films About Glenn Gould — but most history-minded movies that take on such a large expanse end up feeling thin, especially if they try to tell the story in a fairly conventional way, as Life in Squares does. (For comparison: The Imitation Game can thrive in its utterly conventional, audience-pleasing form because its narrative is relentlessly straightforward and the history is simplified to fit the linear movement of the plot and the characters' desires. Life in Squares doesn't simplify the historical figures or events nearly so much, but it also doesn't find a form that fits what it seeks to depict.)
Actually, the problem for Life in Squares is that it can't decide quite what approach it wants to take — will it be fragmentary and impressionistic, or will it try to string events together in a more linear structure? Linear becomes impossible because there's just so much material, and thus the show has to skip over all sorts of things, but it still retains an urge for linearity that sinks it. (How much better it would have been to, for instance, show us just three days in the lives of the characters. Or to take a page from Four Weddings and a Funeral and base it on the weddings of Vanessa, Virginia, and Angelica and the days of the deaths of of Thoby Stephen, Lytton Strachey, Julian Bell, and Virginia. Or base it on particular art works. Or ... well, there are any number of possibilities.) Coe structures the story around the love lives of the characters, but there's too much else that she wants to throw in, and it all ends up a muddle that, sadly, too often domesticates people who, in reality, very much did not want to be domesticated.
What's worse, Life in Squares ultimately fails to show anything much of what's important about Vanessa Bell, Duncan Grant, and the people around them — their contributions to culture. We see paintings around, we see the artists working now and then, and there are a few brief moments when we hear talk of books (Woolf's first novel, The Voyage Out, is, if I remember correctly, the only one we actually see, though there's some brief mention of The Years being a bestseller in the third episode). If not for the significant contributions to art, literature, and politics (hello there John Maynard Keynes, who gets maybe three lines in the whole show), these would not be especially noteworthy people, nor would there be much historical record of them. But more importantly, it's impossible to think of these people without their contributions to art, literature, and politics, because they lived for art, literature, and politics. (Well, Vanessa Bell and Duncan Grant were less politically inclined than many of the others, but that's relative — the first biography of Leonard Woolf, for instance, was a political study.) Life in Squares does an admirable job of showing the truly radical sexual politics of the group, but it subordinates everything else to the personal relationships, which of course makes for easier drama, even if that drama is, as here, unfulfilling. But what it looks like and feels like and sounds like to devote your life to the things the Bloomsbury Group devoted their life to ... that isn't really here in a meaningful way.
(Is there a movie about a writer that gives a real sense of the writing life? Nothing comes immediately to mind. For artists, yes — Mr. Turner, Vincent & Theo — but the making of art is itself visual action. Carrington, which could almost be Life in Squares Episode 2.5, was better because it focused very closely on its two protagonists and allowed Lytton Strachey to talk to Carrington about books and Carrington to work on, and discuss, her art. It's still pretty flat as a movie, but it's earnest and Jonathan Pryce and Emma Thompson are quite good in their roles.)
Which brings me back to the original question: What do we want from biopics? Why was I excited to see a new film of Testament of Youth and a mini-series about the Bloomsbury Group? Why, even now, given all I've said especially about Life in Squares, am I glad these exist?
Partly, there's a sense of validation. It's a powerful feeling when mass culture recognizes the perhaps strange or esoteric thing you yourself obsess over. I watched the first episode of Life in Squares with a friend who only knows Virginia Woolf's name because he's seen her books around my house. He was bored by the show, but seemed amused by my ability to expound on the various relationships and histories of the characters flitting across the screen (and indistinguishable to him) — and in that moment, suddenly all of the work I've done this summer (not to mention the past twenty years of sometimes casually, sometimes obsessively reading in and around Woolf and her circle) felt somehow less ... hermetic. This, I could say, is something the wider world cares about, too, at least a little, at least superficially, at least... It's possible that Life in Squares was a more fulfilling experience for me than for most viewers who know less about the characters and era. Not only could I figure out who was who, but I could also fill in the blanks that the show didn't have time or ability to dramatize. In that way, the show was, for me, pointillistic: my mind's eye filled in the space between the dots and extrapolated form from the individual moments of color.
Knowledge of the book of Testament of Youth is not necessarily helpful for the movie, because the film takes so many (mostly necessary) liberties that it's likely the knowledgeable viewer will become distracted by thinking about where the book and movie diverge. Both Testament and Life in Squares suffer from common problems of biopics, particularly name-dropping and random, obligatory cameos. Characters in Life in Squares constantly have to say each other's names because there are so many of them and they're all so quickly dealt with. Large historical moments must of course be alluded to in dialogue. And then important people must at least show up — there's a pointless moment with Vita Sackville-West in Life in Squares, for instance, and the presence of Winifred Holtby in Testament of Youth is only explicable because Holtby was so important in Brittain's life; but she gets so little time in the movie that she feels like she's been airdropped in at the last moment, and the portentousness of her announcing herself is never really dealt with. This brings me back, as ever, to the wonder that is Mr. Turner — director/writer Mike Leigh in that film and in his other historical movie, Topsy Turvy, avoids this sort of thing, because he knows that a movie is not a history book, and that what matters is not so much who people are as what they do and how they behave with each other.
What do we want to be accurate in our biopics ... and why? Does it matter if three minor characters are melded into one? Does it matter if chronologies are rearranged or simplified? Does it matter if people are put into places where they never were? "Well, it depends..." you say. Depends on what, though? I want to say that it depends on the ultimate goal, the effect, the meaning.
For me, the only changes that feel like betrayals are ones that distort the personality of characters I care about. Both Testament of Youth and Life in Squares do pretty well on that count, which is why, for all my grumbling, I was overall able to enjoy them and feel not great animosity toward them. I wish that the makers of each had been more imaginative, certainly — Life in Squares needed more imagination in order to come alive and feel vital, while Testament falls into too many clichés of the WWI story (plenty of which are directly from Brittain's text, which is why circumventing them requires significant imagination) and adds a couple of credibility-straining coincidences (particularly with Edward in France). If the Vera Brittain of the movie is a bit less naive and jingoistic at first than the real Vera Brittain was as a girl and the textual Vera Brittain is in the book, there is still a strong sense of her development in the film and, especially, in Vikander's performance, which begins with idealistic energy and ends with something far more profound.
In the end, I suppose what I want from biopics is a sense of the ordinary moments of extraordinary lives and the emotional realities of worlds gone by. This is something that drama in general can give us, and that cinema can give us especially well, with the camera-eye's ability to zoom and focus and linger and look. I got a sense of all that now and then in Life in Squares, especially when it calmed down and didn't try to squeeze so much in — I got a sense (imaginary, of course, but real in the way only the imaginary can be) of why everybody who ever met him seems to have fallen in love with Duncan Grant, and why Vanessa Bell was such a bedrock of the group, and what, in some way, it maybe felt like to wander those rooms and landscapes when they were not museums but just the places these people lived. Testament of Youth offers a bit more, and also shows some other virtues of the historical or biographical film — it enlivened the material for me, and I returned to the book with a certain new appreciation, a new ability to find my way into it, to care about it and to imagine how its first readers cared about it.
The cinema fell upon its prey with immense rapacity, and to this moment largely subsists upon the body of its unfortunate victim. But the results are disastrous to both. The alliance is unnatural. Eye and brain are torn asunder ruthlessly as they try vainly to work in couples. The eye says: 'Here is Anna Karenina.' A voluptuous lady in black velvet wearing pearls comes before us. But the brain says: 'That is no more Anna Karenina than it is Queen Victoria.' For the brain knows Anna almost entirely by the inside of her mind -- her charm, her passion, her despair. All the emphasis is laid by the cinema upon her teeth, her pearls, and her velvet. Then 'Anna falls in love with Vronsky' -- that is to say, the lady in black velvet falls into the arms of a gentleman in uniform, and they kiss with enormous succulence, great deliberation, and infinite gesticulation on a sofa in an extremely well-appointed library, while a gardener incidentally mows the lawn. So we lurch and lumber through the most famous novels of the world. So we spell them out in words of one syllable written, too, in the scrawl of an illiterate schoolboy. A kiss is love. A broken cup is jealousy. A grin is happiness. Death is a hearse. None of these things has the least connection with the novel that Tolstoy wrote, and it is only when we give up trying to connect the pictures with the book that we guess from some accidental scene -- like the gardener mowing the lawn -- what the cinema might do if is were left to its own devices.
Illustration for the Grimm's Golden Bird by Harry Jurgens
Mysteries, unexplainable events, magic and wonder, have been woven into the fabric of life for most of the time we've been on this planet. One man's fox was also a prince; one princess' frog was also a prince; and a beast may be transformed into a handsome prince when a tear of love falls on his cheek. Fairy tales are the echoes of days gone by, when reality had many meanings.
Fairy Tale is a Country of the Mind
"Impossible – absurd – enchantments define fairy tale as a form of storytelling, but the magic also gives expression to thought-experiments: the wicked fairy turning out to be capable of love, the Frozen princess thawed into humanity by her heroic sister’s staunchness and love. Fairy tale is a country of the mind made by imagery, by riddles and charms, spells and nonsense; it uses language to create imaginary structures in which language itself is supremely powerful: Rumpelstiltskin is undone when the heroine discovers his name..."
The illustration from Song of the Sea is by Tomm Moore.
Real and Unreal...
Myths, legends and folktales from the past influenced writers and artists in emerging cultures throughout most of Europe. Often inspired by the work of the brothers Grimm, RomanticNationalism enabled cultures to define themselves through their heritage from the past. New identities were emerging from traditions and folktales from their often troubled past.
This was certainly true in the Nordic countries -- Denmark, Finland, Norway, and Sweden. I recently attended an exhibition in Helsinki at the Ateneum, the national gallery, entitled The Magic North. Much of the art depicted folk tales, fairy tales, and legends. Here is an excerpt from their program:
"The Magic North exhibition presents Norwegian and Finnishart from the turn of the nineteenth and twentieth centuries. In this era, artists embraced themes such as their own countries imagined past, experiences of nature, and fables and legends arising out of human weaknesses and strengths..."
The Finnish Kalevala, an epic collection of folk tales, memorized and sung by rune singers, were preserved in the vast reaches of the forest lands of Finnish Karelia. They were collected by Elias Lonrott, who traveled for years, until he organized and published the Kalevala in 1835. A second edition, an extended version of 22,900 verses appeared in 1849. Dating back centuries, the Kalevala was a prime factor in igniting a cultural renaissance -- a search for national identity -- in all the arts in Finland.
Immersing myself in the The Magic Northexhibition, experiencing the influence of the Brothers' Grimm and the power of the past expressed by passionate artists, was a wondrous experience.The artists included Edvard Munch, Hugo Simberg, Akseli Gallen-Kallela and Gerhard Munthe.
The illustration of the Daughters of the Northern Lights (top) is by Gerhard Munthe
The illustrations of the White Bear King, Valemon, and The Dragon Returns, are by Theodor Kittelsen.
The illustration from the Kalevala (bottom) is by Akseli Gallen-Kallela.
The story of the White (Polar) Bear King was from a long folk tale collected and published by the Norwegian collector/writer, Peter Christen Asbjorrnsen (1882-1885). He published, with his partner Moe, over 100 Norwegian folk tales. They modeled their work on, and were inspired by, the Grimms.
For centuries, witches were real in the minds of people in Europe and the USA.
If someone believes in witches, it becomes their reality.
Witches could be casting spells, causing illness and strange behavior.
They must be avoided or punished... burned at the stake or hung by the neck.
It follows that witches, spells, and unexplainable events are an integral part of stories told as folk tales, fairy tales, and wonder tales.
Gretel, when pushing the witch into the oven, was not only saving her brother's life -- and her own -- she was doing what civilized society was doing...destroying the devil's emissary.
The illustration, a fragment of the Last Judgement, is by Hieronymus Bosch.
"In 1692, the Massachusetts Bay Colony executed fourteen women, five men, and two dogs for witchcraft. The sorcery materialized in January. The first hanging took place in June, the last in September; a stark, stunned silence followed. Although we will never know the exact number of those formally charged with having “wickedly, maliciously, and feloniously” engaged in sorcery, somewhere between a hundred and forty-four and a hundred and eighty-five witches and wizards were named in twenty-five villages and towns. The youngest was five; the eldest nearly eighty..."
This is an excerpt from an article on The Witches Of Salem by StaceySchiffin inthe New Yorker
Secret Worlds Are Real
“Everybody has a secret world inside of them. I mean everybody. All of the people in the whole world, I mean everybody — no matter how dull and boring they are on the outside. Inside them they've all got unimaginable, magnificent, wonderful, stupid, amazing worlds... Not just one world. Hundreds of them. Thousands, maybe.” ―Neil Gaiman,The Sandman, Vol. 5: A Game of You
Here is a link to the turning point scene in Neil Gaiman's Coraline where she is confronted with making a choice between two worlds, two realities: Coraline
A World of Fairy Tale Knowledge
The new edition of the Oxford Companion to Fairy Tales, is quite wonderful.
Comprehensive, easy to navigate, with information on all aspects of the world of fairy tales, from innovative creators like Jim Henson and Hayao Miyazake to authoritative entries on the classics from the Arabian Nights to Charles Perrault.
I was quite taken with extended overview articles of cutures with a strong fairy tale tradition. The list of countries is quite comprehensive, ranging from Britain and Ireland to the Slavic and Baltic Countries.
The articles throughout the Companion are well written and informative. The list of contributors and their credentials is inclusive and rather awesome.
Jack Zipes, who edited this essential reference work, also provides an insightful and comprehensive Introduction which ranges through the centuries to modern times. In his introduction, Zipes writes that although the Companionincludes contributions from many cultures, however, "The focus of this Companion is essentially on the literary formation of the Western fairy-tale genre and its expansion into opera, theater, painting, photography, and film, and other related cultural forms."
This is an essential book for all those with a serious interest in the world of Fairy Tales and their origins. It will be available in bookstores and on the internet on the first of November.
This is a photo of veterans participating in a 5 day in-residence training program at America's VetDogs Smithtown, NY, campus. America's VetDogs has received a Planet Dog Foundation Grant to help support a 3 year pilot program to study the differences that PTSD service dogs make in the lives of veterans.
Here is an excerpt from their website: "SERVICE DOG TRAINING PILOT PROGRAM
"The Study: As part of this pilot program, America’s VetDogs has partnered with Western KentuckyUniversity to complete a professional three year study on the effects that PTSD service dogs will have on a veteran’s life. The study will help America’s VetDogs make changes to its curriculum and tasks to ensure that we are providing the best quality service dogs possible. America’s VetDogs also wants to be able to provide government agencies and the public with impartial evidence of the difference these dogs make for veterans, and foster understanding within their local communities of the issues faced by veterans with PTSD and how service dogs can help."
This is one of several wonderful programs that America's VetDogs provide at no cost to veterans and first responders by "placing specially trained assistance dogs to help them once again lead active, independent lives."
Here is a link to the America's VetDogs PTSD Service Dog Pilot Program
“I believe in everything until it's disproved. So I believe in fairies, the myths, dragons. It all exists, even if it's in your mind. Who's to say that dreams and nightmares aren't as real as the here and now?” ― John Lennon
The illustration from Tom Thumb is by Warwick Goble
What would happen if someone kidnapped a couple of Santa'sreindeer so that he could not deliver his presents on Christmas Eve? The dogs from The Planet of the Dogs have returned. After they had helped to save the hard working farmers of Green Valley from an invasion by the Stone City Warriors in Planet of the Dogs and then rescued two kidnapped children to prevent a war between the Stone City Warriors and the Black Hawk Tribes in Castle in the Mist, the dogs have another job. The evil King of the North, who was banished by the Tribe of the North and now lives in the forbidding Ice Castle, takes his vengeance by sending some of his Royal Guards to steal two reindeer from Santa Claus and thus stop Christmas.
Daisy and Bean from Green Valley head north to help the dogs rescue Dasher and Dancer, and they meet a host of new friends in the process. But will they make it in time to save Christmas? All of the "Planet of the Dogs" books are well written. Not only are they fun to read but also they exhibit good attitudes and beneficial attributes on the part of the main characters so that good overcomes evil, sometimes in surprising ways. The short chapters are perfect to keep the attention of the target audience. Dog lovers will especially like these tales, but everyone else can enjoy them too. Snow Valley Heroeshas the potential of becoming a favorite holiday story for both children and adults.
The illustration from Snow Valley Heroes, A Christmas Story, is by Stella Mustanoja-McCarty
We have free reader copies of the Planet Of The Dogsseries for therapy dog organizations, individual therapy dog owners, librarians and teachers...simply send us an email at firstname.lastname@example.org and we will send you the books.
Our books are available through your favorite independent bookstore, Barnes & Noble, Amazon, Powell's and many more.
Planet Of The Dogs is now available in digital format at
“Maybe each human being lives in a unique world, a private world different from those inhabited and experienced by all other humans. . . If reality differs from person to person,can we speak of reality singular, or shouldn't we really be talking about plural realities? And if there are plural realities, are some more true (more real) than others?.." -- Phillip K. Dick
The illustration, from My Neighbor Totoro, is by Hiyamo Miyazake.
An Insightful Review from BookPleasures.com
"If you [also] love animals, I can guarantee you will adore this gem. The love Cayr and her friend, Dalene, have for these animals is clearly portrayed in this moving yet uplifting book. They are animal lovers with big hearts for not only domestic animals but for the waifs and strays too. I couldn't put this one down.
I thought it was an absolutely brilliant book, especially as I myself share the same passions as the author and her "life mate" have for animals.
This is a tale that will appeal to animal lovers and perhaps children too." --
We are having a new lotto... we are giving away 3 paperback copies of the second edition of Born Without a Tail. To enter, please send an email to Books4DogLovers@gmail.com and place the word "entry" on the subject line.
Can A Classic Book Jacket Move?
Bending reality...Art director Javier Jensen puts movement (GIFS) into classic book jackets including Green Eggs and Ham, The Hobbit, and The Little Prince... I wonder what young readers think of this phenomenon...is it real?
A Hard Reality about Reading
LitWorld works in 14 countries around the world, and three sates in the USA, to bring literacy to children. Here, from the LitWorldwebsite, is the Problem in the USA.
In the 14 countries served by LitWorld outside the USA, the Problem is compunded.
Visit their website and read about the wonderful work they do: Link to LitWorld:
THE PROBLEM: "The millions of readers who complete elementary school reading below grade level are unable to read about the characters and plots written for their age group. The stories they can read are meant for a less mature audience. At best, they hide this by reading only in private. At worst (and most often) they simply give up reading altogether. Given the daily importance of reading in all aspects of life, lacking this crucial skill negatively impacts everything from academic performance to everyday communication.
BY THE NUMBERS: As many as 90 million teens and adults in America lack crucial literacy skills..."
This is a very hard reality. The photo was taken on LitWorld's World Read Aloud day in a Syrian refugee camp in Jordan
Canine Therapy is Real
Rose, an Australian Cattle Dog, has been an active therapy dog for 13 years at TidewellPallitive Care and Hospice.
I recently received a message with photos from Rose's owner, Susan Purser. We have been in touch for several years. I was moved by her message and the photos she sent wanted to share the following...
"I was asked once what it was like to see so many hands reaching out for my dog, Rose.I hadn't really thought much about it, as she is such a giving Australian Cattle Dog and is continually searching for hands wanting to touch her. I thought perhaps you might enjoy seeing some of these hands...aged hands, searching for memories and then sharing them with whispers in Rose's ear or while hugging her neck. Soft spoken or without words, it doesn't get any better than watching this type of unconditional love."
Rose doesn't understand future nor how long or short time is. She does devote her total attention to these lovely people in their time of need. She gives comfort that I can only observe and opens those ever so special memory doors that only she can enter...I am a facilitator and I do believe, if she could drive, she would not need me! Pet therapy is such a special part of the people's lives and I am truly blessed to have entered this treasured space for just a little while and then I think, where have thirteen years gone?"
KidLitospherehas helped many readers find their way to these pages. Here is an excerpt from their home page...
"Some of the best books being published today are children’s and young adult titles, well-written and engaging books that capture the imagination. Many of us can enjoy them as adults, but more importantly, can pass along our appreciation for books to the next generation by helping parents, teachers, librarians and others to find wonderful books, promote lifelong reading, and present literacy ideas." Here is a link to Kidlitosphere.
Movies -- PAN
PAN is opening on Oct 9 in the USA; Oct 16 in the UK; it has already opened in Australia.
Advance reviews are mixed, some of them angry...I've read several and it sounds like the driving force was commercial success...Here are excerpts from Andrew Barker in Variety...
"Of all the recent big-budget studio films to re-imagine beloved children’s tales as garish, CGI-choked sensory overloads stripped of all whimsy or childlike wonder, Joe Wright’s “Pan” is certainly the most technically sophisticated...
There is perhaps no clearer illustration of “Pan’s” guiding principles than its treatment of pixie dust. In Walt Disney’s 1953 “Peter Pan,” the story’s best-known incarnation, pixie dust is a glowing substance that allows lucky children to fly high above the clouds. In “Pan,” pixie dust is the street name for Pixum, a rare, crystalline substance mined by slave labor from deep in the earth that, when smoked on an elaborate opium den-style apparatus, restores youthfulness to the user. (The film neglects to tell us its radioactive half-life or the side effects of recreational use, but perhaps those scenes are being saved for the director’s cut.).."
The story is a prequel to J.M. Barrie's Peter Pan. It borrows characters and much of it takes place in Neverland; the Darling Family never appear.
Famed animated film director Hayao Miyazaki is sponsoring a new children’s facility in a virgin forest on a small island 56 miles west of Okinawa Prefecture to encourage kids to enjoy nature through their five senses. Miyazaki's films include Howl's Moving Castle, My Neighbor Totoro, and Spirited Away.
About two and a half acres of forest are being provided by the town ofKumejima; Miyazake will cover the anticipated 2.5 million in construction costs.
Christopher Lassen <email@example.com> of New York Public Library sent us a notice of a fascinating Children's Literary Salon(the Salons are ongoing and free)
On Saturday October 17th, our program will be "The Natural World of Winnie the Pooh". Join Kathryn Aalto(The Natural World of Winnie-the-Pooh: A Walk Through the Forest That Inspired the Hundred Acre Woods) for a journey into one of the most iconic settings in children's literature: the Hundred Acre Wood, inspired by Ashdown Forest in East Sussex, England. It is here where A. A. Milne livedand set the tender adventures of Winnie-the-Pooh and his merry band of friends...
The program will take place in the Celeste Auditorium (formerly South Court Auditorium) in the Stephen A Schwartzman Building of NYPL (5th Avenue & 42nd Street) at 2:00pm.
Sunbear Squad is a primary source of information for dog lovers...filled with information and guidelines, ranging from helping an abandoned dog to building a proper doghouse. Here is an excerpt from an article on Traveling By Car Or Truck With Pets by Edward Green, TruckersReport.com...
Taking the family pet along for the ride is a part of the vacation plans of families across the nation. These trips can be quite memorable and enjoyable—but only if you take the proper safety precautions for your animals. This guide will help you travel safely and comfortably with your favorite pet.
Before You Travel
When you and your family are traveling, planning is essential to make sure you get everything packed and are fully prepared for your journey. Such planning is also a must when it comes to traveling with pets: Read the rest of this entry »
“The dog’s agenda is simple, fathomable, overt: I want. “I want to go out, come in, eat something, lie here, play with that, kiss you. There are no ulterior motives with a dog, no mind games, no second-guessing, no complicated negotiations or bargains, and no guilt trips or grudges if a request is denied.”
When coming to write about The Martian, Ridley Scott's space/disaster/survival movie about an astronaut stranded on Mars, it's hard to resist the impulse to draw comparisons. The Martian is perhaps best-described as a cross between Alfonso Cuarón's Gravity and Robert Zemeckis's Cast Away. Its focus on the engineering challenges that survival on Mars poses for hero Mark Watney, and on the