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As many have noted, this year’s San Diego Comic-Con was a success in that, unlike years past, no one got run over by a car, fell off a gate, got stabbed in the eye or died trying to get into a Twilight panel. The last few years of the Con, everyone has gotten used to the whole “It’s too big and crazy!” mindset so they’ve figured out how to deal with whatever logistical nightmares need to be overcome to experience Peak Con Moment. I wasn’t even hungry once this show, for reasons I’ll explain in down below. (Spoiler alert: trail mix.) However I joked around with the original “eating scraps” crew, filmmakers Jordan Renneart and Patrick Meaney about the bad old days many times. I think everyone joked about the bad old days when we didn’t know how to survive Comic-Con. We’re Navy Seals now, trained and elite.
The con was a little bit smaller than last year, and last year was a little bit smaller than the year before. I don’t mean in terms of people—there seemed to be more look-e-loos than ever milling around the Gaslamp. No, smaller in terms of movies, sure, but also pop-ups, parties and massive marketing pushes from studios. Now granted the “activations,” as “they” call the events and booths and Giveaways and experiences, were huge and complicated, from a Scream Queens vertical drop ride, to the hellish Adult Swim theme park our behind the convention center. People slept outside for 24 ours to get into the Star Wars panel and they were rewarded with a once in a lifetime concert march and complimentary lightsaber. That was a very big activation, and I’m sure people will be talking about it for years to come. All the X-men on one Stage taking a selfie with Stan Lee. Warner Bros.’ $600,000 surround screen and Batman v Superman trailer. These were big things. But it’s a thrifty time in Hollywood, and studios now realize that just because a movie is boffo at Comic-Con doesn’t mean it will be boffo in real life. The big promotions were all for films coming out far in the future, not next week, as with notorious underperformers Scott Pilgrim, Cowboys and Aliens and even Snakes on a melon-farming Plane.
When I say Comic-Con was a little smaller, I mean just that: a little smaller. In years past every pedi cab was decked out with Dexter or Comixology. Not any more. The party scene was much less extravagant this year. Float was as busy as ever, but no giant parking lot bashes. (One popular empty lot is being turned into another hotel.) Fewer storefront conversions as well—the rising costs of renting out these venues caused even Hollywood to say, hm, maybe not. Additionally, the Comic-Con model is being exported to D23, Star Wars Celebration and CinemaCon, with maybe a little SXSW thrown in, although I hear that has peaked as well.
And here’s one fun fact that really stunned me: The Wired Cafe only ran for ONE DAY this year, Thursday. Formerly the place to be seen milling around like a nerdlebrity in training, it got too crowded last year, and I guess Wired decided that one day was enough Game of Thrones beer guzzling for the Entourage set. Nobody goes there any more, it’s too crowded.
Not that there still wasn’t plenty to do! Off site video game lounges, Funko fests, parkour courses, zombie runs, and the TV Guide yacht are all still there. And what wonders will the new Marriott Hall hold when it opens next year? Comic-Con is going to stay wild and exhausting and too much to see and do for the foreseeable future but it’s going to evolve, like everything else.
The other big question of the con was what place comics hold in it. Yes yes, comics are the HEART of Comic-Con, but as I reported for PW, it’s become a total brainer for some people. Anina Bennett and Paul Guinan announced they aren’t doing big shows any more; Eric Shanower gave up his long time booth for an artist’s alley table because of the costs. I’ve seen a lot of quiet grumbling on FB and in person about sales not being enough to offset the costs and headaches. Of course a lot of people had great shows, but it really is all about the exclusives and show specials now and those are mostly toys and art prints.
The biggest change at Comic-Con isn’t the cosplayers or the celebrities, but the Collectors. Since getting a badge is a lottery, the people who are most motivated seem to be people who want those exclusives and the overall “activation” not people who want to buy comics, what with about four comic cons every weekend to choose from, and great shows like TCAF and Emerald City for more hard core comics people. I think the fretting I heard from people was about this demographic change and not the show being “too big.” I’m not sure how to change this. You can’t set aside a bunch of tickets just for people who want to see Sergio Aragones and David Aja, although that would be nice. CCI itself does as much as ever to make sure comics are included, and the programming is the most comprehensive in the world, but comics folks may need more motivation to brave the craziness…and I have no idea what that would be.
And littler or not, it is still crazy. I’m sitting here two weeks to the day after I left for Comic-Con, but that doesn’t count the month of intense planning before hand, the mad rush to get everything done just for those five peak days, or the literal months of planning that go into exhibiting at the show for publishers and studios alike. The last six weeks were an insane sleepless grind, but as I sit here I can’t believe it ever happened. I always say Comic-Con marks the end of the fiscal year for comics. For whatever reason those of us caught up in the experience spend the whole year building to it, imagining what might go wrong, or right, how to accomplish everything in the time allotted short of a Time-turner, then blam it happens. Decisions must be made: do that thing you like that you’ve been doing every year for 20 years that you only get to do once a year…or try something else? It’s the ultimate FOMO of YOLO.
Since everyone else has written their con report and no one cares anymore, rather than shape this into a majestic essay, I’m going to go to the bullet points for further observations, then to the Travelog of pictures and then WE’RE DONE. I have exactly 365 days to plan for Comic-Con 2016. Better get started.
• The Eisner wins for modern comics stars Gene Yang, Raina Telgemeier, Ed Piskor, Noelle Stevenson and so on was rightly seen as a watershed but I haven’t seen as many people including Comics Alliance’s win for Best Journalistic Presentation included in that group. CA has been at the forefront of promoting this “modern” view of comics, and when they won early in the evening that should have been a clue as to what was going to happen. It’s about time they won and congrats to the whole crew, especially Beat prodigal Steve Morris.
• I kept hoping to run into people like Michael DeForge and Chip Zdarsky just to hear how they liked Comic-Con. I saw DeForge and Patrick Kyle checking out the Marriott pool early on and he seemed to be having a good time, and then I moderated a panel he was on, but perhaps his twitter feed was the best indication. I glimpsed Chip once but the crowds kept us apart.
• So many people leave badges at the front desk of the Marriott Marina that they have an entire log book just for badge pickup. That kind of blew my mind. I stayed at the Marriott for the first time since…oh the 90s, and it was awesome. My room happened to be the one closest to the elevator so I could get from a much needed lie-down to a panel in room 23AB in 13 minutes! (I timed it.) Marriott 4 life.
Congressman John Lewis. At Comic-Con. In costume. (Recreating his trench coat and backpack from Selma 50 years ago) pic.twitter.com/T4EHdbKZhs
— TopShelfProductions (@topshelfcomix) July 11, 2015
• Congressman John Lewis cosplaying as himself was probably the most awesome thing at this year’s show.
• While the show was generally smooth, the Funko booth has turned into the New Hall H! It was a hotbed of dissent and chaos. Normally I drop by there late on Sunday just as the show closes to get a thank you present for our cat sitter, but they wouldn’t let me in! Turns out, there were problems all week, as the Unofficial Comic-Con blog reports
According to Funko’s Marketing Coodinator Cameron Deuel, once the convention kicked off, Funko was “noticing a disturbing amount of people lingering around [their] booth before the floor was even open,” which likely meant that exhibitors were swapping badges with regular attendees and hanging around the booth, an unfortunately common occurrence at Comic-Con. This led to frustrating situations for fans who had been lined up for hours, as that combined with the already mad-dash to the booth made it one of the most frustrating lines of the convention.
“My friend and I got into line for Preview Night at 9:15AM on Wednesday,” Stephanie Kariott said. “We were one of the first 10-15 people near the escalators at the G Hall entrance. When we were let in, I booked it to the Funko booth, and as I’m sure you know, by then it was already a madhouse. I jumped in line and spent about 45 minutes not moving at all and not even knowing if I was really in line or if they were going to cap it off in front of me.”
To avoid the camping out in front of the booth Funko started giving away tickets for each day, but didn’t announce it. You can read about how it all worked out in the above post. Some people didn’t get their toys—including The Beat! Here’s just ONE account:
My friends and I tried getting Funkos three different days. The first day (Friday), the security guards told my BFF and I that the line started at 1pm, and we couldn’t hang out around the booth. They said, “If you hang around here, we’ll remember your face and will kick you out of line.” That put the fear of God in us, so we went and hung out at a nearby booth (luckily we knew someone working at the booth). We kept seeing the same people hanging out at other booths and circling around like sharks. Another friend tried to sneak up a little closer. As he describes it, Funko announced that the line was open. In the time it took for him to reach for his phone in his pocket to let us know, they immediately announced the line was capped. Pretty disheartening, but I tried again Saturday. That’s when I found out about the ticketing. Decided it would be worth a shot to ask if anybody in line could buy for me. I lucked out, and the first person in line was only getting one or two things, so they bought most of what I wanted. When I talked to my larger group of friends that night (we had a full group of five), we discovered that there were two different stories for ticketing, according to the security guards: 1. They would be passing out tickets in front of G. 2. They would be passing out tickets at the booth. We decided to shoot for G first on Sunday. Nobody was there, so we went immediately to the booth. Our group attempted to fan out amidst the ever growing mob, and of the five of us, two managed to get Group 2 tickets. So our experience wasn’t as bad as it could’ve been, but it was definitely a lot of work.
• Artist Ben Templesmith is one of those who decided to host his own offsite, Squid Con, held at the Hilton Bayfront Bar, as reported on by the LA Weekly’s Liz Ohanesian:
The Seattle-based artist describes SquidCon as an “experiment,” a chance to manage his presence at the massive pop culture convention the way he sees fit. “I’m doing it my way this year,” he says. Templesmith, who is from Australia, but has lived in the U.S. for seven years, started attending SDCC in 2001. Two years ago, though, he called it quits on a convention that had ballooned into a major destination for people with a greater interest in blockbuster films and television epics than comic books. “It got too expensive,” he says.
That’s a complaint that plenty of people have had about SDCC. Attending the convention can be a complicated, and pricy, ordeal. Whether you’re going for fun or work, the process of getting a badge requires a rush to the online registration site months in advance of the July gathering. Status as a media professional is not a guarantee for a badge, let alone a spot in one of the hotels that take reservations by lottery. Lodging comes with a hefty price tag too. Even if you are part of a large group crammed into one room, you can expect to pay at least a couple hundred dollars to stay the duration of the con. Then there are the fees for parking and other transportation-related needs, plus food. If you’re an artist, you can add the cost of getting your work to San Diego and running a booth from Wednesday through Sunday to your budget. Even for someone like Templesmith, who has enough of a following to have run several successful crowd-funding campaigns, that’s big pressure to produce sales.
While one man in a bar isn’t the SlamCon that Tr!ckster once seemed to be about to become, is this an idea that may someday catch on? Marriott Hall?
• One venue that was set aside to be comics centric was the San Diego Public Library where panels were held for three days. Unfortunately, from what I heard it was under attended. This is a great venue that should be part of the show — and it isn’t THAT far away as you can see its dome just beyond Petco from the skywalk over Harbor Drive. Hopefully this will be implemented again next year but maybe promoted more.
• You’ll read more about this below, but one of the signature moments of con for me was during a preview night tour of the AMC booth where the women who runs activations told me about how they plan the zombie stuff around iconic scenes from the previous year’s show. “WE don’t have much room to work with,” she said. “Our booth is only 20×40.” That’s 800 sq. ft. Pretty big for a NYC apartment but small for a major booth by one of the hottest properties in pop culture. “Have you ever tried to get a bigger booth?” I asked. With a wistful expression she said “Oh we’ve been trying for that for years. Maybe some day.”
That really brought home to me the real estate crunch on the show floor. Now granted, AMC also had the whole Hilton outside area for a Fear the Walking Dead activation, and parties every night, and a lot of space, but the show floor is super super crowded not just for comics but for EVERYONE. A lot of people have been suggesting that the under the sails area be turned into something more practical than autograph signing, but that would mean my shortcut from the mArriott to room 24AB would be gone, so I’m not sure I like that idea. Anyway, everyone has the same space issues at Con.
• SPekaing of WALking Dead, even though he had THREE TV SHOWS—Walking Dead, Fear the Walking Dead and Outcast—and a movie—Air—being promoted, Robert Kirkman was the biggest no show. I’m told he’d had throat surgery and in some cases you just can’t talk after that or you have permanent irreversible damage. I hope he’s feeling better and back up to chatting with Chris Hardwick real soon.
• The CBLDF Party was OFF THE HOOK THIS YEAR. So many people! I barely got to talk to all of them, but it was so wild and great and fun. This has really become THE comics party of the year, and it doesn’t even need free drinks.
• During my one trip to one of the major media hotels I was invited into the nerve center for one of the BIG BIG BIG websites and holy shit, it was like NASA mission control with a couple dozen guys at computers. Made me sitting in the press room with a laptop feel naked and alone.
• A Cat Cafe opened on Island just off Third St!!! I never got to go, alas, but one comics pro who I told about it cancelled her plans and raced off immediately.
• The Lion cold brew coffee at the Lion Cafe on 1st St. is great every year.
• All during Con I kept thinking “When this is over I need a massage” and when we got to ur friend’s house in LA where we were saying she announced she was getting a massage the next day. OMG. Little House Spa. It was a real James Bond massage with the ladies walking on my back and I was sore for two days but it was amazing. A new con tradition.
• Probably something I’m forgetting. Anyway. PICTURES.I’m going to split this into a couple of pages to prevent browser crash.
Conan O’Brien’s four night stand hosting his show was the most promoted thing when I arrived, as the luggage belt advertising shows, and I thought it would be the biggest thing at the con. Henry went to one of the shows, and I heard Conan himself was seen out and about on the street enjyoing the scrum, but this soon got lost in my own scrum.
The first night in town we stayed at the Horton Grand for old times sake and had an amazing room right on the corner of Island and 4th. The only problem with the room was that it was very far from the wireless router and the internet was appalling. I had to sit in the bathroom to get a signal. Oh well.
Here’s where I was standing in the above picture from the street.
On Tuesday before the show I went to visit IDW and got a tour from Alison Baker. As I think I told her and Ted Adams, IDW may just have won the office space race among comics publishers. Granted I have a lot to go to, but it will be hard to beat the clean-lined high ceilinged vibe of this former army barracks.
Perhaps the best part of the office tour was this authentic Kevin Eastman Habitat!® Not an office, a habitat.,
Eastman was also the subject of the first display in the art gallery attached to the offices. This is a great space, and the area itself is something of an up and coming arts space for San Diego. A lot of potential!
This is apparently the Dirk Wood habitat? There is a little band rehearsal space to let off steam. If any other publisher has such a space please let me know.
So many instagrammable moments. After the IDW visit, I went to the nearby Trader Joes and stocked up on trail mix, Kind bars and a bottle of wine for emergencies. That was really all I needed. I never set foot in Ralphs and I never got hungry!
Speaking of Ralphs, everyone is in the spirit of the con now.
After dinner and a party at a haunted loft, we walked back to the hotel and discovered a gang of feral cats living in this little park on the opposite corner. Every time I passed by for the next five days we’d see some of these cats! Hope they are being taken care of. They looked pretty happy.
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The first line, on Tuesday, apparently just to get in and get those exclusives.
My calendar this week makes me laugh. A perfect representation of the many disparate segments of my life. Today: Full slate of appointments at the children’s hospital. Tomorrow: Frantic cranking-away at my novel revision. Wed-Sunday: SDCC madness. And somewhere in there I need to find time for a Damn Interesting article edit and a grantwriting assignment. And will MAKE time to start the new Sketchbook Skool “Playing” course with the kids. Because priorities.
I haven’t yet done my usual scouring of the SDCC schedule to see which panels I’d like to hit. Er, attempt to hit—the con has a way of swallowing up intentions with spontaneous developments, which of course is part of the fun. As always, the part I’m most looking forward to is the reconnecting with faraway friends: the lunches, the dinners, the late nights chatting over drinks.
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If Special Edition: NYC was a comic book, probably Warren Ellis would have written it and Brandon Graham or Geof Darrow would have drawn it. It was a perfectly fine show, with a great guest list and good time, but the venue, Pier 92, was…picturesque. I was last there five or six years ago for a Wizard show and in the intervening years it became even more decrepit, with plastic bags collecting yellowing rainwater, as giant air ducts throbbed like the Alien Queen’s thorax, and damn river air curled pages and hair. I had a perfectly good time (I was only there on Saturday) and here are the pictures!
As I mentioned to everyone, Pier 92 was straight out of a dystopian SF comics from Image or Dark Horse. This is actually the Image panel.
The main reason people lined up for SENYC was to buy tickets for NYCC, which was kind of dumb since SENYC had most of the same people in a far less crowded and more relaxed setting. BUT WHATEVS. Here’s a video of the line at about noon. I heard people had camped out since the night before and stood in line for four hours to get NYCC tickets. The line ws capped for a bit and then opened up again, but I don’t know how happy people were. It seem they came got tickets, walked around a bit and left by 4 or so.
More air ducts!
This is an accidental picture of the floor, but it was concrete and my feet hurt.
If only there had been more Mad Max cosplayers!
I vowed to walk around and take photos! Here’s artist Andrew MacLean of Apocalyptigirl and Head Lopper. He’s blowing up as they say.
Writer Frank Tieri of all the comics you read.
Artist Rodney Ramos and Elite Beat Operative Edie Nugent.
Michael Golden doing what he does.
And Jeff Parker (Batman ’66 etc.) I miss the old con reports Parker and steve LIeber used to do. They were hilarious but they wouldn’t fly nowadays I guess.
Artist Natalie Nourigat, who has a project upcoming from Oni.
Everyone loves this book!
Artist Ron Chan who also di dnot give me any PvZ tips!
Oh crap,I forgot this artist’s last name! Help me!
I wanted to get a nice shot of Annie Wu but she had a huge line and was too busy signing.
Gwendolyn from Saga is such a great character to cosplay, but it’s also a testament to Fiona Staples’ incredibly talents as a character designer — her characters are instantly unique and iconic.
Random steampunk shot of the dystopic venue.
I went to plug in my phone and found this China Mieville tableau.
Artist Ramon Perez of Hawkeye, etc.
Brandon Bird and one of his creations. Bird is among the most imaginative and skilled of the
of culture mash-up” school of artists. Check out his website for reals.
Kaare Andrews successfully balances a career as a cartoonist and a director! And he’s fiesty.
I don’t remember the name of this guy but he had by far the tallest banners in the joint. All that height and I don’t remember his name. Pro tip: put your logo on the giant banners.
Artist Jason Howard of Trees. we had a nice chat about coloring which will help inform a future article here.
I really wanted to get my picture taken with DMC but I was too shy but that was dumb because he was mad friendly and smiling the whole time.
— A M Y C H U (@AmyChu) June 8, 2015
Flash forward to Sunday night. I slept all day but crept out for Korean barbeque with a great bunch of folks.
And we’re done!
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Oh, May. You beautiful, terrible month. I can’t say I’m sorry to see the back of you. Massive workload, plumbing woes, multiple trips to the children’s hospital (which sounds more alarming than it ought to—here in San Diego they send your kids to Children’s for every little thing; for example: a chest x-ray when your child has pneumonia even though there is an x-ray lab RIGHT NEXT DOOR to the pediatrician’s office, AHEM, and a four-hour wait and a three-second x-ray later the radiologist will say, all right, I’ve just sent these to your doctor, zap)…but it’s June now, let’s put all that behind us.
I suppose, though, that May did have its moments. Scott surprised me with a trip to a big art supply story downtown, a wonderland full of pens singing at me. I came home with a metal brush pen, aka my new best friend, it feels amazing when you pull it across the page; and a tube of raw umber paint because I have been unsuccessful in mixing a shade the color of chocolate with my basic color palette. Rilla’s birthday breakfast is still waiting in my sketchbook to be painted. Since April, sheesh.
In May my boys’ writing class wrapped up—this was a group of nine homeschooled boys ages 10-14 whose mothers approached me about putting together an eight-week writing course. We had us some fun, let me tell you. A highlight of my spring was watching our freewrites transform from “TEN WHOLE MINUTES??!!?” to “Oh wait can I please have a bit more time?”
Huck discovered the delights of the Oz books—specifically the Eric Shanower/Skottie Young graphic novel adaptations that Rilla loves so much. He spends a lot of time like this:
He’s also enjoying the Magic Tree House books, like so many of his siblings before him. Scott read him the first one to get him started. The corresponding nonfiction volumes are particular favorites, and I am once again being treated to daily factoids about sharks and pirates. Never gets old.
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"When photography began, it was an elaborate, expensive, time-consuming, elite activity, using heavy, cumbersome equipment. Today, taking photographs can be instant, cheap, and accessible to anyone. Despite the enormous changes in photographic equipment and technology since the nineteenth century, the purposes of photography have remained essentially the same, whether immortalizing, exploring, documenting, revealing, or showing us what we can't see with the naked eye." -- from the introduction of Photos FramedIt's amazing, isn't it, that in less than 200 years, photography has become a universal art form? Children can take photographs before they have learned to hold a crayon. I think I can confidently say that every student in my class has taken a photograph. And because of that, I can't wait to share this book with them and dig into the history of photography and the art of photography.
|...and then to realize in our walking, and talking, and visiting, that certain things are similar and certain things are certainly different :)|
Nine years, can you believe it?Add a Comment
The good news is that the 2015 MoCCA Festival moved to a new venue—Center 548 in the heart of Chelsea’s gallery district—and it was ideal! Windows, flattering white walls, three floors of comicksy goodness, tons of foot traffic, and a rooftop lounge where you could sit in the sunlight and look out over the Hudson to the far lands of Jersey. And the panels held at the Highline Hotel wee a hop skip and jump away. It was smooth sailing!
The bad news is that MoCCA will never be there again. (h/t Daryl Ayo) The building—once the home of the prestigious Dia Arts Center—has been sold and will be converted to condos, like everything else in New York. When all these people move into these condos will there be anything fun left to do in NYC except shop at the Stella McCartney store? I sure hope so.
I’ll have a more detailed report on the show for Publishers Weekly, but here’s a picture run down of the week.
One quick note: while today’s multi-faceted comics publishing world doesn’t really lend itself to a “book of the show” Jillian Tamaki’s “SexCoven” in Frontier #7 was definitely the book of the show. It sold out on Saturday but you can order your copy here.
My MoCCA Week kicked off on Thursday with a VIP party for Aline Kiminsky-Crumb with a performance by Eden and John’s East River String Band with special guest R. Crumb sitting in. But first I surveyed the Alt.Weekly cartoonists show downstairs which is amazing. This 30-year old Life in Hell strip by Matt Groening is as true today as it was then. The show is up until May 2 — see it!
It was a lively hoe down. Crumb plays with verve. And I can scratch that off my bucket list.
The hallway to the restroom is an exhibit of original art from the LITTLE NEMO: DREAM ANOTHER DREAM anthology. Art by Farel Dalrymple, Bill Sienkiewicz and more. I love this page from Carla Speed McNeill for obvious reasons.
On Friday night I moderated a panel consisting of Daryl Cunningham, Penelope Bagieu, Nadja Spiegelman and Sergio Garcia Sanchez, shown above. It was a rather unattended event, sadly, but the panelists were great. Here Sanchez shows us someof his experimental comics which use space and storytelling in very unusual and beautiful ways. He teaches cartooning in France and I hope to have more with him in a few weeks. That’s Bagieu on the upper left, and she’s a pistol.
After the panel, I trained over to the Productive for Drink & Draw Like a Lady. Every year there are more ladies! Seriously the place was jammed, and I saw a lot of names on tags that I knew from Tumblr and Twitter. This is the NOISIEST party I attend every year.
Saturday morning I got into a cab with a driver who saw a bit of crosstown traffic and decided at Fifth Avenue that he wasn’t going to take me any further. “It’s a beautiful day! You’ll enjoy the walk!” he urged. For this I had to pay him $5. I got to the Highline Hotel—a former seminary which could easily stand in for Hogwarts—just in time to see Bill K. interviewing Scott McCloud. I know other people have better pictures of this, but it’s my photo essay! With these two smart people, the panel breezed by.
— calreid (@calreid) April 11, 2015
I love all the details that the SOI staff puts into making MoCCA run smoothly, like this signage on 10th Avenue directing you to the venue.
Inside I made a beeline to say hi to Seth Kushner here with his heroic wife Terra. Kushner fell ill after last year’s MoCCA and he’s still recovery from the leukemia that nearly took his life, but he’s leukemia free. It was wonderful to see him, and pick up his new comic, and I think his being there was the highlight of the show for a lot of people.
Band photo with Dean Haspiel and Chris Miskiewicz
A selection of books from Atlantic Press a UK based imprint that publishes experimental and student comics. The book in the foreground, Beyond the Wire by Alys Jones was my find of the show—using hand cut holes in the pages to show the claustrophobic and deadly world of the trenches of WWI.
Steve Vrattos at the Fanfare/Ponent Mon table has a ton if imports from Knockabout and other UK publishers. While I was chatting with him, he helped someone pick up their first book by Jiro Taniguchi, so job done.
I ran into Matt Loux and Abby Denson, one of my favorite comics couples, coming out of the elevator.
Oh yeah the elevator. It’s moot now, since the 548 Center is going bye bye, but getting up and down the floors was the one thing that might have been a hindrance for the venue. The elevator held four people and took 15 minutes to make a trip. The stairs were super steep and narrow, and while they weren’t really dangerous, per se, let’s just say that if you had a little bit of vertigo, things become more challenging. But like I said, that’s all moot.
After you managed to get up four flights of stairs you were greeted with this view on the roof top.
Saturday night I went back to SOI for the Awards of Excellence presentation which were given this year to Greg Kletzel (above), Kris Mukai, Daniel Zender, Tyler Boss and Keren Katz.
Here’s Keren with her trophy. (Keren is so talented and also one of the nicest people I’ve ever met, even in a business filled with nice people.)
This party had some free beer from Lagunitas and was so much fun. The patio was open, and after this long winter, just to be outside again was a joy.
On Sunday I tried to take pictures like I always do. Alice Meichi Li
Birdcage Bottom’s JT Yost
Hic and Hoc’s Matt Moses and Sam Henderson
And then I got distracted and stopping taking photos. As you can see it was a light, airy place. Too bad we’ll never be there again. Enjoy your $5 million condo that you visit once a year, oligarch.
Javier Cruz Winnik and Sara Wooley
Julia Gfrorer and Sean T. Collins. Later on we got a picture of Sean along with myself and Brigid Alverson, as shot by Johanna Draper Carlson for a Bloggers of the Aughts reunion.
At Conundrum, Kat Verhoeven, Andy Brown and Joe Ollman take their band photo. Verhoeven’s Towerkind is just out and I talked to her about it for the PW podcast this week.
The woman of the year, Jillian Tamaki.
This is the Highline Hotel. Inside it was decorated with manual typewriters and dark wood fixtures reminiscent of a century ago. When I leave New York, I want to come stay here when I visit, except rooms are $400 a night. Also you had to stand in line 20 minutes for a $4 cup of Intelligentsia coffee. They were out of cold brew and pastries by the time I got there. The barista told me they’d had an insanely busy weekend.
I checked out this panel with editors from various print and online magazines—the New York Times, Rookie magazine, Autostraddle and Tablet—and what they look for when hiring cartoonists. I took notes and will write it up in a bit.
SeflMadeHero publisher Emma Haley and Dutch artist Barbara Stok.
Ghetto Brothers, a true life tale of gang life in the South Bronx, was one of the lesser heralded books at the show, but I heard a lot about it on the floor. Here’s Benjy Melendez, subject of the story, and artist Julian Voloj. I think you’ll here more about this in the coming weeks.
Calvin Reid and I did the Buddyback!
Another view of that wonderful rooftop lounge as Brian Heater and Calvin confirm their world domination plans. Tears in the rain, baby
For those who could not binge watch Daredevil, there was a water tower.
The other Leigh of Top Shelf. I’m terrible with last names.
At the end of the day I got to ride down in the freight elevator which is bigger than my entire apartment. Sad face.
I left the show and walked over on the Highline with Marie Javins, Shannon Wheeler and Brian Heater. Here is their band photo.
And we walked off into the sunset. Seriously, comics, rooftops, Highline, sunsets…this was all so wonderful and I couldn’t ask for better people to reflect on the show with.
So yeah, MoCCA 2015 was pretty swell. I’m for Anelle Miller and the other folks at SOI will be able to wrangle a new venue for 2016, but I’ll always remember this one. It was a special time.Display Comments Add a Comment
Sometimes people who license their digital content aren’t really thinking it through. They may have something else on their minds or copyright nuance may not be their thing. I think it behooves us copyright advocates and activists to (at least) politely try to push the envelope towards more open content licensing. Here’s the example I enjoyed from today.
This is interesting especially because Flickr uses Creative Commons licensing, but does not use CC-0 which is an intentional choice. Photos from cultural heritage organizations which are in the Flickr Commons have an additional “no known copyright restriction” option that is only available to specific accounts, not any Flickr user. There are many ways this specific issue can be resolved but just the fact that it’s generally a hurdle that has to be overcome indicates that there is still a good role for copyright reform advocates to play. More supporting links: Original article & SpaceX photos on Flickr.Add a Comment
Somehow I have neglected to mention until this moment that Jackie Estrada is crowdfunding a second book of photos taken at conventions over the years, this one focusing on the 90s.
The first volume was a roaring success. This second one (Despite not having me on the cover) looks to be just as good. And the perks are excellent.
This volume covers youthful looks for most of today’s superstars.
That’s Frank MIller, Neil Gaiman, Bill Sienkiewicz, Bernie Wrightson and Dave Gibbons from 1991.
And Chris Ware and the late Kim Thompson from 1993.
There’s also a very rare photo from an event that I didn’t think any photos existed for, the VERY FIRST Freinds of Lulu Meeting at the Cafe Lulu in San Diego:
That’s Cat Yronwode, Lee Marrs, unknown, the late Kim Yale, Martha Thomases and Maggie Thompson. Veteran warriors all.
Anyway, this kickstarter is at the “halfway done 50% funded” spot, so it could use a little kick.Display Comments Add a Comment
I had SUCH AN AMAZING TIME IN NEW YORK! Huge thanks to the SCBWI Winter Conference organizers, volunteers and faculty for a fantastic event.
Eventually, when I get more free time (hahahah), I hope to post some highlights. The next couple of weeks are going to be superbusy for me so instead, I'm sharing some of the photos I took with my iPhone during my trip.
Feel free to share or repost any of my photos; including a photo credit would be much appreciated (or tagging me). Here are some of the photos from my adventures in NYC, including after the SCBWI conference:Add a Comment
• Rilla came to me with a paper cut. Not that I’m happy she was hurt, just–it struck me so sweetly that she still comes to me for little hurts like that, still believes a kiss from mommy can help
• good IEP meeting—they all love him so
• cleaned up the side yard, threw out two bins of junk, pruned the pepper trees
• daffodils in the neighbor’s yard
• Huck wearing the old cloth barn on his head like a jolly little hat.
Hilarious! Also nice to see how beloved it still is, 16 years and 5 kids later
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October 2013 – we’re in Vancouver, British Columbia. We flew into Vancouver the day before our cruise was scheduled to leave and we spent the day sight seeing. It was a GORGEOUS day and this is one of my favorite pictures.
One. Because there is so much glass! And boats!
Two. Because I think I look pretty good leaning up against that post. Note to self: wear dark clothing – it hides the chunky monkey.
I truly love the people I work with. Everyone has a sense of humor. Everyone takes her job seriously. We all work as a team.
I couldn’t ask for a better work family, truly.
Platform: iOS 7 or later
Brushstroke is a seemingly simple app that turns a photo into a painting. You might think to yourself, so what? But really, it’s a pretty powerful tool that gives teens, teachers, and librarians the chance to use a variety of effects on their photos and is a great way to start discussions on painting techniques, styles, how visual messages change as a result of visual choices, and even artists and art movements.
The way it works is that a user selects a photo from an iPad or iPhone camera roll or takes a photo from within the app. The next step is to crop the image if need be. After that, and I admit it took me a minute to figure out how to get from the crop screen to the painting screen – it’s the > on the top right (as you can see in the images below) – the image is rendered as a painting. In the photos below you’ll see the original version of the photo I painted on the left and the painted version on the right.
Once a photo is turned by Brushstroke into a painting, a wide-array of painting styles are available to render the image in. Choices range from oil and watercolor styles to experimental and abstract styles. You can also add color filters; a canvas type such as primed, rough, canvas, stone, and so on; change exposure, brightness, and add a highlights; and add a signature to a painting. When adding a signature there are a few color choices available and as the signature is created it’s visible on the painting so it’s easy to tell which color will display the best.
After completing a painting it can be saved, shared via traditional social media channels, or even produced and shipped framed and ready to hang in a school, library, or teenager’s bedroom.
Teens who are interested in different styles of art can compare their favorite artist’s paintings to the styles they create with Brushstrokes. Teachers who are working with teens in art classes, history classes, and so on can use Brushstroke as a jumping off point in conversations about the ways in which different painting techniques can be used in order to send a particular message or create a particular emotion.
Turning a photo into a painting might seem like a simple idea. But in reality, to transform the photo into the style most appropriate for the image portrayed takes a lot of thought and trial and error. Critical thinking and problem-solving are a key part of the process.Add a Comment
A busy place with no door but when you enter you still use your buzzer.
Then back again from flower to flower, collecting the pollen that gives you power.
It’s home again, little bundles carried to feed the Queen
I know, I know, I go dark for almost two weeks and then suddenly, what, four posts in one day. But if there’s anything I’ve learned in (ye gods) nine years and eleven months of blogging, it’s: if you have something to write, write it, and if you don’t, don’t sweat it. And following a related-links rabbit trail on the Huck post this morning led me through many moments I’m glad I chronicled. So here’s an entry for the memory vault.
Of course the main reason for my silence has been my pile of Cybils reading, as we’re rapidly approaching The Big Discussion right after Christmas. I gave up maintaining my sidebar and Goodreads reading logs weeks ago, but after the madness is over I’ll use my Cybils log to catch up. If you are stuck for book choices I can make suggestions, boy howdy.
(I love this committee. It’s so good for mah brain to consume a megadose of YA fiction every couple of years. And my fellow panelists are so darn smart. It’s the book club of my dreams—fierce but fleeting.)
The other occupier of my time has been a glorious stream of company. ’Tis the season for visits from college friends. We had Kristen and her family for Thanksgiving (Krissy, did you get any good pix? Mine, not so much) and then a long-awaited, unremittingly delightful week with my friends Ron and Larry from Portland. I got to show them Balboa Park (the best part of San Diego) not once but twice: two long lovely afternoons there roaming through gardens and museums. One day with kids and one day without. Beanie and Rilla came with us to the SD Museum of Art, where the “Gauguin to Warhol” exhibit wowed us. I wasn’t surprised to be choked up by seeing a Frida Kahlo up close (Self Portrait with Monkey), but I didn’t expect the Jackson Pollock to move me the way it did. The scope of the thing, a whole massive wall of paint crammed with small stories.
Soon we’ll have my parents here, and Jane finished finals yesterday (with a paper on Prufrock, color me proud) and will be headed home in a few days. Fortunately she wasn’t planning on taking the train home today! Amtrak had to cancel the coastal train due to this crazy storm. Water, finally! More than this parched land can handle. Much worse in LA than here. We’re cozying up at home for now.
The other notable thing about our December is, of course, that it’s our biggest birthday month. So before I pour in a bunch of photos from Instagram and elsewhere these past few weeks, I’ll just leave you with this: Wonderboy is eleven now. Eleven!Add a Comment
As of this moment, my 2014 Cybils work is done. Well, except for hauling a metric ton of books back to the library. Whew!
Since October 15th, I have read 79 young adult novels. Seventy. Nine. So now you know why this blog has been so quiet. But ahhhh, here I am, ready to settle back in and, you know, put the B in CYBILs. (Children’s and Young Adult Blogger Literary Awards.) Consider yourselves warned.
For now, though, today, the day after Christmas, I’ll content myself with a few thousand words’ worth of pictures.
20 Ways to Draw a Tree: the bird page
watching TV with his new best friends
Christmas night: gaming like the olden days
Hope your holidays are happy and restful, friends. And filled with good books!Add a Comment
I’m going to blog every day this year!
Well, obviously I didn’t mean weekends.
::mutter mutter:: Look, that Downton episode was over 90 minutes long. These things take time! A LOT of time. Like, I’d have had to start writing in 1924 to have a recap ready to publish by Monday morning.
It’s ready to go live! Now I can get back to regularly scheduled blogging.
::small boy appears, wants to cuddle::
Hmm, maybe not quite yet.
(Photo taken by Rilla on New Year’s morning. Thanks again for the excellent gift choice, Godmother.)
I’ll be running the Downton posts at GeekMom this year. Episode 1 should go live today; I’ll post the link here when it’s up.Add a Comment
Kevin took this picture while we were waiting to board our cruise ship in Vancouver, Canada in October 2013. We were cruising to Alaska. And though I had to talk Kevin into this cruise it actually ended up being the best cruise we’ve been on so far. (And judging by my flushed cheeks, I was having a hot flash).
That’s two viewings plus a bit of rewinding during the writeup. Today I discussed Billy Collins’s wonderful poem, “Marginalia,” with a small group of girls, and I when I got home and flipped open my notebook, I had to laugh at the way I wreck a page. That’s not a self-criticism; I’m used to myself now and the chaotic way my mind works as it wrestles a narrative into order. I write my novels the same way: a chunk here, a chapter there, jumping forward and backward in the story until the bones are intact enough that I can settle down and work on muscles, skin, heart.
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