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1. Josh Brill Interview


Josh Brill / Lumadessa Interview

I was first introduced to Josh Brill and his work though through his Flora Fauna collection. With nature serving both as a catalyst and a muse, the ongoing series explores and catalogs the identities of plants and animals from around the world. To illustrate these explorations Josh chose to eschew conventional realism in favor of a style that echoes cubist techniques. The end result is vibrant, bold and visually intoxicating.

In addition to sharing the same passion for illustration and design, I was excited to discover that Josh and I shared a similar upbringing. We unknowingly haunted the same swimming holes and drank from the same slush puppy wells while growing up. This served as fodder to fuel our friendship and with this in mind, i’m delighted to present today’s interview with him.



Lets start off with a little bit about your background. Where are you from originally?
I was born in Norway, Maine and raised in the Lake Region area nearby.


When and how did you become interested in illustration and design?
When I was a kid, I became interested in art through pop culture including animation, comic books, skateboard graphics and video games. Though I did not know it as a profession, just for what it was, something fun to me. It wasn’t until high school that I learned that people do this for a living. A friend gave me some comic books to read and I loved the artwork. As I learned more about the artists behind these books I grew excited. It was hard to believe that people could make a living from drawing fun pictures. I told my mom I wanted to be a comic book artist  and she was generally supportive. I think she was just happy to see I had a possible career direction. From here I took the closest course in desktop publishing and to be  honest, I did not enjoy it. It was the early 90′s and they were still teaching the old paste up methods and the design examples were formulaic at best. This led me to take classes at the Kubert school for cartooning and animation before enrolling in Maine college of Art. It was here that I gained a renewed appreciation for the art.

Josh Brill / Lumadessa interview


When did “Lumadessa” come into being and what is the story behind the name?
“Lumadessa” took shape in the summer of 2003. At the time, I was still new to field and I didn’t have much client work to show. I was making short experimental interactive narrative art pieces in Flash, and I needed a portfolio site to showcase my skills. After completing the website I decided I wanted to create an identity that would compliment my work but also allow me to grow with it. I liked the word luminosity, because it worked for the literal side of art and the interpretation of light for creativity. The word “odyssey” struck a chord for me as well, as it implies the journey that art takes you on. From there, I combined the two words to form Lumadessa.


Josh Brill / Lumadessa interview


We would love to highlight one of your projects. Could you walk us through the Nature Explorer poster? Please include the tools you used to create this project.
I used Flash and Illustrator to create the vector art, then brought it into Photoshop and used RetroSupply Co.’s Blacksmith filter actions and brushes to create a subtle press printing with an ink bleed effect. Next, I added some light textures using a Wacom tablet.

Josh Brill interview

What were some of the thoughts that fueled the direction of the design?
I have been working on animal art for seven years and while i’ve enjoyed making the work, it’s a challenge to stay focused on one thing. Overtime, it’s caused creative fatigue and for this poster I wanted to head in a different direction. I wanted to logically bridge my existing animal work with my new found love of travel posters. I am planning to create a complete series of posters, but for this initial attempt I chose to create something that encourages others to embrace and explore nature.


In what ways did the initial concepts differ from the finished work?
When I started the project, my intentions were to create a Maine travel poster. Unfortunately, I became busy with other projects and reached a creative stopping point. When I came back to the poster, I toyed with other locations, like Patagonia and Acadia that might work better for such an iconic theme as nature, but each time my explorations felt visually forced.  I then realized that this project was more about nature as a visual symbol, rather then a place.

 Josh Brill / Lumadessa interview

What are your passions outside of design?
Wait a minute, there is a life outside of design? When did this happen? (laughter) All kidding aside, my job takes up much of my time. When possible, I love to travel. The next trip i’m planning is to Acadia National Park in Maine to do some hiking and exploring. In addition, I’ll be taking reference photos for a travel poster based on the park.



We would like to thank Josh Brill for taking time to share with us. You can see more of his work at Lumadessa.com. For a limited time Josh is offering $10 off his Nature Explorer poster. Please use the coupon code “GrainEdit1012″ at checkout. The offer is good till 10/12/14 at midnight.

This interview is brought to you by RetroSupply Co. Working with authentic materials (including real paint, ink, paper and screen textures from screen printing shops) they have crafted a vast library of vintage inspired design resources for Photoshop and Illustrator.

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Also worth viewing…
Brad Woodard Interview
Brent Couchman/ Moniker SF Interview
Ty Mattson Interview



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2. Ed Nacional Interview

Ed Nacional interview on grainedit.com

I first discovered Ed Nacional at the end of 2009 as he was completing his studies at Parsons. He had recently taken on a design internship for the New York Times and was beginning to explore his capabilities as an illustrator. I was instantly attracted to his his bold no-nonsense use of type and stylish yet minimal use of color. Since then, I have enjoyed watching Ed grow as a designer and seeing the projects that have resulted from his efforts. Others have taken notice as well, as popular brands and platforms like Skillshare and Wanelo have sought Ed’s expertise and artistic sensibilities in developing their identities. In today’s installment of the Design in Process series we chat with Ed about his workflow, his passions outside of the office and more!


Lets start off with a little bit about your background. Where are you from originally? When and how did you become interested in design?
I was born and raised in Calgary, Alberta, Canada. The city is nestled between the rocky mountains and the prairies. I had a fairly standard suburban childhood and lived in Calgary till I was 23 and moved to New York City.

Growing up I always loved to draw and make things. Most of my time was spent doodling and playing with lego. My Dad has always been a tech junkie, we grew up with a Comodore 64 and we had a computer in our house before any of my friends did. So all through my childhood and high school I was interested in art, drawing, craft and computers. Once I found out that Graphic Design was a real job, I knew it was a good fit for me based on the interests I had. I jumped right into learning graphic design after high school and 14 years later I am still doing it and loving it.

Ed Nacional interview on grainedit.com


Ed Nacional interview on grainedit.com

Could you walk us through one of your projects? Please describe your workflow, including the tools, from pen and paper to software and devices.
I find my time is almost evenly split between working on designing brand identities and illustrating for editorials and advertising. I will try to talk broadly about my process for both design and illustration.

Whether I am working in design or illustration the project starts the same. I begin with getting as much information I can from the client and really trying to get a sense of the subject, environment, users/customers/viewers. I do a lot of research into the subject matter. This research is fun because I get to learn something new but more importantly it’s an integral part of the project as I get better perspective and view on the subject. I am full prepared by the time my pencil hits paper or my hand moves a cursor. Once I have the information and research complete, I jump into sketches. I draw rough ideas and often write lists and notes to help brainstorm ideas.

I personally dont have the most refined sketches and my sketchbook pages aren’t works of art like some other designers and illustrators I know. My sketches are often simply to remember ideas and to explore high level concepts.  I am usually embarrassed to show people my sketches.

You can see in these two examples just how rough my sketching is and how far it comes when completed.

Ed Nacional interview on grainedit.com


Ed Nacional interview on grainedit.com


Although I always like to sketch it doesn’t always happen solely on paper. Sometimes I draw on the ipad, or directly in Adobe illustrator where I create rough layouts.

Ed Nacional interview on grainedit.com

Ed Nacional interview on grainedit.com


Often times my rough sketches end up very close to the final product, other times it happens all organically while pushing shapes around in illustrator by refining and iterating. Since a lot of my work is complex layouts with many pieces, a lot of my process is re-arranging shapes till the energy and balance feels right.


Ed Nacional interview on grainedit.com
In this illustration for the Kern and Burn book I started with a simple and layout made up of only a few shapes. The theme of the illustration was “Make Work with Friends” so I wanted to push the feel of collaborative energy of working with friends so I kept pushing and adding more. By the end the layout was much more dense and complex. You can see the progression.


Ed Nacional interview on grainedit.com

Ed Nacional interview on grainedit.com
For this illustration for Uppercase’s Work Life 3 Book I drew a large number of objects and graphics and then spent a lot of time arranging and re-arranging them until it had the feel I was looking for. This process is very iterative and takes quite a while to get where I feel its balanced and had a good flow.


Ed Nacional interview on grainedit.com

Here is an very compressed and edited example of a first round of identity directions followed by the final outcome.
Ed Nacional interview on grainedit.com

You can see here my illustrator art boards are filled with iterations. I choose the best of the best and present a couple to the client.


How has your process evolved since you first started designing?
Back when I first started designing I didn’t do a lot of research, sketching or any of the important conceptual thinking. I was all style and no substance. Over the years I have been learning and exploring that balance of concept and style. Each project and situation is completely different, sometimes I am creating something that concept is most important and style should not interfere or overshadow. Other times I am creating something that is more complementary to a story or brand and the piece is allowed to be more style based and ornamental. The more work I do the better I get at understanding this, when I first started I didn’t have a clue.

Another large difference in my work that has changed is that up until recently I considered myself only a designer.  It was a couple of years back while working as an assistant art director at the New York Times and commissioning illustration and working with illustrators daily was when I decided to explore illustration. Illustrating complex editorial articles really pushed my thinking in new ways. I have carried over what I have learnt in illustration to my design work and vice versa. This was a huge help and turning point in understanding that same balance I just talked about with concept and style.

Ed Nacional interview on grainedit.com


Are you a creature of habit or do you like to try new technologies, applications, and features?
As you have seen in my process examples I am constantly trying new ways to work and I am never afraid to test out other methods to figure out what works best. I feel I am learning more and more with each project I do so often I will use a new project to learn a new subject and sometimes even a new technology. I am some what of an early adopter and love trying out the new physical gadgets as well as applications that relate to my design and illustration work. I’m always looking to streamline my workflow so I often research and keep up to date with technology. Although I love chasing new products and applications I also have a large collection of vintage design books and surround myself with furniture and art from the past. I feel there is definitely a way to keep up to date with what’s happening but also embrace the past and process of the designers of past eras. I feel this balance is important in my work and my life.


What are your passions and interests outside of design and why?
I have many passions that still closely relate to different aspects of design. My wife and I share a strong passion for vintage housewares and furniture. We are always collecting and hunting for new items at flea markets, garage sales, estate sales and thrift stores. I also enjoy taking a break from the computer and work with different printmaking techniques like screen printing and letterpress. I have also recently started to learn more about woodworking and furniture design. These passions are still directly related to the work I do and are still strongly connected to my love of design.

Ed Nacional interview on grainedit.com

More outside of the world of design, I enjoy exploring cities on foot. New York City is always changing and there is so much to see and experience while walking through different neighborhoods. There are so many great small shops to visit and amazing restaurants to try. In my free time you can find my wife and I walking around our city or taking trips to explore other cities. We love this urban exploration but at the same time we also love the outdoors and nature. We have just purchased a 1847 farmhouse in the Catskills (Upstate New York) and are excited to explore rural life by furnishing and renovating our home as well as tending to our land. This is a new chapter in our lives and we are going to be able to dive in deeper into some of our other passions and interests that revolve around living in the country. We are hoping to have the best of both worlds and indulge in our interests both in city life and the great outdoors.


Ed Nacional interview on grainedit.com


Identity work for Skillshare


We would like to thank Ed Nacional for taking time to share with us. You can see more of his work at Ednacional.com. Catch him on Twitter and Pinterest as well.

This interview is part of the #designinprocess series brought to you by Adobe. Read all of the interviews here and follow along on Twitter and Pinterest at #designinprocess and #newcreatives.


Also worth viewing…
Mike Cina Interview
Brent Couchman/ Moniker SF Interview
Ty Mattson Interview

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3. Getting the Most Out of Post Formats: Quoting in Style

Nearly 150 of the themes available to WordPress.com users support post formats, which means that these themes offer a variety of post types (standard, image, gallery, video, audio, quote, and more) that display your content differently based on the format. If your theme supports post formats, you’ll see a Format module as you’re …

11 Comments on Getting the Most Out of Post Formats: Quoting in Style, last added: 4/14/2014
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4. Brent Couchman Interview

Brent Couchman Interview #designinprocess

Born and bred in the Lone-Star state, Brent Couchman is a designer and illustrator that now calls San Francisco his home.  Noted for his generous use of color, he employs vibrant yet sophisticated palettes that elevate and accentuate the playfulness and meticulous nature of his work. He has received awards and accolades from distinguished publications including Graphis and Print and has established himself as an accomplished designer with a distinct visual voice. After stints at Fossil and Hatch Design he recently decided to venture out on his own with the launching of Moniker – a design and branding studio focused on timeless work and strong client relationships.  In our latest addition to the Design in Process series we chat with Brent on his creative process and the challenges of managing a studio.

Lets start off with a little bit about your background. What was your first design gig?
My first official design job was in high school at a local print shop. I was hired to help the owner, who handled all of the design and production work that came in. I got the hang of things pretty quickly and worked on my own designing a lot of business cards, brochures, ads, etc. It was a great introduction to design because I was exposed to the production side of things and had projects with clients and timelines. They also let me wear flip-flops to work.

Brent Couchman Interview #designinprocess

What challenges have you faced managing your own studio?
It took me about six months to get comfortable with the ebb and flow of new work. I was afraid that at some point new projects wouldn’t come in and I’d have to get a job at Kinkos. After a while, I got used to the inevitable downtime and have since learned to take that time to relax, work on personal projects or develop the business.

Another challenge was leaving the studio environment, where you collaborate with talented people and see the work they’re creating. You miss a lot of the interaction and even inspiration that happens from walking around and seeing.

What do you enjoy about being on your own, as opposed to the design firm environment? 
There’s a feeling of freedom that comes from running my own business, and that shows itself in several ways. I can choose what projects to take on or go after specific work that I’m interested in. Even if I need to take on a project for financial reasons, the decision is still mine, and it directly benefits me.

Time is another way I feel that freedom. Whether it’s the day to day schedule of how long to work, or the amount of time I take off for vacation. It’s great to have the freedom to choose how I spend my time.

Brent Couchman Interview #designinprocess

Brent Couchman Interview #designinprocess

Could you walk us through one of your projects? Please describe your workflow, including your tools, from pen and paper to software and devices
Up Global is a Seattle-based company offering resources and support for entrepreneurs of all levels. I was hired to develop a visual identity system for the company, who had recently gone through a merger. After a few days of discussing goals, audience breakdowns, competitive landscape, and other key information, I went back and hit the sketchbook.

Brent Couchman Interview #designinprocess

One of my favorite ideas was a very literal interpretation of the name, combining an arrow and a globe to make an abstract human form.

Brent Couchman Interview #designinprocess

After sketching, I took the best ideas and moved to the computer to work out rough comps. I use Adobe Illustrator pretty exclusively, even for most of my presentation mockups. Because I was working directly with the creative director, I showed a larger number of concepts in a rougher state than I would on a normal project.

Brent Couchman Interview #designinprocess

One of the goals was to create a symbol that was truly international and could identify the company easily without the type. The simple arrow/globe emerged as the favorite, but we moved forward with a few other concepts as well to see how we could expand in each direction.

Brent Couchman Interview #designinprocess

Brent Couchman Interview #designinprocess

In the end, the arrow/globe/human icon won. We developed a system through which each future regional chapter could pick their own color and customize the logo with their location.

Brent Couchman Interview #designinprocess

Brent Couchman Interview #designinprocess

With so many regional chapters, one of the other major considerations was building a visual language anyone could use. Rather than creating a complex system of guidelines, we opted to keep things simple by keeping the focus on the logo, and breaking it apart to build the visual assets used across the brand.

Brent Couchman Interview #designinprocess

Brent Couchman Interview #designinprocess

How has your process evolved since you first started designing? Are you a creature of habit or do you like to try new technologies, applications, and features?

When I first started designing, I did a lot of work to generate ideas. I’d sit down and write word associations, lists, and spend hours sketching, trying to perfect each line and form of a logo or illustration. Then I’d take those to the computer and see what worked. Now, the process is more dictated by the project constraints and time line. I’ll still sketch, but it’s more like jotting down a few words or scribbles to remember an idea later. Through the years I’ve gotten a better feel for what works, so I don’t have to rely on such a rigorous process to generate good ideas.As for new technologies, the two services I’ve used since starting out on my own are Dropbox and Adobe Creative Cloud. Dropbox is great because I can access files from anywhere, which really helps when working from the road. Creative Cloud is great because you can get the software updates as they come out rather than using one version of the software for several years, which I used to do.

Brent Couchman Interview #designinprocess

Analytical tools are now ubiquitous, and because of this designers are often asked to back up their work with data and research. With this in mind, how much of your work is based on intuition — and what role should intuition play in design today?
I think intuition and research and data go hand in hand. The best work comes from being completely immersed in as much information as possible about the goals, challenges, audience, etc., and then finding a solution based on that information. Without that aspect, there’s no way to communicate effectively, so I definitely think both are integral to good design.

Brent Couchman Interview #designinprocess

What are your passions and interests outside of design and why?
I collect rare design books and ephemera, which all started when a coworker at my first job let me borrow his copy of Paul Rand’s Design Form and Chaos. I had not heard of Paul Rand at the time, so I was blown away. After that I worked in-house at Fossil and was exposed to more mid-century designers and started collecting old Graphis annuals, which led to more and more rare design books. Now I have a network of dealers in the States and Europe who help me get my fix. My wife isn’t a huge fan, especially since we live in a tiny San Francisco apartment, but that hasn’t stopped me so far.

Another thing I’ve really come to love is exploring the Bay Area and California in general. My wife and I will find new restaurants or shops and take time during the week for day trips in and around the Bay Area. It’s nice to get a break between projects and refresh from time to time.

Brent Couchman Interview #designinprocess


We would like to thank Brent Couchman for taking time to share with us. You can see more of his work at MonikerSF.com. Catch him on Twitter and Instagram as well.

This interview is part of the #designinprocess series brought to you by Adobe. Read all of the interviews here and follow along on Twitter and Pinterest at #designinprocess and #newcreatives.


Also worth viewing…
Mike Cina Interview
Katie Kirk Illustration
Ty Mattson Interview

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5. Digging In the Dashboard, Part II: Features for Longform Posts

As we discussed in the first installment of Digging in the Dashboard, WordPress.com has so many great features that it’s tough to be familiar with them all. I’m still discovering new ones myself! Let’s keep the discovery going with three more features that might be new to you. This time, …

12 Comments on Digging In the Dashboard, Part II: Features for Longform Posts, last added: 9/27/2013
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6. Embed a Follow Button for Your Blog

Today, we’re excited to introduce a new way for people to engage with your WordPress.com blogs: an embeddable version of the Follow Button that you’ve seen in your toolbar for some time now. Like similar buttons you’ve seen for other social networks, this Follow Button can be added anywhere on …

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7. Mike Cina Interview

Mike Cina Studio Space via grainedit.com

Today we’re excited to announce a new series of process related interviews with our favorite artists and designers. In the first installment  we head to to Minneapolis, MN, the home of Michael Cina who is an award-winning creative director and skilled artist. Bridging the gap between music, photography, art and design, he creates work that is innovative and often unconventional in its approach. Here Mike discusses the role of intuition in design, his workflow for a recent Ghostly International project, his passions outside of the studio and much more. Enjoy!

You run a small studio. What do you enjoy about being on your own, as opposed to the design firm environment?  

When I started to look for jobs after college, I was curious what it was like working for a firm. I interviewed almost every agency in the Minneapolis area and made up my mind that I would eventually do my own thing. Early on, I recognized that my interests and ideas were different from the norm. I enjoy a wide variety of work, especially drawing logos, making typefaces, fine art and projects that require a different approach.

To make that happen, I had to have the ability to choose what I wanted to work on and who I wanted to work with. Being able to work on many different types of projects stretches my thoughts and abilities. I am very thankful to work with the people and clients that I have. Most people want to put you in a box, so when you don’t fit that mold, they don’t know how to use you.

One of the other things that I enjoy most is having an open schedule. I can manage and work on projects around as I see fit. Somedays I focus on one project for most of the day and make some great progress. Normally I juggle and work on 5 or 6 projects a day.

How important is technology to your creative process? Are there particular tools that play a significant role in helping you bring your ideas to reality?

The internet has defined my career. I was able to cut my teeth making design for the web early in 1996. It afforded me the freedom to have clients from all over the world. I also started a “remote” design studio in the early 2000’s with someone from another part of the United States.

When I went to college, my professors taught us how to create design without using a computer. During college I bought my own computer and taught myself how to use these applications/tools. It fit like a glove for me and I knew this was what I was supposed to do, even though my college professors told me that I was not well-suited for design.

Adobe Illustrator is my favorite application hands down. I start almost every design I do in there, from websites, to books, to typefaces… I use it every day. It is more of a ‘blank canvas’ for how I work and what I work on. Simple things like Dropbox have made my life so much easier. I work from two locations so it is infinitely easier to do that now.


Mike Cina via #grainedit



Identity work for TypeCon: Portl& 

How has your process evolved since you first started designing?

My process changes depending on what kind of jobs I am working on. I am constantly looking at how I work and how I can improve my workflow. When I was younger, I used to have a formulaic process where I would put all my projects through that structure. Now I have many ways in which I work and approach a problem. I use my past experience and gut to tell me how to approach a situation. Each project requires a different solution, so why should I apply one approach to them all?

Mike Cina via #grainedit

Resident Advisor ten year tour poster 

Could you walk us through a project? I would love to see how you approached your recent work for Ghostly International’s SMM Compilation.

The SMM series is a music compilation that is curated by Ghostly’s studio manager, Jeff Owens. He is normally the mediator between myself and the bands, so it is a funny twist that he is the client. As he was working on picking the tracks, he would send me songs and ideas for the album title. We had a lot of emails and conversations about topics such as over consumption, politics, food, and alternate ways of living. The name of the LP fit the tone of the tone of the music but also the concept perfectly.

I did many partial days of researching consumption and opium. As I searched, I kept finding more information. I was struck most from the photos of people who were starving to death while smoking opium. After looking at all the images and putting the puzzle pieces together, I felt that there were some great connections to be made. It felt like I had to create a narrative to tell this story, one image couldn’t pull the weight.

The composition for the cover was stuck in my head for months. I knew I wanted to combine 3 or so images on the cover and obscure them to some degree so you had to look deeper. The first image I started with was the paper. I artificially aged an old piece of paper, printed it out, did the lettering over it and burned it some. The black represented heroin tar. From there I searched for some old pictures of opium addicts. I collected a folder full of them and picked the ones that I felt best fit. Then I wanted a picture that represented death and life. This was the hardest to think of and it stumped me for days. I remembered a photo I took a long time ago from a statue when I was visiting Notre Dame. It struck me because it was a person holding up and caring for someone that is dying or dead. Life in the face of death if you will. The painting in the background is one of my paintings. I had done some paintings specifically for the background of this cover, but this one just fit perfect.



Early Concepts for the front cover

The rest of the package I had no idea what I was going to do though. I was stumped on this also for a while. I had a long time to think about it, too much time actually. When I get stumped, I just start making work. So I got a lot of paper and started weathering it with random techniques and started assembling a stack of images that I felt was applicable to the narrative. One day I was inspired and started making all of these collage pieces. The black board on the back of the cover is from a presentation I did in 1994!

Mike Cina via #grainedit

Early concepts for the back cover

To create this cover I used Illustrator to sketch some initial ideas for the cover, draw some type, and then to layout the final package. Most of the package was done with collage, then scanned in and color corrected with Photoshop. I had to add and edit some text in Photoshop for some last minute changes. Now that is fun!

Mike Cina via #grainedit

Final front cover

Mike Cina via #grainedit

Final Back Cover

Mike Cina via #grainedit

Inside Panel A

Mike Cina via #grainedit

Inside Panel B 

I appreciate your ability to work in a broad range of styles and mediums. I often find that you push the limits of what design can be. Are there any materials or techniques you’d like to explore further?

I am a huge fan of all things design. When I look at my work in the context of design history, I feel like I don’t fit in the mold. I don’t have a specific style or niche and I use anything to communicate. Learning new ways to think and work expands my visual vocabulary, so I can say something in a unique way for a project. I want to go a lot further with new ideas and mediums.

I have wanted to experiment with 3D printing since I first heard of it. I had some ideas at one time but forgot them all. Maybe I will do something next year with this. Over the last two weeks I have been messing with filming an idea for a video. I would like to do some larger paintings and do an installation.

There is one project that I have been working on for six months with a friend and it is a new “look” that I have not shown anyone yet and I have not seen work like this ever, so I am keeping it close to my chest. I want to unveil it in either a gallery, a fashion magazine or a big client commission. The project has visual ties to the fashion and art world. It is very exciting to me. We have one gallery already interested but I want to think very big with this idea.

I have been fortunate enough to work with some clients that are open to letting me “take risks” with their brand. So many people want what they have seen before, it’s comfortable. Why I love design so much is that I have the opportunity to push myself in these different directions to see what happens. I would like to continue to work with larger budgets/projects with companies that want to say and do something unique.

Ramsey Font by Mike Cina via #grainedit


Ramsey font


How much of your work is based in observation vs fantasy? Does “chance” play a role?

Observation is very important to me. I don’t see myself having much to do with fantasy, but I do have a fascination for the unseen. When I see something that interests me, I try to understand why I like that particular thing. Is it the color, form, shape, composition, texture, etc? Design uses different languages to speak (semiotics is one of them), so it is essential to me that I understand how to say things visually. A lot of my process is figuring out how to speak visually through a solution.

Chance also plays a big role in my work. I have always learned best through “accidents.” Early in my career, I noticed that “mistakes” (early in the creative process) can be a huge asset. So I have tried to incorporate making mistakes into how I work. Eventually, you learn how to make calculated errors. After the initial creative process there is less room for making these kind of mistakes.


Mike Cina Matterhorn typeface via #grainedit

Early development on Matterhorn typeface

Mike Cina Matterhorn typeface via #grainedit


Matterhorn typeface

Analytical tools are now ubiquitous and because of this designers are often asked to back up their work with data and research.  With this in mind, how much of your work is based on intuition and what role should intuition play in design today?

Facts and details are crucial to any project. I try and find out as much as I can about a project and I often will write up an overview of the essential ‘themes.’ From there it is all intuition. After all of these years designing, you develop what I refer to as your gut (intuition). Western cultures, as a whole, are extremely analytical and Eastern cultures value intuition. I feel that there is a middle ground where if you understand something well enough, you can then use your informed intuition to help guide the process and be open to change. I change things up all the time.

I am interested in critical thinking and economics. I am reading a couple of books right now on these subjects so I can understand these topics more. One of the books states that intuition is is a form of your subconscious processing information. I see design a lot like being a jazz musician. You have to learn about the basic fundamentals, notes, chords, technique, memorization, etc. Once you learn all of these things you don’t have to process that information anymore, it is natural to you. Then you can begin to do things like improvise and make quick decisions based on what you are hearing your other bandmates playing. I think it creates more room for emotion to enter the process. I approach art and design in a similar way. Especially art.

What are your passions and interests outside of design and why?

I have a lot of passions and interests and I love to learn about new things.

Records. I am a music addict and I collect vinyl. It has turned into a bad habit that I am trying to regulate.

Design books. I have been collecting them since the early 90’s.

Family. I have been blessed with two children and an amazing wife.

Non Fiction. I love audiobooks. I can listen to them anywhere and sometimes when I am working on mindless things.

Education. I am passionate about helping others through mentorships and sharing my experience and knowledge. I have been considering teaching lately.

Faith. I try to become closer to God and positive to the world around me.

Cooking and Food. I have always loved cooking. One of my dreams is to open a restaurant but I know the reality is different than the dream. I don’t eat processed food anymore so I have to cook almost every meal I eat. It is a lot of work!

Art. Art has always played a role in my life in one way or another. I have been messing around with no direction lately. Next month, I will be showing three new works on metal in a small group show.


We would like to thank Mike for taking time to share with us. You can see more of his work at michaelcinaassociates.com.

This interview is part of the #designinprocess series brought to you by Adobe. Read all of the interviews here and follow along on Twitter and Pinterest at #designinprocess and #newcreatives.


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8. Eight Hour Day Intreview

Eight Hour Day Interview via #grainedit #designinprocess

Eight Hour day is the online home and moniker of Katie Kirk and Nathan Strandberg, a husband and wife design duo based out of Minneapolis. Their client list includes The New York Times, Chronicle Books, Williams Sonoma, Random House, among others. Driven by their belief that process and collaboration should be as exciting and fun as the end result, they create work that is honest, smart and succinct. In today’s interview, the 2nd part of our ongoing design in process series, Katie shares some of the challenges of working with a significant other, her workflow for a recent project and much more.


Let’s start off with a little bit about your background. Where are you from? When and how did you become interested in design?
(Katie) I originally hail from the great state of Wisconsin — the land of cheese, beer and the Packers. I have always loved art, so when it came time for school I wanted to pursue an art career. My (we’ll call him “practical”) father talked me into trying graphic design instead. I attended the University of Minnesota in Minneapolis for Design Communications, and from the very first class I fell in love. I really enjoyed the challenge of working within the parameters that are often part of the equation with design. It was a good fit.


What was your first design gig?
(Katie)My first gig was for a small design shop in Minneapolis called rED Design. Sadly, they were affected by the dot-bomb of the early 2000s and ended up shutting their doors. Shortly after that I started at another Minneapolis studio, Design Guys. I really consider that to be my first real job. I learned a ton about design, process and business there — it also introduced me to some of my best friends to this day.

Eight Hour Day Interview via #grainedit #designinprocess

What are some of the challenges you face as a couple working together? Do you tend to work independently, or do you have a strong collaborative focus?

I think our biggest challenge in working together is always trying to keep our business life balanced with our personal life. We absolutely love what we do, but it’s still a job. We try to set hard boundaries around the beginning and end of the workday, so it’s not a constant in our life.

Although Nate and I focus on our own specialties at times, our process is very collaborative. We are always checking in and talking back and forth. Our branding projects are particularly collaborative.


Eight Hour Day Interview via #grainedit #designinprocess

Do you maintain side projects or do you always work as a team?
We often have our own little side projects, whether it’s Nate working on some lettering or me working on an art print. But even then, we check in with each other all the time, to get opinions and feedback and conversation.

Could you walk us through one of your projects? Please describe your workflow, including your tools, from pen and paper to software and devices.
Yep. Let’s look at the branding and stationery system we created for Linda Engler’s Minneapolis interior design studio.

Eight Hour Day Interview via #grainedit #designinprocess

At the start of our branding projects, we often ask our clients to answer some business-related questions and to send us examples of work they’ve seen and liked. This helps us get inside their heads, and we feel it’s important to start this visual dialogue early. The inspiration pieces Linda sent us involved a lot of patterns and colors, a mixture of classic and modern styling. You can also see that she was speaking to us in her language — interior design.

Eight Hour Day Interview via #grainedit #designinprocess

Eight Hour Day Interview via #grainedit #designinprocess


Using that information, we moved on to mood boards. We typically do three boards that span a range of styles, each with their own distinct identity. We’ll spend a couple of days researching and scanning our favorite inspiration sites, going over our personal inspiration folders, and you know, digging through the rest of the Internet. It’s as fun as it is exhausting—I often have crazy dreams those nights because of it. We then go through the inspiration that caught our attention, discuss, add, eliminate and ultimately sort it into our three proposed directions. We create the mood boards using Adobe InDesign and send PDFs to the client. I think a good mood board is as much about each individual image as it is the whole overall look.

Eight Hour Day Interview via #grainedit #designinprocess

The mood-board portion of the process can be a bit abstract at times. I often feel like the more creative and visual the client is, the more they “get it.” But with all our clients and projects, the mood boards are an important phase. It’s where we listen and see and hear what they’re responding to — and sometimes even more importantly, what they hate. After the first round, we’ll revise the chosen board and move on to start the concepts. You can see that we revised the Engler Studio board to bring the bolder patterns together with the larger areas of color. It also pulls in more white space and modern typography.

Eight Hour Day Interview via #grainedit #designinprocess

Eight Hour Day Interview via #grainedit #designinprocess

Eight Hour Day Interview via #grainedit #designinprocess

During the concept round, we start playing with typography, patterns and logo design. Most of the time, we use Adobe Illustrator or Photoshop for concepts. Early on, we create a first-round brand board to share with the client. As you can see, our first round wasn’t quite there yet—it lacked some of the depth and dimension that was incorporated in the final work. The revised board is brighter and bolder, with a more constant equation. The client loved it.

All along, we knew that we wanted to create a brand for Engler Studio that highlighted and celebrated its interior design skills, as well as its individual design personality. The main element of the brand is a graphic combination of patterns that overlap each other; they represent the images and colors you might find on an interior designer’s inspiration board, and also nod to the play of patterns, colors, light and shadows in a beautifully designed room. The patterns can be assembled in various combinations, depending on mood, usage, and need.

Eight Hour Day Interview via #grainedit #designinprocess

Eight Hour Day Interview via #grainedit #designinprocess

From there, we moved onto the stationery system. During that executional part of the process, we’ll often sketch layout ideas in our sketchbooks.


And finally, the finished identity. We often create final files for the printer using Adobe Photoshop, Illustrator or InDesign. This was a two-color job that included an embossed detail and duplexed business cards. As you can see, the “E” detail in the logomark was changed to a simpler, more representational “E,” like a Greek key, which ultimately holds up better against the bold patterns.

How has your process evolved since you first started designing?
I think it’s always evolving, with every project. Sometimes it depends on the client; what works for some doesn’t work for others. Sometimes you figure out a better approach as you go. We almost always learn something new along the way.

Eight Hour Day Interview via #grainedit #designinprocess

Are you a creature of habit or do you like to try new technologies, applications, and features?
Hmmm … that’s a good question. I feel like, sadly, with each year I’m more of a creature of habit — but I mostly blame that on just not having the time to dig in and learn new things. That said, we try to keep up with changing treands and stay abreast of what’s happening in the worlds of design and technology.

Analytical tools are now ubiquitous, and because of this designers are often asked to back up their work with data and research. With this in mind, how much of your work is based on intuition — and what role should intuition play in design today?
Super interesting question. Honestly, I think intuition has a lot to do with our work, but where do you draw the line? As designers, we’re constantly looking, searching and evaluating the world around us: what’s working, what isn’t, how things could be better. During our initial mood-board and concept phases, these are the questions we always ask ourselves, directly or indirectly. Asking the right questions isn’t the same as relying on hard numbers, but I don’t feel like they are any less important. Plus, I feel if hard numbers, data spreadsheets and focus groups ran the world of design, I think it would be a pretty sad and boring place.

Eight Hour Day Interview via #grainedit #designinprocess

What are your passions and interests outside of design and why?
Let’s see… I love movies and their ability to transport, connect and alter you emotionally. I love baking too. It feels creative in a different way than I’m used to — plus it has a delicious outcome. I think if I hadn’t gone into design I probably would have been a baker.


We would like to thank Nate and Katie for taking time to share with us. You can see more of their work at eighthourday.com.

This interview is part of the #designinprocess series brought to you by Adobe. Read all of the interviews here and follow along on Twitter and Pinterest at #designinprocess and #newcreatives.


Also worth viewing…
Mike Cina Interview
Katie Kirk Illustration
Eli No!

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9. Publicize to Your Google+ Pages

Back in September we announced some cool new ways to connect your WordPress.com site to your Google+ account. One major improvement was the ability to bring your WordPress.com and Google+ profiles closer together by sharing your content via Publicize.

Make your content visible on your Google+ Page

Today we’re happy to announce yet another way to integrate the two platforms. You can now use Publicize to share your WordPress.com content on your Google+ Page too!

While Google+ Profiles are used by individuals, Google+ Pages function as a space for organizations, companies, public figures, and other branded entities (for example: your blog!). You’d use your Google+ Profile to interact with friends and personal acquaintances; your Google+ Page would serve your public persona as a professional, business owner, artist, or blogger.

To get started, head over to your dashboard, then go to Settings → Sharing. When you’ve reached the Publicize screen, click the “Connect” button next to the Google+ logo. Once you’ve authenticated your account over at Google+, you’re set!

Screen shot 2013-12-04 at 5.21.57 PM

Choose between your Profile, your Pages, or both

It’s important to note that when you connect to Google+ and select an account authorized to manage Pages, you’ll have the option to select whether your content will be shared on your Google+ Profile or Page(s). You can connect multiple times to select both.

Screen Shot 2013-12-04 at 10.12.17 AM

WordPress.org users: you can enjoy this feature, too! We have just released Jetpack 2.7, which also includes a Google+ Publicize option. You can visit the Jetpack announcement for more details.

Filed under: Features, Social, WordPress.com

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10. Ty Mattson Interview


Browsing through the portfolio of Mattson Creative, an award-winning design studio based in Southern California, can prove to be a daunting task.  It’s easy to be overwhelmed by the quantity and consistent quality of work. I’ve long admired their expressive illustrative style and am especially smitten with their self-initiated projects for popular TV shows including Dexter, Lost and more recently Breaking Bad. We’ve profiled the studio in the past, but in today’s interview we talk with Ty Mattson, the studio’s founder and creative director.

Tell us a little bit about your background. Where are you from originally?
Originally I’m from your neck of the woods. I was born in Walnut Creek and lived in the Bay Area until I was about 12, then I moved to Southern California.

I was interested in design before I knew what “design” was. I remember getting a birthday invitation in pre-school that was a rebus – a mix of icons and letters to create a message – and I thought it was amazing. I carried it with me in my pocket for weeks. I’ve made art for as long as I can remember – crayons, magic markers, pencils. Lots of Superman. I still have drawings of every character from Star Wars that I made when I was a kid.

mattson creative

Ty Mattson’s studio

What was your first design gig?
My first design gig…well there were little things like programs for High School plays an things…or employee t-shirts at Disneyland…when I was in college at the University of Michigan I illustrated covers for the Ann Arbor Observer and I designed the logo for the University Arboretum. These projects started out as school assignments, then they became real projects. After school I came back to California and started working for a design firm.

Could you walk us through one of your projects? Please describe your workflow, including the tools, from pen and paper to software and devices.
So we do a wide range of things at Mattson, and each type of project requires somewhat of a unique approach. We do a lot of entertainment branding and consumer product packaging, so we create a lot of style guides and branded programs for Nickelodeon, Dreamworks, Discovery Channel and others…so those projects usually have very specific goals and requirements where our creativity is very focused and specific because typically the core brand visual language already exists – so our job is extend it or expand it to various applications like packaging or products, etc.  We also do a lot of corporate branding where we are creating and establishing a visual language from scratch. We may come up with a name…create mood boards…then develop logo concepts, followed by whatever else the client needs – stationery, business cards, websites, trade show or environmental expressions. Then we also do illustration – where we might create a book or a series of posters. I have had a lot of fun with these types of projects over the last few years particularly when I get to reinterpret a brand that is part of popular culture. I’ve designed poster series that have been inspired by “Lost”, “Dexter” and “Breaking Bad” that have been embraced by the fans of those particular programs.

CBS called and asked me to do a series of prints inspired by their classic shows. They were looking to decorate their new office with some unique pieces of custom art. I was incredibly excited to collaborate with them on this project…especially given the cultural significance of some of the television shows that they had selected. I was actually a little intimidated by some of them…I mean the idea of creating a print that represents “I Love Lucy”…is a tricky proposition.

Ty Mattson Interview via grainedit.com


Early sketches for the I love Lucy Poster

That was really the most challenging thing about this project – trying to figure out the the heart of these classic shows – getting down to the DNA and figuring out what it was that was special, unique or iconic. It’s actually the same thing we do on any branding project – discovering what it is that makes a client distinct. You have to do that first, then you can translate it into a unique visual language.

My process on the CBS prints was first to figure out what made the shows iconic. So I watched episodes and intros on YouTube and did research about each show. Most of them I was very familiar with already so I had a strong understanding of the visuals that were associated with these brands.

Ty Mattson Interview via grainedit.com

Ty Mattson Interview via grainedit.com

Early sketches for the I love Lucy Poster

From there I would create quick thumbnail sketches in Adobe Photoshop using a Wacom Cintiq. This allows me to work very quickly at the conceptual level. I did a few ideas for each show and would share these with the client. Working with CBS was fantastic. We worked quickly and they had great notes on everything. I think they selected the strongest concepts as well.

Ty Mattson Interview via grainedit.com


Finished art work for CBS

Once the client selected the concepts they wanted to move forward with, I used Adobe Illustrator to take each concept to the final, finished art.

Ty Mattson Interview via grainedit.com

The posters were silk screened on paper. Some of them we did really big and it proved very difficult to find a silkscreen printer who could print bigger than 24×36. That was the biggest challenge of the project overall. But once we got the finished prints up on the walls in the CBS, they really looked incredible.

How has your process evolved since you first started designing? Are you a creature of habit or do you like to try new technologies, applications, and features?
It’s hard to say how my process has evolved, other than I do feel like I’ve become more considerably faster and I am more comfortable in it. In terms of execution…I am probably more of a creature of habit…when I don’t have to think about the technology, that’s when I appreciate it the most.

mattson creative

 How do you like to share your work with the creative community? Is the feedback you get valuable and does it influence your work going forward?
I typically can’t share work in progress with the larger creative community until it’s complete…but once we do finalize work, we’ll typically share via the site, newsletter and social media.

Analytical tools are now ubiquitous, and because of this designers are often asked to back up their work with data and research. With this in mind, how much of your work is based on intuition — and what role should intuition play in design today?
Well, I think all of my work is a reflection of my intuition in some way. Every project is the culmination of hundreds and thousands of decisions. This typeface or that typeface…this color or that color…this much space…or that much space…etc etc. And most of those decisions are intuitive… The truth is, our deliverables are subjective. No two design firms are going to create the same logo for the same client, so a designer’s intuitive sensibility is always one of the reasons that we’re hired in the first place. I think research and data are very important at the beginning of a project. Good work is smart work, not just beautiful work.  Smart work requires “research” to a certain degree. The more information and data you have about a brand or the audience, I think that is a good thing. I think that knowledge can give a designer more opportunities to pursue at the beginning of a project. But I don’t think research and data have any place at the end of the creative process to “qualify” or “validate” creative. I love Steve Job’s quote about this, ”It’s really hard to design products by focus groups. A lot of times, people don’t know what they want until you show it to them.”

Ty Mattson via grainedit.com

Ty Mattson via grainedit.com

Ty Mattson via grainedit.com
 Recent work for Audi celebrating the legendary carmaker’s rich history of innovation.

What are your passions and interests outside of design and why?
Well I’m a dad. I have a 3 year old and a 1 year old…so I’m passionate about my kids and my family which take up most of my time outside of work. I try to get a trail run in once a week. And I’m attempting to learn how to play electric guitar.


We would like to thank Ty for taking time to share with us. You can see more of his work at mattsoncreative.com.

This interview is part of the #designinprocess series brought to you by Adobe. Read all of the interviews here and follow along on Twitter and Pinterest at #designinprocess and #newcreatives.


Also worth viewing…
Mike Cina Interview
Eight Hour Day Interview
Eli No!

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11. Javier Garcia Interview

Javier Garcia Interview via grainedit.com #designinprocess

I was first introduced to Javier Garcia through his intoxicating blog, No Barcode, where he posts his latest vintage finds. It was here that I discovered that he is an accomplished illustrator and designer in addition to having an amazing collection of design related ephemera.  A resident of the Bay Area via Mexico he is developed an audience for his highly expressive and colorful illustrations. In today’s interview, the 4th part of our ongoing design in process series, Javier speaks on his passions outside of design, his workflow and more. Enjoy!

Lets start off with a little bit about your background. Where are you from originally? When and how did you become interested in design?
I was born and raised in México. I grew up drawing since I can remember so my three options when I was going to college were architecture, industrial design or graphic design. I was a bit indecisive and went for a combined industrial and graphic design major back in México. That made me realize that what I wanted to do was more graphic and so I came to the US to go to school.

Javier Garcia #designinprocess #grainedit

Could you walk us through one of your projects? Please describe your workflow, including the tools, from pen and paper to software and devices.
I’m going to walk you through my Hail to the King illustration. First I think about what I want to say with the piece even if it’s subjective. In this case, the princes represents power which is something that both evil and good wants. I started by drawing  small sketches of the general idea. Since it was a collage of illustrations, I rearranged them multiple times in sketch form until I found the right placement for them. I proceeded to drawing each character multiple times until I got the desired look keeping in mind it’s placement. Then I scan those drawings and trace them in Illustrator. In this phase I play with the scale of the characters and just moving things around. Once I got this down I proceeded to play with a bit of texture which I have created my own photoshop brushes from actual hand inked textures that I drew and scanned myself. For this piece since there wasn’t much texture I converted that to vectors but I usually work with a lot of bitmaps. I used illustrator, photoshop and a wacom tablet to do this. And that’s it!

Javier Garcia #designinprocess #grainedit

Early sketches for Hail to the King!

Javier Garcia #designinprocess #grainedit

Hail to the King Poster

How has your process evolved since you first started designing?
As far as designing logos, packaging and print it’s been about the same. The drawing tablet replaced my mouse at some point but it’s all been the same process which starts on sketch form in the initial stage and then it’s all computer work from there. But as far as illustration, I have been going a bit backwards. My work is turning more into the hand drawn/inked direction. I use a lot more india ink and brushes now.

Javier Garcia #designinprocess #grainedit

Album cover for Mr. Ho’s Orchestrotica’s

Are you a creature of habit or do you like to try new technologies, applications, and features?
I’m not that much of a techie, I mostly use illustrator and photoshop to edit everything I do. Even when working with hand inked drawings I take it into photoshop and clean up/edit my files quite a bit. I try to mimmic old design and illustration techniques like inking by hand and creating textures by hand as close as possible. I feel that modern technology is not the same when it comes to translating that into the screen. I work in digital mediums but at least there’s a hand done quality to it. I can usually tell when someone used the computer to brush something. Some people are very good at it but I really enjoy the hand done process. So I think technology really speeds up my process but I don’t like to skip that human aspect phase of design.

Javier Garcia #designinprocess #grainedit
Javier Garcia #designinprocess #grainedit

Herb Lester Maps

What are your passions and interests outside of design and why?
This is very tough as I spend most of my time looking at design in one form or another. Architecture, pottery, furniture, interior design, and things of that sort are always on my mind. But outside design I really enjoy listening to music, surfing and being with my little boy and wife.

Javier Garcia #designinprocess #grainedit


We would like to thank Javier for taking time to share with us. You can see more of his work at javiergd.com and his etsy shop.

This interview is part of the #designinprocess series brought to you by Adobe. Read all of the interviews here and follow along on Twitter and Pinterest at #designinprocess and #newcreatives.


Also worth viewing…
Mike Cina Interview
Katie Kirk Illustration
Ty Mattson Interview

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12. Spring-Clean Your Blog in Five Easy Steps

From your sidebar to your comments section, these tips will help you clean up your blog in just a few minutes.

15 Comments on Spring-Clean Your Blog in Five Easy Steps, last added: 3/18/2014
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13. Greetings From The SCBWI Conference!

Originally published at Through the Tollbooth. Please leave any comments there.

Tollbooth friend Tim Martin joins us again this weekend to report on the recent SCBWI conference in New York–

The SCBWI winter conference in New York: thoughts from one tuckered out, dog-tired (but still-smiling) attendee.

The SCBWI winter conference came and went like an invigorating whirlwind of ideas, insights and connections. As usual, there were scores of diverse industry folks (including, this winter, people working in digital storytelling and marketing), and an inviting collection of breakout sessions of which we attendees could sample three. This seemed, at first, restrictive, but I think it pressed us to be specific and focused on our areas of passion and interest.

So, here are my picks of a few key moments, and the things that stayed with me as I jetted from the conference on my way home to Los Angeles:

Connections. SCBWI, along with all its regional and international tentacles, and associated writing groups, bloggers, and specialty discussion groups, has always been the nerve center for accessible networking between writers. The Society primarily functions as a community, and the twice-yearly conferences act as testament to this collective spirit. To that end, this winter get-together encouraged attendees to get to know their regional advisors, consider a submission to an editor, get involved in panel discussions, ask that burning question, and, of course, make that accidental connection over bagels and lox cream cheese. You know, the one that may just nudge a writer’s fortune in some unexpected direction.

Breakout sessions. A good assortment of topics were covered, from “Non- Fiction” (Ken Wright of Writer’s House) to “Diversity and Multiculturalism” (Stacy Whitman of Tu Books) to “Narrative Fiction” (Alvina Ling of Little Brown). For an attendee, it’s always hard to select from the list, and I found it worthwhile to check in on friends who had chosen alternative sessions, so as to get a gist of more themes, and more conference content. Many sessions were craft oriented (revision, dialogue, pacing and exposition), and some had an illustrative component. It was also interesting to see less conventional session topic selections, such as “Ebooks and Apps”.

The breakout sessions I chose were generally broad in scope, and tended to be genre related. Sarah Davies from The Greenhouse Literacy Agency took us through the subject of “thrillers” in an action-packed, spine-tingling, lightening-speed hour. She’s an inspiring speaker: passionate, articulate, and informative. She blended solid crafty talking points with the commerciality demanded from many agents such as herself.

In the second session, Arianne Lewin from G.P. Putnam put a spin on the topic of “fantasy” by focusing in on the first two pages of some well-known recent bestsellers. How did the authors manage to convey the fantasy world without too much exposition? What part did dialogue and action play?

In my final session, Tara Weikum of Harper Collins led us through the first sentences of evocative YA books, and gave her suggestions to what makes this early impression a key to each novel

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14. Cooking and writing

Originally published at Through the Tollbooth. Please leave any comments there.

When I am drafting a new manuscript, I do a lot of cooking.

Actually, when I’m revising I cook even more.

When I’m cooking, I’m creating. I’m thinking. I’m playing music. All these things let my subconscious ramble (and gives me enough space to think about something besides politics!!) When I cook, I think. I smell. I imagine details. My family thinks I’ve done something with my day!

(Let’s face it…sometimes we need some product while we’re in the process!)

If you aren’t sold yet, eating well also serves my creative process. I also write a lot better and faster when I take care of myself!

When I’m writing, I NEVER diet.

So this week, I’m going to share some of my favorite recipes that help me write. An appetizer. A main course. A salad. and a special celebration dessert.

Here’s your appetizer:

Sarah’s AMAZIN’ humus!!!

2 cups canned chick peas, drained
1 1/2 teaspoon salt
1 teaspoon fresh garlic
1/2 teaspoon cinnamon (This is the SECRET ingredient!!)
1 tsp cumin
1/3 cup tahini
1/2 cup fresh lemon juice, plus lemon zest of one lemon
1 tablespoon olive oil
parsley for garnish

Basically, put all this stuff in a food processor, season to taste, and eat. For years, my friends invite me to pot luck dinners JUST so I can bring the humus. It’s REALLY good with pita. Or tabouli. Or next to a piece of grilled tomato.

It’s also the kind of snack that can sit right next to the computer as I’m writing.

Bon Appetit, and happy writing!

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15. 100 page soup

Originally published at Through the Tollbooth. Please leave any comments there.

Yesterday, I wrote very briefly about my personal correlation: cooking and writing. For me, they go together. I get into “creation” mode and we eat better.

(Unfortunately writing and cleaning seem to have the opposite relationship.)

Cooking special dishes is also how I celebrate writing milestones.

When I’ve gotten through a tough section of a story, I tend to make something chocolate.

When I’ve finished a draft, I usually crave brisket.

My favorite milestone is getting to page 100. Why? Well, it always amazes me when I realize that I’ve written 100 pages. When I’ve gotten that far, I know I have a story…not just an interesting character. I can’t help being amazed that once again, the creative process has actually worked!!!!

So to celebrate page 100, I treat myself to Thai Seafood Soup. I like it because it’s spicy and full of citrus. (I began developing this recipe when I first moved to Hanover, NH. I love YAMA, but I really miss good Thai food.) If you have loved ones sensitive to spicy food, cut back on the peppers…or watch steam rise from their scalps. When my kids were small, and esp before I had any success at all, I wanted to include them in the process, in these milestones. This is a commitment (living the writing life) that we have all made…and I never forget that.


Sarah’s super spicy Thai Seafood Soup

Seasoning Mix: (Taken from Paul Prudhomme’s Fiery Foods That I love):

1 1/2 tsp salt
1 tsp cayenne
1 tsp onion powder
1 tsp ground ancho chili
3/4 tsp garlic powder
3/4 tsp black pepper
1/2 tsp white pepper

Mix these seasonings together.

The rest:

2T unsalted butter
2 cups fresh white mushrooms
1 stalk lemongrass, sliced thinly
2tsp fresh garlic
2tsp fresh serrano chilis
4 T (or more) lemon juice
2T (or more) fresh lime juice
3 T fish sauce (a combo of prepared fish sauce, sugar, lemon juice and pepper…let it sit an hour.)
4 cups chicken stock
1/2 pound shrimp
1/2 pound scallops
1/2 pound salmon, skin removed
1 pound calamari, cut into rings (I like tentacles, too.)
silver noodles, prepared

For the end:
chopped zuchini, red pepper, onion. peas bean sprouts

What to do:

melt butter in a saucepan. Add mushrooms, lemongrass, serranos and seasoning mix. When that begins to stick (about 2 min on high heat), add juice and fish sauce. Cook five minutes until thick. Then add stock. Bring to boil. Add fish and cilantro. Again, bring to boil. When fish is cooked, add vegees. Add extra lemon and lime to taste. Ladle into individual bowls with silver noodles, cilantro garnish, and some bean sprouts. Make sure you have a BIG pitcher of water.


I halve the cayenne. For my husband. Because he is the one who has made it possible for me to stay home and write…..

Happy eating…and don’t forget to celebrate the milestones with your loved ones!!!

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16. Eat Dessert First!!!!

Originally published at Through the Tollbooth. Please leave any comments there.

This was possibly the best advice I ever received.

Eat dessert first.

In other words: write the scenes you want to write. Then go back and write the other scenes. (The ones you don’t want to write.)

For me, these are usually the scenes with high dramatic tension or a lot of action. When I was writing BEYOND LUCKY, I loved working on the soccer scenes as well as the scene where Ari finds the card. I liked writing the humorous scenes, too. Now that I am working on something new, I find myself doing the same thing. I’m writing scenes where my main character confronts conflict and tension. I have a theme. A point. A destination. So now I’m putting my character in a situation, and I’m letting the characters talk. Writing is (almost) fun for me this way. If I had to write linearly, I’m not sure I could get to the point of worrying about all the other stuff: flow, sequence, critical information…..

So today, let’s eat dessert first. Then I challenge you: write the scene you WANT to write…the one that you can’t wait to get to.

Most Inspiring Molten Chocolate Cake

9 ounces bittersweet chocolate (splurge for the good kind)
2 sticks unsalted butter
4 large eggs PLUS 4 large egg yolks
1/2 cup sugar
2 T flour

Preheat oven to 400 degrees. Butter your ramekins. (There’s never enough chocolate or butter in your life…like there aren’t enough great scenes.)

combine butter and chocolate. Melt together in a double boiler over barely simmering water. Stir and remove from heat.

Beat eggs and yolks. Add sugar. Beat until doubled in volume. Beat in chocolate mix, then flour. Divide batter into ramekins (I use six for this recipe) and cook 11 to 14 minutes. The sides should be set. The middle should be soft.


Although you will be tempted to eat this the second it comes out, give yourself enough time to create either a nice raspberry sauce…some whipped cream, or a scoop of vanilla ice cream.

It’s not bad cold the next day.


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17. Want to write a great voice? Listen.

Originally published at Through the Tollbooth. Please leave any comments there.

On Sunday night, Meryl Streep won her third Academy Award for IRON WOMAN.  I don’t know if you’ve seen the movie, but Streep is amazing as Margaret Thatcher.  It’s not only the makeup and hair that makes Streep look like the former prime minister, it’s the voice.  Streep nails it.  Just like she did with her roles of Julia Child, and Sophie, and Baroness Karen vo Blixen-Finecke. All are amazing performances. In fact, Streep is known as the actress than can do any accent like it’s her own.  How does she do it? And what does that mean for a writer creating voice in a character?

Once, during an interview right after the Golden Globes, Streep said she tries to really understand inside how the person speaks, then she goes to ethic neighborhoods and hangs out in cafes “to corroborate” what she’s thinking. Her process is pretty simple. She listens. People speak with a cadence, a pacing, a certain way of phrasing words, and Streep is a master at hearing that rhythm.

We’ve all heard how a voice comes to a writer and whispers in his or her ear.  For the rest of us, we can learn something from Streep’s technique. Listen. Find people who have similarities to the characters you’re writing, and corroborate if the voice in your head sounds like the voice on the page. Listen for voices in the coffee shop, in the grocery store, or in the mall. For most of us, one day in a middle school or high school would probably be an audible experience worth writing about!

Think about how your character’s voice should sound from the inside.  The slang.  The syntax.  The inside jokes.  Listen for the breaths, and the beats, and the pauses.  Listen for what’s said and isn’t said.  Listen.

Continue listening with your eyes.  Read John Green and Nancy Werlin and Franny Billingsley and Laura Halse Anderson.  Let yourself be influenced by great writers you admire. Pay attention to how they put voice on the page.  You don’t need to note every noun and comma, but notice the flow of the language.  The sound on the page.

I love the line from Michael Chabon’s The Wonder Boys, “Above all, a quirky human voice to hang a story on.”  Listen for that quirky human voice everywhere.  To write a really great voice, listen.  Just listen.

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18. Integrate Cool Applications with WordPress.com

We are happy to announce our new REST Application Programming Interface (API) that lets developers explore, interact, and create great new content with the vast community of sites on the WordPress.com network and, in the near future, Jetpack-enabled sites.

The API gives developers access to posts and comments, as well as the ability to Follow, Like, or Reblog content for users. Other features from WordPress.com, like the daily handpicked content on Freshly Pressed, are also available through the API.

An excellent example of an application that uses the new API is the Windows 8 WordPress.com app, available now.

Our goal with the new API is to simplify the experience of using and adding to the data available on WordPress.com. To do this, we now use the OAuth2 protocol to authenticate requests for data. To retrieve public data, you can make unauthenticated requests. To perform actions, such as making new posts or comments, you would need to make authenticated requests. When the API returns data, we now return a standardized JSON object for ease-of-use.

The REST API also self-documents itself; as we add new endpoints, the documentation on our Developer Resources blog will auto-update to provide you with the latest information. In addition, you’ll also have access to a Developer Console, which will allow you to run real REST API queries and see real JSON data directly in your web browser. You can read more about the Console here.

Ready to build an app and integrate it with WordPress.com? Great! You can now sign up for and manage your OAuth2 tokens without waiting through an approval cycle. If you have any questions or feedback on the API, please get in touch with us. Make sure to follow the Developer Resources blog for news, updates, and documentation about the REST API and other awesome services we are making available to developers seeking to integrate with WordPress.com.

12 Comments on Integrate Cool Applications with WordPress.com, last added: 4/13/2012
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19. More Likes in More Places

Back in 2010 we introduced the exciting new ability to Like the individual posts you’ve read all around WordPress.com. It’s been one of our most popular features since then, as evidenced by the chart below that goes up-and-to-the-right as an indication of great success and achievement.

Likes per week since the beginning

Today I’m happy to announce a few enhancements to the way Likes work that we think you’ll really like. :)

Show Likes on Pages

In the past, we’ve always restricted Likes to individual blog posts. Given the success of Likes, we want to make it as easy as possible for everyone to Like what they are reading, wherever they are reading it. Likes now share the same display settings as your sharing buttons (which you can change from Settings -> Sharing in your dashboard). In addition to showing Likes on single posts, you can now show Likes on all of your site’s content:

Here’s an example of Likes displayed on a blog’s front page:

Do you like naps and puppies? I think I do!

Show Likes on Gallery Images

In addition to making Liking posts easier, we wanted everyone to be able to Like all of the things you publish on your blog, including media. So, we’ve also added the ability to Like photos directly from inside image galleries, like this:

Who can resist liking Paul the Puppy?

What You’ve Liked

Now that it’s super easy to Like everything you see, you need a place to see what you’ve Liked. To make this as convenient as possible, we’ve added a link in the Reader that lists all of the posts you’ve liked across all of WordPress.com. You also have instant access to your favorite posts through the official mobile WordPress apps for all your favorite mobile gadgets.

Screenshot of Posts I Like on WordPress.com and in the mobile apps

We think these tweaks really improve the Liking experience, and we hope that you enjoy them!

Did you think I was going to say “like” again? :)

13 Comments on More Likes in More Places, last added: 4/26/2012
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20. Gary Taxali Interview

gary taxali

Today’s Grain Edit interview is brought to you by guest contributor Deva Mirel, and features the words and works of illustrator/fine artist Gary Taxali. We catch up with Gary after he returned in early May from his first solo show abroad at The Outsiders in London. Gary lives and works in Toronto but is originally from India. Here he discusses his most recent show, locating the desi in his work, why kids love him, and some straightforward tips on being in the business of making art.

First off, thanks so much for taking time for this interview. I know it’s been an extremely busy few weeks for you. Your work was shown in California in the show “New Blood,” curated by Morgan Spurlock. The aim of that show was to highlight the game changers of the art world with an eye on the future. Every big name artist brought on board a protégé’ to exhibit alongside them. At the same time, you had your first UK solo show–”My Feelings Like You”–at The Outsiders in London. What challenges did you face having 2 shows opening at once?
The only challenge was that the openings were so close in date so it was impossible for me to attend both. Naturally I picked my solo show. I loved Morgan’s concept for the show and it was really great that Thinkspace Gallery got behind it.

gary taxali

How has your work evolved from your last major solo show–”Hindi Love Song”–in New York?
I don’t know if it’s evolved in a tangible way but perhaps what’s more concise is the messaging in my latest show. That is, I think there are themes I explored that are more cohesive from piece to piece. For example, In “My Feelings Like You”, I really wanted to show more narrative pieces. In a recent interview I did for Lust and Found, I wrote:

“The themes explored are just as much about introspection as well as searching. There are a lot of assertions in the works I make about states of being and status of place. Yet there are also inquisitive, questioning and curious follies regarding various emotions and relationship dynamics. These are realized through my constant exploration of angst, happiness and catharsis that I hope is evident in the characters I draw and paint. A common character I am known for, The Toy Monkey, makes a few appearances in these new works. He’s a guide, if you will. Many people may surmise that he’s taking the viewer to a past time, in particular the 1920s or 1930s, but I’d like think that the place is just a byproduct and the real journey is in conveying the emotions through narratives.”

gary taxali
Skunk Electrical Soap

Practically everything I’ve read about your show at The Outsiders notes the debut of your largest work to date. Skunk Electrical Soap measures in at 152 X 203 cm. When I googled the conversion to inches (60″ x 80&Prim

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21. Personalize Your Online Home with a Custom Domain

A domain name is a name used to identify a website on the Internet. Your blog’s domain name is like your mailing address: it lets people know where to find you — and all the cool content you create!

At WordPress.com, every site has an example.wordpress.com address, which is the default address you get when you sign up. But you may notice that some sites have custom domains, such as example.com, instead of example.wordpress.com.

Did you know you can get a unique web address for your blog?

Is a custom domain right for you? Consider these questions:

  • Are you interested in using your blog to promote your work, brand, or organization?
  • Would you like to print your blog address on items like business cards?
  • Do you plan to have multiple email addresses on the same domain?
  • You may already customize your theme, colors, and fonts — so, why not your URL?

Owning your domain name personalizes your own cozy corner of the Internet, helps to build your presence across the web, and distinguishes your work within your niche, field, or industry.

So, how do you select a domain name?

Think about and choose a domain name that best reflects your content. Below, we’ve gathered tips and examples of sites on WordPress.com to inspire you.

Keep it simple. At My Hands Made It, DIY blogger and bridal gown designer Veronica shares wedding projects and crafty tutorials. Her name includes a simple phrase and evokes actions that reflect her content. In general, avoid names that are too long — more than four words may be a mouthful.

Zoom in and be specific. My Travel Blog. All About Baking. Thoughts on Writing. On Politics. We have a basic idea of what these blogs are about, but the names are general and don’t really intrigue the reader.

Include words that are essential to your focus. Gavin, the blogger at Make a Powerful Point, is obsessed with PowerPoint and uses it to communicate and instruct. The word “point” in his name refers not only to PowerPoint, but his consulting work in marketing and business strategy.

Combine words that encapsulate you. Cathy at Mathbabe focuses on mathematics and statistics. The artist and mother behind Doodlemum combines illustrations and sketches with posts on her family. The folks at Salt Gypsy showcase cool, handmade products for female surfers. All of these names fuse or invent words that describe what these blogs are about.

(You may notice that the custom domain Mathbabe ends in .org. You can register and map a domain ending in .com, .org, .net, or .me through WordPress.com.)

Use common phrases…with a twist. Play around with well-known expressions. Swap words with one another. Kiss My Spatula, a well-designed blog about food, is a playful take on a familiar phrase.

Consider literary devices. Remember when your English professor taught you about consonance, which is the repetition of consonant sounds? The “s” sound in Kiss My Spatula sounds swell, doesn’t it? And what about alliteration, or the repetition of a particular letter at the beginning of words? Raising My Rainbow, a blog about a gender-nonconforming five-year-old, is appropriate and easy to remember.

Celebrate double meanings. My blog’s name, Writing Through the Fog, refers not just to my city, foggy San Francisco, but also my interests in elusive themes of memory, home, and adulthood — all of which put me in a haze.

Make us curious. The incompleteness of the blog name An Afternoon With… is brilliant! In each post, Michael photographs a different person in their own space, among their own things. The added ellipsis (in his header only) is also effective; it builds anticipation in readers who are visiting the blog for the first time.

Finally (and most importantly), confirm your spelling. When you register and purchase a domain name, you are purchasing that exact domain name with that exact spelling. If you make a mistake, you can cancel a domain within 48 hours of purchase, but it’s best to be extra careful from the start to avoid the headache of a misspelled domain altogether.

But what if the domain name I want to use is not available?

New York City-based photographer Matt shares his passion for abandoned architecture at his blog, After the Final Curtain. Matt’s blog on America’s grand, bygone theaters is focused and specific, but the evocative name attracts more than just people who visit for his images of ruins. If you have been to the theater, or have watched film or TV scenes set on a stage, the closed curtain at the end of a performance is a familiar motif. His blog name not only reflects his content — it’s memorable, too.

But when Matt began the process of choosing a domain name, his first choice wasn’t available. He wanted his name to have a theatrical term in the title, but the first domain name he wanted, “Curtain Call,” was already taken. A friend then suggested “Final Curtain,” and he added the rest.

So, just because your blog’s current address is mysite.wordpress.com doesn’t mean the domain mysite.com (or mysite.org, mysite.net, or mysite.me) will be available. Check to see if your domain name is taken.

Curious to hear how other WordPress.com bloggers chose their domain names? We also talked to Sarah at Where’s My Toothbrush? and C.J.’s Mom at Raising My Rainbow about how their names came about — head on over to their Q&A on The Daily PostChoosing the Perfect Blog Name: Two WordPressers Share Their Secrets, for more insights and tips on the process.

Ready for your own unique web address?

There are two steps required to use a custom domain, and you can take care of both steps at WordPress.com:

  1. Register the domain to establish your ownership of the domain.
  2. Map the domain to link the domain to your WordPress.com site.

In step one, you register and purchase the address example.com. In step two, you tell example.com to point to your WordPress.com site. Your old address at example.wordpress.com will still work, but we’ll automatically redirect traffic from your old address to your new one.

Registering and mapping a .com, .org, or .net domain through WordPress.com starts at $18.00 per domain and per year, or $25.00 per domain and per year for a .me domain. For $8.00 more, you can make the domain registration private.

You can also use a domain you’ve registered elsewhere (through a site like GoDaddy or Network Solutions) with your site here at WordPress.com. Mapping a domain you’ve registered elsewhere costs $13.00 per domain, per year.

For more details, read our Domains page on our support site.

When you’re ready to purchase, visit our Custom Domains upgrade page in our WordPress.com Store and click Get a Domain to get started.

If you’re looking to supercharge your blog in one step and purchase all of our upgrades at once — a custom domain, HD video uploading, font and color customization, no ads, and extra storage space — take a peek at our Pro Bundle upgrade.

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22. Manage Slideshows and Galleries — All in One Place

We’re excited to announce more updates to the Media Manager, which makes it even easier to upload and manage media on your site.

Insert a Slideshow in the Media Manager

You can now enable a slideshow in the Media Manager. In Edit Gallery mode, you’ll see a list of options on the right under “Gallery Settings.” Click on the dropdown menu next to “Type” to see a new list of gallery types, including a Slideshow option at the bottom:

Gallery Settings

Similar to the gallery feature, the slideshow option allows you to include specific images. You can reorder the images by dragging and dropping thumbnails, randomize the order by checkmarking the box next to “Random Order,” and reverse the order of images by clicking the “Reverse Order” button at the top. You can also insert multiple slideshows into a post or page, just as you’re able to do with galleries.

Note that the “Link To” and “Columns” options do not apply to slideshows.

The old [slideshow] shortcode will continue to work, but to access all these new features — such as ordering, excluding certain images, etc. — you would need to update your shortcode to use the new [gallery type="slideshow"] format.

Select Gallery Layouts Easily

You’ll also notice you can now set the type of gallery in the Media Manager, in the same dropdown menu mentioned above. In addition to Slideshow, you’ll see a list of gallery layout options: Default, Tiles, Square Tiles, and Circles. Note that Tiles is the option for the rectangular layout, and Square Tiles is the option for the square layout. (As mentioned in our recent galleries post, the  thumbnail grid layout is the default option for all sites.)

Using the various gallery shortcodes to display your galleries still works as well.

These latest updates make it even easier for you to manage your media — all in one place! For further information, please visit our slideshow and gallery support pages.

14 Comments on Manage Slideshows and Galleries — All in One Place, last added: 12/17/2012
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23. Musicians Find a Home on WordPress.com

If you had any doubt that WordPress.com makes a great online home for your band, the range of artists who are now using it to promote their work and grow their fan base should put that to rest.  New musicians are signing on every day, making WordPress.com the go-to for artists who want sleek, functional, engaging sites without investing a ton of money or time.

Here are just a few of the acts who are taking advantage of features like the gig calendar and embedded tracks from SoundCloud and Bandcamp.  They’re all using the Soundcheck theme, developed specifically for musicians, but they’ve used custom touches to build sites with unique looks and personality.

tae phoenix

Tae Phoenix is a Seattle-based singer-songwriter who recently released her first album, Rise. Her site takes full advantage of everything WordPress.com and the Soundcheck theme have to offer, with embedded audio and video, a tour calendar, her Twitter feed, links to her new album, and press mentions. She’s lightened up the basic Soundcheck color scheme with a bold header image that echoes her album cover, and her first single is front and center on the home page, ready to be heard.  Her site is polished, professional, and ready for the big time — just like her.

radical effect

Finnish DJ Radical Effect is a 180 from our Seattle singer-songwriter, and it shows. He uses his WordPress.com site to support the October release of his debut single and his quest to “conquer the Finnish nightlife.” A rotating selection of header images gives the site its industrial feel, while a more washed-out palette creates a chill, laid-back vibe. In addition to the music-specific features, Radical Effect also houses a blog on the site, to post news and give fans insight into his creative process.


Canadian pop-punk outfit Letterbomb proves that you’ve never too young to rock — already performing together for three years, they range in age from 14 to 18. They’ve given their site a youthful edge with a moody color scheme, the repeated use of their bulls-eye logo, and plenty of photos. Their newest track is embedded on every page, begging to be heard, and plenty of links let fans buy music and merch. And as they grow, their WordPress.com site can grow with them, giving them more space for music and video and helping them keep track of tour dates.

grace and sophie

Fifteen-year-old twins and Oklahoma natives Grace and Sophia chose WordPress.com to build the site that supports their growing careers as folk singer-songwriters. A colorful yet muted palette, capped off with custom header images and a craft-inspired background, give the site its personality. They’ve added social media sharing buttons to the main navigation bar, encouraging their fans to connect with them across a variety of platforms.

These four artists have opted for the new premium Soundcheck theme, but there are 200+ themes available on WordPress.com, many of which — like Oxygen (a freebie!), Shelf, and Debut — were either designed for or lend themselves well to music sites. With affordable upgrades like custom design, your band’s own URL, and plenty of storage space for your music and videos (coupled with WordPress.com standards, like rock-solid security, unlimited bandwith, and the world’s best Support team), making WordPress.com your band’s online home is a no-brainer.

Is there an act you love on WordPress.com? Share a link in the comments!

10 Comments on Musicians Find a Home on WordPress.com, last added: 12/19/2012
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24. WordPress.com: Our Labor of Love — 2012 in Review

For us, WordPress.com is our labor of love — we’re continually releasing new themes, upgrades, and features to help you create the best website and/or blog you can. In addition to great tools, we publish articles, prompts, and writing and photo challenges to inspire you to start posting and keep posting. While we’re never, ever done making WordPress.com better, we wanted to look back at some of the goodies we brought you in 2012.

We’ve got the look: 65+ new themes in 2012

We released themes at a rate of more than one a week in 2012. These beautiful themes look great no matter which device your visitors use to see your content. What’s more, if you’re a musician, restaurateur, bride-or-groom-to-be, or a civil servant looking for a simple way to share information with your audience, we’ve got you covered.

Tae Phoenix is a Seattle-based singer-songwriter who recently released her first album, Rise. Her site takes full advantage of everything WordPress.com and the Soundcheck theme have to offer, with embedded audio and video, a tour calendar, her Twitter feed, links to her new album, and press mentions.

Tae Phoenix is a Seattle-based singer-songwriter who recently released her first album, Rise. Her site takes full advantage of everything WordPress.com and the Soundcheck theme have to offer, with embedded audio and video, a tour calendar, her Twitter feed, links to her new album, and press mentions.

Custom Design puts you in charge

Have design chops or an eye for contrast, color, and composition? With the Custom Design upgrade, you can tinker with your site’s CSS, compose a unique color palette for your site, and choose from among some awesome Typekit fonts to create the specific look you desire for your online home on the web.

New and improved for 2012

No matter whether you’re just starting to blog or are a seasoned web designer, here’s a sampling of how we made WordPress.com better for you in 2012:

We made a lot of progress in 2012 and we’re already working on bringing you more awesome in 2013. Happy New Year from WordPress.com!

19 Comments on WordPress.com: Our Labor of Love — 2012 in Review, last added: 1/2/2013
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25. Enhance Your Site with Post Formats

A simple way to add visual variety to your site’s front page is to publish your content using Post Formats. Over 50 of our themes support Post Formats, which means they can display various types of content — including images, videos, quotes, links, audio, and short snippets called “asides” — with different formatting, adding subtle but nice touches to your site.

The types of Post Formats you can choose from depends on your theme. To see what Post Formats your current theme supports, go to Posts » Add New in the dashboard and look for a Format module on the right, with various options like the one below:

Format Module

Using Post Formats is optional — if your theme supports them, you don’t have to use them, since the default (standard) format works well with any content you publish. Using Post Formats is also free: you don’t need to purchase the custom CSS upgrade to enable different Post Formats.

Our Top Themes Now Support Post Formats

Recently, we made our top 25 themes — from popular free themes like Pilcrow, Manifest, and Bueno to premium themes such as Elemin — look even better with Post Formats. Here’s a sampling of how Post Formats look different, using the Elemin theme as an example:

Image Format:

Image Format

Video Format:

Video Format

Quote Format:

Quote Format

Link Format:

Link Format

Audio Format:

Audio Format

Aside Format:

Aside Format

Graphic icons spice up this particular theme, while other themes have different design or textual elements appropriate for their layouts. Browse the themes that support Post Formats in our Theme Showcase.

Start Posting Now

You can publish instantly using popular Post Formats right in your dashboard. Just click on “New Post” on the top right, then select one of these popular formats to publish instantly to one of your sites:

Post Formats

Alternatively, you can go to Posts » Add New in your dashboard to create a new post. Just select the appropriate Post Format in the Format module, and you can use the “Preview” button to view the post before publishing it.

10 Comments on Enhance Your Site with Post Formats, last added: 1/15/2013
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